#haya's book blog

[hayatheauthor]

The Writer's Guide to Authentic Wounds and Fatalities

Writing fatal injuries in a story requires a delicate balance between realism and narrative impact. The portrayal of these life-altering events can evoke strong emotions in readers and shape the trajectory of your characters' journeys. In this blog, I will explore the intricacies of depicting fatal injuries in a manner that feels authentic, engaging, and respectful to the gravity of such circumstances. By understanding the nuances of fatal injuries, you will be equipped to craft compelling narratives that resonate with your readers.

Writing Fatal Injuries

When it comes to writing fatal injuries, it is crucial to approach the subject with care and accuracy. Fatal injuries carry immense consequences for your characters and can shape the trajectory of your story. By delving into the intricacies of portraying fatal injuries authentically, you can ensure that the gravity and impact of such events are effectively conveyed to your readers.

Choosing the right injuries for your story

Selecting the appropriate fatal injuries for your narrative involves considering various factors. Ask yourself: What purpose does this injury serve within the story? How does it affect the characters and the overall plot? Conduct thorough research to identify injuries that align with your story's context and resonate with the emotional journey of your characters.

For example, in a historical drama, you may research common fatal injuries during a particular era, such as battlefield injuries, diseases, or accidents prevalent at the time. In a crime thriller, you might explore the portrayal of fatal gunshot wounds or traumatic injuries resulting from violent encounters. By aligning the injuries with the context and themes of your story, you create a more immersive and believable experience for your readers.

Researching the mechanics of fatal injuries

To portray fatal injuries convincingly, it is essential to delve into the mechanics behind them. Understand the specific anatomical structures and systems involved, as well as the forces or mechanisms that can lead to fatal outcomes. Explore medical resources, consult experts if possible, and gather insights into the physiological and psychological implications of such injuries.

For instance, if your character suffers a fatal stab wound, research the anatomy involved, the potential organs affected, and the potential consequences such as internal bleeding or organ failure. By understanding the specific details and implications of the injury, you can describe the physical and emotional toll it takes on the character with greater accuracy and depth.

Depicting the immediate aftermath

When writing about fatal injuries, vividly describe the immediate aftermath to capture the intense emotions and physical realities. Consider the sensory details, the shock and disbelief experienced by characters, and the chaotic environment that often surrounds such events. Balancing realism with the needs of your story, create a scene that immerses readers and evokes empathy.

For example, if a character experiences a fatal car accident, you can depict the chaos at the scene, the character's disorientation, and the reactions of witnesses. Emphasize the sensory details such as the sound of screeching tires or the smell of burning rubber, creating a visceral experience for your readers.

Emotional and dramatic impact on the narrative

The impact of fatal injuries extends beyond the immediate moment. Explore the ripple effects on other characters, relationships, and the overall plot. Delve into the emotional responses, grief, guilt, anger, or determination that arises in the aftermath of loss. Utilize these emotional arcs to deepen character development and drive the narrative forward.

For instance, the loss of a loved one due to a fatal illness might lead to grief and strained relationships among the remaining family members. The emotional journey of a character grappling with guilt and seeking redemption after causing a fatal accident can become a central theme in your story. By delving into these emotional arcs and their consequences, you add depth and resonance to your narrative.

Writing Minor Injuries

While fatal injuries may capture our attention with their dramatic impact, it is equally important to pay attention to the portrayal of minor injuries in your writing. Minor injuries, though less severe, can still significantly affect your characters and contribute to the authenticity of your story. In this section, we will explore the art of depicting minor injuries, ensuring that they are not overlooked or trivialized. By delving into the nuances of minor injuries, you can add depth and realism to your characters' experiences.

Types of minor injuries to consider

When crafting your story, it is essential to consider a range of minor injuries that can occur. These injuries can include cuts, bruises, sprains, minor burns, or even minor fractures. Each type of injury carries its own unique characteristics, associated pain levels, and recovery processes. By understanding these distinctions, you can create accurate and believable depictions that resonate with your readers.

For example, a character who sustains a cut on their hand may experience sharp pain, the sight of blood, and the need for immediate first aid. On the other hand, a character with a sprained ankle may struggle with mobility, experience swelling, and require rest and care for a few days. By paying attention to these specific details, you can enhance the realism of your storytelling.

Conveying pain and discomfort

When writing about minor injuries, it is important to effectively convey the pain and discomfort experienced by your characters. Consider describing the sensation of pain, the throbbing or stinging feeling, and how it affects their daily activities or interactions. Showcasing the emotional impact of pain, such as frustration, irritation, or vulnerability, can deepen the readers' connection to the character's experience.

For instance, if a character suffers from a sprained wrist, you can describe the dull ache that persists, making simple tasks like typing or holding objects challenging. By capturing these small but significant moments, you immerse readers in the character's struggle and create a more realistic portrayal.

Balancing realism with narrative pace

While it is important to depict minor injuries realistically, it is also crucial to strike a balance with the overall pace and momentum of your story. Consider the significance of the injury within the larger context of your narrative. Some injuries may require more detailed attention and impact the plot, while others may serve as background elements. Adjust the level of detail and focus accordingly, ensuring that the portrayal of minor injuries aligns with the narrative's flow.

For example, a small cut on a character's finger may not require an extensive description unless it becomes infected or triggers an unexpected consequence. By aligning the portrayal of minor injuries with their narrative relevance, you maintain a consistent pace while still acknowledging their impact on your characters' lives.

Writing Bloodshed And Realistic Blood Loss

When writing about wounds and injuries, it is essential to consider the amount of blood loss your characters may experience. Realistic portrayal of bloodshed can enhance the authenticity of your scenes and immerse readers in the gravity of the situation. In this section, we will explore the factors influencing blood loss and techniques for accurately depicting it in your writing.

Understanding blood loss and its impact on the body

To authentically portray blood loss, it's crucial to have a basic understanding of how the human body responds to injury. Research the circulatory system and the role of blood in transporting oxygen and nutrients throughout the body. Consider the different types of blood vessels and their potential for bleeding when injured. This knowledge will help you create realistic scenarios and determine the appropriate level of blood loss for specific injuries.

Factors influencing blood loss in different injury scenarios

The amount of blood loss can vary depending on the severity and location of the injury. Factors such as the size of blood vessels, the rate of bleeding, and the body's ability to clot play a significant role. For example, a deep laceration in an artery will result in more substantial blood loss compared to a superficial cut on the skin. Consider these factors when describing injuries and their resulting bloodshed.

Techniques for accurately portraying blood loss in writing

There are several techniques you can use to convey the realistic impact of blood loss in your writing. Describing the color, consistency, and flow of blood can provide vivid imagery. You can also include physical symptoms such as dizziness, weakness, or fainting that may accompany significant blood loss. Additionally, consider the emotional response of your characters and how they react to the sight of blood or their own injuries.

By incorporating these techniques, you can create scenes that evoke a visceral response in readers and enhance the authenticity of your writing.

Bruises: Colors, Progression, and Pain

Bruises are a common result of injuries, and understanding how they form, change in color, and cause discomfort can greatly enhance the realism of your writing. By accurately describing bruises, you can bring depth to your characters' injuries and portray their healing process convincingly.

Understanding the stages and colors of bruises

Bruises go through distinct stages of color as they heal. Initially, they may appear red or purple due to the broken blood vessels beneath the skin. Over time, the color changes to blue, green, yellow, and eventually fades to a brown or yellowish hue. Understanding this color progression can help you accurately describe the age of a bruise and the healing process.

