#history of bl

[nieves-de-sugui]

A Quick History of BL

As someone who wrote a thesis on this very subject a few years ago, here is the short version of how BL has evolved throughout the years. For the new comers ❤ 

a minute of silence for the original form of this post that tumblr decied to not save right after I saved it

I am going to go with a chronological approach. Unfortunately, I cannot put everything in one post so if there’s any questions about this or that aspect of the history of BL that you want to know and it’s not talked about here, you are welcome to ask me directly :)

Context and influences - Japan in the 60′s

Before the US forced Japan to open its borders to the outside world in the 1800s, homosexual practices were common place between budist monks, samurais and kabuki actors. During the Edo period (1600s to 1800s) there was a very rich amount of poetry, art, books (such as Nanshoku Okagami (The Great Mirror of Male Love) by Ihara Saikaku) and codes of conduct about how to have a good master/aprentice relationship, kinda like the greeks if you know what I mean. However, with the arrival of western influences, in order to become a more “civilized” country, it was all put in the closet. 

Yet, in the 60′s Japan started to pick it up again through literature about young androginous beautiful boys (aka bishounen). On one hand, in 1961, the novel Koibitotachi no Mori (A Lover’s Forest) by Mari Mori was published. It tells the story of a young and beautiful 19 year old worker and a half french half japanese aristocrat, and their tragic romance. On the other hand, Taruho Inagaki wrote Shounen ai no Bigaku (The esthetics of boy-love), an essay on aesthetic eroticism (of which he wrote a lot of). All this was know as Tanbi (lit. aesthetic) literature. It generally refered to literature with implied homosexuality and homoeroticism such as works by Oscar Wilde, Jean Cocteau, etc. And of course, Mori and Inagaki. 

In chinese tanbi is read as danmei (term used to refer to BL novels in china today, ie: The Untamed it’s all connected friends).

From the birth of Shonen Ai  to Yaoi - 70′s to the late 80′s

Around the beginning of the 70′s, shoujo was being revolutionized by the Year 24 Group, a generation of women manga authors (mangaka) who started to explore new themes. Among them, their interest in tanbi gave birth to a new subgenre: Shounen ai. 

Their most known manga were:

Kaze to Ki no Uta (The Ballad of the Wind and Trees) by Keiko Takemiya, and Toma no Shinzo (The Heart of Thomas) by Moto Hagio

Their stories are characterized by having suffering eurpoean bishounen in boarding schools, living an idealized perfect love (meaning passionate) that, despite the tragic end of one of them, lives forever in the other. 

As this genre starts getting popular, more and more fans of these stories start making their own self published manga, aka doujinshi, of the genre. It is around this time that the term Yaoi is coined. Meaning “YAma nashi, Ochi nashi, Imi nashi” (no climax, no fall, no meaning). Basically PWP fanfiction, for the most part. Doujinshis could be considered an equivalent of fanfiction in manga form.  It is also here that the term Fujoshi (aka Rotten Girl, for liking rotten things) starts being used to refer to women readers of yaoi. 

With this rise in popularity come the start of the commercialization of the genre. Which meant the publication of magazines dedicated solely to yaoi/shonen ai/BL. The most popular yaoi manga magazine at the time was June. The common trait of their stories being the therapeutic power of the love between the mains. The traumatized character would heal throught this newfound love.

Most of the stories at this time happened in the West (Europe or the States) as the exploration of these dark themes intertwined with homosexual romance and homoeroticism still feel safer to explore as a foreign concept. One example would be Banana Fish (1985).

Commercialization and Yaoi Ronso -  90′s 

As more publishing houses pick the genre up, the term Boys Love is used to include every type of manga about homosexuality made for women. 

The increasing amount of BL series sees a changes in its themes: 

the start of the “gay for you” trope where one mantains their heterosexuality despite being in a homsexual relationship, 

the uke/seme dynamic (mirroring hetero realtionships) also relating to physical appearence (one being more feminine, the other being more masculine), 

the use of rape as an act love (sexual violence has always been present but here it becomes a staple),

anal sex as the only type of sex, 

older and more masculine men start to appear 

they now happen in Japan

Good examples of the presence of these themes in manga are Gravitation (1996) or Yatteranneeze (1995).

