#i have had to explained to so many people about where these characters are from and that they should *not* read Ward

[genericpuff]

I've watched both (this is a hazbin hotel ask btw) but tend to keep my eyes closed to merch sales (and such forth) unless it can pierce my five degrees of separation

also gotta admit that I've been not keeping up with HB since... honestly the since the season end. yeah I'm behind.

What do you mean they're waiting for what's functionally pamphlets? It's taking MONTHS for a pamphlet?

That's funny in the bad way 😭

yeah so from MY UNDERSTANDING (i.e. correct me if I'm wrong) the playbill was part of some exclusive package deal where buyers would receive some keychains, trading cards, and a playbill which was supposedly going to be filled with exclusive interviews/quotes/background information/etc. about the show's production. That playbill was exclusive to the pre-orders, meaning if you didn't pre-order this merch package, presumably you could still purchase the merch package on its own (or possibly its parts separately on the merch site like the keychains n junk) but the playbill would ONLY be sent to those who pre-ordered.

The pre-orders started around a year or so ago, but then roughly 9 months ago when the bundles started to show up, people reported that the playbill - literally the centerpiece of the marketing - was missing.

Since then, the playbills still haven't arrived, but customers have gotten TWO separate emails written from the "characters" of Hazbin Hotel updating them on the situation. Yes, you read that right, the emails meant to update people on the part of their pre-order package that was still missing - a package that cost them $76 and again, the playbill was exclusive to - were written in-character like a roleplay post in a message board forum.

And for some reason, the A24 staff decided that Husk would be the best character to deliver the bad news, a character who is, like many characters in Hazbin, just an asshole.

It's wild that this even got approved as an official email from the A24 team because let's face it - if you had spent $76 with the good faith expectation that you were gonna get everything you were promised in return for that $76 is this really the response you'd want to get? I'm not exactly sure when this email was sent out but according to some of the people reporting on it via Twitter, it was around the end of January (so the end of the month that folks were expecting it to roll in). Not a great way to tell people that the product they're waiting on - and didn't expect to be missing in the first place - was delayed.

Months later, a second email rolled out, and A24 sort of learned their lesson, not by actually addressing their customers as human beings, but this time as Charlie, who is at least not a complete dickhead.

It still doesn't really answer any questions though because it's putting the responsibility on fictional characters to explain what's going on. So of course everything is masked behind the "teehee, Alastor did a naughty and Niffty got stuck in the printing press machine!" roleplaying talk which literally does not actually tell anyone what's really going on, just gives them a vague impression based on what they chose to make a fictional character say.

Sure, it's nicer than Husk, but it's still disingenuous and frankly just cringe esp when this is concerning the interests of paying customers.

I don't know if this is Vivzie's doing or someone else on the A24 team, but it really feels like they're trying to operate the same way HH would have operated back when it was just a Youtube series... but it's not a small-time Youtube production anymore, it's a full on Amazon show with hired employees and a customer base that expects the thing they paid for to actually show up. So at best this is just really immature mishandling of a situation that should be taken at least relatively seriously.

And really, out of all the things to delay... the playbills? Really? For anyone who's not familiar with what a playbill is, it's literally just a booklet. Professional, "Playbill" branded playbills that you see in legitimate theatre productions are (if I recall correctly) anywhere from 30-60 pages, but a lot of those pages are often dedicated to ad space of other productions and companies, with maybe only 10-15 pages dedicated to the actual production. People love collecting them though because you typically only receive them when you go to see a play itself, so it can be a great souvenir from limited run productions.

It's kinda like comic collecting for theatre-goers, they can serve as memorabilia or as "proof" that you were there to attend a specific show. Though playbills don't tend to accrue as much value as much as comics can, they can still have a lot of sentimental value.

Hazbin Hotel isn't a play though. It's a streaming show available on Amazon Prime that anyone can watch anywhere in the world. It doesn't exactly have the need for something like a playbill, because the exclusivity is simply tied to how much extra money you're willing to give them for the pre-order, not to any sort of unique in-person experience of going to the theatre and watching the show live with your own eyes.

Granted, Hazbin Hotel does obviously take heavy inspiration from theatre culture as it is itself a musical, so I can understand the novelty and appeal of creating a unique playbill for it. I just don't really understand why that's the item that got delayed when a booklet containing exclusive info should be one of the easiest things to make, especially when it comes to production costs (printing a bunch of playbills shouldn't be anywhere near as expensive as producing keychains and trading cards).

But there was an update on reddit about this a couple weeks ago and it seemingly contradicts what A24 - sorry, 'Charlie', sigh - said months ago that they were working hard on specifically printing and packaging the playbill orders-

FINALLY the HH fandom gets a real human being from A24 responding, but they're saying that the designs are still being worked on??? So this means they haven't even started printing the things yet?? So that's an entirely DIFFERENT issue that hasn't been addressed up until this point.

So yeah, again, I don't have any stakes in this and it's definitely not something that I'm like, putting a lot of emotional investment into, but it has still been fascinating to check in on every now and then. Big condolences to the HH fans who paid $76+ for this package and are still waiting for the MAIN CENTERPIECE to show up - if you're one of those fans and are now reading this, you're probably gonna be waiting a little while longer because apparently they haven't even designed them yet 💀😆

[youremyheaven]

Random Mini Astrology Observations: Vedic Edition

Warning: This is just a string of random thoughts lol, don't compare it to my best work on here. It's a bunch of stuff I've had in my drafts and I'm trying to clear it all out

Before I get into this, I just want to say, that whether my observations are positive or negative, it won't apply to every individual who has these placements. 8 billion people exist on this planet, and not everyone will exhibit the same good or bad qualities. I hate having to put this PSA because some people don't get it but yeah "not all Lunars/Venusians/Nodals/Solars/Jup/Sat are going to be the same".

