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if-you-fan-a-fire · 2 years

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“Police Arrest Seven, Regain Stolen Furs,” Toronto Star. October 22, 1932. Page 1 & 2. --- TWO MEN ARE ACCUSED OF PLUNDERING STORE, FIVE OF ‘RECEIVING’ --- Police Declare Fur-Theft Ring Broken by Round-Up To-day --- $7,500 IS INVOLVED --- Valuable Skins Found in a Farmhouse in York Township --- Seven men were arrested early today on charges of breaking into Lube Bros. fur company, 1048 Queen Street West, on Oct. 20, and stealing $7,500 worth of furs or of receiving stolen property. The furs were all recovered in a farm house on a side road near the Dufferin airport in York township, police say.

The prisoners are: Morris Rosenbaum, alias John Reynolds, 26, of Windsor, Ont.; Max Beaver, 27, of D’Arcy St. (Rosenbaum and Beaver are charged with breaking and entering the premises and also with theft of an automobile): Nathan Tusher, 18, of Dundas St. W.; Max Walsh, 39, of Oxford St.; Mike Pacella, 22, of St. Clair Ave. W.; Joe Duranzio, 22, of North Dufferin St., and Joseph Valentino, 27, of Ontario St. The latter five are charged with receiving the stolen furs.

The men were rounded up by Inspector Charles Scott, Detective-Sergeants Herbert McCCready, Harry Glasscock, Norman Tinsley, and Acting Detectives Greave, O’Driscoll, Wilson, McMaster, Richardson and Marshall.

Tusher, Walsh, Pucella and Dorranzio were arrested in an automobile near the farmhouse and surrendered without a struggle. No shots were fired, according to Inspector Detectives Murray. Valentino was arrested by Detective Glasscock as he entered the farmhouse at 3.30 a.m. today.

‘Looking for Work’ Hearing the door opening the detective stood behind it as it swung open. As Valentino entered the detective grasped him by his coat collar.

‘What are you doing here?’ asked Glasscock. ‘I am looking for work,’ Valentino replied.

‘Strange time to be looking for work,’ the detective rejoined.

The arrest of Rosenbaum and Beaver came about after a sensational chase from Dufferin St. across Wilson Ave. Driving a stolen car at 60 miles an hour, they are alleged to have attempted to escape from Detectives Richardson and McMaster, who were pursuing them in a police car.

Beaver, at the wheel, failed to notice the curve near Loretto Abbey and, travelling at 50 miles an hour, shot off the road on the right side and turned over in the ditch, smashing the back wheel off the car. Detective Richardson, who knew the road, warned Detective McMaster who was driving the police car, about the bad curve as they roared along behind Beaver’s car.

‘Slow down,’ McMaster warned his companion. ‘They’ll never make the curve.’ Richardson was right. McMaster slowed down to negotiate the curve, and they watched the other car roll over in the ditch. McMaster and Richardson, believing the men were injured, hurried over to the car with drawn revolvers. Rosenbaum was the first to emerge from the wreck.

‘What’s the big idea?’ the prisoner asked. ‘I haven’t done anything wrong.’

‘You Here, Too?’ Beaver, with no more than a slight shaking, was climbing out of the window when McMaster grabbed him.

‘Hello Max, you here, too?’ the officer greeted Beaver, recognizing him. Both men were placed in the police car and brought to police headquarters.

‘We were on Dufferin St. N. driving along near the air port, when we saw a car come out from a side road,’ recalled Detective McMaster. ‘The car turned out to be stolen one, though we did not know it at that time. The men in the car apparently recognized us as police officers and turned down Dufferin St. We gave chase, swung along Wilson Ave., where the men opened up the speed of their machines. They were averaging about 55 miles an hour.

‘Several times their car nearly went over as they swung around sharp curves and we nearly capsized ourselves. They kept ahead of us at a terrible speed until they cam to the curve near Loretto Abbey. Richardson warned me to slow down and, as I did, the other car shot off the pavement and rolled over into the ditch.’

Police, The Star understands, had been watching the house since mid-night, after receiving information that the men were in hiding in a farmhouse on a sideroad near Dufferin airport. Inspector Murray declined to divulge the identity or location of the farmhouse. The seven men were brought to police headquarters shortly after six o’clock for questioning.

The car beaver was driving, and which he is charged with stealing, is the property of Fred W. Copley, 120 Woodmount Ave. It was taken from in front of 65 Yonge Street, about 11 o’clock last night.

The arrest of the men was brought about by information secured by Inspector Chas. Scott, officer in charge of Claremont St. division, where the robbery occurred. So that every inspector should be personally familiar with the faces of the seven men arrested, Chief Constable Draper instructed all inspectors to visit police headquarters and look them over. The chief’s policy is that he believes officers and men of each division should be at all times familiar with any suspects or former criminals that might be living in the different divisions.

#toronto #burglary #burglars #fur theft #fur store #fur thieves #selling stolen goods #receiving stolen goods #farmhouse #york township #1932 fur store burglary #burglary gang #car chase #police chase #usual suspects #great depression in canada #crime and punishment in canada #history of crime and punishment in canada

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katherinewilliams221b · 4 years

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Hello and thank you for the ask, obvi I have my own curiosities abt Kat's future life... 😏 If you don't mind, questions 3, 8, 6 and 12 are what came to mind first, though I'm also curious abt 15! I don't want to touch anything that may result in your series spoilers bc it's soo good - but her broader family life after all this I'm very curious about :D

Hi! This took soo long I'm so sorry lmao- Long post ahead From this ask

3. What is MC’s family like now?

I’m leaving here Kate’s direct family. I didn’t include Kate and Charlie’s daughter because I don’t have a name or a back story for her.

Here we have the Williams part of the family Nicholas (Obliviator) and Aurora (arithmancer and the actual brain behind the family's finances), Kate's grandparents, had 3 children: Evira (professor), Erick (auror), Joseph (dtp of International Magical cooperation). Joseph is Kate's dad.

