#him talking about not being a puppet would sorta be him projecting about the controlled positions he was always in

[movedtodykedvonte]

Weird Spamton headcanon that the puppet body Spamton just isn’t his real body. Like his actual body is in some void limbo space likely wherever the caller is or Dess won’t missing to. And either his consciousness is just trapped in the facsimile of his real body so the entity can better control him or so the entity has a vessel to keep in contact with this dark world.

Like he’d be trapped there able to view everything through Puppet Spam and live and experience as it but ultimately it’s not really him. Take viewing something through a drone vs irl. The static is literally a lost connection as the one keeping him connected/hostage would severe it when he says to much about it or things adjacent. The boss fights effectively just kill the vessel and thus his feed into his dark world with the glasses either being a way to know he’s not fully forgotten or maybe the last thing allowing him to view something out of his purgatory.

[maythearo]

Oh yes that anon was me! I should probably make a little signature for myself but yes I'm the atsv enjoyer!! ^^

Also your idea with Najma is huge-brained! I love to see silly sibling interactions and I like to imagine the "tells" that Najma points out to Jamil to how she found him out so easily are super specific details, she's like "Oh cmon! spiderman doing the EXACT same thinking pose as you do?" And the idea she's the one to make Jamil's proper spiderfit is such a sweet idea :0 I'd imagine he would endup looking awesome in that! (Even if in turn he has to do some more chores.. but who knows, maybe he thinks of an easier way from being Spiderman

With Ace and Jamil's interaction I do like to imagine Ace being a massive pain especially with how he is in general, from seeing his SSR shared vignette with Deuce he'll likely pull through when spiderman is in an especially rough patch with bluffing and his speech skills. Though maaaaybe he ends up blabbing a hint to one of the villains on accident and that ends up in a Not Good Situation

And while I'm not super familiar with all the spiderman villains I do like the idea of some of them also being NRC students! Real tricky to be spiderman when someone who wants you down is your chemistry project buddy..

Being a public enemy as spiderman would be hard too, trying to resolve the accusation of murdering the second prince and all. I'd imagine the way it gets resolved was via "trying to talk it out while also having a massive fight" with like idk, Falena? Or the Zazu character that I forgor what his twst versions name is, could be interesting. This would probably then get interrupted by a Worse Baddie causing a Worse Situation for Everyone that must be stopped and hopefully redeems spiderman in their eyes

I don't know a parallel villain i could make from official spiderman lore, though reading on a few villains, I do see a sorta common thing of evil smart people or less than normal criminals if anyone else has a more concrete idea! :0 Also Jack as the Prowler is a really neat idea! I wonder what the motivation is for everyone hmm

OH and before I forget I don't know if I mentioned yet but do you think Jamil may have some more unique spiderpower along with the ones every spiderperson usually has? I wonder if he could still use his Signature Spell in the form of spideyness

AAAAAA I enjoy bouncing these idea back with you !! I'll end my messages with 🐑✨ if it helps to tell it's me :D

ALL OF THIS‼️‼️‼️‼️ REAL‼️‼️‼️ it's fun to think about having to go to the same school as one of the super villains you're fighting against, but especially if it's someone like, doc ock Azul. All the more reason for Jamil to hate his guts and glare at him for the entirety of chemistry class.

HMMM about unique powers, I initially thought about an ability related to a spider's venom of some sort. Even though the toxins of spider bites are usually not that serious, but who cares! Maybe we could even make something up to add to this venom ability, like- maybe the spider that bit him was genetically modified to have a venom as strong as a snake's!

Another ability I was thinking about, now more related to Jamil's signature spell, could be something similar to using his webs like strings to control the people caught in them like a puppeteer, if that makes sense?

[phantom-of-the-ruckus]

Headcannons #2 NOT A SHIP

Welp, what can I saw Mortimer and Riley are my favorite non-romantic duo in the entire game with the most interesting relationship throughout the entire game and now after finding some stuff relating to their closure (non-romantic) in the MS I'm hyperfixing in their complex relationship.

As a note, this is not meant to be cute or fluffy. These two have a toxic relationship. I do believe the puppets are in the cult theory, and I headcannon that these two have more of a Mentor and mentee relationship tho (if the devs said otherwise, please let me know)

After breathing the puppets to life, Mortimer was quick to find Riley had a great potential and had signs of having a more complex mind than the other puppets. This prompted him to take her under his wing and teach her everything he knew as he saw a potential that we could help her grow. This ended up with both forming a non-romantic bond that went through deeply understanding the other and fighting for one purpose.

