NPC + Dialogue - Style Test #2
A more refined version of what God's Reject will look like. And this one is in-engine, too!
I like this style, will probably be the one i settle on for the final game. Mostly Black & White, +1-2 colors for accents. A tri-color monochrome... a tri-chrome? Eh.
It certainly cuts drawing time in half if i can draw everything in black/white, and as a single-nerd dev team, you gotta know where to set priorities. I could draw super colorful assets, but that would take centuries to complete... so monochrome it is! Minimalism rules, anyway.
The whole thing is heavily inspired by this one game nobody besides me played, called Looming: https://www.youtube.com/watch?v=7qidHZDrQAw
A game from the super early Flash days of indie games, back when the words "indie game" meant new and exciting things.
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When I was a kid my family pretended to get raptured so I would think I was left behind on earth while they all went to heaven.
I was like 8 years old and my sister and mom had gotten really into the Left Behind novels (bible fan fic about the rapture). In the books when the rapture happened the clothes that people were wearing when they got raptured were left behind in neatly folded piles.
One day when I was getting home from school my family decided that they would leave piles of neatly folded clothes around the house, and then hide in the basement.
The intended effect was that I would get home and see the clothes then, think that my family had been raptured and that I wasn’t good enough to get into heaven… or something?
The problem was that I had never read these books, and didn’t really think about the rapture very often. There was no reason that I would see some laundry on the floor and think “The rapture happened and I’ve been abandoned by God! I’ll never see my family again!! Oh nooo!!!!”
I just sat down and watched cartoons and eventually my family got bored and revealed that they were all hiding in the basement.
It’s a good thing I didn’t understand the joke, otherwise that shit would have been traumatic.
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the fact that eric kripke isn't even christian really adds something to the way christianity is depicted on supernatural. because its really not about being christian at all, but about living in america, a country dominated by christianity, and having to decide for yourself how to handle that. faith is huge in supernatural, and the mythology of the show is very bible-centric, but notably, christ is never there. even sam, who starts out revering the angels, who once said he prays every night, doesn't actually call himself a christian or imply that he believes in jesus--the show is steeped in christianity and biblical lore and yet neither sam nor dean are christians. in fact, over and over again the church itself is depicted as a haunted house that sam and dean will only ever enter as strangers, as outsiders. priests, preachers, faith healers, chapels, crypts, etc. are all just iconography that create an intense sense of unease that sam and dean respond to instantly. as a jew, its very relatable. an essential part of living in america when you're not christian is that exact sense of unease, of knowing that the culture of your country has ensured that you'll get knocked over by christianity no matter where you go, that you'll see hundreds of people truly believing they're good people while doing awful things in the name of their god, and you have no choice but to confront that. kripke gets it
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Trapped in a vicious cycle of pining? Try gay sex! (More things to learn over at Tiger Tiger!)
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lol arthur realizes with the other knights after watching merlin flirt and being hit with a wave of deja vu: holy shit you asked me out
merlin and the rest of the knights around a campfire after leaving a village bc lancelot and leon somehow started a brawl in the tavern: ???
arthur points at merlin: after valiant! you asked me to buy you a drink! you were asking me out!
merlin is busy cooking dinner and confused out of his fucking mind: what???…..valiant….oh the knight with the snakes.
gwaine who was slightly tipsy now stone cold sober and sitting up straight against a tree: wait. explain. what do you mean merlin asked you out??
arthur snaps his fingers as he recalls the memory: i apologized for sacking you and you said that if i bought you a drink we’d be even.
merlin now remembering how he had stumbled into camelot, picked a fight with a pigheaded bully which quickly turned homoerotic and flirtatious, and continued their teasing-flirting for days before merlin shot his shot and asked the prince out only to be rejected: oh yeah, i forgot i did that…..wait, you mean you didnt realize what i was asking?
arthur: no?? we argued everyday, how was i supposed to realize you were asking me out??
merlin now abandoning the dinner and staring across the camp at arthur while the rest of the knights watch their back and forth like a game of tennis: to you we were arguing, to me that was very much flirting. i thought you were flirting back so i decided to ask you. then you rejected me
arthur, mentally beating his past self up for fucking up their chance: i didn’t reject you!!! i just didn’t realize what you were asking me. how was i meant to? we fought every chance we got
leon, nudging elyan, glee and excitement riling through him: its happening!!! its finally happening!!! seven long, grueling years is finally paying off!!!