Jupiter influenced men are known for being introverted cutie pies who kinda have that mature-dilf-y vibe.

Obviously, another category of Jupiter men are often loud, extroverted and very outgoing but I've noticed these placements heavilyyyy in celebrities "known" for being private and introverted. They are also often known for being generous and kind hearted.

Prabhas, Vishaka Stellium (Moon, Mercury and Venus)

He is known as "darling star" and brings food that he has prepared at home for everyone on set (he is an actor). He is known for being very shy and introverted but also super sweet, generous and kind.

Sidharth Malhotra, Vishaka Moon

Sid is known for being extremely lowkey which is RARE for a Bollywood actor. He's also quite gentlemanly and charitable

Ratan Tata, Vishaka Moon

He is an Indian billionaire entrepreneur who lives in a small 2bhk apartment and has donated most of his personal wealth to charity. He is known for having led his company in a very humane way (there are lots of controversies and im aware of them but compared to the work culture and quality of life that most other indian companies offer its employees, TATA is in a different league).

Keanu Reeves, Punarvasu Moon (and stellium)

i dont have to explain but Keanu is the king of kindness and generosity

Mads Mikkelsen, Vishaka Moon

unlike his characters, Mads is actually a sweet guy and very private

Adam Driver- Vishaka Sun

he's so private that nobody even knows he's married with a kid

Tom Hanks, Punarvasu Sun

known for being a gentleman and quite modest. the OG nice guy and obviously very private

Ethan Hawke, Vishaka Sun

another lowkey, private guy who is known for being nice

2. Rashmika Mandanna and Surbhi Jyoti, Swati Moon

I find their eye area to be kinda similar?? I know they don't look alike but there are some overarching similarities between them and I think its bc they have the same moon nak.

3. I came across a comment that Akshay Kumar made about Asin and her CEO husband Rahul Sharma.

“He is madly in love with his wife, his child. It’s like he treats her like a goddess.

and guess what?? Rahul is a Purvashadha Sun 🥺😌😌

4. Ashwini natives often have post-apocalyptic dreams

Since its the first nak and is ruled by Ketu and is in complete darkness, symbolically representing the stage before creation (which happens in Bharani), the subconscious mind is susceptible to having really strange, fcked up, war-like dreams/visions. Also bc Aries rashi is ruled by Mars, God of War.

5. every Venusian man I know kinda has a voice kink

6. Many Punarvasus crave for a simple, rustic, relaxed type of life. In fact many famous Punarvasus live on a farm

Kaley Cuoco- Punarvasu Moon

Bretman Rock - Punarvasu Sun

MS Dhoni- Punarvasu Sun

Dennis Quaid, Punarvasu Moon on his ranch

7. Jupiter and Venus are 'Brahmins' or priestly, the Sun and Mars are 'Kshatriyas' or warriors, the Moon is 'Vaishya', or a trader, Mercury is a 'Vaisya', Saturn 'Shudra', or a lower caste and Rahu and Ketu are outcastes.

This is not an observation but just an astrological fact that I thought I'd mention

8. Magha girls are often the spoilt daughters or come from very bougie families where they're the princesses. They might emotionally suffer but materially and otherwise, they're very comfortable

Shruti Hassan- Magha Moon

she has spoken about how rough her childhood was bc of her parents' tumultuous marriage and subsequent divorce but that doesn't change the fact that she's the daughter of Kamal Hassan, one of the biggest stars in the history of Indian cinema

Kiara Advani- Magha Moon

Kiara is from a very wealthy and illustrious family, and she grew up as a much loved, spoilt ish daughter<3

Wonyoung- Magha Sun

Wonyoung is from a filthy rich family and she has said that she grew up very pampered. And that she didn't have an allowance bc whatever she asked for she got. However she became a trainee at 12yrs of age and that journey could not have been easy. Despite being born rich, she's had to go through a lot in life to be where she is today

Aditi Rao Hydari- Magha Moon

she's of actual royal lineage so she's a real life princess but her parents divorced when she was a kid and she grew up with a single mom in delhi and not in a palace

9. DMX- Mula Sun (dog yoni) was obsessed with dogs

The late rapper DMX's relationship with dogs, which seems almost mythical. He was born in 1970 - the year of the Metal Dog, and in his teens he ran away from his abusive household and befriended stray dogs while vulnerable on the streets. He began to gather dogs for protection, intimidation and family, and was sent to prison for stealing a dog (a neglected dog chained up in a scrapyard). In prison, he wrote a lot of his early songs, in which he came up with his "dog" mythology, in which he imagines himself as a monstrous dog-themed gangster who barks and howls. He had a huge tattoo of his favourite dog Boomer on his back. In 2008, his 12 dogs were taken from him by cops after there were reports of animal cruelty - DMX had paid a negligent caretaker to look after the dogs while he was on tour. (The dogs lived out the rest of their lives as therapy animals in a women's prison)

I think its interesting how our yoni animal influences our life

10. As Vighati graha, male planets are: Sun, Mars, Jupiter, Rahu; female planets are: Moon, Venus, Ketu whilst two eunuch planets are Mercury and Saturn. All the standard rules for determination of the sex of the child are applicable, female signs are: Taurus, Gemini, Virgo, Scorpio, Capricorn and Aquarius; male signs are: Aries, Cancer, Leo, Libra, Sagittarius and Pisces. Exalted planets indicate male issue and debilitated planets indicate female.

