#hopefully this is culturally accurate as well

[onceonafullmoon]

Meet Cute

Micheal Kaiser x GN! Reader

No warnings, just pure fluff! Reader is in college and from America. Reader is an anxious mess and a football fan. Apologies if the german is shit, I did my best. This fic is kinda scuffed but I wanted it to be done lol

“S–Sind Sie Michael Kaiser?” You blurt out, before mentally face palming at the stupidity of your own question. He laughs again, a slightly smug look on his face at being recognized before responding. “Ja, ich bin Michael Kaiser.”

A shiver runs down your spine as you peruse the selection of the ice cream tucked away in the freezer section, but you can’t help but smile to yourself at the welcome sight.

Yes, it was that time again, that familiar time in every college student’s life, the time to eat away your feelings after struggling your way through midterms.

Fuck midterms.

And fuck proper societal conventions as well.

Because here you are, in your pajamas, doing a late night grocery run and regretting it with every strange look served your way.

Sometimes you forget that you aren’t in America anymore, and your people-of-Walmart activities will inevitably lead to your downfall, but at least that day isn’t today.

Well, it was a small mercy that no matter where you were in the world, whether in Germany or America, that at least ice cream was a true constant that remained in your life.

You analyze the see-through fridges with slight disappointment as you realize the selection you have to work with is slightly smaller than what you’re used to, although maybe upon further inspection you’d find it refreshing not being swung at visually by 15 brands in one shelf, all desperately vying for your attention.

Either way, you find yourself drawn to the same flavor you always pick, a true creature of habit, and you pull open the fridge door to grasp at the item of your choosing.

At least you are until you find your hand colliding with another, a silent gasp parting your lips before you pull your hand back in surprise.

“Sorry!” You blurt out before realizing your mistake. “...err, I mean– entschuldigung!”

(Your German is hardly passable to be frank, but you figure you should at least try speaking the language of the country hosting you for the semester.)

Anyway, the sound of your stilted dialect is enough to bring out a light chuckle from the person, the man judging by the timbre of the voice, next to you and you finally look over to see…

Holy shit.

Is that Micheal fucking Kaiser?

You stare shell shocked at the blond superstar soccer (football, you correct in your head) player next to you, as he begins to speak.

“Kein Problem.” He says smoothly, and you have to make a conscious effort to shut your slightly parted mouth as you continue to stare at him with widened eyes.

At this point, the best thing you could do for yourself would be to grab your ice cream, pay and leave before you embarrassed yourself, but unfortunately for you, your mouth didn’t catch the memo.

“S–Sind Sie Michael Kaiser?” You blurt out, before mentally face palming at the stupidity of your own question.

He laughs again, a slightly smug look on his face at being recognized before responding. “Ja, ich bin Michael Kaiser.”

You feel your cheeks start to burn in embarrassment as the realization dawns on you that you’re standing in front of a world class athlete in the middle of a grocery store in a wrinkly, old, oversized t-shirt and shorts.

“Sie möchte ein Autogramm?” He asks amusedly, giving you a subtle once over that you normally would have missed had you not been so self conscious.

“Ja, bitte.” You say, fishing for a pen and paper in your bag.

“...I don’t normally look like this, I swear.” You can’t help but add as you find your paper and pen, switching over to English out of a combination of embarrassment and lack of language knowledge.

“You don’t?” He asks lightly, humoring you and switching over to English before taking the pen and paper out of your hands. “I would have thought you looked like this everyday.”

“What, messy?” You ask in a light tone despite being slightly offended as he scribbles his name on the paper.

“No.” He says with a smirk as he finishes, handing you the paper. “Gorgeous.”

You blink at him for a moment before you feel your cheeks warm up again, averting your eyes to the side to avoid his gaze as you try to process the fact that a celebrity, more importantly, an attractive celebrity is flirting with you.

“Ah– um, well I– uh, thank you.” You eventually get out before willing yourself to look back at him, your stomach doing a flip as you see the same smirk on his lips that you’re used to seeing on TV.

“Kein Problem.” He repeats again, that same amused lilt in his voice. 

“I mean–” You start again and you feel yourself regretting the fact that you decided to speak again. “For both uhm, the autograph and the compliment.”

You pause for a bit, unbelievably flustered, before you blurt out. “Oh my god, I’m so sorry, I’m so awkward, I’m just gonna leave now.”

He laughs at this, his eyes seeming to soften a bit before he speaks in a quieter tone, almost as if he’s afraid to scare you off. “No you’re fine… it’s cute.”

Your heart thumps in your chest rapidly, like you’ve just gotten done running a marathon, and you feel the heat rush to your face along with a fluttering feeling in your stomach. All these sensations combine to force a rather undignified sound from deep within yourself, sounding equivalent to a mouse caught in a glue trap.

You feel your face heat up further from the strangled sound that emitted from your very being and scrunch your eyes shut for just a moment away from Kaiser’s prying gaze.

When he laughs, you feel the embarrassment return tenfold, although the fluttering feeling in your heart might just be also because of the rich timbre of his chuckle.

“Hey, look at me.” He says after a few seconds, and despite your longing to keep your eyes closed you can’t help but obey his command.

So, slowly you open your eyes, taking in the sight of his handsome visage, his lips quirked up in a smile and it almost feels painful how your heart thuds.

“...what?” You question weakly.

“Just needed your eyes on me for a second while I do this.” He says before leaning over ever so slightly to tuck a strand of your hair behind your ear, his hand lingering at the apex of where your ear meets your cheek before finally pulling away.

“...” You can’t help the way you gape at him, momentarily speechless as he takes in your facial expression with his signature smirk.

“Sorry Liebling, your hair was bothering me.” He offers up as an explanation, but you can tell from the delighted gleam in his eye that he’s lying.

“Y–yeah, right.” You stutter out despite your best efforts to remain unphased and straighten up. “Anyways, it was nice meeting you, I think I’ve taken up enough of your time.”

“No, it was a pleasure.” He says smoothly, and you can’t help the twinge of jealousy that runs through you at his composed demeanor. “Take care, would you?”

“Of course, y-you too.” You manage to get out, and he smirks at you one last time before confidently striding away from you, leaving you slightly shell shocked in the ice cream aisle.

It would be a while before you fully collected your thoughts after you paid and exited the store, and that’s why perhaps you didn’t notice three things in particular.

One, that you forgot to pick up the goddamn ice cream that you were so looking forward to getting. 

Two, that your beloved celebrity had also forgotten to get his ice cream that he was reaching for because he was also that flustered despite his confident demeanor.

And three, the little number written next to your autograph with the small written letters next to it “Ruf mich an <3”.

---

Taglist: @gigiiiiislife

[imsociallyanxiousgetoverit]

How much money would they have lost giving a book for free with each harry potter and the sorceror’s stone ticket sold in comparison to how much the assumed total of the franchise’s money is now having not done that?

[hxnbi]

Heyy!I love your writing abt the windbreaker I was wondering since your Chinese Is it possible to make smth hayato suo x chinese!reader??Im dying to have content abt chinese reader! Like when we use hanfu or douyin makeup just something abt chinese culture 🫶 When I first watch it i fell inlove because of the recognition 😭🫶 hope its not too much to ask thankyou!

yesss i love suos design and his character! he's defo my fav in the story so far. this is my first request so i hope it lives up to your expectations :) much of the info i gathered on him was from the wiki so hopefully the info is accurate enough

look at this lil bean 🥹

HAYATO SUO | 蘇枋 隼飛  ─ 🧧 °. ⁺ ♡

Admittedly, there aren't many people who look and talk like SUO, so he stands out like a sore thumb to the average onlooker. Suo is overall one of the most mysterious characters. His trademark tassel earrings and the Chinese-styled clothing that Suo likes to wear are intriguing and enigmatic. He definitely has that type of presence that's bound to make anyone take another glance. 

So when he sees you at the cafe where Kotoha works, finding you drinking a cup of tea with the grace of a seasoned connoisseur, he's all but smitten if not intrigued by your aura. The way that you presented yourself went far beyond than just how your appearance looked, though he was certainly entranced by that as well. 

That was the first time he encountered you, and unbeknownst to him, that was certainly not the last. As the next time would be when you caught sight of him "beating up" a couple of gangsters who had previously bothered Nirei, pissing him off enough for Suo to use his skills in mixed martial arts to intervene.

