#i feel like also more generally people have been talking more about buffy lately but it's possible i've been starting those conversations

[theajaheira]

upside-down-y

“What do I do?” said Willow. She sounded so little in that moment. Suddenly, Jenny wasn’t imagining that woman in a clean-cut black suit and heels, but the little girl in striped sweaters and white tights. “If there’s no—word—for it? I like being a lesbian, or I thought I did, but I can’t call myself that if I like Oz. And I think I do.” “You don’t need a word for it,” said Jenny simply. “I need a word for it,” said Willow, a stress on the pronoun. “Maybe people in general don’t, but I do.” “Maybe there isn’t one.” “I need—” Willow’s breath hiccupped. “I need the words, a-and the rules. To make sure I don’t—” Abruptly, Jenny knew who Willow needed to be talking to.

decided that, in lieu of tonight's blogging, now might be a nice time to post a tumblr-only exclusive that i've not yet figured out how to work into the canon of what you make! i would like to write a larger fic about willow's adventures at some point, & also figure out when this development will happen within the timeline, and once i do, i think i'll understand better how to work this thing in. (but it is definitely what happens.)

this requires no knowledge of my sprawling fic 'verse except for: it's an everybody lives/nobody dies au, jenny and giles are together with their eight-year-old son, this is a few years post-series.

read for -- giles and willow having frank and very loving discussions about sexuality, jenny calling willow "baby" because she's now a mom who does that kinda thing, briefest sleepiest calendiles child cameo!!!

~~~~~

Willow called at some godawful hour, late enough for it to be edging towards early-morning and for Jenny to be too tired to check the time. She happened to have been pulling an accidental all-nighter that had spun out from a few lines of code that just would not cooperate, so she managed to catch the phone before the second ring, hoping that it hadn’t woken up anyone upstairs. The shrill tone felt impossibly loud to her tired ears. “’lo?” she mumbled, rubbing at her eyes with her sleeve.

Anxiously, Willow said, “Jenny!” and then didn’t say anything else, her breathing nervous and rapid on the other end of the line.

“Willow.” Jenny was too sleepy to think. “You. Need something?”

“I don’t know! I just! Something happened and I can’t tell Buffy about it, and I can’t tell my mom, because she’ll think—well—she keeps saying she approves of the political implications of my lesbianism, so I feel like this is going to go over like a lead balloon, but I don’t know—I mean, I don’t think I’m straight again! It hasn’t—”

Jenny felt very much like this was a conversation that required her to be more awake than she was. Shuffling over to the kitchen table, she took a long sip of coffee. “The political implications?” she repeated skeptically.

“It’s just—we—” Willow took a wobbly breath in, then, in an exhaled confession: “I kissed Oz!”

For one bizarre, sleep-deprived moment, Jenny was convinced that she’d somehow been thrown back in time to 1997. “Oz?” she repeated. “Like, Oz, Oz?”

“Like Oz Oz!” Willow confirmed tearfully.

“Like your high school boyfriend Oz?”

“He was in Istanbul for some—thing—I don’t remember—and I wish I could say that we got drunk or high or something, but I was really only a little buzzed, and he was completely sober, and we were talking about everything we’ve been up to—he was the road manager for this really cool Eastern European band, and, and he’s been doing some networking with other werewolves, and oh, that’s part of why we met! We were talking about all of the complexities of connecting werewolves to resources that will help, and the stigma, and he’s really—well—he never really did much in high school, which I used to have such a complex about because I felt like he could do more than he was doing, but I guess I’ve changed because I just felt, I was so happy to see him doing things that mattered to him! And then that they also have a positive impact! And he’s still got that, that smile where when he looks at you, you sorta feel like you’re the only girl in the entire world! He still looks at me like I’m just the same, and I thought at first, you know, maybe that was why I felt all fuzzy and warm around him, because I’m a horrible person who gets off on validation, but then I started looking at him too and seeing that boy and—and—remembering—”

Jenny had absolutely no idea why any of this was a problem, but her ability to assertively interrupt the Willow-babble was significantly impaired when she was inches away from nodding off in between sentences. “Isn’t that good?” she tried, but Willow had not at all stopped talking.

“—and then we kissed and we actually did a little more than kissed, like, there was some over-the-clothes action and some grinding, except then when we stopped all of that, he walked me to my hotel! Like a gentleman! And he kissed me on the cheek and said he was really happy to share this moment with me, and who even does that??? What do I do now???? What if I’ve just—but I loved Tara so much! I still love Tara! I mean, I have NC-17 dreams about Tara, those wouldn’t happen if I’m straight! And I haven’t been with a guy since Oz, and I haven’t wanted to be with a guy since Oz, but now I want to—to call up Oz and be with him! Which, hello, so clingy, it was just one really nice month and then a whole bunch of kissing—”

“—wait, you’ve been spending a month with Oz in Istanbul and it’s only now become romantic?”

“WE WERE AT A CONFERENCE,” said Willow, as though this explained anything at all.

Jenny sat down at the kitchen table. “Willow—” God, she wanted to be asleep. “People can be bisexual,” she managed.

“But I’m not!”

“So you’re not into men?”

“But I am!”

She was going about this all wrong. “Baby. Are you into men or are you into Oz?”

A long silence. Then, timidly, “There’s not a difference, though, is there? You can’t be a real lesbian if—”

“Please God don’t turn into one of those witches,” said Jenny, who did not have the energy to be tactful. “Willow, there’s no way to be a real lesbian. There’s no manual. We define ourselves with the words that feel best for us, that’s what the queer community is about. What’s the word that feels best for you, right now?”

Another long silence. “I don’t know if the word is lesbian,” said Willow uncomfortably. “I don’t—I didn’t—really—question it? When it happened. It was Tara, first, and then Kennedy, and then a whole bunch of other girls, y’know, on account of the traveling, and then nobody at all for a little while, so I just—I wanted to kiss girls and I stopped looking at guys, and the only guy I ever noticed before Oz was Xander, and Xander, I didn’t know he was everything. They don’t tell you in high school what to do with someone who’s everything, they just say you should marry him if he’s a guy, but I don’t—I’ve never really wanted to marry Xander. We’re not like that. So I figured, Oz, he was just a fluke! Especially because of how everything with Tara happened, and I never thought any guy was pretty like I think girls are pretty, but—I don’t know. Oz is different. I don’t know how to explain it.”

Jenny leaned back against the wall, listening.

“I don’t know if the word is lesbian,” Willow repeated. “But—it doesn’t feel right to say that the word is bisexual, either. I’ve dated more girls than guys, now. I’ve built my life around imagining a girl there.”

“But Oz is different,” Jenny prompted.She was met with a tiny sigh in response. “Is that bad?”

“What do I do?” said Willow. She sounded so little in that moment. Suddenly, Jenny wasn’t imagining that woman in a clean-cut black suit and heels, but the little girl in striped sweaters and white tights. “If there’s no—word—for it? I like being a lesbian, or I thought I did, but I can’t call myself that if I like Oz. And I think I do.”

“You don’t need a word for it,” said Jenny simply.

“I need a word for it,” said Willow, a stress on the pronoun. “Maybe people in general don’t, but I do.”

“Maybe there isn’t one.”

“I need—” Willow’s breath hiccupped. “I need the words, a-and the rules. To make sure I don’t—”

Abruptly, Jenny knew who Willow needed to be talking to. “Baby, can you just stay on the line?” she asked gently. “Just for a second, I gotta—” and she set down the phone, stepping quietly out of the kitchen and into the unlit hallway, halfway up the stairs to the little landing between the first and second floor, where the bedroom door was still ajar.

Her baby was asleep in the middle of the bed, curled against Rupert like a little puppy; his dozing father’s arm was round his shoulders. Jenny leaned over the bed, carefully untangling a drowsy Art from Rupert. Art, always cuddly in slumber, whined; she ran her fingers through his hair, and he settled. “Rupert,” she murmured, shaking her guy awake. “Rupert.”

“Mmh?” Rupert stirred.

“Rupert, it’s Willow.”

Rupert’s eyes flew open. She saw the panic and gave his shoulders a reassuring squeeze, pressing her forehead briefly to his. “It’s okay,” she said. “It’s okay. She’s okay. Nothing bad. She just needs to talk to you.”

~~~~~

Willow waited on the line, listening to the crackly static, trying not to breathe too loudly for fear it would tumble into crying before Jenny came back. She heard rustling on the other end and held her breath, waiting, until Giles, his voice all rough and sleepy like it got during those old early morning research sessions, said, “Hello, Willow.”

“Giles,” Willow all but sobbed, feeling a rush of relief. “Did—did Jenny—tell you?”

“Some of it,” said Giles. “Just the loose pencil sketch, really. But I’d like to hear it from you.”

Maybe the Oz stuff wasn’t really why Willow had called Giles. “How do you know when to stop playing by the roles you made up when you were twenty-two and trying not to be the kind of asshole who destroys the universe?” she said, all in one breath. “I, I didn’t decide I was a lesbian because of the magics, but I decided it while I was in the magics, and I wanted to be good at being a lesbian, but now I’m worried that I’m not, if, if I kissed Oz and I liked it. I don’t know what the word is for that.”

“Bisexual?” said Giles.

“That’s what Jenny said but it isn’t that!” said Willow tearfully. “And lesbian doesn’t feel like it’s right either, even though it did for years before this!I don’t know what it is! I like girls and I like Oz, but I don’t like—I don’t want—I don’t think I want, but I don’t know—I wasn’t trying to look, after Tara, because I thought it was simple as—”

“Does there need to be a word for it?”

“That’s what Jenny said!”

A soft, tender laugh, the likes of which Willow hadn’t heard since she was in high school. She loved that laugh so much. It always meant that Giles knew the answer, and really, the problem wasn’t anything to be that afraid of, and five minutes from now, the world would feel okay again. “Willow,” said Giles. “Nothing in a person’s heart is ever finite. We are always—always—growing and changing past the words we used to describe ourselves five, ten, fifteen years ago.”

“But what if I—” Willow swallowed. “What if I change wrong?”

Giles didn’t answer for a couple of the worst seconds of Willow’s life. Finally, gently, he said, “Then you right yourself, if you can. Lean on others, if you can’t. We’re all muddling through. There’s no certainty that I can give you, as much as I wish that I could, but I can—” Now it was his turn to pause. A heavy one. “I can tell you that I love you,” he said, finally.

She had never heard him say that to her before. Not that directly, anyway. “I love you too, Giles,” Willow whispered. The whole thing felt faintly unreal: that she could say those words, and not snatch them back. Not watch his face contort uncomfortably as he tried to wriggle out of genuine emotional expression. “I just don’t wanna do what I did to everyone. And I don’t—if I was wrong, if I’m not—”

“I don’t think that you were wrong,” Giles countered. “You used the words that made sense to you at the time. Those words might not make sense with who you are now. Who you’re growing into. This is good, Willow. You questioning this is good, and healthy. I think…you need to become comfortable with the notion of not having that neat answer, or that label, if the notion of a label has become…restrictive.”

“I don’t want to not be a lesbian,” said Willow unsteadily. “It made everything make sense, when I found out about that word—”

“Does it help you now?”

Willow exhaled. “I don’t know,” she said. “I don’t know. I don’t want to not kiss Oz. It feels like I got turned all upside-down-y again.”

Giles was quiet again. Then he said, “When I was in my twenties, my group, it was all men, save one. Diedre. It hadn’t been intended, her being a part of the group. We’d all wanted a place to…to be ourselves, free of societal expectations.”

Willow’s heart flipped over. This was not something Giles had ever talked about. She’d known, of course—pieced it together through Ethan, and what she’d learned, later, about the kind of magic Giles got up to, but to hear it from him was completely different. She wanted to say something, affirm that she was there on the other end of the line, but she was halfway afraid that he would change his mind if he remembered that she was listening. She held her breath.

“I…didn’t mind the notion of including women within our group, even then.” Giles laughed softly. “It wasn’t something I talked about with the rest, but I wasn’t—I’ve never really—it’s always been about the person, for me, you see. Ethan and the rest, though, they…it wasn’t usual for them to, ah, prefer the company of a woman. They abhorred the very notion. But that was simply how special Diedre was. To, to all of us.”

Something tight and knotted in Willow’s chest was beginning to loosen. She sat down on the hotel bed, curling her fingers around the phone, listening like her life depended on it.

“You, you don’t need to have the right words for it, Willow,” said Giles gently. “Lord knows we didn’t know any of them. And I’d never—endorse—the other sort of things I got up to back then, but I, I think I’ve spent a lot of time refusing to engage with the parts of my life that have been…joyful. All because I was ashamed of the person that I was then.”

Willow wasn’t ashamed of high school Willow, exactly. It was just that sometimes it was hard to reconcile Willow-then with Willow-now, and that wasn’t even getting into the Willow-in-between. “So, for them, it was…guys plus the one exception,” she said uncertainly.

“Do you need to know what it was?” Giles’s tone was mildly pointed. Instructive.

“If I don’t—”

“What if you don’t?”

“I mean, that’s why I’ve been traveling,” said Willow, halfway timid. “To learn stuff.”

“And what have you learned?”

Willow closed her eyes, half-afraid of the answer. Oz had smiled at her in the light of the full moon, unencumbered, gentle. He’d listened to stories about Tara and Kennedy and everyone with thoughtful patience. He hadn’t made a single move. The kissing had happened by accident, and because she’d initiated it, and the nice thing about Oz was that he didn’t question that. He didn’t have a whole bunch of things to say about whoa, hold on, didn’t you go gay and change your mind about me? He just smiled at her, like he saw her, saw right down into her bones, and like what he saw was good.

And she’d missed him so much. The pinwheeling way he talked about things had baffled her when she was in high school, but now, after years of traveling, it was nice to be with someone who had just as many strange questions and quiet observations as she’d been collecting herself. She liked hearing him tell his stories. She liked him. She liked the person he’d become, and the person that she was with him. The people that they could maybe be together.

