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#he always has a place in my heart
chaebyssal · 11 months
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Crowned Clown 👑
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sarcastic-hats · 8 months
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Act I: Knowing and believing are two different things.
My take on what happens BLR :)
If you like what I do, buy me a coffee!
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fiie · 5 months
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when he's a sensei/mentor figure to a shounen mc and wears a piece of fabric to partially obscure a part of his face
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carnivalcarrion · 9 months
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and now, a break from our normal schedule for my Favorite cat dad and his lovely vagabond son
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pixelatedraindrops · 4 months
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“Hey…Chief…why are there…three of you…??”
“Vivia, you’re sick and hallucinating. This is bad… we may need to call a doctor. Jeez. You really need to remember to take an umbrella outside...”
A doodle I made based on an ask, but I decided to post it separately.
My first time drawing Vivia, second time drawing Yakou.
(and im good at neither of them x-x)
But these two made me soft since Vivia's DLC so I thought I’d contribute to the ship somehow. And I noticed Vivia goes out in the rain constantly without a hood or any protection so...
Yeah no, this was BOUND to happen.
Yakou's willing to lend the very feverish spectral detective his bed for the time being (bc he's too tall to fit the sofas lol)
Kanai Ward's rain is harsh ☔
Hope you enjoy my lil' snack, Viviakou Nation 💚💙
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Kokobolt Clockmare
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penandinkprincess · 1 year
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okay but geralt having perfect pitch 
like maybe it’s something he already had or maybe it’s something that came with the enhancements, but geralt who can tell exaclty when a note is being hit (or not)
and jaskier who SHAMELESSLY uses this ability to tune his lute to pERFECTION before performances
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delusionalblfan · 2 months
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what got me the most in the 10th episode (apart from the Alan x Dean scene that i was not expecting and was phenomenal) was Babe kissing Charlie's forehead. i had to stop watching to have my moment and to just breathe and give me time to cry. when Babe kissed him it was a moment of pure and raw pain, no more loud crying, or screaming, but a silent cry filled with care and love and deep engraved-for-life pain. and i feel like the kiss on the lips was the first impact, Babe's need to touch him, to see if Charlie reacted and was really dead, but those three kisses on the forehead. for the love of!! the care mixed with all that hurt and loss. Babe is so hurt by Charlie's death as it's expected but it's more than 'i lost him' or 'he is dead'. it was much more like 'he did not deserve this'. but not a cliche. it was like a film passing through: 'this man was treated as a nobody because a lunatic thought he was a normal alpha, hence 'unusable'...he could try to live a rather normal life but he knew i was in danger and i would be used…so he left that idea of a normal life behind and risked it all for me…he really entered my life with that sole propose...he lied willingly but also solely for my own good...he did not make fake excuses based on self pity...he ended up being part of my found family and he was a good person to all of them even for the one that was constantly criticising him...he loved me more than he loved himself…and now he is dead…he did not deserve this'. when you know the extent of someone's life, choices, willingness, that last statement will have a much bigger impact. and Charlie embodied that. so… my question is, how can Babe be sane right now? how is he even walking? talking? eating? i would be so depressed to the point of manifesting psychotic traits. i wouldn't have the courage to unalive myself, but i would just let my body be still and exist quietly somewhere while rewinding memories and regrets and untold words and just speaking to him and apologising and saying how much i love him, and i would do it until i perished
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raccooncityriots · 2 months
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Honestly the people saying that they’re sorry to SEED fans because the movie feels like a teen drama fanfic is sending me, guys did you watch the series. I was expecting nothing less.