However in 1992, Masaki Sato (a gay activist/drag queen) wrote a letter in a small scale feminist magazine attacking yaoi and pointing out how it “represented a kind of misappropriation or distortion of gay life that impacted negatively upon Japanese gay men”. The female readers of yaoi responded, defending the genre as a means to escape gender roles and explore sexual themes that was never meant to represent the realities of gay men. This is know as the Yaoi Ronso (Yaoi Debates).

The debate ended with both sides understanding more of each other, with mangakas starting to include queer views in their works. It also started the academic reasearch of BL. 

Yet, it is a debate that has been restarted more than once, as it is still relevant despite the evolution of the genre.

more on this on another post

Globalization and coining of BL - 2000′s 

By the beginning of the 2000s BL is being sold all over the world (like all manga), and has become a stable industry. We could say it has finally become it’s own genre. 

Some of the most well known manga series, to us (in the west), of the time are:

Junjou Romantica 2002 Koi Suru Boukun 2004 Love Pistols 2004 Haru wo Daiteita 1999

all of these have anime adaptations for the curious ones

We also start seeing short anime adaptations or special episodes of the most popular series, with questionable themes, such as: adoptive father x adoptive son  (Papa to Kiss in the Dark 2005), father x son’s friend (Kirepapa 2008), etc... 

However the themes remain more or less the same. Junjou Romantica’s love story starts with a non-con sex scene by the older one (masc, seme) to the younger one (more feminine, uke) addressed years later in the manga btw. Koi Suru Boukun’s love story is triggered by aphrodisiacs and rape. They’re still very present in the stories but slowly going away. A mangaka that represents this era could be Natsume Isaku (Candy Color Paradox 2010).

Change is slow in Japan. Even though the voices of LGBT+ people started to be taken into account in the genre it is not until later that we see it reflect in the mangas themselves. However, we can already see the start of this in Doukyusei (Classmates) (2006) by Asumiko Nakamura. Also Kinou Nani Tabeta? (2007) which is actually part of a more mature genre: Seinen.

It is my personal (subjective) theory that the BL of this era was the one that got popular outside of Japan, which is why we see lots of references to the themes, tropes and dynamics of this time in today’s BL series. 

The LGBTzation of BL and the rise of webtoons - 2010′s to 2020′s

Slowly but surely LGBT characters and themes enter the scene of BL. Existing simultaneously with the previous tropes and themes, we start seeing a shift in these stories. We now see:

characters that identify as gay or some type of queer

discussions about homophobia

more mature themes about life and romance

At the same time as we get the usual love stories with the usual themes, a new trend starts to take over. And we get simultaneously, cute, sometimes questionable but light love stories:

Love Stage 2010 Ashita wa Docchi da! 2011 Kieta Hatsukoi 2019

More profound stories and darker or more complex themes:

Blue Sky Complex 2013  Saezuru Tori wa Habatakanai 2011 (mafias) Given 2013 (suicide) Hidamari ga Kikoeru 2013 (deafness)

And others that adress the queer experience in a more mature way (which might actually fall into the Seinen genre)

Itoshi no Nekokke 2010 (slice of life, queer characters) Smells like Green Spirit 2011 (two ways to deal with a homphobic society) Strange 2014 (relationships between men) Shimanami Tasogare 2015 (an LGBT group helps a closeted gay) Old Fashioned Cupcake 2019 (you know this one 😉) Bokura no Micro na Shuumatsu 2020 (the end of the world)

As queer stories are explored, BL mangakas and mangakas from other genres start to consider more stories about queer people such as the Josei Genderless Danshi ni Aisaretemasu (My Androgynous Boyfriend) (2018) by Tamekou, or the Shoujo Goukon ni Itarra Onna ga Inakatta Hanashi (The story of when I went to a mixer and there were no women) (2021) by Nana Aokawa. 

