#had also traumatic childhoods and maybe were only in it because of a situation similar to faiths | Explore Tumblr Posts and Blogs

bluejayblueskies · 3 years

Note

Please say more abt how Martin fits the closed off trait I'm begging 👁👁

Okay, so I got a bit carried away with this and it got quite lengthy....

I've put a TLDR above the cut and the details, transcripts, and general discussion below the cut!

TLDR: Martin is at his core a closed-off character who keeps his vulnerable feelings hidden and close to his chest. He instead focuses on caring for others and considering their feelings above his own, particularly in the case of Jon, who he cares for (sometimes to the point of self-sacrifice) throughout the podcast. His arc with the Lonely in season four and his interactions with Jon in season five demonstrate this lack of emotional vulnerability, and it's really only during the moments he spends by himself that we get significant insight into Martin's emotional state and inner thoughts.

Martin, to me, is a character who is very used to hiding how he feels. He tends to care for others at the expense of himself, has low self-esteem, and has a predilection towards the Lonely, all of which go hand-in-hand with somebody who is very used to hiding their emotions--particularly the negative ones--because they either think they're not important or that they're inconvenient and inappropriate for the situation. On a textual level, that's probably due to growing up with a sick (and likely unsupportive) mother who he had to take care of, where there was 'no time' for his emotions to get in the way or for him to prioritize himself in any way, shape, or form.

Martin is self-destructive, dislikes moments of emotional vulnerability, and (I would argue) genuinely struggles when he doesn't have somebody else to prioritize over himself. (His mother at first, but as the series goes on, Jon settles comfortably into this role for him.) Additionally, the biggest way that we, the audience, know anything about Martin's emotional state is when he's alone and self-reflecting (such as in MAG 170 and 186 or when talking to the tapes) or when he's forced to talk about something vulnerable (such as when Jon confronted him about his CV).

We don't get much insight into Martin's character between seasons one and three (at least not as much as we get in four and five), but I find myself drawn to this bit in MAG 118, when Martin is talking to Elias:

MARTIN

So what? I don’t get to be angry? I don’t get to burn things? Just, just run around, making tea, while everyone else gets to actually have feelings?

I think two things are important to note here. The first is that Elias is surprised (or least intrigued) that Martin is acting in this way--specifically, acting on his emotions in such a dramatic way. (And given that Martin is doing this as a distraction, rather than actually acting out because of his own emotions, maybe he's right to be surprised.) The second is that this line very much implies that Martin doesn't talk about how he's feeling, not like 'everyone else' does. He doesn't talk about it, doesn't act on it--just 'runs around, making tea.' And when Melanie comes back in after Elias is done, Martin immediately focuses on the plan and whether it succeeded, ignoring Melanie when she asks if he's okay or not. He closes himself off, and as far as we know, doesn't talk about it at all after that.

And then Jon goes into his coma, and we reach season four.

Martin is incredibly closed-off during season four. He's self-isolating, self-sacrificial, and approaching a state of genuine emotional numbness by the time he's cast into the Lonely. There's a lot to unpack there, but I'm going to focus on a few main things, many of which can be drawn from this bit in MAG 158:

MARTIN

It’s not him! It’s not anybody. It’s just me. Always has been. I…

When I first came to you, I thought I had lost everything. Jon was dead, my mother was dead, the job I had put everything into trapped me into spreading evil and I… I really didn’t care what happened to me. I told myself I was trying to protect the others, but… honestly we didn’t even like each other. Maybe I just thought joining up with you would be a good way to get killed.

And then… Jon came back, and… and suddenly I had a reason I had to keep your attention on me. Make you feel in control so you didn’t take it out on him. And if that meant drifting further away, so what? I’d already grieved for him. And if it meant now saving him, it was worth it.

When you started talking about the Extinction, though… you had me actually, then, for a while. But then – (laughs sardonically) then, you tried to make me the hero. Tried to sell me on the idea that I was the only one who could stop it. And that I’ve never sat right with me. I mean, I mean, look – look at me, I’m not exactly a – a chosen one. But by then I was in too deep. So I played along. Waited to see what your end game was, and here we are.

Funny. Looks like I was right the first time. It’s probably still a good way to get killed?

This monologue is a big insight into Martin's thought process during this season, and I'm mostly going to focus on two parts: the self-sacrifice and the prioritization of Jon.

Self-sacrifice

There's quite a bit of discussion about Jon's self-sacrificial tendencies, but less so about Martin's, both in this season and in season five. In my opinion, Jon's self-sacrificial tendencies originate from (among other things) survivor's guilt from his traumatic childhood experience with Mr. Spider, his increasing belief that he's less than human, and the fact that he prioritizes the lives of others over his own. Martin's self-sacrificial tendencies, while very similar, come from the fact that he thinks he only has worth if he can help and care for someone else and the fact that he doesn't think he's important enough to live. (For example, he says in MAG 158 that he's 'not exactly a chosen one' and says in MAG 198 that he's 'not important enough to kill.')

It's a subtle difference between these two things, and I would argue that while Jon's tendencies are more rooted in the 'help' (ie, 'I want to help other people and I will sacrifice myself to do it'), Martin's tendencies are more rooted in the 'hurt' (ie, 'I will sacrifice myself and other people will be helped in the process'). There is, of course, overlap, and it's not a black-and-white distinction between the two, but ultimately, I think Martin is so used to prioritizing others' emotions and needs above his own that when he's left mostly alone as he is at the end of season three, with the only person left to hold onto being in a coma (possibly forever), he falls back into the same patterns of self-destruction and closed-offness, only without the 'help' to go along with the 'hurt' because there is nobody left to help (especially after his mother dies). Ultimately, he joins up with Peter because he thinks it 'would be a good way to get killed.'

Prioritization of Jon

But then Jon wakes up from his coma, and now Martin has justification for his self-sacrifice again, because he can protect Jon by continuing to work with Peter!

... Maybe.

Jon isn't harmed by Peter during season four, sure, but he does climb into the coffin and visits Ny-Ålesund and is tracked down by Julia and Trevor and struggles emotionally and morally with his own humanity and is hurt, in a way, by the distance Martin puts between them. And I hesitate to place blame for the apocalypse on anybody but Jonah, but if we're going to argue in-canon that Jon was responsible for the apocalypse (he wasn't, but that's not the point of this post), then Martin contributed to that blame and responsibility because it was his actions and decisions that ultimately drew Jon into the Lonely and resulted in him getting the 14th and final mark. (Again, I don't think Jon or Martin are at fault for the apocalypse, but if we were to blame Jon, we could blame Martin as well.) It was only after getting that mark that Jonah was able to use Jon to end the world, something that was hugely hurtful for Jon. So did Martin really protect Jon at all by staying away from him and continuing to work with Peter? Or was that just a convenient excuse to keep self-destructing?

Jon and Martin, in my opinion, had very similar arcs in season four. Martin was sinking further into the Lonely and Jon was sinking further into the Eye. We hear a lot more about Jon's emotional struggle with this given that he's the POV character, sure, but Jon also talks about this with other people. He talks about it to Helen (MAG 152):

JON

…

When does it stop?

HELEN

(impatient) What?

JON

The guilt. The misery. All the others I’ve met, they’ve been – cold, cruel. They’ve enjoyed what they do. When does the Eye (inhale) make me monstrous?

And to Daisy (MAG 136):

JON

My – (large sigh) My memories of the coma are not clear, but I know I made a choice; I made a choice to become… something else. Because I was afraid to die. But ever since then, I – I don’t know if I made the right decision; I’m stronger now, tougher, I can – (he cuts himself off) If I do die, now, or get sealed away somewhere forever? I don’t know if that’s a bad thing. And I don’t want to lose anyone else, so if I can maybe – stop that happening, and the only danger is to me, I – I’ll do it in a heartbeat; worst case scenario, the universe loses another monster.

But all we really get from Martin are the things he tells the tapes when he's alone and the monologue he gives in MAG 158. It makes sense that he wouldn't be as open, yes, given the nature of the Lonely, but I can't help but think of (MAG 154):

JON

The Lonely’s really got you, hasn’t it?

MARTIN

(no hesitation) You know, I think it always did.

Jon was always curious and hungry for knowledge; the Eye amplified it. Martin was always closed-off and isolated; the Lonely amplified that as well.

But then Jon pulls Martin out of the Lonely, they flee to the safehouse, and three weeks later, the apocalypse begins. Martin isn't as consumed by the Lonely as he was in season four, he's with Jon--the person he loves--for extended periods of time, and they're in an extremely stressful situation that's sure to be incredibly emotionally charged. There's a lot to be said about Jon's emotional vulnerability during season five and how Martin both pressures him for it and rejects it in different ways, but for the purposes of this post, I won't go too far into detail about the motivations behind how Jon is feeling and acting.

I will say, however, that in season five, Martin still continues to place a lot of focus on asking Jon how he's feeling, encouraging (or pressuring) him to share, and getting frustrated when Jon can't or doesn't (MAG 167):

MARTIN

Okay, so how exactly would you describe your current emotional state regarding all of this?

JON

I –

MARTIN

(overlapping) Go on, I’m all ears.

JON

I feel…

MARTIN

(go on) Mhm.

JON

(sigh) I feel… sad.

[Brief pause.] MARTIN

(flat) Sad.

JON

Very sad.

MARTIN

(*very* flat) Very sad.

[He sighs slightly as he says it. Their bags jangle.]

A few moments prior to this, Martin expresses displeasure that Jon is Knowing things about him, specifically pointing out his emotions (MAG 167):

MARTIN

It’s just – it’s weird knowing that you can know literally everything I think and feel. E-Especially since you’re not exactly the most open of people – emotionally, I mean.

I think Martin is making an effort to open up more to Jon. But I still think it's difficult for him to talk about how he feels so openly, and while he is completely in the right for not wanting Jon to Know things about him without his permission, I think it's interesting that the focus is on his feelings and that he brings up how Jon isn't emotionally open immediately after. It scares Martin to think that Jon could know, at any given moment, how he's feeling, and I think it's partially because he's not used to that level of vulnerability. He turns the focus on Jon, away from himself, and doesn't really make an effort to talk about how he's feeling about all of this, instead prioritizing Jon's feelings and mental state like he's grown comfortable with.

And when Martin bottles up his emotions--of which there are a lot, in such a stressful environment, they can explode out in hurtful ways:

MARTIN

(overlapping) I know! I know, okay, I just – (bracing exhale) Look, I j,just – don’t want to get burned, all right? It’s, it’s like my least favorite pain ever.

JON

Is that – a joke?

MARTIN

(a bit faster, a bit shaky) No, no, okay? I, I legitimately hate burns, alright? They’re, they’re awful, and they scar horribly, and they just – it – it just makes me sick; I, I hate it. Hate it!

I don't think Martin really thought about what he was saying when he told Jon, who has a large burn scar on his hand, that burn scars make him sick, and I don't think he meant it maliciously. But he'd spent the greater portion of the conversation talking around the fact that he didn't like burns and that was why he didn't want to go into the building, and so when it finally ended up coming out, it did so in an explosion of emotion rather than a conscious decision to share. Martin doesn't have a good handle on his emotions, and he doesn't have a good handle on sharing them.

(Is it too much for me to say that Martin was more emotionally vulnerable with himself in MAG 170 than he was with Jon when Jon finally found him?)

Throughout season five, Martin asks Jon questions, he expresses frustrations with Jon, he shows discomfort or fear at times, but for as much as Martin feels frustrated that Jon isn't talking about how he feels about their situation, Martin really isn't doing so either. The most he talks about his feelings is in MAG 170 and MAG 186, when he's by himself, and I remember MAG 186 in particular because before that, we really didn't know what Martin was thinking about for the majority of the season! And in this episode, we find out a lot of very important things about Martin's character. Like (MAG 186):

ALSO MARTIN

Look, I know what you know. Maybe I’m just a bit more… open about it.

Also-Martin acknowledges that Martin often doesn't say what he means and hides what he really feels, telling him that it's 'hard to be vulnerable,' and Martin is initially very resistant to the idea. And then, when Also-Martin suggests that Martin wants to stay so that he can be 'quietly sad,' we get (MAG 186):

MARTIN

We could talk to Jon about it.

ALSO MARTIN

We could. But we both know that loved ones make the worst therapists. They’re too wrapped up in trying to stop you hurting to actually help. But hey, we know all about that, am I right?

MARTIN

There’s nothing wrong with comforting people.

ALSO MARTIN

A cup of tea isn’t a resolution. At best it’s a… a plaster. At worst… a muzzle.

This is very interesting to me, because for all that Martin tries to help other people, he also believes that comfort doesn't always help and that you can't be your loved one's 'therapist.' I think this gives a lot of insight into why Martin doesn't share his emotions with the people he cares about, especially Jon; he doesn't want to put Jon in the position where he'll become his 'therapist,' and he doesn't necessarily think Jon can help. So instead, Martin just chooses not to be vulnerable at all, because he doesn't want to burden the people he cares about. But, when it's just him (MAG 186):

ALSO MARTIN

Don’t lie. You don’t need to. Not here. It’s just us.

He doesn't feel like he needs to pull his emotional punches. He can't accidentally hurt somebody or put them in an awkward position; it's just himself. But what's said to himself remains with himself, and (at least on tape), he doesn't discuss any of this with Jon. Not even the bit about, if it came down to it, Martin would have rather had Jon smite him than continue to rule over a domain. He goes right back to being closed-off around Jon, but now we, the audience, know what lies underneath, and how little of it reaches the surface.

In fact, the thing Martin's probably most vocal about is how Jon's feelings about himself bother him (MAG 199):

MARTIN

I guess that’s why it really bothers me, you know? I try, but I can’t actually imagine ever making a decision that I knew meant losing you.

And it… It hurts to know you can.

And I think he has a tendency to use anger and frustration to cover up hurt, shying away from the admission that something Jon's done has hurt him (an incredibly vulnerable thing) and instead relying on the less-vulnerable and more external anger to cover it. This is more speculation than true analysis, but I think that's a lot of what's happening in MAG 200, when he discovers that Jon has already assumed the position of the pupil and has, in Martin's eyes, broken his promise.