The Walsh side of the family starts with Bernard (potioneer) and Julie (muggle nurse), Kate's grandparents, who had 2 children: Natalia (journalist) and Cornelia (apparition examiner). Natalia is Kate's mom.

This is the Walsh side of the family. Bernard's parents were Taidgh (broom maker) and Fiona (owl trainer). They had 10 children (see below).

Julie was the only child of muggles Ronan (fisherman) and Ciara Flannigan (fish seller)

The 10 Walsh siblings in order are: Imogen(farmer), Muireann (tutor), Paddy(broom maker), Adeline (aurologist), Collin (saleswizard in quidditch games), Cornelia (alchemist, Bernard's daughter was named after her), Brian (magizoologist), Jane (muggle relations), Bernard (potioneer), Seán (squib)

Details of these characters will be on another post about the Ireland fic character list that Im working on. (I might change a few names)

6. How has MC’s style changed?

The first year at Hogwarts was very child-like. She was still that little girl that came from a wealthy and sinister family, always in the shadows and behind doors because she wasn’t allowed to enter most of the rooms. She carried a small charm that Jacob gave her and it was the year she adopted Grimoire in Diagon Alley, first rebellious act since the Williams manor only allowed owls and Aurora Williams’ spider. In her defense, she went to Diagon Alley all alone. Her style reflected innocence.

There was a huge leap between 1st and 2nd-3rd year. Mom went to Beirut, dad was busy in the ministry, and her brother was still missing. She opted for the same 3 outfits all the time.

The next big change occurred in fourth year. She started hanging out with Tonks and she absorbed a little bit of her dark style. All-black outfits were daily and she started experimenting with skirts. That dark look in addition with her winning every single game of gobstones, being fearless in duel and her original bad reputation, reflected confidence. Also, mama gifts her a nice bag.

From 7th year and onwards she shifts to more ‘badass looks’. She still favours dark colours like blacks and browns, but her go-to outfits include leather jackets and boots. Before the war, she became an animagus, which is a black cat form. An important accessory is the dragon necklace that Charlie gives her before going to Romania, and she wears it until the war, where she loses it. Another detail that I’m not going to explain now (still figuring it out and I don’t want to give away too much about the next fic) is that she gets a matching tattoo with Charlie: a serch bythol (with some magic properties)

In her 30s and 40s she is a respectable mediwizard now and she starts dressing a little bit more classy. She is not giving up her leather jacket yet but more blouses and dress pants are added to her closet.

Kate went full witch mode when she passed her fifties. Loving the aesthetic of it all, she shamelessly wears her witch hats to every party, reunion or gathering. Long dresses with pockets are a favourite.

In reality, she is a softie, and you know that when talking to her. If you are lucky enough to be her apprentice you will find her elegant, intimidating and very very wise. After a while, you will discover that she has an enormous heart.

8. How is MC’s and Jacob’s relationship now? (If your Jacob is alive)

My Jacob is very much dead. I don’t plan on changing that. If he was alive (let’s imagine that au) I think their relationship will be problematic. He loved her little sister, but she was more of a burden than anything else. Growing up in the Williams manor was the first curse he encountered in his life: his grandfather pressured him to follow every Williams man’s steps and become a Ministry employee, dad did the same, mom was never home, and he had to take care of his little sister because leaving her alone in that house wasn't an option.

When they reunited, he would still see her as the toddler that sniffled every leaf and flower, that collected pretty rocks and buried her little fingers in the soil just to experiment, all while he tried to read his book under a tree.

There would be a slow and long process of getting to know each other again.

In fact, now that I’m thinking about it, I don’t think Kate would have moved in with Charlie so soon if Jacob was still alive. The two years that they were apart, maintaining a long-distance relationship, she was grieving and living alone in a flat in London that the Williams family provided. If Jacob had survived, they would have moved out of the manor together and it would have taken longer for Kate to go to Charlie.

12. What was MC’s reaction learning Bill and Charlie’s little sister went missing her First Year?

Well, she couldn't do much about it, it's not like she would go to Hogwarts and look for her herself. But she was worried. Some old fears came back, the similarities with her own experience with her brother made her uneasy, but after confirming it didn't have anything to do with the vaults she could think a little bit better. At that time she was a healer trainee at St Mungo’s and Charlie was already in Romania so there was a lot of letter-exchanging just with updates of the situation.

15. MC’s experience at Bill’s wedding? (Did they attend Bill’s wedding? What did they wear? Did they play a role in it? Were they the bride? =p)

Kate and Charlie attended Bill’s wedding but they weren't happy about it. They love Fleur, and Bill too but with everything that was happening then it didn't seem like a good idea. They were vigilant the whole evening, especially Kate.

Reuniting with Tonks and other Hogwarts friends made her relax a bit and actually enjoy herself. We'll leave the details for a fic I'll write someday.

I shamelessly say that they matched outfits. Kate wanted to wear a pointy hat that Charlie gave her one Christmas with a dark blue dress that matched the inside of the hat.

She noticed the disappointment on his face when he saw it and later found out that he had chosen a shirt to go with the previous dress she had shown him. She changed outfits and with some gold accessories, they went to the Burrow thinking they were the best looking couple there.

I couldn't find a picture of what I had in mind for him because I took the idea from this fanart from cursebreakerglenetive .

That’s the exact outfit. I fell in love when I saw the concept. No tie, of course, the burgundy undershirt and inside of the jacket, the belt with golden dragon details is everything.

For her, a simple but elegant dress, with her golden dragon necklace and long earrings.

Nice experience overall until everything went to hell, we all know that part.

Thanks for the ask! This was fun to make 🖤

#kate williams #hphm ask #ask #mc

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fallcnshcrts · 4 years

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hello! i’m in the mood to use my supernatural muses more since it’s halloween season!!, so pls give this a like or message for a one liner/plot based/ halloween starter from the following muses!