Still, we can see two realities live side by side. Doukyuusei gets adapted into an impactful animated movie in 2016, meanwhile Banana Fish gets an anime adaptation that keeps the homoeroticism but not the homosexuality.  

For those who might be interested. Here are some of the authors that represent the first half of this era, where they start to include newer points of view:

Scarlet Beriko, HAYAKAWA Nojiko, KURAHASHI Tomo, OGERETSU Tanaka, Harada, KII Kanna (Stranger by the Sea), etc...

And authors that while keeping classical themes break the stereotypes in a subtle manner:

CTK, ZAKK, Jyanome, Cocomi, Hidebu Takahashi, SUZUMARU Minta, etc...

Mangakas also no longer stick to one genre only. They explore whichever of them they want, from BL to Seinen to others. 

ie: Tamekou, 

or Asumiko Nakamura

The curious case of Webtoons

With the digitalization of mangas, throught Renta and Lehzin, it has become easier (and more expensive) to access these stories. Korea makes and appearence with their webtoons. Through the lack of piracy protections and the majority of them being digital, manhwa (korean webtoons) sees a rise in popularity. Through the digital medium the influencee can be the influencer.

However, like many other East Asian countries they have consumed BL, without hearing about the conversations about BL. So they end up mantaining the older themes and stereotypes that newer BL is trying to leave behind. Therefore, we end up with a mix of old and new, ie:

Killing Stalking 2016 Cherry Blossoms After Winter 2017 Painter of The Night 2019

Additionally, it is also thanks to the easy access to internet that Omegaverse, with its higher dramatic stakes (that parallel hetero dynamics), enters the mangasphere in 2016. It has grown in popularity ever since.

With the Thai BL Boom of 2020, Japan rediscovers its own BL market and starts investing in it more. Which is why we get live action adaptations of BL manga that was popular years ago (Candy Color Paradox was a manga from 2010), the more recent ones (The End of the World With You) or new anime adaptations (Saezuru Tori wa Habatakanai in 2020). 

more on this in my japanese live action BL post

What has it become now? is it BL? ML? or Seinen? Or is it all just gay manga?

It is clear that Shoujo manga (with BL, Josei and Seinen) is exploring queer themes such as gender and sexuality more and more. Japan is interested in this conversation, not only in manga (Genderless fashion). Which brings up the current question in BL studies: Does it make sense to keep these categories?

As a response to BL, ML (Male Love), which is made by gay men for gay men, started happening (around the 70s too). And Bara (gay manga porn) in response to Yaoi. However both gay men and women read BL and ML. We also see other themes being explored through BL, such as friendship (in BL Metamorphose), food (in Kinou Nani Tabeta), male relationships of all kinds (in Strange), and different queer views on life and its challenges (in Shimanami Tasogare). More and more what is LGBT and what is BL is merging, the line is blurred. 

Conclusion

BL has been in my life for longer than it hasn't. It is through shoujo and BL that I have come to understand people and romance.

It is flawed, like everything else this life, but it's flourishing in many ways.

The genre feels old and new at the same time. 

We can still find shounen ai/tanbi elements in more modern manga (All About J). Or the gay for you in a new light (Itoshi no Nekkoke). Or more educational manga on queer issues (My Brother’s Husband by Gengoroh Tagame). BL has around 50 years of existence but it is also being born anew in Thailand and Korea. 

BL manga will continue to evolve in acordance to Japanese tastes, as it is still a local market. Hopefully the korean webtoons that get popular will be the more daring ones in their themes. Who knows where it will go from here? The only thing we know for sure is that it will continue to change. Isn't it exciting?

A post on the evolution of live action BL in Japan is coming, to complement this post.  As well as a more detailed explanation of the Yaoi Debates and gay manga.

