#houy meas

[gildedspine-remaking]

នឹកស្ងួនពុំងារ ដែលឃ្លាតឆ្ងាយគ្នា បាត់ទៅសូន្យឈឹង ម្តាយនៅកំព្រារងាតែនឹង បុត្រីព្រលឹងតែមួយ .

[betsybugaboo]

Oun Srolanh Tae Bong Mouy by Houy Meas except it plays from your phone’s speaker as you walk home from work through the dark summer night. It’s the perfect temperature out and you enjoy the solitude the night offers.

[nikitasbt]

Don't Think I've Forgotten (2015): Cambodia's Lost Rock and Roll

A documentary film Don't Think I've Forgotten by John Pirozzi is a great work unveiling and exposing the obscured refinement of Cambodian rock and roll of the 1960-1970s, as well as the most poignant events of the Cambodian history occurring under the rule of Khmer Rouge. The Cambodian culture of pre-communists' era had almost disappeared, as the regime has been seeking to eliminate all the links with the past Western influence and older cultural achievements while establishing a new agrarian state. However, some shreds of evidence and memory had survived, and the film Don't Think I've Forgotten aims to revive the beautiful Cambodian music.

The film consists of interviews with the survivors of Khmer Rouge Genocide, historical footages of the 1960-1970-s, Western news reports on the events in Cambodia and of course lots of music. After all, Don't Think I've Forgotten is a musical film, and during the first hour, the viewers learn about Cambodia's development in 1960-s and prominence of their music. The last part of the film is more focused on historical accounts. Cambodia gained independence in the 1950-s overthrowing. Under the leadership of Prince Niradom Sihanouk, the music was encouraged to grow and spread across the country. It was highly influenced by the Western and particularly American culture, so the most important and popular genre was rock and roll. This music has been also in the zenith of popularity at the time of Lon Nol's Khmer Republic (1970-1975), however, Khmer Rouge had put an end to it after the fall of Phnom Penh in 1975.

The first singer of the 1960-1970-s Don’t Think I’ve Forgotten tells about is Sinn Sisamouth (born in 1935). The most influential Cambodian singer of the 1960-1970-s, he has been mixing different genres from rock and roll to jazz and blues. His popularity was tremendous. Don't Think I've Forgotten tries to recall the details of his biography, though very little is known. Being one of the obvious targets of Khmer Rouge elimination of cultural influencers, he disappeared in 1976, and the circumstances of his death and unclear.

Ros Serey Sothea (born in 1948) was the most prolific and prominent lady in Cambodian music of the following period. The film features an interview with her sister who had survived the Cambodian Genocide and other musicians and music fans sharing their memories. Ros Serey Sothea had recorded hundreds of songs during her short career and died under unknown circumstances at the age of 28-29. In Don't Think I've Forgotten the viewers hear the records of her golden voice and see the rare footages and pictures with Ros Serey Sothea and the front covers of her original records.

Pen Ran credited as the Second Voice of Khmer music scene shares the same fate with Ros Serey Sothea and Sinn Sisamouth. Nobody knows the way she died. Yet her music and distinctive strong voice still live, and this film is a great claim we have not forgotten the beauty of this music. This documentary also comes across the stories of other Cambodian bands and singers, such as Baksey Cham Krong, Drakkar, Houy Meas, Yol Aularong and others. It’s not only focused on Cambodian rock and roll, as the singers used to mixed genres. It’s about the obscured music culture of Cambodia in general. Profiling the work and commitment of these musicians is the greatest achievement of John Pirozzi's film.

Above music and accounts of Cambodian musicians' lives and careers, the viewers get a historical glimpse into the rapid change of regimes in Cambodia in the 1960-1970-s ending up with Khmer Rouge tyranny and Cambodian Genocide. How could anybody allow such a slaughter of their own people is a question we are asking ourselves while watching this film. The Cambodian Genocide had killed around 2-3 million people (which is 25% of the country's population). The target of the regime was to eliminate any influence of the Western world and to build the reserved self-sufficient economy and agrarian state. To prevent dissidence, the soldiers have been killing educated people, artists, musicians and those who refused to leave the cities for working at the collective farms. They have been spotting everybody who could possibly be a dissident, in order to kill him or her. Elimination of the musicians was one of the main points, as the music is very influential. One could have been killed for listening to the old music, singing the old songs or having a record of pre-communists' musician in possession. Khmer Rouge wanted to erase the memory of the past open culture, and the obscured musician of the 1960-1970-s became martyrs along with the whole Cambodian nation going through one of the most brutal crimes against humanity committed by any regime.

The brilliance of Cambodian traditional rock and roll of the 1960-1970-s and these sublime voices the Cambodian singers used to sing is something the world has to know more of. A documentary film Don't Think I've Forgotten is a glimpse into those days with the eyewitness accounts of the musicians, artists, directors who had survived the Cambodian Genocide and more than twenty catchy tunes of the 1960-1970-s. John Pirozzi's film is a glance at the tragic events from the eyes of the musicians whose contribution to the nation's culture was essential. Even though almost all of them have been slaughtered, beauty is immortal, and this film is a manifestation of the fact that the world has not forgotten those days and culture.