#tma #the magnus archives #martin blackwood #tma meta #jonathan sims #(because i do talk about jon a bit in this too)#i actually think martin isn't good with emotions at all #both his own and others'#i think he doesn't quite know what to do with them so he puts on a mask and defaults to things he knows will work #*thinks about the low empathy autistic martin high empathy autistic jon post with love in my heart*

552 notes · View notes

aro-is-gay-af · 3 years

Text

The Midnight of Despair | Volturi Kings x fem!reader

As you all can see, I got carried away just a little with this one. It was supposed to be a one-shot, but I'm planning at least part two, since this part got soooo long.

Anyway!

I hope you'll enjoy reading it as much as I enjoyed writing. Sorry for any grammatical errors, as well as any confusion with syntax. English isn't my native but I always try my best! Constructive criticism is always welcomed.

Please, pay attention to the warnings. If you are uncomfortable with any of the topics, simply do not read.

I pictured here Aro from the films (as Michael Sheen is perfect for this part), Caius from the films (maybe a little bit older) and Marcus from the films but his younger self (maybe 20?). Also, I wrote at one point that [Y/N] has blonde hair and blue eyes but it just helped me with the descriptions. Obviously, you can picture characters according to your wishes.

Warnings: Rape (graphic description!), Depression, PTSD, Swear words, Forced Pregnancy

Word count: 7816 (!)

Summary: [Y/N] and Bella are childhood friends. They were always there for each other. [Y/N] had tough times and struggles with everyday life. Bella faces depression after Edward had left her. [Y/N] tries to get her going and alive. One day [Y/N] is raped and gets pregnant with the rapist. Not long after that it turns out that Edward got himself into the mess with Volturi. [Y/N], even traumatized and in pieces, will not let Bella go without her supervision to Italy. What is going to happen when [Y/N] will stay at Volterra? Is she really predestined to be Kings' mate? Is she going to have her baby or abort the pregnancy? Will the trauma go away or is she going to struggle for a long time?

You thought that the death of your parents was enough to break you. As they say, if you’re not willing to bend, you’ll break. And you did. After all.

Ever since you’ve been born, everything went downhill. You were a weak child and within your first five years of life, you’ve gone through countless surgeries. Something was terribly wrong with your spine and the doctors were worried that you wouldn't be able to move normally.

You got your ‘happily ever after’. After fourteen surgeries and taking more than a dozen medications, you could be considered healthy. It made you remember the better part of your childhood. At this point, you couldn’t even recall constant visits at hospital or ingesting enormous amount of drugs.

What you could recall, was the agony that your mom went through while dying of pancreatic cancer. You tried to help her but there was literally no help available. Sure, chemo did help, but only a little tiniest bit. When someone got this type of cancer, there was only one way to die. It was neither pretty, nor pleasant.

So your mother died when you were sixteen. Your father followed shortly after her. He suffered from severe depression after your mother’s passing, but it was the car accident that got him killed. You were just before your graduation.

You’ve finished school and tried to go on. It wasn’t exactly an easy path to follow. You had the feeling that fate had made you its whore and the devil knows his jokes. Somehow, you got through college. You used the money from your dad's insurance policy entirely for your education. It was the only thing you could do to secure your future.

At 22, you got a job at the same hospital where doctor Cullen worked. You were a nurse on the paediatrics ward, but the hospital in Forks was so small that you often found yourself working with doctor Cullen. He was always kind to you and exuded a fatherly warmth. However, like everyone from Cullen family, he was slightly withdrawn from all conversations and social activities.

You noticed a slight change in his behaviour when your best friend, Bella, started dating with the doctor's youngest son, Edward. Carlisle has been talking to you more and more. The conversations weren't long – more like short exchanges of words, whether about his family’s well-being or any leisure activities both of you devoted yourselves after work. Nevertheless, you started calling each other by the others’ given name.

You met with Bella on average once a week. Sure, you were four years older than her, but the age difference never was a problem. You always got along well, and age had nothing to do with it. With time, you've watched Bella thrive during her relationship with Edward and you've enjoyed her happiness. Your relationship had loosened a little, but you didn't hold it against her. With Forks being so small, you could easily meet Bella on the street or in a shop and talk to her about silly things or this boyfriend of hers. It made her blush furiously every time you brought up the topic, especially if Edward waited nearby.

And then, just like that, something snapped. Of course, you heard about their huge quarrel about god knows what, and that Bella wanted to make herself scarce immediately. Charlie called you that night if , by any chance, you could talk some sense into her. Bella not once picked up her phone and then she got her stupid ass into the hospital. And magically reconciled with Edward. That’s when you started to be suspicious. Something wasn’t right about this situation, at all, but you let it be.

Time passed and even though you liked Carlisle as a colleague, you became gradually suspicious about him and his family. Things that you noticed were little, almost insignificant, but something told you that there’s more than meets the eye. Bella herself began to limit contact with you, mainly due to her lack of time for Edward. But when you did get a chance to meet and talk, the subject of Edward still came to the surface.

You tried to understand your friend, while not understanding her at all. You also were in love once but your mother's illness and then your father's death took too much of a toll on you, to experience your first love in such an intense way. It was incomprehensible to you, how Bella could lose her head so much for this boy. And yet you tried, tried to be there when Bella needed you the most. Simply because you were a good friend and also because you needed a friend.

You were left alone, out in this world, with no one to care about and no one to love. Only Bella, as present and, most importantly, alive person, connected you with your childhood and good memories from that time. She was the only one left. You considered her your family and you didn’t want to lose her too. Not after all you’ve been through.

At the day of her birthday, you saw her quickly after her school. You gave her a small gift and you both agreed to meet a day later because Edward's family had invited her to stay at their place. After that birthday, everything changed. The next day Bella went missing. You went to her house exactly as agreed and Charlie said she had been gone for a few hours.

When Bella was found later that evening by Sam, Charlie's colleague, everything became frighteningly clear. The Cullens had moved out of town. Apparently, Carlisle had gotten a lucrative job somewhere else. That didn't surprise you, he was a really great doctor. But how could he not mention a word of it to you? Not that you were so close to him but you considered him a good comrade of yours and moving out of town like this, without a word… It seemed extremely strange to you.

The months that followed were very similar. Bella fell into a deep depression and apathy. You came to visit her, but during these visits it was mainly you who talked. You talked about work, about your next qualification course and about the anniversary of your mum's death. Bella mostly remained silent. Charlie confirmed that, yes, she did go to school, but apart from that, she sat in her room all day and stared at the window.

You knew from Charlie that she was slowly trying to reconnect with her friends. And that she was spending a lot of time with that boy from the reservation. You were happy because it meant that your friend was slowly coming back to life. Maybe not back to normal, not yet, but at least she was trying. And you were trying too. To be a good friend, a good sister to her.

You started talking more during your visits at her house. Unlike before, the subject of Edward didn't exist. It was as if he had never existed. So you did not mention him at all. Bella was healing, slowly, just as you were, when both of your parents died. She was there for you, even if you could only talk to her on the phone because, at that time, she permanently lived with Renee.

For the first time in several months, you hoped that things would somehow work out. In your life, the moments when you were truly happy never lasted long. It was the same this time. One day, you went to Port Angeles to buy new clothes for work. Yours were still from your university days, worn out, but not so long ago you were short of money and preferred to spend it on other things rather than buying new clothes.

By the time you got back to your car it was pretty late. The car park was deserted. On your way to the car, a man accosted you and, before you knew it, he had hit you on the head with something heavy. When you woke up, you were in a squalid alley. The man was pressing you against a wall with all his strength. You only realised what he was going to do, when you felt a cool breeze brush against your bare legs. Your trousers and underwear were almost at your ankles. You started to squirm, trying to free yourself from his iron grip. You heard his quiet giggle next to your ear.

"Don't resist angel, I’ll be quick," he whispered in your ear, pawing at your breasts with his left hand. You felt sick to your stomach. He had hideous breath, as if he had been drinking for three days, then puked and drank again. You started to jerk harder, to pull away, but it only caused you pain. He held tight, pushing against you with his whole body and whispering disgusting things under his breath. When he finally entered you, he tugged hard on your hair. He made no effort to cover your mouth because you didn't even try to scream. You were out of breath, unable to say a word. You were afraid that he would kill you. You wanted him to go away so that the pain would end and you could finally go home.

When he finished, he let you go and just walked away. You stood there, half naked, frozen and shaken, for god knows how long. You were unable to move. When you felt his semen running down your leg, you finally managed to vomit. Your cheek was bruised and scratched from how hard he pressed you against the rough wall. You wanted to go home, but you didn't have the strength to get up from the street.

You weren't sure how much time had passed, but you finally got up. You got dressed and walked to your car. Everything hurt. You didn't want to, but you knew, you had to go to the hospital. You could not leave it like that. He had already hurt you, but what about the others? You couldn't let that happen. All the way to the hospital in Port Angeles your hands were trembling. Returning to that memory, you didn't even remember how you got to the ER.

At the hospital, they took care of you properly. They called the police. Two female doctors were there for a medical examination. The nurses were very nice. You tried to put on a good face. You've thought about how your sexual experiences has been so far. Your first sex, like most people's, was terrible. Your boyfriend was two years older, you were 17 and it all went wrong. You were in pain. He didn't seem too happy either. Up until you graduated from high school, you tried to make it work somehow, but there were never any fireworks. It wasn't until college that you discovered the good side of sex.

However, you never had sex with someone you loved more than life. You haven't met anyone like that. And you were sure that sex with that person would be unique and exceptional. Until now, of course. Lying on a hospital bed, you felt exploited. Abused. Filthy. Humiliated. How can one do something like that to another person? The nurse asked if someone could come and pick you up, and you didn't have much of a choice. You called Bella. While she was on her way to the hospital, you let the police officers question you. You mechanically slurred the words as if it wasn't about you at all. As if it wasn’t you that had been raped.

As soon as you saw Bella, you were no longer able to pretend that nothing had happened. You were sobbing and she hugged you tight, telling you that he would pay for it. You weren't so sure about that. You wanted to be home as soon as possible, so you went back to Forks. Bella said nothing while driving because there was nothing that could be said. In the shower, you scrubbed yourself so hard with the pumice that you thought you had taken off all your skin. To your absolute disgust, you could still feel his touch on you. You could hear him whisper against your ear and you could smell his hideous breath.

A week has passed. Bella texted you every day, and you were able to hang out almost every other day. She was a good sister, a great friend. She didn't want to leave you alone in this. Despite being offered leave, you went to work. You didn't want to keep thinking about what happened. Each time, after taking a bath, you were unable to look in the mirror. On the first day, right after scrubbing, you decided to take a look. You had bruises on your stomach, thighs, buttocks and breasts. Your forearms were scraped, your cheek was scratched and bruised. The worst of it was that you had been bleeding for days. The gynaecologist said, it was due to too much force, and the fact that you actively resisted for a while.

You were trying to get back to normal. You went to work, you were seeing Bella and taking your course. But no one could touch you. You didn't even shake hands to say hello. You didn't care at all, you couldn’t endure a touch anymore. Not in any way. You didn't get your period, but the doctor said it could happen. It was a shock to the body and a lot of pain to bear. Also, you bled for almost a week after the rape.

You started to be afraid to go out alone. When in a shop or at work, if anyone approached you from behind, you started panicking and hyperventilating. You couldn’t walk ordinarily on the street. You looked behind every two or three minutes to assure yourself that nobody was following you. Your hands trembled while driving the car or making the tea. Your eyes were starting to water as soon as someone even tried to touch you. You had nightmares and you started losing your mind because of this.

When your period did not come in the following month, you began to worry. Surely you couldn't get pregnant with this... monster. Not you. Of course you have checked. You would not be able to live in such ignorance. It turned out that yes, you indeed were pregnant. When the doctor confirmed it, you fainted. Not you, not like that. You didn't even think you'd ever be a mum. Let alone like this. You hated your body even more and the fact that it had betrayed you in such a villainous way.

You knew this path led to madness. You were in an even worse mental condition, than after losing your mum; than after dad died in the accident. You have shed countless tears. You didn't want to abort this pregnancy, and at the same time you wanted it with all your heart. If only you were able to defend yourself. Break away from him and run as far away as possible. It would never have happened. But you were weak and didn't even have the energy to scream. Would it have made any difference though?

You were constantly beating yourself up with thoughts about whether you should keep the baby, when something completely bizarre happened. Jacob called you that he had to rescue Bella after jumping off a cliff. Annoyed, you got in your car and drove up to the Swans' house. Bella's car wasn't there, so you waited patiently in yours. When they arrived, you were boiling with rage.

“Have you lost your fucking mind?!” you shouted, as you got out of the car.

Bella rolled her eyes. She looked miserable. Her eyes were bloodshot and she was soaked through. She smiled weakly towards you.

“It was just for fun, you know” she muttered, as you hugged her tightly. It was your first closer contact since…

“It was just for sport,” she tried again.

You snorted in annoyance.

“Yeah, sure, get inside before you get sick.”

As you both stepped onto the porch, Jacob unexpectedly grabbed Bella's wrist. They shared a look.

“Are you sure about this?”

“Yes. You can go now, Jake,” she muttered, trying to disentangle herself from his grasp.

You smiled weakly at him, while Bella was looking for her keys.

“Cool, I'll take care of her until Charlie gets back. Thanks for saving her stupid ass,” you said. Jacob smiled amused, but still seemed slightly tense.

“No problem. Always at your service,” he joked. “Well... See ya around,” he said goodbye and walked away to his car.

You walked into the house with Bella.

“What were you thinking? You could have died” you muttered under your breath, stripping off your jacket.

“Well...actually I wasn't thinking, like, at all” Bella admitted, smiling apologetically at you.

“Next time think about Charlie,” you said, hugging her once more. Your body screamed that you shouldn't do that, but you were glad that Bella was okay.