11. Mercurial men and Jupiter men are soooo flamboyant, sassy and gender non-conforming

RuPaul- Vishaka Sun & Moon

Elton John- Jyeshta Rising

Jeff Goldblum- Jyeshta Moon

Prince- Vishaka Rising

Jimi Hendrix- Mars in Vishaka atmakaraka

[year2000electronics]

Ford is such a fascinately flawed character, If he not keep in check he unintentionally brings ruin to everyone around him.

this is literally how i feel talking about ford. ^

because dont get me wrong at many times i am a ford defender when people slander him for the wrong reasons, but also a lot of the time i will be like "YOUR HONOUR HE DID THAT SHIT AND I THINK HE WAS HOT WHEN HE DID IT" and then at other times i will be like "YOUR HONOUR HE DID THAT SHIT AND ISNT IT AMAZING THAT SUCH A COMPLEX AND FLAWED CHARACTER IS NOT DEMONIZED AND VILLAINIZED BY THE NARRATIVE BUT INSTEAD GIVEN A CHANCE TO GROW". so a lot of the time i just end up walking in circles rotating him a lot because i end up wanting to play devils advocate from like literally every angle of "so how much harm did ford do Really"

but i think when you look at ford in the show, hes a very interesting character, specifically because he's this very "loadbearing" character. he's the author, so he has to be the driving force behind the mystery, but he also has to have met and have ended things badly with mcgucket, so we have their falling-out as a tease to the mystery. we need him to cause conflict in the show thanks to his arrival, so he'll do some unlikable things like punch stan and demand his house back and offer dipper the apprenticeship. but he cant be TOO unlikeable because this is a member of the family stan has fought for 30 years to get back, and he also needs to be integrated as Officially A Pines in the VERY limited time we have with him on screen. not only that, but you have to explain his entire backstory in one episode where he harms and is mean to a character who has had two seasons' worth of love behind him SEVERAL TIMES. but you also need to make us feel for him, and you have to make stan's part of the conflict sting too. and THEN! ON TOP! OF ALL! THAT! YOU ALSO NEED TO PAY-OFF THE SETUP YOU HAD OF BILL CIPHER AND THE AUTHOR'S MYSTERIOUS RELATIONSHIP!

and so a lot of the time what i end up thinking is yes, ford is flawed. yes, he can be really callous and unfeeling at times. but i think because he's constantly needing to carry like 10 different plot elements on his back at once, constantly needing to drive conflict along, he ends up being really divisive to people- especially since he has no time to just goof off like everyone else!

so i circle back to this idea of ford as the "ruin-bringer". i think about that wording most meticulously. because that walks this VERY delicate line between saying something about fords character, his flaws, his backstory, and dipping right into "omg lets blame ford for EVERYTHINGGG!" but you think a lot about ford and his self-isolation and his EGO and the way he lifts himself above others both out of pride and out of shame.

ford is almost doing that to himself, really. making himself this common denominator black hole that people keep getting sucked into. because he is of the opinion that there are Special People who need to rise above, he ends up either isolating himself or isolating others to Join Him on the Path. and obviously that in and of itself is a gesture of companionship, of reaching out, because he says "i see the same greatness in you that i do myself"! but of course there IS no secret hidden greatness! so its all inherently flawed! you cant be rising above simply because youre "special" and you "deserve it"! but "special" is the only thing ford knows how to be!

ford is deeply hurting i guess. he seems deeply hurt the way that stan does to me, where everything he does just BLEEDS his trauma. you can see it staining everything. stan's need for companionship and ford's self-isolation. ford's hurting and he needs a healthy outlet but he has a path of destruction in his wake. and that just makes it so much crazier

[a-student-out-of-time]

Why don't you think Ace is the killer? If the most paranoid of the group commits murder, it will show how much paranoia can lead that person to a decision where murder seems like the right option. It will also prove that Teruko is wrong.

//This is the last time I'm going to answer this, so I'm going to make these as clear as possible why I don't believe it rn:

Everyone keeps assuming that Ace's paranoia would drive him to do this, and that's one thing. But why wouldn't he resort to a simple, easier-to-accomplish murder? Why would he go out of his way to set up the drop hanging? I just don't buy that he's smart, cautious or malicious enough to put something that elaborate together.

You might say his reason is to frame Nico. Except Ace had no opportunity to see what was going on with Nico's entire set-up, never mind understand how it worked. He was hanging and then it broke. Ace is a volatile paranoid mess, not an analytical genius. He was also unconscious for most of that situation and woke up after Nico tried to strangle him by hand.

Too many of the arguments I've seen rely on this very detached, Monday Morning Quarterback approach, where people try to reverse engineer the situation and ascribe greater motives to Ace. They somehow miss that he woke up bleeding from the neck and immediately went after Nico. I imagine the only thing on his mind was "Nico just tried to kill me, I should go beat their ass."

The tape that everyone is so insistent about was beside Ace's boot when he was unconscious, and he immediately shot up when he regained consciousness. Teruko and Eden were both right there the whole time, and his hands were pretty firmly clasped around his bloody neck. I don't see any realistic opportunity where he could've reached down and grabbed the tape without either of them noticing, especially since he was only there a couple seconds before he went after Nico. For all we know, he just kicked it into the hall.

How does this explain the note? He said he'd never spoken Arei once, and unless this was the mother of all coincidences, there was no chance he'd know that Eden and Arei were close enough that he could believably frame her. He also had absolutely no reason to go after Arei, especially considering we saw him this entire chapter arguing with Nico, who also had no connection to her.

Yes, Ace is paranoid. So paranoid that I don't believe he'd ever attempt murder, knowing he'd either die in he process or be executed if he were caught. We've seen him freak out over the tiniest things; if it were him, I doubt he'd be holding it together.

I have some additional reasons to not believe it, but those aren't as concrete or rely on other characters, so we'll see how much changes from here.

//There you go, those are my reasons why. We'll know whether I'm right or not within a day.

