#i can’t tell which things jacques says are genuine or not…

[trulymadlykiki]

fuckkkkk casa amor shook the fucking villa i knew that was gonna happen omg

[razorblade180]

RWBY Vol8 Finale Review

Okay so I just wanna say right away that this review would’ve been out sooner, but the ending credit song is watch pushed me over the edge and made me cry. So I’m little drained.

Of course the episode starts off with Salem finally coming back. Honestly I’m shocked. She’s only been gone for a little over an hour I believe. That’s way faster than I thought considering the blast she was hit with.

90% of this episode is fighting which I’m perfectly happy with, so breaking down scenes is a little scarce and far apart. But I will say I like a bunch of the fighting. I thought James’s gun was stupid, but then he swung while detaching one pistol to pistol whip Winter and I’ll admit it, I said “yoooo!”

Okay...the Ace Ops stuff is probably the biggest thing I’m “meh” on. I totally get what they’re going for and I’m actually one of the few people who likes Harriet, but this scene fell pretty flat for me. We barely see the Ace Ops interact with one another that isn’t them threatening RWBY or talking about following orders. Like I never had any doubts that they do in fact care about each other beyond a coworker level but the show didn’t really show that. It would’ve been nice if despite them saying they aren’t friends several times, CRWBY added gentler moments with one another.

Like if Harriet calms Elm down on the way to to whale, Vine senses Marrow’s uneasiness and pulls him aside to tell him that he’ll watch Marrow’s back and they’ll talk when the job is done. It could’ve been neat if Harriet was about to move and scream Marrow’s name right before Ironwood shoots, but Winter was a step ahead. Just little things like that to show these characters really do value one another and don’t actually buy the crap their selling about being completely professional. Plenty of real life military soldiers will tell you that like it or not, it is impossible not to learn the life of their teammates and essentially become family when they’re overseas. Even if they don’t necessarily like a certain individual.

I actually didn’t expect Cinder to betray Neo this episode until Neo fell off the ledge. I thought we were building to Cinder valuing having people as teammates to raise hell instead of looking at them as pawns. To an extent she still does, but I guess it’s more of she has to work well with people and use actual teamwork in general, not with specific individuals. Power of teamwork yes. Power of friendship, no....

Cinder gets bonus points in my book for doing what most don’t, cut Blake’s ribbon! I’m so used to anime tropes letting heroes recover that I wasn’t expecting a genuine good play.

So I’ve said she was going to die ever since she came back, then I said it when she hacked, and one more time she was human. I never had faith she’d make it through the volume. So when I tell that it still broke my heart to see this. I never wanted her go. Penny is like my second favorite character. I’m a bit surprised Cinder didn’t get the power. This is the second time she’s nabbed Penny. I would assume she has at least a bit of the power though.

Winter really did become the Winter maiden. We were right from the start. I do like that Penny choosing how she wanted to die and who to give the powers to mirrors Winter’s conversation with Weiss in V7 a bit about being roped into something but still gaining the control to actually choose how go about the situation by deciding the terms.

Skipping ahead a bit because once again, I was just floored by the fights. Next real thing that really hit me hard was so many people think other people are dead for varying reasons, and only some of them are true. I do not know how Ren and Nora especially are going to cope with hearing Jaune fell. That’s their second teammate. Out of those two, Oscar, and Emerald, I don’t think any want to or fit to lead as a new team of four. Maybe Nora really will step up and kick off the active part of her self discovery. Then there’s Winter. Maybe she’ll keep them together. If anything I hope her and Whitley finally have this genuine moment because they think they lost their sister. And who knows, maybe to a certain level Jacques dying as well conflicts them in a way because they didn’t love him but it’s still a shock he’s dead. Like I’m pretty sure for Whitley at least that the hate for his father didn’t run deep enough to wish him dead. Pietro is gonna die of broken heart and I don’t know how Qrow or Tai will react. Hopefully Raven gets involved.

Not gonna lie, I thought the crash was anticlimactic and Ironwood among others could still be alive, but then the rushing water came....

I am shocked nobody actually killed James. Pretty sure he’s dead though. Just like how Arthur burned to death which is by far the most unsettling thing this show has done period. Even though the villains lost members, it doesn’t really feel like they lost at all. Especially when the ones who died were killed by their own people basically.

All in all I really liked this finale. I’m relieved the reason team RWBY fell wasn’t because they jumped after Yang because that’s not risk people should take and would be a middle finger to everyone they leave behind. Wasn’t expecting Jaune to fall. That’s nuts. Not mad about it. Now he has to explain to Ruby that he personally stabbed Penny on request. Like good lord, he’s not going to cope. The only saving grace I personally have is CRWBY might be nice to me and the path towards comforting certain characters may lead down a path with Lancaster or Whiteknight at the end of it. I’m not gonna hold my breath. Can’t believe we lost Nuts n Dolts twice...

Also Neo might wanna kill Cinder more than Ruby now.

[mikauzoran]

Lukadrien: Zebras Can’t Change Their Stripes: Chapter Ten

Read it on AO3: Zebras Can’t Change Their Stripes: Chapter Ten

The days slowly passed and coalesced into weeks which gradually became months, and, still, nothing seemed to be happening romantically between Marinette and Adrien.

“I wish they would just get it over with already,” Luka groaned, letting his forehead thunk against the table in the pub. “It’s killing me having this hang over my head.”

Marc grimaced as he reached out and patted Luka on the shoulder. “Luc, we all love you and want to support you, but I think your dwelling on losing Marinette and Adrien to each other has reached an unhealthy level.”

“You’ve been on about it for five months now,” Jacob sighed into his Bourbon.

Josie took another shot of Tequila and wiped her mouth with the back of her hand. “Honestly, I don’t think you have anything to worry about when you and Adrien are already practically married.”

Luka blew out a snort. “Josie, it’s not like that between us.”

“Sure, it’s not,” she scoffed. “And I guess you and Adrien tell other people ‘I love you’ all the time too?”

Luka’s face flushed. “Those are platonic ‘I love you’s.”

“What about the handholding?” Jacob challenged, weighing in on the matter. “You didn’t hold my hand that much when we were dating, but you and Adrien are always walking around holding hands or linking pinkies.”

“It’s…platonic,” Luka insisted, trying to keep his wits about him as his friends ganged up. “Adrien is a really tactile person. Holding his hand helps him feel grounded.”

Marc cleared his throat, setting his limonade aside. “I usually stay out of this kind of thing…”

Luka deflated, knowing that all was lost if Marc were eschewing his neutrality.

“…but you and Adrien kiss each other on the cheek an awful lot for it to still be considered platonic, Luc. Adrien doesn’t interact with us like that. Maybe you should start to consider that it’s not totally platonic on his end either,” Marc gently suggested, not wanting to push too much but feeling like desperate measures were warranted after so much time had passed with Luka continually chasing his own tail.

“And what about the way you two are always snuggling and nuzzling each other?” Josie chimed in with a fresh attack (and none of Marc’s subtlety or finesse). “And the nose touches? Friends don’t touch their noses together like that.”

Luka winced, straightening up to grab his glass of water and sip at it sullenly. “I’ve told you before. Adrien was kept isolated from other people until he was thirteen, and he was raised in an abusive, affectionless home. He’s not very good at determining what’s socially acceptable, he sucks at boundaries, and he’s deplorably touch-starved. You can’t judge his feelings by his behavior according to normal societal standards.”

“Maybe not,” Marc agreed, “but we can compare Adrien’s behavior towards you with Adrien’s behavior towards others. While he is affectionate with us, it’s nowhere near as affectionate as he is with you.”

“You should ask Nino,” Jacob suggested, leaning forward to grab a slice of bread from the basket in the center of their table.

“I witnessed Adrien licking Nino’s cheek the other day when they were baking together,” Luka grumbled. “I don’t think Adrien’s affectionate behavior indicates much else besides the fact that he’s comfortable with me.”

There was a brief stretch of discontent silence filled by the mumble of the other pub patrons before Jacob spoke up again:

“But you told me a month ago that you and Adrien had started having sleepovers. That’s got to mean something, doesn’t it?”

Marc and Josie both whipped their heads around to gawk at Jacob and then Luka.

“Wait. What?” Marc choked.

“You and Adrien hooked up?!” Josie gasped.

“No-no-no!” Luka set his glass down so that he could frantically wave his hands to accompany his denial. “No. Not like that. He just—I was just—One night we were lying on his bed watching a movie, and we started to fall asleep, so I was going to get up and go to my own room, but he said to just sleep there, and…and I was so tired that I did.”

Josie arched a skeptical eyebrow. “And then what?”

Luka’s gaze dropped to the table. “And then the same thing kept happening? Though, recently, he’s been asking to sleep in my bed from the start, so…I don’t know. He likes snuggling, and he doesn’t like being alone. When we were teenagers, he used to use me as a body pillow all the time when we hung out and he spent the night. The bed sharing and the snuggling aren’t really new.”

“It’s just different now that there’s no Juleka or Rose or Capitaine to walk in on you if things start getting spicy,” Jacob snickered.

Luka reached out and smacked the bassist soundly on the arm. “It’s not like that. It would be criminal to make a move on Adrien. He trusts me.”

“Maybe we’ll all get lucky and he’ll make a move on you first,” Marc sighed, picking up his limonade and taking a long pull on the straw, lips puckering at the sweet and sour tang of the drink.

“Amen,” Josie clucked. “At any rate, you and Adrien need to sit down and have a ‘define the relationship’ conversation before you drive the rest of us nuts. This has gone on far too long, and I’m starting to consider having an intervention.”

“Josephine,” Marc warned lightly as Luka growled, “Don’t you dare. Things are still a little unstable for Adrien, and he needs to be able to feel safe in his own home. Don’t you dare tell him about my feelings and take that peace of mind away from him.”

Josie let out an enormous sigh, putting her hands up in surrender. “Luc, you’re such a martyr. It kills me.”

Jacob reached out and rested a hand on Luka’s forearm. “Honestly, I don’t think you’re giving Adrien enough credit. He’s a tough guy. I don’t think he’ll spook if he finds out how you feel.”

Luka bit his lip. “…I’m more concerned about him feeling indebted to me and pressured to try to pay me back, honestly.”

Jacob winced and gave Luka’s arm a supportive squeeze. “Yeah. Okay. That’s legit.”

“I don’t think you have to worry about him feeling obliged to return your feelings,” Josie added softly, all teasing and belligerence gone from her voice.

“I agree,” Marc seconded, putting a hand on Luka’s shoulder. “I genuinely think that Adrien is interested in you.”

Luka hung his head and shook it. “Thanks, guys, but…I just don’t know. I’m still too beat up over Marinette to put my heart out there again and risk what’s left of it getting pulverized.”

Josie opened her mouth to say something supportive, but she caught sight of a familiar blonde entering the restaurant over Luka’s right shoulder and snapped to attention, warning her friends, “Look sharp, Gents. Baby Boi incoming.”

Marc and Jacob casually withdrew their comforting hands from Luka so as not to draw suspicion, and Luka nearly vibrated in his seat from the sheer willpower it took not to turn around and stare.

Adrien entering a room always took his breath away, and Luka was afraid the raw emotion written on his face if he turned to watch would be too obvious.

“Hey guys!” Adrien greeted as he closed in on their table. “Mama-Marc…Jojo…Jacques.” He went around the table anticlockwise, giving each of their friends a set of air kisses to the sides of their cheeks.

He received a warm welcome of hugs and kisses and claps on the back in return.

When he got to Luka, Adrien sank down into the chair that had been saved for him on Luka’s side of the table and shone a brilliant smile on his roommate.

“Hey, You,” Adrien breathed, voice soft and intimate as his eyes bubbled with warmth and affection.

“Hey.” Luka internally swooned.

That smile, those eyes, and that tone of voice always did him in.

Adrien topped it all off by leaning in and placing a whisp of a kiss on Luka’s cheek, lingering for a breath and making Luka dizzy.

Luka mentally chided himself for being such a lightweight in love, but Adrien seemed to know how to effortlessly press all of Luka’s buttons.

Adrien drew back with a coy smile, holding Luka’s gaze for just a second before turning to the rest of the gang.

“Sorry I’m late. We got a last-minute order for two-hundred macarons, so things were a little crazy, and Tom needed me to stay later to clean up, since the macaron order put us behind.”

Even as Adrien’s attention was on the other three, his arm snaked around the back of Luka’s chair possessively, proving that Luka was still, at least subconsciously, on Adrien’s mind.

It was the little things like that that gave Luka a torturous glimmer of hope.

“No worries,” Marc assured with his usual golden retriever smile. “Sorry work was so hectic.”

“Yeah, you’re good. Luc already ordered for you, so it’s not like you held us up or anything,” Josie informed with a wink and a sly smile.

“No harm done,” Jacob confirmed, giving Adrien’s arm a light punch. “Sorry work sucked.”

Adrien turned back to Luka with a face glowing in gratitude. “You ordered for me? Thank you so much.”

Luka’s ears started to burn like dry leaves. “I got you the vegetable tart and Evian to drink. I hope that’s okay.”

Adrien nodded, stressing, “That’s perfect. Just what I wanted.”

He then peered curiously at Luka’s glass.

“And what are you having?”

Luka rolled his eyes in fond exasperation. “Water.”

Some days Luka thought it was sweet that Adrien cared so much about Luka having a healthier relationship with alcohol; some days Luka felt like a child being supervised.

But then Adrien smiled his most innocent smile at Luka, and Luka’s mild irritation vanished.

“I’m really proud of you, you know?” Adrien metaphorically cut the final string keeping Luka suspended over the shark tank.

Luka was a goner, completely turning to goo at Adrien’s praise.

“I’m so proud that you’re staying sober despite hanging out with those two lushes.” Adrien quirked his head at Jacob and Josie who burst into peals of slightly tipsy giggles.

Luka gave his eyes another roll. “They are enough to drive a man to drink, aren’t they?”

“Be nice, Luc,” Marc scolded even as he chuckled at Josie and Jacob’s expense.

“It’s okay,” Josie snickered. “I mean, it is true.”

Jacob shrugged good-naturedly and took another sip of his Bourbon. “So, what else did you do today besides bake macarons, Adrien?”

Adrien blew out a sigh, leaning back in his chair. “Today was kind of busy. I had business and acting classes back-to-back, and then I went for my therapy appointment before heading to the bakery for my shift.”

Josie let out a long whistle. “You really did have a jampacked day. Just thinking about it makes me tired.”

“It wasn’t so bad.” Adrien tried to reassure her. “My schedule was a lot worse as a teenager with school and modeling and all of my extracurricular activities.”

Josie groaned. “Don’t remind me. I had almost forgotten about how much I want to hit your father over the head with a clipboard.”

“I don’t know how you managed so well,” Marc confessed, grabbing a slice of bread from the basket as he slowly shook his head in wonder.

Adrien’s cheeks colored as he smiled bashfully, trying to convince them, “It really wasn’t that bad.”

“Yes, it was,” Jacob snorted.

“You’re just that amazing,” Luka whispered—perpetually in awe of Adrien—as he leaned in to press a kiss to Adrien’s cheek.

“Hm?” Adrien didn’t quite hear Luka over the cacophony of the pub and turned to ask him to repeat what he had said.

As a result, the kiss intended for Adrien’s cheek ended up on the corner of his mouth.

Luka pulled back with a start, and the two stared at one another in disbelief for a moment.

It was like the first time Adrien had kissed Luka on the cheek on his way out the door. Back then, they had both pulled back and stared for a beat before deciding that cheek kisses goodbye and hello were now something normal that they did.

A hush seemed to fall over the entire pub as Luka waited for Adrien to spring back in alarm.

Instead, Adrien’s initial surprise thawed into a content smile, and he slowly, intentionally moved forward. He pressed the softest, lightest, sweetest kiss to Luka’s lips, and it was absolute perfection.

Luka’s entire body tingled as he applied just the smallest amount of pressure back.

In truth, he wanted to dive right in and drown in Adrien, but this, now, was enough for the moment.