Both know the other perfectly and know that they should never underestimate what the other can do. Still, Mortimer has always presented and established himself as the leader and the one Riley should give up control and follow.

As Mortimer was drowning in paranoia he started to be a tad little hostile and more serious towards Riley. She did not question that, but remained loyal to his side. Mortimer casually fed into her unhealthy thoughts that the other Handeemen would betray her and hurt others to get what they want. Ironically Nick being a dumbass ended up proving Mortimer's point further.

Both started to develop an unspoken trust and a sorta dynamic to get things done. Mortimer would simply tell Riley he needed something or wanted something done, and she would immediately know what to do. Sometimes they pop into each other's offices (or her lab) to talk or discuss plans.

Upon discovering Daisy loosing her memory and feeling guilty for accusing her of trying to betray her, Riley slowly started to question if Mortimer was being paranoid about others wanting to hurt them. She keep those doubts to herself afraid of Mortimer finding out, and sorta making her mentor feel betrayed by Riley who he has been very special and took good care of her before his paranoia broke down.

Out all the puppets, Riley knew that she was the one who Mortimer had a soft spot the most. Still, he was not afraid of "correcting her" (I do believe he brainwashed her into thinking his abuses were correcting her behavior. More on my cult theory), but nonetheless she was the one that he had the hardest punishing her over as he did not wish to destroy her. This is also why She took the blame for Daisy as her calculations led to Mortimer giving her a less severe punishment than the one he claimed he would give. Still she did not what prompted her, but only knew it was something Mortimer both could not explain or approve either.

Mortimer did start to notice Riley's behavior was slowly changing. He took this as a bad sign that she was starting to wish to leave the world he so "created for the puppet"/like the nest like she was starting to rebel or something that his paranoia told him she was doing. He started to shut down her ideas and started to be more careless with stuff (also his conflicting problems with his creator as well)

Mortimer started to built upon the idea Riley was secretly working on projects to overthrow him as his relationship with her started to grow darker and darker. During the tape where he found her working on her research to bring Rosco to life. After their argument he kinda did but also did not mean to ask Riley to burn Rosco down (As he was in a paranoid state, furious that she did not ask his permission to do stuff, but kinda in a blind state of rage.) He did calm down after Riley begged him not to make her burn down Rosco as he did sigh knowing as much as he wanted to snap and tell her no, all he could see was that little bird he took under his wing for years. This prompt him to sigh and sorta think about what to do. His paranoia and pride won the best of him so he tells her to burn it before leaving.

After Mortimer left he ended up having a reflection about what he just did. He doesn't feel guilty for hurting Riley's feelings, but rather is upset about himself in regards about how he ended up losing control over her and how they're slowly drifting apart. Of course, he knew Riley wouldn't be able to kill Rosco (since he knows her perfectly) but he was debating a way to "Win" her back to his side but also "testing" if he was actually wrong about Riley. He contemplated the idea of bringing Rosco back to life but with a price to make her stay.

Knowing perfectly his little sheep or subjects or have an idea when something was wrong, Mortimer instantly knew Nick Nack being happy about something means something was up. So after spending some good 4 hours of a retailing or Romeo and Juliet and a secret marriage plan (which is what I think Nick's OG idea was) Mortimer knew Riley was up to something which was obviously not related to Nick thinking about himself and his weird fantasy world. So he decided to figure out what was she planning as he figured out a way to convince her to stay using some of the things Nick told her he discussed with her. (ignoring the fanfiction aspects) He sorta found the whole thing humorous and decided to humiliate Nick in the process for being an idiot

Riley was always hesitant over her plan to take over the studio and rebel against Mortimer throughout the whole time. Yes she was aware Mortimer was becoming "unsteady" but there was also the fact that Riley was well aware she knew Mortimer in a sorta close way as he was her mentor, and she had a hard time overthrowing someone who took her under his wing, taught her what she knew, always was special to and let her know and fell she was great and was very special.

(I think Nick was meant to distract Mortimer while Riley gathered the others or something) So Mortimer knew Riley would try to overthrow him, so he decided to use Rosco as a plan to foiled he plans. He had two plans. One was to kill his non-romantic affections for Riley and use Rosco to torture her, or Use Rosco as a way to play upon her the whole "I'm correcting your bad behaviors" This would be all depending on what Reaction Riley herself had. There was something off about Riley talking with Daisy regarding what Nick told him they believe they talk. So, knowing Riley, he believed that Riley most likely was talked into the plan rather than something she decided to do. This end up being true when he saw Riley being slightly nervous when she attempted to take over. He toyed with her with his taunts as a way to make sure she was in fact talked into the plan.

