#he likes to do some light reading

[canisalbus]

EQUESTRIAN VASCO and here I thought I couldn't love your ocs anymore 😩 as an equestrian it is so nice when you find someone who also has equestrian ocs!!

It is literally so hard to find equestrian ocs outside of the immediate equine art community and its a nice breath of fresh air! <3

Yeah! He's an outdoorsy type and wealthy enough to keep horses, I reckon he's been riding since very young age and usually gets along with animals well. On top of that, his hobbies include falconry, hunting and fencing.

Please temper your expectations though, I know very little about horses, how they work and what you do with them ´v`' There's a good chance I might get things backwards despite my best efforts.

[afterthelambs]

i adore Maruki as a character because he's simultaneously the most relatable depressing character that will make you cry with empathy, and the goofiest wettest cat loser in the game like what do you mean youre a licensed therapist and your first response to trauma is to brainwash a girl, project ur relationship issues onto a 17 yr old boy, and then rule the world in a golden leotard? bro went from 0 to 100 so fast??? anyway he's like 30% of the reason why p5r works as well as it does

[iizuumi]

Side effects of wearing your Kaiju suit too often ,,,, Part 3

[g0nefischin]

MERSKELES PART 3!

Definitely not mermay anymore but here's the last 3 sirens I wanted to do

and some explanation on why I choose what I did under the cut

(little warning for parasites on fresh's section)

So from left to right

Dream is a golden colored koi carp fish, I picked it because they are very pretty and they represent a lot of positive things like luck and fortune, some people even wish on them to make their dreams come true :> I also thought of the legend where a golden koi fish climbs a large waterfall to turn into a dragon, so they have some mythical legends as well. In terms of the actual fish, Koi are very sociable and sturdy, they also live for quite awhile.

Nightmare is a coelacanth, he should probably be an octopus considering he has tentacles, but I really wanted to make him a coelacanth because I think they are neat. Coelacanth's are very old with the latest fossils being over 400 million years old, they were thought to be extinct until one was found in 1938, grandpa nightmare. They are also nocturnal, sleeping in caves during the day, they live deep in the ocean as well. 

Fresh is actually a two in one, he is a rainbow parrotfish with a tongue-eating louse in his mouth. Out of alI the bright fish I did a parrotfish because I really like their gradients, and I think the magenta fins fit his jacket. He's a parasite inside of a Sans body, so I picked a fish parasite to go along with the fish half of his body. I chose the tongue-eating louse, a type of parasite that replaces a fish's tongue. It first severs the blood vessels to the tongue and once it falls off takes its place. feeding on nutrients and acting as a new tongue for the rest of the fish's life, very cool and terrifying.

[thepersonperson]

I can’t believe we got an infodump on simple domains AGAIN over a Sukuna backstory.

More complaining under the cut.

Usually I am one to give Gege the benefit of the doubt and will read heavily into what little information we are given. But I can't defend this chapter themes or character wise.

Even if this turns out to be a fakeout, going in painstaking detail over a show-not-tell battle in a way that lacks characterization and heartfelt emotion sucks to read. Even if the new shadow style and simple domain debacle goes somewhere, having it the main focus after an extremely traumatic battle instead of characters processing their emotions sucks to read. Even if Gojo is alive and that's why they're this chipper, everyone ignoring his sacrifice and efforts along with Choso's sucks to read.

I'm happy Yuta and Higuruma are alive but why was their revival off-screened? Yuta was so defensive over Gojo and everyone treating him like an object just 8 chapters ago. What happened to that? Why is everyone treating this battle like it was no big deal? (Also why the fudge did Kusakabe tell Yuji, a 15 year old, to his face he should've been killed while disparaging Gojo for protecting the life of a child???)

After the Shibuya Incident, there was a whole segment dedicated to how this affected the average person. The Culling Games ended and there are still bloodthirsty freaks running around. What happened to them? Is Angel hunting them down and that's why Hana is missing? Infodumping on anything except the battle would've been better.

I doubt we'll get any more info on Sukuna, Kenjaku, and Tengen at this point. We'll be lucky if there's a funeral for even Geto's body. Shoko was absent this entire chapter which makes me thing she's still trying to save Gojo or she's preparing their bodies for a funeral.