Adrien gradually pulled away and gave Luka another dazzling smile before turning back to the rest of the band.

“So, what did I miss? What were you guys talking about before I got here?”

“Whoa, whoa, whoa!” Josie interjected. “Nuh-uh. Not so fast. What was that?!”

Adrien blinked and tipped his head to the side. “What?”

Jacob let loose a short burst of laughter. “Don’t ‘what’ us. You know what. What was that?!”

Adrien looked to Luka (who was currently no help because metaphorical fireworks were going off in an epic display in his brain) and then shrugged.

“Nothing. Obviously, just an accident.”

“Pft!” Marc looked away to avoid spraying his friends with spittle as he was caught off-guard by a skeptical laugh.

“Right. An accident,” Josie scoffed.

Adrien shrugged again unflappably. “He was obviously aiming for my cheek. It’s not a big deal. It’s only a big deal if you make it a big deal, and I’m not going to.”

Josie glared at her uncooperative adopted little brother. “Right. Well. It just so happens that before you got here, we were talking about you and your very good just-a-friend Marinette.”

Adrien’s brow pinched into a miffed frown.

Josie’s lips quirked upward into a smirk as she felt she’d regained control of the situation. “How is your just-a-friend Marinette?”

Marc cast a surreptitious glance Luka’s way to ascertain whether Luka was okay with the topic of conversation, but Luka was still in a delirious daze over the kiss and didn’t seem fazed.

“Marinette’s fine, thank you,” Adrien replied cordially, stubbornly digging in his heels and refusing to let Josie win their ongoing contest of wills.

Josie’s eyebrow arched impishly. “Is she still just a friend, despite the fact that you work at her family bakery and her father wants to adopt you as heir?”

Adrien rolled his eyes, leaning in to grab a slice of bread. “Yep. She’s still just a friend. Thanks for asking.”

He took an unconcerned bite of the sliver of baguette.

“Are you sure?” Jacob chimed in with an air of amusement. “Not only does Tom have you set to take over the family business, but Marinette’s got you working modeling her designs too. Does Marinette know you two are just friends?”

“Yes,” Adrien answered emphatically. “Marinette and I are definitely on the same page about our relationship. Working for her family is just a matter of convenience. They’re friends doing me a favor because not a lot of people are comfortable hiring Adrien Agreste, and, I mean, I have to put myself through school somehow.”

Though, Adrien had often thought that he wouldn’t mind becoming a baker. He enjoyed the work, and Tom had such a passion for it that it was hard not to catch his enthusiasm. But it wasn’t like Adrien was going to tell his bandmates that because it would only give Josie and Jacob fodder with which to tease him.

“Not to split hairs over trifles, but isn’t Luka putting you through school?” Marc hummed, raising his straw to his lips.

“Et tu, Marc?” Adrien groaned at the implicit betrayal.

Marc shrugged, shooting Adrien a sheepish smile.

“I’m going to pay him back someday,” Adrien asserted. “Once I’m a famous actor…or successful business owner or something. I’m not sure which one of my degrees is going to be profitable first, but I’m going to pay him back as soon as I can.”

Jacob dropped his joking tone and rested a hand on Adrien’s arm. “Relax. We know you will.”

Further discussion on the topic was interrupted by the arrival of the meal.

 The pub wasn’t far from their flat, so, after saying goodbye to the gang, Adrien and Luka walked home hand in hand. They released their hold on each other when they reached the apartment building and had to proceed one by one up the narrow flight of stairs to the third floor.

As Luka finished locking up behind them, he bit his lip and hesitated before remarking, “…So…about that kiss…”

“Don’t worry about it,” Adrien assured as he shrugged off his coat and hung it on the coat tree next to the door. “It’s not a big deal.”

A thought hit Adrien like a bolt of lightning, and he whirled around to study Luka’s expression. “Unless I made you uncomfortable?”

“No!” Luka’s voice thundered in the quiet apartment, and he cleared his throat and lowered his volume before continuing levelly, “No, kissing is good. I wasn’t uncomfortable.”

“Good,” Adrien exhaled in relief, the sudden burst of tension gradually dissipating from his body. “I’m glad I didn’t screw anything up.”

Luka’s tone turned soft and fond. “No. You’re perfect, Perfect Fifth.”

“I don’t know about that,” Adrien chuckled, stepping in to carefully unloop the scarf from around Luka’s neck.

Luka’s cheeks flushed at the intimate gesture combined with Adrien’s proximity. He hoped Adrien might mistakenly attribute Luka’s rosy cheeks to the cold.

“Hey,” Adrien whispered.

Luka quirked an eyebrow, brain refocusing on Adrien—every blink of his eyelids, every twitch of his muscles.

Adrien licked his lips and looked up at Luka with an expression filled with raw vulnerability. “May I sleep with you tonight?”

Luka’s stomach flipped, and he had to fight to tamp down his visceral initial reaction. “O-Of course. …Why do you ask? Is something wrong?”

Battling back shame, Adrien nodded. “It’s dumb. I know I shouldn’t be upset about it, but there was this jerk at the bakery today who had a bone to pick with my father and took it out on me instead.”

Luka’s fingers curled into fists, and his teeth sank into his bottom lip. His body started to tremble as instant rage ignited within him.

Adrien took Luka’s hand and gently undid the fists one by one, a grateful smile hovering on his lips.

“Shh. I’m fine,” he promised. “Tom let the guy have a piece of his mind, and Sabine told him he wasn’t welcome at the bakery anymore, so it was fine, but—”

“—That’s not fine,” Luka hissed, pulling Adrien into a protective embrace. “It’s not.”

Adrien let himself go slack, relaxing into Luka’s arms. He’d been longing to retreat there all day, and finally being wrapped up in the safety and warmth he’d craved felt exquisite.

“Orpheus,” he breathed, surrendering himself to be cared for and fussed over.

[aphrodite-would-be-proud]

hello! how are you? i hope you're doing fine, um i'm here because i wanted to ask if you can write about armin falling in love with someone who's related to art, like a painter and suddenly discovering a whole new world. i will be so happy if you can do it.

thank you and please, stay healthy! 💗

Hi💛 of course! I really love that idea! Plus as a painter myself the struggle is real man, just yesterday i was having an overwhelming meltdown over what type of brushes to buy.

You seem really lovely so here's a mini fic! 🌸

Armin falling in love with a Painter!reader

{ Armin x reader | tw: none | fluff, pinning | modern }

{ "The Cathedral of Saint Jacques le Mineur, Liege" 1846 by Jenaro Pérez Villaamil 1807 - 1854 }

Reading is Armin's best friend, it always has been. It kept him company on countless sleepless nights as a child, and now it offered the escape his soul needed when overwhelmed with troubles of being a living human in this current world.    

"It's just captivating," he explained to you one day while walking together, happily clutching the bags of books he just baught. You like how they smell. For someone who reads a lot, he surely seems to be out of words when it comes to describing things he's passionate about.

The winds picks up, your steps slow down. Armin is staring at your face, but it's not your eyes he's looking at. You smile and it brings him back to reality, he looks away, shifting his weight from one leg to the other.

You offer to hold some of the heavy bags for him, he gives a warm smile. You think the faint color on his cheek is a really nice shade of pink, it looks lovely under the sun.

The more he took you with him on trips to the far away bookshop near the Riverside, the more you started to understand how a rearranging of words can pull him inside an entirely different world.

It was like he could be his true self when there, carefully reading the description at the back of the books. Frowning whenever he finds a review instead of a summary. you didn't mind tho, because it ment he'd have to read a few pages into the book and the shop had a nice corner couch you two would sit in.

He'd apologise for troubling you, you'd say he's never a bother for you that and reassure him that you enjoyed every last second.

Ah, there it is, that nice shade of pink again.   

 

-

In some way he managed to share his love for books with you, as you spend entire afternoons just sitting near each other. Your sketchbook in hand, the sound of your pencil lightly scratching the paper. Him next to you, his book in hand and reading just loud enough for you to hear.

You think he has a nice voice, so you say it out loud. For the rest of the evening, he stuttered through half the book.

You laugh at the funny moments together, be it a clever joke the author weaved in a serious moment or an incredibly redundant cliche trope that while predictable, was still as enticing.     

He would always look at you whenever you let a chuckle escape, staring just for a couple seconds longer than necessary.

That sketch ended up getting turned into a painting when Armin walked you home that day.

-

"I'm so sorry, I didn't mean to!"

Blue glass shards are scattered on the table and floor, what remained of Armin's favourite mug. The puddle of coffee already sweeping into the canvas you left to dry there this morning.

It took you three days just for the layering.

It was a big canvas, cotton paper and natural wood. It cost a lot.

You know this feeling when you're so so broken about something that your brain just skips the denial and anger and jumps straight into depression? To say you were mad was an underestimated, and rightfully so.

Armin is trying to remove the coffee stains with the nearest towel he could find, it only smudges the paint more.

He looks terrfied.

"It was an accident I swear, I'd never..." his voice takes a higher pitch, hands shaking. "I'd never, ever mean to do this...I..." he hiccups, Voice quivering..

And just like that, all you anger fades away.

"Armin, hey" you take a step closer, carefully avoiding the broken glass.

He doesn't look at you, he's still desperate wiping the canvas. "I'll fix it, please I'll figure out a way."

The clutch he has on the towel only intensifies when you put your hand on his shoulder. "It's okay," you say "it's fine really, look at me."

And he does, with shame filled eyes. "No no no, it's not. I ruined it, your worked so hard on this and I just..." He looks down "it's NOT okay."

"Yes it is." You try to guide him away from the glass. "That's just a material object Armin, what's important is that you're okay."

He reluctantly follows, you both sit on the couch. His hands are clutching his knees. "I'm really sorry, it's okay if you want to yell at me you have the right to."

You cup his face in your hands, "don't say that, that's not true. It was an accident, I'd never ever yell at you."

Shock is clear in his eyes, his arms leave his knees to wrap around you, pulling you closer. His face buried in your shoulder. You stroke his back. Both of you stay like this for a long while, neither of you seems to want to let go.

At night, when he's getting ready to leave and go back home. You walk him to the door and he kisses your cheek as a goodbye.

the shade of pink you grew to love really goes along with his smile.

-

"Close your eyes and hold out your hand."

With the sparkle in his blue eyes and his hands hiding something behind his back, how could you say no.

So you do, and you feel his hand brushing against yours before a light weight is dropped on your palms. He gives you the okay so you open your eyes, an envelope.

It's cream white with a straw ribbon around it, it looks too good to open but you do anyway.

"Is that..." his smile grows as you pull out the card and paper inside, "a membership card."

"For the art course you've been saving up for! You seemed really excited when talking about it." He takes a step closer, tilting his head to the side as his blond hair brush against his neck. "Do you like it?"

"Armin I love it!" You're so happy that you don't dwell on it before pulling him into a hug, he eagrly hugs back and his hand lingers on you when you pull away. "But...isn't it too expensive ? How did you.."

His lips press into a thin line as he looks to the side, "don't worry about it, I've been also saving for a different reason."

Oh...yeah you know the reason, Eren’s been telling it to everyone after all. The three of them agreed to go on a trip overseas, even Mikasa seemed genuinely excited.

You look at him, you look at the envelope containing the art course of your dreams, you put the card back inside.

"I can't, " you hold it out for him, "you can still return this, they're very lean with their policies."

He doesn't take it. "Yes, yes you can. This isn't just because I feel bad for what i did, it's because..." he holds your hand in his, "because I want you to have it, you deserve the world and if i can I'd give it to you."

"But what about Mikasa and Eren, you know they've been looking forward for this."

"They'll understand that i can't come, and if they don't it's okay, they'll still enjoy it by themselves." He cups your face, looking at you like you're the only person in the world, "It's just a material thing after all, you aren't."

-

Armin likes to get out of his comfort zone evey once in a while, he likes to try new things no matter how intimidating they look.

Which is why, seeing him hesitantly entering the art classroom was not a surprise. His wide eyes switching their focuses between all the different objects in the room, from the canvas with a glaze shine on them, ready to get painted. Or the different shapes and sizes or brushes, the ones near the water jars looking softer than the rest.

You should've seen this coming, with Eren and Mikasa away on their trip, Armin has been hanging around you all the time. Not that you're complaining.

Looking at your still drying canvas, you quickly cleaned off your brush before using a towel to wipe your hands and elbows from paint stains.

"Armin," you said, amusement in your voice at seeing the blond out of his usual element. His curious eyes focus on you and he says a small hi with a wave.

You walk him through the basics, he nods while you explain the pros and cons of each paint type, what type of paintings it goes with and which techniques are the most common.      

After a couple minutes of him asking you to show him to use certain things and hold some brushes, he settles down for watercolors. You think it's adorably fitting.

While picking his brushes, you explain how in order to not damage the cotton papers, they have the softest hairs. To make your point, you take his arm in your hand and run a soft brush against his palm. He laughs softly saying it tickles, it's contagious and you're laughing too soon.

He picks the seat next to you, looking lost with the short brush in his hand and the already wet canvase. But it's a nice kind of lost, like the way a child would look at a new toy.

While he expriments at the corner of the canvas with different brushes and swipes the colors, other people start filling the room and soon enough everyone has taken their seats.

The instructer begans setting up today's study object, a couple of pink Camellias in a tinted turquoise vase, creating a nise color contrast.

You stare at them for a while, wondering where did you see that fimilar faint of pink. The question answers itself when Armin taps your shoulder and ask how to start layering the paint

-

It's around sunset when the two of you are walking together, he's talking about all the new things he never knew about art that he just discovered today. You're listening to him while nodding occasionally, it's when he stops mid-rant that you look at him.

"I just realised something" he says, before facing you.

"Oh? And what is it"

He looks at you, really looks at you. The sun is shining behind you as it says its last goodbyes for the day, making you look heavenly. "I realised that...I'm deeply in love with you"

[osir-ethria]

.... Debating on whether or not I should do something other than the Schneeblings...

Well here’s another thing about them anyway.

Whitley loves fashion and designing with a much more creative aspect to clothing. Jacques however found out and called it far to feminine and that he should be focusing business and other things (minus fighting).

Winter would always let Whitley choose the dress she would wear to business meeting with Jacques and tell him about the guests reactions and how many compliments she got because of his choice. She did this in the form of a letter that Klein would hand Whitley because if she was seen anywhere near Whitley he would be reprimanded by their father. She’d first give him a list on what the event was about, how she was to be represented, and if Jacques was there to enjoy himself a little or purely just business.

This helped Whitley with his look when he went out on formal events and got to choose. (This is me saying please change his outfit for once. Maybe inspired by Weiss?)

Even though Winter never directly told Weiss but Whitley was the one who designed her outfits minus the Volume 7 one... I’d have to say Weiss looks good but like, the pounds of hair in that braid is unnecessary. She has a lot of hair but why make it not proportional to the rest of the head. Other than that she actually picked up a few things from Whitley just by studying what she’s been wearing.

After the half of the group that got to Vacuo arrives at the main kingdom they need new gear. The Atlas gear is going to give them a heat stroke. They are trying to decide what to do and they see an obviously emotionally unavailable Winter write a few things down, hand it to Whitley, and tells him to go all out.

Later she explains the whole fashion thing with them and tells them that if they’d trust him with their outfit designs to just list necessities, color schemes, any requirements that’ll help with how they fight, and what style of clothing they are comfortable or uncomfortable with. When Whitley receives these papers from the group he starts crying, they aren’t seeing it as weird and actually trust him with it. Remember, Jacques hated this side of Whitley.

Whitley works with Pietro to design the new gear and everyone loves it. Comfortable, looks good, and does its job. I also remember that the Schnee dust company doesn’t only have dust mines in Atlas even though it was the majority, there are some all over Remnent. (This is from the World of Remnent episode Rooster Teeth did about the Schnee Dust Company.) The Schnees however stay with the refugees instead of going somewhere else so they can help them. They also have enough money to help provide for the refugees like buying tents, getting food and water, and any other necessity. Whitley gets a good feeling from helping and not keeping it all to himself.

