#how did he get there to that position oh my god

[ssentimentals]

seventeen members as love tropes: kwon soonyoung

love at first sight (or meet cute au)

'did you hear wedding bells ring? cause that's what i heard when i saw you'

it wasn't supposed to happen. hoshi knew better but he's been sitting at the hotel whole day and boredom clung to his whole body like that stupid fly on the ceiling that refused to budge no matter how many pillows you threw her way. and he knows that it's all for his own safety, knows that fans went ballistic since they learned he landed in this city and he knows that his managers actually want only the best for him. it's just their version of best for him is basically imprisoning him in the hotel and hoshi's version of best for him is letting him roam around the city unguarded. so yes, him walking out of the hotel unsupervised was not supposed to him but oh well, it's too late to think about it now that he's hiding in the very first shop he saw on his way, running away from overly excited fans.

said shop turned out to be a small coffee shop in a ghibli movie characters theme. it's cute, hoshi notes from his position behind the counter. he climbed here the second he entered, quickly realizing that hiding under the tables will not help him. there's no one in the cafe and he has half a mind to call someone from staff when door from his left opens and a person walks in. hoshi instantly shoots up, apologies on his tongue when you finally look up and- oh.

not many things can leave hoshi speechless; he's been in this business for such a long time that it feels like he's seen it all, even some stuff that he wishes he could un-see. he's very used to perfect faces, perfect settings, perfect speeches - he's been trained to know what to say in any situations but right now he's at loss. you are so-

'what the hell you are doing standing behind the counter?!'

-rude. yeah. blinking, he snaps back to reality instead of getting lost in your eyes. it's almost five and sun dances beautifully on your face, it illuminates all your features with an orange glow and he wishes he had a camera with him because whoa.

'i'm gonna call police if you don't step back.' there's slight tremor in your voice but you still try to look confident. 'how did you even-'

'door was open!' hoshia blurts out in his defense, belatedly realizing that this is not a good excuse for hiding behind the counter, where only staff members can go. 'i had to hide, i'm so sorry, but they would've spot me if i chose just take any table.'

your face is very expressive. miriads of emotions change themselves until you settle on confusion. 'hide from who- oh my god, are you a gang member?'

'i-what-' hoshi sputters, looking himself up and down. does he look like a gang member? 'no, i'm- uh, a singer. popular one.'

hoshi is not sure why he added the last bit but it's too late to take it back now. your gaze focuses on his face and he takes this time to study you too. it's hard to pinpoint why, but there's something so interesting and fascinating about you (apart from you generally being really, really pretty). like hoshi could stare at you all day and not get bored, could see you as his muse even.

'okay,' you exhale, looking very done. 'okay. you are a singer. a popular one. hiding from..fans, i presume?' hoshi nods. 'okay. that still doesn't mean that you can stand here.'

hoshi moves like a lightning, quickly jumping to the other side. you're not wearing any badge with a name and he suddenly really needs to know your name. 'sorry again. uh-' he looks around, trying to keep the conversation going. 'can i get one ice americano, please? name is soonyoung, by the way.'

you look... amused. baffled. shocked. hoshi likes how he can pull out so many emotions from you but he is yet to see you smile and that makes him sad. 'okay, soonyoung. one ice americano coming right up, anything else?'

'your name,' hoshi says, beaming, not caring how awfully cheesy that sounded. he goes for a killer: 'i can't keep callling you 'pretty girl' in my mind.'

and there you go, there's your smile. it sets fireworks in his chest and his grin broadens. you look much better with that smile on your face, he decides and proceeds to tell you this loudly as well.

'thank you,' you say, blushing but also laughing.

you don't say your name but laughter is good, hoshi decides. laughter is almost love, no? it can start with a laughter, he is sure. his mind conjures thousands of pick up lines that can you make laugh and maybe, just maybe, if he makes you laugh often enough you'll tell him your name. and then he can get your number and then he can facetime you from whenever and will always be able to look at your pretty face. now that's a solid plan in hoshi's mind and he's never happier for not listening to his managers and running away from the fans because meeting you is worth it ten times over.

a/n: and i finished my 'seventeen members as love tropes' series with hoshi! hope you liked it, let me know! - nini

my other seventeen works are here

my formula 1 works are here

[agni-ashes]

so i watched jimmy’s finale and uh. i’m thinking. so. since the old sheriff started treating sheriff jimmy like a kid/teenager i’m like. what if sheriff jimmy was legit a child. so when the revealing potion revealed that he’s short it’s not that he’s a toy it’s that he’s a literal child. idk but now i’m thinking that if sheriff jimmy was like idk 10 years old and ooh hoo hoo hoo i’m crying now. how much has he done?? how much responsibility has he taken, that little guy built an empire and made deals and took a stand against all these powerful adults who made fun of him and beat him down sometimes and rejected him and refused to believe that he was strong, that he was capable, that he was a good sheriff. and he still did his best. and. oh my god. they gave him a kid- he had to take care of his new charge- and he himself was just a kid. i’m going to cry.

