#i am so overthinking this i know it

[mihai-florescu]

Next time i need to improve my compositions

[im-the-j-in-anthony-j-crowley]

Good omens tag game

Name two things you have in common with Aziraphale and two things you have in common with Crowley

More reasons to love them!

Crowley

1.- Taste for black clothes and... I WANT TO BELIEVE that I look good too

2.- I love Aziraphale Dramatic

Aziraphale

1.- I love books

2.- Stubborn. Really stubborn

No pressure tags: @fearandhatred @bildads-shoes @harbinger-of-existential-dread @di-42 @sayeverythingwillbefineplease @littlekhaos626

And of course, open tags!

[hellenhighwater]

huge shoutout to rejection sensitive dysphoria and the attorney who mentioned that I'd misspelled "forfeiture" in my notes, ensuring that I will literally never misspell that word ever again. Thanks, it's just what I needed. I would have rather been shot, but this works also.

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[quinn-pop]

let’s do some autistic meta knight headcanons!! over explaining my interpretation of meta knight yet again wooooo

this orb has NO idea how to talk to people!!! outside of work anyway. a lot of this is partially due to upbringing (suppressing his emotions all the time) but he does not know how to express emotions, like…at all.

this goes into a few things

1. yeah talking is hard. even after figuring out what he wants to communicate he will struggle. conversation can be so overwhelming, especially under pressure. he will need time lol

2. because of that, forming connections is hard. i really don’t think meta is much for shallow relationships, and certainly not early in the timeline. which also means he has very little experience with friendship. so a lot of the relationships he did have went kinda neglected, and issues that probably could’ve been worked on by talking became…*cough romk* escalated.

3. honestly i wouldn’t be surprised if meta convinced himself he couldn’t feel emotion (anymore) until like. katam-ish. he tried very hard lol

vulnerability is terrifying. (though this gesture here is also just comforting, like his little cape cocoon thing he does.)

unmasking—yeah im taking the mask thing very literally here—is a big deal and a very slow process for mk. i’m sure he has a lot of feelings on that lol. it served as a way to ensure no one could ever, y’know, see him.

i can’t say i think he’d ever fully ditch it—there’s always gonna be some days that are more stressful than others and if having it could help him get through it, it just makes sense. mainly when working.

it really is about vulnerability. granted, i don’t think he has the most expressive face (in my head every astral just tends to stare at things) but i doubt he has much control over it. can’t fake a smile but also can’t hide it. probably blushes easy because yeah, astrals; just look at kirby’s face.

just the idea that someone might be able to read his expression and know what he’s feeling before he’s ready for them to (or even understands it himself…) yeah he doesn’t want that

but emotional turmoil aside, i think his mask also hides a lot of his stims

remember that whole “suppressing your feelings” thing? yeah turns out that ignoring half your instincts isn’t a good idea. so in true meta knight style, he tries to stim as subtly as possible

1. he has the least control over his wings, so they will flick and twitch on their own. they’re usually a good indicator of how he’s feeling, not unlike the body language usually seen in cat ears and tails lol. flapping is also an extension of this of course, though he probably suppresses it more.

2. this also effects when he takes his wings out. pretty much every time he’s excited or nervous it just happens. kinda makes me wonder if his wing cape ordeal might also go into the suppression thing… (i’d say yes, but using a cape is also very comforting so it’s not necessarily a bad thing)

3. going back to the mask thing; he stims a lot underneath it. think like biting or pursing your lips. he bites his tongue and clicks his mouth. that sort of thing. his mask also makes it harder to notice that he is constantly sighing, humming, grumbling…all that

one nice thing about the mask though is that it helps a little bit with lights!!! woo

(look at him and his magically floating glasses)

sensory stuff—i think he’s mostly bothered by light and sound. maybe a bit of texture. he’s pretty sensory avoidant and perfectly happy standing off to the side not touching anything.

the one exception to this is physical affection, which is, despite all of this, most of how he shows affection. it’s a lot easier to hug someone than to try to explain your feelings for them, after all.

i think he would like pressure though. so that’s probably part of it. and i’m pretty sure there’s some connection in here to fighting (dang, is that the only way he knows how to get his energy out?)

anyway, pretty much all of this is in contrast to kirby, who i would gladly nominate as the champion of Doing Whatever He Wants. he might pick up a few bad habits, but he will never mask the way meta knight does. he might not understand how he feels, but he’s in tune enough to express it…usually.