[fhrlclln]

afterlife buddy | jason mendoza

SUMMARY -> your lonely life doesn't end on earth, but it reaches the afterlife. luckily, you have jason, right? even though he has his soulmate in the good place.

jason mendoza x fem! reader

masterlist

GENRE -> nsfw/smut

WARNINGS -> unprotected p in v, gentle sex, emotional hurt, confessions of feelings, mentions of drugs & smoking

WC -> 3.8k

a/n: writing his character is literally the hardest thing i’ve done lmaoooo. he’s so unique that i actually fear i didn’t embodied him accurately so warning he’s a little ooc!! (in my view) and i feel like jason is a great smoke buddy lmao. hope y'all like this!

likes, comments and reposts are greatly appreciated !! <3

enjoy !!

being dead sucked.

that’s what you are thinking right now as you lie on your bed alone in your room. smoking a vape pen that janet had miraculously given you in a split second the moment you curiously asked if you could have one discreetly. well, maybe that’s one good thing about being in the afterlife… you won’t pay for your vape juices anymore. you had been in “the good place” or the afterlife for about a week. at first, you knew you weren’t supposed to be here. there was nothing that you could think of. you did something perfect to earn your place in this “heaven,” as michael had broadly said when your eyes opened and you were in that waiting room.

maybe being dead didn't really sucked. maybe you were just kind of disappointed, really. as you were welcomed into the good place, the only thing michael had said that had maybe upseted you was in fact, you apparently don't have a soulmate.

which... made you ponder for a moment how in the world did it come to that? back in your life on earth, you were always alone, in a sense. you always thought that everything ended in every relationship you had, that maybe it was just destiny leading you to your soulmate. that maybe your special someone was coming to you at any point in your dreadful life back on earth. yet, being dead now, you had thought that maybe your soulmate was here as well.

which, unfortunately, not as well.

michael had put it in a light and gentle explanation that rarely people wouldn't have a soulmate. sporadic it is, as he puts it to you in a nauseating but sympathetic tone that you somehow loathed. all you could now do was put on a smile and nod in understanding and eventually move on because you're dead, after all. and maybe the worst part of being dead was after michael had explained to you that you're all alone in a good place. after the opening orientation, he introduced you to the many people in the neighborhood and their soulmates. you were introduced to eleanor and chidi, then to tahani and her soulmate, the silent monk jianyu.

or rather... jason mendoza.

a lot of things happened after your first day in the good place. you obviously were self-aware that you weren't supposed to be here. things did start to get weird after tahani's welcoming party for the whole neighborhood and the incident in the heart of the town. you thought for a moment that it might be you who was causing the unexplained glitches happening, and that's when you met another soul who also thinks they aren't supposed to be here either, eleanor shellstrop. after that, that's when you met jason; he as well wasn't supposed to be in a good place either.

your mouth feels dry, and even in the afterlife, you still get cottonmouth from overusing your puffs. this is torture. you think to yourself as you sit up, wondering if you should have agreed to be in chidi's ethics class. you don't really care if you are going to be sent to the bad place. where did you even belong, really?

you close your eyes, dropping your vape pen on your chest as you let out a tired sigh. you reel into the silence of your home, the dimness of the room shielding away the light, making it feel like you are back in your own lonely home on earth. the overwhelming feeling is still there, it never goes away. but your moment of loneliness is interrupted when you hear the front door open loudly.

"i'm not interested, eleanor. please." you immediately say before the visitor can say something.

"hey! cool, you have a vape!" your eyes shot open to see jason come in, dressed in his cream monk clothes. there's a grin spread across his face as he points to your vape pen. "can i take a hit?"

"oh, it's you." you chuckled, and he seemed puzzled at your acknowledgment towards him.

"why? is there another jason here!?" he says, looking around quickly, which makes you laugh out loud.

"here." you sit up, handing him your vape, and he immediately takes it from your hands, sitting next to you. "there's no other you, jason. it's only you." you reassure him, no matter how dumb it sounds.

"good!” he takes a puff, then sighing out the vapor in complete relaxation. “but having another me would be so dope, dude. imagine, if they find out i’m not supposed to be here, then i’ll turn the other jason in so i won’t go to the bad place.”

“that sounds like a plan. but you’ll turn him in?” you raise your brow as he takes another hit.

“yeah, homie! if i turn him in, it means i did something good… so, technically i did something good!” he smiled widely, you chuckled, shaking your head. witnessing him be himself was actually a refreshing thing you are feeling now.

“but that would mean michael will have to send you to the bad place too… because technically you’re also jason?” you hummed and his brows furrow at that, processing it. he looks cute thinking deeply. you thought as he hands your vape back.

“oh…” he frowns. “that sucks.”

“it does.” you nod, taking a hit.

“man, why does everything have to be so hard! you know, whenever i had a problem, i always throw a molotov to get rid of it. but chidi and eleanor said that was stupid.” you almost cough out the vapor you’re inhaling, surprised at that.

“a molotov?” you giggled, finding it funny. it seemed arson was his solution to all his problems… and concerning.

“yeah! you should try throwing one, homie. i swear, it’s a game changer because your previous problem turns into a new one! so, you don’t have to worry about your old problem anymore.” he explained.

“that’s… oddly effective, actually.” you think about it. jason’s eyes sparkled at that as he turns to you.

“i could show you how to do it, dude! we can start throwing it at michael’s office! the powerhouse of our problems!” he says excitedly. “this will be so dope. maybe janet has something i can light up, this will be so lit.”

he stands up, ready to call on janet. your eyes widened and you pulled him back to the bed. arson was not at your top list for the moment of trying to avoid being sent to the bad place.

“woah!” you say, and he looks at you confused.

“okay, calm down, jason. we’ll do that if everything else fails.” you reassured him, but lying that you’re actually not really planning on doing that with him. even though he’s so sweet to offer you to teach you how to do it, in a way even if it was borderline crazy.

“this sucks. i thought being in the good place won’t suck.” he pouts, sitting next to you.