For example, a fresh bruise might be vivid purple, indicating recent trauma, while a fading bruise may have a yellowish tinge, suggesting that healing has begun. By incorporating these color details, you can add realism to your characters' injuries and track the passage of time within your narrative.

Depicting the progression of bruises over time

As bruises heal, they often change in appearance and size. Initially, a bruise may be small and localized, but it can gradually spread and become more extensive. Describing this progression can provide a sense of the healing process and the passage of time within your story.

For instance, a character who sustains a significant blow to the face may develop a bruise that starts as a small spot near the eye but expands to cover a larger area over the next few days. By accurately portraying the progression of bruises, you enhance the authenticity of your characters' injuries and their recovery.

Conveying the pain and sensitivity associated with bruises

Bruises can be painful, sensitive to touch, and affect a character's movement and daily activities. Describing the pain and discomfort experienced by your characters can create empathy and immerse readers in their physical ordeals.

Consider conveying the tenderness of a bruise when pressure is applied, the throbbing sensation, or the limitation of movement due to the pain.

Remember The Side Effects

Injuries, whether minor or severe, often come with a range of side effects that can significantly impact your characters' lives. These side effects can extend beyond the physical realm and encompass emotional, psychological, and social aspects.

Physical side effects

Injuries can have profound physical side effects that go beyond the immediate pain and discomfort. Consider the potential consequences such as limited mobility, impaired coordination, chronic pain, or the need for assistive devices like crutches or braces. Describing these physical side effects can add depth to your characters' struggles and provide a realistic portrayal of their healing journey.

For example, a character who sustains a leg injury may experience difficulty walking, require physical therapy, or have long-term complications that affect their day-to-day activities. By addressing these physical side effects, you create a more nuanced depiction of the aftermath of injuries.

Emotional and psychological side effects

Injuries can have a profound emotional and psychological impact on characters. They may experience fear, anxiety, trauma, or a loss of confidence. Consider how the injury affects their self-image, relationships, or mental well-being. Explore the emotional journey your characters undergo as they navigate the aftermath of their injuries.

For instance, a character who survives a near-fatal accident may develop post-traumatic stress disorder (PTSD) and struggle with recurring nightmares or panic attacks. By incorporating these emotional and psychological side effects, you can deepen the complexity of your characters and their responses to traumatic experiences.

Social implications and changes

Injuries can also lead to significant social changes for your characters. They may face challenges in their personal relationships, encounter stigma or discrimination, or experience changes in their roles or identities. Explore how the injury affects their interactions with others and their sense of belonging in the world.

For example, a character who sustains a facial injury may encounter judgment or stares from others, leading to self-consciousness or isolation. By addressing the social implications and changes resulting from injuries, you can create multi-dimensional characters and explore the impact of their injuries on their social dynamics.

By incorporating these various side effects into your writing, you bring depth and authenticity to your characters' experiences and showcase the wide-ranging impact of injuries.

Conclusion

Writing authentic wounds and fatalities requires attention to detail and a deep understanding of the physical, emotional, and psychological aspects involved. By following the guidelines and exploring the subheadings discussed in this guide, you can create compelling and realistic portrayals of injuries in your writing.

Remember to conduct thorough research on the specific injuries you want to depict, understanding their mechanics, symptoms, and potential outcomes. Consider the immediate and long-term effects on your characters, both physically and emotionally. Incorporate sensory details to immerse readers in the experience, describing the pain, bloodshed, colors of bruises, and the progression of healing.

Additionally, don't forget to address the side effects that injuries can have on your characters' lives. Explore the physical limitations, emotional struggles, and social implications that arise from their injuries. By delving into these aspects, you can create well-rounded characters and compelling narratives that resonate with readers.

I hope this blog on forging epic battles will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[moboxcritique]

¿Cuál es la diferencia entre lo beltren de Lizzy Y beltren de Thavidu?

O incluso los Beltren de Kev

¿Cuál es la diferencia entre estos 3?

Beltren de Thavidu: Un niño que solo está allí para que Thavidu le imponga sus fetiches, se utiliza principalmente para ship a Beltren con Belice o algún otro hermano/hermana que él haya creado

Beltren de Lizzy: Tiene una historia completamente diferente pero aún es un niño, elimina todas las cosas repugnantes de Thavidu y se centra en una versión de él con una historia diferente que también cambia ligeramente las cosas de FON (es decir, el libro del Wonderland)

Beltren de Kev: Tiene una historia completamente diferente (no tiene afiliación con FON aparte de tener algunos personajes del proyecto), pero aquí es un adulto. Ella no me ha dicho mucho, pero dijo que revelaría el diseño y/o la historia en el blog @phantomime-para después de la demostración de CS lanzamiento en algún momento de la próxima semana

English:

Anon: What is the difference between Lizzy's beltren and Thavidu's beltren?

Or even Kev's Beltren

What is the difference between these 3?

Mod Cagney:

Beltren of Thavidu: A child who's only there for Thavidu to force his fetishes onto, is mainly used for shipping Beltren with Belice or some other sibling that he made up for him

Beltren of Lizzy: Has an entirely different lore but is still a child, removing all of Thavidu's disgusting things and focusing on a version of him with a different lore that also slightly changes things from FON (ie: the book of Wonderland)

Beltren of Kev: Has a completely different lore (has no affiliation with FON other than having some characters from the project), but he's an adult here. She hasn't told me much, but she said she would reveal the design and/or lore on the @phantomime-para blog after the CS demo releases sometime next week

[thatscarletflycatcher]

On things I have noticed in translations of St. Teresa the Great

I am deviating from the usual content of this blog to get into more detail about something I mentioned in passing answering an ask from @apesoformythoughts

I have been asked a few times, by native English speakers, to recommend a translation of St Teresa's work, and I have found myself surprised and sometimes even saddened about how much at the very least the tone, if not the meaning of her writing is changed.

I do sort of understand the issue, in a way, because St Teresa is one of the Greatest mystics of the Catholic Church, but she was also a very no-nonsense, plain spoken woman. She didn't write lyrically like St John of the Cross, and unlike St John of the Cross she didn't much like to write anything, and time and time again she says that she's writing because she was told to. She uses many aphorisms and metaphors to make herself understood.

I can see why the English-speaking mind would be more sympathetic to St Therèse's delicate way of using Lamartine's poetry to say "Earth is your vessel, not your home" than to St Teresa's blunt "Life is a bad night at a bad bed and breakfast". It doesn't mean I have to like it.

The worst culprit I have found so far is the 1853 translation by John Dalton, which being in the public domain may be found more often than more modern, accurate translations. Take a look at this famous passage, as Dalton translates it:

"Oh then, my daughters, let there be no neglect but when obedience calls you to exterior employments (as, for example, into kitchen, amidst the pots and dishes), remember that our Lord goes along with you, to help you both in your interior and exterior duties."

This is what St Teresa said in the original:

"Pues ¡ea, hijas mías!, no haya desconsuelo cuando la obediencia os trajere empleadas en cosas exteriores; entended que si es en la cocina, entre los pucheros anda el Señor ayudándoos en lo interior y exterior."

And this is how I would translate it:

"So, ea, my daughters! Do not be disheartened when obedience have you up and down, occupied in exterior things; understand that if it is in the kitchen, between the pans and the pots ambles the Lord, helping you in the internal and the external."