merlin, realizing the misunderstanding and acknowledging the fact that he wasn’t rejected, his flirtations just weren’t noticed - realizing he still has a chance: oh…oh i see. arthur, my dear, our fights were extremely flirtatious. need i remind you of what you said? “do you know how to walk on your knees? would you like me to teach you?” or “i could take you apart with one blow”
arthur, mental capabilities at an all time low: m…my dear….?????????
merlin grinning devilishly as he realizes that his flirtatious persona he had hidden away after falling head over heels for arthur can make a come back: that is what i called you. should i call you something else? say…mine?
percival gags in elyan’s ear: cheesy
elyan hides a laugh: at least they’re finally getting somewhere. better than the hopeless pining
arthur, flushed from head to toe: ah uh no um im uh
merlin thoroughly enjoying himself: oh come now, your majesty. use your words.
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I’m fully back in my game of thrones era, and I need to say just one thing
JUST ONE CHANCE ONE CHANCE I BEG YOU
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My brainrot today is thinking about just how incredible for a character Eowyn is.
Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.
To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.
The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.
The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.
Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.
Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.
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nOiSe
meet Noise.
the protagonist of God's Reject, my work-in-progress body horror biopunk RPG.
took a while to solidify who i wanted as MC. his WiP names were "The Wretch" and Drej (shortened from GoD's REJect). the white hair was set in stone from the start, plus the fact that he's a silent protagonist. in Noise's case quite justified, his speech apparatus was crippled from birth.
"Noise" is what little his mouth manages to make, a breathy whisp. just enough for a hit sound effect, lol. it's also a mild reference to the manga Noise, by Tsutomu Nihei. which is a prequel to Blame!, my favorite piece of sequential art ever.
the world Noise will be sent to explore is strongly influenced by Blame's endlessly winding Megastructure amd beautifully oppressive atmosphere.
Posted using PostyBirb
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Gummigoo realization
Ok so, in the candy kingdom map, caine portrays himself as god, he's likely worshiped in that maps churches
Right before gummigoo got snapped he saw caine face to face
So to gummigoo, he saw gid right before him, and heard God say he had no right to exist on the same Plaine as him, before getting snapped out of the circus
THIS POOR LITTLE GATOR HAD A CRISIS, THOUGHT HE WAS GONNA BE ACCEPTED, THEN HAD GOD TELL HIM TO HIS FACE THAT HE HAD NO RIGHT TO BE HERE!
IF HE REMEMBERS THATS GONNA BE THECWIST CRISIS EVER
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it just sucks because nothing is ever fucking made for you, and if it is made for you like 75% of the time it gets chopped into little pieces by every person alive because this is the one thing you have, so it has to prove itself to you.
like, a thing can't just be for women. men need to assign it to women. women have to experience "must" or "should" before their hobbies and passions - women are allowed to do silly, passive things like tuck our ankles and titter behind a fan, or something. women are allowed to, they are welcomed to. like the world is a house and we are supposed to be in the kitchen and now we are being given the divine right to enter the living room if we bring chips
because when it becomes for you, or about you, that is when the thing is vile. you should/must wear makeup so you can appear beautiful to men. once you wear makeup for yourself, or because you yourself enjoy putting it on, then you are no longer doing the right thing. there is a reason men hate certain fashion trends. there is a reason men hate things like the pumpkin spice latte - because it's not about them. you are buying it because it is good for you. they degrade your passions and interests. there is a reason women-led fields are largely seen as being "not a real" profession. when you are a good cook, that is because you can provide for him. close your eyes. you're not going to be a chef, be honest. that is a man making food for himself.
bras are made so breasts will be appealing to men. they are rarely about comfort or support. you have given up entirely on the idea of pockets. young girls have to worry about a shorter inseam on their shorts. a girl on instagram gets her septum pierced, and men in the comments are rabid about it - i just want to rip it out of her face. she'd be beautiful without it.
