#god. goddd

[moltage]

another case of ''tom mcgraths voice acting is insane and i love him''

[nintendont2502]

tumblr is such a fucking place man. where else are you gonna get someone saying that uhm actually its okay to claim that odysseus would be better as a christian story because *they* dont believe that anyone worships the greek gods anymore (and continually ignoring all evidence to the contrary) and anyway even if someone does worship the greek gods that doesnt matter because its paganism and they dont respect paganism and theyre totally doing all this from a place of love for the original text <33 trust them guys <33 ignore how they refuse to believe that the context the text originally came from exists anymore and even if it does they dont deem it worthy of respect and also they only care about it when its thoroughly christianised <33

[marc--chilton]

MY SKULL WAS CRACKED OPEN TRYING TO SAVE HER

[muppetsnoopy]

somebody in the elevator was wearing the same perfume that my best friend in highschool used to wear so guess I have to cry now

[stars-and-birds]

eveytime i open this app it’s like here’s why the most wholesome/amazing/compelling show that brings you comfort sucks and why you need to stop watching it and also here’s top ten problematic things the author has done

[doomednarrative]

^^ me when Kamen Rider Blade Episode 14

[toothlesshat]

I CANT BELIEVE BATMAN LOST TO FUCKING AVATAR I HATE YOU STUPID ACADMECU DJJDIWKWHEVE VENDJDJDBCCWCWVV

THE BATMAN WAS ROBBED I DO NOT CARE HOW BIASED I AM OH MY GODDDD

[stevenrogered]

Meet the Vampire Lestat ft. Sam Reid | Interview with the Vampire

[ibunyang]

i finaallly got to play one of my dream games WEEEEEEHEEEEEEEEE

[wacky-wonders]

made even more horror stamps (+ hoffman getting punched in the face 😁)

[tricoufamily]

willoughby hair overlays redux

pre swatch update, i made these hair overlays. now those are pretty much obsolete, except for old cc hair, so i made some new ones! the original swatches are included in this untouched, so you can just delete the old version from your mods folder

click for no reshade pictures

as i said last time, it won't work perfectly with every hair, that wouldn’t even be possible

hair bows, clips, headbands, and other hair accessories will likely also change colors

not intended for ombre hairs. but it actually looks pretty cool sometimes tbh

versions located under brow ring (left), mouth crease, and tattoo (upper chest)!

doesn’t affect eyebrows or facial hair so strictly maxis match ppl look out

highly recommend using a custom hairline

works for all ages and frames. won't work well with infants, though (the non-cc hairs at least)

base game compatible

disabled for random

the black is for when the ea non-blue black is grey for no reason 🤢. the original black overlay is ok but sometimes i find it makes that swatch too dark and you lose detail in the texture. this black is just a little less intense. so i recommend that one for the non-blue black and the original for the blue black swatch!

download (sfs)

[thegoldenappleofdiscord]

i think a lot about that one scene in botl where nico summons theseus and percy's surprised that he doesn't look all buff and strong - that he looks just like them, and not even older in age. he expects theseus to be prepared, to look experienced, but instead he gets someone who's a frightening image of the average demigod, and it's scary. it's a reminder of how things, no matter how shrouded in legend, haven't really changed. it's the same formula, the same pawns, and the same game.

[p4nishers]

no but actually imagine being immortal and meeting THE LOVE OF UR FUCKING ENDLESS LIFE and spending SIX THOUSAND MFING YEARS imagining an ETERNAL future with them and fucking knowing that you want to spend ACTUAL FOREVER with them like dude im gonna fucking choke and die how can love like that exist even in fucking fiction?? HOW??? this is making me so emotional imagine someone wanting to spend actual fucking eternity with you i would die at the mere fucking possibility. "and we spend our EXISTENCE pretending that we aren't (...) and i would like to spend–" are u fucking kidding me rn man??? fuck off fuck u shut up

[cloudysfluffs]

when your boyfriend is trying to lovingly trace your scars but youre ticklish (which only makes him do it more bc he loves your laugh)

kink/nsfw/fetish blogs dni please!!!

[namisweatheria]

I feel like we don't discuss Nami's relationship with gender enough. Her entire character is so deeply informed by being a girl in a male-dominated pirate world and it's so interesting and so worth talking about.

The background creepiness of Bad pirate crews, which are most of them, how they tend to not have any female crew members at all, how they beckon any pretty young woman around to come play with them and join them. It's real bad. It's also like, a totally 2 dimensional portrayal of evil that is reserved for the most background of background characters.

However I think their ubiquity says a lot about how piracy is meant to be perceived by the public in One Piece, and is one of the strongest indicators of how prevalent misogyny is in-world.