Dalton completely changes the meaning of the quote by changing words (in no possible world desconsuelo can be translated as "neglect") and inserting his own interpretations (qualifying interior and exterior as duties, rather than the generic sense of all things interior and exterior that St Teresa is using in her phrasing). The idea that the saint couldn't have possibly meant that God is found in the kitchen, rather than his condescending to go there would be cute if it wasn't... well, everything that it is.

Another, more inoffensive thing, is the usual translation of Las Moradas, o Castillo Interior as The Interior Castle or The Mansions. I think this is because the Biblical passage alluded there is often translated into English as "there are many mansions in the house of my father", as earlier in time its meaning was closer to the original Latin mansio, place of dwelling. Because that is what a morada is in Spanish, a dwelling. And at this point the meaning of the word mansion is so changed, that it wouldn't hurt to start calling the book The Dwellings, or The Interior Castle.

Now look with me the prologue of this book. I won't make a full comparison, but point out some things to my point. A cursory search on Amazon will give you five main different translations of The Interior Castle.

Kavanaugh's is definitely a good translation, but even there you will find points where the translator will choose turns of phrase and expression that soften, structure or make more elegant the original language. For example, St Teresa says "a la memoria... por tenerla tan mala"; Kavanaugh will use poor memory rather than bad memory (having a poor memory is also an expression in Spanish). He also uses "things which I was told were well said" where St Teresa says "que decían estaban bien dichas": "[things] they say were well said". The tonal shift is minimal, and in all fairness he does keep some things like St Teresa specifically saying that she's literally like a parrot, but I think you can see how it still affects the text. I was told carries the implication that someone gave her feedback, while they said carries more the connotation of gossip and a certain doubt as to the value of such opinions. She's not that convinced, but, well, at least someone said it, so it could be true.

Then Starr's translation shows you how good Kavanaugh's is by contrast. This is the opening lines in the original Spanish:

Estando hoy suplicando a Nuestro Señor hablase por mí, porque yo no atinaba a cosa que decir ni como comenzar a cumplir esta obediencia, se me ofreció lo que ahora diré, para comenzar con algún fundamento: que es, considerar nuestra alma como un castillo todo de diamante u muy claro cristal, adonde hay muchos aposentos, ansí como en el cielo hay muchas Moradas.

This is how Starr translates this passage:

"Today while I was beseeching the Beloved to speak through me (since I couldn't think of anything to say and had no idea how to begin to fulfill this particular vow of obedience), I had a vision that I will share with you now as a foundation we can build on.

It came to me that the soul is like a castle made exclusively of diamond or some other very clear crystal. In this castle there are a multitude of dwellings, just as in Heaven there are many mansions."

This is how I would translate it:

"While I was earlier today beseeching Our Lord to speak through me, as I could not manage to hit the point of what to say or how to begin to fulfill this obedience, it was offered to me what I will say now, so as to begin with some foundation: that it is, to think of our soul as a castle, all made of diamond or very clear crystal, where there are many rooms, just like in Heaven there are many dwellings."

Nope, I still cannot find a good reason why what was clearly Nuestro Señor, Our Lord, became the beloved for Starr. Or how "todo" became "exclusively". Or why Starr specifies vision, where St Teresa simply says that something was offered to her, without telling under which form.

DeWeg makes a much better translation, but the temptation to posh up St Teresa seems irresistible here as well: where Cavanaugh would make St Teresa's memory poor instead of bad, DeWeg would make her "forgetful" (which would have been interesting if St Teresa had used the Spanish equivalent, olvidadiza, because the expression is far more colloquial in Spanish than it is in English. I digress). Where Starr specifies a vision, DeWeg makes it explicitly an idea that occurred to her. And finally, the line where St Teresa says "está muy claro que cuando algo se atinare a decir, entenderán no es mío, pues no hay causa para ello, si no fuere tener tan poco entendimiento como yo habilidad para cosas semejantes" (it is very clear that if something is said that is right, they will understand it does not come from me, because there's no cause to think so, unless as little understanding is had as I have ability for such things) becomes "as with my scant understanding and skill I could write nothing of the sort."

To avoid making this even more long than it is, let's just say that you will find similar changes and omissions in Billy and Zimmerman as you did in DeWeg. They aren't overall terrible translations (Dalton's is, and Starr's is walking on thin ice), but I cannot help but feel and notice that much of the zest, simplicity and closeness that makes St Teresa so special, get so often lost in translation, through what appears to be an effort to make her sound more polished and less blunt. And that is a real pity.

[retro-friki]

About this blog

ENG/ESP

So I’ve been receiving new followers lately of the non-bot type and I think this is a good opportunity to make a post about this little blog.

First of all this is a LGBT+ safe space, and I don’t condone any form of discrimination, misogyny, racism and ableism, you know the drill. I’m older than 30 and although my content is honestly pretty safe and I don’t mind receiving asks and comments about fandom stuff, I’d rather not chat with minors, they can follow the blog but don’t expect much interaction on my part.

This is mainly a hobby blog so right now I mostly make memes, random musings and shitposting about stuff I’m currently very normal about. (Very normal, indeed 🫠) Sometimes I make reviews about movies, manga, books and random anime episodes, I don’t do them as often as before but they may occasionally appear.

As for the fandoms I’m in, a look at my recent posts will give you a fairly good idea of what I’m watching right now. I particularly like 90’s anime and very old manga usually centered in female protagonists. My favorite anime of all time is Revolutionary Girl Utena so it’s a guarantee that I will love everything that’s remotely like it. I think this would give you an idea of the kind of person I am… Probably.

Another aspect is that I’m a Literature nerd, lately I haven’t been reading and writing as much as I would like but I’m really passionate about language and literature so I’m interested in making other people know about these things too. Hence why sometimes I use whatever’s trending on Tumblr to make book and authors recommendations (yeah, I kinda feel like the “how you doing, fellow kids?” guy when I do it but people seem to like those posts so I’ll keep it up).

You can check out this blog’s archive to read some of the reviews and recaps I’ve been writing during the years. I think some of them still hold up. Also you should know that English isn’t my native language and that I also post in Spanish.

I hope to keep posting funny and interesting content on this blog, so you’re welcome to stay :).

***

Hola, me he dado cuenta de que he recibido muchos follows nuevos últimamente de parte de personas reales y no de bots, por lo que creo que es buena idea hablar un poco de este blog.

En primer lugar, soy pro LGBT+ y estoy en contra de cualquier tipo de discriminación incluyendo racismo, capacitismo y misoginia así que ya se la saben. Tengo más de 30 años y aunque mi contenido es apto para todo tipo de personas en general, prefiero no interactuar con menores de edad. Puedo contestar comentarios y preguntas sobre fandoms o libros y cosas así, pero si son menores de edad no esperen demasiada interacción de mi parte.

Más que nada esto es un blog de mis hobbies, así que actualmente lo uso para postear memes, shitposting y comentarios random sobre cosas que me gustan. De vez en cuando hago reseñas y recapitulaciones de libros, películas y series, pero no escribo tan seguido como me gustaría.

Si ven mis posts más recientes, se darán una idea de los fandoms que me agradan actualmente. Me gustan mucho los animes y mangas retro, (podemos decir que soy fan del tipo de cosas que luego pueden ver en el canal de Rayo Confuso, jajaja). Mi anime favorito es Revolutionary Girl Utena y me encanta todo aquello que se le parezca, así que más o menos eso les da una idea del tipo de persona que soy.