So the whole Rosco is mine but I let you take care of him Riley, it's a special way he push the whole "I'm just correcting your behavior" mentality he got her into believing, but also an opportunity for both to start over and forget about the whole ordeal and remind her that she was still special and welcome to part take in her plans (this is a bit of mercy from Mortimer's plan as he knew Riley was talked over and didn't really want to commit treason) The other puppets did not catch on this because they weren't aware of the special bond Mortimer and Riley had. He was also upset with the puppets for talking Riley into the plan and "punish" their defiance, but also use them as scapegoats for his near-fall apart with Riley.

After the failed Rebellion, Mortimer decided to destroy any sort of bond Riley had with the other puppets as he try to use the fail rebellion as an example towards what happens with trust. This sorta work as Riley was ruling a bit more with an iron fist and disliked those who showed some sort of defiance to their ideal, but she knew Mortimer was wrong to some expect about not trusting people. She still sorta gets along with Daisy and kinda Nick (not really tho) as both had shown her that at least there are puppets she can trust and part of her do hopes that Mortimer would see things her way one day.

[lucarioisinthevoid]

What would everyone think of king Afton?

After many years of the animatronics killing nightguards, they finally caught William and killed him. But as you know from my ask about Goldie and Cassidy, Cassidy lied saying it wasn't him. When humans found out the animatronics were sentient, they locked all animatronics underground, including all the nightguards that were stuffed. Which meant Afton was still around to mess with the animatronics and the dead kids. When animatronics started getting the hang of having a society, springtrap (as how he went by in his suit. It became common among stuffed humans to make up names for themselves instead of using their human names) became the town nuisance. He basically caused trouble just get reactions, everyone just ignored him and pissed him off.

A few years later, about a week after Golden Freddy's and Cassidy's death, the guards were waiting for orders from king Fazbear, Bonnie was subcoming to guilt and depression seeing the situation with Goldie and Cassi as his fault, the Marionette was mourning the death of another child in her room, and Freddy was in his palace thinking. He honestly didn't know how to feel in the moment of their deaths, so he just kept thinking about it knowing the should feel something, like sad or angry.

Springtrap snuck inside the palace, almost too easily. When he was sneaking in, a human fell down. Freddy went to investigate, with springtrap following behind in the shadows. The human that fell sorta looked like Cassidy, except she had gold blonde hair, but that was the only difference. It was like the world wanted to play a joke on Freddy, "hey look!!! A little girl that looks like both of your now dead friends!!! Isn't that funny?!!?!" How dare the world. Before he could even think, all the feelings he should have felt flooded through him, the sadness of loosing the people he loves, the guilt of being unable to prevent their deaths, and the anger towards humanity for killing people he held close to his soul. Without thinking, he projected his anger towards humans on the child, and mercilessly killed her.

He was brought back to his senses when William started laughing and applauding the show before him. Freddy then attacked him, nearly killing him before realizing in this moment he was no better than him. After this realization, he declared war on humanity. The Marionette ran away back to the ruins never to be heard from again, and springtrap was made into the new royal adviser. Freddy hired him as royal adviser in hopes that maybe Afton could teach him to be more merciless.

The only reason why he was so merciless as a killer was because Chara made him think he was insane, and he was a player's puppet. He lived his own life so many times, why would it matter if he killed people if he knew they were going to be fine when he wakes up yesterday? Now Chara became dormant, and the players stopped controlling him. Kinda ironic how he's now feeling powerless despite now having complete control of his body.

He began to feel regret for everything his done. The many people he's killed, the many people he let stay dead. He was no longer above his actions. He was no longer above consequences. This made him fall into despair and depression.

After years of being royal adviser, Freddy gave him a title of king, trusting him enough to rule beside him as brothers. After he was crowned, him and Fazbear became closer, like actual brothers.

But they had disagreements, like all siblings do. Except their disagreements had to do with life and death. Freddy would argue with Afton over killing humans, he'd say that he needed to kill humans and collect their souls in order to set them all free. Afton would argue saying that everyone had already suffered enough, and that more children didn't deserve to die. When ever human children fall down and leave the Marionette's protection in the ruins, he would try and protect the children from Freddy, in hopes that he might be able to talk him out of killing them. Usually the kids flat out give up and let themselves be killed. Afton stopped trying to protect the kids after a 5 year old gave up her life to Fazbear.