“I think I’ve learned that I wanna kiss Oz again,” she said, barely a whisper.

She could hear the smile in Giles’s voice. “That’s lovely, Willow,” he said. “I’m very happy for the both of you.”

~~~~~

Giles went back to bed. Jenny and Art had taken up just about all of it, making it nigh impossible for him to lie down comfortably. An attempt to nudge Art a bit further towards the middle was met by an unhappy, half-awake whine that positively tore at his heart, so he resigned himself to sitting uncomfortably on the edge of the bed for three minutes before Jenny, half awake, said, “Honey. Are you being stupid again?” and pulled Art against her like a teddy bear, clearing space for him in the middle.

“Don’t solve all of my problems for me,” said Giles, lying down and reaching to squeeze her shoulder. Their arms encircled Art, who turned his head towards his mother, soft dark curls against her sweater.

[chargoeson]

to begin my noble quest of being more annoying (a neutral term for me meaning: efforts to be more outspoken about my interests)

i literally just want to make lists of shit i am into so you all can get a better feel for who i am and why i write what i do and hopefully find things in common <3

music: not to be that guy but i genuinely do listen to everything. though not in a "play whatever it's nbd," but in a "music has been a special interest of mine since childhood and i have made hours long multi-genre playlists every month since my senior year of high school" BUT some current favorites include: Blondshell Searows Elton John (and by extension George Michael, duh. friendship of the century. Elton just came first and led me to George) Simon and Garfunkel Faye Webster Dijon Eagles Feist The Sundays Prince Chappell Roan Gorillaz Fiona Apple i am cutting myself off now, but trust there are many more and they are swirling in my head at all times.

film similarly i have such a taste for movies that's all over the place and often go against people's perception of me (i am a lesbian with a philosophy minor whose primary focus was feminist theory and i fucking loves James Bond) but that's what makes it FUN! film and fiction in general is literally a playground. So this is gonna be a mix of specific movies and directors! James Bond (2006 Casino Royale is the best, you can fight me on this but i won't listen) Memento Only Yesterday and Porco Rosso (by Studio Ghibli) Emma (2020 version by Autumn de Wilde) But I'm a Cheerleader Say Anything Rocketman Kingsman: The Secret Service You've Got Mail The Usual Suspects Eyes Wide Shut and our newest addition, Saltburn <333 David Cronenberg (Crash and Dead Ringers especially) David Lynch (Fire Walk with Me and Blue Velvet especially)

tv let's just go simple here The X Files Twin Peaks The L Words Buffy The Vampire Slayer John Doe Bob's Burgers King of the Hill Futurama

literature listen, i have a lit degree but i am also who i am, so my favorite books are usually the last good ones i read. that being said, my most longstanding favorites and the authors i return to are: Haruki Murakami (1Q84, Norwegian Wood, After the Quake, etc. i have genuinely read 80% of this man's 50 years of writing at this point) Melissa Febos Sally Rooney James Baldwin Ottessa Moshfegh Oliver K. Langmead Iain Reid Sean Hewitt hobbies i collect 'em! acoustic and electric guitar crocheting, knitting, embroidering quilting jewelry making collaging indie perfume (i will no doubt be gushing about this more on this account because i also connect perfumes to my characters/projects and i have upwards of 100 scents in my collection) if you are still here you rock i have also thought of starting a youtube channel for literal years (like many of us late 90s-early 00s kids i have tried several times throughout the worst years of adolescence lol) to just talk about writing and also alllll of that. idk if it will happen but if it does think of this as a sort of primer!

[tuiyla]

btw, do you already dislike Xander? I'm kinda hoping you're going to start writing rants about how much he sucks lmao, but tbf his worst moments are yet to come. I also hope you'll end up hating another male character that most people love, much to my chagrin.

Alright! No more letting this ask sit. Anon, I hope you're around and doing well because we're finally gonna talk about Xander Harris.

I wanted to answer this at different points during my Buffy journey and now, towards the end of season 5, I have to say that... Xander's fine. I totally get where your hope comes from, my notorious Finn posts and all and though I'll get into aspects of Xander I dislike in a moment, I'm afraid I can't be the manhater you need on this occasion. From what I've seen though he's not that well-loved? In my limited experience anyway. So the Finn Hudson effect doesn't apply in that sense, either.

Where I would be frustrated with Xander in similar ways I am about Finn's ch is that sometimes he is framed in an annoying way. He never gets even just called out for lying to Buffy at the end of season 2 or acting like a major asshole in 3x02. All the Scoobies are coming at Buffy there, sure, but none with such vehemence and in such a self-righteous way. Self-righteous hypocrites really piss me off. Had I answered this at the start of season 3 I probably would have been much harsher on Xander than I'm gonna be now. His Angel hatred was so irrational and not worthy of an "I told you so" upon Angelus' turn and it's irritating how entitled he is to Buffy's decisions. Not to mention, I don't care if him sulking about Buffy's rejection is realistic teen boy behaviour, it's tedious and embarrassing. She made it clear that she was not interested and Xander was such an ass about it. His crush on Buffy was a pain to get through and frankly, I don't think Xander deserved either of the girls he's been with since. Cordelia most definitely not and I think Anya deserves better, too, because she's genuinely devoted whereas it really feels like Xander's with her just because it's convenient for him.

His latest really, really annoying moment was his Riley speech to Buffy but honestly I'm just so glad Riley's gone so I'm gonna swiftly move past that. Whatever, Xander tried helping Buffy and luckily she was too late to act on his advice. What stupid advice, anyway, as if Riley was one in a million. Hon, he was literally the 999,999 in a million.

And I said I wouldn't go hard on the guy, huh? Lmao well that was pretty much the list of my grievances. In general? Xander's... fine. He's not gonna be my favourite Scooby in any scenario, no way, but I think since mid-season 3 he's been a lot more tolerable and even enjoyable on occasion. He does feel sort of useless at times but that's acknowledged and a part of his journey so I appreciate that. I don't fully buy into him being the Heart of the group as that position is something that I hold precious, see Katara in ATLA. And no way Xander can even touch what someone like Katara represents within her group dynamic. But I also see that being the Heart is mostly about courage here, loyalty, and as much as he makes mistakes I gotta give Xander that.

Even in that interpretation I struggle with the guy because a) he does have these icky sexist moments that are just not funny and they're meant to be and b) he's not... that full of heart. I just think pettiness gets in the way too often and, compared to someone like Willow's flaws his are more annoying and in general, more. He's not quite the Nice Guy syndrome because he is general a genuinely good friend to Buffy and the others but I wish he wasn't such a teen boy. Or, if he was, cause ya know they unfortunately do exist, that he was framed just a little more critically. I get that that's too much to ask of Whedon's late 90s feminism but it would make Xander an easier character to vibe with. I mean, I'm guessing there must be a reason I had zero idea about his existence prior to watching the show but had a vague idea of most other Scoobies. I knew so many things about Willow and was aware of chs like Oz, Cordy and Tara, but I was half-expecting Xander to only last a season or two. Because surely, if he was there for the whole show I would have heard people talk about him already.

So, yeah, it might not sound like it because I more so talked about the negatives than positives but I don't hate Xander by any means. He's not frustrating enough to be loathed or ranted about but he's also not nearly engaging enough to be on the level of the other Scoobies. He has his moments, though, and more often than not I find myself enjoying Xander-centric episodes. Soooo... is that anything? I hope I don't disappoint but now that I'm at the end of season 5 maybe you can share more about your Xander thoughts, I'd be happy to listen.

[regenderate]

if u get back into buffy PLS talk to me (getting into it for the first time) about it im dying

OH MY GOD TALK TO ME ABOUT BUFFY PLEASEEEEEE

i'm rewatching it with @warstrategies who is also watching for the first time but we're only like. partway through season one JLK;FDSASJFK anyway <3 please talk to me about buffy this is an open invitation to literally everyone especially because i'm trying soooo desperately not to spoil it while watching and it's SOOOOO HARD

[whimsicalweepingwillows]

Well hello there, buttercup(s)!!

I hope y'all are having a lovely day out there 😊 Here's the dealio, I need new people to talk to. Badly 😅 Last summer I was finally able to escape a manipulative 2+ year relationship that didn't really let me have friends. Now, I've been healing, I'm in a lovely relationship, and I'm looking to find some new people to chat with!

The only real rules I have are no minors and no dry convos! Seriously, if you get me going, I can send paragraphs. You do not have to be that invested, but I can't take small talk every time.

So now, where do I start?

My name's Ally! I'm 24, a bi gal from the North East US. I have a cat named Eleanor Rigby, or Ellie for short. I recently moved in with my S/O, but I will soon be bringing over my other cat, a deaf boi named Logan. I'm a huge animal lover, so please spam me with photos of your animals!

At heart, I'd say I'm an artist. I do love to look at things from a different perspective, and one trait I'm confident about is that I am creative! It's been a lot harder for me to truly focus on my arts the past few years, but I'm finally starting to get back into the swing of things. When I feel the pull, I write, paint, Doodle, crochet, collage, journal, take photos, makeup, and creating in general. That's certainly not all as I love to try new things, but those are my favorites at the moment

I'm also a neopagan witch! I've been in the Practice for about 9 years, but I have been through a rollercoaster with it. I'm finally able to have time to sit and study, so I would love anyone to talk to about that! I have traces of Hellenic polytheism in my faith, but I'm very eclectic and my beliefs are pretty consistently changing. I respect all walks of life as long as you respect mine and do not harm anyone, including yourself. I am also very eclectic in my studies of the Craft. I am always open to new information, so please, enlighten me!

I'm also a stoner, so any 4/20 friends are rad :) I tend to be an oddball with a somewhat dark sense of humor, but I also like to try and be somewhat positive and bubbly. It depends on the day.

Here's some other stuff I like!

Fantasy, sci-fi, animations, and comedy TV/YouTube. Recent binges include pokemon, star trek, marvel, pickle and peanut, firefly, doctor horribles sing a long blog, rocky horror picture show, Beetlejuice, and many more

Books: the Dresden files, Vlad Todd, morganville vampires, hitchhikers guide to the Galaxy, Shakespeare in general, and many more

Weirdcore, fairycore, vaporware

Pop punk, pop, nu metal, grunge, honestly I listen to pretty much everything besides most country and rap (though I've been more open to rap lately)

Previous hyper fixations: Gorillaz, Hetalia, Invader Zim, Doctor Who, WWE (2011ish and earlier), Buffy the Vampire Slayer

Interior design and maximalism

Fashion

Other people's art (plz show off your art to me!)

Tats, piercings, dyed hair, all that good stuff

Thrifting/repurposing

Vulture Culture

The occult

True crime/cults

Video games

Paranormal/supernatural things

If you got this far, holy gods, why? Honestly, I'd think that means you should dm me :D

I can DM on here, but Snapchat and Reddit tend to be my favorite ways to chat! So please, shoot me a message if you have Anything you'd like to chat about :)

P. S. I've attached some of my art so you can my stuff!

[linkspooky]

This is kinda random, but what is your top 10 favorite otps?

Sure.

#1 of All Time SPUFFY

Spuffy, it wrote the book on both beauty and the beast archetypes, and enemies to lovers. For me the most important thing in a ship is the character development it brings about. Spike's redemption doesn't work without Buffy, because it's meeting the one person who expects better than him and won't put up with his selfish crap, that forces his character arc. Buffy's development is also nothing without Spike, it's meeting Spike that makes Buffy confront her dark side, and realize that being a good person isn't something you are, but something you work towards for the sake of your loved ones. The ideal ship should inspire this permanent character development and chane (Unless it ends tragically), they should be an inseperable part of each other's character arcs.

#2 Kumagawa / Ajimu

This is what I was talking about when I said "unless it ends tragically". Sometimes you ship two people who should never end up together, because they probably won't accept their differences. However, even in a failed relationship, two people can be important to each other. There's not really a hapyp ending for Ajimu and Kumagawa, despite their similiarities when they're together they just seem to make each other worse. In Medaka Box they are the anti-Zenkichi and Medaka. However, for Ajimu Kumagawa represents her only human connection, and for Kumagawa Ajimu represents the first person to be "good" to him even though their relationship soured at one point. Therefore I find the ship interesting because despite the fact that they are permanently separated they are still an incredibly important part of each other's identities and who they are now.

# 3 Matsuda / Junko

Basically for the same reason as what I said above. There is no universe where Junko and Matsuda end up in a happy relationship, as long as Junko is still Junko. However, Matsuda and DanganRonpa Zero as a whole add so much to Junko as a character. As long as Matsuda exists, Junko's more than just a black hole that only cares about despair, and I think together the side materials like IF and Zero show that Junko actually is capable of caring for people outside of her natural tendency to want to throw everything into despair, however, humanizing Junko in this manner doesn't actually make her a better person. She can have feelings like romantic, and familial love, and she still chooses to destroy those things and the people in her life. It just adds so much to Junko as a character, which is what I like ships as, an extension of characterization through character interaction.

#5 UIHAI

I love Ui and Hairu because it's like a broken fairy tale. It was a love that could have saved Hairu, but it didn't, because for Ui he always realized his feelings too late to save anyone. Hairu was obsessively chasing after Arima for the smallest amount of approval, when Ui was right there, and already in love with her. They seem like the perfect couple that could never get together, because Hairu is too fixated on Arima, and Ui is too fixated on his job. They are perfectly suited to giving each other what they wanted, and even in lots of side materials and sketches they seem like a pair, or Ui's feelings for Hairu come across as pretty clear but it never came to be in canon.

#6 ZACK / AERITH

Once again for the same reasons as above, it seems like a fairy tale romance of a knight, and a girl he wants to protect, but it fails completely to live up to that story. Zack and Aerith is a tragic story of first love for both of them, and it's also really formative for who Aerith is now as a character. Zack tried to be there for her, and he tried to be a hero to Aerith, only to very consistently not be there for her, and then disappear from her life all together. Much later on, Aerith is incredibly isilated, unable to fall in love with the real cloud without projecting Zack onto him. It's a relationship where in a better world they could have been there for each other, but also the failure of the relationship develops them as much as characters as them getting together might have. Zack and Aerith are one of those relationships that seems ideal on the surface but they are very different people with different wants, Zack wants to be a hero, Aerith just wants to be a person first.

#7 LINK / MIDNA