Me encanta la literatura y de hecho cuando empecé este blog hacía muchas reseñas sobre libros tanto buenos como malos. Muchos de estos escritos son bastante viejos y quizá haya cambiado de opinión sobre algunas cosas que escribí, de todas formas les recomiendo revisar los archivos de este blog y el tag de “escritos”, hay algunas cosas que todavía me parecen graciosas y bien hechas.

Pueden ver que últimamente posteo más en inglés, pero sí me gustaría retomar las reseñas y recomendaciones de libros en español. También son libres de mandar preguntas y comentarios. Espero que les agrade lo que tengo que ofrecer aquí :).

[sviancontrast]

El Rincón de Svian/Svian's Corner

Bienvenidos a mi pequeño rincón. Soy Svian y estoy escribiendo un par de librillos que más adelante quiero traducir al inglés. No sé muy bien como explicar lo que voy poniendo por aquí, pero espero que encuentres algo que te guste.

Organización del blog a través de etiquetas al final del post (tal vez me haya dejado algo sin clasificar)

Welcome to my little corner. I'm Svian and I'm writing a couple books that later on I'd like to translate to English. I don't really know how to explain what I'm posting over here, but I hope that whatever you'll enjoy whatever you find here.

Blog organization using tags at the end of the post (I might have left something without tagging)

writing stuff - cosas sobre escribir

progreso del libro - book progress

misc

reblogging useful info - reblogueo de cosas útiles

poll reblog - reblogueo de encuestas

reblogging masterpieces - reblogueo de obras de arte

asd stuff - cosas del TEA

[tecnoinformatica24]

Contenido confiable

Encontrar buenos contenidos no es fácil, principalmente con la cantidad de contenidos no confiables publicados. ¡Entiende aquí como identificar uno!

El contenido confiable cita sus fuentes

Esta es una de las premisas fundamentales del contenido y no solamente del confiable. Siempre que deriva de otro tipo de material, como un libro o un texto periodístico, no tiene problemas en citar sus fuentes. Es muy común que a lo largo de textos de blogs encuentres enlaces para noticias y hasta referencias a Google Books.

Son rasgos como estos que identifican que es posible depositar nuestra credibilidad en aquellos materiales. Cuando un autor no quiere revelar en qué se inspiró para componer su trabajo hay dos grandes posibilidades: el plagio y la mentira. En la primera situación nadie citará la pieza original, bajo pena de sufrir las consecuencias.

Ya en el segundo las cosas pueden ser más complicadas. Un texto mentiroso puede, muchas veces, ser convincente. Se trata del exacto problema de las “fake news” que citamos en el inicio del artículo. Para decidir en qué confiar, busca referencias externas que confirman determinada información.

Es posible confirmar los datos de un contenido confiable

Uno de los recursos que tenemos al escribir para la web es el de citar datos para confirmar una idea. Por eso muchas veces en los textos del blog encuentras informaciones de búsquedas y análisis hechas por terceros. Todos estos datos sirven para que puedas verificar, personalmente, si la idea que es transmitida en una redacción es verdadera o falsa.

Cuando un contenido dice que “muchas búsquedas” o “varias autoridades” informan una cosa, pero no da las referencias de estos datos, tienes un buen motivo para desconfiar de él.

Hay contenido similar por ahí

Nota que aquí no estamos hablando de plagio. Y sí del hecho de que toda vez que un contenido es verdadero no permanece inédito por mucho tiempo. Puede ser que la primera referencia de Google con respeto a un asunto sea la única, pero es mucho más probable que utilizando términos similares encuentres aquella información repetida en otras fuentes.

Cuando hacemos la lectura de algo absurdo y queremos verificar su confiabilidad buscamos inmediatamente otras menciones al asunto. Eso ocurre porque es natural que haya necesidad de una segunda opinión y encontrarla nos trae veracidad.

El origen del contenido es confiable

No es siempre que podrás encontrar informaciones sobre un tema en los blogs que sueles leer. Incluso, es mucho más fácil decir que un contenido es confiable si tenemos alguna idea de dónde este se origina. Por lo tanto, uno de los preceptos del contenido confiable es la autoridad del sitio en que se hospeda.

Aquí, la regla es más o menos similar a la de las fuentes. Porque ya conocemos el origen de una información tenemos más facilidad en creer que ella es verdadera. Y estamos correctos al asumir eso.

Cuando un vehículo de los medios gana autoridad, gana también credibilidad. Recuerda esto al buscar un contenido confiable por ahí.

Está bien escrito

Hay muchos sitios por ahí que se especializan en escribir bien noticias y contenidos falsos, como Actualidad Panamericana, en este caso, su interés es justamente este. Pero es mucho más fácil comprender que se trata de sitios de humor y hay siempre algún lugar en la página donde esto queda evidente.

Es posible que un contenido sea mentiroso y al mismo tiempo bien escrito. Sin embargo la mayoría de las veces ellos tendrán fallas lógicas. Harán cosas como confundir causalidad y correlación y fundamentarán sus argumentos en premisas falsas.

Todos estos son indicativos de un contenido poco confiable. Un lenguaje inadecuado para el tema también puede ser lo suficiente para hacerte desconfiar de un material encontrado en internet.

El contenido confiable no es exagerado

¿Conoces aquellos textos que, periódicamente, insisten en que necesitas confiar en una determinada información? El uso de “créeme” o términos similares es una buena indicación de que un contenido no es confiable. En otro caso, citaría fuentes y utilizaría argumentos mejores que esos.

Toda vez que el interlocutor intenta convencerte repetidas veces de que es la única autoridad en un determinado tema, no te consideres raro por dudar de esto.

El recurso, junto con la insistencia en informar una fuente desconocida o citar un conocimiento que no puede ser comprobado con hechos, es una de las maneras más comunes que sitios poco confiables utilizan para simular autoridad. Llamadas exageradas también son otro motivo para no tomar en serio una pauta.

Sitios que buscan clics generalmente no tienen compromiso con la verdad. Siempre que sea posible evita dar exposición a estas páginas y busca información en otros locales.

El contenido confiable promete y cumple

¿Quieres otra evidencia de que el enlace en el que hiciste clic no es exactamente el ideal para pasar información sobre un asunto? Verifica cómo es construido el texto y en qué cantidad conecta la premisa puesta en el título.

En general, cuando un texto, sitio o vehículo es confiable se preocupa por entregar todas las informaciones que promete. Entonces si la introducción para un contenido dice que irá a suplir dudas sobre un tema, responder preguntas y enseñarte que X es verdad, pero no consigue hacerlo, ahí está un buen motivo para desconfiar.

El contenido confiable es uno de pilares de internet. Necesitamos, cada vez más, que la información que leemos online sea verdadera y pueda dar soporte a nuestras decisiones. Al final, hoy en día no hay ningún canal que sea más utilizado que internet para informarse y construir un ambiente donde conseguimos diferenciar verdades y mentiras y no permitir ser engañados es un papel de todos nosotros.

No compartas contenido que no sea confiable. Y haz lo posible para averiguar si las informaciones que lees son verdaderas. Somos nosotros quienes promovemos y penalizamos las páginas de web y mantenerse vigilante es fundamental.