King Afton, with the help of doctor Bonnie, removed his suit, and rebuilt Springbonnie and Fredbear. Fredbear remembered how Afton used spring for murder, but thankfully Springbonnie didn't remember how he was used. He didn't even remember the surface, he just knew who he was, who his brother Fredbear was, and that Afton was one of the people that made him. Afton talked with Fredbear privately about how times had changed from 1987 to now, when Fredbear was shut down to when he was rebuilt. Fredbear didn't remember the bite of 87, and his memories of the surface weren't any better. All he remembered was kids, the layout of the diner, and the stars he'd look at out the window.

Once Afton explained everything, leaving out the bite incident, Fredbear to forgive the poor corpse for everything he's done. He didn't trust him, he just forgave him. Fredbear and Springbonnie then left Afton's room where they were rebuilt and started living their own lives.

This Afton is a more forgivable, and melancholy version of Afton.

What would everyone in your AU think of King Afton?

First up, very interesting take, though now all the pressure of the “why did you kill” are put on Chara. The concept of Afton getting EXP from stuffing children into suits is wrecking me with laughter to be fully honest- this man must be buff- Everyone is a big number, but I can give you three main people, I think.

Marionette hates him- like all Williams. He doesn’t believe in redemption; he doesn’t believe in the concept of regret. Nobody ever regretted what happened to him, thus regret must be a hindering emotion at best- a liability at worst. Useless and hurtful. This William is pathetic! How can you go around killing children because of some fucking spirit?! And then being all regretful about it, as though it makes a difference?! Devaluing these murders even MORE! How much must he hate these children that he admits openly that his murders were pointless and soulless and now after decades something he would be taking back?! HOW DOES THAT HELP?! WHO?! HE DOESN’T DESERVE PITY. AND YOUR FREDDY, HE SHOULD HAVE KILLED HIM FOR GOOD! SO WHAT IF YOU ARE “EQUALLY” AS BAD?! IF TWO WRONGS MEET AND ONE KILLS THE OTHER, THEN WE HAVE AT LEAST ONE RIGHT! There is nothing more appalling to him than regretting the evil deeds, because then you say you did those evil deeds out of weakness and selfishness and nothing else came from it. Marion doesn’t regret killing the guards. Marion DOESN’T regret killing the guards! (My Marionette would make a much more ruthless ruler of the underground than both William and Freddy combined…) Fredbear is actually somewhat happy. He feels terrible for everything that happened until then and that the Marionette had to leave home because of William returning and becoming an advisor- and of course, he’s agonizing about the fact that another child had to die. But in the end, there’s some reassurance in William just being another puppet, suffering the circumstances and now working for redemption. The children are still here in some way after all, with this new technology- once it is perfected, everyone can live the life they wanted. All he hopes is that William will be a force of good this time around and for good this time. He shouldn’t have crumbled to the timeloop, but… … things like that are mindbreaking, certainly. Not being yourself is extremely scary. And how can you be sure you ARE yourself? If he would have the chance to say anything to Afton, then it’s to not give protecting the children. They need you. They need someone to stand up for them. No matter how pointless it seems or how often you fail, continuing to try is what matters. Stay determined. You owe them this after all- you have proven your ability to use what’s inside of you for destruction, make sure that it will become good permanently. You need to wake up every morning and choose to do the right thing. They need you. Both the living and the dead. Old Sport thinks he’s a funny fucker. As someone in the same shoes as him- well, without that evil spirit thing, but still- he sees his acting out and then doing a 180° as pretty hilarious. Like, sure, you go dude, reinvent yourself as this regretful somebody who wants to help, Old Sport gets it, he has done stuff like that too- but being all mopey and melancholic about it? Just move on! If you were in a loop, what does it matter? Reset and restart. You didn’t feel bad doing it, right? So why feel bad now? What’s the point? Genuine question. You did the deed, you committed the crime and that was okay. And then you stuck to that timeline. Sorry, not sorry, you have nobody to blame but yourself. And that doesn’t mean you shouldn’t be able to move on and change and make peace, that’s totally fine, but the way Old Sport sees it from the outside, there’s a lot of misplaced guilt. This is a story, right? … … even if Old Sport doesn’t like, part of him feels jealous. Afton lacked control over his body, but at least he had a soul, right? At least he HAS a kind of personality and sense of self. He can make himself into a consistent character, unlike Old Sport who has to pick and choose and never knows what to do- In his opinion, Afton needs to get a grip and be less ungrateful for the things he actually DOES have. Save the kids, kill the kids, whatever, protect your sense of self… but then at least be satisfied with your choices that came out of that sense of self. Guilt is a choice. Either regret and act or don’t and stay back.

