#hurt me just right :')

[midnight-coffee94]

No single line has ever wrecked me as hard as this one from the Good Place and I think about it constantly

[possamble]

Needlessly close reading and long commentary on chapter 57 and how the audience actually has an extremely limited view on what Marcille has been like over the course of her life.

I am once again thinking about how pre-dungeon Marcille is so quiet and stoic that she seems like a completely different person. How jarring chapter 57 is for the audience. Like you have Marcille, who has been just the most blindingly expressive person with resting baby face

And then the chapter drops a title page of Marcille hearing from Falin for the first time in four years and it's like.

Who is that. Genuinely. Would you even realize that's Marcille without the context clues?

And then the chapter just keeps coming in with the sucker punches.

We have SEEN Marcille meet strangers. It was never with this understated of a smile.

literally who the hell is this. the few times the audience gets to see some Signature Marcille Faces that they're used to is when she finally gets to see Falin again

when she's testing out her new spells

(and when Laios and Falin are fantasizing about her being their damsel in distress, funnily enough)

And then finally. Finally you get to a fully recognizable Marcille when she fucking DIES and comes back to life to geek out about necromancy.

We know she loves magic. We know she loves Falin. So it's not so surprising that she wouldn't be able to keep a mask up when thinking or talking about the things she loves. But why the mask in the first place? Where does it come from? It's tempting to think that, maybe, Falin's departure just hurt her so much that it turned her into a quiet person.

But that's only half true. If you go back, the first instance you see of this incredibly mild personality is actually introduced much earlier, in chapter 17.

What if she was always like that. What if her default after her father died was to hold people at arm's length, to never really emote past being polite and friendly. What if Falin was the first person who was able to bring her out of her shell, and when she left, Marcille just went back to how she was.

And when comparing her detached demeanour with someone else...

It's not exact, but wouldn't you say there's a resemblance? Wouldn't you think she might be trying her best to imitate what she saw of her own mother working as an accomplished mage?

It would certainly explain why she's hiding behind her portrait in her nightmare, at least.

We aren't told that Marcille has been distancing herself from everyone around her using a mature and dignified personality she modelled off her mother. But we sure as hell are shown it, I think.

[bixels]

Just gonna have to wait and see, right? Just wait and see! Just gotta wait and see! Who knows, we'll just have to wait and see! It's anybody's guess, we'll just have to wait and see! The future is exciting, we just gotta wait and see!

[christadeguchi]

you think YOU had a bad day at work?

bonus: sid shrieking "no!!!! NO!!!!!" loud enough to be heard in the stands and on camera

[hinamie]

idk about yall but life is good again

[bunnieswithknives]

(nature au) you said that while dale dislikes dev using a cane in the house he doesn’t really care too much, but what if dev used a cane in public? i can’t imagine dale would be okay with that at all. he’d be pissed, like confiscate the cane kind of pissed

Originally the gag here was just going to be Dev clinging onto his dads arm for dear life while he shivers like a chihuahua but he is just. So small.. I couldnt get it to look reasonable

Bonus:

[featheredadora]

[shima-draws]

I'm rewatching GF since the whole world seems to be into it right now (thank you Alex and the Book of Bill) and AGHHH I FORGOR about the body swap episode when the twins find the secret room and Stan picks up Ford's glasses and later we see him sitting on the couch looking at them wistfully...

Shut up shut UP that's NOT okay

[2aceofspades]

TW: Blood/Injury, Implied Death

_______________________________________________

With you

Lil one-shot I guess...??

_______________________________________________

After the dust cleared, it was dead silent. The air was thick with moisture from the dark clouds looming above them all. Someone, probably Raphael, yelled out something Two didn't quite process, his ears still ringing as his vision slowly cleared.

A faint blue glow flickered in the near distance, not too far from where Two was slumped on the ground. More muffled shouts rang out as Two attempted to collect himself, staggering to his feet and trudging over to the source of-

No.