VINCENT REYES. 31. werewolf. owner of club x. pansexual. manny jacinto fc. CARMEN RAMOS. 24. vampire dancer. homosexual. claudia salas fc. XAVIER JOHNSON. 20. warlock. bio science major. heterosexual. aubrey joseph fc. TRINITY SIMS. 30. witch. graphic designer. bisexual. nafessa williams fc. DARREN WALSH. 32. werewolf. detective. heterosexual. derek theler fc. AUBREY HEWITT. 22. witch. fashion design student. on gymnastic team. bisexual. sydney park fc. OLIVER KELLAN. 24. werewolf. chef assistant. bisexual. rj cyler or algee smith fc. AUDREE YATES. 30. werewolf. paramedic. heterosexual. kylie bunbury fc. ANDREW KELLER. 30. vampire. mechanic. bisexual. tyler blackburn fc. ZARA HUNTER. 30 werewolf. tattoo artist. homosexual. shay mitchell fc. ARIADNE CARVER. 27. psychic. fortune teller. pansexual. kehlani parrish fc. MARILYN WELLS. 37. vampire. musuem curator. bisexual. sophia bush fc. NADINE PHAN. 31. witch. herbalist. bisexual. karruche tran fc.

#indie rp #urban indie rp #indie roleplay #starter call #urban indie roleplay #also open to mutuals and non mututals

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letsbreakhearts · 4 years

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Rules and Muses

Before interacting, there are a few things you have to consider before approaching me:

First things first: Mun =/= muse! The most important rule of mine, because I do write about all kind of dark and disturbing topics, since I have no trigger whatsoever and like to explore the depth of mankind's cruelty in fiction. Obviously said content is tagged as tw:(name of the trigger) and therefore easily manageable with the right tools. If this still rubs you the wrong way, because you either are a prude puretist, really easily triggered to past trauma, or simply not able of separating fiction from reality, I ask you politely to stop reading here and leave this blog instantly. Consider yourself warned. Any further consumption of this blog’s content is on you, mate.

All heavy topics in threads need some upfront plotting, to keep it all consensual. I don’t want to accidentally throw someone off. Plotting in general is always preferred.

This blog is nsfw by default. Minors and Personals get blocked most of the time.

All ships are welcome, but I obviously have my favourites and some I never wrote before definitely need more plotting than those I write on a regular basis.

Reasons for me to unfollow/soft block you: Your rules say: If you write “xy” I will not follow/block you; You are literally spamming my dash with personal/ooc posts; You post/share a lot of negativity and whining; You share anon hate, instead of just turning the anon function off, aka get involved in drama that is easily avoided; You participate in call out culture; OOC political commentary/activism and other non-rp related stuff that I don’t want on my rp dash; Ship bashing and kinkshaming; You turn out to be an Anti of some sort; You share any hate for the character or actors I write as/use as FC. Disclaimer: You are of course free to do whatever you want with your blog, as I am free to avoid your blog without any reason given.

If you ever feel the need to unfollow or block me, just do it. No explanation needed.

If I lose interest in interacting with you, I will unfollow and most likely softblock, or even hardblock you without any reason given. Please don’t take this too personal.

What does private mean: I have my fav mutuals who occasionally get more replies than others. Plus I am very hesitant about following new people unless you offer me something I hadn’t found a partner for before. On this note, If you approach me first, I want you to have a vague idea what you want to write with whom of my muses and some time and creativity to plot a little bit beforehand.

I have the right to not interact with you without any reason given.

Don’t reblog any of my self written ooc posts and psas. Same goes for rps you aren’t taking a part in.

Asks and memes are no longer my main focus. Do not spam my ask box but rather plot with me via IM please.

I do all lengths of threads. I also tend to edit my posts and use icons but my writing partner don’t have to. Edit your post after your own liking, or not at all.

Muses with the same FC, as well as duplicates are welcome obviously.

I don’t do passwords!

My IM is open for plotting.

For those who are interested in such things: Hello, I’m Fuchs, a lazy German hobby artist and writer. English isn’t my first language and I procrastinate A LOT. On top of that I sometimes just need ages to be happy with the stuff I write. Short: Please be patient with me, if you see me online but don’t reply right away. I also tend to have a lot of threads. So please don’t ask me to reply faster. Not gonna happen.

Muses

BOLD = Mains || Italic = only as request || Others: Available but not always muse for

Detroit: Become Human

Gavin Reed (D:BH)

RK900 (D:BH)

Leo Manfred (D:BH)

Markus (D:BH)

Daniel (D:BH)

Cole Anderson (D:BH)

Hank Anderson (D:BH)

Connor (D:BH)

60 (D:BH)

Captain Allen (D:BH)

Marvel

Tony Stark (MCU)

Quentin Beck (MCU)

Steve Rogers (MCU)

Peter Parker (Tom) (MCU)

Peter Parker (Andrew) (Sony)

Peter Quill (MCU)

Frank Castle (MCU)

Scott Lang (MCU)

Eddie Brock (“MCU”)

Benjamin PointDEXter (MCU)

Flash Thompson (MCU)

Bucky Barnes (MCU)

Erik Lehnsherr (MCU)

Harley Keener (MCU)

Peter Parker (Tobey) (Sony)

Peter B. Parker (MCU)

Brock Rumlow (MCU)

Sherlock BBC

Sebastian Moran (Sherlock BBC)

John Watson (Sherlock BBC)

Witcher

Jaskier

Geralt of Rivia

The Boys

Homelander (The Boys)

William Billy Butcher(The Boys)

The Walking Dead

Marlon (TWD Tell Tale)

Negan (TWD)

Rick Grimes (TWD)

Shane Walsh (TWD)

Daryl Dixon (TWD)

Carl Grimes(TWD)

Star Trek

James T. Kirk (Star Trek)

Leonard H. McCoy (Star Trek)

Star Wars

Poe Dameron (Star Wars)

Kylo Ren (Star Wars)

General Hux (Star Wars)

Finn (Star Wars)

Stranger Things

Billy Hargrove (Stranger Things)

Steve Harrington (Stranger Things)