Whitley better ask Winter to train him or Winter forcefully teaches him because she can’t handle losing another sibling. This is just with a sword he hasn’t gotten his semblance yet.

He’s smarter than a lot think he should be, the only thing that’s stopping him from being a huntsman is how young he is, like I would prefer if he was around Oscar’s age, and he’s not of the physical or aura capability of a huntsman. You could argue Jaune was like that but Jaune was of the age to go to beacon, had a weapon, and was physically fit to the point he could play it off as maybe going to the school. The only thing he was lacking was skill which was remedied by Pyrrha.

Whitley hasn’t had any of that but I wouldn’t doubt that he’d be a good fit. I can imagine him trying to use his left hand but it doesn’t work out so he forces himself to switch and it works but he wanted to use his left hand for that. He’s not as nimble as Weiss but more so than Winter so he’s slowly forming into a mix. Best part would be he keeps his sarcastic attitude and teasing only being serious in serious situations.

I think all Schnees are brutally honest with everything but understand and feel bad when they hurt someone who hasn’t done anything bad to them or has gotten on their nerves. If they are misunderstood for what they say and they know it wouldn’t be easy to understand said topic they go soft and attempt to explain, Winter and Penny at the Schnee manor in Vol 7.

I also like to think that each of them are slightly gifted in the others area of art. Whitley is better with design, art, and visual concepts.

Weiss is better musical and hearing as well as being able to take quickly to anything she was forced to learn by Jacques or genuinely wanted to know. Weiss and Whitley also share common interest in design from a mathematical stand point because it gets their motors going which was derived from Jacques trying to control them and force how they think, what they do, and what’s going on.

Winter is more about art through movement. She taught Weiss how to dance and is probably the only person who could stand a chance against Yang with Martial Arts. With her being the most controlling of her emotions she could easily do acting which she was forced to do while in school before Atlas Academy.

Whitley learnt how to play the piano from Weiss with videos Klein recorded where Weiss explained how to play. This was an assignment by Jacques to prove she was practicing but Whitley caught them once and asked Klein if he could see the videos. Jacques thought he had the natural talent for the piano, nah he just practiced a lot with Weiss’s help.

Winter hasn’t listened to any of Weiss’ personal songs. By personal I mean the RWBY soundtracks. I head canon that those songs are Weiss describing their journey and how she believes their friends, enemies, and family feels.

I like the idea that Weiss’s songs were used as protest. Now Winter has heard a few she just never put two and two together that that was Weiss singing since she always had a soft pitched opera voice. Well not until she heard someone in the refugee camp blast This Life Is Mine which included the more opera segment. That broke Winter. The idea was on a head canon post but I forgot the name and I’ve liked to many posts to the point I doubt I’ll find it.

Whitley got two copies of Weiss’s songs, using a bit of money for himself and Winter there, and as a bonding activity between them and if they ever feel stressed listen to her music and voice. This is how Whitley realized that Jacques had been lying to him about his sisters just abandoning him and not caring for him at all that they left him, but rather Jacques pulled him away from Winter to ensure he wouldn’t end up like Weiss. This Life Is Mine hits close to Whitley as for Winter as much as she agrees with Whitley that it hits close she knows that Weiss’s song Path to Isolation hits more for her.

Weiss had managed to submit War, Until The End, and Fear to the people who published her songs before everything the evacuation using Pietro. Pietro questioned why and she just gave a quick summary, not explaining everything but just enough. Those publishers got though the portals and with the help of Whitley and the Schnee money got Weiss’s ‘final’ track out.

The songs are played everyday which was new for the Atlesians that survived compared to the survivors in Mantle. No one expected Weiss to be so defiant and see how abusive Jacques was to her and which they can assume the rest of the family. How they weren’t picture perfect.

......... I should stop now. Written to much again. I’ll most likely try to find the post with the idea that Weiss’s song were used as songs of retaliation in Mantle. If I do I’m going to reboot it so here me go, deep diving.

[kangaroo-sniper-imagine]

-I went with a generally disapproving family-

The mercs encounter a protective family. THEY USE CHARM, it is ineffective!

Engineer

If your family is judgmental, they’ll have a hell of a time trying to find fault in Dell. I mean, he’s finely educated, has a well paying job (they don’t know WHAT you two do, they just know you could live comfortably), he’s a southern gentleman I mean, if you’re gonna bring ANY merc back home, it be him.

Dell is literally perfect. Even if your dad is like, nitpicky, trying to get a rise from him, Dell is basically the team’s dad, so he’s got patience in spades. Dell is the one in charge of putting Pyro to sleep, Dell fears no man

He brought a cake for god's sake

Scout

Jeremy is nervous at first when you mention that you have a big family, then remembers his family is probably way bigger than yours, and he’s a little less worried. Then he get worried again because Jeremy remembers he isn’t exactly, uhhh, great when it comes to making good impression

He spends most of the time by your side, stock still, sweating nervously. If he gets too nervous, he goes into his default maneuver to make people like him; which is talking about his family. It wins over your mom (cuz lets be real, boys who get along with their moms are less likely to suck)

Your father puts him through the ringer. If Jeremy wasn’t so used to being threatened daily, he probs would’ve fainted or some shit. But nope, he was stuck in that horrific limbo of fight or flight, better known as “freeze.” the poor baby’s gonna need you to stay by his side the whole time

Heavy

Mikhail isn’t normally intimidated, but you are so important to him that the thought of facing your family made him want to volunteer for one of Medic’s experiments.

(for the fun of it) Your father is taller and bigger than Mikhail; and oh fuck is russian homeboy shook/freaked. Misha is pretty stoic when he feels threatened, and he is soooo overwhelmed by your dad’s hardened glare

You and your mother enjoy yourselves as your father and boyfriend stare and glare silently the whole night. When the night is finally over and you and Misha are alone, he tells you your father terrifies him, and you tell him you dad told you that he liked Mikhail

Spy

(for story reasons…) Your father was your last surviving family member and he was hella protective over you. Jacque was completely content with never meeting your father if he could help it, but it was so important to you and he eventually caved.

You know those dad’s that are basically junkyard dogs to everyone except their kids? That's your dad. When you aren’t in the room, he will grill the shit out of Jacque. “What’s with the mask, what’s your income, if you ever hurt my daughter no one will ever find your body” sorta thing

Jacque is not easily scared, but holy fuck is your father one scary mofo when you’re involved. The Frenchman tries to reassure your dad that he wouldn’t ever hurt you, as you are one of the best things that's ever happened to him, your dad still acts rude and mean when you aren’t around. Jacque doesn’t tell you what you dad said, but he now he actively avoids meeting him again

Medic

Ludwig does not shake in the face of danger, he’s met the fricking devil, nothing frightens him. Then he met your mother, and OOOOOOH BOY. Ludwig thought HE was overprotective of you, but good god your mother!

Your mother wasn’t rude per say, but she was passive aggressive. Normally, our favorite mad surgeon would brag about losing his medical license, but now he artfully avoids that topic and instead focused on his accomplishments as a doctor and his achievements back in university. You mom doesn’t give a shit

After the visit Ludwig, for the first time in a long time, feels hella inadequate and struggles grappling with it. Even after explaining to him you mom does that to weed out the weak suitors

Sniper

Oooooooooof. Mick is good at reading people, and is good at clocking those with tough characters who’ll dislike him. For Mick….. No one in your family liked him. He could pick up on it immediately, all of your brothers, your sisters, your parents. The room was very tense

Mick was also very good at faking being nice and knows how to take snide comment after snide comment. He felt hella uncomfortable the whole time, but you loved your family, and your family loved you back, so he withstood it.

Mick gets that it’s your family’s defense mechanism, doesn’t mean he likes it. He’s happy there’s plenty of people to be there to defend and protect you, he just doesn't like that they want to protect you from him

Pyro

Don't bring Pyro to meet your family, that’s like asking for disaster.

Pyro picks up on bad vibes like its nothing and will act hostile if they are treated hostile

Also i can imagine any situation in which you could explain the gas mask

Soldier

Jane is extremely old fashioned and probably encouraged you to allowing him to meet your family. You couldn’t see a fault in his logic; if anything, your strict family might approve of the military-like man

HA! Thank god Jane, in regards to social situations, is a bit slow. He doesn’t get that your dad is subtly trying to threaten him or that your mother is questioning his loyalty. He genuinely thinks that your father wants to show him his new hunting rifle and that your mother questioned his loyalty to America

You were upset by your parent’s rudeness at first, but seeing Jane deflect it all turned it into a comedy show for you. He might not be the best person to bring home, but he has the best results

Demo

Can you say nervous? Tavish loves and respects the hell out of you, and all the other mercs seemed to understand that, but holy hell, your parents can’t seem to get it through their thick skulls.

Tavish is on his absolute best behavior. No drinking, no cigar smoking, no arguing with the sentient sword in his room for the last 24- hours to make sure he was calm and collected before meeting your folks; and yet your dad is still trying to start a fight with him even though you’re still in the room

He suffers through it, I mean Tavish has taken the killing blow for you over and over again on the battlefield so dealing with your folks should be small potatoes. His own mother is pretty rough with him, so your parents set him on edge but they don’t scare him away

[masterweaverx]

Last night, I was half-awake, when my random brain presented a horrifyingly intriguing possibility for Yang’s fate in the Void. She winds up in the past, but because she doesn’t have a body that far back, she’s shunted into the closest body Fate can find--Raven’s body.

And Raven’s still there, to be clear, and Yang can say ‘Yeah, sorry, I’m your daughter from the future and this is confusing for me too? Let’s see if we can get out of this,’ but she can’t actually explain things that happen in the future because Reasons. And when RWB jump down, something similar happens--Ruby winds up talking to Summer while not being able to warn her of her eventual fate, Weiss very awkwardly has to deal with Willow’s early crushing on Jacques, and Blake--well, Kali’s actually very understanding, she’s read fairy tales before, so she just says ‘Okay we’ll pack up and head to Vale’ while not at all freaking out.

Ozpin has to deal with the fact that two of his students are possessed by people from the future and can’t actually talk about it, for reasons, but you know he’s also very clearly wondering ‘how much do they know how much did I tell them?’ And Raven and Summer are CLEARLY in a romantic relationship, which gives Yang and Ruby very conflicting emotions; Raven and Summer agree to limit it to Just Hugs For Now because this situation is weird, but then they figure out Tai is the father and are like... “Huh, never considered that option.”

Meanwhile Weiss is very much not wanting Willow to get together with this Suave Atlesian Man (and the idea of Jacques being suave makes her want to puke) but Willow, being young and naive, misinterprets it as ‘my future daughter just doesn’t want to be near when her parents are in lurrrrv’ and teases her about it and Weiss is like ‘Good god, mom! Really? REALLY?’ so the both of them campaign to head to Vale and get Weiss out ASAP so she doesn’t have to deal with this.

Kali arrives and chats with Blake about all the nostalgic things she’s seen in Vale that she can talk about while not revealing the future, and because Kali is so much more observant she can also pick up on what Blake’s not saying. There’s some teasing about ‘oh Ghira’s hot’ ‘Mooooom!’ and also some genuine talks about what love means and what duty means and Blake is like ‘I get the feeling I can’t actually change the future’ and Kali’s like ‘probably not, but I promise I’ll be there when you get back’.

Team RWBYSWKR reunite and talk to Magic Expert Ozpin who, after some very clever questions, realizes what’s up, and through either cryptic advice or straight up asking Jinn, they figure out how to send team RWBY Back To The Future. There’s a final adventure where everyone tries to work around the ‘can’t talk about the future’ stuff as best they can--Yang tells Raven to grow up, Blake cautiously mentions some Atlesian stuff Kali picks up on, Weiss makes sure Willow knows she can always seek out help, and Ruby promises Summer “I will find you,” which isn’t ominous at all. Then they all get shunted to the future, back in their own bodies, and it’s Volume Ten!

THIS ALL CAME TO ME IN A HALF-AWAKE HAZE.

[lyeekha]

In the mirror he could see Ernest stood behind him, tie tucked safely into his vest, sleeves rolled up and a towel slung over one shoulder. He had ushered Lemony to a seat with a headrest, politely remaining in eyeline and not making any surreptitious-looking movements. He had removed his suit jacket and pointed out that, really, you needed to be topless for this, and Lemony had said oh yes, of course, as if this had slipped his mind instead of caused him to hesitate, and taken off his shirt, and nobody had made a fuss about it, and he had actually relaxed, and now Ernest was rubbing something into his neck that smelt... incredible. It smelt of summer.

The manager was obviously skilled, that hadn't been a lie. His palms worked the oil across his flesh with just the right firmness and friction to make his skin tingle. His fingertips pressed confidently into the exact hollows that made him hum with appreciation. He wanted more than anything to drift off and allow himself to be looked after, but Lemony was still playing the game. He had to be. As casually as possible, he watched Ernest's reflection. The man seemed totally absorbed in his work. In fact, Ernest looked more peaceful than he had ever seen him before. The enigmatic smile didn't seem as forced, though still impenetrable. A slight, strange frown of concentration was on his brow. Something ancient stirred in the back of Lemony's mind. He could believe that this was a genuine pleasure for Ernest, no matter what other motives were in play. The attraction of a simple, intimate, uncomplicated, repetitive task. Lemony cleared his throat and summoned a more jovial tone.

Thank you!!! (Pick a passage or comic chapter of mine for commentary)

this ones from Double Edged so, spoilers for that. sorry if its too much and maybe incomprehensible i just wrote everything i thought in a stream

The idea of rival spies in a truce having an unspoken etiquette about making sure the other person can see what they’re doing clearly at all times really amused me and also seemed like a natural progression for people who just, Live Like This all the time. Kind of like the body language animals develop to deliberately signal trust and lack of threat? Like when cats do the long blink or prey animals make a big show of laying down near you. Of course then you have it as a reassuring gesture, and that gesture being false, and I’ve set myself up for the whole rest of the thing to be about successfully and realistically (enough) distracting Lemony without him noticing.

Humans are the animals that do this too, of course. it is the same thing as normal body language just made more pointed. I have Ernest as having complete control over his body language and complete observation of everyone elses, in a Derren Brown type reading/manipulation style.

I like slipping dialogue into the narration here because it cuts out a lot of stuff that’s boring to read and skips a bit of time by having Lemony reflect on things that have just happened. the whole thing is in past tense but this is like, a few minutes further past tense than everything else. Means I can just put the pertinent things. Also it was very important for this bit to happen very fast so that you get his POV sense of being swept along with ‘naturally unfolding’ events. It buries the fact that Ernest now has possession of Lemony’s jacket by making the second half of that sentence much more engaging and interesting looking and easy to move on to - which is exactly what Ernest is doing by saying something distracting as he performs the natural gesture. It’s all about giving the reader the same experience as Lemony, that’s the goal for this one.

Lem is a bit nervous about taking clothes off - which is reasonable, actually - but also he’s a bit precious about it in general because of a lifetime habit of showing skin equalling danger (tattoo) and being vulnerable (without disguise or situation-appropriate clothing). I’m thinking of socks and the symbolic importance of clothes in atwq, the reliance on the disguise kit forever, the scene-appropriate netflix outfits to blend in all the time. That’s whats canon anyway - this all also contributes to my headcanon of trans Lemony, and I made sure to imply top surgery scars in the illustration. Again, vital to remember that its Lem’s POV (even though it’s not in first person), so ‘nobody made a fuss about it’ both tells you his relief that no comment about his body (whether salacious or surprise or mockery) was made and cements that he was nervous in the first place. 

Of course Ernest wouldnt say anything, or even visibly react at all. He is a practiced expert of the service industry.