Just the image alone was enough to bring Two collapsing back to his knees. Stupid, he thought.

"H-hey..." One's weak voice just barely got through to Two, snapping him right out of his thoughts.

He stared down at the dimming blue glow, watching it flicker and fade in and out. How the hell are you still here, breathing?

His thoughts became flooded in his head, even more so as he felt his arms cradle his brother's near-lifeless body.

"Did we win?"

Two felt his jaw clench at One's question, feeling frighteningly close to grinding his teeth until they were flat.

Did we win?

The question echoed in Two’s head, as if that would better help him process this moment. In any other instance, he would have deflected and scoffed at such an empty, meaningless question. Did it matter? he thought as he titled his head up, looking around briefly at the wasteland that surrounded them. It was over, that much was apparent.

"Yes,” he huffed, looking down at his brother in his arms as he continued, “Now, shut it and save your strength. Your heart-"

"I know," One croaked out in between a few sputtering breaths, interrupting Two in more ways than one. Two tried to ignore the cast-off of blood coming from his brother's mouth, despising the sickening feeling settling in his stomach as it hit his chin. One smiled weakly up at his brother, his eyes dull and unfocused.

How dare you, Two thought to himself.

His eyes flickered from One's exposed heart, bleeding out and hardly beating, and back to his brother’s face. His brother looked beaten, bloody...broken. It wasn't a look he saw from him often, if at all. It was that damn smile that he watched waver as One's heart beat softer and softer. What cruel irony, Two couldn't help but think, a metaphorical expression brought to life by his stupid, thoughtless, idiotic brother.

Two could still fix this. Even as he held his brother tighter against his own plastron and felt his shirt get soaked by the horrid mix of blood and empyrean; he thought to himself how he'd be the one to fix this.

There was no other choice left.

“Good…” One let out the softest of chuckles, “…we…we can s-start over.”

Something in Two’s own chest faltered, even just briefly. It was enough to shut out the feeling of One’s pathetic coughs and wheezes against him. He watched how One's eyes dulled further, his gaze wandering away from Two's face.

Starting over? That wasn’t ever an option, not one that Two had ever weighed in his mind. He wasn’t sure if that was even an option now. After everything he had done, everything he sacrificed, worked for…his brother still wanted to burn it, bury everything down and out of Two’s reach. One wanted this win, he wanted the impossible.

“Impossible…” Two muttered under his breath.

He heard yet another faint chuckle. And then the dense silence that followed.

_______________________________________________

~bonus doodles~

(':

[bullagit]

due to personal reasons i am now firmly on team “i hope aziraphale does change heaven for the better actually (going on the assumption that his return is as straightforward as it seemed etc” 

like if the alternative is just this ohhh he’s so NAIVE and SOFT and so WRONG and he’ll have to LEARN A TOUGH LESSON etc etc nonsense then yeah 1000% go for it babe knock it out of the park

i hope choosing hope and kindness pays dividends. i hope the soft traits that made other characters continually disparage and underestimate him and his intelligence turn out to be his greatest assets bc i kinda don’t give a shit about a “toughen up it’s the only way everyone else knows better” life lesson for this character

(which like honestly a lot of the rhetoric is dismissive of the fact that persistent goodness in the face of an existence of disparagement takes great strength and that at the end of the day aziraphale has always been able to stand up in his own way)

[flowercrowngods]

this wouldn't leave me alone, so have my thoughts on a steve-centric "who did this to you?" steddie concept inspired by @imfinereallyy (i hope this is okay, even though it's uhhh nothing like what you mentioned)

When Eddie gets to the boathouse, he immediately notices that something is off. The door is cracked open but he can’t hear anyone talking or moving stuff around. No one ever comes here — it’s been his hideout spot since the ripe age of thirteen when he’d had hist first real fight with Wayne. 

No one comes here. But now the door is cracked open and Eddie stares at it for a good minute as though that would make it come to life and tell him who’s inside so he won’t have to look and deal with whoever decided to steal his spot. He’s really not in the mood to start any shit today, or to be called all sorts of names — most of which aren’t even half as true as people fear. 

His first instinct is to leave, find somewhere else to hide from this miserable world today, when he hears it. The sound of sniffling, followed by wet, heavy breaths. 

Oh. It sounds like someone’s crying. In his spot.

Maybe it’s some girl who got her heart broken, some dude who lost the last bit of faith in his family, or some kid who— 

Ah, fuck it, he’ll just come back later. Not his problem. Definitely not his problem. And it’s definitely not guilt or worry that gnaw at him as he turns on his heel to leave. 

But then there’s a groan. A pained groan. Someone’s in pain, and crying in his spot, and Eddie really shouldn’t make that his problem. He shouldn't. Nopbody cares when he's crying and in pain either! But fuck if he won’t be thinking about it for the rest of his life if he turns his back on whoever it is. Maybe they need help. 

They most certainly sound like they do.

With a heavy sigh, Eddie is already at the door before he can think about it too much. 

“Hello?” he asks the darkness, and immediately the sniffling stops. 

Silence falls, but only for a moment before whoever it is has to draw shaky, wheezing breaths that make Eddie swear under his breath. 

“Listen, I know you’re here.” He’s taking slow, deliberate steps, his eyes roaming he mess of boats, tools and tarp he knows so well.  “And I’m not trying to start anything. Tell me to go away and I will. But I have a first aid kit in my car and, uh, you sound like maybe you need it.” 

There’s no response, but the wheezing breaths turn into whimpers with every second that whoever it is tries very hard not to make any noise, and Eddie’s heart starts to race in his chest. He can feel worry and panic starting to rise. And overshadowing it is an overwhelming sense of dread.

What the fuck is happening? 

He tries to be careful but his mind is racing and his limbs are starting to feel like lead. His wary steps become heavy and clumsy, and then he accidentally boots something that makes a terrible, horrible noise, breaking the eerie silence. Eddie cringes and is about to apologise, when finally there is movement in his peripheral vision. 

And then he sees him. There, hidden in the shadows between a boat and the far wall, his face breaten and bloodied, his eye swelling around a nasty bruise. Wait, do bruises bleed? Should they look black like that? Is it a cut? Something worse?

Even after years of constant bullying and goading in middle school and high school, he has never actually seen someone look like this. With their face completely smashed in. It makes him freeze for a horrible, horrible moment before he saps out of it.

“Fuck,” Eddie breathes, hurrying over as fast as he can, stumbling over tools and tarp as he does. Something falls to the floor with a loud clunk and it makes the boy flinch again. Eddie curses. “Sorry, shit, sorry!” 

He makes it to the boat rather quickly, crouching down in front of the boy a few feet away so as not to spook him, not to crowd him. And then his heart only plummets further, because he knows this one. 

Steve Harrington. The boy who’s come to school with many a black eye over the past two years — but never this bad. The boy who’s been looking like the world might be about to end each time he rounded a corner in school; ever since things started happening around Hawkins. Since the Holland girl died and the Byers boy disappeared. 

It fascinated Eddie, the way Steve fell from grace. The way he turned quiet, and showed up with healing bruises. There are stories woven around it, because teenagers like to gossip and word spreads fast, and Eddie always listened with rapt attention as Harrington turned into a bit of a myth. A legend. A ghost story.

But fascination is not what he feels right now, seeing Steve like this.

His eyes are unfocused and Eddie knows about the danger of head injuries. He knows about the consequences of blood loss, he knows that Steve will be warm to the touch even though he’s shivering already, and… Fuck!

“Shit, Steve,” he rasps, not daring to speak louder lest he spooks the boy. Of all the reasons he’s had to be afraid of talking to Steve Harrington, this one might be the cruellest. "I..."

He takes in his wounds, his bruised and scraped knuckles where his hands are wrapped around the knees he’s pulled to his chest, and his split lip that he keeps biting. 

Eddie swallows before he asks, “Who did this to you?” 

But Steve just shakes his head clumsily. Sniffles again, and then his breath comes in wet heaves, and Eddie worries for a moment that he’s going to throw up now. 

He doesn’t. 

Steve’s just staring. Eddie isn’t even entirely sure he can see him, or maybe he did and then forgot, or maybe he’s fading. Eddie should do something, he should get help, he should— 

“Steve,” he says, and dares to touch him when he doesn’t react. 

A light touch to the knee shouldn’t make anyone flinch like that, but Steve’s whole body jumps, and then the shivers and the wheezing get worse. It almost sounds like a whimper, and Eddie curses again. Feels like crying now, scared and helpless as he is.

“Fuck, I’m sorry. I’m sorry, okay, I— Jesus, okay.” He swallows hard, trying to think, willing for the panic to subside and a plan to form. “You’re okay. I... I’m gonna, I’m gonna grab the first aid kit. I have it in my car. It’s not, it’s not far. And a blanket. So you'll be warm again. I’ll be right back, okay? Don’t move, don’t…" He gestures wildly, caught between reaching out and pulling away. "Don’t move.” 

Eddie takes a wavering breath and moves to stand on numb, tingly legs, nearly missing Steve’s, “Can’t.” It’s barely more than a whisper, hardly even a wheeze. It’s like he’s just breathing out words because everything else is too much effort. 

Right. Right. This is messed up and Eddie’s panicking, but Steve will be okay. Because things like that don’t happen, not here, not today, and not to Steve Harrington. 

Except this is Hawkins. Where Will Byers disappeared and Barb Holland died and many people are missing and weird shit just ends up happening everywhere even though they’re all just kids. They’re just kids. And Steve’s not even conscious enough to realise that right now. 

Eddie all but runs outside, sprinting to his van with a speed that would make the coach swallow his stupid whistle if gym class only mattered right now. It doesn't. Nothing matters, because Steve is... He's hurt. And there's no one else around to help.

Grabbing the first aid kit, a bottle of water and a thick blanket he always keeps spread out in the back of his van, he makes it back to the boathouse in no time. 

He wasn’t even gone for three minutes, but still he sighs in relief when Steve is still awake. He even looks up. Blinks. Frowns in what can only be confusion and makes Eddie's heart fall.

“Munson?” 

Fuck, that’s not a good sign. That’s messed up, it’s fucked up, it’s— Focus, Eddie! 

“The one and only,” he says, voice shaky and his smile not fooling anyone. He wraps the blanket around Steve, whose eyes are unfocused again, though he tries so hard to blink it away. 

Brave boy, stupid boy. Head trauma isn’t blinked away. Though Eddie is inclined to let him try. Maybe he’ll find a way. 

“Here.” He hands the bottle over to Steve, who grabs it with clumsy hands. He can hold it, but he can’t get it open — again, not a good sign. 

Eddie opens it for him, then turns to his first aid kit. It seemed like a great idea five minutes ago, but he’s petrified now. It’s too dark in here and he can’t really see the wounds, he doesn’t know what to use, what’s in there, he doesn’t, he can’t, he— 

The bottle, empty now, is handed back to him, bumping into his hand, tearing him away from his spiralling thoughts. 

“Thanks,” Harrington breathes, and there’s a small smile visible in the darkness. Eddie just nods and takes it with hands that are still shaking.

“I wanna help you,” he says, like it isn’t obvious. “But I don’t know how. You gotta tell me where it hurts, Steve.” 

A beat. “Everywhere.” 

Eddie sags, falling back to sit opposite Steve, frantically rubbing at his face. “Shit.” 

“Yeah.” Steve chuckles, but it sounds so wet with tears and pain, Eddie never wants to hear it again. “Thought I could do it.” 

He’s talking. That’s a good thing, right? He can’t pass out as long as he’s talking. That’s how that works, isn’t it? So, Eddie asks, “Do what?” 

“Doctors told me,” Steve sighs, his voice slow and slurring. “Told me to... to stay out of fights. Stay out of them. Said I had to make sure my head won’t—“ 

He makes a motion with his fist, and Eddie thinks he’s simulating a punch, disoriented as it is. It makes his heart fall. Is that what happened? Someone beat Steve to a pulp? Again? Just like that?

Eddie is so stuck on that thought, trying to piece together the puzzle, that he almost misses Steve’s mumbled speech. 

“Y’know, th— Said I’ll go blind. Or deaf. Or just… die.” He says it to matter-of-factly that Eddie’s heart stops for a second.

What the fuck happened to Steve Harrington? Not just today, no. What happened to him?

What happend to make him look up at Eddie Munson, out of all people, with glistening eyes so endlessly scared, and say, “I don’t wanna die, Munson. I never… I didn’t. With the monsters or the torture. I can't—” A wheeze, a keen, a whimper, and Harringtin pulls at his hair, uncaring that he's making things worse.

Meanwhile, Eddie is stuck on his words. Because what. 

“Can’t, can't die now ‘cause Tommy thinks he’s so… He’s… He’s just sad, man. Griev'n' and confused. But Billy’s gone, an'— And now I’ll…”

Steve looks at him now, his eyes shining with tears and something that Eddie’s written poems about and created characters around. This expression, like the world will end. And inspiring as it is, it fucking breaks his heart now. 

“They said my brain is hurt, Eddie.”

Eddie swallows the hurt and the fear and the complete overwhelm he's feeling. Steve is telling him things that Eddie doesn't know how to handle.

“You won’t die, Steve,” he says in as gentle a voice as he can muster right now, because that's the only thing he knows.

And he won’t, right? People don’t just die. Not from taking a punch, not when they just graduated high school, not when they’re Steve Harrington. Right? 

“Yeah?” 

“Yeah.” 

“Okay,” Steve breathes. “That’s good.” 

Eddie wants to hug him in that moment. He never knew that this was possible, wanting to hug Steve Harrington, wanting to wrap the blanket around him even tighter and keep him safe and convince him that he won’t die. 

And then the rest of what he said catches up with Eddie and leaves anger in its wake. 

“Hagan did that to you?” 

Steve nods. “Started going off about Billy.”

Eddie’s blood freezes at that name. "Hargrove?” 

Another nod, though Steve doesn’t look too happy about moving his head, and he groans quietly. “They were friends. Tommy is angry. Grieving. Con— Confused. He was just saying shit, like it’s my fault. And it is. Kinda. But Tommy’s, he, he’s... Just saying shit. And then he punched me. A lot. And he didn’t stop. And now… is now.” 

“Yeah,” Eddie breathes dumbly, carefully bandaging the glaring wound at his temple, needing to start somewhere. “Now is now.” His blood is still frozen as he tries very hard not to listen to Steve. Nothing that Harrington says has any right to matter anything to him; they live in two different worlds. If Harrington confesses to murder while severely concussed under Eddie’s watch, then there are no witnesses to drag either of them through the mud for it. Eddie is just gonna forget about it. Or try, anyway. “But you’re… Shit , Steve, you’re really hurt.” 

Steve blinks. Pauses. And Eddie thinks he’s lost him. But then, “Yeah. I’m always hurt.” 

And that, in this little voice, is like a gut punch. Because Eddie knows something about always hurt. “What?” 

“What?” 

There is ice in his veins as he asks, “Who’s hurting you, Steve?” 

Steve looks at him, opening his mouth once, twice, like he’s about to say something and Eddie holds his breath. But then Steve’s eyes droop and he shrinks in on himself a bit more. 

“Jus’ everyone, sometimes. God you don’t… You don’t even know.” 

Know what, Harrington? Eddie can barely breathe anymore.

“’M tired, Eddie,” Steve mumbles, closing his eyes. “Don’t wanna hurt anymore.” 

“Hey, hey, no!” Eddie reaches out, catching Steve’s head and preventing it from colliding with the floor as he’s slumping and falling over. 

And just like that, the panic is back, frantic but determined this time. He’s going to get help; there’s nothing he can do with his lousy first aid kit, not when Steve keeps going in and out of consciousness like that. Not when he can barely see anything or clean the wounds properly.

He’s going to get Steve to a hospital and allow them both to forget this ever happened. Because Steve Harrington and Eddie Munson don’t breathe the same air or share traumatic stories in a boathouse like this. 

He’ll get out of Steve’s hair the second the hospital doors close behind him, and get out of whatever trouble someone like Harrington could be in. Eddie doesn’t even want to know. He doesn't want to be part of his ghost story.

But as he’s scooping him up and helping him out of the damned boathouse, clumsily preventing him from stumbling over his own feet or tools or tarp or planks or whatever fucking shit is littering the floor of this godforsaken place, he can hear Steve speaking quietly. 

"Where‘re we going?"

And even though a second ago he was determined to take Steve to a hospital, there is only one place on Eddie's mind right now. Only one place he knows where he won't be scared anymore.

"Somewhere safe," he says, tightening his hold on the boy even though his hands are shaking now, too. He looks over his shoulders the moment they're out of the boathouse, stupidly worried that whoever did this to Steve – Hagan, apparently – would still be around, would follow them and do the same shit to Eddie.

"Safe?"

"Safe."

"Okay," Steve sighs, like he believes him. Like he trusts him. Hell, they've never even spoken before, but something inside Eddie breaks at the little sigh, at the way Steve goes slack in his arms. And even more at the little, "Thanks."

If Eddie's eyes are filled with tears and the hands around the wheel are clenched so tight to hide the way they're shaking, then Steve is not conscious enough to comment on it.

(addendum 7 december) onwards to part 2

[boygirlctommy]

i love the bit from oct 17 2020 when tommy and quackity trapped wilbur in a cobblestone box to keep him from pressing the button... wilbur punching through the blocks with his bare hand to try to get to the button... tommy frantically replacing the block in front of him yelling for quackity to do something... the moment when tommy stops, blocks the exit, and tells wilbur to do it. press the button. but then theyd die with him. quackitys like "wait, wait-" but tommy holds his ground and wilbur. ohh wilbur. "why'd you have to make it so hard?"

[s0fter-sin]

something happening on a mission, something personal that has soap spiralling; panic and rage making him reckless, thoughtless, and ghost has to draw the line

“you’re compromised johnny; you know what that means?”

“you’re not pulling me out,” soap immediately snarls. he turns on him and ghost barely recognises him; venomous fear turning his eyes to unyielding ice. "you're not sidelining me; i need to be in this-!"

but ghost has never been afraid of venom; spat or dripped straight from bared fangs.

he snakes out a hand grip the back of his neck, jerking him in a rough shake. "if you can't think, you can't be a soldier," he growls and he flinches like he's been struck.

his lips quiver as they twist in a sneer and he wrenches, trying to free himself of his hold.

ghost doesn't let him.

"it means you give your body to me because your head ain't fucking attached to it anymore."

soap stills, body trembling beneath his hand as he sucks in shaking breaths.

he tightens his grip, pulling him closer and digs his forehead hard into his. “it means you give yourself to me so i can have the weapon that you are and use you the way you're meant to be used."

the ice in soap's eyes fractures.

ghost’s voice drops to a whisper, spoken only to johnny, not this facade of vengeance and pain, and wills it to reach him through the glaciers.

“so i can keep you safe ‘til it’s done and i can bring you back.”

[crabsnpersimmons]

This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!

[hinamie]

色彩 [Shikisai]

[pcktknife]

IQ