#how the light shines on him ??

[druidonity2]

Jaina of the blue flight and Varian of the black flight

[starry-skies-writes]

Oh my god

Aaravos was trapped in the prison for hundreds of years right??

For hundreds of years, he couldn’t see the brightest star. He couldn’t see “Leola’s Last Wish”. He couldn’t see his daughter.

Instead he was at the bottom of the sea, as far as he could be from the night sky.

[purplecatghostposts]

Senticousins Sun-Moon metaphors except both of them think they’re the moon and the other is the sun. Do you see my vision.

[bakudekublogblog]

it never stops being funny to me that people are bkdk antis in the year 2024 like “katsuki bullied izuku!! how dare you ship izuku with him” ??? take it up with izuku he’s is the one pining his ass off for him. I can’t make izuku not yearn for katsuki ??? I’m sorry I have observational skills?? izuku is just like that you think I can stop him??

[grimalkinmessor]

Just to put a lot of my posts and beliefs about Light Yagami's character in one post (headcanons not included):

• He does not do anything for purely moral reasons. The reason he started killing criminals was because he was curious, and then afterward his "crusade" was built from panic and spite. He thought using the Death Note was going to kill him, so he decided to take everyone he considered a threat to society down with him—that way he would still be good. He would still be remembered. If he can't live, then criminals don't deserve to either. The weight loss and the insomnia shown in the manga, were more likely results of a fear of dying than moral stress.

• Then Light discovers he won't die. This negates part of the spite, but not the need for a moral justification to keep himself "good". He no longer needs to be a martyr, so instead he's chosen to become a God.

• During this week and half of time, Light goes from being a bored, lonely, listless teenager disgusted with the world because it's not how his father taught him it should be, disgusted because if he can manage perfection why can't the rest of the world—to a boy with a new friend and a new mission that gives him purpose. Something interesting. If the world can't be perfect on its own, he'll have to help it. The world needs his help, making him its "savior".

• In comes L. It is no longer about Kira, no longer about saving the world from itself, even if he might tell himself it is—it's about the game. Kira was a fun pastime, yes, but L has made things so much more interesting. (Light and Ryuk are actually wildly similar in several ways it's just not immediately obvious). This game is more fun, too, because this time he has an opponent—one not so nebulous as "the criminals of the world", who offered no challenge. Light is still justifying his actions through a lens of morality, because he has to, but they're beginning to run rather thin.

• Both the broadcast and the obvious taunts to L through changing Kira's killing methods supports the above. "You're too stupid, L. If you were just a little smarter, we could've had some fun." Drawing L in was to progress their game, not Kira's goals. If Light truly only cared about Kira's vision, Kira's new world, Kira's righteous justice; then he wouldn't have continued to play the game after the broadcast. There was no way for L to find him without Light drawing him in—the Death Note is literally the perfect murder weapon. Light knew this, he just ignored it because he wanted to play.

• In the same vein: Yotsuba Light doesn't know he's playing the game. He's forgotten that there even is a game, and so he sees L as someone who's been duped, who either isn't as intelligent as he's been made out to seem, or someone who's being purposefully cruel just because he can. Either way, to Yotsuba Light, L's threat level has only increased, because Light no longer has any sort of weapon to go against him with. He can't even wield his own innocence against him, because his innocence is not certain. Even to himself. Yotsuba Light knows that he has to play along with L's plays of friendship and morality in order to secure his freedom, but he does not respect L or like him. At least, not until near the end, where they're closing in on Higuchi. Where his freedom seems closer....and yet he sees his own, true innocence as more tenuous than ever. Notably, even when Light feels positively towards L there, he still does not share his suspicions about himself with him. His own life still takes precedence over any sort of justice or morality he might have, because Yotsuba Light is still Light. And Light will always put his own self-interests first.

• After killing L, something interesting happens. Because the game ends, but Kira is still left. And Light was willing to take risks and make wild plans in his game with L, but Kira's goals always, always came after his own life. And when only Kira's goals are left, Light stops taking those big, potentially lethal risks. (i.e. bomb desk trap, killing Raye Penber in person by handing him pages of the Death Note, killing Naomi Misora in person right in front of the police station, writing Higuchi's name while sitting right beside L with the murder weapon literally in his hand, etc. etc.). Winning the game was worth dying for—Kira's ideals are not. Or, to put it even more simply: His pride is worth dying for, but his morals are not. Five years after his victory against L, he's presented with another game, but instead of feeling fearful and excited as he did with L, Light is angry. Arrogant and angry. Because this isn't a game to these opponents, as it was to L—they're playing against each other, and Light is merely a piece in it. This game is not like his game with L; it's more like his "game" with the criminals of the world. One with no true challenge, just another defense of Kira's world—worth winning, but not worth dying for.

• Light's pride is more important to him than anything. He needs to be able to take pride in himself and his actions. Pride comes before everything else, before Kira, before family, before L, even before his own desires and physical health. He does not enjoy killing—he just turned it into something he could be proud of. Into another mastering of craft. Light is not particularly sadistic, he's just spiteful. He'll only take pleasure in someone's suffering if they make someone else suffer first, especially if that someone is him. Attacking his pride would count as making him suffer, because that's the most important thing in the world to him. Even though Light also values his life incredibly highly, attempting to kill him wouldn't invoke as much hell-hot wrath as attempting to humiliate him would. And Light will always get even. Always. He does not forgive and forget.

• He believes every lie he tells himself. Every. Lie. He is a Good Man. He is Good Son. He is a Savior. He is Better. He is NOT Evil, he is Good. He's incredibly adept at not only fooling other people, but fooling himself. Even if he's vaguely aware of the truth, he'll take great pains to make sure that truth never comes to light—because it would crush him.