“Is that Aikido or Kung Fu? Hm, or perhaps both."

Suo turned to address the voice, finding that familiar face peering down at him, seemingly unfazed by the presence of the gangsters' bodies. 

Suo smiled. "I don't know. My master was self-taught and blended various martial arts techniques."

"Ah, mixed martial arts. How nice," you remarked.

The fact that you could identify so easily his emotions. Perhaps you were like him, if not familiar with the feelings.

From then on, Suo would see more of you, and so did you see more of him, much like a moth to a flame. Time and time again, he found himself crossing paths with you in this quaint café, each encounter leaving him more intrigued than the last. Suo couldn't help but notice the elegance emanating from your every gesture, from the subtle grace that seemed to cloak you like a second skin. 

"Did you want a cup as well? I have more to share," you offered, noticing how Suo had been looking at you for a moment, motioning towards the untouched teacup beside you. 

"If you are concerned if it is poisoned, then I assure you, it is not," you answered calmly as you proceeded to take another sip of your tea, further proving that it was indeed not poisoned, but that wasn't what Suo was curious about.

"Oh, no. I apologize if that's how it came across," Suo admitted, his tone tinged with a hint of nostalgia. "The smell is rather enticing and... familiar."

"Oh? Do tell," you encouraged, patting the seat next to you with an inviting smile.

His lips purse into a thin line before chuckling. "Why, it's nothing special. It just reminds me of past days."

With a blink, you hummed, hesitant to ask any further than that. As if you already knew. "I see."

And as fate would have it, you found yourself sharing more cups of tea with him amidst the cozy atmosphere of the cafe that surprised even the likes of Kotoha, watching the bond between you two with a keen eye. 

Suo being vulnerable may as well be a rarity, but that's exactly the way he felt when he and you would chat over tea. You were just as authentic when he first saw you. To be frank, you both were like two birds of a feather, finding solace in each other's company. A comfortable silence that Suo grew to cherish, much to the astonishment of those in Furin, who would have the uncomfortable experience of coming into the cafe to eat, only to see Suo smiling with a person wearing similarly styled clothes to him, with the same calm-like demeanour and the same mannerisms.

You smiled, pouring another round of fragrant oolong tea. "Your knowledge is truly impressive. It's a rare quality to encounter." 

Suo nodded, recalling knowing the hooligans you were referring to, that being Sakura and Sugishita during one of the many times they fought in the middle of Kotoha's cafe and Nirei standing on the sidelines, shaking in dread.

"I'm flattered," he admitted, "but my knowledge only is minimal compared to the likes of yourself."

You chuckled softly, the sound mingling with the soft clatter of the teacups. "I suppose it's hard to conceal one's roots."

'Hard to hide where you come from, huh…?' Suo mused, a thoughtful expression crossing his features. As Suo's gaze lingered on you, his interest appeared to deepen beyond casual conversation

Perhaps, it was worth staying just a bit longer.

©hxnbi. please do not modify, edit, copy or reproduce any of my works.

[alphajocklover]

Hey ! Recently, I've heard about a guy in my college, a young jock fresh from high school, that honestly acts very weirdly.

Apparently, his friends all went to local universities, while he moved all the way out to the capital, apparently in a bid to get some "elite" education. But that's not really weird, isn't it.

No, the weird thing starts at how he already acts like he's the king of uni, belittling everyone, including those like me who have been here for quite a few years, acting and even stating that he is the "alpha" of our department - as if such an outdated and so obviously false way of classifying people was even remotely correct. But then, he just goes around stating that he needs some "betas". Now, while I can imagine what they must be, those "yes-men" you see in movies accompanying the bully, I can't even begin to see how he wants to bring that to real life ! Especially since he's not in high school anymore !

Well, whatever. The real thing that creeps me out is how he seems to hang out near me weirdly often... Should that be cause for concern ?

Fuck. Fuck fuck fuck fuck. I’ve only just seen your message. Hopefully there's still enough time for me to warn you. What you’ve met isn’t human. Not exactly. He’s… more.

Most teenage boys go through puberty with drastic changes. They shoot up, gain a bit of hair and possibly some muscle. Their voice deepens, and of course they get some… urges. It’s all very natural. But some teenage boys undergo a… startling transformation. They don’t just shoot up, they tower. They don’t gain a bit of hair, they grow bushes of it. Some shave it so that they can better show off their muscles, but most don’t. Muscle isn’t just possible for them, it’s inevitable. They’re bodies become beefy and hard, even without exercise, though most still become obsessed with lifting weights and getting even bigger. But what sets these boys, or rather these men, apart from the rest most are their urges. They don’t just feel the need to cum like most guys. They get the urge to dominate. The urge to show their power. The urge to fuck.

These men are what’s known as Alphas. And no, that’s not just some arbitrary classification. This isn’t some guy calling himself an alpha male because he’s an insecure Andrew Tate obsessed bitch. What you are dealing with is a real fucking Alpha. Once they were normal people like you or me, but something… awakened in them at some point. Usually during puberty, as I showed before, but it’s not impossible to have an Alpha discover his true self later in life. These men, if they can be called mere men, are bigger, stronger, more dominant than the average man. Much more dominant. So much so that the world seems to… bend to their will. I don’t know how they do it. Maybe they have some sort of special pheromones, or magic powers. But what I do know is when they want something, it just happens. If they want to be good at something, they just are. If they want to win at something, they just do. If they want the world, it’s served up to them on a silver platter with a protein shake.

And if they want you to be their Beta, you will be their Beta.

I’m not kidding. They can just.. change people. You’ve probably already seen some symptoms, in you and your friends. A sudden interest in fitness, in sports, in ‘bro culture.’ A strange growth spurt, the kind that really shouldn’t happen after puberty. An increased libido, a simpler vocabulary. And most of all, a great admiration for your Alpha. Not just admiration, a deep love. A need to do what he says, be what he says. Once those feelings start it’ll be too late to save you. Soon you’ll be nothing more than his Beta. Everything about you will revolve around what they want.

It’s not the worst fate in the world. Most people think that if a horny Alpha could do whatever they want to you, you’d end up a brainless sex doll. But more often than not what they really want is a bro. Or, more accurately, they want bros. Alphas are so competitive that they rarely are able to spend extended periods of time together. It’s like having two leaders of a pack. Eventually they end up locking horns. So they find, or rather make, Beta bros for them to hang out with. Big, but not as big as their Alpha. Sexy, but not hot enough to take any pussy away from the Alpha. Cool but not cool enough to take any attention away from the Alpha. There are some differences based on what the Alpha wants. Some Betas are stoners, some are jocks, some are surfers and some are skaters. It all depends on the Alphas personal aesthetic and taste. But Betas are all muscular, horny, hung, and completely subservient to their Alphas.

If you’re lucky, you can get out. Move somewhere far away, and forget about all of this. If you’re lucky the Alpha won’t care enough to go after you. You can keep your identity and sense of self intact.

But if you’re not lucky? If you’re too far under his influence? If your Alpha has taken a liking to you and won’t let you go? Well…

… be grateful you’re his Beta bro and not his Beta bitch.

**3 post in 2 days! I feel like I’m on fire! Guess I’m just very motivated to write recently. Anyways I hope you guys liked this one! Hope mentioning Andrew Tate wasn’t too political. I hate to let irl politics ruin my online fun. Enjoy!**

[pyrrhocorax]

Re: Sweden, Norway, and Denmark's Japanese dialects in Hetalia (and potential implications to their characterization) (with briefer notes about Fin and Ice)

Thanks to @nordickies for being the spark that lit the fire to write this post. This information also personally has informed some of my personal takes on the Nordic 5 for over a decade now, so I hope it is useful. A lot of this was more common knowledge back in the livejournal days of the fandom.

Disclaimer: my Japanese is limited and by no means do I claim to fully understand all of the cultural complexities surrounding this topic. I will try, where I can, to back up my claims with at least somewhat credible sources especially since I am someone who is not Japanese in origin either ethnically or culturally, however I DO know more than the average person would because I have lived in Japan, was exposed from my practical birth to the culture and language waaay more than is typical due to me living overseas, and I have studied the language on an elementary level in several academic settings. I am by no means an expert (I am a wildlife biologist by trade), but all of this is done in good faith, and if you do know more than me (especially since I am limited in my ability to get access to academic texts right now — nor am I going far out of my way to find those, as this is a meta post about Hetalia of all things and I am not going to do a whole giant thesis about this for one post), feel free to correct me and/or send me further resources, as I want to convey as accurate of information I can as possible. Part of my motivation for making this post was to spur conversation and hopefully have others who know more than me contribute to the ongoing conversation, to which, I encourage those who read this post to check the notes for any further updates. Another note that I also do not originate from a Nordic country, so there may also be additional layers people from those countries may be able to add. Thanks! Let's begin.

