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#honestly I might write out this Fringilla thing myself
bamf-jaskier · 4 years
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A long ramble of thoughts about the history of chaos on the continent and why Fringilla’s use of forbidden magics is pretty neat
So one thing not too many people knowing about the Witcher is that magic is called Chaos for a very specific reason: it is the opposite of Order. In Sword of Destiny, Borch tells Geralt that Chaos is the aggressor and Order is endangered and needs protecting. Chaos is what mages/elves/witchers/sources/etc can channel in order to produce magic. 
It's important to note that magic DID NOT EXIST before the conjunction of the spheres so it's pretty strongly implied that before the conjunction Order and Chaos were one and the Conjunction split them apart, leaving Order vulnerable and Chaos in the hands of living beings to manipulate. When the conjunction happened, no race (humans, elves, werebubbs, etc) knew how to use magic but eventually most of them found a way to use chaos. 
What is interesting is that we are told that Witchers/Mages/Elves all see magic differently but we are never told how. It is mentioned briefly that mages "pervert" magic by the Elves but we don't know what perversion of magic looks like to the elves because it is subjective to their own worldview. However, looking at the earliest human tribes on the continent, the Dauk and the Wozgor we can get some idea of the difference between human magic and elf magic. Both groups were very influenced by ritualistic group magic as well as worship of the gods. Many of these gods such as Melitele are still worshipped. 
The Dauk were more into fertility and harvest, think early Beltane Midsummer stuff, while the Wozgor primarily worshipped Lilit with Blood Sacrifices. So we see humans are in a group-mentality when it comes to magic and summoning, they pull power from the earth and pool together their magic to create spells. At this time, elves and humans were not considered enemies so group-magic and more nature-esque magic is accepted by the elves. This is also supported by the dryads and elves seeming to prefer druids who still use magic group-magic today.
So now we start to get into when the philosophical schism on magic happened. Clearly, at some point, humans started working on less "group/nature magic" and on more individualistic magic. By the nature of chaos it is consuming so as more humans began working on individual magic, they became more power hungry. I had a theory that it was human's use of individualized magic that led them to leaving the nomadic tribe mentality and instead moving to more Nordling-Like culture where they live in one place and fight with other tribes, eventually building cities, colonizing, and in general taking the standard course of human history. So now humans have magic. And they have POWER. 
So you get mages who are fighting for their tribes, their groups and eventually kingdoms like Novigrad begin to form. Now the Brotherhood was formed in the 8th century by the Novigrad Union which was a group of druids, mages, and priests who signed a non-agression pact to stop the raids and warfare that were so common for centuries. However, the Union fell apart due to difference in views on magic while the Brotherhood stayed together. 
The Brotherhood is now sort of the ruling party on the continent, it's the only power really left after the Union. It's not its own Kingdom so it can technically be considered neutral. This puts a lot of responsibility on the Brotherhood and the Northern Rulers are overwhelmed by the number of monsters. Previously, humans were so focused on killing each other they couldn't really organize and do anything about the monsters but now that society is developing it's a real problem for trade and travel. so they create the first Witchers in Rissberg. However, once they find out that the Witcher don't have the same magic aptitude as mages, they are discarded as failed experiments.
This is where is gets interesting again for me. Because Witchers actually can cast magic as strong as mages, they elect to use signs but Witchers can pool their magic together in order to cast more powerful spells. So what was the difference between mages and witcher that had the mages deem Witchers as failures? I am theorizing that Witchers channel chaos whereas mages manipulate it. 
The way I describe it in my fic is that Witchers act as a conduit for chaos, think of it like sucking up magic into a straw, the Witcher is the straw, they bring chaos in it's purest form into the world. Then, once the magic is in our realm, they shape it into the spell or form they desire. It's similar to how elves and ancient humans used magic. This is why the elves don't call a Witcher's magic a perversion but a mage's magic is. 
I'm theorizing that Mages on the the other hand bring magic in through almost a mold. When a mage summons chaos, that chaos can only be used for the very specific purpose that they want in that moment. It ties into their philosophy on willpower. What you desire is the magic you have. So a Witcher could begin to cast an Aard and then halfway through change the sign into an Igni and it would work fine. However, a mage can't begin to cast a portal and then change it into a lightning bolt. But this is also the reason mages are so powerful, their magic is specific. It is decided and the willpower behind it makes it a stronger spell.
NOW FINALLY we can begin talking about forbidden magics. So I'm not going to get into the First and Second Ages of the Witchers but just know that Witchers are now off on the continent doing their own thing and monster hunting, creating their own culture, etc. The Brotherhood does NOT care for this. They can see control slipping from their fingers so they and they are worried other mages are going to experiment the same way they experimented to create Witchers but this time they will make something even more powerful. Something that could topple their power. 
The Brotherhood begins to ban magic that could be used to manipulate the natural order. The main three banned magics of the Brotherhood are Goetia (demonology), Necromancy and Ancient Magics. Now demonology was actually practiced by the Wozgor and many think that Lilit was actually a demon they summoned. Necromancy and Ancient Magics both have the potential for abuse but not more so than any other form of magic. However these are all powerful magics. But it's not just BANNING magic that creates censure with the brotherhood. It's the stringent guidelines of how to perform magic even though we KNOW there are multiple ways to channel chaos. The Brotherhood also creates a system with the court that also creates censure because courtly expectations now place an emphasis on respectability and governance and how you should hold yourself, etc. Being a mage becomes a lot more restrictive and a lot less experimental.