[ckret2]

Knowing what a florpus is now, how would you have done the IZ special?

Well, first off, I would’ve given the Florpus a LOT more character development. Where was its pathos? Its depth?? And I don’t mean the depth of its black hole like portal, I mean its emotions. What were its motivations? Why does it throw people into alternate universes? Is it, somehow, trying to escape its present universe—trying to escape its tragic existence? Does it long to flee to a new life, but can only fling others into those new lives instead? Does it experience a longing? Does it yearn for that freedom? Does it—

No but seriously.

I’m gonna be nitpicky because there’s no point in answering a question like “how would YOU have done it??” with “oh I would have done it, like, the same, in all these areas,” so I’m focusing on the things I feel coulda used tweaking, with a few mentions of things I thought were particularly good additions.

With a few days’ distance? I still think the moments I’m iffiest about are the moments around Dib that get some, like, emotional depth/kindness—although at this point more because they stick out and feel a little shoehorned in.

- His moment of “wow, we’re the same” with Zim feels absolutely unnecessary, when it didn’t really lead to anything—not a later “HOW COULD YOU BETRAY ME WHEN YOU KNOW WE HAVE THE SAME STRUGGLES?!” “BECAUSE I DON’T CARE ABOUT YOUR HUMAN STRUGGLES, LOL”; not a moment where Dib reconsiders his actions based on this new empathy; not even a joke about how Dib’s totally willing to use Zim for his own purposes anyway. It’s pointless. it goes away immediately. Either do something with a comment that big and heavy or leave it out, what’s the point of Dib having a moment of groundbreaking status-quo-shattering empathy with Zim if 1) it doesn’t effect anything, and 2) the movie doesn’t even bother to lampshade that it doesn’t effect anything?

- Gaz’s comment about how she’s only mean to Dib because she knows he can take it, while nice to have confirmed, also feels a little under-justified. Like it’s really pretty obvious that the line was in there because they wanted to establish that new characterization for her. Dib said “Why aren’t you saying I told you so?” and she could’ve left it at “because making fun of you is no fun when you’re this sad” and it would’ve felt more natural. If they wanted her to get in the “I’m only mean because you can take it” line, it would’ve worked better if like, Dib had been going “go on! beat me up! kick me in the head! tell me how terrible i am! i deserve it!” in an actual excessive display of looking-for-punishment; and then it would be more natural for her to feel like she had to step back and explain their whole relationship dynamic to him. What we got form Dib was... okay, it was excessive by normal standards, but not by Invader Zim standards.

- And the part that felt the most off to me was Prof Membrane telling Dib he was always proud of him. In a movie where he demonstrated no pride in him at any point, unless you count the rather backhanded “this is a very impressive fake space ship.” And in which Dib’s greatest achievements—his rescue of his father, his efforts to fight Zim, his demonstrating abundantly over and over that aliens are really real—are all dismissed by Membrane as hallucinations. It really... really doesn’t feel like Membrane is proud of Dib, in the slightest, about anything. Because there’s no evidence backing up the statement in the movie. (Or, for that matter, in the show that the movie follows.) It honestly feels like Membrane, who thinks all this is fake, is playing along with the fantasy idea that he’s got a son to be proud of, the way he plays along with the fantasy robot invasion by fighting it off.

And that would be a fair way to play that line. It would throw the whole “let’s give Dib a little more love and kindness” thing out the window completely—but yeah, deliberately playing Membrane’s “I’m proud of u” as a lie he trots out in a world that he thinks is imaginary would be a very interesting take—an exquisitely painful dagger in Dib’s heart, hearing the words but only in a context where he knows that they can’t possibly be true. From the framing of the scene, though, I’m p sure we’re supposed to consider his words 1) touching, and 2) sincere.

