Lucy Hale and Henry Lloyd-Hughes in Ragdoll (2021) Ep1
A gruesome discovery sets DI Baxter, DS Rose and DC Edmunds on the trail of the Ragdoll killer, who also lists six more people due to die; it's a race against time to find the victims and track down a killer before he strikes again.
Chevalier (12): A treat from the first ‘violin-off’.
#onemannsmovies review of "Chevalier" (2023). #ChevalierMovie. A superb historical drama telling an unknown piece of black history. 4/5.
A One Mann’s Movies review of “Chevalier” (2023).
I missed “Chevalier” at the cinema, but my friends on our “Flickering Dreams” podcast raved about it. Perhaps it lost some of the spectacle, but even on my little seat-back BA economy screen, I could appreciate it was a class act.
Bob the Movie Man Rating:
Plot Summary:
It’s the 1750’s. Joseph Bologne, the illegitimate son of a plantation…
A crew of misfits investigates a series of supernatural crimes in Victorian London for Dr. Watson and his shadowy associate, Sherlock Holmes.
Source: Netflix (2021)
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Cool Concept but Poor Execution
Before getting into The Irregulars, I really did not know it was a supernatural twist to the classic Sherlock Holmes. So, imagine my surprise when I watched episode 1 and suddenly the screen focused on the door labelled '221B Baker Street'. Of course, then I expected a very Sherlock Holmes-y TV show but nope, that expectation was far from it.
Yes, we still get Sherlock Holmes but due to certain events in his past, he has succumbed to the opium addiction. Which personally, I liked seeing because one, it showed a "kind of accurate" depiction of history during that time. And two, it showed a side of Sherlock we rarely see, one whose judgment is more wrong than right and not nearly as perfect as media likes to portray him. We also obviously got John Watson and I am a bit conflicted with his character in The Irregulars. I love John Watson no matter which adaptation I am watching but there was a time in The Irregulars where I felt so bored by him. I thought the writing for this show's John needed to be better, there was no John Watson essence in this version at all. Moreover, the plot twist(s) in his character arc was so predictable, nobody can convince no one saw what was coming.
Of course, because this is a retelling of Sherlock Holmes (older and with a supernatural twist), there are a lot of crime investigation by a group of children who finds themselves linked to Sherlock and John in some ways. I will be critically honest here, if there was no supernatural twist at all, I would have hated The Irregulars – the children investigating the cases were not fun to watch at all. Bea despite being the oldest is perhaps one of the most flawed person in the group, other than her age what or who made her the leader? Without Jessie, the group is pretty much useless in solving all their cases and worst of all, we barely got anything about her powers. Billy, though a hothead, is probably more clear minded and fitted to lead the group more than Bea. Maybe Billy is more brawn than brains but I still think he can lead the group; he can be objective when he needs to be. As for Leo, after Jessie, he's definitely the second most useful member of the group yet the amount of bullshit he goes through with his family and this group of children? What does he see in his friends? Last but not least, my favourite, Spike was done so dirty by making him so unimportant. There was a scene where the group fell apart and eventually came back together just because Spike worked the hardest for that to happen. He called himself the skeleton of the group but I feel that, he's the glue that keeps them together and without him, the group will cease to exist.
Moving on, can you believe that I enjoyed the filler cases over the main issue driving this show? The filler cases had more action and way more crime-solving bits. The main issue was a huge disappointment just like the big bad villain. I mean, who did not see the villain's twist, it was so bloody obvious since the first appearance. On the brighter side though, I am very glad the production team did not go down the route where they made Alice a villain. That episode was underwhelming but at least Alice did not hit all my predictions.
Considering there is no season 2 to this TV show, there is no point in me furthering this review. However, I know I would have enjoyed the children working together with John as a team with a friendlier relationship.
Rating: ★★★☆☆ (3.5/5)
P.S.: Help, why was The Irregulars so dark? Even my brightest setting was not enough.
Saw all of Marriage, the BBC drama w/Sean Bean + Nicola Walker as a couple who’ve been married for many years + are dealing with the various ups + downs. It was good but quite slow moving. Also loved Henry Lloyd-Hughes as the sleazeball boss.