While Bella changed into dry clothes, you made hot tea for both of you. Someone knocked on the door. The knocking was not from the front, but from the courtyard. You walked slowly to the door and opened it. Edward's sister, Alice, stood in front of you. You wouldn't have known what she looked like, if Bella hadn't shown you pictures of her. But other than that, you knew quite a bit about her, because when Bella was still with Edward, she couldn’t kept her mouth shut about Alice.

“Hi. Can I come in?” she asked politely. She tried to look normal, but there was something in her behaviour that made you nervous. You were about to reply, when Bella appeared in the kitchen.

“Alice!” she squealed, throwing herself around the brunette's neck. After a moment, she pulled away and looked at Alice in disbelief. "Are you really here? Or am I just dreaming this?" asked Bella.

It was your turn to roll the eyes.

“Of course she’s here” you said, now slightly annoyed. “Don’t be bothered by me, please, proceed to whatever you wanted to say.”

Your sarcastic tone was not intended, but justified. You were slowly beginning to get fed up with this family's games. First they move out and turn Bella's life upside down, and now the big comeback? Something's not right here. Besides, at that moment, you weren't the right person to play with. You had enough problems of your own and your life was messed up enough. What you didn't know at that moment, was that everything was about to change fundamentally very soon.

Alice took no notice of you.

"Bella, listen. Edward thinks you committed suicide. He told me that he doesn't want to live either, so he is on his way to the Volturi to ask them for an execution."

You had no idea what she was talking about. Bella was terrified, and you didn't know what was going on here.

"What, who the fuck are Volturi? Did Edward get involved with some cult? Also, how did he know Bella killed herself?" you asked, not understanding anything of what Alice was talking about earlier.

"We have to go to Italy, Bella,” she ignored you once more. “If they refuse him, I'm not sure what he'll do" as Alice spoke, Bella began to gather herself quickly to leave.

You grabbed her hand.

"And where do you think you are going?" you asked in disbelief. Bella looked at you apologetically.

"Y/N, I have to go. They're going to murder him. Just the fact that I'm alive will convince him."

You snorted in disbelief.

"You're dead serious? And can't you call him and tell him it's a misunderstanding? Besides, Bella, this guy ghosted you. He left you here, alone, with not one explanation and you want to fly to the other side of the world to save this dumb ass?" you asked, trying to take your mind off this ludicrous circumstance.

“Oh my god, we’ll take her with us if she’s not going to back down” said Alice in exasperation.

“And to your kind information, I won't back down. Your douchebag brother and the rest of your family turned her adrift. I was the one who pulled her out of her depression, and I will not let the exact same thing happen again because of any of you,”you hissed out in anger. You saw something in Alice's eyes that you considered to be admiration.

You looked at Bella expectantly.

“Y/N, I still love him. I cannot let this go” Bella whispered and you felt as your chest tightened. “Please…”

You heaved a heavy sigh.

“Okey, but I’m coming with you,” you decided and noticed that Alice's eyes were momentarily clouded with mist. You had no idea what was going on here, but you were sure that this whole affair with the Volturi, whoever the hell they were, didn't sound good.

After a few seconds, Alice looked at Bella, then at you and back at Bella.

“Get your coats, we have to go now,” she said.

“But Alice...” protested Bella.

“There's no time for that. We'll explain everything to her on the way. If we start now, we won't get out of here until noon” she muttered exasperatedly, walking out of the house. You looked at Bella.

“Bells, what's this all about?” you asked, and she just sighed quietly. You both quickly got your shoes on.

“We'll tell you on the plane but I'm afraid the Volturi won't like that a lot,” she said with worried expression on her face.

When you were at the airport waiting for a plane, you had countless questions in your head. Why the fuck Edward was pulling such nonsense? Why to be so dramatic about thing that didn’t even happen? Did this idiot really get involved in some sort of cult? And why was his sister so concerned about it that she decided to tell you ‘everything’, whatever needed to be said? However, the question that kept you wondering was who were the mysterious Volturi and what could they possibly resent about you?

One thing you were sure of. There hadn't been a moment since the sexual assault when you hadn't thought about it. And now your thoughts were occupied by the mysterious Volturi and you immensely wanted to find out what it was really all about.

⋎⋎⋎

On a plane ride, you found out that vampires are no fairy tales and your best friend was in love with one. It was a wild thought but, as soon as Alice started taking, you knew it wasn’t a joke. You were given so much information at once that you were unable to respond to anything as Alice finished her long monologue. You had a drink of water, although at that moment you very much regretted not being able to drink whisky.

“Okey, lets say I get most of this…” you said with a low voice, trying to be careful with what you’re saying. “But can you tell me who are Volturi and why would they want to decapitate Edward?” you asked, looking sideways, afraid that someone might hear.

Alice let out a sigh.

“The Volturi are the equivalent of the justice system in our world. They are the ones who created the laws that help us hide from the world, and they are the ones who enforce them. They consider themselves… sort of royalty, as their leaders – Aro, Caius and Marcus – are over three thousand years old.”

If you were to be honest, you were not very good at processing this information. Three thousand years? The first thought that popped into your mind was that they must be immensely lonely. You were sure you wouldn't want to live so many years without having anyone worthy by your side. Later, Alice quickly summarised all the laws that every vampire must obey. They weren't complicated, but when you thought about it a little longer, some of them weren't so easy to follow.

“I don't want to whine, or come off as ungrateful or anything like that, but... didn't you just break the law? By telling me about you?” you asked cautiously, not knowing if what you were saying was right.

Alice sighed again, this time heavier than before.

“It’s complicated” she said succinctly, which interested Bella, who was eating some kind of sandwich.

“This vision of yours was about [Y/N]?” she asked Alice curiously. Alice merely nodded. When Alice told you about her gift, and this was at the very beginning of the story, you found it hard to believe. It wasn’t so unbelievable now.

"Eat something," Alice said to you. "It's good for the baby" she added after a moment, seeing you hesitate. You swallowed heavily, as you suddenly felt sick. The memories of that evening came back.

Alice smiled softly, as if knowing exactly what you were thinking about. And this was supposed to be Edward's gift.

"Do you want to know the sex of the baby?" she asked, and your eyes almost fell out.

"Can you predict that?" you asked in disbelief. She and Bella both smiled. Alice nodded vigorously.

"Yeah, sure. I can't predict if the baby... you know, if it will be born, however, the sex I can tell you.”

You pondered on it, while eating your sandwich. The nausea eased, when you could think of something different than that unlucky evening. Before you knew it, you fell asleep and Alice woke you up when you landed in Italy. As Alice drove the stolen car, you tried to admire the beautiful views of Tuscany outside your window. When you had almost reached Volterra, you thought how wonderful it would be to live here.

⋎⋎⋎

This stupid boyfriend of hers. That was all his fault. Of course, Bella made it at the last minute. You, together with Alice, went to abandon the stolen car somewhere. Although, you had a feeling that you would be returning the exact same way. You tried to reassure yourself. Of course you’ll be returning. Or maybe not? If you were honest, you gave no fucks about it. You had no one who’d wait for you at home, your parents died, you were brutally raped not so long ago, and you didn’t even know if you wanted to keep the baby. Maybe dying today isn’t such a bad idea?

You have reached the square and entered the palace at a very convenient time. The guy who looked like a wardrobe and the other one, much shorter than him and blonde, looked like they were about to murder Edward in this instant. And actually, you felt like you could’ve murdered Edward too. Barely Alice closed the door, you didn't even glance at the two of them, but immediately began to scold Edward for what he had done. To hell with his gift!

“You stupid, immature, irresponsible, reckless and selfish bastard!” you started descriptively, and even Bella was taken aback by your behaviour. Alice raised her eyebrows and two other vampires looked at themselves and then straight at you. Edward had no time for any reply. “If you ever, I repeat, if you ever again do something as childish and irresponsible as expose my best friend to a nervous breakdown and months of depression, I promise you, here and now, that I will decapitate you myself. You're old, and yet a five-year-old child is smarter than you. You utter imbecile,” you hissed with hatred.

Of course, your malice towards him was temporary, but it's been a long time since anyone has angered you like that. The shorter man laughed under his breath, and the other one, who looked like a wardrobe, said:

“Can we keep her? I like the way she’s ruling the roost.”

He fell silent, as a short, pretty blonde woman entered the room. Her face was like a child's, but her eyes... bright red, staring at no one else but you.

“Jane” greeted her Edward. She didn’t even look at him.

“Aro sent me to see what was taking so long” she said. The atmosphere immediately became tense. Edward and Alice seemed to stiffen at the sound of Aro's name. You were curious but not frightened. Not yet.

Jane turned and immediately started walking towards the long corridor. Bella just looked at Edward, and you glanced at Alice.

“Do what she says,” she muttered to you and you both kept pace with the couple in the front.

Needless to say, it was the most stressful and also the most terrifying lift ride you've ever experienced. Not to add the creepy music background. You guessed it was supposed to make you feel better, but instead it made your whole stomach go up to your throat. You were standing right in the middle, next to Bella, holding Alice's hand. The vampire, who looked like a wardrobe, kept looking at you. You took a deep breath to calm your nerves. Puking on someone's shoes isn't going to make this situation any better. Out of the corner of your eye, you saw Edward smile. Yeah, the situation you’ve found yourself in was extremely funny indeed.

When you reached the main chamber, you didn't know what to look at first. At the vampires standing against every wall? Not very wise of you. At the marble floor? Nothing to be afraid of for now, so no. You probably should have looked at the three thrones in front of you and the vampires that sat on them, but instead, you were interested in the Latin phrase engraved between the columns above you.

You glanced at your company. Edward looked as if he was about to die. Maybe that's what's going to happen? Alice looked very out of sorts, and Bella, well, she was hanging onto Edward's arm and also looked like she was about to leave this world for good. She was unnaturally pale and you though she was going to faint any second. But it never happened. The rest of the room felt extremely comfortable. For a moment, you turned your head towards the boy who called out to Jane. You did not let go of Alice's hand but you did not feel any anxiety. Curiosity prevailed, mainly because you had come to terms with the fact of your imminent death.

“Sister! Sent you out to get one and you bring back two. And two halves,” the boy who’s just called Jane his sister probably was talking about me and Bella. “Such a clever girl,” he praised her like he wasn’t his sister but someone else entirely. You sighed heavily. Maybe they’re also into incest-kind-of-relationships? Who knows. You looked above your head again. There was a short inscription “vita brevis, ars longa” but you knew the rest of it. Latin was obligatory in every medical school.

When the man from the middle throne stood up, it was to him that you directed all your attention. You felt that something about him was... you had no idea how to describe it, but you felt a strange pull towards him. As if some invisible force had power over you.

“What a happy surprise!” he said pointedly, wide smile on his face. “Bella is alive after all. Isn’t that wonderful?” he said cheerfully, while walking towards Edward. At that exact moment, you realised that you had managed to get yourself into a huge mess. The lair of the vampires. And you were only a weak human. Recently raped. With a baby under your heart.

As soon as the man stepped down from the platform, you were unable to take your eyes off him. His posture, the way he spoke, his demeanour, it all made you feel incredible respect for him. You’ve never felt this secure and calm in your entire life.

“I love a happy ending,” the man said, while he took Edwards’ hand into his. “They’re so rare.”

You were wondering why this man took Edward’s hand in the first place. You did not have to wait long for an explanation.

“Aro can read every thought that I’ve ever had. With one touch” Edward explained to Bella but you were listening too. Very carefully listening. You’ve finally managed to know the name of the vampire. Aro. It suited him well. Although his eyes were a little scary, you were delighted with his charisma and approach to guests. You realised that indeed, they are called the royal family for a reason.

Aro smiled to Edward.

“Her blood appears to you so much,” he whispered, and you had a hard time hearing his words well. Aro’s gaze rested on Bella. “It makes me thirsty. How can you stand to be so close to her?” he asked Edward, who was feeling more and more uncomfortable. You could tell by the fact that he was practically standing like a statue.

“It is not without difficulty,” muttered Edward from behind his clenched teeth.

You swallowed hard, as Aro turned his gaze to Bella again but he smiled.

“Ah, I can see that” he said pleased, moving away from Edward and focusing all his attention on Bella.

“Although you’re a quite soul-reader yourself, Edward, you cannot read Bella’s thoughts” he made a rather dramatic pause, still staring stubbornly at your best friend. “Fascinating” he said, not hiding his curiosity.

You managed to look elsewhere, than at Aro. The man on the throne to your left seemed unusually agitated. He fixed his gaze on you, as if his life depended on it, yet you did not feel uncomfortable. You were surprised to discover that an invisible force was also drawing you towards him. You almost took a step forward. You tried to remember the man from a few minutes ago. He looked as if he had died in that chair a few centuries ago. And now he seemed genuinely moved.

“Brother” the man spoke to Aro, as he got up from his throne. Indeed, there seemed to be an urgency to the matter, for Aro turned around in surprise. You had the impression that the man from the throne had not risen from it for a long time.

“You knew about this, and you brought her anyway?” you heard Edward's quiet whisper, directed at Alice.

Alice looked at her brother, then at you and finally at a curious Aro.

"It would have happened anyway. Better sooner than later" Alice murmured mysteriously. You still didn't know what it was even about. The third man, the one on your right, did not share his brothers' patience.

"Aro, let's hurry this up, Heidi will be here soon, and we don't want to frighten our guests" he said ominously, grinning like a madman. You were far from solving this riddle, but as soon as you looked at him, you felt the same attraction and enigmatic pulling as towards the other two.

Aro took his brother's hand in his own and you could see that his eyes would have lit up with happiness if they could.

“Ah, my dear Marcus! What an exceptional news!” intoned Aro cheerfully, heading towards you. He was slow in his movements, exactly so that you would not be frightened by him. All his movements were framed by an incredible grace.

“My dear, if I may, what is your name?” he asked, coming closer to you. You were unable to take your eyes off him. It was exactly, as if he had hypnotised you, only the feeling was more addictive. You didn't have to have a gift or to be a vampire to know that. For a split second, you ran out of breath and just stared into his red irises.