*********************************************************** Like several characters in Hetalia, the Viking Trio speak in unique Japanese dialects that further make them distinct and characterize them in Japanese. Sweden speaks in a Touhoku dialect, Norway in the Tsugaru dialect (which is a specific type of Touhoku dialect), and Denmark speaks in Ibaraki dialect. The Ibaraki dialect is sometimes seen as belonging to the Touhoku dialect group or the Kantou dialect group, and the classification is debated. Generally, Touhoku accents are characterized by slow speech, the slurring of words together, and the muttering of words — as well as being associated with rural country folk (Kumagi 2011, direct PDF download). This dialect is often translated into English as a redneck/hick accent and drawling speech — and as those who speak it are often characterized or stereotyped as unintelligent folks from out in the sticks. Kumagi cites Inoue (1977) as saying that Touhoku dialects are "degraded at the bottom in the Japanese language" scoring low on "intelligence and emotion-related associations." One American English rough equivalent (not localized, but in terms of reputation in U.S. culture) by my best estimations would likely be Appalachian dialects, which are also stereotypically characterized as being a hillbilly, unintelligent, and rural accent also featuring drawled speech and often truncated speech (source). Like many Touhoku dialect speakers in Japan, Appalachian dialect speakers often hide, mask, or reduce their accent, especially if they relocate someplace outside Appalachia, in order to seem more credible to others, as it is generally seen as an “inferior” dialect of American English in the wider culture (personal/family lived experience, but also a good radio piece on it here). The other way Touhoku dialects are translated in media are as Upper Midwest or Northern Plains dialects of American English (not the most credible source, but a lot that is on here that I can confirm to be correct). This characterization is likely a more accurate candidate for the Nordics (and may be why Hima chose this dialect group for them), as many immigrants from Nordic countries settled in the Upper Midwest/Northern Plains (source, personal experience living in this region for a lot of my life). Touhoku dialects are also a more northern dialect group, which geographically coincides with the Nordics being, well, northerners!

(Map of Touhoku dialects regionally) I have not been able to find any information re: if Sweden speaks any particular type of Touhoku dialect (or if it is more broad), but I will talk a bit about how his speech was transliterated in early scanlations before moving on to the other two. Because of how slurred/more truncated/less intelligible Touhoku accents generally are (and remember, Den/Nor/Ice did not make their appearance until well after Swe/Fin did!), likely early translators decided to chop off letters/make Sweden's speech seem less intelligible in order to convey that to readers. Unlike Norway and Denmark, Sweden also often speaks in shorter sentences/phrases in Japanese, and given that Finland canonically says "it's just hard to communicate with him" (see Running Away with Mr. Sve) that is also likely why early Hetalia scanlators before official translations of the comics were available (note: god this is making me feel old as hell) made the decision to give him the speech patterns that they did, and that ended up spreading through the fandom. When the other Nordics with their regional dialects dropped, given how Sweden’s vocal trait got translated into English and then fandom ran with it to varying degrees of intelligibility, I think the decision was made to not translate Norway the same way to cause less trouble in fanworks, while the Ibaraki dialect did influence how Denmark was translated (more on that below.

Norway speaks in a very particular Touhoku-family dialect within the series that is generally not well-reflected outside of the source material at all. The Tsugaru dialect is spoken in the northwest part of the country, specifically in the western part of Aomori Prefecture — Tsugaru dialect is a particularly unusual dialect, even by Japanese dialect standards, by being one of the most difficult dialects in Japan to understand (source). Even within Japan itself, people speaking this dialect often have to be subtitled on television for other Japanese audiences to understand, and there have been occasions where the dialect has been displayed on television to marvel at how strange and unintelligible it sounds to other Japanese speakers. Sometimes speakers of this dialect have been characterized (or mischaracterized for comedic effect) as French in Japanese because the odd sound and unintelligability of the dialect (source). Kumagi (2011) also states that "[...] within the Tohoku [alternate transliteration of Touhoku] dialects, Aomori [prefecture in which Tsugaru is spoken] dialect is at the bottom [of the hierarchy]," meaning that even among the already disrespected Touhoku dialects, Tsugaru belongs to the worst of the bunch in terms of reputability and respectability in Japanese perceptions. The Tsugaru dialect is a source of fascination, comedy, and disrepute/low standing all at the same time. While we don’t know why Hima selected Norway to have this dialect, I have a few proposals. First, this gives him a similar flavor to the other members of the Viking Trio while keeping him distinct — while Ibaraki is a more southern dialect geographically (for the region), Tsugaru is spoken both more north and more west than it. So if you map their dialects out on a map, their geographical location to each other also somewhat resembles their actual locations as nations to each other in the Nordics! Which is neat!

Second, Hima characterizes Norway has being slightly otherworldly and unusual largely due to his fairy-friends and such. But I also think that he likely chose Tsugaru for him not only because that makes him seem like he’s out of this world, but also because Japan is kind of fascinated by that dialect in particular despite not holding it in high regards by it too — sure, it is a hick accent, but it is an interesting hick accent. I think the fact that Japanese speakers sometimes liken the dialect to French is interesting specifically because of how Japanese people often view the French — French culture something that is often romanticized and idealized, and given how Tsugaru dialect can sound French-ish to Japanese speakers, that may be why Norway is kind of designed as the “pretty boy” of the trio by the fandom? In the same way that “Paris Syndrome” is a thing, where Japanese who go to France are often shocked at how their idealized version of France does not live up to the realities of the country (trust me it's real there is a wikipedia page lol), I think you can argue that in-universe Norway can be seen in a lot of different ways depending on the preconceived notions of how you view the dialect. If you view it as French-like and think it sounds interesting, you may find it alluring/beautiful. If you think it is crass, you'll look at it with disdain and disgust. If you think it just sounds silly and stupid, it is. If you think it is nostalgic (as Kumagi states that this is the only positive association this dialect has) and has a close association with nature/pastoral life because of that, it is. I think Norway in canon is characterized on all four of those axioms at the same time (if you really wanna pull canon receipts I will at another time) which makes this make a lot of sense to me as to why that dialect was chosen for him. Third, I think that given Norway was largely the worst off of the three kingdoms for most of history, it makes sense to give him the worst accent in terms of reputation/status out of all of them, too. Note: specifically, re: how Norway uses "brother" in Japanese is also interesting when referring to Denmark. What he is saying is "anko" (あんこ), which literally means "young man/eldest son" directly translated and is specifically only used to mean that in northern Japanese dialects. A good way to put it is it is like people in the U.S. use "bro" as a catch-all term for a similar-aged guy you are trying to get the attention of kind of informally, in the same way you can say "nii-san" to both mean "older brother" and also "guy who seems older than me I am addressing informally" I guess?? Funnily enough, which I didn't know until researching shit, it apparently also means bottom (homosexual) in prison slang??? Which may or may not be intentional I guess on Hima's part, and could also influence your characterization of Norway as a result. Finally we move on to Denmark. The Ibaraki dialect is characterized by number of things, but for our purposes I think that the two most important traits are the general lack of polite speech and the slightly faster rate of speech (unfortunately, my only written sources I can point to are wikipedia and TV tropes again, but I have heard this orally from someone a long time ago - I looked for more credible sources but couldn't find any easily). Because of it being debated as to whether or not is a true Touhoku dialect or if it is actually a Kantou (more southern/eastern) dialect, I think you can also argue that makes sense given Denmark is kind of the "gateway" into the heart of Europe geographically. People have generally translated this as him being excitable and more casual in the way he communicates to other people. I have been able to find less resources on this particular dialect and how it is perceived culturally, so I will sadly have to leave it at that, but from my understanding he is generally translated appropriately in the manga from what I have seen, with the -in' instead of -ing and ya instead of you to have it seem more relaxed/familiar/casual.