"what brings you here, jason?" you finally ask him, his frown still plastered across his face as he looks at you. he fiddles with his fingers as you hand him your vape.

"eleanor said that i should go to you so you can finally join us."

you sigh, lying on your bed. "tell her i'm good. thanks."

"you're not good... you're you." he emphasized with puppy eyes, and you laughed. "so you're not gonna come with us?"

"no." you shake your head. "what's the point of learning to be good when i'm supposed to be in the bad place?"

"you get to be in the good place." he responds, taking a hit.

"i don't know, jason." you shrugged, looking at the ceiling blankly. "that doesn't mean i belong here."

"you do belong here!" he suddenly argues, looking over to your laid figure. "you're kind and nice to me. eleanor says i'm an idiot... but you don't think i'm an idiot, right?"

your hearts skips a beat at that. "no, jason. i don't think you're an idiot." you smiled.

"you sure you don't want to come with me?" he pouts.

"i'm okay right here."

"then i'll stay here with you." he decides, lying beside you. you feel the bed dip on your side as you turn your head to look at him, your own heart fluttering at his kindness. "I'll be your afterlife buddy or homie."

"afterlife buddy, huh?" you smiled at that. "i like that."

you two just lay there on your bed without thinking about the main problem. casually passing the vape pen back and forth while talking about random things, very random things from jason. you learned he was a dj from jacksonville, florida. he loves buffalo wings, he sold drugs to college students, loves the jacksonville jaguars, and did pretty stupid things, but you listened nonetheless. you actually opened up a bit about what happened in your life. he listened, and everything felt like at that moment, you weren't thinking about your situation right now.

"what's it like having a soulmate?" you ask him now as you blow a ring out of your mouth afterward with the vapor. jason hums as you pass him back the vape.

"i don't know. tahani doesn't know i'm not supposed to be here... but i guess living in her mansion was the dopest part." he says.

"do you think tahani's really your soulmate?" you shyly asked, ignoring the lingering jealousy you have for them.

"i always thought ariana grande was going to be my soulmate." he genuinely said, trying to mimic how you puff out rings but failed. you giggled at that and fell silent. you ignore that bitter feeling that's nagging you. you grab the vape from him, opting to teach him how to do the trick rather than to be affected by the notion that you don't have a soulmate.

"here. you put your mouth into an 'o' shape." you say, adjusting your position to lay on your stomach as he watches you take a puff. "then like, slowly exhale while your tongue and jaw push the vapor out."

"cool." he stares at you as you puff several rings out. you hand it back to him, and he tries it, but he is too fast to exhale, and his mouth is a little bit wider than what you showed him, making the rings not stick out.

"almost!" you laugh at him as you scoot over to teach him how. "put your mouth like this."

your a bit closer to him, making your arm brush against his while your hand goes to his lips. your face an inch above his, so close. he watches you guide him, your finger brushing lightly against his lower lip as you softly guide him to make his 'o' shaped mouth into what you showed him. you stare at his lips, wondering how lucky tahani must be with him.

"and there." you say, dropping your hand to his chest. jason's eyes shyly avert away for a moment from you, something in him bothering him, but he utters it out nonetheless.

"what if i was your soulmate?"

you're stunned for a moment, realizing how close you are to him. you stutter for a moment while his eyes go wide and expecting, as if he's looking at a pikachu balloon he desperately wants. what if? that question of his rings through your head? there's hope in your heart for a moment. but... you shake your head sadly. that would be unlikely.

"jason..." you're about to argue, but he cuts you off.

"i think so." he says, staring into your eyes. you don't know what to say, looking at his puppy face, feeling like a fool. you don't know... do you deserve jason to be your soulmate? you blink back to reality.

"you don't have to cheer me up because i don't have one." you willed yourself to detach from him, missing his warmth. you sat up, averting his gaze. jason frowns, confused as to why you seemed so sad at that.

"but-"

"you should go now. i think eleanor and chidi are looking for you." you almost want to strangle yourself for dismissing him like that. there you are again, always avoiding what's right before you. jason sits up, this time he doesn't know what to say. he stands up, confused and sad, but he respects your wish to be alone now. your back is turned to him, and you wince when you hear him leave. your heart ached, and the loneliness creeped back into your room. hugging you in the darkness.

if only. you think hopelessly, lying back down. if fucking only.

・゜゜・．

fuck.

your fingers dig into the flesh of your lap, now that eleanor has officially told the entire neighborhood including michael, about her not belonging here has you on edge lately. while you did escape from being interrogated in michael's office that day, that hasn't been the only thing that has been bugging you.

jason isn't talking to you.

you feel like a loser, a fool, and an idiot. should you have just agreed with him that day? the only person you actually talk to has decided to ignore your presence, which was very unlikely of jason since you had met his real self than jianyu. you want to ask chidi for help... but he has his dilemma now with tahani and eleanor. who would you call to?

"janet!" you immediately blurt out of desperation. you hoped her rebooting was in the middle since you really need her right now.

"hi, there!" janet pops up in front of you. you jump in your place, still unused to her sudden appearance every time. "what can i do for you?"

"uhm..." you feel slightly embarrassed to ask of this. "h-how is jason doing?"

"jason is currently watching t.v in his room, but he says he's upset because he's in big trouble and that he upsetted you." she says with a smile. you gulp harshly, running your hand across your face as you sigh loudly.

"fork." you muttered, annoyed that you can't even correctly swear right now.

"it appears to me that you are also upset now." janet looks at you, and you look at her with tired eyes. you sit on your couch, while janet observes you with her usual cheery face. you think for a moment how to fix all of this, your stay in the good place is nearing its end, and you feel like at any minute now, you'll be boarding the train to the bad place. if jason managed to stay... at least you can leave him with a positive impression as a goodbye.