It's very normal in One Piece for regular island inhabitants to have never met a Different class of pirate in their life. There's no reason for them to withhold judgement that maybe these pirates won't be like every crew that attacked before, and to wait and judge them by their actions. I mean frankly that would be irrationally weak self-preservation.

There are people who live peacefully under the flags of Yonkos who protect them, and feel loyalty and gratitude to them for it, but that seems to only be thing with very big name pirates. The East Blue, being the weakest and least populated, has no such plethora of powerful people and resulting turf wars.

So. Nami. Is very clearly implied to have never met any Different pirates before. I'm thinking about what that means. About how every group of pirates she stole from were creepy, dangerous men. How she started going out stealing when she was still a young child. How she didn't have a mother anymore to guide her or comfort her. How Arlong would grab her chin inappropriately, talk about her as a "human female", as property, and god knows what else.

How all the men in Arlong's crew treated her patronizingly, pretending they're all friends, teasing her and playing at respect when really not a single one of them ever stuck up for her or hesitated to accuse her of betrayal. Who were always ready to kill her if she refused to cooperate. Who grabbed her and intimidated her when they felt like it.

That's what she had to come back to after a close call with stealing from other predatory men, instead of the relief of home there was a dark, cramped room filled with endless hours of misery and isolation and blood. Where any one of her captors could barge in and demand new maps, work faster, where did you go, you took too long again this time. Endless threats and incursions.

I'm thinking about that her fight scene in Alabasta, where she tumbles and rips off her cape and uses it to catch her enemy's spikes, before leaping to her feet and running out the back door, all in one moment. How it makes her enemy reconsider her and think, "so the girl's not a total novice at fighting after all." What that implies about her experiences as a young thief. The times she wasn't fast or clever enough and had to fight and claw her way out. Why she always carried a staff and a knife. Why she was the only one before Chopper who had any medical knowledge or experience.

You know she was stitching herself up. And the weapons, how do you think she learned to use those? If any of the Arlong Pirates helped her it wasn't out of kindness and it wasn't gentle.

Then I think about Nojiko, and Bellemere's memory, and the only softness in a hard life. How easily Nami connects to every young woman experiencing hardship that she meets. How completely she dismisses the struggles of men unless they mean something to her and are going through something terrible. The way that Nami only has sympathy for women and children is easily noticeable in-text, but it's also something confirmed in those words by the author. And it's clearly because of the life she lived, the men who had all the power and only abused it, who saw her as nothing but a girl to take advantage of, without anyone aside from her sister clearly knowing and caring about any of it.

Nami clearly isn't bitter, she doesn't think the world owes her recompense, on the contrary she knows she is far from the only person in the world to suffer the things she has suffered. She is endlessly reaching out and kind, but only to those that she isn't sure would get help without her. Certainly, before Luffy, Usopp, and Zoro, no man ever reached out a hand to her without an ulterior motive.

I think when she sees a girl in trouble, a girl biting her lip to hold in a scream of grief, a girl running in the woods away from a monster, a girl captured by pirates, she sees someone who no one is coming for. Who no one will stick up for. A person without allies in a world against her. Whether it's actually true in this case or not, she runs straight for that girl anyways every single time.

[sun-snatcher]

hello! i love ur work and i was wondering if u could do some live action zuko angst (that makes ur heart sink) and then it progresses to fluff (that makes ur heart swell) please? HAHA idk if it makes sense but i rlly love ur work!! hope ure doing well n no pressure!!!

🐉・ HEARTBURN

summ.  Fresh from his banishment, Zuko faces the aftermath of his punishment in both his dreams and his waking hours. pairing. Zuko x f!reader (established relationship) w.count.  1k.  a/n.  A bit abstract on this one, but just typical dream logic. A glimpse at Zuko’s descent into madness, almost? Sorry anon if this is mostly angst than fluff! 🧎🏻‍♀️

Zuko’s dreams manifest at the scent of burnt flesh and the sound of his own screaming.

He feels the molten sting of a melting crown upon his skin and the fantastical beast that is his father; something monstrous— something scaled, fanged, clawed, and too large an appetite, with a touch and breath of fire that lights the skies in a blaze.

( He wakes up with his voice hoarse from screaming. The 41st Division will eventually learn early on not to mention it. They just leave a hot pot of tea ready for him come the mornings, by General Iroh's orders. )

Sometimes, it transgresses. Sometimes, it’s his mother who burns while he watches from the sidelines of the Agni Kai; Or Azula. Their shrieks mix with his when he wakes. 

Sometimes, it’s Iroh who scalds him. Great Dragon of the West, jasmine-white with razor teeth and a flame that burns as hot as the sun; serpent eyes a shining gold and a sharper tongue that spoke of his disappointment for his nephew. 