Final notes on Finland and Iceland: I cannot confirm this personally, but from what I can hear from Finland, it sounds like he speaks pretty standard Japanese to me, but take that with a grain of salt since I am not the expert here. Which, dialect-wise, places him as the odd person out (which fits with Finnish being the linguistic outgroup of the five) and also puts him as the relatable “stand in” for Japanese people learning about the Nordics — reminder he is the one who introduces them all in that one comic (see The Nordic 5+a) and even earlier comics (see Running Away with Mr. Sve), and we’re viewing the Nordics from largely his perspective). Since Finland in this series is largely characterized (and often deemed a poor stereotype by Finns) because of the Japanese perspective on Finland/Finns, it makes a lot of sense Hima used him kind of as a self-insert for Japanese readers/viewers to understand the Nordics from, as of the Nordic nations, Japanese folks are likely going to have the strongest familiarity/connection to Finland because of the Moomins. Please take the following information about Iceland with heaping grains of salt, but from a memory, I believe he also speaks the Tsugaru dialect, at least some of the time???? This makes sense he shares the Tsugaru dialect with Norway, as he’s Norway’s in-canon sibling, but I have a vague memory of a meta post I cannot 100% confirm or deny exists re: him only speaking the dialect/the dialect coming out more when he’s alone?? This following is speculation since I cannot confirm/deny that right now with my current abilities, but if it is true, would also be an interesting level to his character and make sense — it puts further distance between him and Norway if he purpsefully doesn’t speak the same way as his brother when his brother is present, and it also is reminiscent of my own experience living with people with discriminated accents who then mask their “less desirable” dialects in their teens/20s so they don’t get discriminated against as they move up in the world. Kumagi (2011) states that "Therefore, young female native speakers of Tohoku [alternate transliteration] dialects feel ashamed of their dialects and hesitate to speak them in big cities such as Tokyo. They are made to feel inferiority complex about their dialects, which are stigmatized as unfeminine". Since Iceland is very much characterized as a teen in canon, I think that this makes sense to do in the broader context of Hima’s choices. The specific reason as to why I state that I believe he speaks Tsugaru some of the time but not always is because there are some panels he speaks without it and some where he does seem to have an accent (HWS Chapter 112, relevant screencap below, this is the only time he speaks like this from what I can find in scanlations/translations, but it has to be a deliberate choice). Would love more info on this from someone who knows more about Japanese than I can do.

Again, please check the original post and/or notes for any future additions that I will add/edit accordingly (with notes as to where/when that happened) if any other relevant information surfaces, but I hope that was at least a little informative and interesting to read. I consulted a bunch of other resources too (read a bunch of papers I could find online), but a lot of those I read several months ago and no longer can find :x otherwise I would list them here.

Let me know if there are any typos/things are unclear, b/c holy shit this took a lot more effort and time for me to write up than I thought it was going to, and I am too tired to proofread it after spending several days on it. X_X

[friskyrisk]

[BIG BOY POST + I DON'T KNOW ANYTHING DON'T LISTEN TO ME] I have to preface this with a HUGEEE disclaimer that an unhealthy workplace is never acceptable, and that the culture of a company being shit is almost *always* the fault and neglect of leadership. That out of the way, as an avid pm fan its impossible to avoid the conversations that have been occurring about PM as a company, and after Ji-Hoon Kim's live stream, these conversations sort of converged on his role in the company and his lack of aptitude as CEO. Second disclaimer, I'm not here to glaze Ji-Hoon as an unassailable god, I think its clear to anyone keeping an eye on whats been happening that he's very suspectable to shitty mistakes. But what's bothered me, and the whole point of this post I guess, is the tone of some of the criticism addressed to him. People have sort of defaulted to the way they talk about every other irresponsible or greedy CEO when talking about him, but I think that misses a lot of important context that's vital to understanding why these things keep happening. Ji-Hoon did not go to university for business communications, or entrepreneurship, or any other fields related to heading a company. Ji-Hoon attended Ajou University for 4 years as a *game developer*, and as a scenario writer for all three PM games, he seemed to have a passion for writing as well. That is to say, Ji-Hoon Kim is an artist. Being a game director and writer are both creative positions, and from my research, he seems to have no prior experience in any other fields. The reason why this distinction is so important is because a lot of the discussion has been directed at PM's treatment of its artists, rightfully so, but its also been tinged by the preconception of CEO's as people who care for profits and growth, often to the detriment of the artists that work under them [A preconception that historically has been proven accurate, BUT only because these people are brought in by a board of directors from the business world] It also largely explains Ji-Hoon's almost nonchalance towards the company, and his controversial statement about wanting to "run it as a club". To many people, this sounded eerily like the corporate "we're all family" excuse that's often given to mistreat workers, but looking at Ji-Hoon's background, and how he started PM as a passion project between 7 people with his scholarship money, as an actual creative, it very much comes across to me as naivety, not malice.

This doesn't abdicate Ji-Hoon completely, and in fact, makes him culpable in other ways. PM has grown to a team of 45 people- its safe to say that it needs leadership from a business savvy, [hopefully] ethical CEO, and that Ji-Hoon simply does not have the tools in his skillset to provide that. However, his work and vision are still vital to Project Moon, and I'd love to see him shift to a position that still has creative control, but that separates him from the business and leadership aspects for the workers and his own good. I'm still quite fond of 300 lunacy man, and I think a CEO as passionate as him has its sets of advantages, but I think he's understandably out of his depth here, and I just hope that a conclusion where all parties are satisfied can reached.

holy yap sesh imma go play demon souls now

[detailtilted]

Comic-Con 2008 - Enhanced Edition of Supernatural Panel

Direct link. Warning: Some of the special content I added has big spoilers for season 4 beyond the original videos.

This video features Jared, Jensen, Eric Kripke, Sera Gamble, and Ben Edlund. If you've already seen the original videos and you're wondering why you'd want to watch this, see the details about the enhancements below. For other enhanced videos, check my YouTube channel or my Tumblr index post.

Video Improvements - Upscaled, fixed bad aspect ratios, improved colors

I received a great deal of help from @sensitivehandsomeactionman on the color correcting. They gave me tips on how to achieve better colors and they even took a screen shot from my video and corrected the colors on it with their own software to provide me with an example of what was possible. Having that example to reference was invaluable for me, because I'm not good with colors.

Without that help, Jared and Jensen would have looked like they were in training to become the world's tallest Oompa Loompas. Any remaining color wonkiness (Wonka-iness?) is due to my own failure to apply what I was taught and my failure to see the colors properly. But look at that difference! I was pretty excited about this.

Combined Videos to Cover Entire Event

As with my other enhanced videos, I combined multiple videos to create as seamless a video of the event as possible, from beginning to end. For my earlier videos, that meant combining maybe 5 videos. For this one, I used a total of 19 videos from 3 different sources. A lot of those were used for the talking head bubbles, explained further below.

None of the videos are my own. My video description on YouTube has links to the original videos I used.

Good, Color-Coded Subtitles

As with my other enhanced videos, I attempted to provide accurate and as-complete-as-possible subtitles. They're color-coded to make it easier to tell who's speaking. This is especially helpful when people are speaking at the same time, or when the speaker is off camera.

Since there were so very many people talking in this video, I doubled up on a couple colors if I thought I could do so without it being too confusing. Here's the complete color key:

Red = Jared Blue = Jensen Brown = Eric Kripke Pink = Sera Gamble Purple = Ben Edlund Green = General audience Yellow = The person asking the questions. In the first half this is the moderator, Alynda Wheat. In the second half, this is the fan at the mic. White = Mostly the publicist (Holly Ollis), but a couple times it's used for people off camera who I believe were Comic-Con staff. Two shades of orange = surprise guests

Additional Clarifying Content

As with my other enhanced videos, I've added some images to help add clarity to the references used by the speakers. I added images of characters and scenes referenced from the show, images to explain various pop culture references, as well as some explanatory text to help add details or clarity when I thought it might be useful.

I mostly kept this extra content to the sides so that, if it doesn't interest you, you can hopefully ignore it and focus on the main part of the video. Unlike my previous videos, sometimes this is on the left side and sometimes it's on the right side. The margins shift depending on where the talking head bubbles are.

Talking Head Bubbles - Jared and Jensen front and center, but other speakers visible too

This "enhancement" isn't anywhere close to perfect, but it sure as heck isn't from a lack of effort. This represented at least half if not two-thirds of the time I spent working on this video.