Jim Hopper (Stranger Things)

Uncharted

Rafe Adler (Uncharted)

Sam Drake (Uncharted)

Nathan Drake (Uncharted)

Red Dead Redemption

Arthur Morgan (RDR2)

John Marston (RDR2)

Far Cry

John Seed (FC5)

Joseph Seed (FC5)

Jacob Seed (FC5)

Staci Pratt (FC5)

Men in Black

Agent H (MIB International)

Life is Strange

Nathan Prescott (LIS)

Sean Eduardo Diaz (LIS)

Daniel Diaz (LIS)

Until Dawn

Joshua Washington (Until Dawn)

Christopher Hartley(Until Dawn)

Michael Munroe(Until Dawn)

The Dragon Prince

High Mage Viren (The Dragon Prince)

Crownguard Soren (The Dragon Prince)

King Harrow (The Dragon Prince)

James Bond

James Bond / 007 (FC: Daniel Craig)

Kingsman

Gary “Eggsy” Unwin (Kingsman)

The Nice Guys

Holland March (The Nice Guys)

Blade Runner

K /Joe (Blade Runner 2049)

Man of Medan

Conrad (Man of Medan)

Blair Witch

Ellis (Blair Witch)

Baby Driver

Buddy

Breaking Bad

Saul Goodman

Jesse Pinkman

Walter White

Michael “Mike” Ehrmantraut

Todd Alquist

#rules #new muse #muse list #muses #r

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miguelmarias · 5 years

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World Poll 2019

Great recent movies (made since 2014) seen for the first time in 2019

Mademoiselle de Joncquières (Emmanuel Mouret, 2018)

Dau Huduni Methai (Song of the Horned Owl, Manju Borah, 2015)

El Crack cero (José Luis Garci, 2019)

Jiang hu er nv (Ash is Purest White, Jia Zhang-ke, 2018)

Carré 35 (Plot 35, Éric Caravaca, 2017)

Sic transit Gloria Mundi (Gloria Mundi, Robert Guédiguian, 2019)

If Beale Street Could Talk (Barry Jenkins, 2018)

Ad Astra (James Gray, 2019)

Le Chant du loup (The Wolf’s Call, Antonin Braudy, 2019)

Shooting the Mafia (Kim Longinotto, 2019)

Village Rockstars (Rima Das, 2017)

Tantas Almas (Valley of Souls, Nicolás Rincón Gille, 2019)

Un peuple et son roi (Pierre Schoeller, 2018)

Aamis (Ravening, Bhaskar Hazarika, 2018/9)

Fishbone (Adán Aliaga, 2018)

O que arde (Fire Will Come, Oliver Laxe, 2019)

La Fin de la nuit (Lucas Belvaux, 2015)

Ramen Teh (Ramen Shop, Eric Khoo, 2018)

Light of My Life (Casey Affleck, 2019)

Great movies (made before 2014) seen for the first time in 2019

’49-’17 (Ruth Ann Baldwin, 1917)

Ba shan ye yu (Evening Rain / Night Rain of Mount Ba, Wu Yigong and Wu Yonggang, 1980)

The Spirit of the Flag (Allan Dwan, 1913)

Versailles (Pierre Schoeller, 2008)

Ùn pienghjite mica (Les Anonymes, Pierre Schoeller, 2012/3)

Foxfire (Joseph Pevney, 1954/5)

Johnny Come Lately (William K. Howard, 1943)

I girovaghi (Hugo Fregonese, 1956)

Nunal sa Tubig (Speck in the Water, Ishmael Bernal, 1976)

Ikaw ay Kin (You Are Mine, Ishmael Bernal, 1978)

Pervyí eshielon (The First Convoy, Mikhail Kalatozov, 1955/6)

The Sea Wolf (Alfred Santell, 1930)

Surrender (William K. Howard, 1931)

The Restless Years (Helmut Käutner, 1958)

Darling, How Could You! (Mitchell Leisen, 1951)

Ko:Yad (A Silent Way, Manju Borah, 2012)

The Flame (John H. Auer, 1947)

Ernst Thälmann-Sohn seiner Klasse (Kurt Maetzig, 1954)

Ernst Thälmann-Führer seiner Klasse (Kurt Maetzig, 1955)

Bólshaia Sémia (A Big Family, Iosif Kheífits, 1954)

Circuit Carole (Emmanuelle Cuau, 1995)

Harvey (Henry Koster, 1950)

As It Is in Life (D.W. Griffith, 1910)

Abroad with Two Yanks (Allan Dwan, 1944)

Behind Office Doors (Melville W. Brown, 1931)

Lovin’ The Ladies (Melville W. Brown, 1930)

La Tarea o cómo la pornografía salvó del tedio y mejoró la economía de la familia Partida (Homework, Jaime Humberto Hermosillo, 1990/1)

A Modern Hero (G.W. Pabst, 1934)

Surrender (William K. Howard, 1931)

Jubilee Trail (Joseph Inman Kane, 1954)

Matinée (Jaime Humberto Hermosillo, 1976/7)

Linda (Mrs. Wallace Reid = Dorothy Davenport, 1928/9)

Die missbrauchten Lebesbriefe (Leopold Lindtberg, 1940)

Very good movies (made since 2014) seen for the first time in 2019

Photograph (Ritesh Batra, 2019)

The Mule (Clint Eastwood, 2018)

The Man Who Killed Hitler and Then The Bigfoot (Robert D. Krzykowski, 2018)

Frères ennemis (Close Enemies, David Oelhoffen, 2018)

L’Homme fidèle (A Faithful Man, Louis Garrel, 2018)

Pris de court (Not on My Watch, Emmanuelle Cuau, 2016)

Dolor y Gloria (Pain and Glory, Pedro Almodóvar, 2019)

Frost (Šerkšnas, Sharunas Bartas, 2017)

Vitalina Varela (Pedro Costa, 2019)

Da xiang xi di er zuo (An Elephant Sitting Still, Hu Bo, 2018)