This is also in contrast with Jacques, who has complete confidence in showing skin. Lem feigning absent-mindedness to disguise hesitation feeds into the overall ongoing thing of Lemony trying to be smooth, and I reckon hes’s coping by pulling directly from how he’s seen Jacques act. This whole seductive wiles angle isn’t really Lemony’s scene and his awkward phrasing and justifications in his own thoughts about it reflects this. Pretending to be going along with stuff he can do, but the playful flirty aspect is different and throws him a bit. So its pretty much all from what he knows of J’s playbook. Of course Ernest isn’t fooled by the faux casualness, and Lemony knows he isnt, but its the polite etiquette to go along with face value that makes everyone more comfortable. Lot of that in this fic. 

‘and he had actually relaxed’ the word ‘actually’ implying his surprise as he’d been intending to only pretend to relax - same with ‘that hadn’t been a lie’, as in, well *that* at least was true. Lem is double checking literally everything Ernest says. The fact that he is actually a practiced masseuse sells the idea to Lemony that this is not just a ruse to get his top off or whatever. And at the same time reassures the reader that Lem is not actually being a complete idiot - he is constantly suspicious of everything as always, and remains so throughout

It smelt of summer.... I wanted a feeling more than a specific scent. Its how it makes him feel. He can’t pinpoint it exactly because its too evocative. To me, smelling of summer evokes warm spice and mango. Also, the sudden switch from a factual barrage to slow and conceptual is a strong feeling. 

The fast pacing and then the sudden slow at the end of the paragraph like a sigh. Like the feeling of being swept along and then being a bit bewildered, bit ‘i can’t beleive this is actually happening’, bit ‘how did i get here’, bit proper relaxing. 

Then slow and meandering pacing, to match Ernest’s hands. Palm oil. Flesh Firmness Friction.

Ernest said pointedly earlier that the mirror was for Lemony to watch him, to feel safe. So he is well aware - and is in fact encouraging - that Lemony study his reflection at this point. However, I hope I managed to get a good genuine vibe in here. Ernest enjoys this, and is finding it relaxing. Probably the actual genuine feeling from him is a huge advantage to calming Lemony down, Lem can probably pick up on fakeness very well subconsciously, so the verisimilitude is Ernest’s best weapon. Also, he wants for selfish reasons. He doesn’t get physical contact because of his position, and when he does its not someone that understands why. And Lemony understands him. And he understands Lemony. Better than most on their respective sides do. Lem even acknowledges in his own narration - 'genuine pleasure... no matter what other motives were in play’ - that the truth and the trick are not mutually exclusive. he gets it.

Very intentional focus on enigmatic smile and brow in quick succession, which happens repeated through the story - yes we are invoking Ellington this fic, more quietly at first and then stronger later. A stirring of something ancient, you might say. 

And yes, the mind naturally wanders to other simple, intimate, uncomplicated, repetitive tasks and he has to shut that line of thought down immediately, something Lemony gets increasingly worse at doing as the fic goes on. Shoving words like ‘pleasure’ and ‘stirring’ and that technically accurate description together heavily implies Lem’s growing arousal. Just to really spell that out. Just in case. If it’s missed it would be there subliminally enough im sure.

Thanks for asking and a great choice of section, I havent read this commentary back so here it is have it immediately before i remember what i forgot and edit forever

[kob131]

So I saw MangaKamen's recent video on RWBY and two things spoke out to me personally; 1) Mangakamen is right about RWBY in the fact that they royally fucked over the situation in Atlas and 2) Robyn has no fucking right comparing her sembalance to Qrow's.

So we’re doing this again huh?

‘I am expressing my opinions and that may piss off someone of you- SO NO COMPLAINING!’

... Fun fact, in his video going after Cosmonaut Variety Hour’s video on Jojo, he directly criticizes him for apparently ‘trying to deflect criticism’ by labelling the video a rant. So know that when I saw that he’s just trying to deflect any backlash he gets here and he inevitably gets pissy about it.

Because this man cannot be consistent to save his life.

“I’m not unreasonable guys!”

No, you just consume and vomit up the points of people who are so deeply biased that they can’t be described as anything BUT unreasonable. 

And I know this, because I remember watching his Volume 7 video and noticing he made a comparison between Jacques and Trump. Now as I’ve stated and shown- this doesn’t make sense. Many of Jacques’ policies and actions in the plot are counter indicative of the common liberal consensus of Trump (for example, Jacques is shown to mostly do this for his business while Trump acting for his business is the ONE thing he was never accused of). This is also not like Kamen’s style at all- he rarely if ever addresses politics in media.

 .. And he didn’t. Because that point wasn’t his. I found out FMF said the exact same thing beforehand and Kamen is on record as watching his videos and following his Twitter. This combined with his blind acceptance of FloofArtist, someone who is even more biased than FMF due to personal feelings- I’m certain that a lot of what he says is just repeated from other people.

In all honesty, I have more respect for FMF. Because he at least isn’t as big a hypocrite nor is he copying other’s opinions even though it’s so far against his style it doesn’t make sense.

Okay so in his first section, he bitches about Cinder’s backstory.

First is that this should have happened in Volumes 4 and 5 because those had a focus on Cinder. Problem, Cinder has a focus in Volume 8 as well as Volume 7 and 6- She’s continually had focus ever since Volume 2. She wasn’t given any special treatment in Volumes 4 and 5, in fact she plays a similar role there as well. ... Except with Atlas, this place is were her abuse took place and her character arc here is learning from her mistakes, which are rooted in her abuse. It also shows how and why Salem got her to be loyal- by offering her a tiny bit of approval and support which she lacked. The same thing she did to Emerald, who is defecting in this Volume. It also gives the audience satisfaction when she does learn from her mistakes and succeeds. So for all he questions about why it is here- He doesn’t even consider a very blatant answer.

He also tries to say that we’ve had other villain backstories before Cinder’s so that...makes hers worse? ...Um, not only does this not pertain to the purpose of Cinder’s backstory, three of his four examples (Tyrian, Watts and Hazel?) are TOLD to us. Cinder, like Salem, is SHOWN to us. This is important since Kamen has bitched about RWBY not doing show don’t tell before so he should be praising this.

His third point is about how Cinder was treated like a slave and yet she feels nothing for the Fanaus, therefore her development from her backstory doesn’t make sense...which misunderstands how people operate so much I’m genuinely confused. Like...people don’t relate to others in similar situations all the time because their experiences scar them to the point of not empathizing with others in similar situations. Hell, that’s the basis of the cycle of abuse. Having similar experiences doesn’t mean Cinder would care, especially since she’s so focused on not repeating that life she ignores so much around her.

Next is-Oh fucking god, it’s the goddamn ‘RHODES AND ABUSE!’ point. Once again, look at the scenes were Cinder is abused. And I mean ‘unambiguous’ abuse. Her sisters tracking mud in, her mother having her work and glaring at her for breaking something is not abuse. I’m talking about the underfeeding and the shock collar. It’s all done AWAY from the public. AKA Away from RHODES. Fuck, take out every scene in which Cinder is abused and tell me if you could tell she was abused and not...I dunno...just a teen who doesn’t like her upbringing. Her collar looks like a normal collar for fuck’s sake!

‘But- Cinder could have mentioned it to him off-screen!’

And that would normally be a good point to make as it is logical given how close they are implied to be. ... But guess what Kamen says?

“If it’s not shown in the show, it doesn’t count.”

Issue is- that cuts both ways. Just as outside info can’t be used to justify the show, the lack of it can’t be interpreted against it. So Kamen fucked the only strong point he could have had.

Then we have him...bitching about show don’t tell with CInder’s song. ... While he completely ignores the showing of Cinder’s abuse being in private. Very blatantly in private.

... I said twelve times, I’ll say it a thirteenth: this is why things in RWBY are so blunt. If it isn’t just a step before the writers walking on screen and explaining the show- People go and misinterpret everything to a point well beyond my suspension of disbelief. This is especially true with Kamen since he bitched at Cvit for not considering what he called ‘basic’ details about Persona 5. So he above anyone else lacks an excuse.

This gets proven in the next part where he says that the purpose of the backstory is to show that Cinder isn’t in power...when in the same episode, we had a scene were Cinder’s Grimm thrashes about with cuts to her backstory where her collar shocked her as Salem gave her very blatant words of manipulative support. You cannot get anymore blatant and blunt than that aside from doing EXACTLY as I said and Kamen STILL misinterprets it. 

He bitches about Cinder retreading the same ground and she sucks...but then consider everything I’ve showcased so far. With all this wildly off shit that he’s criticized in others- can you honestly say you think it’s the show’s fault? Or s it his and he’s not owning up to it?

Considering how he doesn’t make the obvious connection of ‘Cinder lacked power in her developmental years’ to ‘Cinder has an unnatural obsession with that thing she lacked in her developmental years’-

I can safely say it’s the latter.

And that’s it for now. I’ll revisit this later considering how tired I am. But to wrap things up-

Look at the length of this post. Look at all the problems I pointed out. Look at the hypocrisy and inexcusable stupidity.

Then consider that this is only 9 minutes...into a 51 minute video.

...Do you really think Kamen’s points are that good? Or even acceptable?

[itsclydebitches]

Sorry to be agitated in your asks, but I just finished catching up on V8 and I'm hung up on a LOT but one of the big things I haven't seen many people talk about is the attitude towards Atlas? The way the show has constantly beaten in that Atlas is BAD, the city as just being the wealthy (and the irl association that that brings to fill in the gaps), with no redeeming qualities and actual decent people being few and far between (hello, Cinder backstory), makes it horribly difficult for us as an audience to connect to its current peril. I had a group of fans I talk with genuinely say that the civilians of Atlas deserve to be slaughtered because, really, "are they even innocent?" - like, what??? How does a show gaff up so badly that the massacre of a city is cathartic or wanted?

You’ve come to the right place, anon, because we’ve indeed been discussing that over here! Not that I can easily point you towards any posts because my blog remains a disorganized mess lol. 

In all seriousness though, yeah. All of the above. The more I think about it, the more I’m leaning towards the claim that the current treatment of Atlas is akin to the current treatment of Ironwood. Which is to say, made illogically, simplistically evil because RWBY does not know how to write (or is simply uninterested in tackling) a situation with this much gray in it. I say this because Atlas wasn’t treated as this #evil city up until late Volume 7/Volume 8. Originally, Weiss represented Atlas, which means we came to think of Atlas as we thought of her: flawed (very much so), but with a good core. Then the Vytal festival introduced us to Atlas students and we learned that Weiss, as the privileged Schnee, really is an exception rather than the rule. Atlas is also (perhaps even mostly) made up of those who are her opposite. Here’s a working class son whose family was screwed over by the Schnees. Here’s a fun, energetic faunus decked out in rainbows. Indeed, Weiss’ comment that she expects military-focused, highly organized fighters is blown out of the water, telling us that her view of the city (and what she as an individual supposedly represents of that city) isn’t accurate. Our other characters reinforce this. Winter appears to be the strict, military official... who eagerly greets her sister and cares that she’s making friends, not succeeding in her studies. Ironwood is the scary-seeming general... who actually listens to his allies and is 100% out to help others as much as he can. Time and again Atlas was shown to be a complicated, but ultimately caring place and that was shown to us through the people it produced and sent out into the world. Even when we hit Volume 7 and were introduced to a very dystopian looking Mantle, the story undermined that simplicity by having the group realize oh, Ironwood is crafting a plan to take out Salem and taking logical precautions to ensure his kingdom survives until then. He’s not just screwing over the city because yay rich people and boo the poor. Things began to fall apart when the group assisted in perpetuating these sacrifices (Amity), became an official part of this flawed system (huntsmen working under Ironwood), and actively undermined Ironwood in his attempts to get something good out of all this (secrets, lies, betrayal) while trying to paint them as the Good Guys to his Bad Decisions, but at least that complexity existed for the viewer to engage with, even if the show refused to acknowledge it. 

But then... late Volume 7. Ironwood shoots an unarmed, allied kid for no reason and with that about-face came a slew of anti-Atlas writing. Whereas before things were a bit more balanced (such as showing us racism in Mantle too) now Atlas is the Bad City to Mantle’s Good one. See how everyone talks about how awful Atlas is, only worthwhile for the protection it can give Mantle citizen? See how the Happy Huntresses have moved from being pro-Mantle to anti-Atlas? See the lack of scenes that give Atlas a human, sympathetic face? Mantle gets that with toys lost in the streets, or abandoned family photos. Atlas has privileged folks having picnics during the end of the world and military men so stupid they run out of the room - right past the heroes! - screaming about coffee on their pants. Atlas is now the transphobic city when transphobia was never introduced in this world before, and it’s the place where our villain was sold as a slave and horrendously tortured with a shock collar for years. Are there at least other, redeeming characters in this story? Only one and the fandom has decided to hate him. 

To be clear, I’m not out to claim that Atlas wasn’t framed as “bad” prior to this, but it’s crucial that nearly everything was filtered through Jacques Schnee. Ballroom full of idiotic, privileged folk who don’t care about the Fall of Beacon? They’re all Jacques’ guests (with Weiss and Ironwood standing as their contrasts). Awful brand on Adam’s face? That’s from the Schnee Dust Company too! Atlas was a city with wealth and that wealth not only created disparity, but allowed a few really bad individuals, like Jacques, to exploit systematic problems. Major flaws to be sure, but otherwise a city like any other, producing good that the audience is meant to love even as it grapples with its problems: Weiss, Winter, the FNKI group, and yes, Ironwood. It’s only when the story decided to turn Ironwood into a villain that we likewise saw this extreme turn towards Atlas as a fully corrupt, irredeemable city. Which makes a certain amount of sense to me because Ironwood represents Atlas and the city represents him in turn. They are are intimately connected. RWBY wanted simplicity despite failing to write a simple problem, so if you’re going to claim, “Ironwood wanting to save the people he feasibly can” is an objectively bad stance, you can’t make those people sympathetic. The audience can’t want Atlas to survive because that makes Ironwood too sympathetic in turn for trying to help them. The general trying to save a city filled with plenty of good people is a hero. The general trying to save a city filled with nothing but rich, racist assholes? Oh, he’s OBVIOUSLY evil.  

You’re right that the way Atlas has been presented makes it difficult to care about its peril. I think that’s the point. It’s really easy to take what RWBY is currently saying at face value and I think that’s why so much of the fandom has reached a “are they even innocent?” mindset. You need to take that second step of asking things like, “So if Atlas is all irredeemable trash, does that mean we should hate Weiss too? If Weiss is an exception because of what Team RWBY taught her, does no one else in the city deserve the chance to learn what she did? What about Winter still working for Ironwood? What about the group’s friends still in the academy? The non-Atlas students attending school? People from other kingdoms who were in the city when the borders closed?” etc. Getting to the point of realizing, “Huh, I don’t think an entire city deserves to perish because of systematic problems largely outside of individual citizens’ control and a few, heinous assholes,” but that requires thinking past what the show is saying right here, right now. 

RWBY now banks almost entirely on its audience believe whatever the claim of the week is. Starting with Ozpin in Volume 6, the show has made a habit of arguing things that are unsupported by the writing that came before this moment, or even, sometimes, the writing that’s happening right now. The latest in this long list is Atlas and, though disappointing, at this point I can’t claim I’m surprised. 

[warsmith-38]

How I would do RWBY pt.4

World Travel Arc.

Season Four.

Cinder was found by Salem after fall of Beacon.

Missing arm and eye.

Salem helps her and even rewards her.

She accomplished her goal of shooting Ozpin with the arrow.

It didn’t take, sure, but that’s not Cinder’s fault.

Arm is replaced with grimm arm.

An eye was also offered but Cinder refused because she wants a visceral reminder of her failure.

Translation: Because chuunibyou.

Cinder spends her time training to compensate for and overcome her new disabilities.

Has massive grudge against Ruby.

What should have been two easy wins were stolen from her by sheer dumb luck and circumstance.

She has made it her goal to prove that she is more powerful than Ruby and will do so by tearing her heart out and turning it to ash.

Salem decides that Ruby will be an issue to her long term plans and sends her best assassin, Tyrian, to kill her instead of Cinder.

Just like Summer.

She doesn’t want to send Cinder on the grounds that she thinks that homegirl REALLY needs to chill.

Ruby is full murderhobo.