I always find the Comic-Con videos frustrating to watch. When the camera moves to other people who are talking, I want to see Jared and Jensen instead. I like to see their reactions and sometimes they do funny things that get missed. But when the camera is steadfastly focused on Jared and Jensen, I also get frustrated because I can’t see the people who are talking. Nope, you can’t win with me! I want to see everything.

I attempted to mitigate this frustration by adding talking head bubbles. The main source videos I used were the ones with the most constant and stable focus on Jared and Jensen. However, if one of the other source videos had a decent focus on another guest, I inserted a small window into that other video as seen below. Eric shows up on the left, because that's where he was seated relative to Jared. Sera and Ben show up on the right, because they were on the other side of Jensen.

Like I said, it's not anywhere close to perfect. Trying to make the bubbles look stable was an enormous challenge for me. Behind the scenes the person in the bubble was bobbing and weaving all over the original video frame, so I had to constantly adjust the position of the secondary video to keep the subject centered in the bubble. They also aren't always bubbles. The people taking the videos often had the writers on the edge of the frame because they wanted to capture Jared or Jensen too, so the bubbles start to collapse when they get too close to the edge because there isn't enough video surrounding them to form a circle.

I haven't decided if the end result was worth how much effort I put into these darn "bubbles", so I'd welcome any feedback -- good or bad.

[phoenix-downer]

KH4 First Trailer

This is the first KH4-related translation post I've done (nearly two years late ;lakjsdf my how the time flies), and hopefully there will be many more to come. I'll be focusing on the dialogue and text in the trailer and not so much on the camera angles, character expressions, etc. this time around just because I want to keep the focus on the translations.

Here’s a general key for the kind of analysis I like to do:

JP: Official Japanese Dialogue

EN: Official English Dialogue

TR: My Translation (usually more literal and thus more stilted than the official English version. I’m not using natural-sounding English in order to stick as close to the Japanese versions of the lines as possible for the purpose of analysis)

Notes: things I found interesting, grammatical points, extra thoughts, etc.

One last note: media doesn’t exist in a vacuum. Every work of art must be viewed through the cultural lens of the people who made it. Kingdom Hearts, for all its ties to Disney, is still very much a Japanese game, so it should be analyzed in light of that.

With that in mind, let’s continue.

JP 自分が望む結末ではなかったと絶望するのならー

EN If this isn't the ending you desired—if it brings you despair—

TR If (this) wasn't the ending you hoped for—if (you) feel despair—

Notes: Sigurd is apparently the character saying these next few lines.

The word for "ending" here, ketsumatsu, is an interesting word choice. It is often used in the context of stories (though it also has other uses), which fits really well with how KH4 will play around with the concept of reality vs. unreality. So on a meta level it's like, "If you didn't like how KH3 ended, if you didn't like how Sora ended up, then help him escape Quadratum."

Also, the word the official English version translates as "desired," nozomu, can mean "desire, want, wish for, hope for," and it's an antonym of zetsubō, the word translated "despair." So there's this nice poetic contrast going on between hope and despair in this bit in the Japanese version.

JP 他の世界に退場すればいい

EN then leave this world for another

TR —(then you) should leave for another world.

Notes: This particular word for "leave," taijō, can be used for leaving venues, stadiums, parking lots, rooms, sports games, etc. It can also be used for actors exiting the stage. Take a look at definition #1, which translated states, "Leaving venues, stadiums etc." and #2, which translated states, "Actors etc. leaving the stage" (Source):

I thought that was really interesting, because using a word with these specific connotations makes me wonder if this is more of that meta commentary, this time about how we should direct Sora the character to leave Quadratum if we so desire. Sure, the general sense of "leave" or "exit" is the main meaning here, but I always get so intrigued by word choice and all the connotations a word has.

Also, the phrasing isn't exactly the same, but there is a euphemism in Japanese for the place your soul goes when you die, takai, that uses the same kanji as hoka no sekai that we see in "another world" here, it just uses the onyomi pronunciation instead of the kunyomi pronunciation for "another" hoka/tai and has no no particle.

Googling hoka no sekai brought up a lot of images about parallel worlds and the isekai genre, so that's probably the most accurate connotation given Sora's world traveling adventures thus far, but I still thought that was an interesting tidbit, even if it's a complete reach on my end. Like sure Sora can go to other worlds, but he's still dead, so he's still going to more places where he's dead and can't go home where he'd be fully alive.

JP 選択肢は無限にあるはずだー

EN Your options are endless.

TR (Your) options/choices should be endless/limitless—

Notes: I really like how the English version contrasts "ending" with "endless." You don't like the ending Sora got in KH3? Your options for taking him to other worlds are "endless." The Japanese version has this interesting tidbit too where the speaker conveys an expectation. He says hazu, which means "expected," "should be," "must be." So he expects Sora's options are endless, but it has a slightly different nuance than if he'd just said they are endless.

JP 心は魂に宿り　魂は運命によって在るべき場所へ導かれる

EN The heart resides within the soul which in turn is guided by fate to its rightful place

TR (The) heart dwells in (the) soul, (and the) soul is guided by fate to its rightful place (lit. the place it should be).

Notes: There's not really any difference between the official English version and my translation. It's just interesting to break it down. For whatever reason the "rightful place" of the soul has the verb of existence for inanimate objects (aru) instead of the one for animate objects (iru). Not sure if that's a set phrase or if the soul in this context would be considered an inanimate object (time to go down a rabbithole about animacy in Japanese).

This bit also kinda reminded me of how Xehanort talked in KH3 when he was recounting the cycle of light and darkness. The language has a very "mythological"/storytelling feel to me, which makes sense given whoever is saying these lines is talking about fate, destiny, the nature of the universe, etc. And then the floating text in the darkness also reminds me of the Dive into the Heart sequences with the disembodied voice as well, so it could also be a reference to that.

JP 選択は再び委ねられる

EN The choice is yours once more.

TR (The) choice is left (to you) once more./(The) choice is entrusted (to you) once more.

Notes: Once again, this bit of text seems very meta. It feels like it's addressed to the fans, given how we're the ones who will be controlling Sora in KH4. And of course the image shows his chess piece with his crown symbol on it, so the implication is that Sora's heart will be the one guiding him once more, and his heart will be guided by fate.

JP あなたはこの世界に来て7日間　ずっと眠っていたの

EN You've been asleep since you arrived in this world seven days ago.

TR You came to this world seven days ago (and you)'ve been sleeping (the) whole time.

Notes: I don't love my translation because nanokakan more literally means "a period of seven days," but yeah I think I get the gist across.

Strelitzia refers to Sora as anata here when the norm is to refer to other people by their names in Japanese, even when addressing them directly, so either she doesn't know his name yet or she's being very polite, almost distant. She also ends her declaration with no, likely to indicate she's offering more of an explanation (it also makes her sound pretty cute and feminine).

Also, as I'm going through this trailer again, I'm reminded that Sora doesn't talk at all. He has the battle grunts during his fight against the Darkside, but he doesn't have any dialogue. I just thought that was interesting, because Xehanort commented on Sora not having a voice in Melody of Memory as well. Somehow that also told Xehanort where Sora's heart is located (foreshadowing for this game I suppose). I wonder if Sora will be similarly voiceless at first in KH4 or if he just is for this trailer for dramatic effect because Nomura knows everyone wants to hear him speak.

And then of course I have to mention the significance of Sora being asleep in Quadratum for seven days. Seven has a lot of significance in the KH universe, given how there are seven guardians of light. Seven is also the length of a week, and it's a number that has connotations of wholeness and completion in certain cultures.

JP ここは クァッドラトゥムー

EN This is Quadratum—

TR (This is) Quadratum—

Notes: Not really anything to note here other than the gorgeous graphics, how Sora doesn't look at all like his usual cheerful self (no smile to be found), and the colors in Quadratum seem very warm/brown/earth tones/"real" and not super bright and colorful like in the "main" KH universe.

JP 生者の世界では���るけれどー

EN It's a world full of life—

TR (It's) a world of living people/the living but—

Notes: Seija is translated as "full of life" in the official English version, but it more literally means "living people" or "the living." So Strelitzia is pointing out that all around them are living people and yet, for her and Sora, it's still a world of death because she and Sora should be dead.

