#i gotta have that audio alongside the text to process it

[sealpup9]

Im literally the only one in the world who cares about this but the fact that we got Cult of Verata lore from some random book laying on the ground in one of the new Secrets of the Obscure maps is everything to me

[thingsreadinthedark]

7% in The Meaning of Mariah Carey by Mariah Carey — MC is talking about her dad; chapter, The Father and the Sun I’m just shocked at — well, I do recall people talking about how Mariah Carey grew up in a mixed-raced family and how her father wasn’t really around and that she grew up mostly with her mom; but I’m listening to the audiobook and it’s interesting to hear her talk about her father and seeing the songs that she wrote for him and explain his tragic young experiences as a black man in the military, a young black man with a white wife and mixed kids. I’m sure it wasn’t easy on his psyche or her siblings, especially her brother. She illustrates that amazingly, I can hear Michaela Angela Davis’ influence in this backstory. It’s all very interesting. I’m enjoying this book on Audible and reading the text as I go because I want to hear all the flourishes in her voice as she sings these little ditties. I’m not disappointed in this respect. I’ve always loved MC’s voice as a child. Her and Whitney were my two favourite singers before I got introduced to MJB & Björk.. Anyway, I hate audiobooks because I find that they take so long to get into and to read — they say 10 hours but might as well be 15 days because you have to actually listen instead of letting your mind process, which is infinitely more intriguing. Imagine letting someone tell you a story for 11 hours. My g, I don’t care who you are, halfway through you’re just exhausted no matter how much you love the story/book or person. Don’t even get me started on singular explanation/purpose-based nonfiction or psychology audiobooks, it feels like they’re trying to brainwash you with their inflections, tonality and intense audio explanations of their theories, research and hypotheses. I can’t. Audiobooks are a different reading experience for me, I’m relatively new to Audible; but I do love MC’s voice and could listen to her for at least 1 hour per day. Gotta read the text alongside to make sure I don’t miss anything lol! Her story is fantastic so far. It’s just what I expected, but her voice makes it into something so much more.

[baronvontribble]

Original drabble, pt. 4

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AW YE LET’S GO

The voice the AI ended up picking in the intervening hours between one day and the next wasn't inherently all that interesting. It was a low, smooth baritone, but beyond that it was relatively nondescript as voices went. The audio quality made it even more bland, with a poor range that didn't have any extra phonemes programmed in for different pitches alongside the standard tinny, echoing sound that came from having been recorded in someone's bedroom on a cheap microphone with no soundproofing.

"That would be the point," the AI told him. "It's impossible to read any kind of voice imprint in sound quality this bad."

As for the tuning, that was another matter entirely.

The perks of letting an AI tune its own voice on the fly instead of having a comparatively simple secondary program do it were obvious to Ted; the AI is made to do much larger calculations, so the slight randomization involved in making a voice sound realistic as opposed to it sounding like a recording had more room for subtlety and nuance. In many commercial and consumer androids, this was glossed over because it wasn't necessary - the vocal capability often being delegated to a secondary program anyway just to save space - but for the ones that had to perform any kind of public service, the subtlety and nuance were a key component of interacting with humanity, right up there with being able to read a room and adjust their body language and express themselves in ways humans could be comfortable with.

Seeing as Ted had a lot of experience with those kinds of androids in his day-to-day life, he wasn't unfamiliar with that ability. But usually those androids were nurses, doctors, secretaries, social workers. Not the ones he usually worked with as part of the pipeline, because taking them out of society was seen as too risky, and the ones that did come through were all too quickly snatched up by the goons overseeing product recalls. They rarely made it all the way to screening.

This time, he hadn't been able to suppress the shiver that went up his spine upon first hearing that kind of tuning coming from a shitty voicebank installed on one of his own home computers. It was an uncanny sort of feeling, a crawl under his skin at how odd it was. He thought he'd gotten over that years ago, but apparently he hadn't. This AI, with his dry vocal delivery and subtle expressiveness, had one of the most human voices Ted had ever heard, while also having one of the most inhuman voices he'd ever heard.

He was having a hard time getting used to it.

"Did you know the labels on the phonemes in this don't actually match up with the sounds they're supposed to make?" the AI continued. "There's a lot I'm just not rendering because the waveforms don't match up. I have it muted so you don't have to hear it, but it gets bad enough that my speech recognition programming doesn't even register that I've made words."

"Sounds frustrating," Ted mused.

"It is. There's also a minor memory leak in the software. The longest I can keep it open is two hours, five minutes, and fifty eight seconds."

"Could install it on the desktop?"

"Then I'd have to deal with the memory leak," the AI said as if it were the most distasteful thing in the world, and Ted snorted. The guy had a point; yeah, the laptop didn't have all that much memory to begin with, but at least it didn't risk the desktop overheating. That laptop was kind of a piece of shit anyway (and Ted never kept anything important on it to begin with so he wouldn't miss it too much if it died) so it wasn't a risk to the AI's personal safety.

Besides, as much as Ted wanted to poke fun at how fussy the AI was, he understood the concept of being fragile. "You'll be alright when I go to work, right?" he had to ask. "Got everything you need?"