[delightfulconnoisseurgentlemen]

COVID-19 Impact Analysis on Active Magnesium Oxide Market | Insights on Strategies of Key Players Nippo, Konoshima, Henan Qianghong, Meishen, Lihe Fenti, Houying Group

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The research study on global Active Magnesium Oxide market presents an extensive analysis of current Active Magnesium Oxide trends, market size, drivers, Active Magnesium Oxide opportunities, challenges, and problems as well as key Active Magnesium Oxide market segments. Further, in the Active Magnesium Oxide market report, various definitions and classification of the Active Magnesium Oxide industry, applications and chain structure are discussed. In continuation with this data Active Magnesium Oxide report also covers the marketing strategies followed by Active Magnesium Oxide players, distributors analysis, Active Magnesium Oxide marketing channels, potential buyers and Active Magnesium Oxide development history. The intent of global Active Magnesium Oxide research report is to depict the information to the user regarding Active Magnesium Oxide market dynamics and forecast for the upcoming years. 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For the purpose of this report, stats and data have segmented the global Active Magnesium Oxide Market on the basis of end-users, type, and region: Companies considered and profiled in this market study: Nippo, Konoshima, Henan Qianghong, Meishen, Lihe Fenti, Houying Group, Xingtai Kaimei The companies have adopted various strategies, including mergers, acquisitions, and partnerships to hold ongoing trails and come up with new developments in the Active Magnesium Oxide market. End Users Outlook (Revenue, USD Billion; 2021-2026) Active-150, Active-120, Active-80 Type Outlook (Revenue, USD Billion; 2021-2026) Pharmaceuticals, Plastic & Rubber Industry, Personal Care & Cosmetics, Paints & Inks, Pulp & Paper Industry/Food & Beverage Regional Outlook (Revenue, USD Billion; 2021-2026) North America (Panama, Mexico, Barbados, United States, Canada, Puerto Rico, Trinidad, and Tobago, etc). South and Central America (Brazil, Chile, Argentina, Belize, Costa Rica, Panama, Guatemala, El Salvador). Europe (Spain, Netherlands, Germany, Sweden, Switzerland, San Marino, Ireland, Norway, Luxembourg, etc). Asia-Pacific (United Arab Emirates, Qatar, China, India, Hong Kong, Korea, Israel, Australia, Singapore, Japan, Kuwait, Brunei, etc). The Middle East and Africa (Egypt, Algeria, Nigeria, South Africa, Angola, Saudi Arabia, Bahrain, Oman, Turkey, Lebanon, etc). KEY COVERAGE OF THE REPORT 1. Region and country-wise data of the global Active Magnesium Oxide market from the period 2016-2026. While 2016 to 2018 has been utilized as historical data, 2019 is considered the base year. 2020-2026 has been derived as forecasts. 2. Various types of alternatives available have been analyzed. Statistical analysis has been conducted on obtaining the individual share of these segments. 3. The regulatory framework of each region. Regional up-coming research and application outlook. The regional prevalence of Active Magnesium Oxide has been mapped. 4. Status of ongoing developments. Demand and Supply GAP Analysis 5. Regional Competitors Pricing Strategy. Market share analysis of the top industry players. Strategic recommendations for the new entrants 6. Market Trends (Drivers, Constraints, Opportunities, Threats, Challenges, Investment Opportunities, and recommendations) 7. Strategic recommendations in key business segments based on the market estimations. 8. Competitive landscaping mapping the key common trends. Company profiling with detailed strategies, financials, and recent developments.