JP 私たちにとっては“死の世界”ってことになるみたい

EN but for you and I, it's similar to an "afterworld," I suppose.

TR —for us, (it) seems like it's "a world of death."

Notes: This is where I wish the English version was closer to the Japanese version. "World of death" or "world of the dead" would've been a closer translation, and I'm not sure why it wasn't used (perhaps to avoid mentioning the dreaded "d" word). I do like the pun-like quality of "afterworld," combining "afterlife" and the oft-used-in-the-KH-universe "world," and since the translators have access to information I don't about the game's lore, I can't say whether crucial lore has been lost in translation, but I wanted to point out the difference here.

Also, the grammar pattern Strelitzia uses here, koto ni naru, indicates something that's outside of her and Sora's control. This being an afterlife of sorts for the two of them was decided by factors beyond their control, in other words. She also uses mitai to indicate her speculation/observation.

JP だがー

EN However—

TR However—

Notes: This is back to Sigurd speaking, and very ominously so.

JP 一度退場すれば元の世界に戻れると思うなー

EN if you do leave this world behind, don't expect to return to the one from which you came—

TR —once (you) leave, don't think (you) can go back to (your) original world—

Notes: This ends on a rather ominous note. Again the word taijō is used here for "leave" much like earlier in the trailer. I remember this dialogue when I first watched this trailer because it was such a wham line. What do you mean Sora can't go home? He can go to other worlds but he can't go home? What will it take to bring him home then? Something pretty drastic from the sounds of it.

Also, I like the formal wording of the official English version. Sigurd sounds like he's from a different time.

Then of course this next bit cuts to Donald and Goofy, searching for ways to find Sora presumably:

JP どこにいるんだろう？

EN I wonder where he is.

TR (I) wonder where (he) is.

Notes: Nothing really to talk about, just that the "I" and "he" is implied in Japanese (Japanese tends to drop pronouns in places they would be required in English because there's enough info provided by context, verb conjugations, etc. to figure out who the speaker is talking about).

JP 手がかり見つかるといいね

EN I don't know, but I sure hope he can help.

TR I hope (we) can find (a) clue.

Notes: A bit of a difference here, Goofy is focused more on finding a clue in Japanese whereas in English he's hoping "he" (Hades, presumably) can help.

JP おい

EN Hey!

TR Hey!

Notes: Hades' Japanese VA has a very distinctive voice, and so right from this word you know it's him a;lsdkjf and he's as snarky and blunt as ever lol.

JP どこへ行くんだ

EN Just where do you think you're going?

TR (Just) where (do you think you)'re going?

Notes: I love the sass and snark of the English translation, and it captures the vibes of the Japanese version well (Hades uses ~nda at the end of the sentence to indicate he wants more information out of them). They found Hades, but now they'll actually have to deal with Hades...

And that's what I have for now! I am curious about what promo material will be released next and what new tidbits we'll have to speculate on. Fingers crossed we get more info around the anniversary this year!

The Japanese trailer is here.

The English trailer is here.

[pineappleciders]

warning for abuse/SA mention (brief)

feeling so disappointed with the state of hoyoverse rn,, i don't rlly talk ab my genshin interest bcuz it's Kinda cringe but i've been playing since release and i'm a huge fan of hi3 and hsr as well,, mostly cuz i love building characters n beating content and theorycrafting and stats,, and at the moment with natlan and hoyoverse continuing to hire predators i'm just😕😕

sean chiplock, dilucs ENG va has been exposed as a groomer and hoyoverse has done nothing 2 acknowledge it,, and them hiring someone who admitted to SA and then turning off replies to ur tweet,, insane,, and tighnaris newer ENG va being a zionist;

honestly i don't know how a company can fuck up this bad, like everyone knows companies suck and that they're all greedy but . i mean what can you expect from a company that profits off of gacha mechanics. i've never liked hoyoverse, before carole pepper came out, when xinyan was p much the only char with racist undertones, and it just seems to get worse and worse. listen if hoyoverse doesn't want to add diff skin tones and represent cultures accurately whatever. but why on earth would you go out of your way to try and create a culturally diverse game. like if you can't make dark characters and represent natives and mesoamericans and mesopotamia correctly then why try?? all you'll end up with is a racist mess?? just make white+east asian countries if you hate dark people that much😭😭

i wasn't rlly playing for sumeru release so i didn't get to see the bombshell of every character being the color of mayonnaise. and natlan is just a huge mess like why do you have mesoamericans, indigenous americans, and polynesians all grouped together?? with african inspirations?? why the hell is the hawai'ian girl dancing with maracas??? this is just sad and i'm a lil upset to see a bit of a comforting game for me snowball downhill like this. hopefully they start giving a fuck in the future but idk🫠

[deirakizuna]

Kalim's Birthday Fanart

As some of you may be aware already, for each twst character’s birthday i tend to make art of the birthday boy to celebrate, and my plan for this year was to use said art to promote different charities and local stores from countries in need. The next birthday on the list is Kalim’s and I wanted to make it special to promote a lot more charities than usual in a single post for the following countries: Iraq, Jordan, Lebanon, Palestine, Syria, Turkey, Tunisia and Yemen (I wanted to include Sudan as well, but I’m not sure if it would be okay to do so given the fact that it’s in Northeast Africa, either way I’ll be making another special art piece focused on African countries for Leona’s birthday but I really want to add Sudan to Kalim and Jamil’s art as well, please do let me know if that’s alright).

My plan for these is to put Kalim in these countries’ different traditional clothing (yes, all of them if possible, I like to put the boys in at least 2 different outfits for their birthday and I don’t mind putting them in more if given enough time), and while I’ve found something in my investigation I also feel unsure of how accurate said information is, as well as the fact that I haven’t been able to find good reference for each article of clothing (most pics I’ve found are low res and I can’t see the details like that). So, after consulting with my sister about it, I decided to make this post to ask for help for this, since I’m not from any of the countries mentioned and I truly don’t want to end up doing something offensive due to lack of information when my objective is to try and bring more attention to what is happening there and hopefully spread the charity links to help the victims.

So please, if you can help me in any way to verify the information I gathered or link me more sources and references I can use (especially if you’re a part of any of these cultures) I would be incredibly grateful!

Notes and List of sites I gathered and consulted under Read More.

Notes:

My plan for Kalim’s outfits based on the information I have so far goes like this:

First outfit: white Thobe w/ embroidered neckline and cuffs + red and white Kuffiyeh/Shumagh (possibly over his shoulders instead of in his head, but I might change it) – OR – Kurdish traditional clothing (sharwall, long sleeved jacket, dress shirt and pshtwen/pshten).

Second Outfit: simple white Dishdasha + Champagne colored Bisht (given his social standing, please let me know if it’s innapropiate) + classic black and white Kuffiyeh/Shumagh.

Third Outfit: Dishdasha w/ blazer + embroidered belt + Jambiya + Shawl wrapped like a turban (colors and patterns not yet decided).

Fourth Outfit: Jalabiya + scarf + skullcap (colors and patterns not yet decided).

I don’t really know if that number of outfits is enough to represent all of the mentioned cultures or if I should add more, so please let me know! I’m also trying to find more reference pictures so that I can be as accurate as possible, so links to online shops that sell these garments also work pretty well for me (preferably, with models wearing them so I can see how the fabrics and layers interact with movement).

Sources I’ve found/consulted so far:

Arab Clothing: The Ultimate Guide | IstiZada

Video: Muslim Dresses Around The World Countries 2022 | Islamic Traditional Cloth For Men | Islamic Updates - YouTube

What is a dishdasha and how is it worn? (custom-qamis.com)

What is the Difference Between a Thobe and Dishdasha? – newarabia

Bisht | Abu Dhabi Culture

Clothing – The School of Abbasid Studies

Home - Nationalclothing.org

Clothing - Kurdish Central

Again, thank you so much for the help! If you also want to send me links of charities whose proceeds go to the mentioned countries, that would be just as appreciated!

[literaticat]

With parents/guardians regulating  (I hate the word but I think it's accurate) what they want kids to have access to, it makes libraries and the poor librarians have to fall in line and carry what only certain parents 'approve of' (to the detriment of us all). And publishers and writers might not take chances on books they know might be banned or challenged. 

Sooo how much power/influence do publishers really have? I mean in society and pop culture, I guess. I feel like publishers are beholden to everyone no matter what side of the political spectrum you fall on. 