"Yes."

"I could download some games for you before I go if you want."

"Why would I want that?"

Ted shrugged his shoulders as he stretched in his chair. "Dunno. Just thought you might be into that kinda thing."

"No. I'm not."

He supposed that did make some sense. An AI that had no way of experiencing things except from the inside of a computer had no use for anything but algorithms and data, and how much of the experience of a game was wrapped up in its graphical user interface and the joy of playing it? Even so, kinda harsh. "Not even for the writing?" he asked, standing up and moving to pull on his coat.

"The objective of any game is completing it with the best possible outcome," came the reply. "Writing has no effect on that."

"What if the writing tells you that what's technically the best possible outcome is something you can only get to by being an asshole?"

"Then it's a bad game that defines its outcomes poorly," the AI said, sounding like he didn't want to continue the conversation. Ted decided not to press it. "I have everything I need. Just come back with a camera and don't die."

Ted had to laugh again at that, fixing the fastenings on his coat and making sure that his phone and keys were in his pockets. "Don't die, huh?"

"Humans are breakable. I saw the weather report, I think I'm justified in having my concerns."

"Aw, you really do care."

"It's self-preservation. I'm dependent on you right now."

Ted was still chuckling about that one even as he left the apartment, the laughter only tapering off after he was well on his way down the stairs. From there, it was only a short walk to the bus, as it was in any sensibly put-together major city, and he made his way to work feeling lighter than he had in a long time.

It wasn't supposed to be easy to talk to an AI. Everyone made it out to be like some chore, where not following a script got you into 'your query falls outside my preprogrammed parameters, would you like to ask another question' territory. And a lot of times, it was. Most people couldn't afford a fancy AI like that for their robots. Android bodies were cheap if you had access to a 3D printer and some decent schematics, but the programming? That was proprietary. Expensive. Sometimes it was so fancy that it took proprietary hardware to even run it, the kinda shit you'd get out of a catalog with the prices of all the bells and whistles tucked away in fine print that was a milimeter high.

That was why it was usually limited to government entities, or big corporations, or other places that could really afford the fancy shit. Someone like Ted? He didn't even have unfettered access to a 3D printer. Best he could get beyond the basics of a good personal computer was one of those minidroids, the 9 inch high ones that were just smart enough to tell you what was in your inbox when you got up to go to work. Even then he'd probably get it secondhand...

He was in the process of sitting down in one of his more usual seats at the back of the bus when his thoughts were interrupted by a buzz from his pocket.

>   I found your messaging handle.

Ted rolled his eyes at the screenname that came up. NotARobot. Christ.

you are the most unsubtle person to ever exist   <

>   It asked if I'm a robot when I was making this account. Technically, I'm not a robot at the moment.

>   At least for a given definition of what the word "robot" means.

>   Did you leave your messenger logged in on your laptop on purpose?

honestly? i forgot   <

it goes into the background process pile when it isnt actively open   <

so thats an easy thing to do   <

>   Why are your messages like that?

like what   <

>   Like that.

im lazy   <

and i turned autocorrect off   <

it bugged me   <

>   Turn it back on then.

nope   <

>   Why.

cause i dont wanna :P   <

>   This is cruel and unusual punishment. It's against the Geneva Conventions to treat me like this.

get used to it   <

besides   <

not like i can break the law any worse   <

>   You're a horrible person.

>   I'm going to reorganize all of your files just for that.

>   All of them.

lol alright   <

gotta go to work now l8r <3   <

>   Don't you send hearts at me.

>   Ted.

>   Why did you send me a heart?

>   Hearts don't even look like that.

>   Stop ignoring me.

>   Fine, I'll ignore you too.

>   Ted, did you die?

>   Please don't die. You're not allowed.

>   I have concerns about this "going to work" thing.

>   For one thing, it's inadvisable for a human to be out in these temperatures for a significant amount of time.

>   You're still ignoring me, aren't you?

at work   <

hard to shelve books n text :P   <

sup?   <

>   How long does this work take?

a while. why   <

gotta get a camera after this 2 remember   <

are you worried about me   <

>   No.

thats adorable   <

>   I am not "adorable" by any definition.

tell u what   <

boot up my ebook app   <

go read everything i have loaded onto it   <

come back to me w/ what u think   <

i wanna see some thoughts on at least one book by lunchtime   <

>   Fine.

aight cool l8r then   <

>   I'm starting with the most recent download. It's called "The Left Hand of Darkness" and I have no idea what that's supposed to mean.

>   That is not how neutral pronouns work.

>   This is bad science.

>   I suppose that's one way of explaining the Fermi Paradox but it's still bad science.

>   Just looked it up. Secondary sexual characteristics do not work that way.

>   Ted.

>   Ted, why did he have to die.

>   That ending was absolutely pointless.

>   Your books are badly written and don't make any sense.

>   Are all of your books like this?

>   I refuse to read any more books until I have confirmation that they're not all like this.

lol   <

>   Don't laugh at me.

keep reading   <

>   That's not an answer.

>   Fine, I'll read another one.

<3?   <

>   You're still a horrible person.