[pestana-extrana]

Quería un resumen de las primeras dos temporadas de Valeria, porque hay una nueva, pero no me puedo acordar bien la trama de las anteriores. Este blog no me ayudo muchísimo porque los resúmenes de las primeras son breves, no obstante me ayuda recordar un poco del sabor de la serie y unos puntos claves de la trama. También parece que haya un resumen mas largo de la tercera temporada, pero no lo he leído porque no quiero encontrar spoilers.

En este caso, pienso que la autora quería darnos una idea de su propia experiencia con la serie y, por eso, desatacar los elementos que le importan a ella. Por ejemplo, menciono varias veces la representación de la amistad entre mujeres, y también la propia Madrid, una ciudad que parece que conozca la autora. Yo quería recordar el estatus de las varias relaciones románticas, pero hay mas detalle de las amistades (y no me entiendas mal, me encanta ver protagonistas que no son definidas por sus relaciones románticas, pero en este caso creo que esas relaciones son importantes y, ademas, cambian mucho mas que las amistades y por eso son mas importantes en el contexto de un resumen).

En resumen - el blog es muy bueno, me gustaría leer lo demás después de terminar con la tercera temporada, pero no fue exactamente lo que buscaba. Y eso es la culpa mía - necesito mejorar mis habilidades de googlear cosas en español.

Vocabulario

ejemplares - copies (e.g. of books)

contundente - blunt/convincing

desenfadado - relaxed/uninhibited

la fecha tope - deadline

inquebrantable - unwavering

el nexo - nexus

tierno - tender

el torbellino - whirlwind

un estallido - explosion

el bufete - firm (law)

bochorno - embarrassment

[iwishiwereacartoon]

ok odd ask but 1. cld u reccomend any bands and also 2. whatre ur fav poems,,,,

not odd actually, these are topics I get very excited talking about kshdks

okay so, it depends on what kind of music you like but lately I've been listening to The Mountain Goats (The Sunset Tree album brought me back to life), Vial (rage, she/theys screaming at you, beautiful, they have an official Tumblr too), the strokes because they're iconic (is this it and the new abnormal are great albums), arctic monkeys because I love them.

AND I'm now devoted to latino indie rock meaning Charly García mostly, so in bands that would be Seru Giran (you HAVE to listen to La Grasa de Las Capitales, I do not care if you don't know spanish, you learn, this is the single best album I've ever heard), and Sui Generis, and his single albums are amazing (clics modernos, piano bar). I also like No Lo Soporto (Avión is an amazing album), and Nicolás y Los Fumadores (I love them so much, listen to Como Pez en el Hielo and Dios y la Mata de Lulo o ¿Qué Hacer En Caso de que Haya Perdido La Luz?).

If you're interested in solo artists I would also be very happy to talk about some :3

(artists are in bold and albums are in cursive)

Now, for poems I have a whole ass document with loose poetry I collect, and I have a lot of poetry here on my blog (I'm terrible at tagging but I have a #poetry tag, I don't think it has much tho), but I think some of my concise favorite poems are "If you were coming on the fall" by Emily Dickinson (I love Emily Dickinson so much) and right now I'm reading Crush by Richard Siken and it is destroying me, I cried for three poems straight today, some of my favorites are "Litany in Which Certain Things Are Crossed Out", "Unfinished Duet", "I Had a Dream About You" and "Saying Your Names" (saying your names ripped me apart, I cried and cried through the whole thing), but if you can read the whole book I highly recommend it because every poem is part of the story.

Neruda is also a favourite, I loved "20 poemas de amor y una canción desesperada". OH, and 'I Will Love You" by Lemony Snicket is amazing and I love it too.

That was a long ass answer but I hope it was what you expected to find out? thanks for asking! <3

[memphis0794]

Hola. ¿Que tal? Yo aprovechando que tenía la mañana libre para sacar una foto. Hace poco termine de leer corona de media noche, así que decidi que iría hablando poco a poco de la saga. (muchas reseñas pendientes y poco tiempo) De manera general es un libro que me ha gustado mucho, aunque si se nota que es el primero de la autora. La idea me parece muy atrevida y al mismo tiempo un acierto. Pese a que todo sucede únicamente dentro del castillo, la manera que ha tenido de ambientar la historia ha echo que no se me haya echo nada pesado. Eso añadido a que los capítulos son bastante cortos hacen que sea una lectura muy ligera. Si le he dado 4 estrellas y no 5 es porque el segundo me ha parecido un poco mejor y sentia que no se merecía tener exactamente la misma puntuación. Y bueno como siempre os recuerdo que en el blog subiré una reseña más extensa. #bookworm #booklover #bookstagram #instabook #bibliophile #books #bookstagramespaña #editorialhidra #tronodecristal #sarahjmaas https://www.instagram.com/p/Cl_MicnDypK/?igshid=NGJjMDIxMWI=

[jalonsoarevalo]

Los libros digitales se desgastan más rápido que los físicos

Los libros digitales se desgastan más rápido que los físicos

Kahle, Brewster. «Digital Books Wear out Faster than Physical Books». Internet Archive Blogs (blog), 15 de noviembre de 2022. Ver noticia ¿Ha intentado alguna vez leer un libro físico transmitido en tu familia desde hace 100 años? Probablemente haya funcionado bien. ¿Has intentado leer un libro electrónico que pagaste hace 10 años? Probablemente sea una experiencia diferente. Desde el modelo de…

[locuradelibrosblog]

📌#HoyRecomendamos 📖📚 📌¡Una autora que estaba deseando leer para conocer y que me ha sorprendido gratamente! Una maravillosa y totalmente adicta e impactante novela en la que viviremos un viaje a los claroscuros del alma y de las que a pesar de todo, te deja con un buen sabor de boca y pensando…* 🌟🌟🌟🌟🌟 ARACELI #ElsaMorante @lumenedit @penguinlibros #Araceli PREMIO MÉDICIS ÉTRANGER UNO DE LOS LIBROS DEL VERANO SEGÚN MARIE CLAIRE La gran obra de madurez de Elsa Morante, ganadora del Premio Strega y admirada por Elena Ferrante («Es hechizante. Fue mi maestra»). Manuele es un hombre de unos cuarenta años que cultiva con esmero la infelicidad. Peculiar, misántropo y homosexual, vive con el recuerdo siempre presente de la mujer que le dio la vida y que murió cuando él era un niño: la bella y rebelde Araceli. En busca de sus raíces, Manuele decide dejar Milán y aventurarse hasta un pueblo perdido de Almería, de donde procede la familia materna. Este viaje, que imaginó como un reencuentro, pronto se convierte en una pesadilla en la que se difumina la antigua imagen de Araceli y triunfan los fantasmas del narrador. Aparece también su tío, un soldado que combatió en la Guerra Civil, y el padre, un noble piamontés y eterno rival de Manuele, y finalmente se impone el lamento de un hombre que no creció y que prefiere llorar los amores perdidos a las muertes reales. Oscura y cautivadora, Araceli es la última novela que escribió Elsa Morante, ganadora del Premio Médicis Étranger y considerada por la crítica su testamento literario: una mirada a la España abandonada del desierto almeriense en los estertores del franquismo y uno de los retratos femeninos más desgarradores que haya dado la literatura contemporánea. 🔴BLOG: peroquelocuradelibros.blogspot.com 🌸 #YoLeoLumenEditorial #HoyRecomendamos #Thriller #ThrillerBooks #NovedadEditorial #LecturasDeVerano #anovelaPoliaca #LecturasDeVeranoLocuraDeLibros #NovelaNegra #Novela #QueLeer #RecomiendoLeer #Instagram #Books #LecturaRecomendada #Novela2022 #LocuraDeLibros #LecturasRecomendada #LeyendoSiempreYEnCualquierSitio #Books #bookstagramespaña #booklover #bookstagram #bookaddict #booklove #feliceslecturas (en Club de Lectura LL) https://www.instagram.com/p/Cg93Rz1jvjn/?igshid=NGJjMDIxMWI=

[hayatheauthor]

Everything You Need To Know About Writing Gunshot Wounds 

Welcome to the latest installment in my ongoing series on crafting realistic wounds in fiction! After covering stab wounds and burns, it's time to explore the next wound category frequently explored in fiction—gunshot wounds. 