And that old adage 'if you try to please everyone you will please no one' is starting to really be the truth. The recent Scholastic fiasco comes to mind.

(so sorry in advance this turned into a lengthy rant that doesn't answer the question) (but then again, I am not even sure I get what the question part is, so OH WELL, strap in for some book ban talk!)

A very small minority of unhinged, ridiculous parents and horrific politicians are actually trying to ruin schools and libraries for everyone. I mean:

Louisiana has current legislation that would criminalize libraries joining the American Library Association. (ie, yes, a librarian could be ARRESTED AND SENTENCED TO TWO YEARS HARD LABOR what the actual fuck???)

Utah has a law that allows any district to pull any book that any other district has pulled

Florida "moms for liberty" (LOL - FU) are trying to have librarians arrested -- Again and again -- etc etc --

I could keep going but I actually have to work at my job THWARTING BOOK BANNERS today!

So just for what it's worth -- I don't think most librarians want to or are "falling in line" and bowing to these parents. Librarians, hopefully, want to make a library that has a collection of material that will best serve all their patrons. And it truly is a very small number of patrons that launch these bizarre campaigns against books.

They do have budgets though, which are also being slashed in many cases, and obviously if they know that their particular community leans toward a certain mindset, they might make choices that reflect that when curating their collection, sure. But yeah -- all the librarians I know are big fans of free speech and freedom to read, and are willing to go to bat for that -- that's why some places are going so far as to pass LITERAL LAWS against librarians, because short of that, librarians are tough to stop!

I would say, too -- Publishers are not trying to "avoid bans" (I mean they aren't ENCOURAGING them either obviously!) -- but in my experience, they simply don't think that way when deciding what to acquire. They can't, because the fact is, it doesn't MATTER what the book is about. A book doesn't have to have "scandalous content" for people to want to ban it -- PICTURE BOOKS are being taken off shelves -- books with themes like embracing your own beauty. Or making stew with neighbors. Lots of times books are challenged for pretty blatantly racist reasons -- no reason at all, actually, other than a BIPOC person wrote it so it must have "critical race theory" (???) in it. For reals.

(Also -- these "banners" / "moms for liberty" aren't READING the books. It is a few people using canned language that somebody else came up with to paper objections to books across districts where they don't even have children. I'd argue that whoever is pulling the strings here doesn't actually even care about ANY of this -- they are using some batshit people who have too much time on their hands to just heap school districts and public libraries with challenges about every last thing because they want it to become so difficult and annoying that the librarians and library boards just give up. They want all libraries and schools to be privatized. I dunno - follow the money.)

Ugh. Again -- this is probably not answering your question??? Sorry, and I really do have to stop typing now. I guess my point is :

Publishers are beholden, in some cases, to their shareholders -- but really, to readers at the end of the day -- most readers want freedom to read and the free exchange of ideas and freedom of speech, etc -- those are the people who pay for books -- so that's who publishers cater to.

Librarians are mostly pretty staunch advocates for free speech and freedom to read, and publishers are supporting them as well.

Writers hopefully, same!

(In the case of the "Scholastic Fiasco" -- Scholastic wasn't trying to bow to nasty parents, exactly -- they were trying to protect the educators who might get harassed, fired, or potentially arrested by those nasty parents. Unfortunately, as you say, it blew up, because you can't have it both ways, etc etc.)

I really do have to go now sorry I couldn't solve book banning this morning :-/

[anti-kawaii-daily]

hii!! can you talk a bit more about anti-kawaii? is it about being the opposite of kawaii or being kawaii but not in a mainstream way?

Sure thing!

In Japan starting in the 1970s, there was a cultural phenomenon called "kawaisa" (or 可愛さ in the original kanji), and it quickly became a staple of Japanese pop culture (and to a lesser extent other East and Southeast Asian countries as well). Kawaisa essentially turned Japan from the warrior and power based culture that was present in the country up until the end of World War II (which led to many theorists jokingly or not speculating that the reason this cultural shift occurred was due to Japan losing the war) into a country that places cuteness above all else in mainstream culture.

Since languages and terms evolve over time, eventually kawaisa became known as "kawaii", the most well known term for cuteness there. Kawaii culture is taken very seriously there, with things such as packaging on products and industrial products having elements of cuteness.

These construction barriers are a great example of kawaisa/kawaii in even the oddest places.

However, with time people began to get a bit fed up with mainstream kawaii due to essentially feeling like it's either A, promoting consumerism; B, used as a way to dismiss and discard "non cute" societal things such as illness (physical and mental), nonstandard and nonconventional standards of beauty, etc. ; or C, folks just got tired of it.

Enter the Superflat movement and anti-kawaii...

The Superflat Pop movement essentially criticized the consumeristic elements of kawaii culture, and soon enough it began to grow into what is now known as "anti-kawaii". This movement essentially allowed people to view the whole idea of cuteness in a much wider spectrum that before (even Erokawaii, which while on the kawaii spectrum, essentially allowed women to not feel like their sexual liberation makes them less cute or desirable by society, thus making it a bit of a middle ground between kawaii and anti-kawaii in my opinion).

If you are interested in learning more about kawaii culture in general I suggest checking these links out.

Sorry for the long answer bud, hopefully it's accurate.

[franki-lew-yo]

It says so much about Ben Shapword as a person that he was threatened enough by Bluey to greenlight Chip-Chilla.

I mean this in the nicest way possible, but nothing about Bluey is striving for being ''progressive'', at least not by rightwing standards. It's no Owl House or Steven Universe. Outside of the ep where Bluey makes a French friend and the Heelers celebrating Easter I can't ever recall the concept of religion, ethnicity or heritage being important in the series. Don't think I've ever seen a gay couple or pride flag in the background, neither. Obviously I don't think the show being made for little kids and/or about anthro dogs means you can't talk about concepts like that, it's just that Bluey doesn't even attempt that. In fact because it IS made for and about small children I would argue that's the reason there's no big talk about money problems in the show and all the characters seem well-off.

My point is, unless Steiner/Waldorf schools became a tool of the left when I wasn't looking (they're not; Waldorf schools teach pseudo science and are sometimes antivax. Hopefully not in Calypso's class but yeah now you know what to look for when you google 'waldorf school controversies'), Bluey is about as 'woke' as modern day Peanuts or Illumination. It's inherently nonthreatening and non-confrontational of bigger concepts outside of what's universal to kids and the kid characters. It'd be interesting if they had a LGBTQ character or a talk about (dog?)race and culture, but overall the show seems 'safe' from that stuff that makes conservatives cringe. So at first glance you think Chip-chilla is just a "want to cash in/draw people away from sinful mass media"-thing. Still disgusting but honestly par for the course. Christian programing meant to be a 'safe' alternative to nasty secular shows isn't new.

And then, it dawns on you:

Bluey gets confused for a boy by those who don't watch the show, kind of like how people misgender Bambi, Tweety or Peppermint Patty sometimes.

Chili and Bandit both work and have equal time to be the at-home parent with their kids.

Dailywire is offput by a girl character not being definitively feminine from first glance. Dailywire can't stand the idea of a man being a home husband. They not only see these standard lifestyles as threatening, but that this alone is trying to 'push' something on them when it's just, you know, trying to depict accurate home life of most kids.

What hope do trans people have even existing in the world when a cis girl without eyelashes is a threat to you? What kind of person looks at a dad (who isn't even a fulltime homehusband) having a nurturing relationship with his kids and thinks "DEGENERATE!"

I don't have to answer. You all know the kind of person.

On a happier note: I'm very curious how Bluey would go about addressing that real world representation I was talking about. I think that could be done well but, considering how the exercising episode was received by some adults, no doubt there'd be controversy. And I mean controversy inside the communities they're talking about, not pundits like Ben who'd have a heartattack over a progress flag being in the background that's never even addressed by anyone. I can see an adult character walking off with their same-sex partner or maybe a new classmate who's muslim and wears a hijab just being there and some people being concerned they're not handling it right/well enough. Which is probably why the writers just have steer cleared of it, I think.

If there's one gift Benny boy gives us all it's making us realize that that kind of discourse is always preferable the one where garbage people have no care for others.