"janet?"

"yes?"

"can you make some buffalo wings?"

"sure!"

anticipation lingers through the air when janet leaves in an instant. you hoped he would find your apology gift to end his thoughts about how he upset you. but you upset him. because you pushed him away, still thinking that you don't deserve anyone as pure and kind as jason is. why were you holding back? why were you still trying to push away your feelings for him? when it was evident he thought the same of you. as you lay on the couch, you pondered if you should have given him the gift instead of janet. you close your eyes, wanting to bury yourself in the ground.

a sudden frantic knocking makes you jolt up.

you quickly stand up, fearing that michael has asked you to return to his office. you rush to your front door, readying yourself as you hesitantly open it. but… you were then met with the sight of a nervous-looking jason.

your eyes softened. "hey..."

"i love you." he deadpans, face serious as ever. your eyes widened, your heart stopped for a moment, and so did the apology in your head for him. you're about to say something but he takes a deep breath before coming closer to you.

"i just want you to know that you're like whippets to me... addicting that i can't live without it. you're pretty like those lights in a skrillex concert and make my heartbeat drop like when i overdose on hard drugs. and you're the only person here who's nice to me and you're my afterlife buddy. and you remembered that i like those buffalo wings from my favorite restaurant even though janet said they closed, and you managed to make a replica to cheer me up." he stops, fidgeting with his hands as he shyly averts your gaze. "so... i love you, homie. and wanna be there for you."

you're stunned, not knowing what to say. the tingling feeling crawls back into your heart. but you don't say anything else as you pull him to you for a kiss. he kisses you back, softly cupping your cheeks. you finally let yourself out of your shell. it was so sweet, warm, and comforting to be wanted. you wrap your arms around his neck, guiding him inside your house as your hand pushes to close the front door. you pull away for a moment, wanting to see his reaction.

"woah..." he merely says, starstruck as he blinks dumbly. "also, i love your ass. does this mean you'll have sex with me?"

you rest your hands on his chest as his breath hits your nose. how wide and doe-eyed they were, but evident that there's lust behind it. you giggled, how forward he is as you think about it. anytime you both would be coming with eleanor to the bad place if michael finds out, and maybe you two won't see each other again. and that breaks your heart for a moment how little time you two have.

fuck it. why not?

"okay." you say with a smile as you grab his arm to drag him to your room. jason smiles wildly, jumping a bit in excitement as he lets you drag him to your room.

the entire room feels heavy. your eyes blink hazily as you toss your head back when you feel his lips trace the hollow of your neck down to your breasts. clothes were thrown carelessly on the floor, the sheets were now ruffled, both of you were naked, and everything felt hot. you let out a breathy sigh when he takes one of your pert nipples into his mouth, sucking.

fuck. was this jason? you're slightly baffled at how this goofball of a man turned into something else. your hand comes up to caress his black hair down to the back of his neck, your legs are wrapped around his waist as he grinds his hips slowly. your lips feel so swollen from his kisses and your heart is beating loudly at the sight of him above you.

his head suddenly rose up, letting your nipple go as he rested his cheek on your chest, looking at you with a small grin on his face. "they're like clouds... so soft."

"you're adorable." you whisper, your hand on his hand, caressing his scalp, making him hum in satisfaction at your touch. he continues to subtly grind his crotch against yours, the friction of his prick rubbing against your core making you whine.

"jason..." you whined, and he propped himself up to tower over you, adjusting himself as he sat on his knees. "i love you too."

his heart skips a beat completely as he makes a noise of that. "can i?"

his eyes drift down to that spot on the apex of your thighs. he looks so out of it, so serious, as you nod. you place your hands on his biceps, gripping his muscles as he takes himself in his hand to gently guide himself in you. you steady yourself, pushing your hips slightly forward as you are rewarded with the sensation of his tip prodding your wet entrance. you let out a tiny moan while jason surges forward to lock lips with yours again.

"o-oh!" you look down to see how he's entering you slowly. his chest rises as his face hovers against your warm cheek. "you know... i almost thought that being in the afterlife would make my vagina go away." you randomly said, wondering why you said that. but you were too drunk in the pleasure of him filling you up inch by inch, his cock now nestled deep inside you to even think of your own words.

"then where will i go inside you?" he genuinely asks, and that makes you grin devilishly.

"in my mouth." you kiss the tip of his nose. he seems to want to ask you about that further, but you shut him up by grinding your hips up. he groans, his entire focus is now thrusting in and out of you slowly. not hurrying up and it seems you two both like this slow pace.

soft kisses are shared as he languidly thrusts into you. gentle caresses and bites are plastered across both of your skins. the sheen sweat is glistening on both of your foreheads as you both are so lost in the sensation of each other. you stare into his eyes, your warm walls clenching around him as his thumb rubs your clit. you wondered how skilled he is with all of this, knowing where your sweet spots are, and how calculated his thrusts are. he's so different in bed that it makes you want to explore more of this side of him.

"i'm close." you breathily say, your hands moving to grasp his neck, feeling that familiar knot in your stomach. jason's thrusts are starting to falter. he's also near his high as he thrusts into you with more vigor. a stream of moans of his name rings through his ears, he makes it his goal for you to cum first as he continues to rub your bead.

you let out a mewl, head tossing back and eyes shutting tight as you bit your lip when the tip of his cock hits that spongy spot in you. your whole body seizes with pleasure, back arching as his other hand holds your hips down for him to continue his hard thrusts. your walls clench around him, riding your orgasm now as he says your name breathily. he then pushes his hips completely to yours, his own orgasm coming at him as he finally cums in you.

"bortles." he sighed before he dropped his whole weight onto you. your brows furrowed, wondering why he said his favorite football player's name at the end of his orgasm. instead of being annoyed, you giggled, making him smile widely as he looked up at you as you lovingly caressed his back.