“My name is [Y/N]” you said, with your voice trembling, as your throat tightened hard under the intense emotions. You couldn't believe it was really happening. Maybe it was just a dream? Maybe these three beautiful men are just a figment of your imagination? You didn't even want to think about the fact that it might not be true.

Aro smiled encouragingly, while looking at you with all the attention that he’d possibly give you. You felt like nothing more was more important than you to him at that exact moment.

"It is an incredible pleasure to meet you, [Y/N]. I am Aro, but you already know that.”

The smile never left his face and during this brief exchange of words, neither of you took your eyes off the other. You felt that the atmosphere in the room had changed. Aro extended his alabaster hand in an inviting gesture.

“May I, my dear?” he asked you politely.

You gulped. Of course, you wanted to show him that you didn't want to give away their secret. You wanted to show him the strange bond you felt towards him and his brothers. However, there were things you didn't want him to see. You felt deep down inside that this attraction had an explanation and you didn't want him to see... Not that. You’d felt exposed and extremely embarrassed. There was also another issue. His hand. You'd hugged Bella twice since it happened and just now you were holding Alice's hand. You didn't know if, when you touched him, you'd start screaming or crying because you were so afraid of someone else's touch.

Yet, his hand looked so inviting, almost familiar, as if you'd already had the chance to touch it before. Aro himself showed no impatience. He waited, still gazing into your blue irises with his crimson eyes. You extended your hand towards him, at first cautiously, and then with a little more confidence. You took a deep breath, before your fingers made contact. When it happened, you felt as if you had come home after many years of wandering. He closed your hand in his, just as he had done with Edward's. His skin was cold, but he handled you extremely gently. You stared into his eyes as he looked at your thoughts and memories of your whole life. You knew instantly when he was done because he smiled sadly at you. He squeezed your hand gently in his.

"Never again, my love. Never again," he assured passionately, and then he leaned down to place a kiss on your hand. It was so light and as gentle as a breeze on a summer day. You couldn't help but smile.

Aro clapped his hands. He was clearly pleased with what had just happened between you.

"Aro, will you explain to me what's going on? I'm sick of waiting," said the nervous brother, who was the only one with blond hair. Aro smiled widely and turned towards him.

"Ah, Caius, you'll never guess. Finally, after so many years, our mate has honoured us with her presence" he said overjoyed and Caius frowned in awe. You were already able to tell that this did not happen often. Marcus, on the other hand, was sitting on his throne, smiling, still looking in your direction. You didn't miss the glances of the other vampires either. Was it some sort of celebration when Marcus was smiling?

“What does that mean?” it was Bella who snapped that question. Aro immediately appeared by her side. He gently stroked her hair, pulling an unruly strand behind her ear. You felt the sting of jealousy, when he touched her face. You should be the one asking that question and not her.

“Ah, and dear Isabella. What to do with you,” he wondered aloud, as if asking others for advice. “As I have far more important matters to deal with....” he began, looking directly at you. “I’d love to see if you’re an exception to my gift as well,” he whispered to Bella, extending his hand towards her. She didn't have much choice, did she? She took his hand, a little hesitantly, but after a short while Aro moved away.

“Interesting” he muttered. “I see nothing.”

“You already know what you’ll do with her, Aro” said Marcus, his eyes never leaving your person. “Just do it, as we want to know our little angel a bit more.”

You looked at Bella for a moment. She was terrified, not only with her own case, but also with yours. You have already guessed that you are not going anywhere. They would never let you out of their hands. Aro knew perfectly well that you didn't even have anything to go back to. Of course, you had plenty of questions, but you were sure it wasn't about your case now. Just about Bella's situation and what the Cullens had done, or rather what they hadn't done. However, you guessed it, Bella was afraid you wouldn't get out of here alive, and at the same time, you were worried about the exact same thing but about her.

Aro was smiling continuously.

“I have an idea” he said, after a long while. He approached Alice this time. “Would you be so kind, dear, and show me if you saw Bella's transformation in your vision?”

You were smart enough to know that it wasn’t a request. Alice undid her glove and boldly gave Aro her hand. He was absent for a moment and then smiled again. You were impressed by the aura he spread around himself. When he smiled, you felt like smiling too. You still had the impression that it was only a dream, and simultaneously you were sure that it was really happening. Aro's touch was definitely real, you couldn’t forget his cool hands embracing your own.

“Ah, lovely. I know everything now,” he declared. You and Bella probably looked similarly confused, but you weren't the least bit concerned and she was as pale as a sheet.

Aro turned directly to Edward.

“As I have seen Isabella's transformation in Alice's vision, I can let you go with peace of mind, my dear young friends. I trust that a date will be set sooner, rather than later and that I will be able to see for myself, what your mate will be capable of, Edward. As for you, Isabella, you are promising immortal material and I hope your potential will not go to waste," he said, this time speaking directly to Bella.

She was still brave enough to look him in the eye.

“And what with [Y/N]? You never mentioned what will happen to her” she noticed, looking in your direction. You smiled gently to her.

“I’m staying here, Bella” you said calmly, trying to reassure her with your tone of voice that all shall be all right.

You saw pure admiration and joyousness on Aro’s face as you said that.

“Isn’t she remarkable, brothers?” he asked Marcus and Caius, who looked as if they had just received the most beautiful Christmas present.

Bella seemed to be thoroughly outrageous.

“You can’t be serious [Y/N]! You cannot stay here, please, come back with us. You cannot be here while you’re pregnant” she cried, holding your hand and looking at you with disbelief.

What she said made you very uncomfortable and extremely upset.

"Bella, I have nothing to go back to. My parents are dead. You knew that if Alice told me everything, it would have to be resolved somehow," you stated matter-of-factly, squeezing her hand in yours. "I can't go back there, Bells." Your throat tightened with despair as memories of recent events flooded inside your mind. You tried to hold back tears.

"I am a shadow of my former self. I'm afraid to leave the house alone to go shopping or to work. This paranoia is overwhelming me, Bella. I keep turning behind me to see if anyone is following me on the street. I cry at night, knowing that it doesn't change anything. And then there's this unfortunate baby," you sighed helplessly, trying not to burst with tears. "Even if I keep it, I don't want it to have a mother who's afraid to leave the house. I can't live like this, we both know that" you whispered, squeezing her hands in yours again.

“But you cannot possibly be mated with all three of them” Bella whispered with despair in her eyes. You only smiled, sensing that this sentence got on Kings’ nerves, especially Caius’s.

“I think it’s predestined, Bella. Just as you are destined to be with Edward, I do belong here, with my mates” you said cautiously, glancing at Aro and looking for approval in his eyes. He was only looking at you with delight, as he said nothing.

You saw that Bella had hard time processing such information, whilst Edward and Alice said nothing at all. You knew that Alice knew prior about this, and Edward could see the vision in her thoughts. You pulled Bella into a comfortable hug.

“Hey, sister, we don’t see each other the very last time. We’ll meet again. Probably in a different…condition but still.”

Bella looked devastated.

“You promise me that?” she asked warily, her tone full of hope. You smiled at her.

“Of course I do.” You kissed her cheek and caressed her long, brown hair. “We can call each other, you know. It’s not like I’m moving to the Moon,” you joked, to release the tension a bit. To your astonishment, everybody in the room laughed at that. It made you blush, just a little tiny bit.

After another farewell, in which this time you also included Alice and Edward (barely, because you were still mad at him) and an official farewell from Aro, who told them to give his friend kind regards from him, the guests left the chamber.

They left, and Aro was immediately by your side. He gently stroked your long blonde hair, but didn't touch a single piece of a skin. After the display of your memories, he probably knew very well that you did not wish any touch for the time being.

You still couldn't free yourself from under his spell and if you were to be honest, you didn't want to at all. Aro offered you his arm.

"I believe, we have much to discuss, my love."

You took his arm gratefully.

"I have a ton of questions," you admitted as you walked out of the chamber with Marcus and Caius slowly following you. You didn't need to look back, the strange bonds that drew you together informed you of their presence in a yet unknown way.

Aro, as usual, smiled magnificently.

"My dear, one thing at a time," he said in a gentle tone, as he patted your forearm with tenderness. When you entered the study with the round table, Aro immediately pushed back a chair for you.

"No one is to disturb us" you heard Caius' sharp tone as he closed the door behind you. You tried to feel comfortable and at ease. After all, this was your home from now on.

Part 2 | Part 3

695 notes · View notes

juusworld5728 · 4 years

Text

Lets talk about Azriel’s shadows...

I think that a lot of people seem to forget what Azriel’s shadows actually represent and what different reaction from them actually mean.

Lets start at the very beginning to his childhood... For the first 11 years of his life, Azriel lived in a cell with no windows or light. He was allowed to come out only for an hour a day, and to see his mother for one hour every week. There are many different ways that one can argue how Azriel came to acquire his shadowsinging abilities or whether it was something genetic (either way, its very rare). Rhysand did mention that he might’ve learned to speak to his shadows in the cell that he was kept in. Either way, his shadows are not something of his past that he necessarily wants to remember. Whether he’s appreciative of those shadows now does not reflect the fact that they were born out of fear and loneliness.

In terms of personality, it’s very important to note how he reacts to things and different people. The way that I see it, he uses his shadows as a defense mechanism. Whenever he’s in an uncomfortable situation, he tends to hide in a corner and his shadows surround him to block from sight. However, when he’s in a good situation or surrounded by certain people, they seem to go away. A lot of people see that as a bad thing, but his shadows are not only supposed to represent his powers, but also his very traumatic past. Soooo you might ask, what exactly do the shadowsinger’s shadows represent?

Well, here is my take. Those shadows in terms that are not power-based, represent that very same cell that he was locked in for the first 11 years of his life. I’m not talking about Nuala and Cerridwen here. I’m talking about his defense mechanism shadows. This wonderful male was trapped without social contact, friends, or anyone to rely on. So yeah, he will be introvert. He has a family, but that doesn't stop him from the fact that his social skills will not be the best in comparison. His shadows represent his loneliness that he feels he deserves and craves when he feels cornered. For the first 11 years of his life, that was ALL HE KNEW. When his shadows “brighten” or are nowhere to be seen, I can imagine that as being the hour he had out of his cell every day. That feeling of relief and freedom. Yes, he needs to learn to accept himself more and who he has become. However, that can be done in the sense that his shadows do not have to be around him ALL THE TIME.

Now, in terms of relationships:

Mor: His first love. At the young age of around 19. Only 8 years after he’s been let out into society and learned his way through. Does he even know how to handle love?? Probably not. He was born a bastard and probably saw his mother being treated like shit by his father and stepmother. So I doubt love is something he believes in at this point. However, he does fall in love with her. His reaction to that? What he knows best. Avoidance. That dark cell still very present in his mind. That feeling of being very aware of how broken you are but don’t know how to fix it. He does not want to put that burden on Mor. Everything that happens between Cassian and Mor probably makes him feel even worse. Throughout the years though, he can’t help but feel happy just to be around her and in her presence (hence why his shadows disappear). It can be argued that he's known that she hasn't been interested for a while. Maybe what he truly craved wasn't the actual love that he wanted from Mor, but the feeling of love that came from her that made his shadows go away. He craved it and wanted to be around her for that feeling.

Elain: The first time that Azriel meets Elain is in the human lands. She asks him if he can truly fly. He blushes and gets flustered, and why? Do you think that maybe a lot of people haven't bothered to see him in a certain light to ask those type of questions? I mean sure he has his family, but this human girl that is supposedly terrified of him because he’s fae, asks him such a simple and light-hearted question... Slowly but surely, in ACOWAR he beings to get more comfortable with her. She’s broken but at the same time, holding on. He takes notice of a certain light that she radiates as well as her seer powers a little bit later. The first time they’re brought over to the House of Wind, she calls his scars beautiful. The importance of this scene is very overlooked. She called the thing that makes him the most insecure, induces the most amount of fear, and creates his hatred... beautiful. This woman that barely knows him has already accepted every part of him. He further loves to glance out at the garden (a place of happiness that reminds him of Elain) and loves to look at that hidden light in her eyes that makes his shadows either brighten or disappear. It’s very similar to the feeling with Morrigan, but more direct and has incentive. Now, lets talk about truth-teller (the knife that always strikes true). That is one part of himself that he has never shared with ANYONE. Why did he give her truth-teller? Because Elain has already accepted every part of him. Truth-teller is an extension to himself in a sense. Something that belongs wholly to him and makes him feel safe. He trusts Elain enough to give her a part of himself. A very vulnerable moment never seen before by Azriel. In ACOFAS, When Azriel asks about Lucien, he truly does not want to spy on him. It could be for privacy reasons because of Elain but also because he’s afraid of what he’ll see from him in terms of Elain. His siphons gutter and he stutters over his words. Now, winter solstice was a very light-hearted moment but very important as well. As we can tell, Elain is the perfect gift-giver. She gives Azriel a potion for his headaches which is perfect and very hilarious since he laughs (he’s never laughed before in Feyre’s presence). It’s very telling to Elain’s personality as being a very attentive person which amounts to her really caring about Azriel and what’s going on with him. He tends to be pretty hidden and keeps a poker face most of the time, so for her to notice the little things like that is very important. I rest my case..... for now.

Gwyn: I honestly cannot say much about this ship. What I can say are from pages I have been sent and trends I have been seeing through Azriel’s personality. It seems to me like Azriel is the least tense around people he considers his friends and brothers. Even though he's usually pretty serious anyways, the bat boys seem really comfortable with each other. When Mor was around (especially in ACOMAF), he would get worried. However, when she wasn't paying to him, his shadows would disappear (similar things happened with Elain). It seems to me like Gwyn has an outwardly fun personality and Azriel has no problem with that because he is not worried about anything happening. The most I’ve seen from the books between them is simple banter that included the rest of the friend group. When either of them talk, what I’ve seen from Azriel is amusement. That amusement results in Azriel’s shadows dancing around HIMSELF. Not anyone else. No, the shadows did not dance around Gwyn or any other person. I currently see this as a friendship and would need more build-up for me to even ship it. It seems like Azriel seems fine acting like this with people he is not worried about catching feelings with.