The best zelda ship period. Once again the most important part of a ship interaction is the change that both characters inspire in each other. Midna begins not caring about Link at all, never referring to him by name, only seeing him as an object, an old legend, a hero to be used instead of a person. Midna's a manipulative freak, and Link breaks through to her because he actually isn't interested in being the hero of legend, he just wants to save the people closest to him at the village because he feels indebted to them, and Midna inevitably becomes one of those people. Link and Midna's partneship makes the game, because it's Midna who pushes him and makes him into a hero, but it's Link through his unfledging acceptance of her who inspires her to be a person once more, and not just the twilight priness.

#8 Morrigan / Warden from DRAGON AGE ORIGINS

This and Spuffy are like the only two on this list who actually end up together, so let me just have this. Once again my favorite aspect of a ship is the transformation the relationship brings baout in a character. The warden is a non-character, but for Morrigan herself, her relationship with the warden is what allows her to escape an abusive household, and beyond that decide not to repeat the cycle of abuse with her new family. What made this ship an all time fave was in witch hunt when the Warden gets to ask her what she wants, and she's just completely confused. Even with her mother dead, Morrigan is still a tool of her mother's ambitions, it's still all about her mother wants. It's her love with the warden, either through friendship or romance that awakens Morrigan to the fact she's allowed to exist as a person with wants and needs outside of what her mother wants her to be.

#9 Kaine / Nier

It's the Most Humanizing Ship Ever Between Two Mass Murderers. As a story, I think Nier is about finding the life, and love, in a story that is ultimately, fatally doomed. Nier only worse and worse as the game goes on but that doesn't mean there was never any love in his life. For every bad thing Nier does, he was not bad to every single person, specifically Kaine, it was Nier's love and belief in her that allows the wounds in her heart to start to heal. As Nier and Nier gets worse, Kaine's own shadow self says, that her feelings in her heart are no longer hatred, or even revenge, there's just a pure white light of love left. In a game where everything only rots, Kaine has healed to the point where she can love again when she never thought it was possible. It's why I like ending D the best, because it's Nier knowing he can never escape his own sins, but he can use his last action to heal Kaine fully all the way and allow her to live on a few more years.

#10 SATOSUGU

Once again, there's no universe where they end up together, and yet still on opposite sides of a conflict they remain each other's closest friends. The most important thing about a ship is the character development it leads to and Gojo would not be who he is today without Suguru. I generally get the sense that Gojo's idea of a good person isn't himself, but rather who Geto used to be before he broke. Gojo actually relied on on Geto for a lot more than he realized, considering it was the one connection he had that seemed to humanize him. Geto provided the chosen one who can do literally anything in the world with his powers, support and guidance. He was the jade, and the foundation of their two person friendship, and then the jade broke.

Gojo and Geto's broken relationship is not only the most emotional thing in the series to me, it's also an incredible part of who they are ten years after the fact. Gojo straight up didn't bother to make friends for ten years later after the fact even though he could have, Geto still told his daughters that Gojo and him were best friends, they just had a fight. He couldn't comperehend in Volume Zero that Gojo would still regard him as a friend after everything that they had done.

It's like one of those "Can't live with them, can't live without them" pairs. They want to be each other's one and only but it just won't work because they don't understand each other, and neither of them is willing to compromise. They are also each other's perfect yin / yang complement. Gojo is the opposite of Geto, and still carries a part of Geto within him, and Geto even after becoming the enemy of the sorcery world while Gojo is the savior, still carries that friendship with Gojo inside of him as well. While their relationship is a failed one, it's also a past I hope that the next generation Megumi and Itadori both learn from, even if Geto never truly comes back.

[263adder]

Oooh suggestions for the top 5 ask game! (because I know better than to spam your inbox after the Secret Santa Incident™️ but also had a few different things I’d love to see your top 5 of and didn’t want to pick a favorite of them alfkjasdlfkj) (Also please feel free to answer any of these that you want and disregard the rest) (Also I love you) (Also if you couldn’t tell this is Tori I’m just trying not to expose my main even though I’m aware people probably already know it)

top 5 favorite fics (from any fandom)

top 5 favorite fiveya headcanons

top 5 favorite female characters

top 5 favorite songs (or current favorite songs if that is easier)

top 5 favorite romantic books 👀

top 5 favorite lgbtqiap storylines!

Ooh, this is great – thank you Tori! And I could guess it was you 😄 I don't know why I wrote this in reverse order - maybe because I found the last question easiest - but here we go!

LBGTQIAP storylines:

Nicky/Joe, The Old Guard

Willow/Tara, Buffy the Vampire Slayer

Harley Quinn/Poison Ivy, DC Harley Quinn

Raymond Holt/Kevin Cozner, Brooklyn Nine Nine

Lazlo/Nadja, What We Do In The Shadows (you know I love Nandor/Guillermo too but my bi icon Lazlo is king)

Favourite romantic books:

I found this one the hardest to choose from, I’ve been reading so much non-fiction lately I could barely remember what romances I’ve read.

1. A Room With a View, E.M. Forster

2. A Month in the Country, J.L. Carr

3. Jane Eyre, Charlotte Bronte

4. Pride and Prejudice, Jane Austen

5. Little Women, Louisa May Alcott (excluding the Good Wives part because that’s when my heart was broken)

Songs:

My favourite band is Free so I did well to only choose one of their songs. The lead singer is the one on the right in the GIF below.

Wishing Well, Free

Sweet Baby James, James Taylor

More Than a Feeling, Boston

When I Grow Too Old to Dream, Nat King Cole Trio

Story of the Blues, Gary Moore

Female characters:

This was quite easy as I did a list a few months ago for my top 10 female characters 😄

Dana Scully, The X-Files

Buffy Summers, Buffy the Vampire Slayer

Deanna Troi, Star Trek: The Next Generation

Margaret Houlihan, M*A*S*H

Robin Scherbatsky, How I Met Your Mother

Fiveya hcs:

Cuddling

Bed sharing - it's my favourite trope okay

Jealousy

Midnight snacks

Forming the nerd squad with Ben

Fics (from any fandom)

Fics is a real toughie so I'll just go with either impactful stories (like the first which made me a friend) and great stories I've recently read or have been updated.

We Were There: Emmeline’s Story, Band of Brothers (link) – the first story to get me talking to another writer, and we’re still friends! We’ve sent each other letters and everything. Plus it’s such a romantic story which deserves way more love than it currently has!

Hel is Being Other People, Marvel Avengers (Loki) (link) – the whole series is incredible. Just do yourself a favour and read it.

Between Now and Eternity, Star Trek (link) Amanda/Sarek are such an interesting couple with the human/vulcan dynamic.

The Beauty Within, Beauty and the Beast (link) still a WIP – which has kept me hooked for four years!

Reprise, Much Ado About Nothing (link) you know a writer is good when they convert you to a ship you’d never even thought of before.

Thanks for the ask Tori, this was fun! I know I haven't been great at responding to asks atm 😬 but I'm getting there.

[impalementation]

Do you think the trio were good as villains? (As foils, as obstacles etc) I know people tend to dislike them in general

Anonymous asked:

Why do you think “the trio” make sense as the antagonist of season 6?

i’m combining these two asks together, since they’re both about the trio.

i love the trio as villains. they might even be my favorite villains in the whole show. angelus and glory are both classic, and easily my favorites after, but the trio just get under my skin—much like season six in general—in a way those classic villains don’t. adding a cut for length.

i think a lot of what i like about them was covered in these two excellent posts by @comradesummers, so i’ll probably end up repeating some of what she said. i’ve also talked about the trio before myself, so there’s a good chance i’m repeating my own past posts as well.

but to put things in my own, new words. the reason i love the trio is because of how many levels they operate on, and how interesting those levels are.

on one level, the mundane nature of the trio and their villainy parallels the depressing, irritating banality of adult, real-life problems that the season spends so much time exploring. it’s very deliberate that after a season in which buffy defeated a god, she finds herself antagonized by a cringey trio of boys her age. the writing emphasizes the lameness of the trio enough times that you know this choice was on purpose.

scenes like:

BUFFY: I'm just saying, all the things that have happened lately? Okay, the, the bank robbery, the jewelry heist... XANDER: The exploding lint. BUFFY: I-is it me, or do these things seem really- ANYA: Lame? BUFFY: (shrugs) Well, I was gonna go with unusual, but, yeah.

or:

DOCTOR: Buffy, you used to create these grand villains to battle against, and now what is it? Just ordinary students you went to high school with. No gods or monsters...just three pathetic little men...who like playing with toys.

the fact that buffy dismisses the trio, but eventually finds herself in danger of them, echoes the way that she struggles to “defeat” the problems of adulthood that she thinks she should be able to handle. as she says in “flooded”:

BUFFY: Okay, it's, it's bills, it's money. It's pieces of paper sent by bureaucrats that we've never even met. It's not like it's the end of the world. (she thinks about that for a moment) Which is too bad, you know, 'cause that, I'm really good at.

the fact that the trio is so “ordinary” and “lame” adds to that season six feeling of having been rudely brought to earth. of the magic of childhood being left behind, and having to deal with problems you can’t build a myth around. there’s just something so real and brilliant to me about how wrong it feels that these are buffy’s antagonists. because of how well it evokes that wrong feeling of: this is what adulthood is? these are the problems i have to deal with? it seems so easy, so why is it so hard?

the second level of the trio relates to the first level, in that they represent the mundane dangers of real-life misogyny. season six is all about making the metaphorical literal (ironically, as a metaphor for how the transition from childhood to adulthood can feel), and so there’s something very fitting that in a show that has spent a lot of time creating horror from metaphorical, supernatural misogyny—it suddenly becomes literal. no more swim team jocks becoming rapacious fish monsters, no more frat boys sacrificing girls to a snake demon, no more vampires cornering victims in dark alleys. and okay, the trio is still doing spells and such. but besides that, everything about them is so normal it becomes disturbing. they are simply boys who feel disempowered in their own lives, and think this entitles them to play with other people, particularly women, because they barely see those women as people in the first place.

there is also something crucial to the fact that the trio are the villains that are most like the writers, and who the writers probably conceived of as their audience. it’s on record that many of the nerd debates that the trio have were lifted directly from debates the writers would have amongst themselves. the writers were also on fan boards, and well aware of the fact that their show was popular with very nerdy people. which means that when they made nerdish avoidance and entitlement a villain in season six, it was another way of bringing the show to earth. by making the trio into some of the show’s mostly subtly, yet acutely, horrifying antagonists there is an implication that: misogyny and wrongdoing is not something that only oafish athletes and distant authorities are capable of. it is something that anyone can be complicit in.

which is also why the third level of the trio, the fact that they act as mirrors of all of the other characters, works so well. because season six is when the show makes some of its most beloved characters do very bad things. the protagonists become aware, just as the audience does, of their potential for complicity in evil. and i think this is a very very important aspect of becoming an adult for the show to capture. to me, becoming an adult means becoming responsible for yourself and your moral choices in a way you aren’t quite, when you’re younger. bad choices are a bit cuter when you’re younger, a bit more forgivable. you’re growing, right? but at a certain point that stops working, and you need to own your choices. and that means being able to recognize that you’re capable of being the villain, so that you can choose differently.

so over the course of season six, all of the characters get tempted by irresponsible and easy ways out. sometimes they give in, and sometimes they don’t. but no matter what, the trio is there to help frame the actions of the protagonists. so for example, while the trio robs banks and steals diamonds, buffy takes a difficult job, and doesn’t take advantage of the opportunity to blackmail the doublemeat palace. or the fact that buffy is giddy at being turned invisible in “gone” is framed as troubling in part because the trio are giddy at the idea of invisibility as well. and of course: willow, spike, and buffy, and how they behave in intimate relationships, all get paralleled with warren and the trio. what tara says to willow in “tabula rasa” for example, is much like what katrina says to the trio in “dead things.” (TARA: “violate my mind like that? how could you willow? how could you after what glory did to me?” WILLOW “violate you? i…i-i didn’t mean anything like that, i-i just wanted us to not fight anymore” / WARREN: “i just, i wanted us to be together” […] KATRINA: “well this is not some fantasy, it’s not a game you freaks! it’s rape” JONATHAN: “what?” ANDREW”: “no..we didn’t…”). or buffy’s “tell me you love me” exchange with spike in “as you were” is almost word for word what warren says to the mindwiped katrina in “dead things.” and of course, there’s the fact that spike and warren both assault the woman that they claim to care about in an attempt to get them back.

does this mean that all of our protagonists are irredeemably evil? of course not. the reason that warren ends the season flayed and burnt alive is because he repeatedly commits to doing the wrong thing. while the scoobies and spike don’t, because as flawed as they are, they still ultimately try to make better decisions. but it doesn’t mean that they’re not capable of harm. and specifically, the kind of harm that comes from not seeing oneself as truly capable of it. spike thinks he doesn’t hurt buffy, willow thinks she’s just trying to fix things, jonathan and andrew think they’re living out a comic book. this is why i also love how the season lulls you into a sense of complacency with the trio. you think the show might be playing their hijinks straight, and validating their less-than-savory plans as funny, until “dead things” pulls the rug out from under the season and shows what the writing has been doing with them all along. that wake-up slap of katrina saying “rape” is like the slap of willow’s breakdown in “wrecked” or xander leaving anya or warren shooting tara, or—and this takes us back to the central metaphor of the season—buffy being brought back from heaven. that slap of “childhood is over, it’s time to be responsible now, and it turns out you’re fucking up at it.”

this honestly is just the surface of what i could talk about with the trio, and it’s already long enough as is. and when a villain has that much thematic richness in it, i just can’t help but love it.

[raith-way]

For fic title asks: Things Are Getting a Little Hazy & 1, 3, 7, 11 + 13! :-D

So much love for my little Buffy fic! Thank you so much for the ask!!

1: What inspired you to write the fic this way?

See, this is a little confusing. Write in which way? I’m writing in third person, because I’ve found that it’s easier for me to write in third person because I prefer to write from multiple perspectives. I write in past tense, because I think it generally flows better than in present tense. I decided to start it where I did to stop Angel from getting his own show. (Sorry, Angel, but you’re not the star of a show. You are getting a bonus best friend and new love interest though!)