"do you think we're soulmates?" he suddenly asks, and you don't hesitate for an answer now, even though you two weren't or maybe were. who cares?

"yes."

[myfairkatiecat]

nightfall was crazy, but I'm also kind of confused??? It went by sooo fast I was like WHAT? WAIT, WHAT? WAIT WAIT WAIT-

Love the fact that they went on with keefes whole "I'm not worth it, but you are, so I'm going to take over decisions we need to make (as a team) and screw them over so that they cause harm to me and not you!" Kinda vibe, honestly thought that after he came back from the neverseen in lodestar they were just going to forget about it, yk??

Only thing I really didn't like is that like...everyone has a slight distrust to keefe (at least in the start, till he apologized ) but Sophie, the person who was (in my opinion) most affected by his 'betrayal' never once had a doubt???? Like, if someone betrayed me, right? Yk they're my friend whatever whatever, ID STILL HAVE SOME KIND OF LIKE ISSUES WITH THEM???

I feel like her distrusting keefe and then slowly learning to trust him would have made the book MUUUCH better!!

Also, I'm still not getting where the Fitz discourse is coming from, like, his sibling just betrayed him, fell unconscious and WOKE UP WITH NO MEMORY OF ANYTHING?? I can see where the anger issues come from

Holy shit this was long, sorry!

-- @localburntoutkid

Had a blast reading this!

You’re so right about Keefe. That definitely doesn’t get dropped after lodestar, or even nightfall—it’s one of his character’s main flaws, and while it does shift and evolve as the series moves on, it’s kind of there, you know? And I’m really hoping it resolves in some way by the end of the series, because his arc is just… so interesting to me. Because it is NOT arc-shaped. At all.

I get what you mean about Sophie being the only one who doesn’t distrust Keefe when he comes back. I really like that too acknowledge that it’s a Sophie-specific thing, though! Too many people forget that this is a third person limited story told by an unreliable narrator, and act like Shannon Messenger herself is telling us Keefe deserves to be fully trusted. Sophie Foster decides, at the end of Neverseen, not to hate him, and Lodestar is where she has her moments of doubt and distrust, but even in Lodestar, she always believes in Keefe’s good intentions. There’s even a scene where she says something like “Yes, Keefe’s plan is horrible and I hate it, but his heart is in the right place. I have to believe that.” The part about keefe’s plan is paraphrased, but she did say she needs to believe his heart was in the right place, in that wording, and it’s fascinating to me. She’s very attatched to Keefe (obviously) and I think it’s mostly for her own sanity that she chooses over and over to believe that there’s something right about what he’s doing, because letting him go sounds excruciating, even by his own fault.

I actually have no issue with this being Sophie’s perspective, and I actually find it interesting especially in the context of sokeefe, but I wish we got to see this portion through another character’s eyes. For example, Fitz. Someone who does distrust him afterwards, and rightfully so.

As far as Fitz discourse goes, that stuff stemmed less from nightfall and more from flashback and legacy. I don’t hate Fitz in either of those books, but you’ll probably notice the moments that made people kind of go nuts about hating him and ran away with his character (personally, I think Fitz is fully understandable in both books, but don’t fully condone the way he acts in a few scenes, particularly in legacy. I’ll explain later after you’ve read it)

Don’t apologize for length, I’m literally Katie, have you met me? Everything I write is longer than I intend

I’m glad you’re having fun with the KOTLC series. Keep me updated!!!

[joedirtymadre]

Villain Attack

SHOTA AIZAWA X READER! FLUFF! SMUT! (Pretty please send more requests)

You let out a sigh of relief as you stretched back into your seat, finally done grading exams. You heard a knock on your office door, you looked over to see Aizawa standing in the doorway. “Done grading?” He asked. “Yeah, I was afraid I wouldn’t finish before the end of the day,” you smiled. “I see, well… would you like to go grab dinner together? To celebrate completing the first semester?” He asked. “D-Dinner?” Your voice cracked. “Yes! I mean, yes… dinner sounds nice. Just give me 10 minutes to collect my things,” you said. “I will wait for you in the front of the school,” he said as he walked out. “Ok,” you called out.

You stared blankly at your desk. “He invited me to dinner…? He invited me out to dinner!” You squealed as you jumped up and began rushing to collect your things. “He never invited people out! I’m so excited!” you grinned. You’ve developed a small crush since starting here at UA High, but as each day passes it’s been getting harder to keep these feelings at bay. Especially since you’ve found yourself running into him more recently. But either way, this crush will stay a crush there’s no way you’ll jeopardize this friendship. You immediately grabbed your belongings, throwing them in your bag and racing out your office towards the front of the school.

“Hey!” You waved as you ran up to Aizawa. “Did you wait long?” You asked. “No, I just got here a few minutes ago. Had to grab some files to take home,” he explained. “Alright, so where did you plan on having dinner?” You asked as you both began heading towards the gate. “I was in the mood for some cold soba, especially in this heat,” he mentioned. “Sounds like a plan, lead the way!” You smiled. “Sure, mind if we take an alley as a shortcut? I found it a while back,” he said. You shook your head and followed him.

You both slowly walked through the dark alley, “I didn’t realize how late it was,” you mentioned. “Yeah, it’s almost 8. The sun has already set,” he replied. You looked around at the dark and unsettling alley, you tried to keep your composure, but jumped a little when you saw a rat run across the street. “You really walk through here? There’s so many rats…” you said nervously, watching your step. “I don’t usually pass through here this late, I’ve found a few strange characters here while pass-“ his words were cut off.