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Others in this series: Basil Rathbone (Fox), Martin Freeman, Jude Law, Benedict Cumberbatch, Rachel McAdams, Jonny Lee Miller, Vinette Robinson, Jeremy Brett, David Burke, Andrew Scott, Nigel Bruce (Fox), Robert Downey, Jr., Jon Michael Hill, Two Violets, Mark Gatiss, Basil Rathbone (Universal), Nigel Bruce (Universal), Rupert Graves, Evelyn Ankers, Louise Brealey, Lucy Liu, Edward Hardwicke, Christopher Plummer, James Mason, Una Stubbs, Gayle Hunnicut, Hugh Laurie. Robert Sean Leonard, Yasmine Akram, Ronald Howard, Martin Freeman (TAB), Benedict Cumberbatch (TAB), Howard Marion-Crawford, Archie Duncan/Richard Larke, Peter Cushing, Nigel Stock, William Gillette, Edward Fielding/Burford Hampden, Kay Fielding, Rosalie Williams, Andrei Panin, Ingeborga Dapkunayte, Igor Petrenko, Rosalyn Landor, Gareth David-Lloyd, Ben Syder, Millie Bobby Brown, Henry Cavill, Jared Harris, George Zucco/Ida Lupino
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The Platters *Only you* - Rufus Sewell ♡ Henry Lloyd-Hughes
The Pale Horse
Mark Easterbrook is a man of his time. He has a certain confidence about him, which carries him quite far. To all intents and purposes he is someone who makes his life look good from the outside.— Rufus Sewell
What drew you to the script?
It has a viciousness to it, a dry, witty nastiness which appealed to me. It also has a surprisingly dark turn. In terms of genre, it’s a little bit indistinct. You may think that it’s one thing, and it may or it may not turn out like that. I was really surprised by where it went. I’ve always loved watching Agatha Christies and I’d never made one, so I was delighted to have the script sent to me.
Which scenes have you found particularly memorable to do?
Filming scenes with Henry Lloyd-Hughes has brought out such a different aspect of my character because we have a bit of fun together - our characters go out on the town together. It’s a very different feel with those scenes and they were great fun to do. source
“This is a story about paranoia and about the way that your mind can play tricks on you with the power of suggestion. In my opinion, we see the story through Mark’s eyes”.— Henry Lloyd-Hughes
What’s it been like to work with Rufus?
Through David’s eyes, I can see why he looks up to him as a father figure. Rufus looks like James Bond - he’s chiselled, he’s got the suit and he’s got the car.
In his first memoir, The Big Sea, Langston Hughes unveils his self-portrait as a depressed, vulnerable young world traveler in his 20s in the 1920s, aiming to understand his family and sense of self against the barriers of society. His gift of words and will to finally be leads to his self-discovery, awakening, and budding friendships in the midst of examining the racial construct and class structures around him in various countries.
I Wonder As I Wonder is a continuation of his wanderlust spirit around the world into the 1930s. Langston paints a portrait of societal structures and cultures around the world —Cuba, Haiti, Russia, Soviet Central Asia, Japan, Spain — (even witnessing dictatorships and the Spanish Civil War) and within the US. He makes his imprint as a gifted wordsmith during the The Great Depression, meeting new and some familiar faces along the way.
Just as The Big Sea, I Wonder As I Wonder is a layered sensory book. You feel like you’re right there in the past as a curious world traveler, seeing through his eyes, taking field notes, witnessing the shaping of various countries and the way it translates to the daily lives of the people, and how it all compares/contrasts to today.
It's funny that upon concluding this memoir, Langston still writes about wanting to be a writer: “But that is what I want to be, a writer, recording what I see commenting upon it, and distilling from my own emotions a personal interpretation.” The thought of doing while actually doing. Journeying through the preceding pages with him, you understand it's really his longing to make his passion a successful earning career in spite of barriers. He did indeed.
SN: The photos aren’t included in book, but are pivotal to the details in the book.
Langston Hughes with dog on beach at Carmel, California (1934)
The next 3 photos are Langston Hughes in Haiti (1931)
The next 2 photos are Langston Hughes and Dorothy West in route to Russia (1932)
The Russian film company Meschrabpom's "Black and White" film team on the SS Europe (1932). Front row from left: Mildred Jones, Louis Thompson, Constance White, Katherine Jenkins, Sylvia Garner, Dorothy West, Mollie Lewis. Middle row from left: Wayland Rudd, Frank Montero, Matt Crawford, George Sample, Laurence Alberga, Langston Hughes, Juanita Lewis, Alan McKenzie. Back row from left: Ted Poston, Henry Lee Moon, Thurston Lewis, Lloyd Patterson, Loren Miller
Langston Hughes and German journalist Arthur Koestler (far right) on a cotton kolhoy in Soviet Central Asia (1932)
Langston Hughes in Ashgabat (1932)
Thaddeus Battle, former student at Howard University and activist in the National Negro Congress, Bernard “Bunny” Rucker, and Langston Hughes on the battlefield in Spain (January 1938)
Langston Hughes, Soviet journalist Mikhail Koltsov, Ernest Hemingway, Cuban poet and journalist Nicolás Guillén in Madrid, 1937