Di qiu zui hou de ye wan (Long Day’s Journey Into Night, Bi Gan, 2018)

La Tenerezza (Tenderness, Gianni Amelio, 2017)

Fourteen (Dan Sallitt, 2019)

Bulbul Can Sing (Rima Das, 2018)

A Rainy Day in New York (Woody Allen, 2019)

Legado en los huesos (Fernando González Molina, 2019)

Ma vie dans l’Allemagne d’Hitler (My Life in Hitler’s Germany, Jérôme Prieur, 2018)

La Vie balagan de Marceline Loridan-Ivens (Yves Jeuland, 2018)

Gangbyeon Hotel (Hotel by the River, Hong Sang-soo, 2018)

The Wind (Emma Tammi, 2018)

Kothanodi (The River of Fables, Bhaskar Hazarika, 2015)

Dar Jostojoy-e Farideh (Finding Farideh, Azadeh Moussavi & Kourosh Ataee, 2018)

Sir (Rohena Gera, 2018)

El Proyeccionista (The Projectionist, José María Cabral, 2019)

Intemperie (Benito Zambrano, 2019)

Madre (Mother, Rodrigo Sorogoyen, 2017, short)

Three Identical Strangers (Tim Wardle, 2018)

Madre (Rodrigo Sorogoyen, 2019)

Very good movies (made before 2014) seen for the first time in 2019

A Life for a Kiss (Allan Dwan, 1912)

Futari de aruita iku haru aki (The Days We Spent Together, Kinoshita Keisukē, 1962)

The Necklace (D.W. Griffith, 1909)

Das Schiff der verlorenen Menschen (Ship of Lost Men, Maurice Tourneur, 1929)

The Broken Locket (D.W. Griffith, 1909)

Primrose Hill (Mikhaël Hers, 2007)

The Rejected Woman (Albert Parker, 1924)

El último malón (Alcides Greca, 1917)

Bullets for O’Hara (William K. Howard, 1941)

Le Récit de Rebecca (Paul Vecchiali, 1964)

La noche avanza (Night Falls, Roberto Gavaldón, 1952)

Over-Exposed (Lewis B. Seiler, 1956)

I rollerna tre (Christina Olofson, 1996)

Il Viale della Speranza (Dino Risi, 1953)

Because of You (Joseph Pevney, 1952)

1870/…Correva l’anno di grazia 1870 (Alfredo Giannetti, 1972)

Demi-tarif (Isild Le Besco, 2003)

L’Exercice de l’État (The Minister, Pierre Schoeller, 2011)

Cheng nan jiu shi (My Memories of Old Beijing / Old Stories of the Southern Part of the City, Wu Yigong, 1983)

Strangler of the Swamp (Frank Wisbar, 1945/6)

Sword in the Desert (George Sherman, 1949)

There’s Always Tomorrow (Too Late For Love;Edward Sloman, 1934)

East Side, West Side (Allan Dwan, 1927)

Le Départ (Damien de Pierpont, 1998)

Face aux fantômes (Jean-Louis Comolli, 2009)

The Eagle and the Hawk (Mitchell Leisen, credited to Stuart Walker, 1933)

Whirlpool (Roy William Neill, 1934)

The Animal Kingdom (Edgard H. Griffith; uc. George Cukor, 1932)

Le Passager (The Passenger, Éric Caravaca, 2005)

Razumov (Sous les yeux d’Occident) (Marc Allégret, 1936)

Banjo On My Knee (John Cromwell, 1936)

One Night of Love (Victor Schertzinger, 1934)

Enchantment (Robert G. Vignola, 1921)

Charell (Mikhaël Hers, 2006)

Men With Wings (William A. Wellman, 1938)

Delitto per amore (L’edera) (Augusto Genina, 1950)

Les Amants de Minuit/Les Amours de Minuit (Augusto Genina, 1930/1)

Human Cargo (Allan Dwan, 1936)

Up the Ladder (Edward Sloman, 1925)

Luxury Liner (Richard B. Whorf, 1948)

Surrender! (Edward Sloman, 1927)

The Judge (Elmer Clifton, 1948/9)

Turbión (Antonio Momplet, 1938)

Der Ruf (Josef von Báky, 1949)

Faubourg Montmartre (Raymond Bernard, 1931)

Träumerei (Harald Braun, 1944)

The Red Lantern (Albert Capellani, 1919)

El Paseíllo (Ana Mariscal, 1968)

La quiniela (Ana Mariscal, 1960)

Great movies growing up or just rediscovered in 2019

Letter of Introduction (John M. Stahl, 1938)

Only Yesterday (John M. Stahl, 1933)

Our Wife (John M. Stahl, 1941)

Wohin und zurück (Axel Corti, 1982-6)

Giorno per giorno, disperatamente (Alfredo Gianetti, 1961)

Die wunderbare Lüge der Nina Petrowna (Hanns Schwarz, 1929)

Alyonka (Boris Barnet, 1961)

Craig’s Wife (Dorothy Arzner, 1936)

Imitation of Life/Fannie Hurst’s “Imitation of Life” (John M. Stahl, 1934)

Captains Courageous (Victor Fleming, 1937)

Test Pilot (Victor Fleming, 1938)

The Eternal Sea (John H. Auer, 1955)

Hello, Sister! (Anonymous: Erich von Stroheim, Alfred L. Werker, Raoul Walsh, Alan Crosland, 1933)

La noche de enfrente (Night Across the Street, Raúl Ruiz, 2012)

Journey into Light (Stuart R. Heisler, 1951)

Feel My Pulse (Gregory LaCava, 1928)

La signora senza camelie (The Lady Without Camelias, Michelangelo Antonioni, 1953)

Nosotros que fuimos tan felices (Antonio Drove, 1976)

Very good movies improved

Liana (Boris Barnet, 1955)

L’Avventura (Michelangelo Antonioni, 1960)

Du haut en bas (High and Low, G.W. Pabst, 1933)

Amok (Antonio Momplet, 1944)