[absolutebl]

In honor of Kiseki: Dear to Me ending (sobbing, rending my garments, etc), do you have any suggestions for a good Taiwan BL Starter Kit? Other than Kiseki, I've only watched HIStory 3: Trapped, so I'm a babe in the woods. What's unmissable if I want to understand all the cameos and get all the tropes Taiwan has to offer? Thanks! (And apologies if you have this list somewhere already -- I did search your blog, but there are lots of titles and I'm still not sure where to start!)

Taiwanese BL Starter Kit

No problem! I have a post for you, it's got my top 10, a brief history, some things to watch out for, and a full list at the bottom. Enjoy.

And here's a helpful older post (that's no longer being updated).

ta ta

[itsanidiom]

OFFICE BLS RANKED BY THEIR ABILITY TO MAINTAIN THE VENEER OF APPROPRIATE WORKPLACE BEHAVIOUR

Because I saw @sorry-bonebag's tag and had to.

Here we go! Disclaimer: I'm not going to list every Office BL™ these are just the ones I've seen. Sorry if your fav is missing! Let's start with our lowest scorer that definitely sets the tone for the bottom of the barrel.

CHECK OUT - The veneer is tracing paper if not completely transparent. Fucking in the office. Yeah. That's an HR violation for sure. Thankfully your company is too small to have an HR department. But you're definitely getting fired by your boss who is also your boyfriend who you are also cheating on.

BED FRIEND - The veneer is only considered opaque because everyone else in the office is blind as hell. HR is pretty sure you two fucked in the office bathroom, but they have no proof so could only give you a warning.

LOVE MATE - Veneer is 1-ply. I mean, if the whole office ships it, is it truely an issue? HR thanks you for keeping things PG.

WE BEST LOVE: FIGHTING MR. 2ND - The veneer is definitely paper thin, but it's 2-ply. At least you avoided fucking in the office. Just a good smack in the face and some mutual sexual harassment. HR win...I guess.

HISTORY4: CLOSE TO YOU - Veneer is getting a little thicker, but depends on the light. Rooftop and in-office grandiose love confessions aside, HR thanks you for keeping your higher heat make out sessions off business hours. Still, gossiping about your romantic interests with your coworkers is grounds for a warning.

OUR DATING SIM - Veneer is about as thick as the space between your legs through which HR can see that you're literally holding hands in the office right now, stop it.

STEP BY STEP - The veneer is solid. Mainly office stuff happens in the office. HR approves of this boring as hell vibe. Still, you get marked down slightly because you did almost get down in the company parking garage.

CHERRY MAGIC - The veneer is a wholesome thickness, but no kissing in the company elevator. HR slap on the wrist for sure. We don't care how quickly the doors closed. There is CCTV in that elevator, sirs.

JUN & JUN - The veneer is currently in the process of being painted on so we'll have to wait and see, but it's looking pretty thin so far. HR has their pens ready to write up the report.

OLD FASHION CUPCAKE - The veneer is solid, but HR saw you hugging in the coffee station. Thank you for waiting until you were off work hours to make out, I guess. Enjoy your fancy desserts.

ROOMATES OF POONGDUCK 304 - The veneer is there. HR heard some weird noises over the zoom call, but we're just going to ignore those for now.

[wanderlust-in-my-soul]

Delicious adjective, /dɪˈlɪʃ.əs/- used to describe a situation or activity that gives you great pleasure (Part 1/?)

Utsukushii Kare

Old Fashion Cupcake

Bad Buddy

War Of Y

Bed Friend

Love At The End Of The World

History 5

Summerdaze

Part of my favorite bl-tropes collection, as always in no particular order.

[piningintrovert]

e·nig·ma /iˈniɡmə,eˈniɡmə/

the rarest type of gender; they bow to no one and they cannot be submitted; they can dominate every gender, alphas included, and will win every challenge or fight

[loveisactivated]

Hao Ting & Xi Gu ♡

[respectthepetty]

Dear Taiwanese BLs, never stop giving me the "blinding light of love" moment.

I love a good old fashion color exchange but something about a blinding light appearing out of nowhere to signal the feelings are out in the open, people are thinking clearly, and the love is exposed just hits the spot.