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[theladyfae]

i think human nature/family of blood is a really good two parter in how it manages to show how full of shit ten is 🫶

[sapphicautistic]

my partner's family is 100% how i'm going to get covid

[volfoss]

it is beyond infuriating how anne rice seems to insist on marius being a positive force in anyone's life ever. like she can't fully commit to exploring the fact he groomed armand and has repeatedly taken away his consent for what marius thinks is best (take the end of TVA as an example) and just kind of flatly puts it in the narrative. there's not really much interest in how these horrific events make marius come across as the worst because EVERYONE loves him. for gods sake, lestat learns from armand exactly what marius did to him in TVL and then proceeds to go find marius and be super friendly to him in the same fucking book. even armand and pandora, two of the people who have MORE than enough right to hate him, do not. it doesnt feel like shes trying to explore the toxicity of the abusive dynamic he traps them in, it just is there. and like yeah ofc the toxic vampire romance series but i think that this should be handled with more care. and it is not ever really framed in a way that she is interested in exploring how marius should easily be one of the most horrific characters in this series because it kind of feels like sa/rape/grooming/other things of that sort are just put there to further plot and not to really get the respect that they deserve in a medium.

[bunnihearted]

🕸️

[neo-shitty]

finally catching up with bsd after one hell of a month (+ midterms) 🫠

[my-thoughts-and-junk]

thinkbing about. him

[shopcat]

why don't you like st@ncy? (i don't either i'm just curious)

cuz i like steve ❤️ and i think we should commit biochemical warfare against straight couples to be honest. also they should both get a restraining order against each other and possibly create dolls that look like the other and then set them on fire

[dangoulains-devotion]

thinking just a bit too hard about how the added depth given to tifa and aerith's friendship only increases the weight threatening to crush tifa after the forgotten capital, she already had so much to carry on her weary shoulders, she's going to have to carry even more when mideel happens, and it doesn't even stop after meteorfall, ohg od oh i love her so much i

[bronanlynch]

obsessed w the choice to have reinhard & hilda hook up for the first time in the context of. reinhard is having a breakdown over his guilt at the death of his boy best friend like. very heterosexual of him, I'm sure

[yuukei-yikes]

haruka watches takane eat like a dog begging because he knows she will leave at least half its food. sorry i wrote a longer post in the tags.

[sateurn]

😵‍💫😵‍💫😵‍💫

These sobs really limited my tags?????

I have so many more thoughts this is so so much less than 1/2. Broski. Big dislike

[stuck-in-the-ghost-zone]

WHAT DA HECKKKK MAC!!! UR A BIRTHDAY GUY!!!! HOLY SHIT. OLD!!! time 2 put u in a retirement home!!!! IT'S UR DAY OF BIRTH I AM THROWING U A PARTY RN 🎉🥳🎉 TIME 2 HIT THE PINATA 🪄 🪅 CANDY!! 🍭 🍬 🍫 TIME 4 PRESENTS 🎁🎁🎁 CAKE TIME 🧁 BIRTHDAY BOY GETS A CROWN 👑 BLOW OUT THE CANDLES 🧨🧨🧨 <<couldn't find any candles so i got these weird red sticks instead!! i think they're sparklers!! :3

oh fuck i love sparklers-!