this is a very good thing for meta because it helps him to do the same thing. kirby’s so energetic, it’s hard to not want to stim with him. it reminds meta to be kinder to himself and explore his own emotions. he can also help kirby understand themselves, so this connection is very important.

yeah, at the end of the day, everything kinda just boils down to kirby and mk as parallels

this is the conclusion i promise

to me, meta’s arc is about growing stronger by growing kinder, and this is mostly by learning to be kind to himself. letting himself be a person again, loving and understanding other people, and eventually, letting go of all the expectations placed on him and doing the things he’s always wanted to do…

autism headcanons are fun for me because it’s cathartic to write, but at the same time, it just makes sense in this sort of narrative. meta is, to me, inseparable from these things. and so is kirby! that’s a dynamic that’s a lot of fun to play with, and it’s at the heart of my kirby interpretation.

if you actually read all this WOW thank you

[introspectivememories]

this is timbern immediately after first kiss:

and then this is them 3 hours later:

[bugeyedfreaks]

💥💪💔

[iridescentmirrorsgenshin]

thinking about how the Sumeru Archon Quest can be read as a metaphor for Alhaitham and Kaveh's relationship and their progression and going crazy

Alhaitham is present during the quest, whereas Kaveh is not, and this causes Alhaitham to question why Kaveh was not present in saving Sumeru. Relating this to their thesis, although it made many bounds for Sumeru’s understanding of ancient languages and architecture which held promise for betterment of the future, it was abandoned before completion due to their clashing of views and personal attacks of each other. Alhaitham repeatedly questioning why Kaveh was missing hints that Kaveh should have been a part of the Archon-saving plan, in that, Kaveh was missing from the betterment of Sumeru. Once again, an opportunity passed by for them uniting for a mutually agreed cause. This is due to the dissonance between them and their lack of successful communication.

In the Archon Quest, Alhaitham is present, ready for reconciliation, to work together, whereas Kaveh is missing, unaware of the chance of reconciliation. Kaveh believes that Alhaitham deliberately stirred trouble in Sumeru, rather than saving it, due to his flawed perception of Alhaitham – just as he believes that Alhaitham wants something in return for allowing Kaveh to live in his house, rather than it being an invitation for reconciliation, due to his flawed perception of Alhaitham.

This, in turn, creates a space in the narrative for the two to join together of their own accord, however, the two need to be in the same mindset for reconciliation. As established in Kaveh's Hangout and A Parade of Providence, this can be brought about by the mutual understanding that their clashes do not stem from overall differences in thinking, but their way of communication. Rather than their relationship being based on the opposition of their thinking, it should be based upon the potential that can be borne from identifying good in the balancing of viewpoints – which their thesis had achieved.

Their development as individuals ultimately lies within the other as they possess what the other lacks in order to fully complete their understanding of each other, and themselves. Alhaitham is the grounding for Kaveh’s ideals and the push for him to prioritise himself in his pursuit for happiness for “all” (as established within a parade of providence), whereas Kaveh is the breach in Alhaitham’s rationality and allows him to understand the sensibility of others around him, enabling Alhaitham to possess an enhanced version of his truth.

(Update: For more analyses like this, the essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)

[linipik]

okay, but what do you consider just plain annoying from an artist on here?

not "what makes you outrage or unfollw them forever", just... annoying enough to stop interacting with their posts in the long run.

reblogs are appreciated since my own blog has a limited reach. Thanks!

[spilledstars1234]

studio lan WHAT IS THIS

they just casually drop this on twitter with no context except for "summer begins"

LIKE... WHAT??? WHY ARE THEY IN A FOREST?? IS THIS THEM AS KIDS??? DID CXS AND LG SOMEHOW MEET AS KIDS AND DIDNT REALIZE??? IS THIS SOME POTENTIAL BACKSTORY STUFF FOR LATER???

OR-

OR IS LU GUANG DEAD HERE INSTEAD OF BEING PEACEFULLY ASLEEP??? SO IS THIS NOT JUST A CUTE LITTLE ART THEN??? LIKE IS THIS ACTUALLY LU GUANG'S CORPSE OR AM I JUST INTERPRETING THIS WRONG-

but considering that this is Link Click and also considering the fact that this show does NOT know happiness, what IF???? AUGHH GJSHK OML LET THEM BE HAPPY STUDIO LAN PLS-

*stressful overthinking begins*

[mrsnaildood]

B-127, you're a traitor and a coward.

