#i dont vibe with basing my religious id around one that I very much dont like and is the one that tries to remove other religions | Explore Tumblr Posts and Blogs

unironicduncanstan · 4 years

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@alenoah and @icedancerhell did this and ik im definitely going to be cancelled for my taste but explanations below

prince of egypt: oh my gfucking god . bro the music. the ANIMATION. the story too like obviously its based on a religious tale but i mean the way its portrayed and interpreted and how it all comes across was so on point. and did i mention THE FUCKGIN MUSIC dude i would try to sing every song when i was a kid and i think attempting that literally improved my range growing up

shrek: ok when ur a kid literally all u want is to feel mature and cool. shrek was that in an hour and 30 minutes. all the adult humor. and even the shit that would fly over your head somehow still always registered as so funny. every line is burned into my brain bc i watched it so much it was so fuckgin funny and entertaining and the storyline was so depthful and important. shrek for president

sinbad: oh yeah he makes me wanna sin. Bad

rise of the guardians: oooohhg the plot was so cool and intriguing,,, the designs were so unique,,,, also i actually used to. cosplay jack frost when i was a teen osfkjskjfhksdjf i might have like One picture around here somewhere,

over the hedge: every character is perfectly designed and perfectly voiced and the humor was so good. me at like 8 years old watching hammy the squirrel drink coffee and frolic around in a slowed down world was the peak of comedy

madagascar: its just such a classic. another movie where every line is burned into my cerebellum bc i had it on dvd. id say out of this whole list this close to number one. idk where to even begin with how stupidly hilarious it was to me

httyd: lbr who didnt just do a full [lisa simpson face] when you got to the end and hiccup had lost part of a leg. the whole movie had this aura that it was like not tethered down somehow while still being great family friendly media. also im ace sexual and UHH big dragon

antz: unironically i think it deserves so much more than it gets. the anti war messages are great the designs are cool and it goes back into the shrek maturity territory where they get to say CUSS WORDS. p much my only qualm is that woody allen had to be there 😔😔😔

shark tale: ok dont cancel me but i really love the plot actually. i mostly love the mafia shark boy that dresses as a dolphin but even the will smith fish crash-and-burn fame hubris thing while annoying at times was rly intriguing. and the designs are the kind of thing that as a kid i loved but as an adult i do. struggle , w ith, a bit, but overall funny and entertaining story

el dorado: the music slaps so fuckgin hard thats another example of me tryna sing cartoon music to an embarrassing degree. also the Colorse . the designs . and the humor osjfsjdf the only downside is just a personal vibe bc the best friend conflict storylines make me anxious sometimes lol

flushed away: oh my god dont at me. some of the characters are so fuckgin annoying and some of the humor is just so much but i rly did like the worldbuilding and storyline. stupid posh ass rat was rly cool actually. also yet another mafia/gang violence plot in childrens media why is that so funny when ur a kid god

spirit: GREAT MUSIC GREAT STORY! i think the way the story goes like, its Better to be told with regular horses and narration rather than talking horses,,,, but my dumb whimsical child ass just didnt latch onto that style as much as the talking animal movies

shrek 2: rly good tbh all the new characters introduced are interesting and entertaining to watch, but i mostly remember it for i need a hero and human shrek. didnt rly hit the same mark as the first :/

httyd 2: another great movie with another great twist but it almost felt like too much at once for my little brain to handle. overloaded me with gay emotion

megamind: i love everything it stands for i just never saw it until like a year ago so its not that dear to my heart

kung fu panda: not my style of humor, i saw it once and can hardly remember it but i feel like the plot was wholesome and cute

the croods: so funny and good, ive seen it many times actually. but some of the humor just isnt my thing (its, well, crude, which also took me like 5 yrs to get that joke,)

bee movie: was pleasantly surprised the first time i watched it??? it was pretty good and it did kinda make fun of itself so idk why its so cringe to ppl. barry b benson entertained me unironically

chicken run: i saw it once when i was very young and it just didnt resonate with me also claymation most of my childhood terrified me

wallace and gromit: same as chicken run

entire never saw it tier: dotn hate me i just dont have a lot of time on my hands. i know i will be oppressed into watching peabody and sherman within the week and i accept the charges

monsters vs. aliens: someone got it for me on dvd and i hated it so much. its not even that bad its just a me thing like for some reason the part where the lady becomes a giant during her wedding or w/e was just like. the worst nightmare i could imagine i hated it and it made me scared to get married bc i thought that could happen to me. also none of the main cast is charming to me one of thems a bug and i have a bug phobia so i could never rly get thru it im sorry but i coudltn do it

madagascar 2: alex backstory was kinda good but the rest was forgettable for me

madagascar 3: visually kinda cool but. :/// felt really off compared to the previous movies, like an obvious cash grab. i mean who could forget the constant polka dot afro circus song advertisements

shrek 3: again mostly just remember it for the frog dad dying ,,,

shrek 4: i only saw it like 5 months ago for the first time. fiona being a warrior in an alternate timeline or w/e (if that was real and not a fever dream) was the only semi tolerable part for me

penguins of madagascar: the first few minutes with them as babies was cute the rest i physically could not keep my attention on. i dont remember anything else im sorry