3: What’s your favorite line of narration?

I probably haven’t written it yet, because I’ve only got two chapters posted. I sketch out future scenes by writing outlines, but that’s a lot of paraphrasing and just writing the general idea of what I want to happen in the scene. If I have to pick something that exists, my favorite line of narration is something that hasn’t been posted yet. It’s short, to the point, and sums up my Grace and possibly the fic as a whole perfectly.

Loved the light, feared the dark, yet walked in both.

7: Where did the title come from?

While I was writing the first chapter, I had on a general playlist. I wasn’t listening for anything specific, but some lyrics caught my attention. So I started the song over, Palace by Matthew And The Atlas, and the opening lyrics just seemed to fit both the Buffy universe and the story that I wanted to tell. I can break down every line and write a scene for it. That’s how perfectly the song works for the story.

in the palace there was hope and joy in the palace there was hope and joy see the demon in the night the shape of it covers the light feathers touch upon the skin when no one else would let you in skies are black immensity ready for you and me baby, you were bound to go crazy is it now or just lately things are getting a little hazy

11: What do you like best about this fic?

Besides getting to talk to amazing people about it? I love writing a character like Grace, because she’s made up of contradictions. She’s both selfless and selfish, loves the sunlight and lives more at night, and she’s both optimistic and hopeful while expecting the worst and feeling absolutely terrified. Getting to write in the Buffy universe is amazing, the characters are complex and the mythology is so vast, and I seriously love everything about writing this fic.

13: What music did you listen to, if any, to get in the mood for writing this story? Or if you didn’t listen to anything, what do you think readers should listen to to accompany us while reading?

There’s so much music! I do have a playlist, Grace’s Playlist, that I like to put on when I’m writing. I also have a YouTube playlist of Buffy videos that I’ll put on when writing, especially when I’m writing for a canon character and want to see/hear them to make sure I’m getting the characterization right. As far as specific music, there are some. Matthew And The Atlas, Hozier, a lot of 80s and 90s music, and anything that makes you think of running into a witch in the middle of the woods. That’s the general vibe. I’m slowly adding my fic playlists to Spotify, so here’s what I have for Grace’s if you want to give it a listen.

[adorpheus]

on fujoshi and fetishization

Lately, more and more, both here on tumblr and on other sites, I keep seeing people spew unfiltered hatred at fujoshi - that is, women who like mlm content such as gay fanfic and fanart featuring men with other men. And I don’t mean like a specific type of fujoshi, like the ones who are genuinely being weird about it, but just like a general hatred for girls (but especially straight identifying girls) who express love for gay romance.

I hate to break this to you all, but women (including straight women!) actually are allowed to like mlm fanfiction and fanart, even enthusiastically so. A woman simply expressing her love of gay fanfic, even if it is in kind of a cringey way or a way that you personally don’t like, is NOT automatically fetishization.

I’ve been on the receiving end of fetishization for my entire life, from a very young age, as many black and brown folx have, so I consider myself pretty well acquainted with how it works. Fetishization isn’t just like, being really into drawings of boys kissing, or whatever the fuck y’all are trying to imply on this god forsaken site. 

Fetishization is complicated imo, and can encompass a lot of things, such as (but not limited to):

1 - dehumanization, e.g. viewing a group of people as sexual objects who exist purely for entertainment purposes, rather than acknowledging them as actual people who deserve respect and rights

and

2 - projecting certain assumptions onto said people based on their race/sexuality/whatever is being fetishized. These assumptions are often, but not always, sexual in nature (like the idea that black people in general are more sexual than other races, etc etc etc).

I’m going to use myself as an example to illustrate my point. Please note this isn’t the best or most nuanced example, but it is the most simplistic. A white person finding me attractive and respectfully appreciating my black features as part of what makes me beautiful is not, on its own, fetishization. A white person finding me attractive solely or mostly because I’m a PoC is now in fetishization territory. Similarly, assuming I’m dominant because of my blackness (like saying “step on me mommy” and shit like that) is hella fetishistic. 

That being said, theres definitely a difference between how fetishization works in real life with real people, and how it shows up in fandom. 

Fetishization manifests in many different ways in fandom, but most commonly on the mlm side of things, I personally see it appear as conservative (or centrist) women who love the idea of two men together, but don’t actually like gay people, and don’t necessarily think LGBT+ people deserve rights (or “special treatment” as its sometimes dog whistled). These women view queer men as sexual objects for entertainment rather than an actual group of people who deserve to be protected from systemic oppression. I’ve noticed that they often don’t even think of the men they “ship” together as actually being gay, and may even express disgust at the idea of a character in an mlm ship being headcanon’d gay. In case its not obvious, this is pretty much exactly the same way a lot of cishet men fetishize lesbians (they see “lesbian” as a porn category, rather than like, what actual LGBT people think of when we read the word lesbian). There’s a pretty popular viral tweet thread going around where someone explains seeing this trend of conservative women who like mlm stuff, and I have also personally witnessed this phenomenon myself in more than one fandom. 

The funny thing is, maybe its just me buuuut.... The place I see this particular kind of fetishization happen most is not in the anime/BL fandom, from which the term fujoshi originates - I actually see these type of women way way more in western fandom spaces like Supernatural, Harry Potter, and Hannibal. I can’t stress this enough, there’s a shocking amount of people who are like, straight up trump supporters in these fandoms. If you want to experience it, try joining a Hannigram or Destiel group on facebook and you will probably encounter one eventually especially if you happen to be living through a major historical event. Like these women probably wouldn’t even be considered “fujoshi”, because that term doesn’t really apply to them given they aren’t in the BL/anime fandom, yet they’re the ones I personally see actually doing the most harm.

Of course this isn’t the ONLY kind of fetishizing woman in the mlm/BL world, there are other ways fetishization shows up, but this is the most toxic kind that I see.

A girl just being really into BL or whatever may be “cringe” to you, or she may be expressing her love for BL in a “cringey” way, but a straight woman really enjoying BL is not, on its own, somehow inherently fetishization. Yes, sometimes teenage girls act kind of cringe about how much they like BL and that might be annoying to you, but its not necessarily ~problematic~. 

That being said, IT NEEDS BE REMARKED that a lot of the “fujoshi” that you all hate so deeply, are actually closeted trans men or nonbinary people who haven’t yet come to terms with their gender identity, or are otherwise just NOT cishet. I know because I was one of these closeted people for years, and I honestly think tumblr and the cultural obsession around purity is one of the many reasons I was closeted so deeply for so long. STORYTIME LOL!!! In my early adolescence, I was a sort of proto “fujoshi”. I identified as a bi girl who was mostly attracted to men, or as most (biphobic) people called it, “practically straight”. I wrote and read “slash” fanfic and looked at as well as drew my own fanart. We didn’t use the term fujoshi back then, but that’s definitely how I could have been described. I was obsessed with yaoi, BL, whatever you want to call it, to a cringe-inducing degree. I really struggled to relate to most het romances, so when I first discovered yaoi fanfics (as we called them at the time), I fell in love and felt like I finally found the type of romance content that was made for me. I didn’t know exactly why, I just knew it hit different. LGBT+ fanart and fanfiction brought me an immense amount of joy, and I didn’t really think too hard about why.

At some point, in my early 20s, after reading lots of discourse™ here on tumblr and other places like twitter, I started to get the sinking feeling that my passion for gay fanfiction was ~problematic~. I had always felt a sense of guilt for being into mlm content, because literally anyone who found out I liked BL (especially the men I dated) shamed me for liking it all the fucking time (which btw is literally just homophobic, like can we talk about that?). In addition to THAT bullshit, now I’m seeing posts telling me that girls who like BL are cringey gross fetishists who inspire rage and should go die? 

Let me tell you, I internalized the fuck out of messages like this. I desperately wanted to avoid being ~problematic~. At the time, I thought being problematic was like the worst thing you could be. I was terrified of being “cancelled”, before canceling was even really a thing. I thought to myself, “oh my god, I’m gross for liking this stuff? I should stop.” I beat myself up over this. I wanted so badly to be accepted, and to be deemed a Good Person by the internet and society at large.

I tried to shape up and become a good ally (lmfao). I stopped writing fanfic and deleted all the ones I was working on at the time. I made a concerted effort to assimilate into cishet culture, including trying to indulge myself more deeply in the few fandoms I could find that had het content I did enjoy (Buffy, True Blood, Pretty Little Liars, etc). I would occasionally look at BL/fanfic/etc in private, but then I would repress my interest in it and not look for a while. Instead I would look at women in straight relationships, and create extremely heterosexual Couple Goals pinterest boards, and try to figure out how I could become more like these women, so I, too, could be loved someday. 

This cycle of repression lasted like eight years. Throughout it all, I was performing womanhood to the best of my ability and trying to become a woman that was worthy of being in a relationship. I went in and out of several “straight” relationships, wondering why they didn’t make me feel the way reading fanfic did. Most of all, I couldn’t figure out why straight intimacy didn’t work for me. I just didn’t enjoy it. I always preferred looking at or making gay fanfiction/fanart over actual intimacy with men in real life. 

Eventually, I stumbled upon a trans coming out video that someone I was following posted online, my egg started to crack, and to make an extremely long story short, after like 3 years of introspection and many gender panic attacks that I still experience to this day, I realized that I’m uh... MAYBE... NOT CIS..!? :|

I truly believe if I had just been ALLOWED TO LIKE GAY STUFF WITHOUT BEING SHAMED FOR IT, I probably would have realized I was trans way way sooner. Because for me, indulging in my love of gay romance and writing gay fanfic wasn’t me being a weirdo fetishist, it was actually me exploring my own gender identity. It is what helped me come to terms with being a nonbinary trans boy.

Not everyone realizes they are trans at age 2 or whatever the fuck. Sometimes you have to go through a cringey fujoshi phase and multiple existential crises to realize how fucking gay you are AND THATS FINE.

And one more thing - can we just be real here? 

A lot of anti-fujoshi sentiment is literally just misogyny. omg please realize this. Its “women aren’t allowed to enjoy things” but, like... with gay fanfics. Some of the anti-fujoshi posts I see come across my dash are clearly ppl projecting a caricature they invented in their head of a demonic fujoshi fetishist onto any woman who expresses what they consider to be a little too much enthusiasm for gay content and then using their perception of that individual as an excuse to justify their disdain for any women, especially straight women, ‘invading’ their ~oh so exclusive~ queer fandom spaces.

 god get over yrselfs this is gatekeeping by another name

idk why i spent so long writing this no one is even going to read it, does anyone even still use this site

*EDIT: HOLY SHIT WHEN DOING RESEARCH FOR THIS POST I FOUND OUT THAT Y-GALLERY IS BACK OMG!!! 

[prose-for-hire]

Btvs Headcanons:

Hc: You work in a store they frequent, meet them that way, and feelings develop. How each character would show you that they care about you/ask you on a date after getting to know them. 

Edited to include Oz. [Jenny Calendar hc is separate here ]

Warning: one small mention of sex. and in one hc the store is a butchers

I thought this would be fun, maybe a little different than my usual. You can request some people that aren’t on here if you like. Or a different job or scenario where you would meet them.💜

Spike:

- you work at a 24 hour store, he comes in at weird times of the night

- You catch Spike stealing and take pity on him, letting it slide (he looks a bit gaunt, maybe he’s not eating properly)

- There’s no cameras the place you work is crappy so you maintain eye contact and just nod at him, allowing him to take whatever it is he’s concealed under his leather duster

- He’d start to come in and either blatantly steal so you would catch him and talk to him or buy lots of stuff he didn’t need with money he had ‘borrowed’ from one of the scoobies

- He talks a lot and appears to be trying to impress you, it makes you smile

- But also he’s very attentive to you and asks you things about yourself, wanting to learn everything he can

- He starts waiting for you, watching through the glass, going through whole packs of cigarettes making sure you’re okay and no customers are being nasty

- He will come in and threaten to drain them dry if they say one more horrible thing to you, it’s happened twice

- He follows you home before eventually offering to walk with you

- He’ll probably bottle all of his feelings up for a long time, professing his love in a very heartfelt speech and crashing his lips to yours before actually asking you on a date

Angel:

(I’m so sorry if you don’t eat meat)

- You work at the butchers and Angel used to come in all the time really early before the sun rose

- You were embarrassed such an attractive man saw you in your overalls smelling of raw meat

- Too embarrassed to ask yourself why he wanted so much animal blood

- You soon had his regular order ready and waiting for him, he always seemed to be in a rush. This meant there was a little time for you to talk because he already had his order

- You instigated, asking him lots of questions with you getting one word answers (you think he’s not interested and stop)

- But he’s just trying to keep his distance, he knows what happens when he gets too involved. Things seem to go wrong

- He eventually bumps into you after work one evening, not able to stay away completely

- You work long hours so he’s trying to make sure you’re getting home okay by hanging back in the shadows

- Eventually starts to offer to walk you and you happily agree, chatting nonstop about the delivery or what you were taught that day about slicing into something

- He enjoys just hearing you talk, not able to help smiling at the way you animatedly recount your day to him, eventually one day he’ll offer for you to visit his place making a date out of it

Xander:

- you probably work with him, one of the many jobs he took on after high school

- you both work at a pizza place, he delivers you make the orders

- he acts really weird around you at first, dropping things and stumbling over his words when he speaks to you

- he cracks some childish jokes but you laugh along with him, finding him sweet

- he grins wide when you start to joke back, pulling funny faces behind the manager’s back when it’s turned

- He’ll be thinking of asking you on a date for a really long time, probably since he first met you

- He’s nervous and he doesn’t want you laughing in his face, he probably doesn’t think he has a shot with someone as great as you

- But he just rushes out and says it one night when you’re both grabbing your jackets to leave