Gunshot wounds are a recurring motif in the realm of storytelling. They're something you can easily come across in every genre, however, authors often poorly portray gunshot wounds due to lack of proper research. I understand finding the right resources to aid with your writing can be hard, so here's my comprehensive guide on how to write gunshot wounds. 

How To Categorise Gunshot Wounds

There are certain factors you need to consider before writing a gunshot wound. These details are instrumental in crafting a vivid and plausible narrative while avoiding plot holes. The first and most important one is identifying the type of firearm used to inflict the wound. 

Picking The Right Firearm 

Selecting the appropriate firearm to inflict a gunshot wound is a pivotal decision. It's not just about choosing any gun; it's about picking the right one to align with your desired outcome and the narrative's overall impact. Here's a quick guide on how to pick the right firearm.  

The Impact of Firearm Selection

The firearm you choose can significantly influence the severity and appearance of the gunshot wound. Whether your goal is a graphic, gory injury or a precise, long-range shot, the choice of firearm plays a crucial role. Here are some guns you to consider:

Handguns: These are versatile and commonly used in close-quarters combat. They can result in gruesome, close-contact wounds with a higher potential for damage due to their stopping power.

Shotguns: Shotguns disperse shot pellets upon firing, making them suitable for creating a broader pattern of injuries. If you aim to depict a devastating, close-range gunshot wound, shotguns can be a fitting choice.

Rifles: Rifles are known for their accuracy at longer distances. When you need a precise, long-range shot, rifles are the go-to option. They tend to produce a cleaner wound channel, especially when used for a targeted, well-planned injury.

Choosing the Right Firearm for Your Narrative

The type of firearm you select should align with your story's objectives. If you intend to evoke visceral, gory reactions, opt for handguns or shotguns used in close proximity. On the other hand, if precision and long-range engagement are key, rifles can achieve your desired outcome.

Keep in mind that firearm selection can affect the wound's damage, trajectory, and overall portrayal in your narrative. 

Categorising The Wound 

Once you've identified the type of firearm, you need to establish what type of wound your character will incur. 

In order to bring your character's injuries to life, it's important to first identify what you're dealing with. You can do this by categorising the injury based on several factors. For gunshot wounds, this includes the type of firearm used, the bullet's trajectory, and the specific areas of the body affected.

You can categorise your character's gunshot would into seven main categories, here's a quick breakdown of what these categories look like and the level of severity associated with them: 

Penetrating Gunshot Wounds: These wounds occur when a bullet enters the body but doesn't exit. The bullet remains inside the body, causing damage along its path.

Perforating Gunshot Wounds: In this case, the bullet enters the body and exits on the opposite side. This type of wound can have a different set of implications due to the bullet's trajectory.

Ricochet Gunshot Wounds: Ricochet wounds happen when the bullet bounces off a surface before hitting the character. The nature of the surface can influence the severity of the wound.

Through-and-Through Gunshot Wounds: As the name suggests, these wounds occur when the bullet enters one side of the body and exits through the other. The trajectory can greatly affect the injury's severity.

Close-Contact Gunshot Wounds: These wounds result from the firearm being fired at extremely close range. The proximity of the gun to the body can lead to unique wound patterns and burn injuries.

Shotgun Wounds: Shotgun wounds differ from those caused by handguns or rifles. The shot pellets disperse upon firing, leading to a broader pattern of injury.

Long-Range Gunshot Wounds: When a character is shot from a considerable distance, the wound might appear different due to factors like bullet tumbling and loss of velocity.

The Anatomy of a Gunshot Wound

To create a vivid portrayal of a gunshot wound, writers need to grasp not only the external appearance but also the internal effects it has on the body. A well-executed description captures both the physical trauma and the emotional turmoil experienced by the character. Here are some symptoms you should take into consideration.

1. External Appearance and Bleeding:

Wound Size: The size of a gunshot wound can vary significantly based on the type of firearm and bullet used. Smaller calibers may leave entry and exit wounds that are relatively small, while larger bullets or high-velocity rounds can create much larger wounds. Be specific about the size, which can help readers visualize the injury.

Blood Loss: Gunshot wounds typically result in bleeding. The severity of bleeding depends on factors like the wound's location, the size of the blood vessels damaged, and the bullet's trajectory. Mention the amount of blood, but avoid excessive gore unless it serves a specific purpose in your narrative.

Coughing Up Blood: If the gunshot wound affects the chest or lung area, characters may cough up blood. This symptom often signifies a more critical injury and can add drama to your story.

2. Internal Damage and Symptoms:

Pain: Gunshot wounds are painful, and the character should express this pain through their actions, dialogue, and internal thoughts. Describe the sharp, burning, or throbbing sensations as they resonate through the character's body.

Shock: Depending on the severity of the wound, shock can set in. The character may appear pale, sweaty, and disoriented. This state of shock can impact their actions and decisions.

Loss of Function: A gunshot wound may impair the use of the injured body part. Describe any loss of function, such as the inability to move a limb or use it effectively.

Fainting: In extreme cases, characters may faint due to the pain, blood loss, or shock. Be sure to contextualize this within the narrative, as fainting can have significant consequences for the character.

By diving into the details of a gunshot wound's anatomy, you can craft a compelling and realistic portrayal that draws readers into the character's harrowing experience. I haven't exactly covered every symptom out there, but these are the major ones you should take into account when writing. 

Medical Assessment and Treatment

Once you've established your gunshot wound, it's now time to focus on the aftermath. One of the main factors to consider is the medical process that follows. If your character is supposed to die from the gunshot then you could probably skip this section, but if they're alive here are things you need to consider. 

1. Initial Assessment:

Scene Safety: In a real-life scenario, safety is paramount. First responders will ensure the scene is secure before approaching the injured person. Consider factors like the presence of firearms, potential threats, and the safety of medical personnel.

ABCs of Assessment: Medical professionals follow the ABCs—Airway, Breathing, and Circulation. Writers can reflect this in their storytelling by highlighting the character's ability to breathe, cough, or speak after being shot.

Vital Signs: Mentioning vital signs like heart rate, blood pressure, and oxygen saturation can help convey the character's condition and the urgency of their medical treatment.

2. Trauma Assessment:

Focused Assessment: Medical personnel perform a thorough examination to identify the gunshot wound's location, entry and exit points, and any associated injuries. This assessment informs their treatment plan.

Imaging: Depending on the complexity of the injury, X-rays or other imaging may be required to visualize the bullet's trajectory and any potential damage to internal organs or bones.

3. Treatment:

Bleeding Control: Stopping the bleeding is a top priority. This may involve applying pressure, packing the wound, or even tourniquet application in extreme cases.

