#going batshit rn

[danoree]

why does my anatomical knowledge decide to exist when im making goofy art and then disappear when i actually wanna draw fr 🙁

[lazy-toad]

And yet you love him

[castleclericz]

THIS ISN’T SIMON SNOW SONG??? UR WRONG!!!

his relationships with penny and baz turned into something he dreaded because he was carrying so much GUILT LIKE !!!

SIMON AND THE MAGE

“they tell me that they love me like i’m some tourist attraction” tell me that isn’t exactly how the mage treated simon

“THEYRE CHANGING MY MACHINERY AND I JUST LET IT HAPPEN” THATS LITERALLY IT. !!!!

“i got the things u wanted it’s just not what i imagined” like this is just simon to a fucking t i’m going insane

[violetren]

The great thing about the White Collar OT3 is that at no point does the introduction of Neal into El and Peter's everyday lives never feels like a threat to Peter and El's marriage.

Like from the moment Neal shows up at their house in episode one he and El hit it off.

Within the first 5 episodes Neal and El have figured out they have similar knowledge and interest in the finer things, they're sharing looks over how Peter talks about and will react to things, El is telling Peter to trust in Neal a little, Neal is helping make sure they have a lovely anniversary, and El is calling Neal in to mediate/help prove her point in mini arguments to make Peter do stuff.

They also work really well because while Peter, El, and Neal might all be slightly different flavours and intensities of hyper competent adrenaline junkie weirdos, all three of them are intensely loyal to "their people" so the second El and Neal recognised that they both trust Peter as someone who will always try to do the right thing and respect them they were like "oh green flag."

[lifeisstrange-incorrectquotes]

I haven't posted about this yet because ~*life*~ but holy shit. Yo. YO. YOOOOOOOOOOOOOOOOO

MAX CAULFIELD IS BACK BABY!!!! WOOOOOOOOOOOOOOOOOO YESSSSSSSSSSSSSSS

Also like,,,

One of the main characters is an astrophysicist??? Hell yes this makes my physics nerd heart so happy omg

"The picture of the blue-haired girl you keep in your wallet" CHLOE!?!?

All the references. The nosebleed, the 2 moons. The character who gets shot but then comes back to life through Max's powers. Yes give me more

Cat?????

Who are we going to be able to romance?

We better get to hear from old characters like Kate and Warren and Victoria I miss them

Sometimes you can trust random people spreading rumors about upcoming ganes on the internet lol

The animations look so fluid and beautiful??? Like the team actually appears to really have worked on improving the graphics unlike certain remasters ahem ahem

The similarity with the comics: 2 main alternate timelines, 1 where a central character is dead and 1 where they're not (Rachel in the comics, Safi in Double Exposure). I wonder if they'll incorporate those stories in the games??

The photography feature genuinely looks so cool!!! I hope there's a way to share the photos we take as players

WHERE'S CHLOE

[blueoreos]

very late official art redraw teehee

[wildflowercryptid]

these two are eating away at my brain like acid on styrofoam i stg—

[laniidae-passerine]

there is something so entirely fucked about Louis’ psyche… look at it all! the physical beatings to an obscene degree, the damaging affairs, the psychological warfare, the public humiliation, the participation in the murder of their only beloved daughter. Lestat does this all to him, or a significant amount even if memory is playing its wicked games. Lestat is a vicious horrible thing with his teeth marks on every part of Louis and yet even with decades of freedom, a new partner, the ability to recognise and condemn cruelty and abusive actions, Louis still wants him back. Knowing what he is, what he can do, Louis wants him back. It never mattered if vampires can dream, for Lestat haunts his waking days, a torturous vision of the only living one Louis really loves.

[raineandsky]

#53

Hero work is already unforgiving. It’s even more so in a tiny little town like this.

The population is less than a hundred, and one of this population is the hero.

The ‘agency’ they work for is themself, since clearly no one else is willing to do it. They can see why, though. Their most busy day had them chasing down a pair of thieves, which took all of an hour, if you include the lunch break they had halfway through.

Criminals don’t seem particularly interested in doing their deeds in a little place like this. There isn’t really anything worth doing crime for—the petrol station is the most expensive place in town, and that’s because the prices there are already criminally high.

So if there’s no criminals, there’s somehow even less villains.

The hero envies the heroes in the city, to be honest. They’re working day in day out, keeping villains in line and ensuring the safety of their cities. It must be nice, to feel useful. Villains laugh and actually fight, and the heroes take them down every time. The most the hero gets here is a teenager avoiding school and a stolen chocolate bar, really.

So it’s a surprise, to say the least, when a building explodes on the other side of town. The hero hears it from their tiny little home office. They can only sit there in confusion for a moment, staring at the rising smoke, before they lurch into action. They’re a hero. They need to go and figure out what’s going on. There might even be someone to save if they’re lucky.

‘The other side of town’ constitutes a two minute run. People are huddled around the remaining dregs of the building, nervously eyeing the smouldering rubble. Police are already dragging out rolls of tape to cordon the place off. The hero approaches the nearest officer of three—the town’s entire supply of police—clearing their throat to ready their business voice. Go time.

“‘Scuse me, officer,” they open with what they hope is an air of confidence. “Could you tell me what’s going on?”

The policeman glances back at the building with a frown. “Building’s exploded,” he says like it’s obvious. Which it is, they suppose.

“Do we know what caused it? Is it foul play?” The hero tries to keep the hope out of their voice, but from the scowl the officer gives them they clearly failed.