- You smile, scan his face to check he’s joking, then nod and say you’d love to

- You go to the Bronze, have a contest to see who can catch the most peanuts in your mouth (if you’re allergic, it’s some other competition, maybe who can finish their drink the fastest)

- He might let you win and then just lean straight in and kiss you when you celebrate

Buffy:

- Buffy comes into the late night store you work at for gum or snacks (something she can carry while she patrols) she recognises you as her regular cashier after a few months.

- I feel like she has a lot on her plate, forgive her for not noticing you straight away

- She’s probs trying to get over someone atm or struggling to trust after her last relationship

- You’re extra friendly with her and she realises after talking it over with Willow that you were actually flirting

- Realises the brief interaction she gets with you makes her feel happy. Real happy and she doesn’t have to be responsible for anyone but herself when she’s chatting away with you

- Starts to ask you questions about yourself enjoying your company. Every time without fail she asks when you get off work, she’s concerned you’re always walking home in the dark

- starts to loop back past your store when she’s on patrol, pretending she was still in the area when you got off

- offering to walk you home a lot, accidentally dropping a pile of weapons once and having to pretend she was doing a woodworking class

- she eventually asks you on a date, encouraged by her friends to make the first move, and you’ll go to the Bronze, dancing and laughing the whole time

Faith:

- you work at the convenience store near the Mayor’s office

- She comes in on her way back to her crappy motel

- she feels a bit conflicted about sneaking around behind Buffy’s back but your bright smile to greet her almost makes her forget

- you caught her eye pretty much the first time she saw you waiting by the register

- she usually asks for some smokes and started to offer to share one with you on your break

- if you smoke, you say yes, if you don’t you say you’ll still come outside with her on your break to keep her company

- you’ll mostly talk with her chipping in at first and then she finds out how good it is to vent to someone

- your break’s over but you tell her you don’t want her to be on her own struggling through her thoughts

- you ask if she can wait, but she doesn’t really do waiting around

- she does give you the address to the motel she’s staying at though and she’ll smoke every hour until she sees you walking

- this is your first date, the one you count as your first date anyway

- you spend the whole night talking, sometimes even laughing. You make her feel like a person, not just a Slayer

Cordy:

- you work at the mall. Specifically a boutique or somewhere Cordy regularly visits

- she’s kind to you but a bit abrupt if you start talking about anything that isn’t a sale

- her dad no longer has any money and she’s a struggling actress after hs and you overhear her phone conversation about how hard everything is

- she wants this pretty dress that you know she’d look beautiful in

- you offer her your employee discount, telling her to keep it quiet

- after that, she specifically requests you and after her fifth visit realises she has been coming and looking forward to seeing you more than the dresses

- this means she’s in deep

- she won’t beat around the bush, she’ll ask you if you won’t ask her

- “Bronze. 8pm” with a little wink, hauling her shopping bags with her before leaving

- You have a great time and you meet up again she does little fashion shows for you before you go out, liking your eye for fashion and asks you to help her choose outfits for your dates

- She’ll want to go public places for dates to show off your relationship

Giles:

- Book store (obviously)

- You’re the most knowledgeable about his particular interest (cough, demons, cough) and he is attracted straight away to your apparent intelligence

- You already know about demons and everything, having studied it extensively as well as running into a vampire late one night and managing to get away unscathed

- He marvelled at this and you tell it so casually, explaining that you just did what the books told you and put it in practice

- He’s lonely really, always hanging around people a lot younger that don’t take him as seriously as he takes himself, but you do

- You think he’s fun to be around, he probably doesn’t wait too long, asking you for a drink the first or second time he meets you.

- He knows life’s too short, especially in Sunnydale

- You appreciate his dry humour and the way he isn’t just bookish, he has a lot of really great qualities

- You haven’t seen him as Ripper, but you know it’s there. He’s open with you and he’ll tell you about his past. He believes in trust

- You go on a lot of dates after that first drink, you even get introduced to the Scoobies and become a kind of parent figure too

Riley Finn:

- you bag his groceries at the supermarket.

- He’s always polite, makes you feel like a human being not just somebody serving him

- Always chats about the weather or something generic that won’t compromise his job, but he likes talking to you

- He occasionally makes a comment to make you smile because seeing your real smile, not the one you put on for customers, is so much sweeter

- He’ll probably come in regularly, same time, same day every week for his shopping now (bc you’re there)

- Bumps into you accidentally while you’re stocking a shelf and helps you pick everything up, smiling at the way you get a little flustered, insisting it was his fault not yours

- He’ll probably ask you if you’ve ever heard of the Bronze, which of course you have because that’s the only half-decent place in town

- Says he’d really like to see you there, like maybe tonight, so you go and have a really great time

- He says he doesn’t want to wait to see you again, but he’s very respectful will probably give you his number so that you can call him first and you don’t feel pressured into a second date or anything

Willow:

- You work at a magic shop

- you help her find the ingredients to a spell she’s been itching to try and give her little tips

- She really likes that you know lots about magic and what ingredient you could swap out for a better result

- You’ll grow close, she’ll pop in and tell you how well/badly the latest spells went

- She’ll tell stories in her characteristic way and you’ll smile at how cute she is and her fun vocabulary you’ll find yourself picking up

- You’ll offer to meet her and help her out with some spells

- She’ll bounce off the walls in excitement

- Probably spend the whole day making sure her dorm room is ‘just right’ for you to see and that she’s made sure about ten times that Buffy is definitely going to be out

- You’ll do the spell, it’ll be a big success because working together shows you that you have this amazing connection

- Then you’ll be talking and sharing loads for hours

- She’ll take you to the Bronze if it’s not too late, if it’s too late she’ll ask what you’re doing at the weekend and invite you then

Tara:

- Also at a magic shop. Probably specifically the Magic Box, after Giles takes it on

- You’re a Scooby and Tara’s moved to Sunnydale for college. She wanted to check out the magic box straight away

- You catch each other’s eye and she looks a little shy

- Starts to stutter when you make conversation, but you’re patient with her, giving her time to finish her words that have become jumbled in your presence.

- She asks for help with finding something only when she absolutely has to, but you’re always kind with her when she does and she smiles so bright when she finds what she’s looking for, scrunching her mouth to the side a little when she looks back at you

- You start to recommend places in Sunnydale for her to check out, trying to gauge if she would be into you or not. You eventually offer to take her and show her around and she nods excitedly

- You both have a really great time and she makes you feel special. She talks a lot more now she’s comfortable with you

- you suggest you could try some magic together, only if she wanted

- She does, you meet up a lot and you date and magically create a cat to own together

- You both have a long, happy life together 

Anya:

- You work in the magic box with her. I feel like you both didn’t get on at first

- you didn’t understand her and she felt misunderstood, making her snappy and blunt with you

- eventually, you started to understand she needed a bit of time and you explained yourself more. Why you were doing things, being patient with her and fully giving her everything you could to help her understand the reasoning

- she really appreciated it, nobody ever did this for her without some level of teasing

- she explains about being an ex-vengeance demon. You can’t say you’re shocked (you live in Sunnydale and work in the magic box)

- you were patient with her and she quickly asked if you could start having sex trying to plan out your relationship

- you told her you would rather get to know her first, especially considering you worked together (leading to a chat about workplace relationships going wrong, which leads to an anecdote about her knowing this because of her vengeance days)

- but the feelings were undeniable and you started dating very quickly

- she’ll probably start dropping hints about marriage or the equivalent very soon too

Oz

- you work at a record store.

- He comes in pretty regularly, but he doesn’t really say much

- Not until you notice a record he’s holding and start to gush about it

- Your manager told you to talk to customers and encourage them to buy more, but this wasn’t that. And he could tell

- He loved your enthusiasm and he wanted to get to know you

- You caught his eye probably one of the first times he saw you working behind the counter, humming to a song which happened to be one of his favourites

- He just knew then that he wanted to date you

- whispering, “who are they?” but to himself because he always come into the store alone (he wants the experience, just him and the music… and maybe a glance or two at you)

-  He might bring some fliers in one day, asking if the store will put them up, advertising Dingoes’ latest gig

- He’ll say you could come, if you want, with a characteristic shrug

- And you’ll obviously say yes and he likes how excitable you are, you contrast with his chill vibe

-  And you go and have a great time

- then you talk after, telling him how cool his band is

- You’ll hit it off, finding his phrasing and humour endearing. He’ll gift you a guitar pick from your first sort of date. He’s a romantic

- You’ll mostly come to wherever he’s playing and have a date after

-  he’s very sweet, very caring. Always offers to take you somewhere else for a date but you insist on supporting him and getting a drink after

- won’t be much of a talker, but you will always feel loved by him 

[postguiltypleasures]

Goodbye to WYNONNA EARP

I didn’t start watching Wynonna Earp until around it’s third season. Despite being a fan of other series show runner Emily Andras has worked on, I just took a while to find the time for it. It was pretty strongly hyped while I was waiting to find time for it. My Twitter feed seemed to be filled with fans. Comic book writer Gail Simone and television reporter Maureen Ryan were particularly effusive. Ryan even wrote an article in the New York Times about how great the fandom is. I only got around to while writing this.

If the show hadn’t been so talked up by people whose opinions I respect i probably would have given up on the show early. There were moments in the picket where I just wondered “what were they going for?” Tonally it seemed to want to be silly and scary at once with very little build up to either. But as the first season progressed things came together that made me feel assured that Andras and her colleagues knew what they were doing. I’ve never was really active in the fandom, but for the amount of time I’ve been has been pleasant. I’m glad that I watched the show, I think there is a lot worth talking about though, generally speaking, by other people. So now I’m going to highlight some writing that came out (pun not intended) about the series around the time of the finale.

At Paste Magazine Alexis Gunderson did a tribute to the series, that was also a tribute to its interaction with the fandom. She mentions a fan campaign that saved the series in the long wait between seasons three and four. (I’m glad that there was a fourth season, but I’m wary of things that blur the line between fandom and advertising like this was.) It's a celebration of the attachment to characters over coherent mythology aspect of the series.

At The AV Club Lisa Weidenfeld wrote a very good retrospective that covered the show’s series long story arc, as well as some of the behind the scenes complications, and what a change in direction the fourth season was. The essay admires the complexity of the characters, how the show allowed them to be at their most unflattering, and wishes that they had a fifth season to really explore its change in direction.

At Multiversity Comics, Corrina Lawson wrote weekly reviews, but I’m only going to focus on her writing for the series finale. Lawson is the only one of the writers here who treats the possibility of a fifth season as possible, but in many ways she is writing about it like she will never get the chance to write about it again. Appropriately she does things like cover how the episodes took titles from country music songs and her personal connection with the comic book that inspired the show. Lawson also writes appreciatively on the show’s treatment of romance, including, of course how the finale covered the wedding of Waverly Earp and Nicole Haught, often known as WayHaught. Carly Lane at Collider declared the finale “pretty perfect” and in someways her article is a more straight forward recap than Lawson’s.

The Mary Sue’s Princess Weekes did a tribute to WayHaught, that was more of a wish that the show’s legacy allows more queer representation, with a greater ethnic and ability diversity than Earp had. Around the same time Weekes also wrote this article about why so many characters in supernatural series are cops. She focuses a lot on Nicole Haught, and the fraught relationship between LGBTQIA spaces and police, but ignores that Wynonna is by far the most lethal character in the series. I bring this up because I kind of wish there was more blowback to Wynonna’s extra judicial killings of demons, which can easily feed into the “copaganda” archetype even if the character in question doesn’t belong to an official law enforcement office.

The actors who played, WayHaught, Dominique Provost-Chalkey and Kat Barrell, gave a long interview to Nora Dominich of Buzzfeed. it covers various things from how much they love the cast and crew, some things about what the shooting schedule was like and what they are proud of. It’s somewhat unwieldily but worth reading. Dominich also did shorter interviews with both Melanie Scrofano and Tim Rozon. They are less strictly about the show and cover more of their lives, but worth reading. Scrofano’s is the only time in any of these articles that Buffy the Vampire Slayer comes up, albeit very briefly. As that show seems to have dominated the conversation about this kind of show, it felt like a conspicuous absence. (Ronzon’s also includes a lot about Schitt’s Creek and I have been meaning to write one of these about that.)

The cast and Andras gave a group interview to Chancellor Agard at Entertainment Weekly. It’s fun and I’m glad to read late doing cast members Martina Ortiz- Luis and Varun Saranga who otherwise weren’t much of a focus in these end of series look backs. Finally at Deadline Andras gave an interview to Alexandra DelRosario. It covers some of the plots that they weren’t able to try, what finding out it was the final season was like. There are hints a production fights from earlier on including regarding funding. This was rough, but I’m looking forward to anything Andras works on in the future.

[that-shamrock-vibe]

Movie Review: The New Mutants (Spoilers)

Spoiler Warning: I am posting this review the week following the movie first airing in the U.K, so if you haven’t yet seen The New Mutants do not read on until you have.

General Reaction:

A three year delay for the final instalment of a twenty-year franchise, was it ultimately worth it? Well as an X-Men fanatic I am always going to say yes, it wasn’t a swan song or a wrap up to the X-Men Cinematic Universe, far from as it was originally pitched as the start of a trilogy and does sew the seeds for that. However, while Dark Phoenix did feel like a sombre instalment not only for that “First Class” timeline but also the team movies as a whole, this had an air of sadness to it because this is the last time I will see anything X-Men related on the big screen for who knows how long.