Wound Care: Depending on the wound's severity, cleaning and suturing may be required. The character's response to this procedure can add an element of realism to your narrative.

Pain Management: Gunshot wounds are excruciatingly painful, and medical personnel will often administer pain relief or anesthesia during treatment.

Monitoring and Observation: Patients with gunshot wounds require careful observation and monitoring for signs of infection, complications, or changes in their condition.

By accurately portraying the medical assessment and treatment of gunshot wounds, you not only enhance the authenticity of your writing but also depict the physical and emotional toll such injuries can take on your characters. This attention to detail helps your readers connect more deeply with the story.

The Psychological Impact

Gunshot wounds don't just inflict physical harm; they also leave lasting emotional and psychological scars. It is important to note that the extent of the psychological impact on your characters will heavily rely on various factors. 

For example, you need to consider whether or not this injury is something normal for them. Do they work as a spy, assassin, or other such roles that would mandate such dangerous injuries? You also need to consider who shot them. Does this wound come with emotional damage as well? Think of Aaron Warner’s reaction to Juliet shooting him. 

If you’re sure your character will have some extent of a psychological impact, here are some factors you should consider. 

1. Shock and Denial:

Immediate Response: Characters who have been shot may initially experience shock and denial. This can manifest as disbelief, emotional numbness, or a surreal sense of detachment from the situation.

Physical Symptoms: Shock can lead to physical symptoms like trembling, chills, or even fainting. Incorporating these details can make the character's reaction more genuine.

2. Fear and Anxiety:

Survivor's Guilt: Characters may grapple with survivor's guilt if they are the only ones to emerge unscathed in a violent encounter.

Anxiety: The threat of recurrence or the fear of returning to the location where the shooting occurred can trigger anxiety and panic attacks.

3. Post-Traumatic Stress Disorder (PTSD):

Flashbacks and Nightmares: Characters who have survived a gunshot wound may experience recurring flashbacks and nightmares, vividly reliving the traumatic event.

Hypervigilance: PTSD can lead to hypervigilance, where characters are constantly on edge, expecting danger at every turn.

4. Depression and Isolation:

Emotional Withdrawal: Characters may withdraw from social interactions, experiencing feelings of isolation and sadness.

Emotional Numbness: Some may describe feeling emotionally numb, unable to experience joy or pleasure.

5. Recovery and Resilience:

Therapeutic Support: In your storytelling, consider how characters seek therapy or counseling to cope with their emotional scars. Therapy can be a path toward recovery and resilience.

By addressing the psychological impact of gunshot wounds on your characters, you create more layered and relatable individuals within your narrative. This depth allows readers to connect with the characters on a profound emotional level.

I hope this blog on Everything You Need To Know About Writing Gunshot Wounds will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[islamic-art-and-quotes]

Verse from the Quran – 52:48 – The Mount

وَاصْبِرْ لِحُكْمِ رَبِّكَ فَإِنَّكَ بِأَعْيُنِنَا وَسَبِّحْ بِحَمْدِ رَبِّكَ حِينَ تَقُومُ

So wait patiently for the Judgement of your Lord—you are certainly under Our watchful eye. And glorify and celebrate the praises of your Lord when you rise up [from your sleep].

Source: haya, via IslamicArtDB

I am an independent, self-published author. Support this blog and the rest of my work by getting my books on Amazon.com and leaving an honest review!

[hayacodes]

09/26/2020

finally launched my instagram 💓 i overdid it a little with the doodles but i like how it came out!!

hello! my name is haya and i’m a college freshman studying computer science and cybersecurity. this account is for my blog haya codes, where i write about my experience as a woman in stem, as a college student, and as an aspiring cybersecurity professional. also expect some tech reviews + book talks!

[thegoldenyearsrp]

importante !!

¡Hola a todos! Primero que nada, disculpen la ausencia en el Main, tuve problemas personales que me impidieron estar presente, y Evans se encontraba ocupada con sus propios asuntos. Hace unos días recibimos un anónimo que decía: “Tengo una pregunta que me inquieta, cual es su posición respecto a lo que ha dicho JK Rowling respecto a las mujeres (y hombres) trans?” Y quería realizar una publicación al respecto. 

Para quienes no estén informados, J.K. Rowling ha realizado una serie de emisiones transfóbicas últimamente, mediante Twitter y su blog, de ahí surgió aquel mensaje. Quiero aclarar primero que ya hablé con la persona que lo envió, justo ayer platicamos al respecto y todo está bien. Le comenté que sí, vi el mensaje, pero en ese entonces estaba tan enojada por lo ocurrido con Rowling que no quería contestar con puros insultos hacia ella, porque pensaba que las personas trans que leyeran al respecto merecían mucho más de mí, una persona cisgénero que tiene una responsabilidad de utilizar su privilegio para alzar las voces de las personas transgénero. Sin embargo, en los siguientes días me sumí en depresión y, aunque estuve en mi blog personal desde mi celular, no tenía ganas de tomar mi pc, tampoco de abrir el Main en el celular, así que dejé la ask y el post para después, cuando me sintiera mejor.

Esto surge a raíz de una publicación que se realizó ayer por la misma persona, y con quien ya he conversado al respecto. Me he disculpado si el silencio que mantuve (aunque no voluntario) le hirió, o cualquiera de mis actitudes, y él se ha disculpado conmigo por cualquier malestar que su publicación me haya causado. 

Como fan de Harry Potter me parece muy importante hablar sobre este tema. Leí todo lo que puso Rowling, observé comentarios en redes sociales hechos por personas transgénero, y he estado en mi blog personal hablando al respecto. Sólo queda decir que Rowling es una mujer transfóbica, racista, lgbtfóbica y una persona horrenda en sí. Por años nos ha demostrado el uso de su privilegio de mujer blanca heterosexual cisgénero, realizando comentarios horribles, así como acciones. Así mismo no podemos acatar a una “muerte del autor” (es decir, hacer a un lado que esta señora escribió estos libros), dado que tenemos que mantenerla consciente de sus crímenes y, también, debemos reconocer todos los problemas que existen en los libros en sí, que son muchos. Debemos enfrentar que sí, estos libros son problemáticos, porque fueron escritos por una persona horrible. Sí, aún podemos amarlos pero reconociendo todos sus problemas, siendo conscientes al respecto, exigiendo una mejora de la autora (que, hasta el momento, continúa siendo racista en los trabajos nuevos que saca de Harry Potter {cómo situar a Nagini, una mujer de color, como la mascota de un personaje, Voldemort, que literalmente es un fascista}, así como homofóbica y otros rasgos terribles que continua añadiendo a sus obras), y hablando de temas tan importantes como estos. Porque J.K. Rowling es, en nuestros tiempos, quizá la autora más representativa y famosa. No podemos permitir que una mujer con tal poder continúe con actitudes que vulneran a minorías, quedarnos callados no es una opción. 

Por lo mismo, y a sugerencia de la personita que realizó la publicación, a la cual agradezco mucho por esta idea, en nuestras reglas se añadirá que nos deslindamos de cualquier comentario horrendo que esta estúpida señora realice. Así mismo, esta personita nos ayudara a escribir biografías de personajes transgénero, por lo cual estoy muy, muy agradecida. En el pasado he deseado incorporar personajes transgénero en las biografías que escribo, y aunque todo personaje disponible en el roleplay puede interpretarse como tal, es necesaria la publicación de personajes trans, y dado que me daba mucho miedo escribir un personaje trans y no hacerlo correctamente, no estar lo suficientemente informada, esta persona se ofreció para escribir biografías, y estoy en verdad muy agradecida por la ayuda que ofrece.