[unproduciblesmackdown]

being alive at the time i gleaned some general elements abt encanto but never actually heard we don't talk about bruno beyond awareness it existed popping off & i think i heard like the title recited off key off rhythm but in a way that indicates speak singing nonetheless lol so upon experiencing it it's like oh but it's the Verses? while the last refrain goes harder but prior to that it's comparatively underwhelming to said verses which feels appropriate like verses / pieces of a larger picture & that a "we don't talk about him" as a disappointing Lid on infinitely richer more characterful & dynamic "but: talking about him" instances. like well personally it'd be like um seven foot frame....anyway besides being able to firsthand go like oh damn Real (the kind of thing you know exists if alive at the time) it's like alright hang on lol. one thing when a core theme is yeah like "is it a refuge if 'especial' vulnerability ultimately gets pushed out rather than made safer" subset like the parties whose even observation of truths (problems) & drawing attention to them is seen as Ruining Things, like if you're painted as Making futures that aren't simply what's desired or reassuring rather than a guidance via just observing & sharing the truth. but then it's like whaddaya mean living in fear of bruno stuttering and stumbling you could always hear him sort of muttering and mumbling lmao like now that's just Association between the Truth Perceiving & Telling behavior & behavior that's just apparently distinctive of the same person. & like Not Accidentally when [what if people were magic] specifics are obviously primarily abt a metaphorical meaning & like, indeed it was made clear like oh this situation isn't Just b/c [boo we hate your prophecies] & that [an Ability that isn't directed towards what anyone Wants / is "weird" even by these magic standards] isn't Coincidentally given to someone who just so happens to already be "weird" in other ways & be set up to have a different perspective & be pushed away due to having the supposed "extra" vulnerability of unmet needs / insufficient support, same as someone who doesn't "correctly" have any kind of magic ability....like yeah banger and also like Oh Yeah Kind Of Devastating re: that metaphorical resonance allowing for like [set the metaphor aside] now hang on with this about this disabled family member lol. misinterpretation to The Ruinerrr / The Problemmm / The Maliciousss etc (i.e. the scapegoatinggg) despite their efforts likely entirely to the contrary. then despite like, efforts aside, Just Existing, always kind of muttering & mumbling like & what of it. & then like oh sorry weird pets. weird [auspicious for adaptable tenacious thriving surviving; either way simply creatures, existing] pets.

truly like As Is The Idea I'm Sure quickly becomes like hands behind back standing at the window Uh Oh Sisters musing on all the [disabled person] metaphorical & already literal elements there. blair witching it in contemplation like We've All Been There whether being so resented for the mere disruption of "existing in a group as the 'abnormal' odd one out" or like people talking shit abt anything associated w/you as soon as you've left the room, which is also made relevant like, this wasn't Only directed at this person when seemingly permanently gone, nor were they unaware / unaffected prior....pacing in the Musing parlor like things don't Have to be compared to billions but i only ever even see so many things & it's like billions sure is like "get scapegoated rword" & then said scapegoating is presented as only beneficial & we hate autists & even beyond that it's like, grabbing billions, Imagine If Things Meant To Be About Something Were About Something. quite a contrast when they are & furthermore like, deliberate thought & Care for [who gets scapegoated & why] & the truth of like, people getting pushed aside & out who have a key perspective & are primed / liable to come through for others similarly vulnerable & the supposedly Ruinous, Problems Generating disruptiveness is actually the strongest effort to make essential changes to a group. & come through with like, it'd be undermining thee point if it was "reassuring" us like oh haha people will be supportive b/c bruno will be more normal, so great that it Didn't like no, no Normality Reassurance(tm), presence of abnormalities(tm), Good, & everyone Can Deal b/c if you don't then it's pushing this person away, is exactly what happens, including even if they're still Around but are being mistreated b/c that is entirely part of that pushing away like anyone's victim blaming is ready to pounce at any time but if someone can't stand to stay / leaves b/c they can't see another option like that's not out of nowhere nor Regardless of what full support & flexibility they were getting lol. these Active Measures everyone loves so much, which are everywhere always & would include Staying & Trying To Make It Work & those efforts would be "disruptive" & resented & Bringing It On Oneself & etccc smh

that is to all say like. Woww when clearly basically the core thread was these beats of like, the crucial site of [thee scapegoated], & why that comes down on someone & how that plays out. endless ideas about how someone weird(tm) & disabled (&/or queer. but there's no Or here lol. & again like it's a Context like, to even be the one person without kids? likely not living up to "full" correct sexuality in that way alone; any oppression's logics of "inferiority" being logics of ableism, ready examples being that "inferior" race, gender, sexuality (& their experiences as people classed as inferior) all being pathologized as disordered) are seen & treated as someone Ruining Things & who cannot belong like whew. bracing. winding. which, i also recall like i was watching with headphones & during this one dialogue pause i was like "?? what's this Extra Sound i heard there" & had to go over it like twice before being hit upside the head like well it Was still the dialogue pause but it was also bruno Stuttering in a very quiet whisper for the duration of that pause before continuing like iiiiiiii x_x