#hollisframpton

[asalvadorsala]

Zorns Lemma, 1970 #HollisFrampton https://www.instagram.com/p/Cc5ZRshNMgm/?igshid=NGJjMDIxMWI=

[moma-prints]

Phenakistiscope from S.M.S. No. 4, Hollis Frampton, 1968, MoMA: Drawings and Prints

Gift of Carol O. Selle Size: diameter composition 6 13/16" (17.3 cm) Medium: Offset lithograph

http://www.moma.org/collection/works/69509

[worldfoodbooks]

BACK IN THE BOOKSHOP: ON THE EVE OF THE FUTURE : SELECTED WRITINGS ON FILM BY ANNETTE MICHELSON (2017) • The celebrated critic and film scholar Annette Michelson saw the avant-garde filmmakers of the 1950s and 1960s as radically redefining and extending the Modernist tradition of painting and sculpture, and in essays that were as engaging as they were influential and as lucid as they were learned, she set out to demonstrate the importance of the underappreciated medium of film. On the Eve of the Future collects more than thirty years’ worth of those essays, focusing on her most relevant engagements with avant-garde production in experimental cinema, particularly with the movement known as American Independent Cinema. • This volume includes the first critical essay on Marcel Duchamp’s film Anemic Cinema, the first investigation into Joseph Cornell’s filmic practices, and the first major explorations of Michael Snow. It offers an important essay on Maya Deren, whose work was central to that era of renewal and reinvention, seminal critiques of Stan Brakhage, Hollis Frampton, and Harry Smith, and overviews of Independent Cinema. Gathered here for the first time, these texts demonstrate Michelson’s pervasive influence as a writer and thinker and her role in the establishment of cinema studies as an academic field. • The postwar generation of Independents worked to develop radically new terms, techniques, and strategies of production and distribution. Michelson shows that the fresh new forms they created from the legacy of Modernism became the basis of new forms of spectatorship and cinematic pleasure. • “Annette Michelson is one of the most brilliant minds that has ever turned its focus on the art of cinema. It's a blessing to have her illuminating, inspiring, and informative pieces available in this volume.” —Jonas Mekas, filmmaker and writer • Available via our website and in the bookshop. • #worldfoodbooks #annettemichelson #themitpress #octoberbooks #marcelduchamp #stanbrakhage #hollisframpton #harrysmith #jacksmith #mayaderen #josephcornell #michaelsnow #jeanlucgodard #martharosler #andywarhol (at WORLD FOOD BOOKS)

[anthologyfilmarchives]

"An icon of the American avant-garde, Hollis Frampton made rigorous, audacious, brainy, and downright thrilling films, leaving behind a body of work that remains unparalleled." - @criterioncollection #AnthologyCollections #AnthologyPreservations #EssentialCinema #HollisFrampton #VisionaryFilm⠀ ⠀ Hollis Frampton photographed by Marion Faller, ca. 1977. Courtesy: Marion Faller and Anthology Film Archives, All Rights Reserved (at Anthology Film Archives)

[millenniumfilmjnl]

Millennium Film Journal No. 14/15 (1984-85) Copies available at mfj-online.org/Issues #mfjbackissue #millenniumfilmjournal . . . . . . #hollisframpton #marjoriekeller #sallypotter #chantalakerman #feminism #anthonymccall #avantgardecinema #peterwollen #vitoacconci #malcolmlegrice #robertbreer #michaelsnow #bettygordon #sallypotter #mayaderen #avantgardecinema #experimentalfilm #videoart

[bagratmadcheeks]

Irma Vep (1996) is a miraculous trilogy inside a singular feature: economic adaptation vs. neorealist invention, revolutionary politique vs. modern popularism, general entertainment vs. individual expressionism. Godard's Passion (1982) fucks Hollis Frampton's Pentagram for Conjuring a Narrative, pregnantizing Huxley's baby, becoming a modern caveman in the exploding urban Sprawl. Working in Andy Warhol's Factory with the Oompa-Loompas, it is creating beautiful art by hypocritically utilizing the "tool" called money, eating itself and shitting itself out. Living in the subjective "dreams" of Freudian desire, while mirroring Jung's objective archetypes that build the tiny chunks of consciousness, "inventing" the imaginary spirituality via theft of the representation of historical-fiction, or fictional-history. The film projects the production of itself, promising its personal lack of aiming for eternity, creating a project that breaks itself, creating something more or less "new," montage-ing its own deconstruction, still stuck in the past while running towards the invisible cliff, and jumping off, falling into their own stained vision that contains the thing that remains unseen, until the map reveals itself on top of the surface, and as we begin to watch ourself as it watches itself, we learn how to direct itself. #irmavep #olivierassayas #passion #godard #pentagram #hollisframpton #abravenewworld #aldoushuxley #thefactory #andywarhol #freud #dreams #carljung #archetypes #entertainment #popcorn #expressionist #auterism