On the other hand, to make it actually sound sincere? We’d need something, somewhere, anywhere, to point to to show that he actually is proud of Dib. The “this is a great not-real ship” line edges close. It would take something like that, where he shows he’s proud of the things that Dib achieves that Membrane DOES believe in—the impressive surveillance equipment array in his room, the inventions he’s made in the past while chasing around Zim, etc etc. Something like that, earlier in the movie, where he shows that there are indeed things he’s seen out of Dib that he’s proud of.

A thing the movie did get right with Membrane: it actually does feel like Membrane loves Dib, even when he doesn’t believe a word he says—which is a big shift from the show. In the movie he’s just oblivious rather than neglectful. It wouldn’t be hard to jump from “love” to also including “pride,” but it doesn’t quite make that leap. Still, though, the love is there, and that’s important.

So: either make it really clear that Membrane is lying because he doesn’t think any of this is real and would like to imagine that in this fantasy world he can be proud of his son, so that it’s extra painful and we can wallow in that pain; or establish that he actually is proud of Dib and give us enough evidence that we can see that even if Dib can’t as long as he’s hanging all of his hopes on being believed about aliens; OR, hell, just have Membrane acknowledge that this is reality, accept that this will be one thing where the status-quo doesn’t snap back at the end of the movie, and have him go forth and believe in Dib in whatever hypothetical future Invader Zim projects might come to be. He shouldn’t need to believe in Dib about aliens to still be a parent who’s proud of his child—and I do like that message, even if it feels unjustified by the script in its current form—but if he did believe Dib, there would be no “... wait, really? that ain’t true” when he tells Dib he’s proud of him.

Other little things I would’ve altered: it felt sorta cheap to have this “GO TO OTHER UNIVERSES!” portal and then they didn’t go through it. they went halfway through it and jumped through some art styles but, like... When Star Wars introduces the Death Star you wanna see it blow up a planet, and then it does. When ETF introduces the Florpus you wanna see it spit Earth into another reality, but we don’t get to see that. Just a quick shot of puppet Tallest who went there instead of our main characters.

And the last: Dib hauling Zim in to show him off and then that NOT happening was sorta... hm. Someone once pointed out to me that Simpsons episodes are completely and utterly unpredictable because the plot that the episode starts on is about a million plots away from where the episode ends up; the episodes’ set-ups and the punchlines have nothing to do with each other, it’s just One Thing After Another that veers in new directions. And it sorta felt like that. We were setup for this thing and then it veered into a new direction. It didn’t feel like a twist, it didn’t feel like a subversion, it felt like we were set up to do one thing but only half-assed our way into setting up that thing before going in another direction. The plot sorta steadies out once Zim seizes control of Membrane’s lab.

Things I wanna make a note of praising though because I feel they’re particularly worth keeping:

In the show, it sorta felt like all the characters lived in their own emotional bubbles and took turns saying their own thoughts without really, like, absorbing each other’s words. It feels like they don’t acknowledge each other’s personhood/inner lives. Like, to every individual character, they are the only person who exists, and everyone else is an automaton or an NPC to them. Whereas in this movie they actually talk to each other and process each other’s words and thoughts. They converse, they don’t just take turns monologuing. That was nice. It was shockingly different—and it’s amazing, how different the movie feels from the show just from how it handled the dialogue!—but it gave their character relationships a richness that the show didn’t have.

Gir’s song is flawless. It had exactly the right tone. It was the perfect mix of banal, cheesy, catchy, and weird. I was delighted.

The characterization of the Tallest—especially their bullying that poor navigator—was also utterly flawless. Spectacular, delightful stupidity.

The computer, I think, had more personality in the movie than in the show. It had a good deal in the show, but the sass and resentment is oozing here. I love everything about it.

Foodio 3000, Clembrane, and the robot army were all wonderful characters, and I adore each and every one of them. Especially Foodio 3000, whom I would like to adopt, and not just because I can’t cook. Clembrane, I think, could still use a little polish—his character is still a little bit rough around the edges to me, I woulda worked on him a tad more—but he’s still a fine addition to the Membrane household.

[cthonebula]

Ensemble Stars Superpower AU

Disclaimer:

-I actually made this list just for fun, not wanting people to take it very seriously. If you want to take some ideas of it for your work (fanart/fanfic), you don’t need to tag me or anything (only if you want, of course), I’ll just be so happy if you would send me a link of it, but you don’t really need to. It only will make my day happier~

-If you don’t like something about and you want to change it for your work, I don’t really care, feel free to do whatever you want~

-If any of this superpowers resembles too much of any power of an official work, you don’t need to tell me, I actually was pointed out when making it and I also looked it up to see from where it can be also from. As I said, you can ALWAYS change it at your will.

