VERY long Ramble incoming
honestly now that I'm looking at the auraboa lore situation, I'm just disappointed. There was such POTENTIAL in the idea of the Loop and the horror of a new generation inexplicably being disconnected from it, forcing the newly hatched children into a world totally separate from that perceived by their parents (I mean, hell, they perceive TIME differently!).... but then the writer(s?) just fell ass backwards into Icky Tropes.
I feel like I can see what the idea was, especially with the recent alterations to the Encyclopedia entry... It seems like staff fundamentally understands the true Horror potential here, but... Instead, through the short story, they proposed it through the lens of a condescending outsider character, turning the fears of the older generation into something trivial. And also weirdly demeaning the Auroboa's situation by portraying them as overreacting.
Why... why would you do that? Like, from a storytelling perspective? What's gained from that? Why not embrace the true horror and even Emotional significance of that disruption? Why instead go for "ohh we NEED outsider help we NEED to be saved because we are so helpless and it is so Silly that we, creatures who have never experienced such things, do not know what sleep is"????
And if they WANTED to have a condescending outsider, I feel like they COULD have done that, but it would have to have that character realize the horror at some point. And make it obvious that their attitude towards distressed parents and children facing Eldritch Shit and the Sudden Deconstruction of it was not cool!
(or at the very least be a bit more...idk. Consistent with said outsider character? Juniper just goes from "omg I am so honored that the fascinating creatures of the behemoth have chosen me to speak to" to "oh their wasting my time because they don't know what sleep is. I'd rather be sleeping!! 🙄" like girl... c'mon now. Why are we trivializing it like this. Do you want me as the reader to be invested in their plight or not.)
I mean come on. They're beings connected through one networked hivemind-like system, yet each still maintains a silver of individuality that allows them to move freely throughout the Behemoth that they care for. And they've got an eldritch understanding of time that no other dragon could understand. They're seeing the future, past, and present unfold simultaneously. They're witnessing the birth and death of the world at the same time, and have no way to communicate it to other dragons. The best they can do is maintain their home, and even then, they see its roots spread and decay all at once.
And then the newest generation is suddenly disconnected.
An inherent link between parent and child and all dragons in-between, that has existed since the creation of their species, is just suddenly GONE for the newest births. With NO explanation for it.
The children have no easy way of communicating with their parents. The children are experiencing time in a way that was not meant for their species. They've forcefully been shoved into a circadian rhythm that they are Not! Built for!
The only way a parent could communicate properly with their child would be when the latter is sleeping, something that is also completely foreign to this species. It would be terrifying for all involved!!!
They are literally experiencing eldritch horror from the perspective of the eldritch being forced into the mortal.
Like why WOULDN'T there be panic!!! And why would that panic be trivialized! Why are we only shown the perspective of an outsider who looks at this situation and goes "Oh the silly tree beasts are being so silly over nothing, it's no big deal!"
That and the way the auraboas talk to outsiders. Like. There was such potential there. Real opportunity to explore how ancient, time-bending beings would communicate to someone who couldn't even BEGIN to understand the intricacies of it.
Instead we got what feels more like baby talk (even described as though they were hatchlings enunciating their first words, which... I dunno man, maybe we don't want to compare them to children like That) and less like... Beings that experience all of time at once. I mean, the hatchlings and the adults speak the exact same way, and that doesn't make any sense given the literal time barrier going on.
I totally get why people thought there was just a language barrier and that auraboas had their own language, thus causing the disjointed speak, and not that it was because They Do Not Experience Time Like We Do.
And I feel it would've been far easier to get it across by just... I dunno. Do anything else?? I saw someone on here suggest they speak in the "wrong" tenses, or using multiple tenses in the same sentence, which I think would've been far more clear.
Like, as opposed to "saplings wilt! saplings silent!" just "the saplings will wilt in silence, they've wilted in silence, they are wilting silently." Said all at once like all things are true simultaneously. And if we're going for hivemind, have each auraboa speak in a different tense, all at the same time, and have them switch it up every time.
Have our outsider get confused and be like "which is it? are they wilting now, or have they already wilted?" and the cluster of auraboas respond in a cacophony of yes's, no's, and maybe's all at once.
Would've probably gotten across the "alien" vibe they were supposedly going for far better than wide-eyed desperation for an outsider's guidance conveyed through disjointed, in-world described as baby speech.
And also maybe would've had less accidental connotations. Because as it stands, I completely see why people have made the connections to the real world where they have. This doesn't read like eldritch timey-wimey intrigue, or even a respectful look at how younger generations can become detached from their families' cultures over time and the struggles that come with it.