[plumadot]

i made an ao3 account so i can finally leave comments but but but that's a big step for me so it may take a while hehe

[courfeyracs-swordcane]

[pointing towards you emoji] favorite blaseball team. go

(if you want to practice drawing in another style, then draw yourself as a transformer OR as a human character)

WE ARE FROM CHICAGO

[infinstar]

There is so much that I love about Ayaka chan wa Hiroko senpai ni koishiteru episode 6 but I understand other peoples concerns.

Before we judge Risa and Mama (and others in the bar) we need to understand their purposes as characters within the story as well as what their personalities are like. Because it is as much as about them as characters as well as what they represent in this story. Firstly, they are representing three generations of lesbian attitudes and behaviours. Risa and Ayaka being unabashedly confident in themselves as they don't deliberately hide their sexuality (and also in Risa's case, seeing the lying about one's identity as cowardice) representing the confidence, innocence and straight forwardness of the younger generation. Ayaka represents the middle generation in this case who has experienced that acting on their feelings/being herself has consequences in the wider society that we live in as well as to the people we love (she represents to me the that our lives are bigger than our own quote). Which results in her being more reserved and cautious navigating this world still hiding aspects of herself depending on the context. Mama represents a more older generation who has also probably seen various types of queers walk through that bar opening up to her about their experiences as well as her own. She understands both the younger and middle generation (and might've gone through a similar path herself). She is the balanced voice of reason in this series as well as everyone's confidant. Hence why it is appropriate for her to reveal to us about Hiroko's past.

Hiroko has been living a double life to her own detriment for the last ten years. She has kept a facade of a cool co-worker/manager that is extremely capable of work, reliable whilst managing interpersonal relationships in a cohesive non-judgemental way - this allows her to avoid others attention to herself as a person as that would break the facade. But she was not always like this as seen in the way she confused to Chinatsu senpai in the past (which reminded me of Ayaka haha). The facade is the manifestation of her guilt she feels towards Chinatsu senpai and she sees it as her responsibility to maintain it at all costs otherwise in her perspective senpai resigning would've become meaningless. This was the main reason she was blind to Ayaka's advances because it happened at her workplace. In her personal life she is extremely open about her sexuality and though in the first episode in the lesbian bar she comes off easy going as she flirts with others (but I have a feeling that she did not have any serious relationships after the incident as her guilt would've been too strong).

For me it makes sense why Mama would tell Hiroko's past to Ayaka and Risa (and subsequently to us as the audience). Mama knows the history of Hiroko, before the incident and after the incident to who she has become today. She also one of the few people that knows that Ayaka likes Hiroko (which I think Risa might have picked up on as well). She can see Hiroko's walls that she has built to protect herself and knows that Hiroko won't let go of that facade to even give Ayaka and herself a chance. We need to judge Mama's actions through the perspective of Hiroko not our own. She had Hiroko's best interest at heart irregardless of her actions. If Hiroko is angry at her then we would see some confrontation regarding her and Mama (and the other bar guests in future episodes). But from what we have seen of Hiroko so far, I doubt it would be like that because Hiroko herself knows she needs some intervention to breakdown the walls she barricaded herself with. I think it is unfair to judge characters actions as if there is only one "right" way of doing things because that's not true in fiction or in real life.

I still love love Risa. I was really glad that she told plainly that it is Hiroko that Ayaka likes and it is her straightforwardness that actually gets through to Hiroko. It is also consistent with Risa's personality that she did that because like Ayaka she doesn't hide her feelings when it matters. She is highly passionate and loves Ayaka that she is trying to help them get together and decided to stop her unrequited feelings because she values her friendship with Ayaka. Her actions might not be the "correct" ones but she is a good friend in her own way and I want to appreciate that.

I am looking forward to seeing how Ayaka is able to break down Hiroko's facade in the workplace to show her that it is different to ten years ago. (But also thinking in terms of how there still is no law protecting those discriminated on the basis of their sexuality in Japan, I wonder if they will portray acceptance only within the current workplace itself)

[potatotrash0]

gramps ik you’re centuries old but can you talk normal. just for a little.

[louroth]

last name reveal for IDREN//IDA + their moodboard character sheet