Thank you for coming to my ted talk.

#acosf #acotar #azriel #azriel meta #biggest wingspan #azriel's shadows #elriel #elriel vibes #pro elain #elain x azriel #azriel x elain #morrigan #the gentle grower of things #elain archeron #acosf spoilers

331 notes · View notes

pretoriafics · 4 years

Text

Therapy sessions with the devil

I'd did this request yesterday on my Portuguese blog, and I thought that you guys would love it!

Anonymous asks: Y/N is a therapist who works for Vought and is doing a few evaluations on the Super.

Word count: 1.806 Contain: Therapist!Reader x Homelander Warnings: Mention of sexual violence, mention of serial killers, mention of cases of children with psychopathy, mental disorders. +16 only Versão em português aqui PART 2 THE BOYS MASTERLIST

Your profession was gratifying.

You loved the idea of helping people, getting to know each other better, and getting them to learn to deal with life's challenges. For you, being a kind of "confidant", where people could talk about their lives without any judgments, was an honor and your purpose. You believed that it would make the world a better place.

However, it also had its burdens. Some things were difficult to hear, even for you with all your knowledge and professional background. Patients who suffered from sexual violence, for example, demanded of you a stomach that you were not always able to have. It was something you talked to your therapist about, and you kept a mantra in mind: After all, you were still human, and it was okay to feel that way.

And when Vought invited you to work as a therapist for The Seven, you went nuts. It was the chance of a lifetime!

Or, at least, this was what you thought at the beginning.

It was not uncommon for you to hear things that made your stomach a little sick, just like when The Deep told you about the way he “welcomed” Starlight. You felt nauseous but, on the outside, remained impassive, just watching him as a silent request to continue to talk.

All of them were, simply, not only media products but also puppets of the advertising world. You already had some political patients, and in fact, you thought The Seven was a similar case: Both went to that market with the intention, many times, to help people. However, they ended up corrupted in the middle of the road, forgetting their whole purpose in helping others.

You saw a point in common between The Seven: Everyone, with perhaps the exception of Starlight, was too worried about their own egos to be real heroes. They were all too narcissistic.

But Homelander was the worst of them.

The childhood phase was the most important part of a person's life. A traumatic childhood could lead to a troubled adult, as in the case of Mary Bell and Beth Thomas. Homelander's case was no different: his non-affectionate childhood, being raised as a laboratory rat, was the bigger reason to make him that kind of man.

Although at the same time you were fascinated about to study a mind like that - since one of the reasons why you did psychology would be to unveil the secrets of the human mind - each therapy session was daunting and made you rethink your job at Vought.

In short, you were interviewing a serial killer. Easily one of the most cruel and unhealthy.

"Good morning, Homelander." Your voice was soft, just like the smile you gave to the super who just sat on the couch.

"Good morning, Doctor." He returned the smile to you, but the smile on his own way: The corners of your mouth pulled to the side in a smile that you recognized as fake.

"So..." You put your hands on your knee, looking at him with the best receptive look you could pretend. There, in that office, your sessions with Homelander made you feel you deserved an Oscar "How was your week?"

“Well…” He lay down on the couch, his blue eyes staring at the ceiling, and his hands joined in front of his stomach “Nothing new. In fact, he had a little incident with Maeve. Sometimes she is so… pathetic. ”

"What happened?"

It took a while for Homelander to actually get some confidence in you. In fact, he only started telling you things in detail when he realized he could get something out of the sessions. They were productive to him, they made him think. You didn't know if you were thanking God for getting something out of him, or if you should cursing yourself because of the horrors he tells you.

"Maybe you saw something about the 37 Flight on the news."

"The one who had been captured by the terrorists?"

"Exactly! Maeve and I had to rescue the plane. We managed to take down the terrorists, but when I killed the last one, in the Pilot's cabin, I hit the plane's controls with the lasers. And then, the flight was doomed. I told Maeve that our job was done and we should leave, but she was reluctant. He wanted me to save the passengers! ” He laughed, but a natural one. "Can you believe that?"

Oh, it was going to be a long therapy session...

"And what happened next?"

“What did she want me to do? That I fly 137 times from the plane to land? Ah, pathetic, pathetic! ” He shook his head, clearly humorous. "Now, just imagine: You are on a flight with 137 people shouting 'Help, Homelander!', While your stupid partner insists that you should do something to save everyone. I was losing patience so I threatened everyone with my eyes, and they finally settled down. I don't blame them, I mean, they are so vulnerable. They are bugs! ” He looked at you, the corners of his mouth pulled in a fake smile. "No offense."

Homelander was a cold-blooded killer. Not only, but like Ted Bundy, he was a narcissist. He liked the feeling of power that invaded his body when he saw that people feared him, and when he felt that he had the power to decide whether that person would live or not. He didn't mind if killing people just for fun was against the law. Homelander didn't care about the law or any kind of rules. Furthermore, just as Bundy believed he was fully capable of defending himself in his court's judgment and did not need lawyers, Homelander thought he was an incarnate God walking among the 'bugs', simply because he had powers.

"And how do you feel about Maeve?"

“She bothered me a little with the drama on the plane, but that's okay. I am sure that after I spoke to the journalists, near the wreckage of the flight, she understood. This is all going to be an excellent opportunity to make our presence in the army happen. ”

A sociopath.

Empathetic behaviors aren't part of him. He was unable to have that feeling. Self-centered, Homelander was unable to love. The relationship he had with Stiwell, for example, was far from loving. He didn't feel it, quite the opposite: Homelander had a feeling of possession with her. She was his, and nobody else's.

A doubt hammered in your head: Homelander was intending to drop the plane? Your stomach was upset, you felt bad about that therapy session. How could Vought leave someone like him in The Seven?

The answer was simple: They didn't care. Homelander was profitable, and that was all that mattered.

That was one of the times when you thanked God that Homelander was self-centered enough to lie on the couch and just think about your own life, instead of analyzing you and realizing that you were completely terrified. It was as if a misstep, a wrong word, was going to cost his life.

And you would end that today.

You conducted the therapy session normally. In the end, you shook hands with Homelander as you always did and closed the door. Tears invaded your face as you thought of each life that was lost in vain on that flight, and, worse, you were sure that Maeve would tell you about the flight at her therapy session, early next week. In an attempt to calm down, you took some coffee and sat down in front of your MacBook. There, sipping coffee, you wrote your resignation letter.

Alright. You were free.

Or at least this was what you thought.

* * *

Another week has started, and the fact that you worked at Vought made you get a more comfortable office, in addition to increasing your service price. You were ending your day. Your last patient had left the office, and you were about to go home when you heard a familiar voice from your couch.

"I miss you in the tower."

Homelander looked at you with his pairs of sick blue eyes, his fake smile, and his murderous hands behind his body. He was standing next to the couch, and you felt your whole body freeze. A lump formed in your throat, and your hands vibrated in pure dread.

So he would kill you there? In your office?

Trying to take control of the situation, you faked a slight smile.

“Sorry, Homelander. I didn't saw you here. Need something?"

"Actually, I do." He started walking towards you slowly. "I didn't want to end our sessions, so I came to ask you what our new schedule is going to be."

You narrowed your eyes.

"I thought Vought was going to hire someone else to work with The Seven in my place."

“In fact, they put an incompetent in your place. I really prefer that we continue where we left off. ” He stopped in front of you with his smile, his eyes emanating pure insanity "I like our therapy sessions."

“I'm glad that you like my job and that you appreciate our results, Homelander” You gave him a smile, but inside you were still in pure dread “But I don't have appointments available. My schedule filled up easily after I came to this new office. ”

“Oh, but I'm sure you can fit me in your schedule. I can pay you well. ”

How to say no to Homelander without putting your life at risk?

You walked over to your tablet, on your desk. You took it in hand and slid your finger on the screen, analyzing awhile. You didn't need him to tell you that you would be paid well. In fact, you were fully aware of that. The point was that you could exchange all the money in the world to be at peace, without having to deal with Homelander. Without much choice, you concluded that you would reserve a single day for your therapy sessions with him. That way, your head wouldn't get so tired when you still had to deal with other patients.

“Are you available on Friday morning? At nine."

He nodded, giving the same smile he did when he achieved something. One of pure contentment.

"Of course!"

"Great so." You typed 'Homelander' in the space corresponding to the hour. You put the tablet down on the table, next to your MacBook “There, it's done. Friday, at nine in the morning. ”

“Ah, perfect! Thank you. Have a good night."

"Good night, Homelander."

He walked over to your balcony. With a jump, he flew through the sky. You lay on your couch, terrified. Would you never get rid of him?

All that was left for you now was to be the therapist of the incarnate Devil.

#the boys imagines #the boys imagine #the boys fics #the boys fanfics #the boys fanfic #the boys fanfiction #homelander x you #homelander x reader #homelander x y/n #homelander imagine #homelander imagines #homelander fics #homelander fanfics #homelander fanfic

644 notes · View notes

mondayrobot · 3 years

Text

120-Day Fanfiction List (G)

A collection of my recommended Eren/Mikasa fanfictions for the first one-hundred and twenty days of the year.

Rating: General Audiences

a gilded world by infinitesimalll

The world was cruel. It was cold. Nearly everyday those words flowed through her mind, often accompanied by traumatic experiences.

All The Things Between You and Me by iRememberTheDark @irememberthedark

In most situations, Mikasa takes what she can get, especially where Eren, her...her...whatever he was to her, was concerned, and she was more than willing to let that pattern continue. Too bad life was so adept at kicking her out of her comfort zone.

"What am I to you?"

Mikasa asks a simple question and the world tilts.

Bad Idea by fevversinherhair

Like all bad ideas that passed between them, pretending to be dating at his brother's wedding was 100% Eren's.

Call out my name by Gcf_khaleesi

Ever since he brought her back into paths he knew that this would be the last time, he knew that he wasn't getting out of this what he was doing out there alive and she knew it as well.

canvas by orphan_account

there’s a familiarity in that question, the same one that comes along with the unspeakable way she smiles.

Cruel Decisions by solsun

The public now knows the truth of the outside world and who they are. The impending threat. No matter what, they must survive. Eren struggles with the colossal responsibility he believes he bears, the weight of an entire nation in his hands. He searches for a way to ground himself while keeping his principles intact.

demands by infinitesimalll

In all honesty, Eren hadn't expected Mikasa to take his offer after they had faced the titan who killed his mother and Hannes. It was something he said in the heat of the moment, when he was determined to survive.

for you, 2000 years later by aenar_thedragonlady

life seemed normal, as it always was but she wasn't aware of something, or rather, someone, who's been waiting for 2000 years.

fuel to my fire by aenar_thedragonlady

Being the princess of a powerful kingdom and with a legendary bloodline, Mikasa came to terms with how she was born and raised a conqueror in her father, family and kingdom's name. But when her conquest led her to Eren, a solitary king hidden in his domain far north in the mountains, she knew things could never go back to how they were.

Will she extinguish all the fires she never knew she had?

Or will she add more fuel to the flames?

ghost out of his grave by simplyhumann

At first glance, one might even think this is his glimpse of heaven. To come home to her in death, like how he always wanted to when he was alive.

It was anything but that. This was his punishment, Eren knew. To have a front row seat to the way he ruined the woman he once loved— no— still loves— and all the consequences that came after it.

hallucinating by enchantingoats

Mikasa knew it was undoubtedly her drug-addled subconscious longing for a second reunion with better odds.

Still, she wanted to touch him.

home by infinitesimalll

"in this world, i've got a place to go home to."

I’ll Take Care of You by Queenzie

When Mikasa falls sick, Eren decides that for once he needs to look after her.

Long Dream by wallmaria

“What am I to you?” Eren had suddenly said. Mikasa was again taken aback by his question. She looked at Eren’s face, there were no hints of shame when he said it, when he’s practically asking her to bare herself before him… She felt her heart pound loudly in her chest… She felt embarrassed to say the truth, but Eren also seemed to look distraught and expectant as Mikasa stammered.

not so strong after all by infinitesimalll

After a patrol in the freezing cold rain, humanity's second strongest has come down with the common cold.

Now and Forever by connectedfeelings @connectedfeelings

Waking up from a strange dream, Mikasa experiences odd visions throughout the day, all of a man and of a red scarf. Everyone leaves her with a strong sense of melancholy. Who is he? And why has he been in her mind all day? Perhaps she could ask him. Because his scarf just landed on her face, and she can't help but feel like the universe is telling her something.

New Year by Ilucida

The New Year celebration in Hizuru style was different.

remember a day we dreamt by Violea

Let's live the rest of our lives peacefully. Just the two of us.

return to me, the you of 2000 years ago by rilakkuma5 @uhhstar

Eternal return is a concept that the universe and all existence and energy has been recurring, and will continue to recur, in a self-similar form an infinite number of times across infinite time or space.

Simpler Times by wamomo

Three moments in which Eren doesn't regret leaving and one in which he does.

some place to be at peace by bacondestiny

He remembers the feeling of his head exploding off his body and the earth quaking before him under the weight of millions of titans on the march, remembers the awful ruin and the craters and the puddles and the charred remains as he crawled after them on hundreds of ribs--but all of that is so far away. It’s so far away that he’ll never see it again. All he can see is Mikasa, smiling up at him.

It doesn’t matter what’s flowing through his veins or lurking in his bones or rattling around in his head. What matters is what he has in his arms.

sparkling green by maketea @rosekasa

mikasa wakes up to find eren has done all the work for her.

The hellfire called love by septembersnotes

I hold us together, our lives, our pitiful youth, our days under the sun- shard by shard.

The Red String of Fate by hunnyB

Alone and defeated, Eren sighs and sinks back on the bench, eyes flickering up on Mikasa's seemingly frail frame as she sleeps soundlessly beneath the white bedsheets. He stares at the peacefulness transpiring through her face, glossed lips parted gently, raven hair splayed across the pillow, and thin long eyelashes casting shadows over her cheeks, giving off an extremely pleasant sight to lie eyes upon.