It reads like a culture being perceived by an ignorant outsider who (despite supposedly respecting these dragons) scoffs and rolls their eyes because the tree beasts with their funny words are being silly again, and that Hey, isn't it actually a great thing that the children are fundamentally different in all manners now? Because now they can join the rest of us in the "real world."
Yknow. Ick.
(I Personally think it would've been better to have the perspective be one of the Auraboas themselves, especially one of the children, to really understand what was going on here. Give us the full brunt of the mind of a creature experiencing all of time interwoven as one shape. The waters fall and the oceans crash with waves. They've now fallen to drought. The ocean has yet to be born. Caves have been carved out through the waters' currents. And when I break from this timeline, I open my eyes to see a child, the child not yet born, the child born now, the child born yesterday. Why can't I hear it? Why couldn't I hear it? Why won't I ever hear it?)
I dunno. People more qualified than me to speak on this matter have already torn the lore apart, I'm just... dropping my own two cents. Potential got weirdly squandered and we ended up instead with unfortunate implications and tropes that could be connected a liiiittle too awkwardly to irl situations.
*Also, before anyone points out: Yes, I know the hatchlings aren't COMPLETELY detached from the Loop and can join it when they sleep. But the fact is, these thangs never had to sleep before. That wasn't in their species' nature. So that's still weird and foreign for them on both sides. And since the hatchlings now have a circadian rhythm, they can't stay connected to the loop permanently. And also Also, seeing as the previous generations aren't experiencing time linearly, who's to say they even recognize when their child joins the loop? They'll speak with an echo of their child when that child was last asleep ages ago, not knowing that it's not them presently, because there is no 'present' for the older generations.
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I really don't think that we aren't getting the scene where Armand turns Daniel.
We got Louis, Claudia and Madeleine's turning. We are going to get Lestat's and probably Armand's turning as well. So, what? You think they are gonna leave out Daniel specifically? Why?
Also regarding Rolin's comments about the Dubai set etc. if it's true, it just means that Armand didn't turn Daniel in Dubai. It happened at a later point.
And if it happened later, I refuse to believe Armand turned him out of spite.
Like I simply don't think Armand wouldn't turn Daniel when he is at the peak of his rage but do so later and out of spite?? Nuh huh, that's not gonna happen.
Basically, if it happened in Dubai, there is a chance it might have been out of rage. And if it didn't happen in Dubai then there was definitely some other reason why Daniel was made a vampire.
Assad said right now the question is what happened in Dubai? And of course after watching the episode we all have assumed that Daniel was turned in Dubai. What if the reveal is that it actually didn't happen there???
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I was thinking the other day that man, kokuto neji is such a character and I haven't liked a writer character like this since... shang qinghua?
which naturally led me to this thought: jj fic with svsss-style au where neji transmigrates/gets isekai'd into the world of havenna. as domina, of course.
it's extra fucked up imo because at least when sqh transmigrated in his book, he made up all of those characters and they mostly stayed in the realm of fantasy. like, sure, lbh was kinda based on himself in some ways and mbj was his ideal fantasy, but they still mostly stayed fictional, you know? sqq (sy) had to fix his plots because the characters sqh wrote strayed too far from their original plotlines
but theater makes a fictional world a bit too real and personal, especially when you use real people as inspirations for your writing. with neji, he'd be looking at rukiora and see three different people (mitsuki acting as rukiora; rukiora who was written based on a younger version of neji; rukiora who is her own person in this weirdly real world of havenna). neji would see fugio and to him that is both sou acting as fugio and the fugio who grew up with poison flowers. miguel is both fumi and the guy who ran away from his neshiromi fields. the only constant would probably be chicchi. she is too much like kisa in that... well. neji didn't really have a backstory for chicchi. chicchi is a blank canvas just like kisa is as an actor.
anyway. yeah, very sv-style character arc where neji, much like shen yuan in sv, is forced to humanize the villain. except this villain was his creation and is also tied to a bunch of personal issues for neji that he Doesn't Want To Think About and also he doesn't? really understand the character he wrote tbh?
isn't art supposed to process your emotions for you!! why must he process these himself!!
can you imagine neji, who always casts himself as a seer of some sort (fortune teller, ushinoko) or someone who generally has some control over his future or his "creation" (who is mary if not just another side of neji anyway; she's takihime redux, and takihime is also. neji). imagine this dude being transported inside the play he wrote but he doesn't understand it and he has no control over it and everyone's acting both in character and out of character. he both knows and doesn't know these people. they're fictional but also... real? does he treat them as real people? is domina real? he wanted his actors to imbue parts of themselves into his characters. are these people really just characters from a script? are they his quartz classmates? is he allowed to even hope that that's the case?
it's both THE improv exercise of his dreams and also. a nightmare
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