So we have to ask ourselves, what does Fringilla do that causes her to be considered abhorrent, In Tissaia's words: "I will defend our way of life, The Brotherhood, The Academies, the order that we have built up over centuries, you've rejected it all Fringilla" 
So here's what we KNOW Fringilla has done: Forced Mages in Servitude until they decide to serve the White Flame (of course Fringilla says it isn't servitude but Triss disagrees), Practice Necromancy, Demonology, and Fire Magics She specifically says the phrase "most of us came from Aretuza and Ban Ard" so here's what we have to consider, how did Fringilla get them there, she can't have kidnapped everyone and as well if u know some spoilers from the book then there are plenty of mages that voluntary work for Nilfgaard. 
Fringilla works with ANYONE who has chaos, not just people deemed worthy by the Brotherhood. In addition, she works will all magic, no limitations. In many ways, Nilfgaardian magic is returning to ancient magic. If you watch the battle at Sodden, the mages perform a lot of life-force spells. I have a theory that those types of spells are MEANT to be performed in groups and since they aren't, the mage withers and dies. 
Also, listen, in another world Nilfgaard could be the hero. If they didn't show Nilfgaard being generally evil like killing everyone and sacrificing mages and stuff they actually have good reasoning? Cintra is objectively terrible. They literally almost killed off an entire race? The Genocide of the Elves is very much brushed over and honestly Cintra should have been overthrown ages ago. Also Nilfgaard has policies of cooperativity and community and honestly if they didn't so morally bereft acts their society has a lot of potential. 
Fringilla is returning magic to how to was pre-brotherhood where it's groups of loosely defined mages doing what they want. She is also trying to break of the individualistic mindset of most mages which I think is interesting because it goes against the very soul of how mages perform magic. It's like Tissaia said, Fringilla is rejecting centuries of tradition. In any other world, Fringilla would be the Katniss to the Brotherhood's Capital. If Nilfgaard wasn't cast as so brutal they would literally be considered a revolutionary force trying to oust a genocidal dictatorial system (Cintra). Granted, many people have compared Nilfgaard to either being a Roman Empire or Soviet Russia analog, both brutal totalitarian or imperial regimes which probably is part of the reason Nilfgaard is so brutal. I am suggesting that in another universe, Nilfgaard could be instead of an imperial-religious-type regime a more revolutionary force. 
Perhaps an AU where Nilfgaard teams up with Cintran Rebels and arrives at the city to help Cintran Freedom Fighters tear it down and then allows Cintra to rebuild on their own terms. Basically, I’m talking about the overthrow of the monarchy system present in most of the continent. 
I would really like to see an AU where Fringilla is a revolutionary figurehead trying to work to establish a democratic system in a monarchal society while going against centuries of magical tradition. I think with the addition of magic and complexity of politics not the continent there’s just so much to think about here. 
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some-stars · 3 years
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i was tagged by @limerental and i don’t usually do memes and i’m frankly kinda scared of looking at my own writing but whatever, let’s do this:
List the first lines of your last 20 stories (if you have less than 20, just list them all). See if there are any patterns. Choose your favorite opening line. Then tag 10 of your favorite authors!
(in reverse order, i am assuming)
“There is a house,” the sphinx intoned. “One enters it blind and comes out seeing. What is it?”
Yennefer was in the library when Fringilla found her.
Geralt had rarely seen Jaskier in such a genuinely good mood, as they approached Novigrad.
The magistrate of Whitehaven clearly prided himself on his impeccable sense of justice.
He went into heat in a small town three days out from Vizima.
Geralt trudged up to the door of the inn and paused.
Yennefer woke the first morning to a warm, slightly less populated bed than she'd fallen asleep in.
Geralt held the pipe that Jaskier had passed him carefully, as though he might break it.
Jaskier stepped through the door into the dimly-lit interior of the shop and looked around.
Yennefer stepped through the portal and stepped out on the threshold of what looked like a cottage.
The first time it happened, a couple years into their acquaintance, Jaskier had disappeared after supper to tumble the innkeeper, a buxom woman who looked just old enough to be his mother, if she'd had an adventurous youth.
He doesn't expect Geralt to say yes.
The first time is—Jaskier flirts, because he always flirts, flirts and peacocks and teases and tempts, and one day when Geralt is particularly weary, or maybe frustrated, or maybe the light happens to hit differently on Jaskier's collarbones, he gives in.
They run into Yennefer on what had been, until that moment, a perfectly lovely day.
It wasn't the first time Jaskier's amorous pursuits had gotten them in hot water, but it was the first time he'd gotten them both kicked out of the inn they were staying at without even getting their money back.
Looking back, Jaskier could identify moments over the last couple days that he might have noticed--when Geralt moved more slowly, or grimaced a more pained grimace, or ate less--but he didn't actually realize what was happening until the morning Geralt didn't wake up before him.
The only small mercy of the situation, Geralt thought as he gritted his teeth and struggled harder, was that Jaskier wasn't awake to see it.
If Geralt were allowed to have a favorite part of Jaskier, it would certainly be his hands.
"Look," Jaskier says, a little desperately, "you've pretended to be my bodyguard before, right? This isn't so different."
as for trends? well, i think i’m pretty good at starting in media res--not perfect, and sometimes i take it too far (i don’t like 1 on this list, i think it doesn’t set the scene enough). also i overuse “stepped” and i’m going to edit that right now. i think 6 might be my favorite--it’s compact but it gets a lot of information and emotion in there with the word choice. i know people say you should cut the beginning of whatever you write, but honestly, the great majority of these literally were the first words i wrote in the document (or the first words that were in narrative form as opposed to me rambling to myself like “so then this happens, and he’s all like blah”). the only one i remember for sure not being the first thing i wrote on the story is 14; i put off writing the first couple scenes of the kidfic until i was nearly done with it.
i am not tagging anyone bc tagging people gives me anxiety but if you want to do this then you should consider yourself tagged!
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