In that sense, this was an emotional movie for me, more than just the fact that the emotion of fear is a running theme through the movie. However, in terms of my actual enjoyment of the movie, it was a very good movie for what it was.

When your very final movie is effectively an origin movie then there’s always going to be that sense of incompleteness, and what this movie teases both for these characters and who is the big bad behind all of this, it’s really frustrating to know it’s over before it truly starts.

With that in mind, The New Mutants is very slow to get started as there’s a lot of exposition and because it feels like it’s own branch of the X-Men Cinematic Franchise, similar to Deadpool, there is a level of “Beginner’s Guide to Mutants 101″ at play here with the explanation of what a Mutant is and when a young or “New Mutant” first discovers their powers that, to give this movie credit, I have never truly seen explored properly outside of the comics other than a quick explanation from Storm to Jubilee in the first episode of X-Men: The Animated Series.

It’s also disappointing to know that unlike X-Men: The Last Stand or Dark Phoenix, there isn’t a sense of finality for these characters as we have just been introduced to them. Outside of Sunspot who has briefly appeared in X-Men: Days of Future Past, this is the first cinematic appearance for all of these characters. The X-Men are briefly mentioned and Professor X is alluded to quite cleverly but every character outside of Sunspot is debuting here and to know they’re never going to be seen in this continuity again with a chance to develop is very sad.

In terms of the “horror” aspects of this movie I have to say this is very comic-book horror as in how Blade in the late 90s was horror. If you know the jump scares in this movie are coming then there are no jump scares, so basically if you’ve seen the trailers you know the jump scares.

As a horror movie, it felt very much like It-lite in terms of the theme of bringing nightmares into reality, only without the hard R-rating of the blood and gore because outside of one maybe two scenes there is nothing truly horrific to look at here.

There’s also a great parallel to the Gentlemen from Buffy the Vampire Slayer shown from their episode in this movie and the Smiley Men who are Illyana’s nightmare brought to life. They’re creepy like them but they’re not as sinister as them...and that is a great choice of wording considering who the big bad behind the scenes of this movie is.

As an X-Men movie, which is what this is as the New Mutants in the comics are basically younger versions of the X-Men, as I say the first half of this movie isn’t that power heavy but is about introducing and establishing this team, the second half/last third on the other hand is power heavy. Not exactly Days of Future Past or Apocalypse heavy but still heavy for the powers this group of Mutants have.

Overall generally as both an X-Men movie and a comic-book movie, this was really a great movie particularly for the first new movie I have seen since lockdown.

Characters:

So this breakdown will be easy as there’s only really six characters to talk about but I’m going to make it a seven-character breakdown as the looming presence in the shadows of this movie deserves their own section.

Illyana Rasputin:

Alright so it is somewhat difficult to say if Illyana is my favourite or if Rahne is my favourite but I ultimately landed on Illyana for first as Anya Taylor-Joy is really in the spotlight the entire way through this movie. Every time she’s in a scene she commands the attention, and all five of the New Mutants have solo scenes so for Illyana to stand out the most, this is why she is #1 for me.

I’m not entirely sure where this movie takes place in terms of the overall X-Men timeline...but considering it’s supposedly in the revised timeline and Colossus is a member of the X-Men in the late noughties/early 2010s, I imagine this is either around the same time or can even be modern day (2017 or 2020).

Anya Taylor-Joy is as suited to the role of Magik as Channing Tatum would have been as Gambit in my opinion. Not only does she have a reasonable Russian accent but she just simply looks like how Magik looks in the comics.

I loved the rebel teen angst she had all the way through from when we first meet her to the very end, not only is it fitting for the movie but in my opinion it’s fitting for the character. This is a girl that literally goes through some resemblance of hell and is effectively a serial killer so of course she is going to have this icy dark exterior.

In terms of powers, I am slightly disappointed she never fully armoured up, it was always just her left arm that she had armoured complete with Soulsword, whereas in the comics her main look is her entire body. I guess the argument could be made the majority of it is simply a uniform and her arm is the only part armoured but I would have liked to have at least seen her crown.

But Magik’s powers for me here are an interesting combination of Zatanna and Nightcrawler which is a very good combination. The scene where she first appears through limbo fighting the Smiley Men was very impressive.

I would have also enjoyed it if we had spent more time in Limbo, given that we always saw cameo flashes of it whenever she manifested a portal, but we never actually had a full scene of her in her “special place”.

Not being too familiar with the comics however, I am almost completely unaware of Lockheed as a character. My only prior knowledge is his appearance in Pryde of the X-Men as a pest and I have to say I much prefer him here. The animation of both Lockheed and the Demon Bear were stellar.

As I say, I feel we have only just scratched the surface with where this version of Magik could go. I doubt very much Kevin Feige would bring Anya Taylor-Joy back if/when he does bring the character into the MCU because he doesn’t like playing with used toys but if ever there was an exception I would hope it would be her.

Rahne Sinclair:

It is slightly obvious to think of when Maisie Williams was filming for this movie as her hair, unless it’s a wig, is in that “Arry” phase of her Game of Thrones tenure.

Because of the current entertainment climate and the non-starting stance this movie finds itself released in, I think the lesbian romance between Rahne and Dani is going to go unnoticed. But considering this is the first major LGBT romance in a comic-book property I feel this movie will be cheated out of that representation in favour of what is to eventually come from Marvel.

Outside of the romance, I feel Rahne’s story rooted in her religion and mutation was fantastic. I love me some werewolf action and I feel I saw enough actual wolf to satisfy Rahne spending most of her time in “halfway form” as the character has been known to do in the comics.

The fact her nightmare was that religious leader branding her as a werewolf and thereby a monster, not only was it believable given her character but also the parallels to devout religious views on homosexuality were subtle but there.

I do feel the character spent way too much time screaming towards the end of the movie. This girl is a werewolf but spent most of the final battle as the screaming protector of her unconscious lover, I mean she was I guess helpful in waking Dani back up but never truly let rip like I feel the character could have.

I’m not entirely sure if Williams has any Scottish heritage about her but the slipping in and out of the accent was slightly distracting at times. When she was able to be loud the accent was often broken but in her quieter moments or longer dialogue scenes you could hear it.

I do appreciate keeping the nationality of the character from the comics, considering the mess they made of Banshee and Moira MacTaggert, and I do understand having an at the time name talent like Maisie Williams in the role, but there are surely Scottish actresses out there and the casting pool wasn’t exactly high for this movie.

Dani:

The main character in this movie, or focal character I guess as it’s an ensemble movie, is either Illyana or Dani, but because we start with Dani and are introduced to the other characters through Dani I guess she is the focal character.

Again, I give credit to the movie for keeping the nationality of the characters from the comics, but while Anya Taylor-Joy and Maisie Williams border on appropriation as they are not Russian or Scottish themselves, although Anya is of Scottish Argentine descent, Blu Hunt is at least Native-American as Dani is. I think they come from different tribes but I don’t think people are going to focus too much on that technicality.

Similarly to all these characters I don’t really know much about Dani so have no frame of reference to compare her to. I remember she appeared in one episode of X-Men: Evolution and I know her powers involve dreams, which similarly to the majority of the characters in this movie lends itself beautifully to a horror movie, but that’s about it.

I felt her relationship with Rahne was genuine and her own “survivors guilt” over being the only member of her family still alive after the Demon Bear attack was well explained.

I just didn’t understand why it was decided that Reyes had to kill Dani because of the severity of her powers, maybe it was the unpredictability of her powers because their limitations are literally the power of imagination, but I thought Reyes was responsible for sorting out those capable of being killers...surely the power to bring nightmares to life as many times as it takes to kill the person qualifies?

With the Demon Bear being tamed at the end of the movie, I kind of don’t see anywhere for Dani to go if they did continue, she still has the power to solidify nightmares, and I guess she can always call on the Demon Bear, but unlike Rahne or Magik I do not see any further development for her.

Sam:

Sam Guthrie aka Cannonball was an interesting one for me as I knew the character and I knew the actor, but hadn’t properly seen either one fully explored before. I have not watched Stranger Things so do not really know Charlie Heaton’s acting potential...but what I do know is he is from Yorkshire and cannot really do a Kentucky accent.

As for the character of Cannonball, I thought that early scene of him strapping himself to that weight while zooming through the air to either test himself or hurt himself was really well realised. There wasn’t enough of him going full cannonball throughout the movie, mostly it just came across as a sort of super speed which in a way I guess it is but projecting that force-field while he is zooming about is what makes the power set unique.

Similarly to Dani he had guilt over his nightmare which was him causing a mining accident which killed his co-workers and dad, but unlike Dani who never really developed the thought of it being her fault for her family’s death because of her conjuring the Demon Bear, Sam did at least hold a lot of guilt over what had happened...despite his nightmare being probably the weakest as the main effect it had was totalling a washing machine.

I also didn’t understand the back-to-back scenes of Sam suggesting he was meant to be in the hospital and felt he had to be there, but then in the next scene him trying to walk out saying he doesn’t belong there. Maybe it was the editing but it just seemed like a complete 180 from scenes that were literally back-to-back.

Roberto:

As I said this is Sunspot’s second cinematic appearance and I guess in the revised timeline he has gone from being portrayed by Mexican actor Adan Canto to now Brazilian actor Henry Zaga.

I didn’t feel the boys in this movie had that much to do, with both Sam and Berto it did feel like them simply coming to terms with their powers. I did like how both had that fear of hurting people and both had to learn I guess to push past that fear.

With Berto’s fear though, I do feel his power first manifesting in conjunction to him reaching sexual maturity was very well explored, because of course the combination of testosterone and becoming a living solar flare are not exactly two things anyone wants to mix. So when the result is burning your girlfriend to a crisp it is going to shake you.

Outside of his powers though there wasn’t a lot to the character and it is hard to remember a good line that he or Sam had that weren’t douchey, but for what we got he was a good character.

Reyes:

Wow this woman deserved to be eaten by the Demon Bear, which by the way I found almost as humorous as Katie McGrath being carried away by a pterodactyl in Jurassic World.

But yes, this doctor was the “villain” of the movie as she was the agent of the big bad Essex Corporation in charge of determining the new mutants’ powers and whether or not they’re worth progressing to their facility.

Outside of that I didn’t really think much of her as a character, she wasn’t a sympathetic character, she wasn’t believing to be doing this for the benefit of these young mutants, she was simply following orders.

It’s a deviance from the comics where Reyes is a hero and member of the X-Men, whereas here she is far from it.

Alice Braga is also regionally appropriately cast as she is Brazilian whereas the character is Puerto Rican, although whenever she spoke I kept thinking about Gal Gadot a lot, even looks wise there are similarities.

Sinister:

Now let’s talk about the looming big bad who I imagine would have been the major big bad of this supposed trilogy. Despite the new mutants believing the facility to be owned and run by the X-Men, it is in fact run by the Essex Corporation...Essex as in Dr. Nathaniel Essex, a biologist obsessed with evolution who became the Mutate supervillain Mister Sinister.

I want to see Mister Sinister in a live-action movie so badly it’s unreal, they’ve done Apocalypse so why they can’t do Sinister I don’t know.

This isn’t the first time Sinister has been alluded to as the Essex Corporation was in an end credits scene of X-Men: Apocalypse that acquired samples of Wolverine’s blood presumably to create X-23, but because those events took place in the 80s and these events take place in somewhat modern day it’s hard to correlate the two.

Obviously we are no longer going to get X-Men movies in this universe and continuity, but with the seeds being sown for Sinister more than once now, the baton has been laid down for Feige to finally bring this villain to life.

Reccomendation:

If like me you are more or less interested in just completing the twenty-year franchise because you love these characters and any interpretation of them then this is the movie for you. However, don’t expect wall to wall action, and I would recommend not getting too attached to these characters. It’s too late for me with Illyana I already love her and already feel Anya Taylor-Joy has set a high bar for whoever plays Magik next.

But for me personally, this franchise has been my favourite movie franchise and my favourite property. Even the bad movies I can at least find something good about them regardless of if the overall movies have been good or not. But just to reiterate, I do feel this is one of the good movies.

In a ranking of the 13 movies (not counting Once Upon a Deadpool), this ranks somewhere between #6-8 for me.

Overall I rate the movie a solid 8/10, by no means the best or a perfect X-Men movie but by no means one of the worst. The movie benefits from new characters (aside from Sunspot) but suffers due to the inevitability of this being the definitive end for the current franchise.

So what did you guys think? Post your comments and check out more Movie Reviews as well as other posts.

[80scartoonfan]

My Review of Masters of the Universe Revelation - Better late then Never...

It has been two months now, and wow... Not, not many fans of the entire franchise like the Kevin Smith Masters of the Universe series do they? As an aspiring writer myself I can't say I blame them.

I know this comes literally on the heels of the LATEST series being released (obligations to projects, work, family and other things got in the way) and I have to say I wasn't all that impressed with it. If anything, compared to the dumpster fire that was Season 8 of Voltron Legendary Defender that season was more enjoyable than this first part of the mini-series. 

And if I am being honest from the first leaks of Skele-God, to the drama with YouTubers like Clownfish-TV and others, to the "race swapping" of Andra and King Greyskull, to spoilers Kevin Smith himself even made, I would give Part-1 a GENEROUS D-Minus. This is a shame because I really wanted this series to exceed all expectations and be equal to the original like 2012s TMNT is or 2011s ThunderCats. But there is too much against it. 