Sometimes, it begins with you.

Please, you beg, at the foot of a winged beast. It speaks in the voice of his father; damning, all-encompassing. It warns the Prince the price of compassion, of mercies, and of weaknesses. Eliminate her, or I will. 

Rarely does Zuko ever move. He’d plead in your name, to spare your life. It never happens; he just wakes to the smell of smoke and the sound of your screaming.

( There are dreams he doesn’t speak at all to defend you. The shame devours him whole. )

“I’ve killed you over a hundred times, in my sleep.”

In the aftermath of another nightmare, you turn to face Zuko. You’re not quite sure what to say. 

“Other nights, it’s the 41st, or Uncle,” he says, quietly. “Even mom, or Azula.”

You turn back to the small medical chest on the desk. The infirmary is quieter at times like these; the soldiers of the 41st know not to visit the usual haunts of their Prince. Tonight, Zuko will have to replace the bandages of his scar, and there are only two people on this ship he’d ever trust in his life to lay a hand on it.

You’re shifting towards where he’s sitting on one of the cots. “May I?”

( You ask. You always ask. Even when you’ve done this nearly fifty times, you ask. Zuko is glad; there’s a comfort in agency, especially when he’s gotten so used to losing it every time he sleeps.  )

He nods, and you make quick work to unravel the bandages. When the layers come away, you observe the way his left eye shuts and opens as he blinks, remaining half-closed into a permanent expression of pain. He looks away, downcast. 

The skin around is stretched taut, some areas rawer than others, marred with growing scar tissue that knots in twisting valleys. ( Zuko has only seen the scar once. He’s covered the mirrors in his room ever since; avoids glancing at his own passing reflections. )

The wound is still fresh; the memories fresher.

You don’t flinch at the sight or recoil like the other soldiers or dignitaries. 

He finds… solace in that.

( Something roils in his mind. It uncurls and hisses and growls. )

“Tilt your head for me,” you say, ready to replace the cotton on his eye with a new one. 

He stops your wrist just as you do. 

Your heart jumps at the contact. His hands are warm.

“Why?” he blurts.

You blink in confusion.

“Why’d you come with me?”

The reply is instant, and unintentionally drowned in affection. “Where else would I have belonged?”

Zuko almost answers instinctively: With me. By my side. He shakes his head.

“You should have never come,” he says, instead. He’d grown fond of you over the years. Too fond; over some Firenation colonel’s daughter, a force to be reckoned with and yet a childhood friend who he’d played and studied and fought with countless times. Fond enough that he’d been foolish to let you step foot into the ship of the 41st Division the day he’d been banished; fond enough to be foolish enough to allow you to put yourself in harm’s way. “You could’ve had a better future back home.”

“But a miserable one,” you counter. 

His nostrils flare as he sighs. You watch the way his brows weave to a frown, the way they always did whenever he’s tamping down his frustration. "Nothing is more miserable than being banished from home. Yet here you are walking away from it.”

“You and I both know the palace was never a home for me,” you say. “I’ve been by your side my entire life. I’m not about to break that streak over some punishment. You matter to me.”

Zuko’s heart stifles. 

( Compassion, he hears the wings of the blood-red dragon in his dreams unfurl. Compassion is a sign of weakness. )

“It was a stupid move,” he blurts, letting go of you. He had wanted it to be emotionless, but it comes out as distinctively bitter: “Sooner or later you’ll come to regret your decision. Then, you’ll see I was right all along.”

“Maybe,” you say, just to appease him. “But I doubt it.”

( Lies, jeers the serpent. You have only yourself to rely on in this world, Zuko. )

For the sake of conversation, you don’t provoke him further. You continue, instead, with replacing the dressings around his eye. He’s angry enough as is with the world— with you. For being stubborn. And strong. And steadfast. And loyal. And—

Zuko glances at your face in focus, your hands so careful in binding the gauze it’s nearly featherlight. “Tell me if it hurts,” you say, with gentle authority. 

The ire leaves his body. Zuko’s gaze softens at a realisation:

“Not once have you ever hurt me. Not even in my dreams.”

It’s a statement so frighteningly vulnerable that it has you stilling. Your breath staggers. Something swells in your chest. You let your hand rest on his cheek, thumb below his scar. The touch is reassuring. Zuko wants to lean into it.

“I don’t think I ever could,” you answer, honestly. 

( She can, sings the beast. She will. And once she does, know that it will burn tenfold than what I've done. )

Zuko's hand settles on top of yours. 

“You can hurt me,” he concedes, solemn, voice barely above a whisper. “You can if you must. I command it.”

( The dragon in his head hisses. For now, it retreats. )