The Man Who Never Was (Ronald Neame, 1956)

Open Range (Kevin Costner, 2003)

Con la vida hicieron fuego (Ana Mariscal, 1959)

Timberjack (Joe Kane, 1954/5)

En la Palma de tu Mano (Roberto Gavaldón, 1951)

Gravity (Alfonso Cuarón, 2013)

Expreso de Andalucía (Francisco Rovira-Beleta, 1956)

El Camino (Ana Mariscal, 1963)

La viuda del capitán Estrada (José Luis Cuerda, 1991)

Vestida de azul (Antonio Giménez-Rico, 1983)

Segundo López aventurero urbano (Ana Mariscal, 1953)

Hell’s Outpost (Joe Kane, 1954)

Fuente: http://sensesofcinema.com/2020/world-poll/world-poll-2019-part-5/#4

#listas #senses of cinema

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athena-athena · 6 years

Text

Music Playlist Challenge

I was tagged by the wonderful @forthegenuine! Thank you!! ❤😊 (You have awesome taste in music, by the way.)

Rules: we’re snooping your playlist. Put your entire music library on shuffle and list the first ten songs, then choose ten victims.

“The Wolves” - Kate Walsh

“One Night” - Sean Lennon

“I Have Made Mistakes” - The Oh Hellos

“Eye to the Sky” - Joseph

“Can’t Stay Alone Tonight” - Elton John

“I Will Be” - Florence + the Machine

“Never Too Late” - Natalie Prass

“Southern Nights” - Glen Campbell

“Abbie’s Song” - Joe Purdy

“Eleanor Rigby” - The Beatles

Bonus: “What’s the Matter” - Liz Longley (This one popped up next, and I included it because I love it, and also because I’m seeing her live again on Wednesday night, and I’m super excited!)

Tagging: @celticheart72 @ivy475 @maryehudson @misfitgirlwrites @blesstheoutcasts @animeaniseed & anyone else who wants to do it :)

#music playlist challenge #music #tagging game #tagged #tagged by forthegenuine

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plungermusic · 3 years

Photo

“Kinda bent, but we ain’t breakin’… in the long run”

Maverick Saturday stretched out before us like a challenge - thirteen hours is a long time on your feet for a couple of oldsters, but we’d give it our best shot…

We didn’t catch all of Dan Walsh’s opening Barn set, but his closing number, a lyrical, backwoods folk-flavoured instrumental that peaked in an increasingly frenetic celtic reel to the whoops and stomps of the crowd, was enough to impress us with its fleet-fingered dexterity.

Kelly Bayfield made her second barn appearance with another stylish set drawn from the new album: Kelly taking to the piano to give us a new short number Sing which was twinned (“well, they’re a similar flavour, and in the same key!”) with her last single Hitchhiker, both oozing classy 70s chanteuse vibes and the latter closing in some great Telecaster work from Andy Trill in a majestic closing solo.

There’s not much that’d drag us away from a Kelly performance early, but having spotted his programme picture (“Long hair, Les Paul? That’ll do!”) we pottered down to the open air Green Stage for David Banks and his band. He did exactly what we thought it said on the tin: lots of Springsteen/Petty influenced muscular Americana with a dash of Molly Hatchett topped with excellent southern-fried guitar and classic ‘big endings’… marvellous.

He was followed by Simon Stanley Ward (another ‘old fave’) who brought his Jonathan Richmanish irreverence and wit to Old Time Country in Excuse Me While I Feel Sorry For Myself; the Graceland-African-style I’m A Worrier (”…that’s worrier, not warrior”) a swinging rock’n’roller Bigfoot, Baby (Eddie Cochran meets cryptobiology) and Rocket In The Desert (the salad leaf not the projectile) with its Lawrence Of Arabia theme tease. While lampooning his own assumed-Nashville twang in American Voice the accompaniment was as echt as you could want, and the deadpan humour of Beluga Whale was sung to a properly stirring Journeyesque anthem.

As it wasn’t raining The Green seemed the place to stay, where Forty Elephant Gang came next. Reviewing their album we were a little sniffy about their ‘crowd-pleasing festival songs’ but aside from the field holler-meets-O Brother Where Art Thou-style Songs Of Praise, this set was mostly the ones we’d liked: the relaxed Tex-Mex of Strange Things Happening with three-part harmonies and intertwining mando’n’guitar lines; the melancholic waltz of Young Man’s Game and the Squeeze-y domestic wit of Drunken Promise Song. A final ‘crowd-pleaser’ came in the chugging bluesy Hands Out Your Pockets, an instruction the assembled masses eagerly followed to add the required clap-along.

Sam Chase Trio made another appearance at The Green, wooing the larger crowd with both edgy humour (including praising UK portaloos in comparison to US versions, and introducing Everyone Is Crazy But Me as “a children’s song... now, what they mean is that it’s simple, since kids are generally at the dumber end of the spectrum”), and songs as varied as the fiery protest of What Is All The Rage and the haunting, wistful Lost Girl, (from the “Faustian Spaghetti Western Of Epic Proportions Known As The Last Rites Of Dallas Pistol”) sung by cellist Devon.

Now Plunger do like a bit of bluegrass, whether it’s grainy b/w Flatt & Scruggs clips from the 50s, through Sam Bush and New Grass to Béla Fleck and Greensky Bluegrass so The Folly Brothers should have been our kind of thing… however what we heard of them was more My Old Man’s A Dustman than anything Appalachian so we wandered off…

Back at The Barn Dean Owens and the Southerners drew a large and attentive crowd, but the popular Scot also left us a bit underwhelmed. Mellow, melodious troubadoury country that wouldn’t have been out of place on a mid-afternoon 70s Radio 2 show, the kind of thing that takes a deep listen in your bedroom to appreciate the stories told: very easy on the ear for sure but without any particular thing to grab us at a festival.