Or you can give me that sweet sweet heart bokeh effect

[pharawee]

"Nara's life is pitiful. She is about to marry a man as a mistress in exchange for her family's comfort and happiness. This short story reflects the oppression and principles of a woman being kept and suppressed. However, after I've read it, it also reflects who I am."

—I FEEL YOU LINGER IN THE AIR 💮 Episode 7

Bonus:

[nieves-de-sugui]

The Story of Live Action BL in Japan

This is an extra post to accompany the history of BL post I did earlier. 

Japan has had live action BL long before Thailand entered the picture. It was however mostly melancolic stories or manga adaptations, until their own particular boom happened. I make a difference between what I would call LGBTQ+ representation and BL Live Action, because even though they have existed parallely they are fundamentally different in their conception. Here is an interview with the curator of an exhibition that was held in Japan about the history of Japanese Queer Cinema. 

The evolution of Japanese BL Live Action has been very slow, and mostly influenced by manga. It is still not a big market, but it has improved a lot in the most recent years. This is my attempt to put it into phases:

The indie like movies and bad manga adaptations

Let’s start with Boys Love (a movie), shall we? 

It is the year 2006 and up to this point there has been a small boom of gay stories in the 1990′s (the first Tokyo International Lesbian & Gay Film & Video Festival was held in 1992 me thinks this might have sprung the yaoi debates). In the 2000's, we're at the start of a new little boom on BL type movies being made. Many of which would be directly released in DVD, with a constant melancholic and tragic approach to love stories between young men. 

Homosexual love is only attarctive to the mainstream if it’s painful. Like typical japanese imposible loves that are explored because of the passion and innevitable tragedy (it’s a japanese trope of almost any kind of romance movie, up to these days). its the intensity of feelings and the poetry of it all. In Boys Love we see those elements that are now very common in BL manga. Straight men falling in love with beautiful young boys and loving them until their tragic end. The movie was released in theatres and was successful enough to get a sequel. Here is a very good review of the movie, to know more about it.

A number of similar movies (with happier endings) follow through. Then enters the Takumi kun series. Based off one of the most popular yaoi novel (and potentially the first live action novel/manga adaptation of BL), it has all the June tropes: Traumatized feminine Takumi, raped by his older brother when he was young, has developped an abberation to human touch which prevents him from making friends. He goes to a boarding school for rich kids where he shares a dorm room with Gii, the most popular kid on the premises, who has fallen in love with him. And it is through that love that Takumi gets over his illness and heals from his past. It was such a success in the BLsphere that it got 4 more movies. I believe it is the bane of @absolutebl existence. 

After the first Takumi-kun movie, the production of BL type movies, or adaptations of manga gets a boost. We go from no more than 3 movies a year to 8 in 2008, ie:

Kindan no Koi Ai no Kotodama Taiikukan Baby

And so it continues. When a manga is popular enough it either gets a Live Action, a drama CD (voice actors record the manga dialogues) or/and a series of OVAs (Original Video Animation). Because that’s how they do marketing in Japan. I believe most, if not all, of these movies go straight to DVD. It’s a treat for the fans. 

The beginning of the shift

As the manga source starts to evolve, so does the live actions. Japanese society starts being more aware of the LGBT (as the term is used for business startegy purposes). As it’s all about what is going to sell, slowly, a slight neutral realism starts to be felt. Melancoly starts to be replaced with happier moods. 

The first adaptation I genienly enjoyed at the time was Seven Days, 2015. A 2 part movie, adapted from the manga, with a very simple story (still no characters properly defined as gay, but maybe they could count as bi?)

While more LGBTQ+ movies get made, the BL Live Action movies remain in the same vein. Adpating what is popular and sticking to the tropes of the time. For example, in 2017 we get simultaneously:

BL - Hidamari ga Kikoeru. A loud and energetic college student becomes friends with a hearing impared classmate, as he helps him take notes for class. 

LGBT - Close Knit. An 11 year old girl gets tossed aside by her mother and goes to live with her uncle, who is dating a transgender woman. 