Anteriormente, hace muchos años, se me preguntó en el Main si un personaje cisgénero podía ser tomado con un faceclaim transgénero, y en mi ignorancia de temer que a un personaje cisgénero lo tomaran con un fc trans, y se borrara la identidad trans del faceclaim en el proceso, dije que no, porque temía que ocurriera. Ha pasado un tiempo y he aprendido mucho más, me he informado y ahora sé que aquella pregunta debería tener otra respuesta. Lamento mucho aquel comportamiento.

No queda más que decir que Rowling es una persona terrible y una reverenda pendeja. Además de realizar estos comentarios estúpidos en medio de Junio, lo cual es tremendamente horrendo. Como ha dicho Daniel Radcliffe en su publicación en The Trevor Project: “To all the people who now feel that their experience of the books has been tarnished or diminished, I am deeply sorry for the pain these comments have caused you. I really hope that you don’t entirely lose what was valuable in these stories to you. If these books taught you that love is the strongest force in the universe, capable of overcoming anything; if they taught you that strength is found in diversity, and that dogmatic ideas of pureness lead to the oppression of vulnerable groups; if you believe that a particular character is trans, nonbinary, or gender fluid, or that they are gay or bisexual; if you found anything in these stories that resonated with you and helped you at any time in your life — then that is between you and the book that you read, and it is sacred. And in my opinion nobody can touch that. It means to you what it means to you and I hope that these comments will not taint that too much.”

Y claro, cualquier personita que desee traer un personaje trans por acá, será bienvenida con los brazos abiertos. Cualquier comentario o sugerencia, porque siempre podemos mejorar, no duden en mandarlo. ¡Saludos a todos y muchas gracias a Adam ( @catpusheen-o​) por sus sugerencias! 

moony.

[cyb-by-lang]

S&S Chapter 23 Preview

Because I wanted to leave one last gift to you and Os for Fanfic Writers’ Appreciation Day. It’s because of you two that I can write things like this, and it’s the least I can do since you two read my story to begin with. Even when you didn’t have to, you do and I appreciate it. So this. I could’ve put it up on my own blog, but eh. Wanted to let you two see. So yeah.

Love you both and thankie for being friends with me. 

“In a medium bowl, whisk the flour and salt…” The instructions were on the tip of my tongue as Hisako poured over a book in her arms, her glasses glinting in the light. The dry ingredients were nice in not blowing up in a dust cloud in my face, so I made sure to treat them extra carefully with a spatula when mixing together. 

Once you’re done with that, dear, Hisako said over the pages, flipping back one before focusing in on the words with a face, grab a small stand mixer to beat the unsalted butter and eggs together. She paused, blinking behind her glasses before raising her head. You did leave the butter out to rest at room temperature, right? 

Well. Shoot. I took a breath, put down my spatula, then glanced around. Sure enough, the many bowls littering the kitchen counters wasn’t exactly the most welcoming sight, but it was something to filter away into my mind for later. “Butter, butter…” I turned my head around before feeling something sting, and it took another second for me to realize that I bumped my nose on someone’s back by walking into them. “Ow!”

“Whoops,” said the now apparent Papa, and soon enough I was getting squished cheeks as Papa pulled me closer. He was looking me over, his eyebrows furrowed enough from what seemed to be concentration and concern before gently brushing my bangs back and leaning in to press a kiss to my head. It was a nice enough gesture to get rid of the sting. “Sorry about the intrusion, hime.” He was smiling against my head mid-kiss before pulling back. “What are you doing?”

“Baking,” I answered honestly because really, there was no other way to respond. “Haya-kun had some training today, so I was planning on stopping by and giving him some snacks. He likes his cookie cutter shapes. And Obi likes chocolate chip cookies a lot, so visiting him after this too.” 

Papa’s smile turned a bit more thoughtful as his eyes widened. “I see,” he said, and then one of his hands was on top of my hair. “Are you doing it because you want to, Tomoko-chan, or because they asked you to?”

Uh. Where did this come from? Hisako said incredulously. Did we do something? 

I ignored the urge to lightly bonk her and instead looked towards Papa with a sheepish smile. “I wanted to, Papa. They do a lot for me, so I want to do something for them.”

Papa blinked before his smile widened. “You sweetheart,” he murmured and then another kiss pressed against the top of my head. “I love you, y’know, hime?”

My cheeks flushed with heat. He said it like my old Dad. Vy’s old Dad. It took all I had to not have my eyes water. “A-Aye, I love you too, Papa,” was the only answer I could come up with after that. “I can leave a few cookies for you to eat later if you want to?”

Papa laughed while shaking his head. “I’m fine, hime, but I appreciate it. Just let me ask you one more thing.”

My curiosity was piqued now. “Eh?” I brushed some hair back to look at him properly. “What is it?”

Papa got to one knee to meet my eyes, his smile a bit more wistful and gentle this time. “What do you want for your birthday, Tomoko-chan?”

Lub-dub. 

Huh.

For the first time in my new life, I already knew my answer.

Lub-dub, lub-dub, lub-dub. 

The faces of my ninja friends flashed through my mind’s eye, I ducked my head to hide my eyes from Papa’s view, and gently whispered the words.

“—together.”

“Hm?” Papa leaned in closer to bump foreheads with me. His voice was still quiet, but holding a hint of happy anticipation almost. “What was that, hime?”

My face was burning from the admission, but I repeated it. Even with my mental voice taking on Ty’s old inflections, I knew I had someone on my side.

You’re not worthy. 

No, Hisako interrupted angrily with a swing of her Keyblade, she is. Suck it, asshole. 

“I want to be with Kei and Haya-kun and Obi and Ricchan and Kashi in a sleepover together,” I said gently, my lip quivering from how selfish the request sounded. “I want us all to be together, Papa. And maybe…” 

Papa brushed a bit of my bangs back in gentle consideration. “Maybe?” 

“M-Maybe, if the war ends,” If Kaguya dies, if Madara is gone, if Black Zetsu never shows up, “I want everyone to be together forever.” No one dead. Kei smiling without her eyebags. Everyone alive. Maybe. My vision was blurry, but I raised my head to look into Papa’s brown eyes anyway, a watery smile climbing up onto my face. “Is that okay to ask, Papa?”

It’s okay to be selfish, right? In front of you? 

Papa’s brown eyes, warm as always, widened only for a second before softening into a look that I could just call “love.” “Of course it is, hime. Of course it is.” His hand wound around the back of my head to pull me into a hug, and I clutched at the back of his shirt, a sniffle leaving my throat. In response, a happy laugh brushed the top of my hair before a kiss pressed against my head. “You finally said it, hime. You finally said it.”

For some reason, it felt like he wasn’t just saying it to celebrate my honesty. It felt like he was addressing someone else there too.

I still clung to him and nodded anyways. “Is that o-okay?” My voice cracked.

Papa nodded against me, hugging me tighter if it was even possible. “I’ll call Miyako over in a bit. We’ll make it the best birthday for you, hime.”

That first part made me a bit nervous, but this was still Papa. He didn’t mind me being selfish. His actions was the least I could ask for, in the end. 

Acceptance wasn’t a guaranteed thing, life said.