Killing grimm and taking whatever freelance bounty money she can on her way to Mistral.

Fuck if she knows what she’s going to do when she gets there but she hasn’t planned all that far ahead.

She just wanted to not be stuck at home again.

Finds JNR, who had volunteered for general assistance in the areas around Mistral.

JNR says that there’s both a grimm issue and a bandit issue in the area.

Ruby wants everything to do with it.

Blake is on her way back to Menagerie.

Encounters SSSN who are on light duties and are being sent to putz around in Menagerie.

Sun asks her ‘what the fuck is your plan?’

Blake says that the only place for her in the world is back home with her family.

Weiss is also back home with her family but is far less into the idea.

Dad is distant and detached.

Mother is drunk and miserable.

Winter is the only one she properly interacts with, training and sparring to keep herself in shape.

Winter offers a position in the military, a cushy one at that (Can I get an amen for nepotism?)

Weiss ignores the offer, is depressed, misses her friends.

Yang is stuck at home, also depressed, dealing with deepening abandonment issues, and constantly fiddling with the trinket Raven gave her.

Having Ruby run off only made things worse. Combining her abandonment issues with the feeling of letting her sister down when she needed her most.

Tai barely pays attention to her outside of his constant worrying about Ruby but eventually sees the trinket and tells Yang about Raven.

Is very clearly bitter about the whole thing but is pretending he isn’t.

VERY rose (ha) tinted glasses about Summer.

Not that she was secretly a piece of shit or anything, but to hear Tai talk about her she made saints look like goatfuckers.

Ironwood shows up and gives Yang robo-arm as an apology for saying he’d help her after the fight with Mercury and then letting her down.

Ironwood helps break Yang out of her funk, offers some military style counseling, helping her work off the muscle atrophy, even teaches her some spec-ops chokeholds and the like.

Yang says it’s nice to have an actual male role model/father figure in her life.

Ironwood rips Tai’s shit in for being such a bad parent to Yang.

Tai has no real counters to what Ironwood is saying.

He realizes that he’s been a neglectful asshole and starts helping retrain Yang too.

Weiss makes a scene at an event her father is putting on.

Jacques sits her down after it and says that they’re going to have a completely frank conversation.

Topic shifts to their viewpoints and life choices.

He’s fine with his daughter disagreeing with him, he just wants her to understand him and he her.

Weiss calls him out on the blatantly bad shit the SDC has done.

Jacques defends his points, saying that he tried to make things better for the faunus and the White Fang just made everything worse for everyone.

Weiss tells him that passing the buck is bullshit.

Agree to disagree.

Jacques gives her a spiel laced with double meanings about freedom and making your own path.

Weiss leaves that night. (keikaku doori (Translation: All according to keikaku (Translators note: Keikaku means plan)))

Jacques might be a dick but he does want his family to be as genuinely happy as he can make them.

Blake gets back home.

Gets royal reception on the grounds that she’s the daughter of the chief of the kingdom.

Sun sends SSN to get on with their mission, he’s gonna be a while, faunus business.

They understand, they’re hip to this sort of thing, and tell him that if he needs them they’re just a phone call away.

He calls Blake out for being one of the most privileged faunus alive while lecturing others on said topic.

Blake and Sun walk in on White Fang people trying to recruit Ghira.

Notices Blake in the process of telling them to leave.

Ghira shoves everyone out of his way to embrace his long believed dead daughter.

Emotional reunion.

Sees Sun, makes joke about ‘Adam’s cheerier replacement’.

Blake gets sad.

Ghira assumes Adam died or something and doesn’t press the matter.

Calls for a royal banquet to celebrate the return of his daughter.

Sienna is present.

Sienna is overjoyed to see Blake alive and well.

Blake is happy to see ‘aunty’ Sienna but is apprehensive to talk that much with Sun glaring at them both.

Ilia is there (as head of local White Fang cell) and is happy to see her old friend is alive.

She already knew but has to keep up appearances, especially after The White Fang was seen at Beacon.

Very poor publicity to be seen operating at a place like that.

Ilia had been reassigned to Menagerie before the fall happened so she’s not guilty of taking part.

Later has small meeting with Blake, Sienna, Ilia, Sun, Ghira, and Kali.

Sienna tries (again) to bring Ghira into the White Fang.

His joining would bring all of Menagerie and the connected resources into the conflict.

This is opposed by everyone else present barring Ilia.

Ghira says that he has washed his hands of the problems in Atlas and has local stuff that he believes is more important in the long run.

Supporting Wild Call is how he helps the rest of his people.

Kali’s been running Wild Call since Ghira stepped away to run Menagerie.

Sienna talks about how faunus are treated in certain parts of the world.

It really is nowhere near as bad as she says it is.

Blake brings up terrorist acts in places completely innocent of any faunus abuse.

Sienna ‘condemns’ these acts and blames them on ‘bad apples’ like Adam, citing the fall of Beacon.

Says that Adam was acting alone and without official endorsement.

She’s lying through her fucking teeth, but the only other one who knows that for sure is Ilia.

While taking part in the fall was technically unsanctioned, Sienna knows all about Salem and was okaying Adam’s efforts working with her.

Ilia suddenly feels very guilty for some odd reason.

Ghira is very confused, doesn’t keep up too much with world affairs, generally too busy.

Blake rounds on Sienna for trying to shift the blame to Adam, cites all of the bullshit attacks she was involved in, letting it be known that she herself was in the White Fang.

Ghira and Kali both become enraged at Sienna, who told them that Blake was killed years ago at a protest gone south.

Sienna tries to make excuses for the cause.

Is escorted with Ilia from the palace at gun point.

Kali and Blake reconnect as Ghira has a sit down with Sun, telling him to tell him everything he knows.

Weiss is stowed away on airship bound for Vacuo/Mistral (doesn’t really matter which, ship gets taken down either way).

Ship gets attacked by grimm and gets splashed.

Weiss makes it to shore and travels southward, realizing that maybe she should have planned this a little more than not at all.

Wonder who she picked that up from.

Ends up surrounded by bandits who see the pretty girl from Atlas who might just be worth a lot of cash.

Weiss kicks the shit out of them.

Raven shows up.

Weiss loses.

Yang decides enough of her sulking and gets ready to set off to find Ruby and either 1. Bring her home 2. Look after her and keep her safe on her personal quest 3. Kick her ass for running off and making everyone worried 4. Some combination of the above. (Maybe hit up where Raven’s map leads along the way if she gets the chance)

Tai acknowledges that he can’t always protect his girls.

Tells Yang to not be too hard on Ruby, realizing that she would never have been happy with a calm, sheltered, life.

Summer was the same way.

He also apologizes for neglecting Yang for as long as he did.

Yang gets a hug from Tai, a salute from Ironwood, and a slobbering from Zwei.

Yes, the dog is still here. He’s a good dog. Every story could use a good dog or twelve.

Gets to the continent that Mistral is on. (I do not care about the name)

Starts biking in the direction that the conflict zones are, hoping to find word about Ruby along the way.

Gets accosted by bandits along the way.

Kicks the crap out of them.

Raven shows up saying that she expected nothing less from her daughter.

Yang realizes that she is indeed around where the map was pointing her.

This was supposed to be a test to see if Yang was resourceful enough to track her down.

Didn’t really mean to come this way just yet, but sometimes things just work out that way.

Raven happily takes her daughter to the main camp.

Yang is apprehensive to get comfortable and seems a little disappointed that her mother is just some asshole bandit.

Raven gives her a speech all about survival of the fittest and might makes right and all that jazz.

Yang wants to know why she left her in the first place and why she is suddenly wanting to be back in her life after all this time.

She’s got a lot of questions and Raven has very few answers.

Raven avoids Yang’s questions and says that she’s always been watching her from behind the scenes.

Yang actually dislikes that even more because it means that she could have been there for her the whole time, yet wasn’t.

Raven continues by saying that if Yang’s so weak that she couldn’t beat a pissant like Neo then she really needs mama to teach her what’s what.

Offers Yang a position in the tribe and even offers to make her second in command.

Yang then sees Weiss in a cage.

Raven explains that she’s going to be given to Salem to use as a hostage in Atlas.

Yang had already given up on getting answers and was already going to tell Raven to eat shit but now...

Demolishes the camp, takes Weiss away on the bike, and leaves the trinket Raven gave her in the dirt.

Would have taken the time to kick the shit out of Raven, but she needed to get Weiss out of there.

Raven is livid.

In Menagerie, Ghira and Kali have very upfront conversation with Blake.

They are upset with her that she ran off with terrorists but are happy she’s alive.

They also admonish her for running/taking the easy way out of every problem she’s had.

Blake is exasperated that the last place she could run off to is calling her out for running off so much.

Adam is all like ‘what up bitches, imma kill ya’.

Has sizable team of White Fang commandos with him and some grimm Salem sent.

Ilia shows up with her own commandos to counter his.

Both sides duke it out with the Belladonnas (Nightshades technically) getting pissed and telling all of them to get off their lawn.

Blake fights Adam.

Starts losing.

Sun calls SSN in for the assist.

They help but not all that much.

Sienna shows up to break the stalemate.

Starts kicking the shit out of Adam’s posse.

Officially denounces and attaints Adam for his crimes.

Adam leaves and swears vengeance, telling Blake that if he can’t kill her, he’ll kill RWY and make sure they know it was her that sent him to them.

Blake finally learns her fucking lesson.

Start to pack up to stop Adam before he kills RWY and, either afterwards or in the process, find and reconcile with RWY.

Takes the time to actually explain why she’s leaving this time.

Ghira understands.

Sienna takes partial blame and offers Blake the last known location of a red hooded huntress with a big fucking scythe her spies found.

Blake thanks her, but refuses an escort, hitching a ride back to the mainland with SSSN.

Ghira and Kali thank Sienna for the help but still tell her to get the fuck out and that the White Fang and their war are both not welcome in Menagerie.

In the name of their past friendship, they don’t just shoot her.

Blake has parting conversation with Sun about justifications and personal growth.

She and Sun amicably part ways.

SSSN go back to their usual shit and Blake starts hunting for Ruby.

Her logic is that, as far as she knows, Weiss is surrounded with SDC security and Yang is probably somewhere safe-ish, while Ruby is actively in a dangerous locale and ripe for predation.

Speaking of…

Ruby and JNR are clearing out local grimm around Mistral as expected.

Include sad scene or two there they find the ruins of Nora’s home village, destroyed by bandits.

Tyrian is all like ‘what up bitches, imma kill ya’.

Ruby is actually very eager for a fight against one of the important bad guys.

That excitement is curbed when Tyrian lets her know that he was the one to kill Summer.

Ruby is now more scared than anything.

R+JNR fight him and get their asses handed to them.

They try running but Tyrian isn’t giving up the chase.

Turns into cat and mouse game.

Jaune is pushed to his tactical limit against an incredibly intelligent and just as unpredictable enemy.

Everyone is scared out of their minds.

The cat (Tyrian) is just playing with his food (R+JNR) at this point.

Could have killed them at any point but he’s a sadistic animal that gets off on this shit.

Nora flies into a fury, bellowing that she will never lose anyone close to her ever again.

This creates an opening in Tyrian’s style.

Jaune’s planning manages to exploit this enough so Ruby gets a good hit on him, severing his tail.

He is very unhappy at this development.

Decides that he’s done playing with his food.

Wrecks R+JNR.

About to kill Ruby when Qrow ex machina runs him off.

Jaune discovers his semblance is healing and uses it on everyone that needs it. Which is everyone.

Qrow is annoyed that Ruby ran off on her own but understands.

Says that there’s an abandoned chateau that can serve as a pit-stop.

Been in the Branwen family for ages.

They abandoned it after they lost their fortune and it got overrun with grimm in the past.

Grimm have since moved on but the building is still there.

He’ll explain everything he can when he knows they’re out of danger.

Raven contacts Salem and tells her which direction Yang and Weiss are going.

Salem barely cares about what one of her least important agents is up to.

Notices that Ruby is in the same area and gets wind that Tyrian failed.

Sends Cinder and company to meet up with Raven and get hunting.

Salem makes a point of ordering Cinder to let Tyrian take on Ruby and not get involved against her.

Cinder just happens to ignore that order.

Blake does a little extra tracking but heads in the right direction.

Yang and Weiss hear about a red hooded huntress with a big scythe and follow the rumors.

Everyone converges at the chateau at the same time.

It’s a very all over the place scene.

Ruby is happy to see Weiss and Blake but is a little wary of Yang after how their last conversation went.

Yang is eager to make things up with Ruby but more than a little scornful of Blake.

Blake is scared of everyone’s rejection but understands their anger and is more than willing to work through it if they’d have her.

Weiss is happy to see everyone but her happiness and excitement is curbed by how everyone else is reacting to each other.

The tension explodes when Cinder and co. arrive.

Ruby and Cinder lock eyes.

Ruby goes quiet for a moment-

And then goes completely Broly BERSERK!

Group of boss fights.

Ruby madly charges Cinder in a rage.

JNR, Qrow, and Weiss begin fighting Emerald, Mercury, Tyrian, and grimm they brought.

Blake fights Adam. (again)

Yang fights Raven, constantly calling her on her shit.

Abandoning her and Tai to be some asshole bandit, siding with Salem, being a coward, et cetera.

Says that she has figured out that the reason Raven left was because she’s just a chicken shit coward who can’t deal with the world.

All of her issues and traumas have manifested into a sort of nirvana of wrath that gives her a one-time, ‘fuck you, mom’, power up that puts her at Raven’s power tier level.

Ruby vs Cinder takes them away from the others.

Ruby is in berserk, adrenaline filled, wrath fueled, fugue state, taking hits that should be stopping the fight but aren’t.

Cinder is also not fighting at her best due to A. missing eye, B. her grimm arm having a built in weakness to Ruby, and C. the fact that she had no idea that Ruby would go fucking mental like this.

Ruby eventually knocks Cinder down a pit and promptly passes out from blood loss.

Blake beats Adam and tells him to fuck off, saying that she will not stoop to his level of murder.

Yang overpowers and beats Raven, but barely.

JNR is busy with the grimm and Qrow is busy with Tyrian, who has a freaky grimm tail now.

Weiss is fighting both Emerald and Mercury.

Is losing pretty hard.

Yang shows up to fight Mercury.

WY have their first proper rival fights against E+M.

And proceed to lose.

Raven has heel-face turn and bails them out.

Tyrian is killed at the same time. Small justice for Summer.

Qrow reunites with Raven.

The Branwen siblings intimidate E+M, faking not being fuckoff exhausted.

Dare they stand against this deadly alliance?

Nope.

Emerald and Mercury cheese it.

Raven explains that since Yang beat her, Yang is now in charge of the bandits.

Raven says how proud she is that her daughter is such an ass kicker.

Yang is about to tell her off but then realizes that Ruby is still gone.

They find her in a widening pool of her own blood.

Jaune heals her.

Everyone wonder just what the fuck that was that Ruby did.

It’s not its own power or a sub-power of her new semblance.

She was just that fucking angry at seeing Cinder.

RWBY has a big ‘we beat the middle to high tier bad guys’ group hug.

Ruby affirms that she senses that Cinder is still alive but accepts the hug anyway.

Raven says that Salem’s next target is Mistral itself with Adam’s White Fang hardliners.

Yang says thanks for the info and then tells her to do what she does best and fuck off.

Literally everyone mirrors the sentiment.

Raven leaves in a huff but starts to question her morals.

RWBY is now reunited as a team.

They’re not quite back to normal, but they’re all together again.

Reunited RWBY, JNR, and Qrow now on course to Mistral proper to recoup and make new plans.

Season four done.

[tothelasthoursofmylife]

4, 8, 11, 15, 21, 40 and 43 for the fanfic writer asks :)

Thanks^^

4) What is your favourite genre to write for?

Hm, basically what I like to read as well which is fantasy and mystery/crime with some other things sprinkled in it here and there, but fantasy and mystery are the main ones.

(Though I am realising that mystery is an absolute pain to write.)