The Middle Aged Man Phenomenon

Have you wondered why office settings are so popular in japanese BL? Well, it is mostly Ossan’s Love fault in my opinion.

Besides office romances being a staple of japanese tv dramas, in 2016 two major mainstream actors (Tanaka Kei and Yoshida Kotaro) participate in a small short film about a salaryman who discovers his boss is in love with him. A simple comedy filled with misunderstandings and funny shenanigans. As the response to it was very positive, they decided to turn it into a full flegged series. And so, Ossan’s Love comes out on prime television (TV Asahi) for all to see. It is the first time we see a story like this being shown in a mainstream channel, for all and anyone to see.

A year later after the success of Ossan’s Love we get the wonderful Kinou Nani Tabeta/What Di you Eat Yesterday? (2019), which would not have been possible without Ossan’s Love. There was confidence that there was a market for such a story. Followed by the OL movie: Ossan’s Love: Love or Dead. Which was later followed by a horrible horrible second season that nobody wanted. On this year too, Mood Indigo comes out. A sequel to The Novelist/Pornographer, which would secure it’s popularity. It later got a second season.

We are now in a second boom of interest in queer stories. And the number of movies and tv shows grow. Some of the most known:

Novel adaptation - Fujoshi Ukkari gay ni kokoru LGBT Movies - His Dramas - Life: Senjou no Bokura

Queer voices have been increasingly loud and, in 2015, two municipalities put in place a partnership to acknowledge same sex relationships (not recognized outside of those municipalities unfortunately). 

And so, start mixing the homophobia free idealized stories, with more diverse queer content, with the harsh realities of LGBTQ+ people, and the cinematic interest of the filmmakers/directors. 

The rise of the salaryman and the thai breakthrought

Thanks to the appeal of middle aged men, Japan now knows there’s a market to be had in producing BLs, so the adaptations sprout like mushrooms. The ground is ready to bear fruit, and so enters thailand with the big success of 2gether at the beginning of 2020. 

Japan got to have the movie screened in their theatres. Thailand has broken the Japanese market barrier, as soon as the borders open after the pandemic, fanmeetings are held there one after the other.

And then, we get Cherry Magic in late 2020, which continues to cement that the current japanese BL boom is still going strong. 

The Aftermath

The production of BL shows and movies reaches its peak and we get 26 (shows and movies) in 2022. Movies, specials and second seasons are being made.

From Utsukushii Kare 2021 to Strange 2023. Old and new manga gets an adapation and more queer representation grows in media overall.

The story of LGBT representation in shows in Japan

As an extra, I want to put here a few examples of how queer characters, and stories have entered the mainstream of japanese tv dramas. Many mainstream actors have also taken upon portraying such characters. 

Pretty Proofreader (2016) - featured a gay side character, not relevant to the plot.  My Brother’s Husband (2018) mini series - adaptation of Gengoroh Tagame’s manga about a man overcoming his homophobia through getting to know his bother’s husband Life As A Girl (2018) mini series - the life of a lesbian trans woman  Ie Uru Onna S2 (2019) - one episode features different types of LGBT people who want to buy a house and the difficulties they face. Also had some type of side gay stoyline (a little queerbaity)? Ore no Sukato, doko Itta? (2019) - a gay man who dresses as a woman becomes a teacher at a highschool and helps with his is student’s problems.

Special mention to Residential Complex (2018). 

A drama that featured 4 families living in the same residential unit, each with their own fundamental problems. The father in the traditional japanese family was unemployed, the man engaged to a younger second wife who wanted no children ends up having to take care of his son from his previous marriage, the young newlyweds that are eager to have kids can’t concieve and the single architect is actually living with his boyfriend. It was a show that had worked with an LGBT organization to make a faithful protrayal of LGBT realities. 