and fucking everything is for them. even the media that is "for you" is for them, eventually. remember "my little pony"? remember how hard it is to convince any executive to believe that little girls are worth selling to? in the media that is for you, you see little ways that you still need to make it accessible for them - the man is always powerful, smart, masculine. he is a man's man. the media usually forgives him. it usually says okay, some men are awful, but hey! gotta love 'em. because if you don't hold their hands and say "this is literally just a story about my lived reality", they shit their pants about it. they demand you put them into the media that's for you.
these are people who are so used to glutting themselves on the world. they are used to having every corner and every dollar and every place of leadership. so you say can i please have one slice of cake, just for myself, please, holy shit. and they fucking weep about it. they say you're being unfair, because some of their one-thousand-slices aren't beautiful, and your singular cake slice doesn't have their name on it. and aren't you being rude by not offering to share?
and honestly. fucking - yeah, man. you were kind of surprised, because the cake is a little basic (you bake at home, you're way past this stuff). but holy shit, it was nice just to be offered cake in the first place. you're used to having to starve. you're used to getting nothing, but going to the party anyway, because you're expected (professionally) to show up. you liked that it is a simple cake, and that it is warm, and mostly: you like that there is, for once, a cake-for-you.
in the real world, outside of metaphor, it feels like fucking being slapped. barbie didn't even say anything particularly unusual; it literally just made factually evident points. there are less women in leadership than men. we can look at that fact objectively. that is a real thing that is happening. and the movie is aware that it has to defend itself! that it has to spend like half an hour just turning to the camera and saying: i know this is hard for you to understand, but this is a real thing that women experience.
it's just - this is that one kid on the playground who thinks its allowed to hog all the toys. he builds this hoard that nobody else is allowed to even look at, or he'll get aggressive. everyone's a little scared of him, so they let it slide, because his daddy gave him the golden touch. he hates when people cry and thinks bullying is cool. he writes boys only! on a big sign and makes all his friends take "alpha male" classes.
and then girls pick up barbies, because there was nothing left for them. and in the void they've been given, with their scraps: they make long, spiraling narratives about how barbie is actually descended from snakes and has given her righteous followers magical (if concerning) powers and can speak 32 languages (2 of which are animal related) and has big plans for infrastructure (beginning with the local interstate). and the boy comes over, and he has a huge fit about how the girls aren't "including" him. he wants to know why the girls aren't making the story about ken.
"we didn't like your story." the girls blink at him. they point to his war stories and the gi joes and the millions of male-led narratives and how still in the modern day men get two-thirds of the speaking roles in movies and they point to men making mediocre shows that don't get lambasted and they point to men encouraging toxic masculinity and they point to men everywhere, men and men and men. and they say: "how is this our fault? you had ken."
"no!" he is already back to screaming and stomping his feet and tearing at his hair and intentionally reminding them that men are holding back thinly concealed violence and he says: "if it's not for me, it's actually sexism."
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Show me your worst. I love it all the same.
As long as it's me. As long as it's you.
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the admiral and jon shennanigans...
when georgie's not home jon ties his lanyard and drapes his tie over the admiral and practises his reunion with the archives (READ: JUST MARTIN) on admiral but all admiral wants is the treats jon isnt giving him
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It's a Match!
Being the King of the Infinite Realms didn't really give you many dating options. There were no candidates who weren't committed or completely sincere, and Danny was feeling sensitive those days so he was frustrated. The Observants telling him to get a partner to create a "better future" and offering horrible options was especially infuriating those days, he wished they would stop meddling in his life.
Sam and Tucker, seeing the halfa's frustration did what any friend would do in such a situation: They created a profile for him on a dating app. Although they didn't notice that when they connected it to Technus' Internet the app started taking "candidates" from other dimensions that had it.
Despite not trusting it much at first, Danny eventually embraced the idea and very quickly connected with "Jason Todd" who claimed to be a zombie. Danny thought it was funny and told him he was a ghost, which Jay obviously didn't believe. Ironically, they matched because of the "I died" jokes on their profiles.
The only problem was when Jason asked to meet (he was absolutely convinced that Danny was either homeless or living on the streets due to his refusal to send pictures from home and wanted to feed him) and Danny didn't know how to tell him that he didn't know what dimension he was in.
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