A sight that Eren has always had nearby but never sought, never once stopped to admire.

they are the prey by bacondestiny @inbothourhandsgloria

Eren does not want to be here.

It is sunny and warm and the birds are singing, today is the kind of day that should be spent running through the streets and splashing in the creek. He could be helping Mama with errands or Daddy with mixing medicines or Zeke with the goats. But no. Now he has to stand in this stupid line with Zeke so he can go to school. It’s terrible.

Through the Night by Diphy_D

It’s through the night when Eren’s mind doesn’t stop thinking while his hands don’t stop tracing the profile of the sleeping woman who rests at his side. The boy loses his faith and sinks alone.

And it’s through the night too when Mikasa's sweet touch calms his demons.

“We'll be free. The two of us, just wait”.

To You, 2000 Years From Now. by fetching

“You were dreaming again. What was it about?” He asks, smiling at her.

It takes a great effort not to cry.

This is it. This is home.

“Home,” She breathes. “I was dreaming about coming home.”

to you, at world’s end, a promise by AdelineVW7

She has never been one to sleep deeply, so Eren moves with deliberate gentleness. With only the tips of his fingers he caresses the dark hair splayed upon the pillow, all the while watching the rhythm of her breathing, the flitting movement of a dream beneath her eyelids.

viva la vida by zeninclan

"Mikasa, what am I to you?"

She looked down at him as the crowd watched them, standing face to face.

A soft blush spread across her skin as she stared back at him for a moment, wind pushing through their hair as they stood in silence. They had been friends since childhood. He knew everything about her, and she did the same for him.

"Family," was the answer she landed on. She cursed herself that night for not answering him honestly.

Since then, something had changed in Eren.

Warmth by ApplePapelProductions

His body, against yours. So close, so safe, the bite of the cold, the closeness of death, did not matter. Even in this fleeting moment, only to last a second, it meant more than the entire world. More than the remainders of humanity. More than the world beyond the walls. More than you could have ever imagined, no matter how many times you prayed for it to happen.

It would end soon. Maybe one day, he could tell you that he loved you, too. But until then, this was enough.

when you move I move with you by SapphireOcean

An unrequited crush comes back into Eren's life in an unusual way.

would have married you by enchantingoats

But truly it was beyond that. She was precious to him above all else, and though it was hard to put his finger on the feeling, this attachment, it had to be what they called love.

You can also check out: 2020 Eremika Fanfiction Masterlist

#eremika #writing #fanfiction

57 notes · View notes

my-hyperfixation-trash-can · 4 years

Text

Hetalia’s Russia and DID/OSDD 1-b

Hey! So @autistic-hetalia your blog said you accept neurodiverse head canons and I thought maybe I could share this one with your blog!

I believe the Hetalia character of Russia has OSDD 1-b (Otherwise Specified Disociative Disorder or possibly DID, being Dissociative Identity Disorder) and this is why.

Just a note,

There is no such thing as an evil alter. Do not demonize people with DID or Other Dissociative Disorders! Those with this disorder are victims of Trauma and are likely to continue being victims of abusers, rarely do they become abusers!

Anyways, -cough cough- I’d love if anyone wants to add to this with more evidence!

1. Russia had a traumatic childhood

He is shown to have had abusive bosses who would punish him. He is threatened by one to invent steam power by the end of the week or be punished. Tartar Yoke mentioned by Lithuania as one of his bosses was also known for his cruelty. So the Authority figured in his youth were often cruel and held power over him.

His environment is cold and unforgiving much like an abusive home. Russia often describes his home as cold, quiet and lonely. He rarely found support from his land and often struggled to get by. The environment and home were harsh with little support. It is also implied he froze to death each Winter, and celebrated the year he didn’t.

This is on top of having to deal with other nations attacking him, making him feel helpless. Many nations “bullied” him in attempts to conquer him. He was mobed and pursed every day by Mongolia. That is exhausting to have everyone around you be a threat. (Lithuania and his sisters were the only nations kind to him in his youth) Early on, he learns that force and strength are what matters.

Next point tw sexual abuse and assault

He also felt a great deal of responsibility to care for his sisters. He was close to them, as they were experiencing similar issues and not violent to him. He had to be the strong one. Belarus and her unhealthy attachment to Russia depending on the age she started her behaviors may have also contributed to his trauma. All of the siblings have unhealthy attitudes towards boundaries with their bodies and the bodies of others, implying another type of abuse. Ukraine and Belarus took victim roles. Russia took on an abusers. Ukraine only ever suggests using her body to get what she wants as if never taught anything else, even as a child that’s what she knows. Belarus I don’t know where to begin, but her staring off is certainly dissociative like, paired with other trust issues. In a diary entry she is stated to have possibly messaged Ukraine’s breasts, once again showing more unhealthy boundaries with attachments to loved ones. Someone taught her that. And Russia, who internalized his abusers, acted out his abuse on others as implied with Lithuania looking distressed dressed as a maid and Russia holding a whip. In another non canon game Himaura worked on, Bulgaria in the bad ending is shown tied up and naked implied to be whipped by Russia as Russia says this is “tradition” or possibly more routine implying this is something he does often.

The idea with dissociative disorders is that the repetitive trauma that happens has to be too much for the mind of that individual child in comparison to the culture they’re raised in, and it conflicts with getting their needs met. And to the countries, all of them know Russia has had a life with far more conflicts in his youth than most, and a great deal of pain.

2. Russia has General Winter (GW for short)

General Winter manifests when Russia is being attacked by other nations in order to defend him, or to be a tormentor to Russia himself (such as freezing him to death each Winter).

This is oddly similar to what is known as a persecutor alter. These alters have the goal in mind to protect the host or body, but they’re a bit misguided in how to do that. They might take on the form of an abuser, or something outside the body, this turns into being an Introject. I’ll post a link to more info on DID/OSDD at the end of the post. The educational videos playlist will have a video on alter roles.

Russia’s bosses often abused him, and if he had an alter like this it would make sense that it would take the form of a general, someone in power who feels so much bigger and stronger than him. A boss who can push him around and make him behave in a way that will avoid further trauma from the real abusers. Winter the season, being another tormenting force of the environment, is another abuser, and it makes sense GW would take that into his identity. Russia feels helpless to it. It is also worth noting that other nations who also had to deal with Harsh winters do not have General Winter as an ally. He only protects Russia.

It would also explain why General Winter protects Russia from others attacking him. He took the ideologies of his abusers to heart, so GW pushes people away and treats them like threats. He feels strong by holding power and fear over others and force. If I can be stronger, no one can hurt me or would dare try, this is the mentality.

I believe GW can manifest as he does because Russia has magic. It’s canon that Russia can do magic or has a strange magic of his own, so whose to say GW can’t utilize it too. Perhaps even to let himself manifest sometimes in his spirit like form. This is more a headcanon or idea though.

Russia himself however is shown to be very passive with his bosses. These are people who hold power over him that he can’t really run away from or fight. So his response is to faun or freeze. This is basically stated in the comics (picture below.) and it’s often that alters have a specific role. Russia’s would be to people please those who he can’t fight. Making General Winter’s job to defend from attack.

3. Russia is shown to dissociate

When he is told to do an impossible amount of work, he just straight up loses himself in a fantasy immediately to escape the reality of the situation. There are other instances too, some in his childhood directly, but this was the most overt. This is from To your Hearts content, Russia!

4. Russia Is Inconsistent

There are times when Russia feels very different from moment to moment.

He goes from open about himself to swiftly sadistic and cold. He has moments of childish behavior to moments of maturity. These, when combined with the rest of my points, are worth noting. He both wants to hurt (possibly destroy) the others, but also be liked by them?

You can’t destroy people and have them like you.

The baltic Trio who lived a substantial amount of time with him still are confused by his unpredictable behavior. Each encounter The Baltic’s have with Russia is marked by a fear of what he might do. And not having certainty, thus they say things without knowing if it’s safe or not.

Even to Lithuania, (Whom Russia often shows Vulnerability to, in moments like bloody Sunday and Sharing his dreams in Outsourcing Sequel)living with Russia feels a strange theme park where he never knew what to expect. Lithuania has been shown to be great in strategy and games of wit, and a commendable leader with great people skills, yet he only has a general idea of Russia’s behavior? He is seen advising Prussia and Moldova that Russia likes it when people laugh or cry easily (This being predictable to Russia and thus easier to navigate social situations with) so it’s not like Lithuania isn’t paying attention. Russia shows moments of vulnerability and his thought process in panels like Bloody Sunday, which is quite telling as to what he believes are his responsibilities, and how the world works.

Now the real question is “why is he like this?”

He only understands the world from the point of view of someone who still lives in the abuse and knows no other options. He never had anyone teach or show him different. His world is ruled by who is the strongest, and if you can obey the strong you won’t get hurt or discarded. “We don’t want children who can’t play nice,” sounds like something an abuser told him frequently in his youth.

Russia just doesn’t have a support system due to his strained relationships with everyone. So he keeps relying on old defense mechanisms, hence letting General Winter step in when something threatens his sense of safety.

Nearly Every time (at least that’s what I noticed) Russia is emotionally vulnerable to someone, he suddenly changes to be sadistic or scary. It successfully pushes the person away and Reestablishes the fear of Russia in the individual, returning him to a state of being feared and alone where none of the other countries can hurt him. Examples below.

France talking to Russia after meetings and asking him personal questions would result in Russia ending the conversation by scaring him with a scsry remark and aura suddenly.

Russia Comforting China after Japan turns on him, he is kind and compassionate at first, but suddenly changes at the end.

The Baltic Trio never knows what to expect. He frequently uses fear and force to keep them.

This behavior seems directly contradictory to wanting friends and having a warm and lively home. So GW still reacts with a trauma response, and Russia reacts in line with his wishes of making friends and having others around him. The Use of force and intimidation is naturally the middle ground between their wishes. Russia believes everyone is his friends, and doesn’t see how his behavior is pushing people away. Other times he seems to want friends to like him back, like when he sent France an anonymously written letter to his radio show. However he has wishes that contradict.

Now, I think he sees friends as people he can keep near him that he enjoys the company of. (This doesn’t need to be mutual or involve trust, just force) but those wants directly contradict.

I think GW is passively influencing him with some of the behavior rather than switching out right, but either option still would have the same effects. Passive influence is when an alter is close to the front, or feels/thinks something strong enough that it affects the person at the front. Making them behave in a way that is ooc for them, but not the other who intentionally or unintentionally influenced them.

This would explain sudden shifts to a cruel threatening position with other nations, something that will most likely always be a threat GW needs to defend against. He is particularly cold and defensive with anyone that has a chance to hurt him, (or tries to look into his psyche) regardless of if they made a move to do so.

More on passive influence can be found in the sources at the bottom under educational playlist.

5. Misc. Points of knowledge

Russia’s character originally was meant to be a cry baby, and only when he drinks, has a complete switch in personality. Frankly I’m glad he was changed to the complex guy we have now. However I think this concept wasn’t fully lost.

His character song, Winter, seems to talk of him experiencing freezing to death each Winter. Further adding to his repetitive trauma.

It is not unheard of for nations to have disorders and conditions. Australia has ADHD, Prussia is Albino, Lithuania has severe anxiety (and possibly PTSD), so who is to say a nation like Russia can’t have a dissociative disorder?

It is stated in one of Russia’s character bios that “General Winter is always with him”, however where? I don’t physically see him, but perhaps we can’t because he’s sharing a body with Russia.

In summary

Russia dissociates under stress

Russia has repetitive traumas and an ongoing history of abuse all his life

Russia has inconsistent behavior and attachments

General Winter could certainly be a separate personality and functions exactly like an introject/persecutor alter would to their host.

Russia acts out and damages relationships, acting in inconsistent ways that might play out his own abuse, and/or reflect his desires to keep others near him.

As a note, I actually have DID, so this could be my projecting, but please don’t yell at me about how I made a “villain” have DID and feed into evil alters and split Stareotypes. I would only like to raise interest and provide an example of what a misrepresented disorder can look like. And the links below are there if you want to make your mind up for yourself and educate yourself if this inspires your portrayal of him! This isn’t meant to be insensitive, I’ve been working on this post for months to word it as sensitive as I could while also acknowledging Russia is still responsible for his and GW’s actions. Saying he has DID isn’t to excuse it, just explain it.

Don’t erase his victims, but don’t erase that he also is one.

(This blog below was also really helpful, but this post covers a lot of Russia’s earlier trauma and his mentality)

https://ellawritesficssometimes.tumblr.com/post/175060886956

Research for DID and OSDD 1b below: (along with links to comics)

https://www.youtube.com/playlist?list=PLm56LzW0BA_P7-yL3rK7INZDDozTayJvJ

https://www.hetarchive.net/blog/tag/russia/

http://hetarchive.net/tag/russia/

http://www.hetarchive.net/blog/2013/10/11/blog-entry-1411/

https://hetalia.fandom.com/wiki/Russia

https://www.hetarchive.net/blog/2019/01/29/about-the-fact-that-russias-history-is-too-scary/

Below is for an example of dissociation:

http://www.hetarchive.net/blog/2019/02/28/to-your-hearts-content-russia/

https://youtu.be/ZV3ToVA5BqQ

youtube

https://did-research.org/origin/comorbid/dd/osdd_udd/index.html

107 notes · View notes

lassieposting · 3 years

Note

Bit late and random but it's the anon you leave food out for here to give away I am also bi and I think exactly the same as you about bi val pretty much, every time Derek offers me representation my reaction is to slowly, hesitantly take it and say "thaaaaaaaaanks..." while rolling my eyes, in much the same way one accepts their least favourite flavour of sweet from an annoyingly enthusiastic uncle-type-individual. Ironically I feel I had more in common with her before the bi shit started up.

What I find really amusing is that Landy actually did reasonably well at representation when (and only when) he wasn’t trying.