[thatdiabolicalfeminist]

Hi, saw one of your reblogs about masking and wanted to ask something. Sorry if you're not the right person to ask, feel free to ignore, I just haven't got anyone irl that even cares anymore. I've been masking daily this entire time ever since the pandemic first started, but I'm beginning to wonder, when are we going to be able to stop masking? Is there anywhere you can recommend where I can inform myself about this, about what our outlook is like re: COVID and other safety precautions and that type of stuff? The government's position in my country is pretty much just "masks are no longer mandatory" (I wasn't even allowed to get a booster this year, they're apparently not recommended for under 60s here unless you're high risk), and there isn't a culture of masking when sick here, so almost no one does, not even doctors. And it's starting to affect me socially as well, you kind of end up socially excluded/ostracized quite a lot when most places you go you're the only one masking (which I realize is not as bad as death or long COVID but I do have to admit it's getting to me). I guess I'm just wondering if there's anything else to look forward to other than masking indefinitely?

I'm really sorry but unless and until there are widespread, systemic safety measures in place, as far as I know masking is gonna continue to be your best option in terms of protecting yourself and others from covid and its complications :(

There are less effective but still useful options, like the covixyl nasal spray and nasal sanitizers, and iota-carageenan nasal spray and/or cpc mouthwash as post exposure prophylaxis—but those are most effective when paired with masking.

If you do at any point decide to stop masking, altogether or in certain situations, I hope you'll consider using some of those preventative tools. They're dramatically better than no protection at all.

Air cleaners like the corsi-rosenthal box can help if you're in a space where you'd be allowed to set that up. Socializing outside helps a little esp if you're spaced out.

But unless systems get put in place to overhaul ventilation systems and quarantine sick people etc the most effective option I'm aware of as an individual is a well-fitting N95/kf94/kn95 mask with no gapping at the cheeks or anywhere else.

It might be worth finding out who in your area is organizing to try to demand or implement better covid safety measures, and see if you can join them. Try disability advocacy groups—even if they don't have a project like that in place they may either know who does or be willing to help you set one up.

Lastly, I'm just repeating info I've taken in (hopefully accurately) from medical journal articles. I'm just an ordinary person, I'm not an epidemiologist or virologist or medical expert of any kind, so please do your own research as well. Make sure any info you accept as for-sure accurate is from peer reviewed medical studies published by credible scientific journals.

[vldkeith]

character bios for my fanfic! 🎥🪩

y'all know how i'm writing a lengthier au fanfic right now right? well i have character bios/intros for it! these basically lay out who everyone is in this au. i just think it's neat and hopefully gets ppl excited 👀

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takashi shirogane - extremely talented actor with a lot of social capital, despite the fact that he is an out gay man. played the adorable, lovable leading man in rom-coms and sitcoms for a while and has recently graduated to more dramatic roles, which he excels in. everyone seems to love and respect him for the most part. picked up keith when he tried to steal his car at a younger age (10?) and hasn’t stopped looking out for him since; they’re like brothers. 

keith kogane - guy who hates celebrity culture but got foisted into it due to his association with shiro. has a reputation for being handsome goodboy shiro’s naughtier younger brother who flips off the camera, punches paparazzi, and has no filter. hates every moment he’s forced to endure hollywood life, but does so to protect and be there for shiro. has been smeared by the tabloids extensively, both for being a delinquent and for being gay. keith did not choose to come out, like shiro had before him, but instead was outed by a member of a gay forum he frequented who figured out his identity (he was 17 at this point). hates society and has a chip on his shoulder.

lance mcclain - starry-eyed hopeful fresh off of his first non-extra role and new darling of the press. gunning for lead man roles in romcoms; knows he’s bisexual but doesn’t want to come out for fear of his family’s reaction and because he believes it will smear his reputation and thus chances to get the roles he wants. this view is understandable and pretty accurate, but it means that he is actively hiding himself and presents intense complications when he and keith start being “a thing.” has a reputation for being charming (if a little sleazy) and flirty with women, which is both natural to him and carefully cultivated so he has the best chance at getting romcom roles. he idolizes shiro–in part because he’s an out gay man, though he’d never admit that–and wants to be mentored by him so badly he’ll make himself a nuisance in shiro (and keith’s) life until he can. 

(more under the cut)

allura altea - orphaned daughter of famous actress mother and professor father who died in a hit-and-run when she was 16. keith’s best friend; they’ve affectionately dubbed themselves the “dead parent’s society,” but the press likes to call them “?????.” allura was being brought up as a future actress by her parents, having starred in many dcom-esque roles as a child, but when they died she quit all of that and kind of just does her own thing now. currently, she’s enrolled in UCLA as a politics major. 

coran wimbleton-smyth - retired acclaimed director who occasionally signs himself on as a producer for works he thinks are particularly meaningful. he’s the producer for shiro’s next film, a sci-fi space opera a la the hitchhiker’s guide to the galaxy, and he’s gunning for shiro’s character to be explicitly gay. genuinely good-natured and wants to be involved with his projects; has a reputation for being the kind of director/producer to bring donuts in for everyone and cancel shooting days if the weather gets too hot. would support the current (2023) strikes. wants to see everyone succeed, but especially shiro and his family. 

hunk garrett - lance’s bestie and bisexual-awakening! aspiring personal chef to celebrities, but currently works at a restaurant and attends california institute of technology for engineering, because why not? met lance when lance went to eat at the restaurant he worked at and liked the food so much he asked to personally thank the chef; hunk had changed the dish last-minute as it went out the door, ratatouille-style, and so he gets the credit. they’ve been besties ever since! 

matt holt - lance’s young agent! saw potential in lance because of their shared personality-type, but he can be ruthless when it comes to matters of public opinion and which roles lance should take, which lance both appreciates and dreads. committed to doing what’s best for lance’s career, whatever the cost.  katie “pidge” holt - matt’s younger sibling that is pushed into lance’s orbit unwillingly due to her big brother’s job. hangs around because, whatever he may say, she really does like lance as a friend, and warms up to hunk quickly once they meet due to their shared interest in engineering/computers. has a geocities website dedicated to weird lizards and insects. low-profile enough to get away with things none of the others could manage.

nyma - shiro's ruthless but skilled publicist. knows how to turn public opinion around her finger, all while pretending to be innocent and nice the whole time. this doesn't mean she's uncaring, though; sometimes she'll let slip that she actually cares about shiro and keith's images because she cares about them, not just because it's her job and reputation on the line if she doesn't. isn't afraid to advise them to do painful and sometimes downright demoralizing things, but it's always in the interest of saving their necks, at least from her perspective.

--

this isn't an exhaustive list of the voltron characters that will be included btw; i'm going to find a way to put adam & romelle in if i have to die for it. but these are the main cast i have so far :) let me know what you think!

[genericpuff]

Your criticism about LO SA arc makes me worry about my own comic I'm creating because it happens thrice that my main character makes a gesture that my second main character interprets as romantic due cultural differences, and I really want it to come across as character is just being dumb and not deliberately disrespecting a no.

I mean, if you're a creator, take my criticism of LO more as pointers. And even then it's not one-size-fits-all advice. What applies to LO may not apply to you. The reason I harp on LO the way that I do is because I know a lot of its content is problematic in its origins and isn't trying to make any sort of profound point. Like, if it were a series that was intentionally showcasing problematic characters and trying to send a message about their behavior, that would be fine, but it's the fact that you can tell Rachel's just writing it as a self-fulfilling power fantasy for herself and so the messaging that comes across is very gross.

If you set goals with your writing and know what kind of messages you're trying to convey, you hopefully won't be running into those issues. Simple misunderstandings from dumb/oblivious people is like, the pillar of romantic comedy LMAO Like if you're making it clear that these characters are just on the wrong wavelength with each other (which you've already conveyed perfectly in your ask) then no one's going to get mad at you lol LO's issues with its SA plot go a loooot deeper. The SA itself isn't even a poorly written scene, I think it's very accurate to what many women can and do experience, but it's Rachel's mishandling of the plot that shows she clearly has no plan to resolve the issue (or didn't see it as SA in the first place) and evidence of her fetishizing abuse in her past works that the issue boils down to and from the sounds of it, that's likely not something that applies to you lol

That said, if you do feel like what I have to say about LO's handling of its SA plot is speaking to you on some level, then again, take it as pointers, not as premeditated criticism of your work - make sure you still take it with grains of salt and engage with other points of advice as well because that criticism was written for LO and the context that it exists in, not your work !