8) Where do you take your inspiration from?

Uh.

Uhm.

I don't know? I guess it's just I take in as much as I can from music/books/movies/shows/posts/etc. and then it gets all shaken up and I end up with something at some point? I can't think of anything more specific ._.

11) Have you ever amended a story due to criticisms you’ve received after posting it?

Yes, though most of the time it's less "criticisms" and more "friendly point-outs" I think? Just last chapter, someone told me that Catholic priests actually don't marry and have children. I had actually looked that up and decided that Marcel's simply a convert and was married and had a child beforehand because that's okay - well, nowadays, yes, but I didn't check any dates and was a hundred years off with this^^' They are now all Protestants.^^' (I'm not Christian and not very religious or very versed in religion-related things ._. Was a bit embarrassing...)

I can't think of much else. I was once told that the Frankenstein joke from Ch9 is too long and maybe I should cut or omit it, but that's an answer for the reverse of the question because I didn't amend it.

Most amendments I think are because I want to change things. I don't change too much though so that I am not throwing people off too much. I want to make larger changes, but I guess it's better that I don't (I may rewrite too much).

15) If you write OC’s, how do you decide on their names?

It's a mix of "using the first name that came to my mind", "going on Behind the Name or another name site and looking at the lists until I find a name I like", "using random name generators until I get a name I like", "naming a character after another character", and "carefully picking a name." (The last two often intertwine.) Or: "naming a character after someone I know."

Basically, I do everything hah.

For example:

"Kristopher" is the first name that came to my mind that starts with a "K". (I low-key wish I had picked something else.) "Cecelia" was just a name I thought was pretty.

"Aurèle" is the product of a Behind the Name hunt. So are "Arnaud", "Jacques", and "Gérard".

Most Nanteuil residents got a randomly generated name hah.

Anais is named after Anais from The Amazing World of Gumball.

Marcel is named after a former history teacher of mine that looked like Jesus 👀

The Disaster Trio's names are a bit more complicated...

They are named after characters from KHR and based on them as well :)

Hayato ("haya" is falcon, "to" is person) Gokudera --> Falk Hermann ("mann" is man, so it's also person)

Takeshi ("Takeshi" means military in this case) Yamamoto ("yama" is mountain) --> Cadell (means battle) Beaumont ("mont" is mountain)

Ryohei (no idea what the right meaning for his kanji is, but the name can, i.a., mean peace) Sasagawa --> Geoffrey ("frey" --> "frid" means peace) Bentley (the first part means "bent grass"; Ryohei is nicknamed Grass Head)

"Disaster Trio" is something from an old KHR FF of mine^^ Though that trio consisted of 3 other characters.

(EDIT: Minutes after hitting "publish", I realised I've been listening to the three singing "Familia" while writing this XD)

21) Tell me about another writer(s) who you admire? What is it about them that you admire?

I admire many! I could go on and on, but I'll just pick my favourite ones :)

(I'm not quite sure if the question refers to published writers or writers of fanfiction, so let's do both.)

Derek Landy (Skulduggery Pleasant) - I'm terrible at fight scenes. His? Great. I love them. His dialogues are also so much fun. It's all fun and games and then he hits you with a brick of devastation :')

V. E. Schwab (Shades of Magic, Monsters of Verity...) - She also has lovely fight scenes and her writing style is so, so pretty.

Marissa Meyer (The Lunar Chronicles) - She's SO good with multiple POVs. The POVs keep adding up in the Lunar Chronicles and by "Winter", there are like 10 different ones and they are all distinct and easily distinguishable. Also, I've never been so anxious reading anything like I read the last parts of Cinder/Scarlet/Winter (and I got a genuine shudder reading the last bit of Heartless). If she ever writes a thriller, maybe it will finally be one that will actually "thrill" me.

All three are also genuinely nice people^^

I have to say: I don't actually read much fanfiction...^^' I used to read a bunch a few years ago. I only got back into reading more FFs in the last few months...

FollowTheMagpie is after all these years still one of my favourites. Dropped an amazing piece of writing and then dipped. Never uploaded anything again. Such an icon.

40) Do people know you write fanfiction?

Yes, some.

In real life, it's just my sister (my brother's suspicious haha). A bunch of my internet friends know too^^

43) Has anyone ever guessed the plot twist of one of your fics before you posted it?

YES, OF COURSE, YOU WOULD ASK THIS.

Yes, some things were guessed^^ 🤭

(The age-old dilemma: Can't say what though ._. (But I really want to.))

(A bunch of stuff hasn't been noticed yet though 👀)

[mansionofmuses]

Alright fuck it I figured it's time to put my nuts in the ring when it comes to writing up rwde reviews about shiddy writing.

I already made a post about how closure doesn't exist in rwby, so that SHOULD trim this a bit. Hopefully.

These last two of seasons of rwby have been ASS and idk even know where to start. So lemme do some character progressions instead of jumping all over the place. Let's start with my fav: Neo. And I'll be as unbiased as possible.

Starting from v6, she came back and teamed up with Cinder. Cool? Cool. Fair enough. V7 onwards she's been treated like a BITCH by Cinder and has visibly shown her disdain for that on screen. And yet she still chooses to hang with her? Why? Like... Genuinely why? Is Neo not like the stealth queen? And the driver of a thousand vehicles? Why does she even need Cinder? Could she not have just jacked an airship herself, flown to Atlas after getting the info from Cinder, and began her hunt there? Instead she's just some minion to her now? Okay fine so let's say their team up makes sense in some odd world. Why the fuck would Neo agree to go to Cinder in the Satan Whale? Why? Why the fuck is she there? After being denied multiple times to get to Ruby and even being treated like shit with visible disdain, she should have absolutely left with a middle finger to Cinder. But nope. We get to see her be visibly uncomfortable in this cult and clearly wants out. Which she does, so good shit. She snatches the lamp and heads out. Fair enough, I guess? I don't know why the fuck she trusts Cinder to go back to her after being treated like shit. After Cinder's doodoo attitude towards her, Neo should be like "wow maybe she's lying to me about roman lemme check with this genie bitch" but no. And don't say "oh well she can't talk so jinn wouldn't be able to answer her." Fuck that. 1. I should hope that the password wouldn't be so ableist against mute people. 2. Neo's resourceful as hell. Text to speech and boom. There ya go. Instead she goes back to Cinder like a lost puppy after being shown multiple times how much she hates her. Why the fuck does she need Cinder to get to Ruby? I have no fucking idea! And then everyone's favorite scene. I know I know she killed Blake's hip atta-- I mean character devel-- I mean Yang. That scene. Was doodoo. And I'll get into more intricacies about it much later. But for now, why the hell was Neo so sloppy in that assassination? Like gurl you revealed yourself so early from, apparently so far away? Pretend to be a passerby with everything disguised (I saw that lamp) impale her and boom. Done. Not sure why she went for a slash either when a thrusting weapons like that would be best for a quicker impale. It would have made any on screen death so much more confirmed instead of up in the air bullshit.

Next we have Ironwood. Oh James. How far you've fallen. I don't really understand what the hell they're doing with this character any more. Like... At all. I fully expect him to turn into the joker and join salem at this point lmfao. At first he was complex, but cool, right? Ok a stern leader who still wants to help people and see team rwby in beacon grow and be successful. Fair enough. Then came v4 and he was like "hey yang. Heard about the arm. Here ya go homie." That was pretty cool to give to a young veteran. Fair enough. But good god once v7 hit, everything just went haywire. He started making the dumbest decisions. Kind of. I understand how he's like "aite let's sack mantle to ensure atlas lives cause otherwise both parties will be dead." except idk why he didn't just make a plan to evacuate everyone to mantle first but whatever. I mean team rwby did it like... In a day? Shouldn't have been hard. Then he started losing his fucking mind. There was an entire thing about trust issues and plans (ngl I didn't care enough to pay much attention) and he ends up wanting to arrest the kids more than actually stopping Salem. Like homie. Why. You have a gang of strong ass hunters on your side, don't just throw that away. They could say "acab fuck the police anarchy reigns" and you should still keep them just to fight literal satan on your doorstep. But he fucking drops everything and resources and materials on arresting them. Like why???? And then he just shoots a child just because? And he goes around full fascist mode and his character is just gone at that point. He literally actively wants to kill the people of Mantle now instead of stopping Salem and I don't fucking get it. He could literally plot with salem about how to nuke mantle and I'd be like "shoulda seen it coming". And then when he gets outta jail he kills Jacques... Just cause? Like why? I understand Jacques let Salem's forces in and eventually led to this shit show, but like... Atlas was falling. Just leave. I don't understand. But I guess it's to show how hateful he is towards those who oppose him, so whatever. Idk I'm so done with him. This man is just so boring I just can't wait for him to get killed off so we can be done with him. I'm sure I missed a fuckload of intricacies about Ironwood but I really don't care at all about this schmuck.

Next on the shitlist is the entirety of team rwby. Just to compact it all into one. Ruby has been getting on my nerves SO much. She is so holier than thou and always right. If she had just openly talked with Ironwood about all these secrets and shit, none of this would be happening. Yeah there would be panic, but homie what's the alternative? Fight in secrecy against the police and Salem?

"hey Ruby I noticed that lamp you keep hanging around. What is that?"

"oh uhhhh definitely not a grimm magnet HAHAHAHAH"

Like no shit everyone's gonna be pissed when you lie to them and keep these secrets. Also these plans are dogshit. "We gotta get a message out." To who??? The rest of the world is gonna see some lil kid be like "hey Ironwood's gone crazy and some evil witch bitch is here tryna kill us all." Like who are they gonna believe? A random girl or the fact that ironwood is the head of the largest military state in the world? For all they know it's just some prank and it's totally unbelievable.

Team RWBY sippin team for v8 and doing nothing all volume? Nice. "But they needed to protect Nora." You mean to tell me Ruby, May, Blake, and Weiss all had to be there to protect someone. The Grimm attacked once and that was it. You guys have no medical history. At all. All you did was wrap her up and drink tea during the volume where there's a literal war happening outside. You don't just "wait for help" you ARE THE HELP you're hunters you fucks! Go out and get shit done. Have like one person stay behind just in case shit goes wrong. Preferably Weiss so she can have those meaningful conversations with her family members she never fucking had. But whatever. Ruby and Yang get into... A fight? That lasts for five seconds when they leave and then when they see each other again it just doesn't matter so I'm not sure why the fuck it was brought up at all. It had no impact whatsoever. And there's a ton more I'm sure I'm just burning out at this point. But let's just talk about the big shit. Yang's death. Everyone's saying she'll come back because plot armor but I'm in the "I genuinely think she's dead" group. She turned to Dust as she fell. I mean who knows maybe Deus Ex machina rears it's convenient head. I hate hate hate how that scene was done. That was such an unbelievable death. Weiss, Ruby, and even Blake all have ways of catching her. Easily. Weiss has like fifty ways of catching someone between summons and semblance. Ruby can teleport around the world. And Blake can just shadow clone jutsu her way there but WHATEVER. I guess everyone was too busy being nerfed and sucking ass. Again. And the reactions? Dog shit. Even when she sacrifices herself for Ruby, it's still all about the bees. It's so genuinely annoying. Ruby just whispers her sisters name and that's pretty much it aside from a >:( face here and there. Weiss doesn't even grieve she just comforts Blake who's losing her shit. And I don't know why Weiss doesn't grieve cause SHE WAS HER HOMIE TOO LIKE C'MON RT LET'S SEE SOME UGLY SOBBING DAMN so now everyone's gone feral (except Weiss who just doesn't give a shit about Yang apparently.) And despite Blake saying "yo let's not kill people aite Yang?" She's gonna say fuck that and have it out for Neo and Cinder out of revenge. Alright I guess. That's fair honestly. Challenging ones own morals based on emotions. Good enough. But god I just wished we could see more from Ruby and Weiss during that. Also I'm so sick of the "oh this character fell are they dead are they not?" Thing that rt keeps doing. Just have Neo impale her and go. Easy as that. On screen confirmation. I'm sure team RWBY has a fuckload more to crit but I'm done with this topic.

Winter. Bootlicking to the extreme that she casts aside her own sister and doesn't care if her friends die. Nice. No closure at all after she turns back to being a good guy I guess. I'm done with her. Not a whole lot to say.

The aceops are just so dumb. I'm done with them. Everytime they talk about genocide for the good of atlas I'm just rolling my eyes. Just say you're fascists and move on. And idk why the fuck harriet is gonna bomb an empty mantle. Atlas is already falling on it, you literally have no reason to do this. And this plot point is stupid as hell. Next.

Cinder. I'm not sure why they decided to randomly drop her background story into the mix. Like I don't think anyone gives a shit after all the crap she's done. I'm so sick of rt trying to make her some "uwu woe is me" woobie after doing so much shit and killing so many people. Her uwu crying moments are just stupid. Honestly watts is one of my fav characters just for telling her how crappy she is. Next

Hazel. Homie is dumb as hell. He hates Ozpin because his sister died in a mission. Fair enough. Why the fuck would you ever join Grimm Hitler when Grimm are what killed her in the first place??? Like??? Just hate him on your own time dude, jesus. And he is consistently hypocritical and it's so stupidly funny how bad this character is.

"HOW MANY MORE CHILDREN WILL YOU HURT OZPIN" as he beats the piss outta Nora, Ren, RWBY, Oscar, and probably some random five year old on the street while shouting OZPIIIIN to the skies. It also didn't take a whole lot to convince him how stupid he was thank god. His character was so cool in design and in theory but good god he got executed soooo fucking poorly. Kinda glad he's dead just so we don't have to deal with his stupidity. Next.

Emerald. This bitch. I can't. I LOVE how easily rwby just forgave her. It was so stupidly funny. "oh but yang was ready to fight her at first and snatched her weapons" yeah for five fucking minutes. Then came the part where she helped stabilize Penny and gave a half assed speech about switching sides. Meanwhile everyone's just magically forgiving of her like OH THAT EMERALD AHAHAH like she didn't help orchestrate the fall of Beacon, the death of many, including Penny, and all the terrible shit that's gone down. No resentment from RWBY except for my favorite line delivered this volume. It was Weiss's ever so beautiful "SHUT UP" LOL (I play Smite and I love how her VVGQ Quiet voice line sounds the same. So when I heard this line, I thought of Smite and immediately laughed. Kudos to you Weiss.)

Salem. The hound attacked Penny in the mansion... Why? You already established connection with Watts in jail. Did he not tell her "ay she cool with us." And in turn did she not tell him "ay she cool with us don't hit her"? I guess not? Cause the hound and penny shoulda bounced together the second they met up lmao. Other than that, salem's done nothing this volume except try to be scary and get her ass beat by hazel. She could easily just go out in the field with her grimm and blasts some people or SOMETHING GOD so far our main villain is just so boring and unimposing that literally every other villain, including her subordinates, feel more like threats than her.

Now I'll just talk about scenes.

The scene with ambrosius was COATED IN CONVENIENCE. Apparently Ozpin didn't tell the gang about the WinMore button they could just fucking walk to until now because??? Idk. I LOVE how team rwby just assumed that penny would be okay when they took her robot parts out. Realistically she should just be a floating husk of aura and nothingness. Like she never had organs. I don't understand how she's a real person now? Which, by the way, I'm pretty fucking insulted about how they handled that. Why make Penny human? She was already a real girl and accepted by her loved ones. Like shit, she was a character that a LOT of transgirls, myself included, could relate to on a personal level and we LOVED how Ruby handled it in v2. It was cute! It was sweet! She said she was a real girl back then and it made all of our collective kokoros go doki doki. Fun stuff!