• Light does not take his own desires into account. If he likes or wants something that contradicts with the perfect image he's crafted, he purges it from his mind. Makes excuses for why he doesn't need it, or even convinces himself very thoroughly that he didn't even want it in the first place. If it's not something he can be proud of (or convince himself to be proud of), he doesn't allow himself to desire it.

• Light sees everyone as beneath him (family notwithstanding, Light loves his family deeply), and while it's a pyramid scale of how far beneath him they are, it's not actually ranked by things like gender, sexuality, race—it's ranked by morality and intelligence. The more intelligent and moral you are, the higher up you are on the scale. Light feeling hostile towards someone does not always mean he sees them as further down beneath him; with L and Misa specifically, it means that they're a threat. Light tends to only see people near the top of the intelligence pyramid as threats; evidenced by him dismissing Matsuda completely even with the knowledge that Matsuda was a marksmen, and yet him immediately setting out to kill Naomi when he found out she figured out one of Kira's secrets. With Takada and Mikami, he treats them exactly the same as each other because they're both on the same level of the scale—and he didn't hesitate to get rid of either of them. (Or try to get rid of, in Mikami's case). Everyone is either a tool, a threat, a criminal, a citizen, or family to him. People to use (tool, criminal), people to serve and/or placate (citizen, family), and people to eliminate (threat, criminal). Everyone falls into at least one of these categories for him.

• Light Yagami is a tragic character. And he's a tragic character because he refuses to believe he's part of a tragedy. He would rather swallow broken glass than be considered a victim of anything.

[kooki914]

What are asgore and spades favorite colors

[numbuh424]

get his ass, keiji 🤧

follow-up to my previous detective doodles. I wanted to draw them actually interacting but couldn't imagine a scenario where L would ever show his face to them lol

[tarantula-hawk-wasp]

moments in jcs 2000 superstar that live rent free in my head another screenshot redraw bc I need to express my obsession with this movie somehow tumblr loves a man covered in blood but when the man in question is jesus-

[plounce]

elle and emmett from the legally blonde musical are one of those m/f couples that i think work best as a woman and a man purely because their relationship and how elle wouldn't stay at harvard for him because she has grown to want true respect & success more than a man she loves' approval/desire is like so important to the themes of the story and it's the whole point and it's part of what makes them so good. on the other hand emmett could be such a hot butch lesbian it's crazy i want to eat drywall when i think about emmett forrest but a butch lesbian BUT it simply would not improve and in fact would detract from the themes of the story. they have to be m/f

[kens-ramblings]

thinking about the robins all relating to “the moon will sing” by the crane wives. i will never recover from this.

[zakifairer]

I basked in the afterglow...until the void yawned once more. And then I knew the muck would never claim me again. There was naught for me ahead, so I drew the curtain on all that had come before.

[introspectivememories]

can't stop fucking thinking about sun/moon shuggy bc shanks is the sun always and buggy is forever the moon. buggy will never be the sun, he will never shine as brilliantly as shanks or anyone else. and the moon makes no light of it's own!!!! it only shines bc the sun's light reflects off of it!!!! buggy never shines by himself!!! he will never make his own light!!! buggy who is always second best, shining only from the light shanks gives him. even worse, you only ever see half of the moon illuminated at one time!!!! shanks who gives buggy the light he needs to shine but only for certain parts of buggy!!!! never all of him!!!!! buggy never shines fully and he never will bc buggy is the moon, he isn't a star or a comet or a meteor, he's a moon and moons don't shine by themselves. and buggy who devotes himself to shanks bc he wants to shine, by god he wants it so badly he aches somedays, but shanks is the golden child, shining with splendor, and buggy knows when to stop fighting a losing battle. he sticks around for years drawn in by the gravity of shanks' orbit until loguetown, and as his captain's head hits the ground, buggy feels himself splinter into thousands of little meteoroids. he leaves shanks standing in the rain and thinks to himself, i will shine by myself or i will die trying

[fourswords]

i know i don't shut up about it but i think it really truly says something about link's nature as a whole that the four of them got attached to shadow so ridiculously fast. vio at least had the excuse of hanging out with him for however long it was but it was still indicative of that same nature that he quite literally accompanied shadow in burning down a good portion of hyrule's lands and STILL quietly mourned him after they'd "killed" him. but then you have the most obvious examples of blue and green getting so unbelievably distraught when shadow "died for real this time (he did not die for real this time)" after interacting with him in a manner that wasn't "trying to murder each other" for a grand total of like. five minutes. ten minutes tops.

shadow helps them out exactly one time (and really you could see it as him just doing the bare minimum to clean up the mess he created by getting link to release vaati in the first place) and suddenly the links as a whole are like "FORGIVEN!" and if "making friends" was a button they all started hitting it so hard that it broke. shadow was like "still doesn't make me part of the body :(" and green speaking for all of them was like What the fuck are you talking about. Of course it does. We're friends. and by god is that going to influence everything that happens after the manga. like no matter what issues themselves arise between link and shadow that they're gonna have to work through (namely: vio's betrayal) if anyone ever tries to tell him that shadow still poses a threat to hyrule as a whole and he's an enemy and should be taken out then link is just gonna hit them with some flavor of this and that's gonna be the end of the conversation:

[morsmortish]

child genius barty who knew four languages at the age of seven and who was basically experimented upon by ‘experts’ and who never knew a normal life growing up and who then went off the rails as a teenager and blew up his entire life

[yearnerspermit]

This continues to be one of the best shots in the entire show and I will never shut up about it

[perpetuallyburntout]

Me: :(

Aidan Gallagher:

Me: :)