After an abortive attempt to catch Ella Spencer and her accompanist at The Moonshine (an extremely long soundcheck with problems with feedback from pretty much everything they touched meant we gave up) we caught a snatch of Los Pistoleros as we rounded The Green: probably the most C.O.U.N.T.R.Y. thing of the weekend, complete with draggy fiddle, pedal steel and old time vocal harmonies… if I’d not left my cowboy boots at home I’d have been out line-dancing with the best of them.

Plunger had only just seen Alyssa Bonagura (with Tim De Graaw’s band) less than a week since. Here at The Barn she was nominally solo but Tim joined her to add sweet harmonies and mellow guitar to Alyssa’s polished Cali-country: her strong yet ethereal vocal equally at home in slow emotional confessionals or giggly upbeat Big Yellow Taxi-style big strummers.

Listed only as ‘Dogs Play Dead’ it was only a lucky guess that took us down to The Green for what turned out to be Friday’s headliners Black Eyed Dogs playing a set of Grateful Dead classics. Mainly those with a countryish twist to them already, like Casey Jones, I Know You Rider and Friend Of The Devil; and bringing that flavour with fiddle and pedal steel to others like Truckin’, China Cat Sunflower, Playing In The Band and the epic closing Franklin’s Tower. All done with the right degree of loose, shambling rhythms and discursive noodling on guitar (and fiddle!) Fabulous stuff for grooving on the grass under what by now were glorious sunshine-filled blue skies.

Brooks Williams’ jangly sonorous acoustic and warm, smooth higher register vox was ideal early evening fare at the barn, in covers like Dave Alvin’s King Of California, traditional numbers like Deep River Blues and originals like the Gordon Lightfootish melancholy of Frank Delandry, and the damp-eyed nostalgia of Palomino Gold, aided toward the end of his set by some more excellent banjo from Dan Walsh.

The USP of Eddy Smith & the 507 is Eddy’s gravelly soulful voice, ideal for their bluesy-edged material, like the harp-led strut of It Don’t Feel Much Like Living and the new single Ticket Out Of Here, a bustling two-step with impressive three-part harmony vocals. They definitely have moved up a level since we last saw them a couple of years back.

Somehow we managed to miss Sarah Petite with her band completely on Friday, and almost all of her stripped-back Moonshine set on Saturday. Which was definitely our loss gauging by the brief snatch of crackling husky vocal over restrained bass and reverb laden guitar that we heard while hunting for a still-open toilet (a water supply problem having rendered all loos unusable for a considerable portion of the late evening... pretty much the only fly in the ointment all weekend!)

As the sun set the two-month date differential was beginning to tell: clear night skies in September aren’t quite the same as July and the growing chill was testing our stamina a bit. We headed for The Peacock and the tribute show to John Prine, hosted by Rich Hall. Pretty much every act who was on site came to do a turn in honour of the recently-deceased songwriting legend, with their own favourite from his oeuvre. Kelly Bayfield band gave us Hello In There, Tim De Graaw with Alyssa did That’s The Way The World Goes Round, Alyssa gave us the obligatory Angel From Montgomery, and Simon Stanley Ward (plus Kelly) gave a fantastic rollicking Lake Marie. Entirely in character, Sam Chase Trio broke the mould and gave us their own tribute song John Prine.

Rich Hall had to skip out on MC duties to attend his own set at The Barn: sacrilege to say, but the appeal of stand up (even to music, even from such a big name) palled a little. It was getting bitterly cold (you could see your breath hanging in the air) and given that what we could hear of his set was the same as we’d heard last time he was here we spent much the time attempting to warm up with piping hot beverages. However it was by far the rammedest set of the weekend, with the tightly-packed crowd spilling out of The Barn for some distance.

Jon Langford was unsurprisingly somewhat hindered by the draw of Rich Hall (which left The Peacock a bit underpopulated!) His spiky, punky approach wasn’t entirely our bowl of chilli, although the rendition of Eddie Waring (originally by Help Yourself with Deke Leonard and BJ Cole, who was sitting in with Jon tonight) was very good.

The programme description of headliner Jerry Joseph did its best to weaken our staying power too: with our deep suspicion of any write-ups that include the ‘p-word’, and somewhat incredulous of the mention of ‘jam bands’, Jerry looked like he wouldn’t be our kind of thing at all. However he didn’t live down to expectations (wholly). A very animated stage-prowling audience-provoking figure in shorts and no shoes, there was no shortage of energy even if it was largely unchannelled and could get a little wearing… (maybe it was that, maybe it was the chill, but The Barn steadily thinned out during his set, ending less than half full). War At The End Of The World was the pick of the bunch, although like most of his material it would probably have sounded better with a band (like, erm, Stockholm Syndrome, which he co-founded; or, erm, Widespread Panic who he has written for… so much for our ‘jamband incredulity’!)

While it might have ended as a bit of a test of endurance, there were more than enough high points to make Saturday another enjoyable Maverick experience.

“Did we do it for love? Did we do it for money? More like stubborn dumb persistence and hot chocolate, honey…”

#Maverick Festival

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honeylikewords · 7 years

Note

Hello dear! I hope you're doing well!! I have one thing to ask you, do you think it'd be possible for you to make a post with the boys' full names? I've been talking to my friend about David and for the life of me can't remember his middle name! If not, no worries! Have a lovely day✨

hi friend!!!!

i can for sure do that!!! on the characters page i set up, you can see the full names in their descriptions- on PC you just hover over the pic and the descriptions show up! i’m not sure how it works on mobile, but you get the gist.

anywho, for reference, here’s my list of everyone’s names so far! i’ll put parentheses around names i haven’t decided on/haven’t been discussed!!

1. david adalbern cavanagh

2. edward ishmael mccarthy

3. francis (meshulam) castiglione/frank (meshulam) castle

4. joseph (abraham) teague

5. shane charles walsh

6. montague leslie theroux/griff

7. grady louis travis

8. bradley james rose/BJ

9. braxton (elisha) wolff

10. manuel (zechariah) rodriguez

11. michael (hillel) sussman

i think that’s everyone!!! lemme know if i missed anyone and feel free to message me about specifics!!!

