Bangarang by Skrillex brings back visceral memories of when I took step aerobics in community college and then smoked weed after class out of a fake cigarette chillum after vomiting in the parking lot
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i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-
Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.
Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.
I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.
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[ID: a screenshot of the Hermitcraft chat. ZombieCleo is speaking to Hypnotizd, and it reads as such:
ZombieCleo: It's not that we don't love you it's that we want to see your corpse
end id/]
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There's something so uniquely painful in Wolfwood using his own gun for this moment
He wants Vash to dirty his own hands, to pull that trigger with lethal intent
But with Wolfwood's weapon
The final life it takes being his own
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i think i wouldn’t hate disco elysium’s collage mode nearly as much if it weren’t for 1) the way that it was marketed in such a tasteless, soulless manner, let alone the fact that it was a last ditch distraction from a dead on its feet studio piloted by dumbass thieving execs and released on the day of the court declaration, and 2) those dumbass fucking stickers
like if it had been included with the base game from the start and had been titled something a bit more tasteful and in-line with how i would have liked the feature to be marketed as— something like “exploration mode”, something that perhaps could only be unlocked after completing the game for the first time, AND didn’t have those stupid as hell visually and tonally incongruent with the artstyle stickers, i would have applauded it as a nice little bonus for being able to study and appreciate the 3d models and environments for reference.
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(walty) things i don't think we talk about nearly enough:
henry finding out his dad and walter's mum dated when they were younger because he talks abt walter at home to his parents <3
("i know because my dad recognized your surname")
side note: this means walter has his mother's surname, not his father's
walter having braces in season 1
the fact they sat behind wilmon at the movie night and noticed them holding hands but didn't spread this gossip to anyone else at the school (until after the video leaks)
them wearing matching shirts to rowing practice (before henry quit)
them tallking about a security guard "grabbing them" before wille interrupts lol. probably escorted out from somewhere for being disruptive ? checks out (2x01)
walter clearly knowing Society intel from henry since he's there for the convo abt alexander and the drugs in 2x01
henry cheering for the rowing team in 2x03 and putting his hands to the side of his mouth to yell when walter switches in
them seeming to become genuine friends with alexander in season 3 (the three of them showing up clearly having pre-gamed and with neon makeup in the finale <3)
henry magically having a white shirt for the party after telling wilmon he didn't have any white clothes. walter's ? alexander's maybe ?
we do talk about this a lot actually but The Meadow Scene
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Tma friends and strangers! Let's enjoy all the amazing stuff were created for tma once more before protocol starts!
Reblog this with your own favourite fan creation: art, writing, sewing, anything; I want to see 👁 your own favourites, not your most popular ones
I'll go first: for me it's either this weird little fic about MAG160 from Martin's POV or this ace jmart vampire au
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