-It was originally made to be a bnha AU, but I changed it to make the options wider and have more freedom about the universe. But you can change that.

A little about the universe:

-The original units of the game here are separated as training groups.

-The idols in the game are in this universe in the superpower course. It’s divided into two sub courses, the fighting course and the social help course. Some people go on both, and some just go to one of them, depending on their power. The special corp. course only learns to fight and improve their powers on battle. They normally turn into superheroes or work in the military. The social help course uses their power on normal jobs to help people. They normally turn into detectives, doctors, firefighters etc.

Subaru

Electric Manipulation: He’s not very strong, but he can use it good in battles. He also pranks people by burning down lamps and shutting down electronics.  

Hokuto

Light Materialization: This power can turn strong light beams into fine glass-like shards and sticks, which he normally fights using it like a sword, throwing knives or shield. People do confuse it with Ice Manipulation, since it looks very similar and his family is specialized with Ice. Since its weakness is darkness he teams up with Subaru quite a lot.

Mao

Time Traveler: He can travel for a short time back in the past. The maximum he did was going back to one week, but everything changed so drastically that he swore to himself to never going back more than 3 days.

Makoto

Technological Manipulation: He can manipulate any sorta of digital objects that he has his hands on. It’s more of an Electric power but he can’t lash out like Subaru does, since it’s made for very precise work. He uses it more for investigation, but he’s working to use it in battle.

Rei

Mental Manipulation: It’s much like a hypnosis, but stronger, he can manipulate someone actions and speech entirely by a simple touch on the forehead for a good time being. He also can read someone’s mind when using it, but he prefers to use it for good causes. Nowadays he only uses it when Koga goes into rampage modus in his wolf form.  

Koga

Wolf Transformation: He transforms his body into a wolf creature. It’s very large and powerful, but if Koga is very enraged in this form, he can go into rampage modus, attacking everything, not caring if it’s a enemy or friend. Rei helps him to calm down.

Adonis

Sand Manipulation: He attacks with loads of sands, forming into different forms. When he entered Yumenosaki he could only form scary monsters and animals, which people distanced a little from fear. Right now, he’s learning to also make cute forms and help people.  He also when his heart beats too fast from something suddenly, he can break the nearest glass into pieces.

Kaoru

Human Senses Manipulation: He can take out people’s sense but while doing it, he also needs to give up on one of his. People were scared before from him, since there was a rumor that you would lose that sense forever, but it was a huge lie.

Eichi

Psionic: A very wide mental power, it has a bit of every mental power possible. Eichi developed this power very, very young. It’s absurdly strong, so strong that his body can’t follow it. He normally never uses it since its power is uncontrollable and he can destroy himself using it too hard. He promised to himself that when the time comes he will lash out the power and won’t look back. In a group battle challenge he already almost died.

Wataru

Body Shifter (human): His power is limited to only humans that he knows the appearance. But he can imitate their exact voice, quirk and also personality.

Tori

Hypnotic Object Summoner: He can summon a wished object of the victim as a trap. If the victim falls on it (which is normally the case), they fall into a hypnosis state. Since he doesn’t like to fight at all, Yuzuru does the rest of the dirty work.  

Yuzuru

Shadow Manipulation: He can only manipulate his own shadow, but also can stretch it and make it into a physical 3D form. The range depends on how much light is falling, making it 50m long in the normal sunlight. The shadow can’t be touched or hurt, but it can actually touch and grab stuff, making it very strong, but it can be lost if it’s in contact with another shadow.

Leo

Sound waves Amplifier: He uses it to make sound waves of notes so strong that it can attack someone; the notes interfere on how the attack will be (higher notes are more precise and cutting thin attacks; deeper notes are more imprecise and 360° ranged). Normally people do confuse it with Air Manipulation. He also uses outside battle and practice to help with inspiration on his songs even when his group members forbid him since he normally destroys stuff when doing it.

Arashi

Weather Manipulation: A very difficult power to use freely, but they master it perfectly. It also can’t be used all time since it can bring nature into chaos, which is a good excuse for them not to train in school.

Izumi

Ice Manipulation: A charming power, he uses it mostly to make cool shapes in battle. He’s powerful, but he makes his mistakes when nervous.  He also projects random ice thorns on his body when startled or when he sneezes.

