#his such a beautiful boy

[sincericida]

ANDREW GARFIELD

at the "In Conversation With Andrew Garfield" during the Red Sea International Film Festival 2023.

(source)

[wasabi-gumdrop]

local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6

[autumn-may]

Mostly spoiler free summary of my viewing experience

[swampwizards]

Found this handsome fella this morning!

Hyalophora cecropia

[roydeezed]

One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".

The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.

He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.

So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.

Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.

It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.

How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.

[egophiliac]

LET THE BOY HAVE AN EDUCATION

officially at the point where we're starting to see where it's all headed and I am just going NYEEHEEHEE in delight at it all. ahhh...next week can't come soon enough...

[wanderinggoddess]

helen of troy herself, louis de pointe du lac

[galaxyspeaking]

“Adam finally sat down on one of the pews. Laying his cheek against the smooth back of it, he looked at Ronan. Strangely enough, Ronan belonged here, too, just as he had at the Barns.

This noisy, lush religion had created him just as much as his father's world of dreams; it seemed impossible for all of Ronan to exist in one person. Adam was beginning to realize that he hadn't known Ronan at all. Or rather, he had known part of him and assumed it was all of him. The scent of Cabeswater, all trees after rain, drifted past Adam, and he realized that while he'd been looking at Ronan, Ronan had been looking at him.”

[poorly-drawn-mdzs]

Lap Pillow

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[inchidentalmeowmeow]

If i got anything from the first grill the grid, it’s that no one on the grid knows what Charles actually looks like 💀

And that Charles can recognize Max in 0.000016 seconds from 3 grainy pixels probably.

[stark-lord]

DEAD BOY DETECTIVES (2024)

1.06 - The Case of the Far Too Many Big Brown Cow Eyes

[sincericida]

ANDREW GARFIELD when he was asked to be Sony’s Spider-Man.

His smile at the end, does not deceive us anymore.

(source)

[wasabi-gumdrop]

Kabru has a secret admirer in the castle!

[hyunpic]

hyunjin on bubble: i changed the background (*of the bubble chat). this is my room

[wordsinhaled]

just musing about how niko was one of edwin's biggest unconditional supporters and gentle guides in his self-discovery of his sexuality, and i think it's so interesting that we still never saw edwin confide in her overtly about his feelings for/attraction to charles, though he easily could have at any time.

before the cat king ever shapeshifts into monty or charles to tempt edwin to realization, niko's there to tell edwin that it's okay for two boys to like each other, to let him know it's okay if he noticed monty when they first met, or if he enjoyed the idea of monty liking him; and she plainly tells him that he's completely allowed to want explicit things with another boy.

they talk about edwin's feelings and desires multiple times - he admits to her he's never kissed anyone, and even that the idea of kissing has become appealing to him. she asks him, does he want to kiss monty? does he want to kiss the cat king? but she never asks him directly, does he want to kiss charles? charles is the elephant in the room of that conversation, so to speak; the only other boy they know, the one she knows edwin is actually closer with than anyone else.

but she doesn't ask edwin about charles.

i think it's actually one way niko shows her love and care for edwin, her perceptive understanding of his boundaries, and her respect for his comfort, that she never pushes him to open up to her about this most vulnerable and newly-developing aspect of his truth—that his feelings are for charles—who is already the most important person in his life, and thus so much more life-alteringly consequential to him. even though she hasn't known edwin a long time she seems to grasp that he needs both the push and the personal space to come to his deepest realizations, even as she opens the door for him to come to them.

(i did consider for a split-second that maybe she never realizes it's charles that edwin's in love with, but i vetoed that thought immediately because... edwin just seems too deeply unsubtle for that to ring true. monty can see he's been passed over for charles. the cat king knows it immediately and asks about their 'special friendship,' and not just because he can literally read edwin's desires. crystal is going through amnesia and an identity crisis, and she still clocks that edwin and charles are like a married couple. so it only makes sense that niko can see it as well.)

plus, niko's got excellent reading comprehension, by her own admission; and she and edwin bond over both being great, astute detectives—getting to the bottom of a case is a love they share. and so i just think it's neat that between niko and edwin, the conversation about charles seems to remain deliberately unspoken even when it could easily become overt.

instead she speaks to edwin about charles in metaphors. she starts their conversation about physical intimacy and romance specifically with drawing edwin's attention to the red and blue starfish. "isn't it romantic? they're in love." they proceed to talk about monty, and about the cat king, but i doubt either she or edwin could fail to notice the color symbolism there. and when edwin tries to get scientific about it, she reminds him, "luckily, love requires no logic." and finally she gives him the red sea glass, for courage. courage to help him come to terms with what—and whom—he really wants, whoever it could be.

and in the end... edwin tells niko, "i did actually tell the boy i like that i like him." this is directly after niko tells edwin she's sorry monty turned out to be an evil spy crow and she and edwin commiserate about how things with monty didn't work out for him. and obviously, it was never the cat king edwin really liked. so, just like that, through process of elimination, edwin can only be talking about charles. and even then, they never say his name. they never have to.

i just think there's something awfully soft about how edwin's feelings for charles are first so deeply ingrained and natural to him as to be something he had to be woken to rather than something that happened to him suddenly. then once he was awake to what he felt and wanted, there's something i find lovely about the deep bond niko has with him, that she understands and honors his need to speak around his feelings for charles while holding space for him to still share them with her in his way. something about how charles is so deeply loved that it is easily understood, that he is there in the conversation without his name ever needing to be spoken.

[k-wame]

Maxwell Caulfield as Roy Alston The Boys Next Door (1985) · Horror · Crime · dir. Penelope Spheeris