Oh god, this got long, anon, my ass rambled.

tldr; I'm glad actual bi people dislike bi val (or how Laundry handled bi val) as much as me, this will probably offend at least one person but i don't really care, Dirty Laundry wrote better rep when he didn't mean to write rep at all, and if he ever starts trying to "represent" groups I'm part of I'll take him out back like a dying horse and shoot him.

Like, yes. He had stupid and potentially offensive shit - I say potentially because what offends one member of a group won’t necessarily offend all of them. His attitude to mentally ill people is, frankly, disgusting. We’ve had “Skulduggery can’t be abused, he doesn’t have feelings”. We’ve had “eVeRyOnE iS bI eVeNtUaLlY”. We had Ping, who seemed to be pretty much universally offensive. And that's what's always going to happen when a straight, cis, white, wealthy, male author tries to write marginalised groups he doesn't know shit about, because inevitably he's going to fall back on stereotypes.

But we also had:

SEXUALITY REP: Phase One's nonstraight characters were treated like the straight ones, and like, isn't that the whole point? There was no need for a massive Coming Out Story TM to grab for those sweet sweet Woke Points, because sexuality isn't supposed to be important to mages. I never understood why Val needed that whole Coming Out Panic storyline. Like...Des and Melissa are ridiculously supportive, encouraging, loving parents. They accepted you dating a ~19 year old when you were ~16. They accepted you revealing you could do fucking magic and that you'd been lying to them for like seven years. They took your undead buddy in stride and the most pressing question your dad had was whether magic toilets exist. There is zero reason to think that "I'm bisexual" is gonna be the thing that makes them flip and throw you into the streets in disgrace, Valkyrie. Come on.

Tanith had girlfriends and it was just mentioned casually, because it's normal.

China had massive UST with Eliza. That was an opportunity right there to not only include a f/f relationship, but also to bring back one of the few precious surviving characters from Phase One, using characters and a relationship that already had several books' worth of setup and tension and interest from fans.

The Monster Hunters have a casual conversation about which one of the Dead Men they'd date.

Ghastly has a conversation with Fletcher about the pain he's been through being in love. He never uses any pronouns.

It was confirmed at one point re: the Dead Men that at this point, after 300-odd years, everyone's been with everyone else at some point.

Thrasher is gay, and while Scapegrace's...everything...is treated as a joke/comedic relief, Thrasher's love for him isn't. He's completely devoted to Scapegrace, and that in itself is not played for laughs, even though the rest of the scene usually is. Thrasher's description of their first meeting is essentially a love-at-first-sight situation for him.

"ABNORMAL" RELATIONSHIP REP: Age gap relationships are normal for mages. Off the top of my head, using only canon, canon-implied or almost-canon ships:

Ghastly/Tanith (~350 year age difference)

Tanith/Sanguine (~250+ year age difference)

Tanith/Saracen (~350 year age difference)

Caisson/Solace (~250 year age difference)

China/Gordon (~400 year age difference)

Kierre/Temper (~500+ year age difference)

If you include fan ships, there's also things like Mevolent/Serpine or my Mevolent/Vile, which are both ~600 year minimum age gaps based on the timeline, or Valdug (and its variations) which is ~400 years.

Now, whether you consider this kind of rep positive or negative is up to you, but it’s there.

MENTAL ILLNESS REP: more like "Which characters in this series don't have a mental illness or a personality disorder?" I have some of these issues, but not all of them, so this is just how I read it, but:

ADHD: Skulduggery

Dissociative Identity Disorder: Skulduggery & Vile

Dissociation: Skulduggery again, most notably in DD and DB

Schizophrenia (or similar): Valkyrie & Darquesse, Valkyrie "seeing" Darquesse's ghost thing in Phase Two

Impostor Syndrome: Reflectionie

Autism: Clarabelle

Trauma/PTSD/CPTSD: Skulduggery, Valkyrie, China, Ghastly, Erskine...pretty much everyone has a believable, understandable, morally grey trauma response in this series. People struggling with trauma are spoilt for choice of characters to see themselves in.

TRAUMA REP: This series is a trauma conga line, but everyone has a believable, understandable, morally grey trauma response in this series. I see little bits of myself in more than one Phase One character.

Childhood Abuse (of varying degrees & types): Skulduggery, Carol & Crystal, Omen, Fletcher, Ghastly, China, Bliss, Sanguine...

Estranged Family: Skulduggery abandoning his crest, Fergus & Gordon, China & Bliss

Bad Romantic Relationship: Skulduggery is also very clearly an abuse victim. He’s got a solid history of romantic attachments to women who manipulate, use and gaslight him for their own agendas. There's a whole paragraph in SPX about how Abyssinia broke him down, isolated him from his friends and preyed on his desperate need to be loved, all classic abuse tactics.

And I’m personally a huge fan of this backstory for two reasons:

1) Society likes a plucky victim in media. The "My suffering made me stronger" type of victim. And it's not always like that in real life. Not all survivors come out of their abuse stronger or kinder or more understanding. Some of us come out cold and fucked up. Some of us end up as emotionally stunted, bloodied-nails-and-bared-teeth survivors, broken in ways that can't be fixed and sustained by enough rage to power a small sun. But society doesn't like to tell the story of that kind of survivor, because we're not usually a likeable protagonist. When we're shown in media, we're usually the sympathetic villain, or maybe the antihero. But Skug is someone who's done awful things and lost pretty much all his faith in humanity and been burned more times than he can count, and he still makes the conscious choice to try and be the good guy when he could so easily go Evil Supervillain on the world, and I don't know about any of y'all, but I've modelled myself on him in that. I've made the choice to do something good when all I really want to do is just become a horrible, shrivelled ball of nastiness and revenge. And that's because I saw him do it and realised that I could do that too.

Skug is an incredibly capable, strong, masculine Man's Man. He gets in fights all the time, and he usually wins. He's military, an industry that's Really Bad for stigmatizing weakness and mental illness, and he's right up at the top of the hierarchy. Almost everyone is afraid of him. He's a straight up cold-blooded killer. Skulduggery Pleasant is precisely the type of person who's not normally portrayed as a victim of anything. Nothing about him screams "victim" at all. But his abuse history is insidious. He's so conditioned to respond in a certain way to abuse from the women in his life, probably from a very young age, that despite all that strength and capability and stubbornness and ego, he just goes along with it. And it's an established pattern going back hundreds of years. He keeps going back to China, even though he knows she's bad for him and his friends keep telling him to stay away from her. Abyssinia latched onto him when he was traumatized and vulnerable and weaponized it against him to make him easier to control - and when she reappears, hundreds of years later, she jumps straight back into using, tmanipulating and gaslighting him and not only does he let her, he doesn't even seem to realise that behaviour is abusive. He thinks it's normal! That's how he's always been treated by his long-term girlfriends, with the notable exception of Wifey. Even when Val is being fucking nasty to him in the first couple books of Phase Two, sniping and lying and blaming him for everything under the sun, he just takes it. There's no attempt to tell her she's being unreasonable, no telling her to fuck right off and give her head a wobble, no defending himself even when she's bitching over something that isn't even his doing. And this is a man who has an absolutely gleaming steel spine the rest of the time; Skug has no problem saying no to anybody else, but he can't get past the way he's been taught to treat the important ladies in his life. Skug is a walking reminder that anyone can be a victim of abuse, even the ones who seem least likely to be susceptible.

GENDER REP: This one is the most iffy out of the bunch and definitely was not done very well in the eyes of the people who matter most, but I'll include it anyway because it mattered to some.

So there's Nye, who's...agender? Genderless? And uses "it" pronouns? Nye was generally considered horrible rep because it's also a war criminal and experiments on people and I've seen people say "Well I don't want to be seen like that" but? It's still possible to be a war criminal and also genderless. I never saw the two things as being related or relevant to each other.

There's also Mantis, who's in exactly the same gender/pronouns boat as Nye and always seems to be forgotten about, which sucks because Mantis is a war hero. It fought for the Sanctuary during the War and they never lost a battle when it was in command. It's called out of retirement to fight for the Supreme Council in LSODM, ends up fighting alongside Skulduggery during the Battle of Roarhaven, and ultimately dies attempting a very brave, very risky strategy. Mantis is, unreservedly, one of the good guys. It was also my introduction to sentient beings using "it" pronouns, and did it in a way that felt natural, so when I met my first person online who used "it" pronouns and hated to be referred to as he/she, it was...weird, but not as weird as it would otherwise have been, because I was like, "Oh yeah, like the Crenga. Okay."

And then there's the Scapegrace sex change plotline, which...I might have an unpopular opinion on this one. From what I’ve seen, trans people don’t seem to think was handled well or with any sensitivity at all. I’m not trans, so if the trans community says he was being offensive to them, I’m not going to claim otherwise. But...I first read the Scapegrace plotline as a young teenager in a tiny rural school with zero diversity, going through a period of being deeply confused about my own gender identity. He was more or less my first introduction to the idea that genitals =/= gender. I was relieved, at that point in my life, to read someone having a lot of the same thoughts I was having about being in the wrong body. So while it may have been badly done and yeah, the series would probably have been better without it, it did make at least one kid suspecting she might not be cis go “Huh! So there are other people who feel like this.”

Thrasher is also implied to be legitimately trans/gender-questioning, and that's not played for laughs either.

So? Phase One, while it absolutely had faults and issues and things that were just "Oh god why", was actually full of rep, at least compared to the other series that I read as a child/teen. But? As soon as Dirty Laundry started trying to be woke? He fucking sucks ass at it. Aside from confirming Phase One's hints that Skug has a background of abusive relationships, every single attempt at shoehorning rep into Phase Two is Bad.

The painfully OOC, forced, badly-written awkwardness of Val suddenly being rabidly horny for women out of fucking nowhere. The stilted, forced cringiness between her and any of the women she's flirted with - contrast that with Sorrowscorn's interactions, full of natural chemistry that had us all like 👀 I mean, I never shipped Val/Melancholia, but I could always see why people did - they had miles more chemistry than Val/anyone in Phase Two.

The fucking mess that is v*litsa, because if someone says "I'm really not interested in friendships/relationships right now", clearly the route to true love is to bulldoze their boundaries and forcibly insert yourself into their life and proceed to treat them like a delicate soft uwu flower, completely ignoring the horrible things they've done, while gleefully damning their best friend as an irredeemable monster for the exact same things, which is. You know. Gonna affect your so-called love's self-confidence and self-esteem because she knows she's no different to him. Y'all know I love an angsty ship, an unhealthy ship, a ship with fucked power dynamics, but I literally cannot roll my eyes any further back in my head at this shit. I never read Demon Road, but from what I've heard from friends who did, it does seem like every time Laundry tries to write an f/f ship, he comes up with a cringey abusive/manipulative caricature and tries to call it rep, and he needs to Stop.

Val's Mental IllnessTM arc. It's funny how he wrote Skulduggery as a wonderfully complex character with deep-rooted psychological damage and long-lasting trauma, but believes he wrote a character with "no feelings" - but when he tries to delve into the damage the world of magic has done to Val, he turned her into a weak, whiny drug addict who treats everyone around her like garbage and is so selfish and dislikeable that I? Honestly can't even reconcile Phase Two val with Phase One val. They're two completely different people. He's shown on Twitter that he doesn't have any respect for mentally ill people, and it shows. Other mentally ill people might see it differently, but the whole thing just makes me go "yikes".

Never, who has no personality outside of being genderfluid, and whose pronouns make no sense. I'm sorry, I have never met an nb person who insists that you change from male to female pronouns multiple times in a sentence, every time you refer to them. It's confusing as fuck. Now I have been told that Never has apparently received some character development in the last couple books, and if so, fair play, but I quit reading after Midnight, and Never and the rest of the personality-less new characters introduced in Phase Two who just seemed to be 2D Stereotypes to snag Woke Points were a big part of why, so. Development too late, I'm afraid.

(Now, if anyone is looking for a well-written genderfluid character, I recommend the Tawny Man trilogy by Robin Hobb. I have a lot of issues with her as a writer, and unfortunately I hate her POV character which puts me off the series as a whole, but she wrote the Fool/Amber/Lord Golden and their gender identity/approach to sexuality with so much more respect and realism. That is the kind of rep nb people should be getting: 3D, complex, realistic characters whose gender is only a tiny fragment of their personality, not the be-all-and-end-all of their existence. You know. Like cis people get. Nobody wants to be represented by a 2D cardboard cutout stereotype.)

Anyway idk how much sense this makes it just really amuses me that Laundry would include all this rep completely unintentionally and then go on Twitter and remind us all that actually he's a massive asshole via insensitive/offensive tweets about the groups he'd actually done a fair job of including (i.e. Skulduggery has no feelings, mentally ill people should find another series to read, the bullshit about Val being "heteromantic bisexual" on Twitter and then spouting all the "the woman she loved uwu" shit in the books (proving he has no idea what he's talking about), eVeRyOnE iS bI eVeNtUaLlY. He can only write half-decent rep when he's not trying and he inevitably outs himself as having a really shitty attitude towards those people anyway, proving that ultimately it's all either unintentional rep or performative wokeness.

#skulduggery pleasant #sp meta #derek landy hate blog #Anon #fire message #anti valitsa #anti val #anti phase two tbh #phase two fans will not enjoy this post

39 notes · View notes

informationsorter · 4 years

Text

Why do some kids develop DID, while their siblings don't?

You have no idea how much I wish I could give you a solid answer to this.

There isn't much information out there on this subject yet, despite how many people with DID ask this same question. "It’s unclear why some people develop dissociative disorders and others do not." The neurobiology of trauma and dissociation is an under-researched area. It is known that childhood abuse affects the brain, & studies have pointed to dissociation being associated with similar changes. - Source: verywellmind.com

Dissociation is a coping mechanism. It becomes problematic when it occurs despite an absence of a real danger (i.e. when you are safe, and there is no need to "escape"). Dissociation usually occurs without conscious awareness - the person may not be aware that they are using it as a coping strategy.