But now? It feels like none of that was validated until she got an actual human body. Like damn I wish I could just get my ideal body within seconds. Shit. I've seen and heard a lot of upset from my fellow tgirls about how doodoo that scene was, because it's implying penny wasn't a real girl until after she got her human body and that's probably how most of the rwby fandom is gonna see it too. "oh wow penny's a real girl now!" And just forget Ruby's cute speech in v2. So annoying. Minor nitpick, if she's got the aura of a black man inside of her (her father), and her robot body is gone, why the fuck isn't she black? Like? Idk minor nitpick I guess. But anyways back to ambrosius scene. I love how rwby had the answers for everything within the hours worth of planning they were given by Ironwood's motive. Totes believable. And yet the "one way ticket to vacuo" thing was the simplest shit they could have avoided lmfao. Like THAT is what you trip up on? Not the portals you're trying to make or the assumption that penny lives without her robot parts? Insane. (side note: how did oscar have a flashback to that scene if he wasn't even there?)

And now everyone's favorite scene. Yangs death. Already covered it early I just wanted to add more on. This scene is insane. Like... If they actually go through with killing her (i don't see how she could have survived turning into dust) then roosterteeth is dumber than I gave them credit for. Like... They have to realize the shitstorm they're gonna receive right? First they kill off clover, an lgbt+ coded character. Next is Yang? A main character who is WIDELY loved by all. Apart of their most pandered ship in existence: bees. (Both the ship and the character make them so much money in merch btw so this was stupid from an objective standpoint.) You can't just kill a main character that is heavily lgbt+ coded in THE most popular ship in the show. Like... How dumb can they be? They're gonna lose so many fans at the very least. Sales? Down. Death threats? Way up. It would be astonishing if they weren't up to their necks in shit in backlash by that decision. Bury Your Gays trope strikes again folks. But this time with everyone's favorite! Like I just... Idk that decision was stupid and that scene hardly was given any real pomp or circumstance it deserved. She's a major title character and that scene lasted like a minute lmao. It's gonna be RWBY without the Y. RWB. As in rt is a bunch of rubes for making that decision. A cynical part of me thinks they did that just because they want an excuse to off Neo, another really loved character. (Well if everyone hates her now we can kill her off cause god knows we don't know what to do with her), but I'm not gonna make this about her. I honestly don't know how to feel about this death tbh. On one hand it's shitty and *points to essay above*. On another it lets Blake be her own character for once. We get to see who she is on our own. And we can finally shift gears from The Bees Show featuring Some Plot to RWBY without the Y. But again that scene was done horribly with doodoo writing already explained up above. They're gonna use this as some edgy excuse to have the heroes start killing again or grieve or whatever bullshit shock value.

(now that I think of it tho, Neo shoulda killed yang in v2. How the fuck did Raven know she was finna die again. Lmao)

Anyways, that's my two cents. I'm sure there's so much more I forgot. Love or hate my ramble idc these are just my thoughts. I'm sure I made doodoo arguments at some points so feel free to call me an idiot and point them out. Imma bounce. My fingers fucking hurt lmfao

[michelles-garden-of-evil]

Episode 46 Review: 2 Theories About Jean Paul, Erica, and the Locket

{ YouTube: 1 | 2 | 3 }

{ Full Synopses/Recaps: Debby Graham | Bryan Gruszka }

In this great house on Maljardin, evil lives, even amongst the dead, and the poison this evil spreads threatens Erica Desmond, who lies frozen in this cryocapsule until the day a scientific miracle returns her to the living and back into the arms of her husband Jean Paul Desmond, who has defied powers real and imagined to assure his wife’s return from beyond the veiled curtain of death. Strange happenings are forcing a decision that could doom Erica Desmond...forever. 

Hello and welcome back to my Garden of Evil, where today we will examine Jean Paul’s reaction to Dr. Alison Carr’s new discovery about her sister’s bloodied locket and two possible explanations of what it may say about Erica’s death and Jean Paul’s state of mind. I could do an entire recap of this episode if I wanted to, but I'd rather narrow the focus of this entry to the theories that have been floating around my head for a while (one since before I started this blog, in fact).

A brief summary of the important stuff that happens in this episode: Alison learns that the blood on the locket is human blood, type AB-, which leads her to conclude that it must be Erica’s, because both she and Erica have that rare blood type[1]. She also tests the poison found in the glass of wine that Holly drank from two episodes ago and finds that it’s not the missing cyanide, but an unknown poison of vegetable origin. Elizabeth defends herself to Matt, telling him that she has no motive to kill Holly, not even her inheritance--and, surprisingly, he believes her. And then Raxl and Quito steal the rabbit from Jean Paul’s room and stumble upon that wonderfully sinister skull, which will co-star with Jacques in Episode 47.

Jean Paul receives irrefutable proof that the locket found around the rabbit’s neck belonged to Erica.

Outside of those plot points, this episode focuses primarily on Jean Paul’s confusion over how a bloodied locket even ended up in the cryonics capsule with his beloved Erica to begin with. When Alison shows Jean Paul the blood sample under the microscope, he's skeptical at first and tries to convince her that she either bled on it or someone else somehow put her blood there to confuse him. I would say it boggles my mind how someone with an IQ of 187 like Jean Paul can conceive such a ridiculous theory, but, honestly, it doesn’t. The popularity of conspiracy theories and other misinformation in our time has convinced me that human beings of any intelligence level can trick themselves into believing anything, no matter how patently absurd, if they want to believe it enough.

Subtle Dark Shadows reference?

I can’t tell how much of the next part where Jean Paul continues speculating about the locket is actually in the script and how much is just a particularly bad line flub. Listening to his dialogue, it sounds like a combination of both, but it’s hard to tell given that the character is supposed to be very confused already. Here’s an exact transcription of what he says:

Jean Paul: "Well, maybe I-I-I put the necklace on her neck without realizing it. I perhaps didn't put it on her when I put it in the capsule. It could have happened that way very easily. You see, I had thought I had. You didn't see me do it, did you, Raxl?" Raxl: "No." Jean Paul: "Quito, did you?" Quito: *shakes head* Jean Paul: "Well, there you are. You see? She could have cut her finger a while before she died, and so the blood got on the locket, and maybe I put the locket in the, uh, dresser drawer, and it was left there, and in my grief I didn't know what I was doing and I gave her another piece of jewelry which I put around her neck. Don't you think that probably is what has happened?"

Vangie isn’t convinced of any of these theories, and neither is Raxl. The latter believes that the locket appeared because of evil, “slimy like a snake, ugly like a black rabbit.” (WTF? The rabbit is adorable!) Jean Paul accuses Vangie of suspecting him, but she insists she doesn’t. Of course, he doesn’t believe her and he takes out his anger by breaking Alison’s microscope in half, throwing it to the ground, and accusing Erica of mocking him.

In the next scene, he ruminates in his room over the likelihood that he killed Erica, intentionally or otherwise:

Could I have killed my Erica? Could I have slain my love? That's impossible! Oh, you would like it, Jacques Eloi des Mondes, my bloody murdering ancestor. If it was so, how you would rejoice! But then, if I didn't put the locket in the cryocapsule with Erica as I thought, what other things that I believe as facts--things which are part of my life and experience--may be no more than creeping, malicious, lying fancies? Perhaps I didn't love my Erica at all. Perhaps I hated her!

Jean Paul pondering whether he truly loved Erica.

Getting dramatic!

Later, while lying on his bed in shirtsleeves, he realizes that he genuinely loved her, but that his memory is still faulty:

Jean Paul: "I loved her. I remember how I loved her. There was no world but the world outside, and then there was another world and that was us. Oh, how I loved her, so good, so beautiful, but what happened at the end? I can't…was the necklace with Erica when she was sealed in the capsule? I can't remember."

But later on when he visits the Great Hall (inadvertently giving Raxl and Quito the opportunity to retrieve the Rabbit of Evil), Jacques torments him by implying that Jean Paul, like him, is a murderer. “Think there’s a chance you may have murdered your sweet Erica?” he asks. “That blood was very interesting, wasn’t it?”

Jacques hinting again that they’re the same man, or just that the apple doesn’t fall far from the proverbial tree? Or perhaps this is like that one line from Game of Thrones: “You can’t kill me, I’m a part of you now.”

Then we get this exchange which acts as a segue into the next scene:

Jacques: "So maybe you killed your little love before you put her in that tin coffin, hm? Maybe there is no pristine, pure body to revive. That's what's been on your mind all day, isn't it?"   Jean Paul: "Even if it has been, I certainly wouldn't tell you."   Jacques: "You can have no secrets from me, anyhow. You know, if you ever are thinking of murdering again…" Jean Paul: "I did not kill her!" Jacques: "All right!" *laughs* "But whether you did or not, you might want to kill someone else one of these days." Jean Paul:  "Good night." Jacques: "All right, run away, but you might find an example of my skill nearer than you know and sooner than you think."

After he storms out of the Great Hall, Raxl and Quito return, the latter carrying the rabbit. Before they can sacrifice the rabbit in an effort to rid the house of its evil, it jumps from Quito’s arms. While trying to catch it, he bumps his head into a painting of mysterious ancestor Étienne des Mondes and knocks it off the wall, revealing a hidden cupboard with a skull swinging from a rope through its jaws.

We’ll discuss this skull in the review for next episode, where it becomes the focus. For the rest of this review, however, let us turn our attention to two possible interpretations of the Jean Paul and Jacques scenes in this episode. My theories are as follows:

Theory #1: Jean Paul killed Erica and is living in denial

Jean Paul’s reaction to learning that his deceased wife’s blood is on the locket and especially Jacques’ comments about it seem to imply that Dan Forrest’s theory about murder may not be a red herring after all as Ian Martin would have had us believe. Remember that, although Jacques is evil and Martin’s episodes portrayed him as the Father of Lies, he and Jean Paul may or may not be the same man. That could mean anything from Jean Paul having a split personality to Jacques having transported himself forward in time to live as Jean Paul Desmond before the events of Episode 1, but I’ll save those ideas for another essay. The point is that Jacques seems to know Jean Paul as well as he knows himself, and as such knows things about him that the other characters don’t.

It’s possible even that Jacques has observed and interacted with Jean Paul since long before Jean Paul freed him by removing the silver pin from the conjure doll’s temple. Think back to Jacques’ introductory scene in the pilot, where he responds to Jean Paul’s proclamation of “on this island, from this moment forward, I am God” with “bravo.” He could speak through the portrait and even give characters visions before Jean Paul freed him! Also think of all the things he’s referenced that a man from the 17th century wouldn’t be aware of: merry-go-rounds, bus time tables, the figurative expression “jack up by the bootstraps,” and whatnot. Assuming Jacques is a spirit like he claims, he’s been observing and learning things on Maljardin for a very long time! Sure, he looked confused about that fountain pen in Episode 4, but perhaps that was only because he hadn’t had a chance to practice using one before Jean Paul set him free. If Jean Paul killed Erica, Jacques would know about it and may even have encouraged it by communicating with him through the portrait. There’s no indication that the scene in the pilot is the first time he made contact with his descendant. It could be the second time, the fifth, the tenth, the thousandth, or more.

Also note that the exact cause of Erica’s death is never made clear. Jean Paul claims in Episode 5 that she died of eclampsia, but the Lost Episode summary for Episode 47 from the CBC program log indicates that Dr. Menkin’s missing notes would have eventually revealed her to have “died attempting to gain eternal youth.” The latter could have meant anything from plastic surgery complications to swallowing gold à la Diane de Poitiers. It’s not even clear if the attempt at eternal youth is truly the cause of her death, just what she was doing when she died. This leaves the possibility of homicide open.

But did Jean Paul (or Dr. Menkin) intentionally kill her, or could it have been an unpremeditated, spur-of-the-moment decision? I believe the latter is more likely. Jean Paul seems genuinely confused by her death, and even by whether he loved or hated her. It’s possible he already wasn’t in his right mind before her death and may even have blacked out during it (although probably not because of possession, as he had not yet freed Jacques). Perhaps the artificial intelligence hinted at by the reference to W. Grey Walter’s “Imitation of Life” factored into this: for example, the implant inside Erica’s brain may have malfunctioned, causing her to become violent and attack Jean Paul and/or Dr. Menkin.

SPOILER WARNING FOR THE PIT AND THE PENDULUM (1961)

Another thing to consider: Strange Paradise shares many plot points in common with the Roger Corman/Vincent Price movie The Pit and the Pendulum. In the film, we have (1) a husband whose wife recently died under mysterious circumstances, (2) whom he comes to suspect he accidentally murdered. (3) His doctor is living at the castle with him, when (4) a sibling of his deceased wife comes to investigate her death. Among the ghostly happenings in the house, (5) a portrait of the wife is slashed. Finally, (6) the husband goes mad and (7) is possessed by an evil lookalike ancestor, in this case his father. While I don’t think that we can accurately predict planned revelations in Strange Paradise using the events of a film written by someone unaffiliated with the show’s production, it is interesting to note that Vincent Price’s character accidentally buried his wife alive. This connects to the events of Episode 44, where Erica’s spirit possesses Holly and tells them to “let [her] out,” although in Erica’s case it’s more likely that she’s just been resurrected from death instead of being buried alive.

END SPOILERS

Theory #2: Jean Paul is imagining things

Another possibility is that he didn't kill Erica and is using the new (apparent) evidence to construct a false memory of killing her. Although most of us like to think of memory as infallible, numerous studies have proven that it's anything but. This can occur on a collective level, such as the famous Mandela effect where, prior to Nelson Mandela's actual death in 2013, many people misremembered him as having died in the 1980s. More often, however, individual people remember false versions of events from their own lives.

In the late 20th century, numerous psychological studies identified the way that even changing small details of a story--changing a stop sign to a yield sign, for example, or adding the detail of broken glass to the story of an accident--could alter a subject's memory of it, creating a "misinformation effect." During one such study, researchers used a fake advertisement showing Bugs Bunny in front of the Sleeping Beauty Castle at Disneyland to trick their subjects into believing that they could meet Bugs at the park (despite Bugs being a Warner Brothers character and Warner Brothers being affiliated instead with Six Flags). For 16 percent of the subjects, it worked, and they described further false memories of meeting Bugs at Disney, adding details like that they touched the ear of his costume[2].

Speaking of false memories of amusement parks, I swore for years that I remembered visiting a dinosaur theme park in the northern Ohio woods back in 1998 or 1999, when I was five or six. I never questioned whether the memory was real until one day when my family drove past a drive-through dinosaur exhibit and my dad said to my mom, "They didn't have anything like that when Michelle was a kid." Skeptical of his claim, I did some Googling and discovered that there was a dinosaur-themed park in the woods near Sandusky called the Prehistoric Forest that looked much like what I thought I remembered[3]. When I sent my parents the link to the article about the Prehistoric Forest, both of them denied ever taking me there or even having heard of the place. Nevertheless, I swear I've been there or somewhere very similar. I think the most likely explanation is that I dreamt about it, but that the memory of the dream was so vivid that I mistook it as one from my waking life.

Much as a researcher can convince their subjects to believe that Bugs Bunny appeared at Disney or I convinced myself that I had visited a place like the Prehistoric Forest, Jean Paul is capable of brainwashing himself into thinking that he murdered Erica. This isn't even the only time he speculates without clear evidence that he’s guilty of murder. We'll see something similar in Episode 137 regarding the murder of a different character, whom Jean Paul will successfully convince himself he killed despite hazy evidence at best.

Note that these two theories are not one hundred percent mutually exclusive. It’s entirely possible that Jean Paul killed Erica, but misremembered specific details about her death or how he felt about her. Also note that this show contains quite a few retcons, one of which we saw last episode. Just as the trajectory of this show has changed significantly from Ian Martin’s original plot, the truth about Erica Desmond’s fate is currently in flux within the show’s universe.

The contents of the secret compartment that Raxl and Quito discovered.

Coming up next: A delightfully chilling episode where Jacques uses the skull that Raxl and Quito found to further terrorize his guests.

{<-- Previous: Episode 45   ||   Next: Episode 47 -->}

Notes

[1] While rabbits can have type AB blood (or type ZY blood, using the system from this 1954 study) and they cannot tolerate injections of Rh-positive blood, they have different antibodies in their blood from those of humans.