Final Thoughts

Here is a list of all Japanese BL and Queer media, Japanese BL list. I recommend to check it out to see the variety of adaptations being made today. It is intersting to see the differences in plot in the shows that are adapting current manga (Our Dining Table) and those adapting older manga (Candy Color Paradox). There is also a lot of queer movies and shows worth checking out. Here are my recommendations:

Kamisama no Ekohiiki (series)

Both Me and Him are the Grooms (movie)

I think it is great that Japan is intergrating queer stories and voices to their BLs, as well as adapting more content to the screen. It is a very exciting moment to be living through, but it still feels like it might go away just as fast as it came. Japan is a very conservative country, that embraces change so very slowly. Queer vocies are making noise, but they have yet to manage to make their government listen. Japan is very setback in this sense.

I do no think Japan will be able to have a BL market similar to Thailand for its live action adaptations any time soon. They stick to what they know, which sometimes can be very good and others, bad.

I do hope for BL to keep on doing what it does best for society: subtly normalizing queer lives so that conservative people start welcoming the idea that they're just regular people (who deserve rights, come on Japan). 

Hopefully we’re headed there.  

[absolutebl]

Hi! Do you think it’s possible that Gun and Tinn in MSP are meant to be already out? Both characters never seem to question whether the other could see them as a love interest, they also both seem comfortable with their *own* interest, and attention from girls has been suspiciously absent. I know this is BL, so all bets are off when it comes to sexual identity, but I find myself enjoying the idea that this sweet coming-of-age romance is happening *after* their queer awakening and won’t have to be burdened by everything that comes with that.

Is there any chance at all this is an intentional choice by the creators, or is more of a BL-verse thing where we are suspending some disbelief about identity politics in order to carve out a safer space for the characters and their budding romance to exist in?

My School President & The Normalization Bubble 

I think GMMTV is using Korea's "bubble" style with this one. Which is to say... queerness is both accepted and dismissed. Thus coming out is unlikely to be part of this narrative which is v odd because it's pretty much required of all high school BL (because it's a YA trope, and HS BL is YA by nature).

I kinda like your “post queer awakening” idea too, tho. 

I think we are going to get more of this style of BL. It's part of the normative process of gay narrative evolution.

In romances narratives we tend to go from

ostracism (no gays at all) to

death-as-plot-devise (gay bestie dies so the hets can cry and learn life lessons) to 

tokenism (gay bestie is the comedy relief/wise advice giver) to 

acceptance (gay bestie gets a piece on the side) to 

centralized focus (het bestie is the comedy relief/wingperson) to 

idealized normatively (we all queer and no one cares, maybe there is a marriage equality shill) 

(Incidentally, this works for most marginalized peoples in pop culture.)

I gotta say, Korean BL has skipped a few steps and so they have this #6 bubble that, given the conservative nature of their dominant culture, feels pretty darn disingenuous - like it hasn’t been earned, or something. That said, I like their bubble. 

Back to the ask... 

I think for HS setting Thai BL the bubble has to have been an intentional choice and my guess is it would be the original author’s decision (whether this was a y-novel or an original screen play). This show obviously had a strong screen writing team. It's too clean of a story not to have had someone’s voice dominating the storyboard.

We have followed both characters home, though, so there is bound to be a "maa, this is my boyfriend" moment for one or both of them. But the strife may come from class or education values (Gun being perceived as a low class slacker) rather than queerness. That's what I'd do.

Then again this being HS BL, it's mostly gonna get its narrative drivers from angst (internal conflict) and the surrounding friendships and school activities. It always does.

(source)

[coolgenie]

Wayne Song & Huang Chun Chih | Kiseki: Dear to Me

Source

[buddhamethods]

10 BL Characters I Would Hit With My Car

(I don't have a licence and can't drive so this is just for fun OBVIOUSLY)

LISTEN, I love these characters. They are complex, they are human, they are flawed and yet you can't help but root for them. Or they are just giant assholes.

Regadless, I think they would all benefit from getting hit by a car as a little treat.

Feel free to tag yourselves and participate in a bit of lighthearted negativity and media complaining.