First, let’s talk about the animation. It was absolutely breathtaking! It was crisp, the world-building in just the scenery was a masterpiece. Out of what I saw of all of part 1, spotted one goof - dealing in episode 1 with Evil-Lyn's staff, which shows that their animators care of what they produce. I loved the animation so much that if the rights to my favorite anime were purchased by a studio to do a continuation from 2005 or a second reboot, I'd gladly give Powerhouse Animation my salary for the next 5 years!

The music, the music was gorgeous! But then I am biased towards Bear McCreary. Even though He-Man seems a bit knew to compose music to, he immediately got my vote of confidence when it was announced he was attached. Reason being, his work for the movie Godzilla King of the Monsters! His music made me actually tear up during that movie. Something I didn't do since another Godzilla movie.

With the exception of Mark Hamill - as shocking as it comes and Sarah Michelle Gellar, the voice acting was phenomenal! I loved Kevin Michael Richards as Beastman, Tony Todd as ScareGlow, even Liam Cunningham as Duncan! Chris Wood was spectacular as Prince Adam/He-Man for just being introduced to him. But the one who really stole the show for me was Lena Headdy. She killed it as Evil-Lyn, so much that if the Eternity War Saga or 2 part crossover event ThunderCats and He-Man/Injustice vs Masters of the Universe were made into live-action or animated movies, I'd pay whatever she wanted just to have her return. 

I also want to applaud the effort of getting a diverse group of voice actors. Something which I noticed few if ANY have. Actors who are both known for their VA resumes and those who are new to voice acting. But also the actors themselves, besides the white and black VAs there were if I am not mistaken a Native American and I think 2 Mixed-Race voice actors. I don't remember if there were any Asian or Middle Eastern VAs, but it is always Part-2! 

As for Mark Hamill, at first, I was excited that he was going to do the voice of Skeletor. But upon hearing him as Skeletor, I'm not sure anymore. Granted this is just the first part of the mini-series, but it didn't feel like Skeletor if that makes sense? To me, it felt like he was trying to mix Joker/Alvin the Treacherous/and Firelord Orzi all into one character.

Sarah Michelle Gellar is another one I wasn't sure about. I admit I found it hard going in unbiased because I never liked Sarah. Not as Gwendy Doll, or Andromeda, Daphne and certainly not as Buffy - mainly because I preferred Kristy Swanson as Buffy, but that is beside the point. She had some nice emotional spots, but for the majority of her performance as Teela, it just wasn't there for me. If the writing and script had been better than what it was, she could have won me over for Teela, but as I write this I am more excited for Kimberly Brooks to voice Teela.

Now let’s talk about the things I hated. This will involve anything from Characters including designs to the writing and other things. If you don't want to be triggered I advise you to stop reading this and move on. If you are still here and get triggered, like one person who always seems to be, don't say I didn't warn you. I am always open to engaging others civilly in talking and debate. But if you can't even do that, don't bother engaging. These are my opinions and MY THOUGHTS, and I will hold nothing back regardless of the topic. You have been warned!

The story, the story absolutely sucked! You can tell the writers, if you can call them that, just didn’t care about what they were doing. I’ll go into this shortly. But those writers should be ashamed to even call themselves that. Sure it was catered to be modernized and appealing to potential new fans, but they should have been more aware of what they were doing. Just in this first part, there are so many plotholes and questions I was asking myself that I filled 4 whole pages of paper asking questions and thoughts - which to the fanfic writers I will put in at the end of this if you want to explore them. 

I watched the mini-series five times now, trying to be as objective as I possibly could as an aspiring writer and not as a MotU fan, and each time got even more painful. Let’s be clear on one thing, I wanted this series to succeed. But too many things brought it down, and like with Ghost in the Shell 2045, I’m not sure I want Netflix to release part 2 or that I would watch it if they did. 

Let’s start with how it was advertised as a “direct sequel to the original.” It was not a direct sequel to the original. I have seen someone bring this up and I have to agree with him. This mini-series is more in line with Nickelodeon’s Voltron-Force from 2011. I remember watching that series when it premiered and then had to hunt down my VHS tapes that had them to get a feel for the series again. 

Both played off their respective originals as direct sequels, but both are in fact pseudo-sequels/soft reboots. They have the characters we grew up with and we can identify these characters because they are close to their original counterparts, but that is as far as the “sequel” goes. They bring in newer characters who we know nothing about or characters who have maybe been unimportant to the main characters, but we have to accept them now. It was like that with Mona Lisa in the 2012 TMNT who I enjoyed WHEN they used her, Larmina of Voltron-Force being Allura’s niece, and Andra of Revelation who had maybe 2 or 3 appearances in the entire run of the Masters of the Universe franchise.

Like Voltron-Force, Revelation, had no real ties to the original. There were no mentions of battles, events, and characters who played critical roles in the original. Instead, it starts off with a narrative deposition to set the series up (not matching how the original ended) and just starts in with new adventures. For it to be a direct sequel to an original,  you need to have more than just characters we can identify as He-Man/Skeletor/Keith/Lotor/Allura/or Teela.

Next, let’s talk about the length of this mini-series. This is still a bitter subject amongst Voltron fans because so much Netflix could have done more with it if they didn’t do four seasons that were  6/7 episodes. We can all agree that with the “story telling” they wanted to do, just five episodes just were not enough for the first part and potentially the second part. The amount of time needed to portray the journey from Adam’s death to Skeletor taking the power sword and becoming Skelegod could have easily been an entire season. Even 9-10 episodes would have been acceptable with the proper writing that wasn’t going for deliberate shock value goals or “shipping.”

With a 9-10 episode first part, they could have given everyone what they wanted. They could have had He-Man solidly in the first 3 episodes killing him off in the 3rd in such an emotional way it would leave us old-timers not only devastated but eager for more. Use episode 4 to transition into a dying magical world trying to survive with the loss of He-Man and Skeletor and set up the following episode where we see Teela and Andra meet, rather than “next episode we meet Teela and her ‘friend’ Andra on a practically dead world.” Hell, if this was supposed to be a series which wanted to emotionally cripple old timers like me, I’d have been fine if were three season 13 episode series where He-Man dies at the very end of season 1, season 2 picks up with the aftermath of his death, and season 3 is He-Man’s return to defeat Skeletor.

Let’s now talk about the plotholes in this series which tie together with the amount of episodes. These are the biggest things that damage the series the most! The biggest plothole and the most important one is “SPAN OF TIME!” How long has it been since Prince Adam’s death and we see Teela with Andra - days/weeks/months/years - WHAT?! When did they meet? Where did they meet? What happened to Eternos? Did King Randor go all Mad-King Targarian or was Eternos get sacked and destroyed now that He-Man was no longer there to protect its people? Did King Randor put a bounty on Teela’s head for leaving? Remember she was a sworn member of the guard to the King. I doubt he would have just let her leave unless he had a good reason not to go after her. What happened to all the other Masters - Clamp Champ/Ram-Man/Stratos/Buzzoff/Tusk Man and many others in the aftermath of Adam’s death? These are questions and things fans should have been focusing on rather than “will Teela and Andra be together?” Kevin Smith said this series had what others didn’t... STAKES. What are those stakes?

Speaking of Teela and Andra and I know this will be a touchy one for most. I feel that their dynamic is directly done to “queerbait” people. Now I am not saying we can’t have LGBT couples in series, it’s just that writers either need to commit to establishing these couples or not at all. Only doing glimpses or hints at, is for a lack of a better term a Kobayashi Maru - (a No Win Scenario for the Non-Star Trek fans) like it was with Shiro in Voltron Legendary Defender. And if and when this blows up in their faces, like it did the Voltron writers, they have no one to blame but themselves. 

Star Trek Lower Decks like every other Star Trek since “The Next Generation” have no qualms in establishing certain characters as LGBT. It is how you do it, and many of these shows need to follow the example from Star Treks TNG/DS9/VOY/LD. This series are a clear testament that you can have Straight/Gay/Lesbian/Bisexual relationships without “queer-baiting” or overtly shoving it in people’s faces.

The writers have made it clear that there is something between Teela and Andra but while also making it clear there is still something between her and Adam. Which regardless of how part 2 ends is liable to upset the fans they “catered” this series to. Who do you make happy and who do you ostracize? And with today’s social media are you going to handle the backlash of giving one and not the other? I personally would prefer Teela and Adam to be what kids today call “Endgame,” but ever since the Keith & Allura tradition was soundly destroyed in Season 2 of Netflix’s Voltron, that when it comes to Netflix series I just simply don’t care anymore who ends up with who, I want a well thought-well developed story. 

The character designs of Teela/Andra/Evil-Lyn I understand they wanted a more “modern” realistic feel to them, which I am neither for nor against. Because let’s face it spandex-clad or barely covered barbarian fantasy women with chainmail is a product of the 70s/80s/90s. It is alright to have modern designs for characters but not too modern. Especially when we have shows like Game of Thrones and others to draw references from.

I do admit, I am not a fan of Teela’s design. I understand the reasoning is to make her a “Strong Female Character” but there is more to being a strong female character than looking strong. Strength is also one’s character, how they grow and develop. Teela’s stubbornness, fear, and anger at her “past life” are preventing her growth. If this is the way they portray a strong female character then they have no business doing so. 

Kimberly Brooks’ Allura is a far stronger woman than this Teela ever will be. The burdens she shouldered, admitting she was wrong and not gloating when she was correct, the forgiveness of a race responsible for the genocide of her’s, being a diplomat while also being a warrior, sacrificing her well being for others all contributed to her growth from “Princess who just woke up” to Strong Female Character by the end of Season 6. 

Teela understandably was hurt by the lies that filled her life. Sure she built a life away from those lies, but she was running away from them. Rather than confront the reason why she became bitter and ran away essentially. She was only forced to confront those lies to save Eternia and the universe and even then there really wasn’t any humility about it. Instead, it is all about her. Not once in this series have I seen growth for Teela’s character like Legendary Defender’s Allura, and let me be perfectly blunt - I had no love for Allura after Season 2. Not once did she admit she was wrong or apologize. Not once was she willing to sacrifice her life for the greater good - instead she was willing to let the whole universe die because of the lies she was fed her life. 

Now let me address the whole Race-Bending “controversy.” As with the new designs, I am neither for nor against them. I understand the arguments on both sides when it comes to Andra and King Greyskull. One side argues it appeals to young black girls and boys while the other argues they are being tired of being handed “Hand-Me-Down” characters. Both sides have valid arguments. But honestly, as an old Masters of the Universe fan, it took the so-called “race-swapping” of Andra for me to even remember her because she was never that important and even betrayed Teela for Faker in the Injustice vs Masters of the Universe comics and even then she appeared in maybe 5 panels at most.

Now King Greyskull, at first I was against, I’ll admit it but then I changed my tone looking at myself and my family. See I am Bi-Racial, my mother is white and my father is black. My father’s sister married a white guy and had 6 bi-racial kids. Two who in turn gave birth to white-skinned blond-haired blue-eyed kids. Had they gone the “bloodline” path Prince Adam could have been a representation of not just blacks, whites, but bi-racial and mixed-blood peoples. 

I realize this is coming out on the eve of that new He-Man and the Masters of the Universe series, which as a He-Man fan since 1984 (when I was potty training) I will give it a shot, maybe even write a review of it. But I still have my reviews of Godzilla: Singular Point, Pacific Rim: The Black, Star Trek Lower Decks, Ghost in the Shell: Stand Alone Complex 2045, and other series to write on top of work and my family life.

-------------------------------~ Question and Thoughts Time ~---------------------------

As I mentioned above,  had many thoughts and questions which I believe were pivotal in the development of this series. Questions and thoughts should have been vocalized during the writing stage rather than fans asking them. These are of the first 3 episodes and some of episode 4. If you are a fanfiction writer who wants to explore these feel free to do so, I will be more than happy to read if they answer these questions and make the mini-series more enjoyable.

Keep in mind these are questions and thoughts I had because I am also an aspiring writer of my own fiction - that I am keeping close to my chest until I feel ready to release it.

Any true He-Man fan would question why is He-Man on a mechanical horse when he would be using battle cat

I do like the celebration happening at the same time quote-unquote He-Man is approaching Castle Grayskull it makes you think Adam is missing out on an important event

In the original series, Castle Grayskull had defenses that the Sorceress could call upon to confuse and combat an enemy who breached its walls how did Skeletor learn about the true secrets of Castle Grayskull when it should only be the Sorceress that knows of such secrets

If the Sorceress is so powerful and so smart why was she tricked by the faker He-Man he doesn't have the power sword?

I love that Orko is still a bumbling magician in Eternia’s realm. Shows how different realities have an effect on others

Adams entrance to “I have the power” let alone his playful jab at who “He is” should have been a hint to Teela

I do like the scene between Adam and Teela in the hall. It really makes you think that they actually are friends from childhood that grew up together and possibly have a future together.

My knowledge of the 38 years of the canon may be a bit shady now, but hasn’t Skeletor always needed the Power sword to get into Castle Grayskull like he always needed it in the comics?

They hinted that his mother knows he's He-Man and that she does reveal that he is He-Man after the battle. I know a mother knows these things about her child. But how did she learn Adam was He-Man and how did she not tell King Randor

Again how did Marlena know He-Man was her son and not tell her husband?

King Randor’s response is feasible but Teela’s response, because everyone lied to her is understandable - but she's a warrior. She is also a sworn captain of the royal guard, sworn to the King. She can’t just quit like that, can she?

How much time has passed between the death of Adam and when we see Teela with Andra

What has happened to the Royal Family in this time? What about Eternos? Has King Randor and Marlena revealed that he-man was their son Prince Adam? With He-Man out of the picture Has Eternos Fallen? Did Randor go all Mad-King Targaryen and become a ruthless tyrant?

What has happened to all of the other Masters? Ram-Man/Buzzoff/Clamp Champ/Fisto/Stratos/ and so many others? Were they killed off? Did they disband? Or were they exiled, WHAT?!

What about Snake-Mountain? What happened in the aftermath of Skeletor’s apparent death? Did Triclops and Beastman betray Evil-Lyn?

How did Teela meet Andra? What is the “When, where, and how” behind their meeting? What did she do to gain Teela’s trust when she felt betrayed by the world?

What is Andra’s background or history in this series besides being an engineer?

When old hag gives Teela and Andra their mission you can obviously tell it's evil-lyn

He-Man flashbacks are kind of nice but it would have been nice to have a build-up for such flashback or have a series season before his demise with such flashbacks that way it could be more poignant

I do like the idea of Triclops and Trap-jaw building a technical but what put them on the path for this techno cult

The cult kind of feels like the Borg as much as I like the idea of Trap-jaw and Triclops making a cult I don't know how I feel about it being Borg-like

This may be controversial but Andra feels like the stereotypical POC Rooky sidekick you see join the main character on their quest.

Like Grace Randolph said this whole Teela/Andra angle may come up and bite everyone in the ass later on if they don’t follow through which will piss off all the old-time fans and if they don’t follow through with the Teela/Andra angle and make Prince Adam/Teela are a couple then all the LGBTQ fans will be pissed off about that

I can already foresee it happening just like it did with Voltron Legendary Defender with Shiro being gay and his ex-partner Adam being killed in combat

We do get a hint of what the king did after the final battle but still what happened in that time after Prince Adam was killed? Did king Randor go off the deep end and become a dictator, what? These are questions that needed to be asked and answered during the writing stage

When did Evil-Lyn, Cringer, and the Sorceress make an alliance to save what little magic is left and in essence the entire universe?

I have the suspicion that was the Sorceress finally trying to tell Teela she's her mother Ford Shadows that the Sorceress is going to die and Teela is going to take her place

Did Teela really name Cringer, or was it something to boost her up in this mini-series?

Did cringer really tell Tela the Adam loved her?

Thus Begins the quest to reforge the sword to go to heaven and hell to get the parts and rebuild the Power sword thus queue Duncan

How much time has passed between the end of the previous episode and the beginning of this new one?

How is time measured on Eternia? 

If Skeletor truly wanted to kill He-Man why didn't you take his power sword when he was shackled up?

Kevin Conroy is ma as Mermaid Man if he gets more roles as mermaid man he might grow on me

Instead of gloating, why didn’t they take He-Man’s sword if it was their prize all along?

Typical 80s cartoon ponds very nice

If Evil-Lyn preached that Man-at-Arms was the most dangerous man in Eternia why didn't they act like it why did they act like He-Man was the most dangerous one?

I do love the jobs both Teela and Evil-Lyn take at each other because they are pretty much the same. Evil-Lyn is Skeletor’s version of the Sorceress and Teela is practically He-Man sorceress when she accepts her destiny.

Teela has seen her father fight hundreds of times how could you not recognize his fighting style?

I like how beast man's loyalty never swayed from evil when I also like Kevin Michael Richardson parentheses? As Beastman I thought I would like him as King Grayskull but I I do like him as beast man

Orko like Castle Grayskull does provide a little hint as to King Randor’s reaction to Prince Adam’s death. I feel this is something they should have put into the series

I feel that all of Orko's scenes in episode 3 and my Following episode 4 are tainted because of Kevin Smith revealing he gets killed and why he decided to have Oracle killed

Why should Beastman show a little fear to Andra who is she to him?

I like that you can still see that Man at Arms still loves the Sorceress and I also find it funny that when it comes to that one huge secret something always gets in the way

Again I hate how they portrayed the span of time in this? 

How did they go from a Forest Village so halfway across the world?

Something's been nagging me lately could Evil-Lyn be related to both Teela and the Sorceress somehow?

It could be a reference to how similar the Figures were in the 80s but in some scenes, Teela and Evil-Lyn’s facial structures look almost identical could you be separated sisters?

The further this point it's funny how Evil-lyn and Kela can just cut through the bullshit between their infatuation with He-Man and Skeletor

Again what time something happened between evil-lyn and Merman we don't know what just that he seems bitter that she didn't take over the land while he took a while he tried to take over the seat

It seems that there are undertones to a massive war and the wake of Prince Adam’s death.

I kind of like how even evil-lyn kind of shows that she may be afraid of subterranean

With half of part 1 ended could Skeletor have them influencing her? Why did she have to retrieve the Havoc staff head?

How does Evil-Lyn know so much about the Subterranea?

Teela facing a false He-Man could be a hint of her feelings for Adam. But I think it would be more of a visceral scene if it was Prince Adam and not He-Man.

Was that a hint of Teela becoming the new sorceress? 

Scenes between Orko and Lyn were a nice touch. Maybe a better connection between Orko and Lyn than Teela, He-Man, and the others?

Orko’s sacrifice could be the beginning of the Dark-Orko storyline?

Was that the Sorceress’ most recent ancestor, Teela’s Grandmother or GREAT-Grandmother?

Why didn’t Adam finish the chant? If Kevin Smith borrowed aspects from everything relating to He-Man, then why didn’t Adam finish the chant? A few times Adam has been run through in which he could finish the chant to become He-Man.

If Teela is such a badass, why didn’t she attempt to stop a reconstituting Skeletor from stabbing Adam?

Really Andra? You are going to sass Skeletor? He doesn’t know you and would sleep like a baby dispersing you. You are nothing to him, you are lucky he didn’t decide to run you through with the power sword.

And really Skeletor? Because no woman could love a face like your’s? Thats your motivation?

[thegirlwholied]

fic writer interview game

(though I go such long spans between updates 'fic writer' is a generous description... look, I may not have glorious purpose but I have glorious excuses)

& thanks @aurorawest for the tag 💕

name: Cara

(...not sure how many of you out there know this actually- except those of you who know me IRL! - as while I love my name I rarely reference it here & do enjoy that a certain corner of the internet knows me as lyin)

fandoms: I am a dabbler, a renaissance fan, a reader-of-all-trades (master of none!)- I'm all over the place; if I like something I check the Tumblr tag; if I reblog it I have probably at least stalked the AO3 page to see what folks are up to (I am in my own little fandom corner- but kitty-corner to many avenues!).

two-shots: the closest I've come to a two-shot I wound up putting up as a one-shot instead (or we could count my one fic that only has 2 chapters, but in my head it has more)

most popular multi-chapter fic: I had to check but my guess was right, it is Glass of Water, & you know, imho the one thing ol' fan fic dot net still has going for it over AO3 is its cool statistics - I don't know who you are, 50-100 people from all over the world reading till the last chapter every month on FF Dot Net even now, but much love!

actual worst part of writing: making myself sit down & get going. When I really get going - I forget to stop, I forget to eat, I don't hear people talking or music (when I toured the Louisa May Alcott house they described her writing like this and I related so much), I go for hours upon hours without meaning to and then I stop and - tend to stay stopped too long. I'm not good at the 'write everyday' process; I'm best at it when traveling, when I'd settle in at a coffee shop or location (or on a plane!), write some, & have to move on, but, uh, global pandemic put a cramp in that. I know it has to be on the page to count but I really, really do a lot of my writing in my head first. Most of my fics, if you've read one, are first drafts, straight up. They just got rewritten in my head & half-started notes & beginning scenes until I finally sat down and the whole thing came out at once feeling right. Or half comes out in one burst and the rest in another burst however much later. Typically I'd adjust a few typos & post. This is by no means writing advice! It'd be bad writing advice! But just how I operate. I've tried other ways but I've learned over years that my work's better when I accomodate/work around my natural creative process rather than trying to change it. (Also deadlines. I'm so good at delivering on hard deadlines; I am weak with soft deadlines.)

how you choose your titles: as this is a fic specific 'interview', how I title fics is very different than my og fiction. Most commonly: song lyric (...actually I did title my og fiction grad school thesis after a song lyric too; i may not hear/play much music while I write but I sure think about writing while listening to it), canon reference that is typically One Dramatic Word, poem/quote references with a heavy lean on Yeats.

do you outine?: not for fan fics, but I have a general shape in my head of 'this chapter where this happens' - if I have an unfinished fic with expected number of chapters, those are pretty accurately predictions; I have at least a big picture of what happens in each chapter. & probably some of the conversations, sometimes even already jotted-down dialogue. A written outline? Not so much (my original novel did have a list of chapters with notes to keep it straight but they looked like "Chapter Thirty-Seven: epilogueeeeeeee denoumenttttttttt job" - direct quote down to the # of t's, there)

Ideas you probably won't get around to, but wouldn't it be nice?: I still convince myself I will finish All the Things! but uh some have gone wayside yeah. One I really thought would be cool & know is blowing in the wind was this Buffy fic (yes, A Fic Not Appearing On My Actual Fic Profiles) which was a *whole* Big Concept thing even though I thought I could do it in 5 chapters. ...And then I didn't.

spicy tangential opinion: not that spicy but the fanon/canon gulf is often wide & deep for certain characters in particular &🎶I'm frightened by those who don't see it🎶. really, a character’s fanon version at times may be more fun (though more often it softens character's edges amd I like edges) but... with *certain characters in particular* it feels like that distinction’s been weirdly lost. Also, random, but probably because,my formative years were fan fic dot net, not livejournal, I always feel odd when my AO3 replies to comments (instead of reviews) are a) public and b) add to the comment count. AND I tend to wind up in a loop of 'wouldn't this person rather I spent this time working on an update' where I just... never reply which seems counter to the expected AO3-cultural norm these days, so I feel guilty? Despite the guilt I just reply to so many emails for a living (3 inboxes just for work, plus then my personal email & texts!)... so for the record my default approach is 'I appreciate all comments SO SO MUCH & do read them all but please message me on Tumblr instead if you want a response". 

These opinions are 'pumpkin spice' levels of spice, not exactly cayenne here, but hey I think I achieved tangential

callouts @ me: I always think I will get there faster than I do - this is true when I am driving places too! My friends expect me to be late even though I don't expect me to be late!- so I have been known to, let's say, overpromise on update speed. (I meant to do my work today, goes a favorite poem that always applies @ me) (Time between 2011 and 2021 feels especially timey-wimey and oh no 🎶well, I guess this is growing up 🎶).

(also @ me: overly fond of parenthesis.)

& definitely some people-pleasing tendencies that spill over into, not so much my writing itself, but how I feel about it.

best writing traits: detail, dialogue, ...deaths? Lol but really. My favorite thing as a reader is when writing make you laugh & cry so those are my favorite compliments as a writer. Humor/angst: always my fic genre. Even my closest-to-fix-it fics are labeled 'somebody lives' not 'everybody lives'. ...and I need to update them (dammit)

tagging: ...this is way too long to tag, aka inflict directly upon, anyone else, except @aurorawest who asked for it 😂

[nordic-language-love]

Language Learning Log 2021 Week 11 (08.03 - 14.03)

Norwegian

45-minute online lesson

Read 2x articles

Watched 1x Distriktsnyheter broadcast (Nordnytt)

Watched 11x Exit episodes

Mysteriet om Nils ch 38 grammar (read aloud)

Chatted with Amanda

Japanese

Read 1 story from Japanese Short Stories for Beginners

Duolingo: Vacation 1 + refreshed various skills

Norwegian

My teacher recommended the show Exit to me, so I’ve been watching that this week. At first I was like wow these guys really are all cunts not sure I’m gonna get on with this but actually? I got pretty hooked on it (even if they are all cunts). And there’s a fair bit of Swedish in it too, so I get to practice my Swedish comprehension (it’s so shit I had to turn on subtitles a few times). I’m almost tempted to dabble in a little Swedish on Duolingo just to get the basics down.

What I have realised though is that I really need to practise listening to natural conversation more. There were times when the characters were talking quite fast and I could only really get the gist of the conversation or I felt like I’d missed something key and had to rewind and watch with subtitles on. Watching the news is useful but the presenters tend to speak slowly and clearly and not in a natural way, so I’m gonna make more of an effort to watch TV series. It’s not like there aren’t several I enjoy!

I’ve been slacking on writing practice this week, so I’m going to try and do more of that this coming week. I need to do more reading too... maybe I should start that Harry Potter book. I’ve been struggling to get back into reading in general lately, so maybe shaking it up with a Norwegian book will help.

Last week’s goals

Mysteriet om Nils ch 38 grammar ✅

Watch 4x TV shows/news broadcasts [12/4] ✅

Read 3x articles [2/3] ❌

Write 150+ words fiction [0/150] ❌

This week’s goals

Finish watching Exit season 2

Mysteriet om Nils ch 38 exercises

1x written task

Read a chapter of Harry Potter og Føniksordenen

Japanese

I’ve spent most of this week reading the first short story from one of my books. I’m pretty sure these books are aimed at people who are already at least N5/N4 but I’m still learning lots! And it’s also given me ideas for vocabulary I need to look up. For example, I learned the word for always, so now I need to learn never and sometimes. I also learned summer and morning, so now I should learn autumn, winter and spring, as well as evening and night. So that’s my plan for this week!

I didn’t really get much else done, but that’s okay. I think this week’s going to be all about revising vocab. Hopefully by learning some more key vocabulary I’ll reduce the amount of time it takes me to read a single 3-page short story, which will mean I won’t have to spend an entire week on it. I also need to get some listening in, as I didn’t do much of that last week. I’ve reached the point in Final Fantasy where the story’s almost done and I’m mostly doing side quests, which means fewer cutscenes and therefore less listening practice. So maybe I’ll mute the game and put on NHK while I play instead haha.

Last week’s goals

Read 1 short story [1/1] ✅

Duolingo: start Hobby 1 skill ❌

Kanji drills on at least 3 days [0/3] ❌

Continue playing Final Fantasy ✅

Review JFZ ch 8 ❌

This week’s goals

Learn seasons, times of day and adverbs of frequency

Recap other vocabulary from story + make a vocab list

Duolingo: start Hobby 1 skill

Listening practice on at least 3 days

Kanji drills on at least 2 days

Other

Exercise has been better this week, although I would’ve liked to have done more yoga. I really need to get out of the habit of putting it off until it’s too late. I’m not sure why I do it - I really enjoy it! And I feel so good after I’ve done it and don’t regret doing it for a moment! So why do I put it off?? I’m definitely gonna talk to my therapist about my executive dysfunction when he gets back from holiday.

I’m not sure how much I’ll actually get done this week as my bf has the week off and we’re planning to use it to sort out the spare bedroom. Plus obviously I’ll want to spend time just being with him, playing Mario Party and watching Buffy. So I may not reach all my goals this week, but I don’t mind. Relationship time is important!

Last week’s goals

Do a little reading on at least 2 days [1/2] ❌

Stretch on at least 3 days [3/3] ✅

Train pole/hoop on at least 2 days [2/2] ✅

Do something creative ✅

This week’s goals

Stretch on at least 3 days

Train pole/hoop on at least 2 days

Train at home on at least 2 days

Practice with fans