[2] Elizabeth F. Loftus, "Memories of Things Unseen," in Current Directions in Psychological Science 13:4 (2004), pp. 145-146. There are other examples from other studies, including one involving false memories of witnessing a demonic possession, but the Bugs one is my personal favorite. Also, this period of Strange Paradise puts me in a rabbity mood.

[3] Coincidentally, the Prehistoric Forest's entrance appeared in the 1995 film Tommy Boy, which also featured Colin Fox and Pat Moffat (Irene Hatter) in supporting roles. There was also an animatronic dinosaur attraction at Sea World Ohio called Carnivore Park that operated in the late 1990s. Despite having visited that Sea World many times as a kid, I couldn’t have gone to that exhibit because we couldn’t afford to go there in 1998 or 1999.

[365days365movies]

March 9, 2021: Orpheus (1950) (Part One)

Greek mythology was my first mythological love.

And yes, that is ironically a very cliché thing to say about Greek mythology, since it’s by FAR the most popular and well-known mythology in the Western world, but...what can I say, I’m a sucker for the classics.

When I was 6, my mom got me a copy of the Odyssey, followed by D’Aulaire’s Book of Greek Myths, and that book was my SHIIIIIIIIIIT. From the Titanomachy to the Trojan War, from Decaulion to Daedalus, from the Lernaean Hydra to Ladon, and from Zeus to Dionysus (my second favorite Olympian), I LOVE Greek mythology.

There have been countless adaptations of these stories over the last century of so, some better and more faithful than others. We got Blood of Zeus (which I...genuinely dislike) on Netflix last year, Lore Olympus is a fantastic webcomic and modernized retelling of the universe of stories in general (fuck Apollo, that’s all I have to say), Hercules by Disney is fun (though extraordinarily inaccurate), and who doesn’t like some Percy Jackson (the books, not the movies)?

Today’s entry won’t be the first of the Greek mythology stories this month; after all, it’s DEFINITELY fantasy, so there were going to be a few entries in here. Some will come pretty close to each other later this month, but for this one, we’re jumping forward 10 years from The Thief of Bagdad to 1950. Let’s get back to France, shall we?

Famous for his adaptation of Beauty and the Beast is Jean Cocteau, legendary French surrealist filmmaker. His stylings definitely capture a sort of practical magic, compounded with clever angles and fascinating visual and practical effects. It’s evident with the classic fairy tale, which I would’ve done this month had I not already seen it. So, instead, we’ll be looking at the middle film in a trilogy known as Cocteau’s Orphic trilogy. This is, apparently, the most important one. And that makes sense, since it’s focused upon...

Is Hadestown good? I’m real tempted to find a way to watch it, and it sounds like it’s just up my alley. I’ll probably check it out one of these days.

Orpheus was (maybe) the son of Calliope, the muse of poetry, and Apollo, god of music. Maybe. Parentage differs based on the retelling. No matter the parents, he was renowned for his charm and grace, as well as his voice and music. He was loved by animals, nymphs, and maidens alike. He was invited to be the Bard of Jason’s DnD group (AKA the Argonauts), and used Bardic Performance to inspire his comrades (and also helped them overcome the sirens by singing EVEN LOUDER).

But the one whom he loved most was his wife, Eurydice. Unfortunately, a satyr (AKA horny horned half-goat man) chased her right into a viper’s nest, where she was bitten and died. Orpheus was CRUSHED, and his song was so depressing that even the gods cried. They said, “Dude, go to the Underworld, get back your lady from Hades, please!” And he did.

Hades, the old romantic that he secretly is, agrees to let Eurydice’s soul, on one condition. That he doesn’t look back at her as she follows him out. Orpheus agrees, but the man can’t stop himself from looking back to make sure that she’s there. And she was...and then she wasn’t. So, our sad boi fucked up, and then...well, it’s spotty. 

See, some people say that he stopped worshipping Dionysus (his previous patron), and the wine boi’s female followers tore Orpheus to pieces as punishment. Some say that these same women got a liiiiiiiiiittle too into the Bacchanalia (think orgies, but religious and violent), and ripped him apart in a frenzy. And some say that he only took male lover from then on, and women tore him to pieces for not paying attention to them (also, possible homophobia). You know, it varies. Still, we can agree on the ripped apart by women thing. His head could still sing, and as the women threw his body parts into a river, it sang a song so beautiful that the rocks and branches in the river refused to strike it. His instrument of choice, a lyre, was eventually interred amongst the stars as the constellation Lyra.

The story of a pained artist searching for a lost love and losing her is all over the goddamn place, with the crazy-ass Moulin Rouge being a solid example of it.

But OK, let’s finally begin Orpheus, or Orphée to be more accurate. Gonna be a weird ride, I guarantee it. SPOILERS AHEAD!!!

Recap (1/2)

The story starts with a recap of the original myth, and notes that it doesn’t need to be limited  by time and place. This sort of story, after all, could happen anywhere and at any time. And in this case, that time and place are 1950s-era France, where we quickly meet famous poet Orpheus (Jean Marais).

At a café, he meets a friend, the Editor (Henri Crémieux), where they speak on Orpheus’ fame, which is not well-liked in a cafe frequented by poets. Also arriving there is a young drunken poet, Jacques Cégeste (Édouard Dermit), who is accompanied by his patron, known only as...the Princess (María Casares). Come on, guys, can we give our female characters names, please?

Anyway, Jacques quickly gets into a drunken brawl with other patrons, which leads to the arrival of the police at the café. They forcefully arrest him, but before they can, he’s hit by a couple of motorcycles, and potentially killed. The police bring Jacques back to the Princess’ car, with the help of her driver Heurtebise (François Périer). For unknown reasons, she summons Orpheus to help them. He agrees, and goes with them to the hospital.

Or he would be, if they were going there. Instead, as they drive off, Orpheus discovers that Jacques is dead already. They aren’t going to the hospital. Instead, they head to a mysterious mansion, as ominous and oblique poetry plays on the radio. They’re soon accompanied by the men on the motorcycles that killed Jacques, who work for the Princess. The plot fuckin’ THICKENS.

Back at her mansion, they bring the body of Jacques upstairs, much to the confusion of Orpheus, whom the Princess keeps calling stupid whenever he asks questions. However, he’s not proving her wrong, as she immediately convinces him that she’s actually dreaming at the moment. Although...maybe he is?

She sits in front of a mirror, which breaks...somehow. Frustrated, she commands Orpheus to wait there for her to return, as she goes to check on Jacques and her men. Like me, Orpheus is confused. This gets worse for me, though, as the Princess goes to the other room and tells the dead Jacques to get up. AND HE DOES. Well, Jacques’ a zombie, I guess. He identifies the Princess as “his Death”, which she agrees to. She tells him to hold on to her coat, and then...

...I got questions. I GOT QUESTIONS HERE.

They go through the mirror, and the Princess’ henchmen follow, just as Orpheus walks in. He also has questions, and he tries to go through the mirror, to no avail. Completely confused at this point, he passes out against the mirror, alone in the mansion. And then...he’s outside.

Yeah, he’s just outside now, and waiting there is Heurtebise, the chauffeur! Orpheus is freakin’ out, and Heurtebise has no answers for him, but has been told to take him back to town once he...arrived. OK. Still questions.

In town, the disappearance of Orpheus is being discussed by a police inspector, his wife Eurydice (Marie Déa), and her friend Aglaonice (Juliette Gréco). Aglaonice doesn’t seem to like Orpheus very much, as she’s trying to convince Eurydice that he’s cheating on her. And that’s hard to argue, since he was last seen with the Princess. However, just as there’s about to be a scandal reported by a spontaneously appearing journalist, Heurtebise and Orpheus arrive home.

After a rough encounter with the journalist, he arrives home to a relieved Eurydice, and an enraged Aglaonice, whom Orpheus also dislikes heavily. He’s apparently forbidden her from entering his house, and tells her off. The Inspector leaves too, and asks Orpheus to come to his office to discuss the matter of the missing Jacques.

Eurydice reminds Orpheus that Aglaonice is dangerous, as she runs...the League of Women. Well...I think we know what role Aglaonice is going to play by the end of this. Her and her League of Bacchanalian Women, get me? Yikes. Anyway, the conversation turns into an argument, when the EXTREMELY ornery Orpheus basically just storms off, being a DICK to his poor wife. And when he goes upstairs to his room, he actually sneaks out of the window.

Meanwhile, Heurtebise comes into the house to offer an alibi to the pained Eurydice. While she doesn’t quite believe it, the two share some time together and seem to bond. However, when he smells gas from the stove, Heurtebise lets it slip that he committed suicide by using a gas stove. He covers it up before Eurydice notices the slip-up, but...OK. So, “the Princess” is death. Going by the traditional Greek myth, she’s some form of psychopomp, and the world beyond the mirror is the Underworld, I can only assume. OK...I can dig it.

Orpheus, meanwhile, is at the car, listening to the strange radio poetry and writing it down. The, uh, “Princess” is busy as well. Like a ghost, she walks into the household and watches Orpheus as he sleeps. A narration refers to her as Orpheus’ death. Funny, I’m pretty sure that’s going to be Aglaonice’s role.

Two days later, Orpheus is increasingly obsessed with the poetry from the mysterious radio and its odd messages. While Eurydice seems to mock this obsession, Orpheus also seems to be far too enraptured in it. But, interestingly, the messages seem to be coming from nowhere known. However, it’s all beginning to affect their marriage greatly.

On the phone, the Inspector comes calling, and Eurydice asks Heurtebise to answer the phone. He does so, and soon after, we see the phone float into place, as if placed there by a ghost. That’s confirmed as Heurtebise phases to the outside from nothing, where he meets Orpheus and informs him of the message. The two decide to head to the Inspector in his car, rather than the mysterious talking car.

While Orpheus goes through town, looking for the Princess rather than the Inspector, there’s something that I wanted to mention here. Call it an interpretation. Apparently, Heurtebise is often considered an angel by critics and interpreters. However, I’m gonna suggest that he’s actually supposed to be a representation of Hermes, the messenger god and a psychopomp who escorted souls to the Underworld. Not sure about the Princess yet, but Cocteau apparently never meant for her to be portrayed as actual death. Interesting.

Meanwhile, at the Inspector’s office, both Aglaonice and Orpheus’ poet friends (supposedly) are accusing Orpheus of being involved in Jacques’ disappearance. The Inspector turns them away, just as Heurtebise and Orpheus reconvene in town. While Orpheus didn’t find the Princess, Heurtebise says that she came by, saying that he could stay with the married couple for now.

Speaking of the Princess, we see her at night, staring over Orpheus. And her eyes are...strange. They seem artificial, and it bothers the EVER-LOVING SHIT out of me. And the whole affair isn’t helping Eurydice either, as she’s tired of Orpheus’ obsession with the car, and is planning on going to Aglaonice for advice. Heurtebise tries to stop her from doing so, but she insists. But when she goes...the motorcyclists come for her. And she’s dead. As proven when the Princess arrives through the mirror.

Alongside her comes Jacques, acting as the Princess’ servant. She notes to him that their work isn’t easy, and couldn’t be done if she were dressed in the way the humans portray her. So, she is seemingly Death, or at least an aspect of Death. Obviously, as we’re talking about the Greek story, we can assume that she’s meant to be Hades in particular. But, we’ll see. It’s also confirmed, by the way, that the mysterious messages are indeed Jacques’ poetry, recited by him on the radio waves from beyond the grave. Neat.

Heurtebise is clearly upset with what’s just happened to Eurydice. He asks if the Princess actually had orders to kill Eurydice. She avoids the question, and guesses correctly that Heurtebise has fallen in love with Eurydice. He confirms this, and counters with the fact that the Princess has seemingly fallen in love with ORPHEUS. The plot fucking THICKENS.

Good place to pause, I think. Halfway mark and all. See you in Part Two!

[littlemisssquiggles]

so besides the stuff with oscar,witch i'm not in the mood to talk much about,do you think winter will show up next episode an fight weiss ,and how do you think things will go with penny next episode

Yeah I’ve basically removed all posts questioning me about that scene from my inbox. I don’t want to talk about it either. Even after a day of rest and a week of getting it off my chest, I’m still upset and I still can’t bring myself to rewatch that part of V8CH4 in its entirety. It’s depressing since it’s the only Oscar-related moments from the episode but…nah son, I can’t look at it and I’m not sure how I will feel moving forward towards the remaining episodes. I’m really hoping that someone either helps Oscar to escape or he escapes on his own.

A part of me wished to hope that the Hound---Salem’s so-called experiment---ends up turning on her and is an instigator in Oscar’s escape. I understand that some folks are hoping for Neopolitan and while I don’t mind that, right now Neo is off with Cinder Fall and Emerald Sustrai. So…at the moment, Oscar has no one within Salem’s ranks he could actually reach out to for potential aid. He’s left alone in there with all the bad people who could potentially hurt him further. And I just…ugh….

Anyways to answer your actual question anon-chan, to be honest I’m not sure. To tell you the truth, I’m not really expecting Winter and Weiss to fight one another per say but I do expect Winter to possibly show up at Schnee Manor to inspect the premises under the suspicion that home is probably the first place her sister would chose to take refuge while up in Atlas Kingdom. After all, the only other Atlesian safe haven our heroes were familiar with is the academy and no way in sh*t were they going back there.

I’d like to think that we could potentially spend most of today’s episode focusing on RWBN dealing with Nora’s sustained injury. I’m not even quite sure how they expect to treat Nora and I’m surprised they didn’t steal the chance to try and make it back to camp down in Mantle. But I’m guessing that Nora’s injuries are so serious that they couldn’t wait. Given the fact that Schnee Manor houses both a dining hall and even an in house auditorium for Weiss to perform (allegedly), it wouldn’t surprise me if the house also contained a medical bay or some area of the household stacked with medical supplies.

Again, still not sure how RWBN intend to help Nora but I’m supposed it’s better than nothing. What I hope we see next episode is more moments of the girls bonding with one another. I’d like to possibly see Ruby and Weiss having a discussion about sisterhood and perhaps, Ruby could give Weiss the encouragement to seek out Whitley. She did send him to his room which---honestly annoyed me at first but now I find it highly amusing and adorable even. Weiss straight up parented Whitley. In that moment, she wasn’t acting like a big sister---she was actually being a mom to Whit and what’s even funnier and more interesting is that Whit actually listened to Weiss.

Despite everything they’ve been through, Whit isn’t a bad person entirely. He’s not like Jacques. While I already knew this as a fan of his character, it is nice to see more examples of Whit’s compassionate side. I genuinely hope this leads into Weiss and Whit discussing their relationship. Whit told Weiss that Willow is locked in her room which…I know is something she does commonly but…I dunno, somehow I feel suspicious of this instance.

My concern is that the reason why Willow told Weiss that she needs to look out for Whit is because, ultimately Weiss will be the only person Whit has to nurture and guide him. Jacques’in jail, probably for life. Winter practically disowned the rest of her family outside of Weiss and doesn’t give Whit the time of day. And Willow…I dunno, somehow I getting “death flag” readings from her.

So yeah, for the most part, I’m hoping that RWBN’s time at Schnee Manor will lead into some development for Weiss and Whitley. My other concern in that Willow and Whit may end up being arrested by Winter and her forces on behalf of the General after being accused of housing “felons”.

While I doubt we’ll see Weiss and Winter fight each other (at least not yet), I do feel like they will cross paths and will be forced to challenge each other on the battlefield. Not in any kind of major fight but more so like Weiss summoning her Armour Gigas to defend her and the others and keep Winter’s Beowulf Summons at bay while the others escaped back to the airship to flee. That’s my hunch. But as I’ll say again, we’ll see how the episode goes.

As for Penny P---well judging from the title of the episode and the thumbnail, we may get some action over at Amity Tower especially since Penny returned there to help her father and Maria. We also know that Watts helped the General with creating something that would force Penny to return to Atlas. We also know from last episode that Cinder may be heading over to Amity Tower with Emerald and Neo. So there’s a chance for all of that to go down in this episode.

That’s my hunch. But as I’ll say again, we’ll see how the episode goes.

~LittleMissSquiggles (2020)