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Table of Contents Chapter 1. Introduction: The Active Magnesium Oxide research work report covers a concise introduction to the global market. This segment provides assessments of key participants, a review of Active Magnesium Oxide industry, outlook across key areas, financial services, and various difficulties faced by Active Magnesium Oxide Market. This section depends on the Scope of the Study and Report Guidance. Chapter 2. Outstanding Report Scope: This is the second most significant chapter, which covers market segmentation along with a definition of Active Magnesium Oxide. It characterizes the whole scope of the Active Magnesium Oxide report and the various features it is describing. Chapter 3. Market Dynamics and Key Indicators: This chapter incorporates key elements focusing on drivers [Includes Globally Growing Active Magnesium Oxide frequency and Increasing Investments in Active Magnesium Oxide], Key Market Restraints[High Cost of Active Magnesium Oxide], opportunities [Arising Markets in Developing Countries] and introduced in detail the arising trends [Consistent Innovate of New Screening Products] development difficulties, and influence factors shared in this latest report. Chapter 4. Type Segments: This Active Magnesium Oxide market report shows the market development for different kinds of products showcased by the most far-reaching organizations. Chapter 5. Application Segments: The analysts who composed the report have completely assessed the market capability of key applications and perceived future freedoms. Chapter 6. Geographic Analysis: Each provincial market is deliberately examined to understand its current and future development, improvement, and request situations for this market. Chapter 7. Impact of COVID-19 Pandemic on Global Active Magnesium Oxide Market: 7.1 North America: Insight On COVID-19 Impact Study 2021-2026 7.2 Europe: Serves Complete Insight On COVID-19 Impact Study 2021-2026 7.3 Asia-Pacific: Potential Impact of COVID-19 (2021-2026) 7.4 Rest of the World: Impact Assessment of COVID-19 Pandemic Chapter 8. Manufacturing Profiles: The significant players in the Active Magnesium Oxide market are definite in the report based on their market size, market served, products, applications, regional development, and other variables. Chapter 9. Estimating Analysis: This chapter gives price point analysis by region and different forecasts. Chapter 10. North America Active Magnesium Oxide Market Analysis: This chapter includes an appraisal on Active Magnesium Oxide product sales across major countries of the United States and Canada along with a detailed segmental viewpoint across these countries for the forecasted period 2021-2026. Chapter 11. Latin America Active Magnesium Oxide Market Analysis: Significant countries of Brazil, Chile, Peru, Argentina, and Mexico are assessed apropos to the appropriation of Active Magnesium Oxide. Chapter 12. Europe Active Magnesium Oxide Market Analysis: Market Analysis of Active Magnesium Oxide report remembers insights on supply-demand and sales revenue of Active Magnesium Oxide across Germany, France, United Kingdom, Spain, BENELUX, Nordic, and Italy. Chapter 13. Asia Pacific Excluding Japan (APEJ) Active Magnesium Oxide Market Analysis: Countries of Greater China, ASEAN, India, and Australia & New Zealand are assessed, and sales evaluation of Active Magnesium Oxide in these countries is covered. Chapter 14. Middle East and Africa (MEA) Active Magnesium Oxide Market Analysis: This chapter centers around Active Magnesium Oxide market scenario across GCC countries, Israel, South Africa, and Turkey. Chapter 15. Research Methodology The research procedure chapter includes the accompanying primary realities, 15.1 Coverage 15.2 Secondary Research 15.3 Primary Research Chapter 16. Conclusion

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[sandro3677-blog]

The Restoring Of Khmer Music Songs

Following your distressing situations within Cambodia from 1975 to help 1979, your Khmer traditions required a massive strike. Your reign regarding Khmer Rouge completely destroyed your Khmer traditions. Khmer Rouge attempted to remove anything your Cambodians acquired inside their formerly existence, including anything concerning their particular traditions. Khmer Rouge executed many cerebral as well as important folks because they found these individuals as being a menace within reestablishing your traditions.

In 1979, any time Vietnam melted into Cambodia as well as owned away Khmer Rouge, your harmful effects have been seen. Quite a few professors, stores, as well as people in politics were being wiped out, as well as musicians, dancers, as well as artists. It had been severely to restore existence immediately after this sort of harmful losses, concerning twenty per cent on the human population acquired passed away, as well as all of their social ways.

Immediately your Cambodians wanted to reestablish their particular traditions because they have been quite excited concerning their particular life-style. Your Khmer tradition offers quite certain principles as a way to keep value inside area. These principles are pertaining to having, speaking, taking walks as well as sitting down, salad dressing, as well as greeting. These types of principles your Khmer Rouge recognized regarding, and they do anything they could so the Khmer folks may not be capable of stick to these individuals. Therefore coming back again to help regular world seemed to be hard because they was required to re-teach the other person the appropriate means of their particular traditions.

An additional glamorous a part of their particular traditions seemed to be music as well as dance. Your pre-war music seemed to be quite calm as well as center making, and that is what exactly the folks was required to pick up following a long time regarding hardship that they had been through. Unfortunately, Khmer Rouge removed that from that also by killing off of many popular musicians as well as bursting many cassettes as well as recordings on the music. Therefore the numbers of magicians that do make it attended operate.

They will experiment with reestablishing your music bits each time. You’re collected within the country's investment capital to build just what that they don't forget as well as just what that they had. Holidaymakers as well as Khmer those who fled America brought in cassettes that they even now acquired, consequently a few music seemed to be even now restored. While remarkable amounts of your traditions were being cut back, the item regrettably never already has been identical.

Your Khmer traditions acquired all very reputable steel and spin music regarding it is time period back your 1960's. And the most popular singers are: Sisamouth, Keo Sarath, Chhouy Sopheap, Pen Ran, Houy Meas, Song Seng Horn, Ros Sereysothea are well known as the "King regarding Cambodian artists. And king Sihnouk seemed to be identified pertaining to interweaving their particular music using Developed music. Sereysothea & Sin Sisamuth seemed to be in addition getting extremely popular within the late 1960's. Furthermore your music acquired a particular spirituality to it, that to varying degrees remains current, nevertheless it once was the very center on the folks. Their communication web page link among soil as well as heaven.

Unfortunately, the regular music isn't seeing that appealing to younger generations, as well as they want to produce a new music background with their own. But some Khmer  are established and keep traditional Khmer music living. These are repeating this by remaking music, for making these individuals newer for the youthful generation. Furthermore, anyone will be remixing your music utilizing touch-ups computer software. And here are the top video songs of Khmer singers above: