I have this really stupid Ruikasa adopted child AU where it's all completely batshit chaotic.
You think Rui and Tsukasa are already dating here? NO. They just live together. You know how you adopt a stray cat and dog suddenly without planning sometimes? Exact opposite here.
Tsukasa and Rui are working with a theatre troupe that's funding a charity towards a foster care system. They flew out to the area of the production, but the head of the whole thing is actually a couple cities away, so they go and drive out to the place to make sure it's actually decent.
They talk to the higher ups, who thank them for their time, then talk to the caretakers about the project. Of course they want to make sure the fundraising is actually going to go to a good source. During all the discussions, they ended up speaking to some of the children there and just in general, have a good time.
But eventually they drive back. A couple hours out, and they're both hungry and tired. So they pull up at a drive-through to at least get something to eat when they get home. Tsukasa turns to Rui, asking "hey, what do you want?" But to BOTH of their horror, a child pops out the back trunk, asking if she could order as well.
Rui nearly flings himself out the car window and Tsukasa's scream was nearly enough to shatter it.
Turns out, this child had ran away from the foster system into the car with them because she didn't like it there (understandable). Both Tsukasa and Rui are horrified, because fuck, dude?? What are they going to do with an 8 year old?? They're already hours out from the place! So they did the most logical thing they could do right then, just drive back to their stay and figure it out there.
Toshiko, age 8, had snuck into the back of the trunk and stayed terrifyingly silent for half a dozen hours before revealing herself.
(This did cause some concern, so they asked if it was terrible there. She just shrugged, and said "not really... I just... Don't like it)
Tsukasa makes calls to the organization, obviously wanting to get this girl back again but this late hour, and all three of their busy schedules, they're not going to be able to drive her out for a while unless someone picks her up.
For plot conveniences, no one can pick her up until about two weeks or so, so now Ruikasa is stuck with an 8 year old in their temporary living space, all three of them have no idea where to go from here
Cue silly bonding moments and Ruikasa figuring out how to parent while trying to convince themselves they're not madly in love with each other, also failing miserably at staying disconnected with Toshiko
Yeah I highly doubt anyone is going to read this but it's something I just wanna drop bc I love imagining my favourite characters parenting bc I want to parent so I self project
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WOOO THE FIRST ONE IS HERE!!!
Funny enough, but my first ever drawing based on Confinium was with Navigator and not the Pilot (who still is my favourite to this day ABSOLUTELY ISN'T OBVIOUS YEAH). So, this Navi drawing was made in the summer of 2018 in my first sketchbook. Damn, I was 15 at the time...
I loved every character in the game, but Pilot resonated with me more than anyone else. Maybe his character is just something that is closer to me personally. So, I liked Pilot so much that I made a felted toy after him. It's still one of my favourites (I also have felted Zacharie and Bad Batter's head, but I consider them ancient at this point, and they look like they have seen some shit) and I brought it with me to the Black Sea one time. Me and my family traveled there by the car, 3 000 km to the sea and then 3 000 km back to my hometown, so that lil' guy have seen a bunch of russian cities and beautiful landscapes on our way B)
I also made some of my drawings in not so pleasant periods of my life (specifically the two last ones). I guess I got some sense of relief from drawing certain scenes from the game, trying to put my feelings in the atmosphere of those pieces.
I still come back to the game from time to time. The first time I played Confinium was in 2018, but only a year ago I found this "Bendy and the Ink Machine" song reference when you make Pilot observe the sheeps for a couple of times. That's actually what I really like about the original OFF itself and It's fangames. You can come back to the game and still manage to find something new for yourself each time you visit it.
By the way, Penta (my fav OFF OC) was originally made to be a Confinium OC, BUT THEN SOMETHING WENT HORRIBLY WRONG and now he's a character of his own story, which I want to make real someday hopefully.
And for the last, I also still have some old cosplays on Pilot and Omni in Pony Town eheheh
So that concludes my expirience with the game and it's characters, I guess. Thank you Xin for making this amazing game. Even if it's not completed, It still brings joy and happy memories to me and a lot of people who played it. Thank you for leaving a print on my teenage years. When you ever feel down, I hope that you will remember that there are people from all around the globe that appreciate you and the things you do. You matter.
(If anyone wants to do something similar to this post, you're more than welcome! No need for tagging or anything, just make your fav creators feel appreciated by telling your own stories and some nice words to them!)
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The Apothecary Diaries
What, we are talking manga now on this blog?
Of course!
Ever since I fell into a Maomao/Jinshi shaped hole on Crunchyroll, I have been taken hostage by this story. Needless to say, I immediately went on to read the manga and found myself captivated even further - so much that I am actually shipping Maomao and Jinshi, and those who know me know that me shipping a straight couple happens once every ten years. But the chemistry between them- oh, where could I possibly begin!
But, as always, first things first.
Synopsis: The young apothecary Maomao grows up in a brothel and lives with a physician whom she regards as her adoptive father. On her quest to find new herbs, the young woman is abducted by human traffickers and sold to the Imperial Court to work as a maid. Soon, however, her skills as a healer and her incredibly sharp wit attract the attention of the eunuch Jinshi, whose true identity is a well-kept secret. Soon, Maomao finds herself in the very midst of the intrigues of the court as the personal food taster of the Emperor's favourite consort, and it is there where the mysteries begin...
Truth be told: The Apothecary Diaries did not lure me in immediately. I had seen the manga in some bookshops, but the art style gave me the impression of "yet another shojo manga" and I did not bother reading the blurb. Then, I got a subscription to Crunchyroll and decided to give the anime adaption a try and-- here we are. Now that I have also read the manga and still follow it, I felt the need to give a review.
When looking for manga to read or anime to watch, I can be very picky. I am not easily impressed by what is currently popular and I need a story to grab me by the throat and shake me thoroughly, only to rip out my heart, tear it into pieces, mend it and put it back again. Most anime and manga that are currently popular in Germany are of the shonen genre, which is not really what I am into. But how would I classify The Apothecary Diaries?
What Natsu Hyūga has created with her Light Novels and now with the manga is a beautiful mix of romance, mystery, and comedy, embedded in a gorgeous historical setting inspired by Imperial China. Set at the Imperial Court, the reader is thrown into a fantastical world of pomp and splendour where everything, from things to food to women, is at only one man's disposal. What sounds like a classical harem trope is one only to a certain extent. The system of the court is merely described, not glorified, but also not judged. In that, Maomao is an excellent main character to follow as she mostly observes and makes her conclusions, only to state at the end of it: but it's not my business anyway. I am not sure if I have ever seen/read a main character like her before that draws such a strict line between her own life and the business of other people - perhaps she is a bit like Jane Eyre, but with a passion for poison. The deadpan exchanges she has with Jinshi definitely reminded me of the conversations between Jane and Rochester, minus the psychological manipulation.
Maomao could have easily become a Mary-Sue character with little personality beyond her enthusiasm for all sorts of poison. However, she is a strong-willed young woman with flaws that are entirely believable, such as her assumption that she might lack typical human emotion due to her upbringing. At the same time, she stays wary and follows the advice of her adoptive father to never make assumptions out loud, and to never ask questions, lest she might fall into something that is none of her business and might harm her in the end. She is aware that as a woman not following a traditional path, she must be even more careful, but at the same time, does not judge women that follow or even want a traditional life. Jinshi is intrigued by that, but also by her skill and her wisdom which she never flaunts, but only ever expresses as a passion of hers that she is not ashamed of. It is a pure joy to watch Jinshi grow fond of her, yes, fall in love with her for what she is, says, and does, while Maomao stays all the while entirely oblivious, not thinking of herself as particularly pretty or lovable based on her low social status. Said status does not bother her much and she does not attempt to change it even though it would be within her means to do so - her decision to stay away from what could become her birthright is entirely understandable for the reader and makes Maomao even more fascinating.
The character of the eunuch Jinshi is a masterful mirror of reader reactions to Maomao up until the point where his own story unfolds. Born at court to a mother belonging to an emperor and raised in a golden cage, his true identity is unknown to most beside a selected few that also keep his identity hidden. The purpose of this secrecy is slowly unveiled just as the reader learns of the weight resting on Jinshi's shoulders, and Maomao's appearance at court seems to shake him out of a rigour he has been subjected to for a very long time. Although everyone's favourite at court, Jinshi is alone in his beauty and Maomao, observant in terms of both plants and people, soon realises how lonely the man is and how deep the secrets run. After all, the man is far too beautiful to be a eunuch. But even here, she stays true to her credo of not getting involved in anyone's business unless she is forced to, even as the chance arises to learn the truth.
Especially noteworthy is that while the world of Maomao and Jinshi is a golden one at court, Natsu Hyūga does not shy away from depicting the horrible things that humans can do to each other. Various darker topics are covered: human trafficking, child abuse, rape, pedophilia, the exploitation of women and children in the name of royalty, envy, and the illusion of free choice. The world of The Apothecary Diaries is not a kind one to women - Maomao points that out, reflects on it several times and knows that she, by her gender alone, is viewed as inferior. It does not stop her from pursuing her goals, but it keeps her incredibly aware of her surroundings. Many times, stories like that fall into the trap of creating a female main character that is "not like other girls" and constantly belittles the women and girls that seemingly fit the picture. Maomao might not be a courtesan, concubine, noble lady, or consort, and she might not necessarily have traditionally female interests such as fashion and jewellery, but she never belittles the women around her for their interests or life choices. This is an incredibly refreshing take and speaks of the excellent skill of the author to create a female character that is special, in some ways The Chosen One, but also likeable, obscure, and true to herself.
The manga is still ongoing, and I have no doubt that the story will take the reader down many dark and twisted paths. As for myself, I am rooting for Maomao and Jinshi as well as for the vast array of lovable side characters such as Gao Shun and Ba Sen, the consorts, the courtesans, and many more. I am excited to watch this story develop further and I am glad that I clicked "play" on that first episode two weeks ago. What a jewel of a story I have found there, and what a joy it is to follow the story of the incredible, funny, and absolutely insane Maomao.
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I think it's entirely fair to compare Baldur's Gate 3's rise in success to the Dragon Age franchise's downward spiral. Same goes for all other big name RPGs, for that matter.
What BG3 has just proven is that people do still love single-player, character driven roleplaying games. What BG3 has just proven is that studios do not need to fill their games with trash like micro-transactions, loot boxes, etc. What BG3 has just proven is that player-engagement can be used for the betterment of your product, and that people care more about feeling valued than potentially “spoiling” something.
But to circle back to specifically comparing BG3 to DAI…
BG3 has consequences to your actions. If you want to be evil, you can be really, really evil, and part of that experience is having the characters and world actually react to your wrongdoings! It’s so fucking refreshing to experience an RPG that has completely gone off the railroad track, unlike DAI which only offers what feels like the illusion of choice in comparison.
The way the player interacts with the all BG3 characters actually affects the course of their journey, as they all potentially change as people. I can only say the same for like, less than half of the DAI characters.
I think the biggest difference though, to me at least, is that BG3 has themes that anyone can relate to. DAI relies so heavily on the single theme of faith, without much else to offer, that it excludes anyone who doesn’t subscribe to that. But BG3’s multiple themes of trust, autonomy, power and corruption, etc. means that it’s far more likely for the player to feel personally invested in the story.
So, yeah. Baldur’s Gate 3 is everything Dragon Age used to be, and maybe that’s why it’s my new favourite game.
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