#note: if a single person makes fun of the jewish names i picked i will block them: no exceptions.#messages #long post ///#multi #fxcastle

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a-guy-who-makes-photography · 8 years

Video

vimeo

Before Mars from Variable on Vimeo.

"Before Mars" complements the highly anticipated National Geographic global event series "Mars" premiering on Monday, November 14th at 9/8c from Academy Award and Emmy winning producers Ron Howard, Brian Grazer and Michael Rosenberg.

channel.nationalgeographic.com/mars

It is human nature to thrive on connection. We are on a constant search to feel linked to the world around us, to find a place where we belong and take refuge there. So what happens when we feel like an outsider? What happens when the lines of “home” are blurred and you aren’t sure where you fit in this world?

“Before Mars” is a heartwarming narrative that explores the themes of self discovery, belonging and family. For those of us who have a wanderer’s soul, our idea of “home” is one that can constantly change. But there is one thing that remains the same, at the end of the day, no matter where our adventures lead us, we can always find our home with the ones we love.

PRODUCTION COMPANY: Variable

DEVELOPED & CREATED BY: Andy Baker Tyler Korba Lloyd Lee Choi Rebecca Strom Caitlin Van Horn Jonathan Bregel Tyler Ginter

CAST: Hana - Nekhebet Juch Joon - Uatchet Juch Lily - Joyce Wong Albert - Peter Judd Christine - Shea Grant Madison - Charlie Swan Katie - Staci Stout Danielle - Julia Collier Thrift Store Owner - Tony Scheinman Truck Driver - Gary Desbien Carl - Carl Balbach

CREW: Production Company - Variable Director - Lloyd Lee Choi Executive Producer - Andy Baker Executive Producer - Tyler Korba Executive Producer - Tyler Ginter Writer - Rebecca Strom Director of Photography - Kate Arizmendi 2nd Unit Director - Jonathan Bregel Art Director - Caitlin Van Horn Producer - Alex Friedman Production Manager - Paige DeMarco Production Manager - Jon Simonetta Production Manager - Kevin Lahr Project Manager - Leah Wojda Research Production Coordinator - Lizette Montesinos Transportation Coordinator - Eric Paperth Location Manager - Thomas Ahern 1st AC - Chevy Anderson 2nd AC - Mabel Santos Haugen 2nd AC - Lauren Perrin 2nd Unit AC - Rocco Campanelli DIT - Jeff Levine Gaffer - Geoff Taylor Best Boy Electric - Ben Potter Key Grip - Stratton Bailey Best Boy Grip - Jackson Bosworth Swing - Lorenzo Pace Production Designer - Joe Sciacca Leadman - Brad Burke Art Coordinator - Mark Forlenza Prop Master - Matthew Churchill Set Decorator - Pele Kruden Art PAs - Dan Ogorzalek, Derek Basler, Bella Eve Wardrobe Stylist - Jami Villers Wardrobe Assistant - Ann Bryant Hair & Make Up Stylist - Jacqueline Valega Sound Mixer - Dan Bricker Astronaut VO Actress - Kristin Lennox ADR Recording - Mike Jablon at Lau Lapides Company BTS Filmmaker - Caleb Lee Adams 2033 Rocket Launch DP - Oliver Millar Special Effects - Jeff Moratti & Karl Thwaites, J&M Special Effects Set Medic - Kevin Callahan Production Assistants - Griffin Sager-Gellerman, Chris Marciano, Joseph DiCara, Deana LeBlanc, Mark DiMatta, Joseph Allen Researchers - Kevin Connell & Natalia Mironova Ham Radio Researcher - Michael Gilmer, N2MG

POST PRODUCTION: Post Production - Variable Post Producer - Lareysa Smith Editorial - Irving Harvey Editorial Producer - Samuel Gursky Supervising Editors - Dean Marcial Editor/Assistant Editor - Caitlin Carr Color - Company3 Colorist - Jamie O’Bradovich Color Producer - Katie Andrews Sound Design/Mix - Defacto Sound Main Title Design - Brian Everett Motion Graphics - Konrad & Paul

ORIGINAL SCORE: Composer - Edo Van Breemen Bass & Guitar - John Walsh Violin - Sebastian Chow Clarinet, Bass Clarinet, & EWI - Samuel Davidson Additional Orchestration - Johannes Winkler

CASTING: Genuine: The Real People Company Donald Case Casting Background Inc. Amy Hutchings Casting

EXTRAS: Andrew Friedman, Nicky Torchia, Kristina Zitto, Gia Antonucci, Elaina Braverman, Amber Charland, Emma Keller, Ayanna McLean, Abrielle Pinto, Deborah Rauthag, Caitlin Shilen, Cristin Shilen, Aaliyah Skye, Lily Torello, Dhante Bunbury, Michael Flynn, Paul Galbraith, Thomas Hilden, Clint Ridley, Fawn Strauch, Anne Barschall, Denise Crisci, Karen King, Joe Sblendorio, Caitlin Van Horn, Jon Simonetta, Adam Quinn, Ben Zeller, Daniel Zeller, John Franco, Stephen Pyle, Hayden Oliver, Devin Henry, Giuseppe Aldama, Wyatt Robbins, Ian Binnie, Benjamin Carter, Alyssa Picarelli, Gabriella Di Domenico, Gianna Ferazi, Kelly Marie Flynn, Kristin Flynn, Megan Flynn, Regina Byrne, Adreanna Oles, Steve Figura, John Klein, Ronald Roce, Michael Wood

SPECIAL THANKS: Courteney Monroe, Tim Pastore, Matt Renner, Hugh Fitzpatrick, Radical Media, Imagine Entertainment, AbelCine, ARRI, Eastern Effects, Handheld Films, Works Camera, Van Power, Partos Co., Neith Juch, MusicBed, Mr. T.J. Briggs of Ellenville, Ellenville Police and Fire Depts., Ellenville School District, The Town of Ellenville, NY

WeAreVariable.com  [email protected]

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