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roses-fallen · 5 months
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riddle sticker redraw for sillies and the funnies
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crithaus · 1 year
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man I am thinking about it but Zephrah is but one of the Ashari homelands, thus Keyleth is the heiress apparent of the air ashari people, the princess, and she was chosen which is cool according to the wiki even if Vilya was her mother she still had to be chosen to go on the aramente, which I wonder if she failed would her nobility pass on to the next person? Does her princesshood come from her mother or her position as tempest-incumbent? I would imagine the second one And I wonder how this stacks up legitimacy wise to the rest of Tal'dorei and Exandria proper cuz Syldor only seems super impressed by Percy even tho Syldor sucks and is a shit metric so nvm but inside her domain, her small but significant section of people, she is a la Germany during the 1700-1800s, a princess amongst the 3 other leaders of the Ashari, now it seems the Ashari governmental system is at least a little less centralized than say Tal'dorei but it still technically has Kiki as their princess now I'm making a point with this so bear with me,
And Percy, in much the same position, is, or was the second he stepped back into Whitestone, and especially showcased in TLOVM, the Big Man on Campus, the top authority, in fact he says in EP 64 to Syldor that he is of the Royal House of Whitestone, before his lil responsibility shirking ass defected to Cassandra he was the boss here, and if Whitestone is a Royal House and yet outside of Uriel's jurisdiction and his line of succession too, and Whitestone has had a Duke and a Count within it's borders as well and Percy being able to title people higher than he is, or being lower ranked than the people of those houses when they are not the main and royal House of Whitestone, is just silly and commensensically incorrect so he's higher here than duke, count, and baron, that's like principality status, one rung below Uriel's deal, a little Monaco in the Europe that is Tal'dorei. so he's a Prince, was probably the Grand Prince in the wee moments before he gave it to Cass, he's a Prince which is so cool, prince of a similarly insular people to Shepard, just like Keyleth
Keyleth is a little more involved in, to borrow from kerrick's letter, the 'gardening' of Zephrah post campaign but still she and Percy are on a very level field here which thrills the Me because it's two stressed out, very lonely and burdened babies, too young for this shit, with surprisingly good leadership skills and without either of the parents that knew how to do all this ruling stuff trying their very best to get through it all intact, Percy might took a hard left into evil demon territory for a second, but no wonder honestly that those two latched onto each other so hard, they had one other person who knew intimately the pressure the other was under, and I mean it goes even deeper truly,
They would have only began preparing Keyleth for her aramente when it became clear Vilya failed hers, years after she left, and Percy might not have been Julius or Vesper but after the massacre in the back of his mind he had to have known that when he went back he'd be in Charge for however long it took him to kill himself revenging his family, so by the time the two of them met they really were side by side with the wide gulf of Responsibility they Weren't Ready For in front of them, which makes it cuter to me that this was how Percy attempted to bond with Kiki at first prestream but like
Man, my little Royal Duo, kicking ass and taking names, Percy mighta broken the mold a little with this council but y'know I think if it were really a big deal despite Keyleth taking BH to him directly they would have had to talk to Cass and the rest of the Council first upon meeting them all so 😌 council served it's narrative purpose now my lord and lady can rule as they please, or at least Vex can which I will take to the Bank, I mean Lady De Rolo Coinmistress of Tal'dorei and her trophy husband? Absolutely (also this makes vex a princess by marriage and also it'll make Vax a PRINCE by marriage when they get him back (cuz they're gonna I choose to believe, it's what Vex deserves damnit, I refuse to be pulled from this fantasy) and he'll hate that it'll be so cute and funny)
But man this friendship, forged under the stoop of backs bowed by such responsibility set on them both far far far too young but bearing it flawlessly anyway, really is so... Percy's going to freak the fuck out when he finds out what Otohan did to her, it's gonna be so good
Their friendship man, it is so important to me. They see each other, they understand, through thick and thin and they are both broken and and a little fucked up but they still stick by each other, Keyleth rails at Percy whenever his bloodlust during the Briarwood arc gets outta control, and Percy's always there to shore Keyleth up when her charisma falls a little flat, it's a friendship built on being seen so deeply and understood in a way that only they can, even if it still isn't quite enough to mend their worse habits, even if it isn't enough to convince Percy to forgive himself then and it isn't enough for Keyleth to acknowledge that the past did happen and was horrible but the bright future is still being written. And they mirror each other sometimes, look at Percy during the Briarwood Arc vs Keyleth and Raishan, look at Keyleth seeing how poorly revenge treats Percy and yet committing to it anyway, they are so similar in so many ways. But it is enough, to be seen by each other.
also please look at this sketchingsparrow knows what I'm putting down
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likesummerrainn · 5 months
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SurrealEstate 2.03 The Butler Didn't
"Why do all of August's machines look like what people in 1953 thought machines in 1997 would look like..."