“We can’t say yet. We’ll have a team heading in soon to check it out, so I suggest you just—”

Another explosion sets off from inside, gutting the building like some already horribly mangled fish. Debris flicks to the ground around the onlookers, prompting screams and hurried attempts to shield themselves. The hero stays rooted to their spot, squinting through the settling dust. The entire building is leaning to one side like it’s sagging in defeat.

“Ah,” a voice rings through the brown fog. “Is this our hero? How cute.”

No way. “Who are you?”

A bright laugh cuts through the horrified whispers of the people brave enough to stick around. High, cruel, everything the hero’s been looking for.

A figure strolls through the cloud like they’re making a debut. A soft smile sits on their lips, confident and self-satisfied. “I’m your new favourite nightmare.”

The hero can barely contain the grin threatening to split across their face.

Finally.

[patrocles]

the thing is i dont think eddie ever actually thought about how he would have to explain to his parents (texan, mexican american catholics) why he chose his best friend (of only a few years by that point and has had more near-death experiences than him no less), to be his son’s guardian in the event of his death over them (his own parents!!) in a way that doesn’t sound gay. like he did all that and was probably like “well if i’m dead i dont have to explain myself” and safely packed it away

[iholli]

glaring directly into the sun as I write them into my unpublished f/o list

[autisticlenaluthor]

if you have read high school au and want to feel like banging your head against a wall like i do - listen to You Are In Love by taylor swift and think about the lyric “you can hear it in the silence” and how every time lena has lost speech, she has shown kara she loves her without words. she’s crocheted her flowers, slept in her bed with her, worn her clothes, herself be vulnerable and physically embrace her. she noticed the little things, like when kara stopped wearing her necklace. she let kara guide her hands when they decorated cookies. she communicated when she was beyond the point of being able to speak.

kara could hear her love in the silence.

[queersouthasian]

Charlie LOVES watching babe enjoy their sex, like he gets high on the faces of pleasure he makes IMSNSNSNSNNS

[xy-art]

“ I was born of fear and my lord provided comfort. ”

[stormyoceans]

ARE YOU ALIVEEEEEEEE WHAT THE ACTUAL FUCK WAS THAT FINALE!!!! i cannot believe we’ve got a brand new rooftop scene to lose our mind over now and it’s p’aof yet again AND JIMMYSEA!!!!! i cannot believe this!!!! DONT EVEN GET ME STARTED ON THE EMOTIONS OF THE SCENE AND WHAT IT MEANS FOR MORK DAY!!!!!!! how will we survive MONICAAAAAAAAAAAAA

WELL ME PERSONALLY AS A PERSON I SIMPLY LOVE CONTEMPLATING DEATH AND DYING AND BEING DEAD LIKE AT THIS POINT I'VE JUST MADE PEACE WITH THE FACT THAT THIS SHOW IS GONNA PSYCHOLOGICALLY EMOTIONALLY SPIRITUALLY MENTALLY AND PHYSICALLY ANNIHILATE ME AND CONSIDERING THIS IS ONLY EP 6 AND ALL THAT [WAVES HAND IN THE GENERAL DIRECTION OF PART 3 AND 4] JUST HAPPENED I'D SAY I WILL MEET Y'ALL AT THE GRAVEYARD BEFORE THIS IS OVER

and im sorry for losing it under your message sam but can we talk about that kiss can please just talk about it real quick because it's giving me puentalay greenhouse kiss levels of derangement and i feel sick in the head about it like. mork whispering day's name like a prayer, like he wishes that could be enough to take day's pain away because he's not good with words and feelings, he's never been, someone like him can only speak through actions, and this is what ultimately makes him decide to kiss day, even if he's afraid, you can see it in the way he looks at day and hesitates before kissing him that mork is afraid, because he knows that that kiss is gonna change everything, he knows that if he kisses day he won't be able to hide his feelings anymore, that he could be rejected and get fired and never see day again, but none of that would be worse than the ache of seeing day like this, hurt and lost and small and believing that he's unlovable and undesirable and only worth of pity when he's actually the loveliest person mork has ever met and he makes sunflowers bloom in mork's chest and every second spent with him makes mork happier than he's ever been, and mork doesn't know how to say all this but he needs day to know, so he kisses him

AND THEN!!!!!!!!! when day asks him "are you feeling pity for me too?" you can see how mork's expression change and he's suddenly much more determined, how he's shaking his head slightly and thinking 'this stubborn kid, i will show you pity'

IT'S THE "IF I LOVED YOU LESS I MIGHT BE ABLE TO TALK ABOUT IT MORE"!!!!!!!!! IT'S THE WAY DAY TENTATIVELY TIMIDLY TENDERLY REACHES BACK TO HIM!!!!!!!!! IT'S THE WAY THEIR NOSES BRUSH TOGETHER AS THEY PULL APART AND DAY KEEPS HIS EYES CLOSED A LITTLE LONGER TAKING IT ALL IN AND THEY REMAIN CLOSE ENOUGH TO BREATH EACH OTHER IN!!!!!!!!! CLOSE ENOUGH THAT DAY CAN PROBABLY SEE THE BLURRY OUTLINE OF MORK'S FACE!!!!!!!!!!

TO GO BACK TO WHAT I WAS SAYING AT THE BEGINNING. I STRAIGHT UP WISH I WAS DERASKJFDHSKH

[serpentyletorc]

Trigun and Hellsing often draw comparisons due to their close release dates, similar aesthetics, dramatic style, and u know, the red coat and shades.

But it's funny how polar opposite their stance on violence is

Trigun: Love and Peace! Killing is never the answer!

Hellsing: Carnage and Mayhem. Sing the chorus of war and swim in the blood of your enemies.