Tsukasa

Telekinesis: Very common power on his lineage, but he still needs to learn a lot. He can at maximum lift cars. It’s also very tiring so he doesn’t use that often outside battle and practices.

Ritsu

Dream Wanderer: A Very strong power, but not very effective in battle. He normally uses it to discover people’s subconscious and make his strategies. He also needs to be asleep when using it but the victim doesn’t need it. He also only attends the sub course of Social Help.

Hinata

Neon Manipulation: He manipulates the gas neon, he can store it on his body and shoot strong lasers.

Yuuta

Plasma Manipulation: Likely his brother, but their resource is different. He also prefers to shoot discs than lasers and can make a force field, but it still needs improvement.

Shu

Puppetering: He can control any power of another person that he laces his strings on. The only weakness is that he can’t control the victim’s power if the person doesn’t have the mental consensual. He also is in control of Mika’s power most of the time, so he can’t use his power in its full form, but in a very small fracture of it.

Mika

Magic Eye: His Power comes from his eye and it’s so strong and unstable, that Shu needs to control it with his Puppetering Power.  They’re working on Mika to finally control it alone, but he feels too attached to Shu, so he deep down doesn’t want to improve and is afraid of Shu leaving him.

Chiaki

Fire Manipulation: A powerful young man, who in the past was very scared of using his powers because he could burn people very easily. He learned a lot over the years and now pretty much controls it perfectly.

Midori

Plant Manipulation: He can use his power to make plants grow and move at his will. He’s still learning a lot since a lot of plants demand positive energy to control, and he pretty much lacks on it.

Kanata

Waterkinesis: Very, very powerful mysterious young man. Rumors say that he can even lift the whole ocean if he wanted. But he normally uses his power to play on the school’s fountain.

Shinobu

Smoke Shifter: He can turn his body and everything he’s holding into smoke, making him an excellent young fighter. But he also turns into his smoke form unconsciously when startled or sad.  

Tetora

Super Strength: He is very new to his power, since he bloomed very late. He looks up to Kuro who helps him to master it since their powers are similar.

Keito

Magic Archery: With a bow, he projects powerful light arrows on his fouls. He also has a very precise aim.  He normally doesn’t fight, since it’s still a very slow art of fighting.

Kuro

Corporal Boost: He can boost the speed and power of his arms and legs to give very powerful punches and kicks. But since he’s very pacific, he normally doesn’t use it to attack anyone. He also teaches Tetora to make him stronger.

Souma

Liquidify Metal Power: He can turn any metal into liquid and make it back to solid at will. He also can manipulate and shape it very easily, almost making it a Metal Manipulation Power. He knows that people could use his power for bad things so he learned to have a very strong mind against any mental manipulations.

Madara

Body Shifter (Weapon): He can turn his body parts into any kind of weapon (mostly made by metal). His favorite weapons are long ranged machinery. He’s extremely talented, so he doesn’t train with a group but actually helps groups to train.

Nazuna

Super Jump: Very talented and hard working, he turned miserable very long jumps into too-fast-for-the-human-eye super jumps. Mitsuru says that even him can’t follow Nazuna sometimes.

Hajime

Healing: It’s a very good power but he’s still very young. He can heal Medium-sized wounds, but he still struggles with sicknesses and large wounds. He needs days to complete it. He also is only in the Social Help course.

Tomoya

Animal Whisperer: He can talk with any kind of animal and he’s very good on that. Since it’s not a battling power, he pretty much only stays in the Social Help course.

Mitsuru

Super Speed: He can run in a super fast speed, but he is still learning, so he can’t keep up with Nazuna’s super jumps. He also is very careless, making him trip over things while running.

Tsumugi

Divination: He was a pretty talented boy, but on the second year Eichi had a small incident and Tsumugi was mentally affected. He can’t use his powers since then, but Natsume helps on that by stealing his blocked powers.

Sora

Soul Reader: He can read people souls and know exactly their weakness. He has a little problem by reading very strong power users, he describes as seeing the person having fog around them all the time. But only Natsume knows about this.

Natsume

Power Stealing: He can steal any power he wants, only by a simple touch, but he can maximum use it for a minute. He pretty much uses Tsumugi power to know the things since Tsumugi has a block. He also respects Eichi’s deadly power and he swore to himself to never steal his power and possibly die.

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I’ll be adding separate characters sheets for everyone if it gets popular or you can always send me a request for one character sheet and I’ll do it as soon as possible.

Maybe I’ll change the post in the future.

Last Update: 05.10.17