#long post/ /#very long #original

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opalsiren · 5 years

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W.I.T.C.H. Reboot! W.I.T.C.H. Reboot! W.I.T.C.H. Reboot!

hi love! so, with the plethora of reboots kicking around mainstream media these days, its no surprise that the question of a w.i.t.c.h reboot has been broached by its fans. i have so, so, so many thoughts and this, but ill divide them into three categories for the purpose of brevity: firstly, general thoughts on what i would like to see if a w.i.t.c.h reboot is on the cards; secondly, what i would like to see in a live-action w.i.t.c.h reboot; and finally, what a decent animated reboot of w.i.t.c.h might entail. this is not an exhaustive list so please feel free to add onto this if youve any more thoughts! without further ado because jesus, we might be here a while….

general thoughts:

a w.i.t.c.h live action reboot should largely use the comics are source material. while the cartoons are beloved by many including myself, i reckon the good parts of each should be combined to be thematically consistent, fix plot holes etc. but the comics should be the bible here

the target demographic of younger women and girls would need to be established early on by the producers (personally i would love to see a slightly more mature, w.i.t.c.h college AU where the target demographic could be teens/young adult women and girls, but more on that later). this isnt to say that young men and boys would be absolutely excluded as an audience, but misogyny is alive and well in 2019, and our voices as women need to be uplifted. this is exemplified by the fact that caleb was given far, far, far too much screentime in the cartoon so that the show could reach a young, male audience, and his characters was mangled by chauvinistic tendencies. thank u, next.

i have my own preferences wrt to ships, but i think we can all agree that introducing male characters as mere plot devices for drama/conflict only to put them ‘on a bus’ when theyre no longer useful is just plain bad writing. this is a critique levelled both at the cartoon and comics, but largely the comics (see: Eric)(rip in peace).

i also believe that sticking to the conventions of a particular genre, or hybrid genre, would be preferable if a w.i.t.c.h reboot were to take place. some shows get it right, but I’ve seen a ton of shows go off the rails when they try to be a fantasy/comedy/crime/drama/horror/sci-fi/occult/soap-opera extravaganza all in one. i reckon a YA fantasy drama with comedic moments, something with a similar vibe to Shadowhunters or The Shannara Chronicles, could work really well. if we’re talking animated reboot, something with a similar tonal atmosphere to The Dragon Prince or Into the Spiderverse, would also be great

this shouldnt even need to be said but please, for the love of god, no musical episodes (heres looking at you, Riverdale).

i think i speak on everyones behalf when i say that, irrespective of the age demographic of the show, LGBT rep in w.i.t.c.h would be amazing. irma/cornelia have always been a practically canon fan favourite, but cassidy and nerissa’s relationship is definitely more than strictly platonic, so that could be developed upon too. trans/nonbinary!will is also a popular headcanon that could work. once there are lgbt heroes, and not just lgbt villains, i think we’ll all be happy.

similarly, seeing some neurodivergency in the characters could also be great: elyon dealing with pts after the fallout with phobos; irma struggling with adhd in school or college; hay lin and taranee also exhibit some traits of anxiety in canon. autistic!will would also work, and someone else in the squad is bound to be affected by depression given its pervasive nature these days.

much and all as i adore the guardian outfits, i think there would need to be a few changes made. the midriff-and-leg-baring get-ups, though very cute, become very jarring when you realise the characters are meant to range in age from 12 to 14. i dont have any specific thoughts on how improvements could be made, but lengthening hemlines could be a start. if anyone has any more thoughts, i’d love to hear them!

of course, there needs to be women in the writers room, lgbt people in the writers room, poc in the writers room, people with neurodivergencies in the writers room, etc. we all know what happens when writers rooms lack diversity, and it sure as hell aint pretty.

body diversity was something that was tentatively approached in the comics (irma is curvier than the others, at least in her mundane form), but eschewed almost entirely in the cartoon, with all the girls maintaining similar heights and waifish proportions. it would be worthwhile, not to mention realistic, for the girls to go through some body-image hang ups. maybe will is insecure about her ‘underdeveloped’ body, or maybe taranee longs to have the same curvaceous figures as other dancers her age. i think if they were to go for a message of body positivity, irma, loud and brash with no fucks to give, should love every inch of her fat body and encourage the girls to adopt her 'devil-may-care’ attitude. the patriarchy be damned.

