#gold photography studio

[som4]

Professional Jewellery Photography 

Our professional photographers have expertise in lighting, composition and editing techniques designed specifically for jewellery. We understand how to use light to enhance the brilliance and brilliance of gemstones by reducing unwanted reflections and shadows. Attention to detail ensures that every facet and contour is impeccably captured, portraying the jewellery in its best light.

To achieve exceptional results in professional jewellery photography, our photographers often use special equipment such as macro lenses, light tents and diffusers. These tools allow us to capture the smallest intricacies with subtlety and clarity. In addition, skilled retouching techniques can further enhance images, ensuring that colors are true to life and that imperfections are minimized without compromising authenticity.

[figandpen]

Anna-Alexandra by Elia Nedkov

[lacunha]

There's just something about film. Story and images on www.lacuna.one

[lovethephotoo]

Photography Tip for Portraits (Underrated Location in NYC)

Make your photographs pop with natural lighting! The balance of light is extremely important in creating a great and interesting photograph. It is recommended that a photographer schedules a photo shoot during the time that is before dusk. It will provide a golden sheen to your portraits and make them look ethereal.

A brownstone is an iconic location in NYC that is underrated for any photoshoot. The architecture of a brownstone is classic, and the symmetry of the entry way has a certain elegance. The array of different colors makes an unique backsplash in the background.

[collectwthme]

[saveuswhitegirl]

01.03.2024 | Fytz the Firecracker

Camera by Frans Bouma. Captured using ReShade.

[meganlynnhostetler]

✨💕

Instagram: @meganlynnhostetler

[marketing-08]

Jewellery photography service

Design is an art we take seriously. Our photographers expertly frame each shot using a mix of close-ups and wide shots to emphasize both the delicate details and the overall design. Backgrounds are carefully selected to complement the jewellery, ensuring that each image is a harmonious blend of aesthetics and style.

What sets us apart is not just our jewellery photographic expertise, but our dedication to post-processing excellence. Our editing team meticulously refines each image, color correcting, correcting imperfections and ensuring that the end result is not just a photo but a piece of art that reflects the quality and sophistication of your jewellery.

[sittystyles]

Photographer: Ammy Berent

Model: Sitty Styles

[jaehoon-kim]

Star Necklace. Incheon, South Korea, November 5, 2023.

[som4]

Gold Photoshoot 

Welcome to the world of luxury and glamor - Gold Photoshoot. In this unique experience, we combine the brilliance of gold and the artistry of photography to create truly one-of-a-kind visuals.

Imagine being surrounded by a grand atmosphere adorned with golden accents, from golden props to sparkling backdrops. Every detail is carefully crafted to exude elegance and sophistication, making you feel like a true VIP.

Our team of expert photographers knows how to capture your beauty in the most stunning way. We make sure every shot is a masterpiece, guiding you through poses and angles that highlight your best features.

[figandpen]

Savannah by Elia Nedkov

[githelgenio]

ALL MY MUSIC IS AVAILABLE ON BANDCAMP, PLEASY BUY IT AND SUPPORT MY CAREER.

[harborhillbeach]

[colleendoran]

How Do I Do Stuff

The question was phrased a little strangely, and I don't want to embarrass the person by posting exactly what was said, but I'll answer it and hope this clears everything up.

I do almost all of my drawing by hand. No, I don't trace in Photoshop. Not a judgment on those who do, but I come from a generation of artists who did not use Poser programs or other digital tools. We learned to draw using a technique called the Sight Size method. I know a lot of people assume everyone - including the old masters - traced everything using optical tools, but while it is true some people did, it is just as true that most didn't, and you can draw with great accuracy if you learned how to draw the old fashioned way.

Sight Size breaks everything down into its barest components of geometric shapes and you build from there. Once you learn it, you never forget, and it applies to everything you will ever draw.

I learned it using a set of Famous Artist Course books my mom had since she was a kid, and they are still the gold standard. They're often on ebay. If I were you, I'd buy them.

I actually find using figure reference really annoying because I like exaggerations and modifications from reality in my final work.

This page from Neil Gaiman's Chivalry was drawn and painted without figure reference of any kind.

I don't know why people assume I trace all the time. If you were to try to use photographs to replicate these figures, you would find they are slightly off. There is no tracing here.

This is not to say I never use reference. This page, for example, was referenced from a photo of my mother. Isn't she pretty.

But this page of Sir Galaad was drawn and painted without reference.

He's pretty, too.

If he were real, I'm sure a lot of people would be very happy about it. But he's not. And had I reference, the art would have gone a lot faster. I had a time trying to nail this face that is very alive in my head but doesn't really exist.

Back in the ancient days, all cartoonists had to learn to draw and paint extemporaneously because reference was limited and digital tools didn't exist. While some high end artists had photography studios and professional models with costume and sets on hand, small fry like me were limited to what was in the house or available at my small local library, which was no bigger than a few rooms of my current house.

Artists kept extensive "morgue files" or "swipe files" which were collected from magazine clippings and photographs so we would have as much of what we might need on hand for quick reference. These ephemera collections could get unwieldy. I have thousands of photographs I've simply never sorted. I finally dumped most of my files this past year.

Have I ever traced anything? Of course, especially if I have to re-use a shot or setting over and over. Making extra work for myself is just silly. It's my job to make pictures, not to perform magical feats, like copying one shot after another over and over without making a mistake.

However, for almost 15 years of my career, I refused to copy or trace anything, and did not even own a lightbox. On the one hand, that forced me to learn to carefully examine what I saw. On the other hand, it was a stupid hill on which many deadlines died.

Only after I realized many professional artists had lightboxes and overhead projectors did I finally break down and get one.

The one thing I use my lightbox for more than anything is for tracing my thumbnail sketches to the final drawing paper. Instead of trying to capture the liveliness of the original sketch by copying what I see - only bigger - I blow the thumbnail up to the size I want the final art to be, then I trace over the thumbnail using a lightbox onto the final drawing paper.

Here's a look at thumbnails from the graphic novel Neil Gaiman's Snow, Glass, Apples.

I enlarged these on my computer to fit onto 11"x14" paper, and traced the thumbs before finishing the art which was drawn in pen and ink and colored in Photoshop.

While I obviously made some changes, the essence of the thumbs is there in the final work. Tracing my thumbs retains some of the looseness of the original sketches, which is often lost otherwise.

So, there is a valid purpose to tracing at times, though in my opinion, too much tracing can weaken drawing ability, substitute for developing skills, and make the work kind of stiff.

If you want to, I'm not your judge. But it's weird to me that people think I must be faking my skills in some way.

Ironically, the word cartoon comes from the Italian word cartone, which is a large heavy sheet of paper - also, the origin of the word carton.

Preparatory sketches were made on this paper which was then transferred to the final work surface via either tracing or by stamping little holes in the paper through which dust was sprinkled, recreating the contours of the drawing for the artist to follow.

So the origin of the word cartoon comes from a process often used...for tracing.

[saveuswhitegirl]

08.06.2023 | Nettie

Camera by Frans Bouma. Captured using ReShade.