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meownotgood · 1 month
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I dreamt you lost interest in aki and deleted everything on your blog
impossible. aki will never escape from my clutches (grips his topknot tightly)
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malinthebodyguard · 1 year
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August Quotes the Godfather: betrayal, vengeance, and loneliness
I’ve always just slightly annoyed at August saying this, whenever someone asks why the Erikssons  are at the party : 
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And yes, I know 80% of the things he says are slightly annoying and goddamn Malte for his excellent delivery of the shittiest comments. 
But still, he’s quoting the Godfather at a Gen Z High School party. Of course,  ‘Keep your friends close but your enemies closer’ is now  just a phrase people say, often with no connection to the film that made it popular. 
 But the fact he’s specifically saying it in English makes me think that August was intentionally quoting the film. And it makes sense that he’d know this films enough to reference them. The protagonist is a sly, attractive man, wealthy enough to disregard the law, all while wearing a stylishly pulled-back hairdo  These films are the stories of  rich men, who control everyone and everything around them. Men who make offers that cannot be refused. Men whose pulse doesn’t shake if they have to avenge their father or kill the brother that betrayed him. Female character are either objects of desire or victims of violence, with little to no agency. 
 August quoting this is telling us, the audience, that he’s the kind of person that values and admires this kind of film. But also that to a certain degree that he wants the people around him to know that of him. He knows these movies, and wants to be perceived as someone similar to its leads not just by quoting the film, but by claiming to adopt one of its most famous tenets. 
 We as the audience also know that  this is a performance for him . August didn’t invite Simon and Sara  so he could ‘keep his enemies closer’. His motivation for lying here is strange to me. Yes, Simon is someone he considers below him, but having Simon get him booze from outside is not something that preposterous. It’s even something that another character suggests. But August had asked Simon that favour out of desperation, because he had no way out. I think his unwillingness to admit that is telling about how much August values his perceived power and ability to get what he wants. We also see how meticulous he can be about maintaining it. 
But I think this quote is also a foreshadowing for what’s to come for August. The quote is something Michael Corleone says in Godfather II, a film that examines the rise and downfall of the Corleone family. Betrayal and revenge are some of the key themes of this story. Michael is betrayed by some of the most important people in his life.  The biggest betrayal of all is his brother Fredo’s. 
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Fredo is Michael’s weak and easily manipulated older brother. His betrayal of Michael is one of the driving forces behind this film’s story, the revelation that he’d done it the climax. And in the film, Michael has  to punish his brother’s treason:
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I think it’s easy to see how August might identify with this character . By episode 5, August thinks of himself as someone who's been betrayed by everyone around him: his mother, Felice, and Wille.
Of course, we know that’s not exactly what happens  But as far as August is concerned , then this is very accurate description. Felice’s interest in Wille, even when it’s platonic, is a betrayal to August’s own feelings. His mother’s request to sell their art is a betrayal to August’s legacy
The worst betrayal of all is Wille’s. Because Wille doesn’t just  reveal his financial problems, but in doing so he actively destroys the image of power and wealth that August had so carefully constructed. Simon is part of that betrayal as well, since he’s the only person who knew the truth. 
The only way August can take back what Wille ruined is by following along the model he was already emulating. It’s not just that the betrayal must be punished, but that August is justified in doing so.  
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But August didn’t watch the film till the end, it seems. 
Michael Corleone is a powerful man, sure. But he’s a lonely violent man, who had the opportunity to escape his family’s expectations and instead chose to embrace them to his own detriment.  
The film ends with Michael alone, surrounded by memories of a family destroyed by his own acts of violence and sitting by himself on a dining table. 
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August is seemingly starting the next season in a very similar place. Completely alone, dealing with the consequences of his own actions.
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Revenge has been quoted as one of the key themes of this next season, and I’m interested in seeing how this is going to incorporate August into it. 
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emometalhead · 8 months
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I write something like this every year. In all honesty it's hard for me to talk about Chester. I think about him every single day. It's now been six years without him, and it still doesn't feel real that he's gone. I still don't know how to cope with it. I still can't think about him for too long without crying.