one flaw with the comics AND the cartoons are that they dont really explore the worldbuilding a lot. we do spend some time on meridian in the comics and the cartoon, but largely from the perspective of either elyon, or caleb and the rebels. i wonder what a day on meridian would look like for the average meridianite peasant? what do meridianites do for fun? what language(s) do they speak? what are their religious/spiritual belief(s)? what are the styles of dress dictated by? meridian is based on medieval societies, and a caste system is suggested, but i would have loved to see the social hierarchies expanded on a little more. does the matriarchal nature of meridian rule value women and their labour? what about LGBT people on meridian? people with disabilities and neurodivergencies? is there any discrimination against the different species on meridian? in fact, i dont know if it was ever explicitly outlined to us the different species of peoples on meridian, in the cartoon or the comics. honestly id be happy to see a filler, AtLA Tales of Ba Sing Se-esque episode on meridian to cover all of these bases

one thing i loved from the comics that didnt translate as well in the cartoon were the girls’ passions and interests. will is obsessed with frogs, she rides her bike to her job at pet store, she swims, stresses over math homework. irma loves music and talking to her pet turtle, leafy; i could totally see her doing a stint at the college radio station or working part time at a record store. cornelia loves ice skating and has received tons of awards and accolades for her achievements on the ice. taranee is an avid photographer and dancer, but i could totally see her spending her spare time at rallies and protests too. hay lin is a proficient artist, making her own clothes and poring over paintings between shifts at the silver dragon. all of these things and more are what make these characters so well-rounded, relatable, likeable. their hobbies need to be weaved into the fabric of the show (not just brought up once for a silly plot device in cornelia’s case, or never brought up at all in taranee’s, as seen in the cartoon) in order for it to work

live action reboot thoughts:

this should go out without saying, but a live action w.i.t.c.h reboot should cast actors of colour to play characters of colour. hay lin, and by extension her family, need to be played by Chinese actors, while taranee needs to be played by a black actor, preferably one of east asian descent, etc. if they add a little more diversity to the cast i would be totally pleased. latina!irma is a popular headcanon that i ascribe to, and will has always been kinda ambiguously brown, so adding less ambiguous representation for poc to the cast would really be excellent

of course, age-appropriate casting is a must. more specifically, there should not be any 25-30 year olds playing characters in their mid-late teens, unless ofc they could actually pass for the age they are trying to play. shows like The OA and The End of the Fucking World really get this right (most other teen/YA dramas, not so much. less of the chiseled abs and rock hard pecs on teens, please)

this one might be tricky to get right, particularly with budget constraints, but i think a really good CGI/visual effects team is necessary for a w.i.t.c.h reboot to work. unless an adequate amount of the budget is spent on making sure the magic looks realistic, almost plausible, it will make everything else look cheap by comparison

also, this is more of a personal preference, but i’d love to see someone with a really beautiful visual aesthetic and scope of cinematography. i’m talking Sense8-esque levels of cinematographic beauty

i’m really rambling now but, similarly, it’d be so cool to see someone who could use lighting/colour theory in very particular ways. in Marvel’s Netflix Originals, each character has their own theme colour; in Jessica Jones, for example, all of the scenes are very blue and almost leeched of warmth, while in Luke Cage there seems to be a warm yellow filter over everything. how cool would it be if all Taranee-centric scenes had a slight gold hue? or if all of cornelia’s scenes were lit with green? maybe all of the colours could combine in the a subtle yet effective way when all of the guardians are together to show their unity and combined strength.

thoughts on an animated reboot:

i know very little about animation so these thoughts will be brief, but an art and animation style something like that of Into the Spiderverse would be really gorgeous. it is fluid, dynamic, beautiful to look at and, most importantly, reflects the comic format in a moving image perfectly. alternatively, the animation studio behind The Legend of Korra could also be wonderful. the visual effects used for magic would look absolutely incredible

one thing i have to praise the Jetix cartoon for is their choice of voice actors, which were, in many cases, spot on. while cornelia’s VA was annoying and shrill, the actors playing characters of colour were themselves people of colour. if an animated reboot was on the cards, i think it could be a great opportunity to once again include some diversity to the cast, namely hiring actors of colour to play characters of colour

please let no one who worked on voltron near a w.i.t.c.h animated reboot with a ten foot pole. no i will not elaborate

tl;dr at the risk of sounding like an entitled millennial, a w.i.t.c.h reboot should be less about creating something entirely new for a brand new audience, and more about building on what the longtime fans of w.i.t.c.h already love and bringing it forward for the older generation. all on all, we grew up with w.i.t.c.h, so it’s time for us to have our reboot. thanks for coming to my TED talk!

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