[kretinism]

Convenience

@moistfetussoup

[scial8]

15 Luglio 2019. http://hollisframpton.org.uk/bio.htm #art #picoftheday #hollisframpton https://www.instagram.com/p/Bz7mm03C20L/?igshid=1h3fhtxcwx8rf

[austinarthouse-blog]

#arthousecinema #featured #film of the day: Hollis Frampton’s Lemon. This seven minutes in heaven uses light to manipulate a single object leaving the landscape in your mind to wander easily and endlessly. #lighttrip #arthousefilmoftheday #arthouse #austinarthouseff #hollisframpton #lemon Submit your Arthouse film at link in bio

[asalvadorsala]

Nostalgia, 1971 #HollisFrampton https://www.instagram.com/p/B5la_kdo_Gr/?igshid=1p3khe72162cr

[mobilefolio]

Pénélope surprise à défaire sa toile par John Flaxman (1755-1826) en réponse au film muet A Little Pièce of String utilisé par Frampton pour Cadenza 1. #magellanoptimentalement #optimentalement #hollisframpton #penelope #johnflaxman #odyssey #tapestry #thread #metaphor #weaving #contemporaryart http://ift.tt/2jcQl7R

[worldfoodbooks]

BACK IN THE BOOKSHOP: ON THE EVE OF THE FUTURE : SELECTED WRITINGS ON FILM BY ANNETTE MICHELSON (2017) • The celebrated critic and film scholar Annette Michelson saw the avant-garde filmmakers of the 1950s and 1960s as radically redefining and extending the Modernist tradition of painting and sculpture, and in essays that were as engaging as they were influential and as lucid as they were learned, she set out to demonstrate the importance of the underappreciated medium of film. On the Eve of the Future collects more than thirty years’ worth of those essays, focusing on her most relevant engagements with avant-garde production in experimental cinema, particularly with the movement known as American Independent Cinema. • This volume includes the first critical essay on Marcel Duchamp’s film Anemic Cinema, the first investigation into Joseph Cornell’s filmic practices, and the first major explorations of Michael Snow. It offers an important essay on Maya Deren, whose work was central to that era of renewal and reinvention, seminal critiques of Stan Brakhage, Hollis Frampton, and Harry Smith, and overviews of Independent Cinema. Gathered here for the first time, these texts demonstrate Michelson’s pervasive influence as a writer and thinker and her role in the establishment of cinema studies as an academic field. • The postwar generation of Independents worked to develop radically new terms, techniques, and strategies of production and distribution. Michelson shows that the fresh new forms they created from the legacy of Modernism became the basis of new forms of spectatorship and cinematic pleasure. • “Annette Michelson is one of the most brilliant minds that has ever turned its focus on the art of cinema. It's a blessing to have her illuminating, inspiring, and informative pieces available in this volume.” —Jonas Mekas, filmmaker and writer • Available via our website and in the bookshop. • #worldfoodbooks #annettemichelson #themitpress #octoberbooks #marcelduchamp #stanbrakhage #hollisframpton #harrysmith #jacksmith #mayaderen #josephcornell #michaelsnow #jeanlucgodard #martharosler #andywarhol (at WORLD FOOD BOOKS)

[millenniumfilmjnl]

#MFJ Nos. 14/15 1984-5 Cover design #howardguttenplan A few pristine copies available at mfj-online.org #mfjbackissue #hollisframpton #padamssitney #marjoriekeller #julianhochberg #noelcarroll #experimentalfilm #avantgardecinema #videoart

[bagratmadcheeks]

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A post shared by G-ram (@brokefilms)

16mm LSD...a pentagram for conjuring the narrative #hollisframpton #artificiallight #artificiallife #artificialintelligence #apentagramforconjuringthenarrative #thespiral #withintheplanetitself #eaten

[nyc-urbanism]

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(1/2) The streets of Manhattan, Brooklyn Bridge to Central Park, 1968. A clip from experimental filmmaker Hollis Frampton's 1968 piece SURFACE TENSION. #brooklynbridge #centralpark #manhattan #timelapse #nyc #1968 #hollisframpton #nycurbanism (at Brooklyn Bridge)

[mobilefolio]

Des motifs trouvés qui renvoient aux éléments de Frampton, pour les 720 images correspondant aux Straits of Magellan. Ici, allusion au pull à motifs hexagonaux au crochet que porte Frampton dans une de ses interviews. #magellanoptimentalement #hollisframpton #forthestraits #allusion #knitting #foundobject #agenda #ebook #vineaftervine #pattern #hexagonal #contemporaryart http://ift.tt/2iDDtq3