Anyways. This is the worst JJK chapter for me hands down. My hopes for the final 2 are mostly dashed. Crunch and poor working conditions really do ruin art my goodness.

[cannibal-nightmares]

let's make trouble in the dream world, we'll hijack heaven with another memory now; i make the most of the turning tide, it just split what's left of the burning silence

[fisheito]

i told myself that yakuei only had one position then i proved myself (sorta) wrong

my fave face here:

[autisticrosewilson]

So do you guys actually think that Jason's entire story, relationship to the others, and philosophy amounts to him being a rebellious teen who wants his dad's attention? Like are you 100% serious? I thought you were joking about that but too many of you are saying it with your whole chest.

And what the fuck is this "Bruce antagonizing Jason is fanon!" Shit I've been seeing? You guys are aware that a parent can love their kid and still be a shit parent right? I know you guys don't want to fathom the thought that maybe your blorbo might also occasionally have to face responsibility for consistently endangering children but let's not start being delusional now.

Bruce does love his kids, that doesn't mean that he hasn't hurt them. And I'd also argue that for the most part he feels in the right for it, and he's said multiple times that he believes it's for their own good, so you can't even argue that he's sorry about it. It's okay for you guys to admit that your PERSONAL INTERPRETATION of the character wouldn't do that but don't sit here and pretend that it's not a facet of the source.

[i-mybrunettelady]

it is an ancient ascalonian belief that lighting candles invites the favor of the gods. in every proper home of the ascalonian rites, one is lit for each of the six; as long as it burns, there is hope for that home and for ascalon. candles also invite the spirits of long gone warriors to protect and inspire ; for world is loss and grief, and faith and hope, as balthazar's scriptures teach us. so take heart, o' heretical daughter of ascalon, o' vain godkiller, and rejoin the war eternal. light a candle for those you've lost; say your prayers to the gods you still believe in. and say a prayer to yourself, as you know that death is not the end, but the end of the beginning. did your little adventure to the domain of the lost teach you nothing, after all?

[aimasup]

throws up my hands in mock resignation but also a hint of frustration Okay Valentino is a cool villain I guess

He's like. Genuinely unsettling. Wish the show struck a better balance with his character sometimes (like sometimes when he's onscreen I have to skip over because I feel queasy and sometimes he's so unsubtle he feels more like a prop than a guy who's going to be a Huge Deal in s2)

[rain-on-wax-feathers]

nonhuman burr, washington, and eliza!!!

[kryptonbabe]

You will get a new Wonder Woman run planned to be a long and structured one - but it's written by Tom King

You will get a new Black Canary run - the thing is, it will be written by Tom King

You will get a series of some silver age partially forgotten characters you like - Adam Strange, Omega Men, Metamorpho - but here's the catch: they'll all be written by Tom King

Why all these times I got something I wanted from DC it was like meeting this wise and cruel Jinn trying to warn me about the potential harm of my heart's desires?

"Be careful what you wish for, little one. Now take this Tom King book" the creature whispers while I sob

[treasureplcnet]

you think i can't keep talking about karl and esther you are so wrong btw episode four timestamp 34:40 he hesitates before rubbing her back, comforting her the way a parent or guardian might. the whole tube scene is karl finally deciding he has to do this ("i'm here, and i'm not going anywhere, i promise") he still HESITATES because he knows he's probably not the right man for the job. he's the man that got her stuck in this problem in the first place. but they've only got each other and he has to try. does it hurt that the moment he finally builds this resolve and determination to leave it all behind and to actually fight for something that matters to him and admit that, even though he hasn't known her for long, he cares about this girl like she's family, esther is murdered and it totally consumes him? does it hurt that he's then framed for her death even though he just spent the last 24 hours killing and taking revenge in her name? not only because he knows he's a dead man, but also because he's out of options to do something that matters, and what else can he do with his grief other than inflict it onto others? yeah it hurts a lot actually

[futurewife]

public announcement 🗣️📢🔊🔊

Happy birthday... to a very special boy!!!! ⬇️❤️ (June 30, 1991)

[lazer-screwdriver]

I’ll never be able to get over the fact the master had, for ~18 months, a presumably normal human marriage. Do you think he got yelled at for leaving the toilet seat up.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.