1) Ben From Never Let Me Go (2022)

Of course he would be on this list. Mainly because how are you, a closeted gay in a coming of age bl drama, sitting down in front of a piano next to a beautiful boy and not just completely eat his face in a passionate life altering kiss? I understand that was the whole point of the scene, but personally I would rise above the narrative that was trapping me.

2) Dan from Not Me (2021)

Being a cop, killing Sean's father and selling NFTs is bad enough on it's own, I agree. But Dan's biggest sin was taking the cigarette out of Yok's mouth and depriving us of seeing sad First Kanaphan smoking near a body of water-THE queer cinema experience.

As it turns out, you can be gay and homophobic at the same time.

3) Kenji from My Dear Gangster Oppa (2023)

So you have funky hair and kawnty fashion sense? Oh, you partake in fun bathtub threesomes? What, you're a little unhinged and psychotic? Perfect! THEN WHY THE HELL YOU SUCK AT BEING A VILLAIN SO HARD HUH???

Kenji you better put your helmet on, I'm turning on the engine.

4) Kanghan from Dangerous Romance (2023)

Rich people don't deserve rights in general so Kang was already on thin ice to begin with. But being a bully on top of that? UNDER THE HOOD OF THE CAR YOU GO!

Also he is so attention starved on account of his father being a negligent asshole that he will jump in front of my car willingly just to get a drop of love from dad and Sailom.

5) Yu Xi Gu from HIStory3: Make Our Days Count (2019)

(I'm so so incredibly sorry but I HAD to okay you don't underst- *gets shot immediately*)

6) Mork from Fish Upon The Sky (2021)

I looked at Pond for 0.1 second and fell so embarrasingly in love that for the entirety of FUTS I saw no flaws in Mork's character at all. All he did made sense and I was blissfuly having a great time! So I'm pummeling him to the ground for my own sake I CAN'T KEEP BEING THIS STUPID ABOUT HIM HE IS OBJECTIVELY CREEPY!

7) Vee from Love Mechanics (2022)

Was he in my "I want them carnally" list? Yes. Do I find him beautiful and incredible? Double yes. Am I smearing him on asphalt like a squished bug for causing Mark so much unnecessary pain and heartbreak? More likely than you think.

8) Jiwoo from To My Star/ To My Star 2 (2021-22)

MY BEAUTIFUL BOY!! A crumb of healthy communication is all I'm asking for!

Jiwoo was so emotionally bricked up for the majority of both seasons that it caused ME damage. So me hitting him with my car is both a revenge plot and an attempt to let loose some of those pent up feelings of his.

(But also I'm dead meat if Seojoon finds out it was me behind the wheel. He loves that boy too much.)

9) Zee from Twins (2023-24)

I'm volunteering to do this as public service to keep Sprite and First together without any twins switch drama. One gremlin down, one successful volleyball couple UP!!

10) Winner from Pit Babe (2023-24)

I want to do it as an experiment. I feel like he would make a funny sound under the wheels, like when you sqeeze clown's nose or step on a rubber duck. I would also like to see how this will affect his character. Will he become even more annoying? Will it fix him completely? ONLY ONE WAY TO FIND OUT!!

(This was so fun I love inflicting imaginary violence on fictional men. If you read this far into this incoherent insanity, consider yourself tagged!💖)

[conscbgb]

I'm just gonna leave these here to convince you all to watch HIStory 3 - Trapped 😉😏

There's one thing he can do very well beside acting...being naked and hot 😎🙌😉

He can be both ☺️ 🥵

And here's his photobook coming out soon 😉

[wanderlust-in-my-soul]

It doesn't always have to be the kisses with minute-long slow-motion approaches and dramatic music. It's these little everyday ones that make relationships seem realistic. (Part 2/?)

Moonlight Chicken

History 3: Trapped

The New Employee

Kiseki: Dear To Me

Happy Merry Ending

Our Dating Sim

Love Class 2

Love Mate

History 4: Close To You

My Secret Love

My favorite bl-tropes collection, as most of the times in no particular order.

[gabrielokun]