Chester has been such an important figure in my life for as long as I can remember. I was raised on Linkin Park. They will forever be one of my favorite bands even if some songs are too painful to listen to now. My own mental health journey has been difficult. I'd be lying if I claimed to be doing totally fine, but I live each day trying to honor Chester's memory and make him proud. He's a big part of the reason I am who I am, and he's a big part of the reason that I'm still here today.
If you see this, please give someone you love a hug. Tell them you care about them. Cherish the moments you have with the people that matter. Listen to your favorite artist and keep them in your mind for a while. Do something nice for yourself. We all owe it to ourselves to allow some kindness in our lives. In words that Chester once sang, "when life leaves us blind, love keeps us kind".
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jaemongus · 6 days
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hello tumblr nation its oscar race week and im in my feels
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thatgirl4815 · 2 years
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Transitions & Tension
I know we’ve all been praising Mile and Apo for their acting this episode, but I want to jump in and say that what’s impressive isn’t only their execution of immense tonal shifts but the speed and at which they execute these shifts. Their mood changes are seamless rather than choppy and divided. Not only does it make the scenes more entertaining and realistic, but it also makes them feel whole. 
Like in this beloved scene:
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The shift happens right in this gif. Kinn’s face falls ever so slightly--without saying a word, we’ve already connected the dots about what he’s feeling. It reminds me of Ep6 in a way. This flirtation between them is a break from the real world. Kinn gets caught up in the moment before reality crashes back in. Porsche’s smiling face brings him joy, but everything about their situation is fragile. Porsche is still Kinn’s bodyguard, and he must assume all of the duties that come with that, but Kinn has never really wanted Porsche in this position (and I don’t think he ever really will). In the first few episodes, it was out of obstinance and annoyance with Porsche’s attitude. But oh how the tables have turned by Ep7. Kinn has acted as Porsche’s bodyguard in previous episodes, and it’s all been leading to this realization that the only way for Kinn to guard his heart is for Porsche not to guard his body. It’s an unwinnable situation though, because regardless of Kinn’s authority, Porsche still has to assume his role, no matter how dangerous it is. Kinn failed to free him from it in Ep6, so the only option now is to keep Porsche close and pray for his safety. 
Back to my point: the fact that this one scene--this one gif--can bring all of this context to mind shows just how natural and impactful the transition is. The mood flips as Kinn’s expression changes, but that’s all we need to understand the gravity of this moment. They can flirt and play with each other, but there is always this underlying threat to their interactions--the thought that for all they have gone through together, they could be ripped apart in a million different ways. 
(We won’t talk about the fact that this scene also uses three different music selections, each with varying tone, to coincide with these transitions. It’s a risky move to use so many selections, but in my opinion, it works. And Jeff’s soaring vocals of “Why don’t you stay?” as they look at each other??? Yeah.)
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Let’s not even get started on the newest installment of The Scene™, because that’s got mood changes galore. Rage, frustration, heartbreak, guilt, forgiveness, desperation, lust, love: all in the span of only a few minutes. Mile and Apo have proven themselves to be phenomenal actors on their own, but they have a unique way of communicating with each other through their expressions alone. Their emotions are almost palpable, and they silently interact in a way that heightens these mood transitions effortlessly and realistically. 
From a screenwriting and acting perspective, this final scene is risky. It quickly becomes sexual, but this isn’t a hate-sex moment, as it very well could’ve been. Kinn and Porsche are very clearly sexually attracted to one another, but their coming together isn’t initiated solely by lust; as in both of KP’s sex scenes so far, the physical intimacy is inextricably tethered to the emotional intimacy. As @fleet-off​ mentioned in one of her posts, television doesn’t show emotionally-invested sex scenes very often, but that’s what makes KP’s so poignant. The tonal transition feel seamless at the end of Ep7 (at least in my opinion) because of these emotional layers they have built up so carefully over the course of the last seven episodes. I personally went into the show expecting the feelings to come after the sex, but I have been pleasantly surprised by the added layer of emotion because it makes everything feel not only necessary, but richer. And I think it’s really difficult to portray a relatively graphic sex scene and make it feel as if it really needs to be there.
Anyways, I go into more detail about how cinematographic features like lighting and camera angle play into these mood changes in this post.
As usual, this post became a lot longer than I intended, but my concluding thought is that KinnPorsche manages to handle transitions in a masterful way that I adore very much. 🙂
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