"People who are experiencing a severe trauma sometimes rely on their minds to help them survive. They may step away from reality, just for a moment, in order to protect themselves from the events that are occurring. People who take frequent leaves of absence like this are often diagnosed with a dissociative disorder." - Source: luxury.rehabs.com/dissociative-disorder/

The more you use a coping mechanism, the more likely you will rely on it in the future.

"A child who learns to dissociate in order to endure a traumatic experience may use this coping mechanism in response to stressful situations throughout life." - Source: sane.org

"Dissociation in the setting of chronic trauma is considered to be a coping strategy, at least initially. In the setting of abuse or neglect, dissociation is thought to be a self-protective survival technique in which a child (or adult) slips into a dissociative state in order to escape fully experiencing trauma that is unbearable.

Children, especially, may be helpless to do anything about the trauma, and disconnecting from the abuse or neglect (escaping, in a sense) can allow them to cope.5 In addition to disconnecting, derealization may help the child experience reality as a dream that is not really happening to them."

"However, not everyone who experiences childhood trauma will develop a dissociative disorder." - Source: verywellmind.com

There are many different dissociative disorders, but it is believed that they all stem from the same conditions: "Dissociative disorders usually result from trauma and stress in childhood, not adulthood. They stem from chronic trauma" - Source: verywellmind.com

Dissociation (without a dissociative disorder) can occur in anyone, and is also notable in PTSD. "Dissociation, but without the degree of impact of dissociative disorders, is common with PTSD." "PTSD may develop after a single traumatic experience, as either a child or as an adult... PTSD is less dependent on age and related more to the severity of the traumatic experiences." - Source: verywellmind.com

"You may have the symptoms of dissociation, without having a dissociative disorder. You may have the symptoms of dissociation as part of another mental illness." - Source: rethink.org

Here are some speculations of possible reasons why one child may develop DID, while their siblings don't:

You and your siblings experienced different severities of abuse/neglect. Perhaps you took the brunt of it, and your sibling was not treated as harshly as you.

You and your siblings experienced the same events in different ways. What is traumatic to one child may not be to another.

You and your siblings had different external support when coping with the trauma. Maybe your sibling did not form a disorganised attachment style with your/their primary caregivers. Perhaps the caregivers were patient and consistent with your sibling even though they weren't with you. Maybe your sibling had a source of support that you did not have, such as a grandparent, or perhaps a close friend's parents acted as pseudo-parents to them.

Perhaps age is relevant here: Under the theory of structural dissociation, DID can only develop if the child has dissociated enough before the age 9 (at the upper limit). So if you have an older sibling who experienced ongoing trauma, they may not develop DID because their personality states had already integrated at the time of the trauma, or the trauma started close to the "cut off" age, and their brain didn't have the strong dissociative barriers which prevent normal integration of personality states. A child in this position may develop a different dissociative disorder, or another mental health disorder.

Perhaps the abuse started at different ages for you both: Maybe the abuse started when you were 3yrs old, but your sibling was 6yrs old. An older child may already have learned to cope with overwhelming feelings/trauma.

(In regards to dissociative disorders in general:) "Children who are preschool age (age 4 to age 5), as well as pre-adolescents (age 8 to 9), may be particularly vulnerable. Overall, ongoing severe trauma before the age of 9 years is most strongly associated with the development of dissociative disorders, and when they occur, they may be present as early as age 5." - Source: verywellmind.com

What about a sibling who wasn't around for the worst of it, but suffers from mental health issues anyway?

It's possible that:

-Their reaction to trauma is different than yours.

Perhaps what you don't view as traumatic was indeed traumatic to them. What is traumatic to one child may not be to another.

- Part of their trauma was watching you with yours.

A child may see the suffering of their sibling, and take it upon themselves.

They may feel intense guilt that their sibling is suffering while they themselves are relatively unharmed/safe.

They may not understand a traumatised sibling's behaviour, and may feel rejection, emotional distance, or ostracization.

Although it sounds unbelievable, there are some cases of a sibling feeling intense jealousy at the attention/abuse their sibling is the victim of.

- They suffered trauma/abuse that you aren't aware of. "A study published in the Journal of Nervous and Mental Disease found that 18 out of 31 children who experienced abuse developed dissociative disorders. The study’s authors suggest that severe trauma experienced in childhood is just too difficult for the children to process, and they develop these disorders as a protective response. Other experts have suggested that children often revert to dissociative disorders during abuse because children are encouraged to process lessons through play and imagination. Since these are the tools children are accustomed to using in difficult times, it makes sense that they would lean on these tools during an abusive situation." - Source: luxury.rehabs.com/dissociative-disorder/

#did #actuallydid #dissociative identity disorder #dissociation #actuallyosdd #osdd #information did

59 notes · View notes

vnckocurzyca · 4 years

Text

New chapter new analysis

I’m publishing it one more time because it didnt show in tags for some reason???

I put it under “read more” so maybe now.

I finally read translation so I can finally write something about the new chapter. I know people’s strong feelings towards it and I think it’s totally understandable huh

I, personally, liked this chapter even if I think it was creepy as fuck. But I know Jun’s work and how she writes her stories and I know that she purposely made it really uncomfortable. I think this chapter was made to be upsetting because what happened during it was kinda important?

Warning; LONG POST (contains spoilers to new chapter)

First thing - Noe was forced to see some Vanitas’s memories. Of course by Misha eyes, but still it’s Vanis past. And as we know already, Vanitas REALLY didn’t want Noe to know about anything his past-related. He even threated him that he would kill you if Noe would someday try to drink his blood. So it’s opening for totally new conflict. We have two options

Vanitas would come to place and see Noe drinking Mishas blood and it would be horrible

Vanitas wouldn’t see it and Noe would live in sting of remorse and we know how emotional Noe is and it would be also horrible. And this option also has 2 options

Noe would finally tell Vani that he drank Mishas blood and it would be horrible

Misha would tell Vanitas that Noe drank his blood and it also would be horrible

When Noe started drinking Mishas blood he walked into a trap and there is no escape now. Vanitas is going to KNOW this and its going to be a problem, because knowing Vanis past, memories and emotions was a borderline in their relationship - Noe didn’t get a permission to step over it. And now he just... steped, because of Mishas blackmail.

Also the whole scene was made to be creepy - we can clearly see that Noe is distraught and scared and uncomfortable. We can hear his thoughts, we can see his terrified face

He is terrified for A LOT of reasons. A lot.

He is scared of Domis life. He don’t know what is going on with her and she is unconscious and she can literally DIE. Domi is his best friend, his childhood friend and nearly all family he has left. Domi is the closest person to him and he can’t just lose her like he lost Louis.

He DON’T WANT to read Vanitas’s past without his permission and knowledge. Its awful, it’s non consensual and non-con it’s something Noe hates, because, even if he would like to know Vani’s past (what he said back before Gevaudan arc) he don’t want to know it without Vanis consenst and he didn’t push. And now he is forced to see them, to betray Vani’s trust.He, probably, hates himself thanks to it.

He is blackmailed, bullied and intimidated which is bad on it’s own. He has absolutely NO CONTROL over a situation, he is absolutely subordinated and can’t do anything to change his situation. It’s scary.

He is forced to drink blood, which is a really intimate and delicate activity for him. He hates being forced to drink blood and forcing to drink blood, and, additionaly, Misha is a kid. Or, at least, he look like a kid (it’s hard to say his age for sure and how many years their past with Moreau happened). It’s gross, creepy and weird and Noe feels it. We can see him backing away from a fucking kid.

Jun did it purposely. Combine all of it, to made the horror moment for him, probably to break him in front o Misha.

The running thing in Vanitas no Carte is motif of Noe not having any control over anything in his life (even without his noticing). Noe never had a control over anything.

He didn’t have a control over his life during childhood, ie when he was sold on auction

He didn’t have any control over Louis’s death and curse. He couldn’t do anything to save him or to save other kids back then. He could do nothing.

He don’t have any control in general - he was trained by the Teacher to be his pupil. Noe don’t even know how big control Grandpa de Sade has over him and his doings.

He didn’t have any control when Domi found him at Orloks. She just kidnapped him to Altus.

He don’t have any control over his relationship with Jeanne - anytime he wants to talk to her or about her he is interuptted.

He didn’t want his blood be sucked by Ruthven and he didn’t want to Swear.

He don’t have any control now. He didn’t wanted to know Vanis past non consensualy, he didn’t wanted to drink Mishad blood, he don’t want to see Domi in this situation.

It’s a writing continuity. We are being told how little control Noe has over his (and others) life. It’s becaming a plot point. MochiJun knows what she is doing. She purposely made the whole chapter creepy and unsettling. She need us to know that what is happening right now is wrong - not only drinking blood from a 1/4 naked kid, but also the rest. Everything. That this chapter is traumatic - we literally touched Noes trauma, Domis trauma and Mishas trauma over a few pages and panels:

Dominique - we can see how she reacted to Louis death, how she wanted to make Noe feels better, why she changed her hairstyle and outfit, how she hated herself because it was her brother who died, not her. We can see it now - she is depressed, she hatees herself and would prefer to die over Louis. She was easy to catch for Misha.

Noe - we can see that he can do anything for Domi because she is his last friend, his family, last thing (person) he has. He can’t lose her, he is desperate and traumatized over Louis death so he can do anything, even suck Mishas blood and know Vanis past even if he hates it and its wrong for him.

Misha - we can see thanks to his flashbacks that it was hinted he was (if I undertand english correctly, sorry, it’s not my first language) se*//ually abused as a child. He thought his mother was possesed by devil, it was traumatizing on it’s own, but he was also dressed as a girl, physically abused and hit by his mother and used during her “sessions” with clients. Then he was kidnapped by Moreau who, probably, was experimenting on him just like on Vanitas - so Misha was abused again. And later Vanitas killed “father” what also traumatized him. His behaviour towards Noe it’s not really that suprising - its horrible and sad and heartbreaking knowing why Misha is that way, but its logical. It has sense. It’s just how his trauma made him.

Sooo do I think what happened in the chapter was good or okay? No. It was creepy and made me feel sick. But do I think Jun is bad for making it this way? No. I think her work is great, because she actually did planned it logically. She delivered TONS OF INFORMATIONS by only one chapter. Tons, about a lot of characters - Misha, Vanitas, Noe, Dominique, even Roland (he know Misha is one thing, but, also, why he was so beaten up? What happened my man? Who hurted you?) It wasn’t just gross pedo-fanservice some people accused it to be. (even if it was gross anyway och my gos this scene with Misha standing over Noe was frightening, I was just as scared as Noe, I felt like I was in his place and I was looking at Misha)

Also! I’m pretty sure one of the reason for Misha undressing his collar a little bit was for us (and maybe Noe too) to see his possesion mark on his arm. For some reason we, as an audience, need to know this.

But! We also get a lot of different informations -

Domi is a royal guard and is working in castle, so she probably knew Luca before and had contact with him or some other royal people. i think it’s interesting that she worked at castleas a royal guard.

Luca probably likes Domi and was worried about her. Also after knowing she is missing he decided to took direct actions, he is not passive.

Misha has Vanitas of the Blue Moon’s possesion mark on his hand. It’s really interesting, especially when we know that its his prosthetic arm. Somebody tried to cut his arm with a possesion mark and I bet it was Vanitas or Misha himself. Yet it DIDN’T work, mark of possesion is still here, above his prosthetic.

Noe “don’t know anything about Vanitas”. It was an important sentence. It was something that Noe need to know narratively speaking. It’s pushing the story forward, because Noe’s and Vani’s relationship is the core of the story. It was literally told in the first chapter that it’s a story about their journey.

Misha had a lot of bruises on his whole body after he was rescued. We knew he was beaten, but we could also see it’s evidence.

Mishas face when Noe drank his blood was similar to his mother face when a vampire drank his blood. It wasn’t accidental, we were shown his trauma and how it’s affected him.

Next thing I noticed:

In this panel, Misha looks A LOT like Vanitas. Og course he has child features and chubbier face, he has white(?) hair and eyelashes ets, but his mimic, his gaze, how one of his eyes is covered by hair and his words. Its literally how Vanitas’s panel would be draw. It’s really Vanitaish.

We also got some questions, like:

What happened to Misha and how he lost his hand?

What Luca ordered Jeanne? (probably to check out real Paris and maybe find Domi or Noe)

Why Mishas mark of possesions was so important for us to know?

Is that Roland met Misha in the past important?

Why was Roland so beaten up?

There was also one more thing. Jun is operating in her story not only by making parallels betweend her characters (ie Teacher and VotBM, or Astolfo nad Vanitas, or Louis and Domi etc) but also contrasts. The biggest contrast motif on the story are probably Vanitas and Noe thanks to not only their history, but also their appearance, personality, design of their clothes, their height, their names (Vanitas being related to death and vanity, Noe being related to saving and something biblical etc). Their whole characters are made constrast. And so we got here:

Vanitas and Misha are not made parallels, theyre made contrast.

Misha is looking from the upside, Vanitas is looking from the above, Mishas hair is white, Vanitas hair is black, Vani has a shadow over his face, misha is lighted. Misha has white eyelashes, Vani has black. Misha looks calm an suprised, Vani looks stressed. Their whole “atmosphere” is different. Even if Misha is bruised in this panel he looks clean, even angelic, when Vanitas looks... bad, he has dark circles under eyes, wrinkled eyebrows, bandage etc. They’re made to contrast themselves, not to be compared to. It’s the next hint about their role in the story I suppose. That they’re not similar, they’re not the same and there is something basically different about their roles.

I would also like to write about shadow and light work in this chapter, but I’m just really tired right now, soo here it is! My analyze od the new chapter, or, at least, the most important parts of it (for me). I liked it in general, but it was... stressed and I was anxious about this chapter for the one whole day. But in general I think Jun did gods work with delivering informations she wanted to delivere.

#the case study of vanitas #vanitas no carte #vanitas no shuki #long post #vanitas #misha #dominique de sade #noe archiviste

90 notes · View notes