“Shota~~” someone cooed. You both turned back quickly and noticed a pale woman standing a few feet away from you. “I’m sorry, but do I know you?” Aizawa asked as he clutched onto his scarf. “You don’t know who I am? How can you say that to me? We're lovers! You know that!” The woman yelled. “H-Huh?” You were confused by the situation in front of you. Lovers?? Aizawa and her? You were brought out of your thoughts. 

“I’ve never seen you before,” Aizawa said, but you noticed his posture swayed a little. You shook your head and stood beside Aizawa, of course he wouldn’t lie about something like this. You’ve known him long enough to trust his words. “And you dare let this bitch stand by you? I can’t believe you can betray me so easily!” She cried. You squinted as you noticed her tattered dress, untamed hair, scarred skin. “Who are you?” You called out. 

“Don’t you dare speak to me! I’m obviously his wife, the love of his life! And you’re trying to get in between us!” She growled as she pulled out a dagger from behind her back. You glanced over to Aizawa who now had a hand placed over his temples. “Aizawa?!” You asked nervously. You watched as your friend struggled to stand, his body shook, and his breath hitched. “There’s something wrong with me,” his voice cracked. 

“What did you do to him?” You called out. “Oh that? It’s just his way of showing how much he loves me. My quirk is sort of like an aphrodisiac, only works on men… but that’s fine with me. If it’ll help my sweet Shota realize how much he needs me that’s fine with me,” she cooed. “You’re sick,” you narrowed your eyes.

“Now get away from him! He’s mine! Everything was supposed to go smoothly, but you just had to be here with him! I’ve planned this for weeks!” She stomped. You stared in disgust as you watched her cry. You definitely had to help Aizawa and yourself get out of here and away from this weirdo. 

“I’m warning you now, drop the weapon and put your hands in the air before you get hurt,” you said as you slowly pulled Aizawa’s scarf off of him. He seemed not to notice or care. “Ha! What are you, the police? Get out of the way before I mess up that face of yours,” she grinned. 

You slowly pulled out a chapstick from your bag. “What are you doing?!” The woman cried out as she charged towards you. You jumped out of the way, dodging her blade. Knowing you have little time before she attacks again you tossed the chapstick towards her. “A chapstick?” She asked confused as she stared at the flying object. You snapped your fingers and replaced spots with the chapstick, teleporting in front of the woman.

“Ah!” The woman screamed as she fell back in surprise and used her arms to shield herself. With her being distracted you whipped you then swung your leg around and kicked her as hard as you could, knocking her out. With Aizawa’s scarf you immediately ran over to her to tie her up.

(Quick Quirk Intro: Object Teleportation- (Y/N) can use personal objects to help her teleport across the map, but as long as there’s a personal object left behind, ready to be switched with.)

“Thank god,” you sighed as you rushed over to tie her up with the scarf. Once you finished tying her up you heard footsteps running towards you. “Hey! Are you ok? I saw sparks coming from-“ you looked over to see a hero running over. He froze as he noticed you tying up a woman. “Hey, we’re fine, we got attacked by her and her strange quirk. Make sure you take her in before she wakes up and is able to activate her quirk again,” you said as you stood up. 

“W-What about you and your- oh god we need an ambulance your friend is down!” He said worriedly. “I’ll take him, I’m fine!” You reassured him. “I’m an instructor at UA, we’ll be fine. Just go take her to the police,” you instructed. “I-I understand. Thank you,” he said as he carried off the woman.

You quickly turned towards Aizawa who was now on his knees, shaking uncontrollably. “Aizawa,” you called out, you were about to reach out to him, but… “Stop!” He yelled. You quickly retracted your hand. “Please… don’t touch me right now… It feels strange, I can’t think,” he gasped. “A-Aizawa… then l-let me call an ambulance! Or call back that hero!” You said. “No… just let me… ride it out… I’m fine, please…” he said softly. 

You knelt down beside him, using every nerve in your body to not reach out and help him. “W-What do I do?” You whispered to yourself. You hated seeing him this way… seeing him suffer and all you can do is just sit next to him and watch. Suddenly an idea came to you, “A-Aizawa… we both know this is from that woman’s quirk. The a-aphrodisiac,” you stuttered. “Mm…” he replied. “Well… I-I can help. The effect should w-wear off if I… help…” you felt your ears burn. 

“What are you… trying to… say?” He panted. “Hear me out. I just hate seeing you suffer and you’re under the effects of an aphrodisiac… and I don’t know, but as long as I can help just a little…,” you bit your lip. Regretting everything coming out of your mouth, but also wanting to do everything in your power to help him. “Do you even know what you are saying?” He asked. 

“I d-do…” you blushed. You noticed Aizawa slowly rise up. You watched as he turned to you, his eyes having a dark haze over them. His cheeks have a slight pink hue, his lips bleeding from biting. “W-We’re still near the school… as long as y-you’re ok wi-“ you were cut off by a pair of warm lips smashing against yours. 

Your eyes widened as his lips hungrily took over yours. His hands moving straight to your behind, you gasped, surprised by the sudden touch. “Fuck,” he groaned as he pushed you to a wall, placing both hands on each side of you preventing you from escaping. You took this moment to catch your breath, watching Aizawa as he stared. 

“Are you sure you want to continue?” He asked in a low voice. You bit your lip, too late to back out now. You threw your arms around him, and quickly snapped your fingers. Immediately teleporting you two back home. 

Shota looked around and realized where you two were. “L-Let’s continue?” You asked. He immediately pushed you onto your bed. Then pulling you into a passionate kiss, you gasped as you felt his hands roam across your body. “God you’re making me go crazy,” he said, as he reached for your blouse. “H-Hold-“ but it was too late, he ripped your top apart. 

Leaving you exposed, you immediately moved your hands over your breast. “No bra?” He smirked as he tugged on your locked arms. “My costume has a b-built in o-one,” you blushed. “Ahh,” he smiled slyly. You avoided his dark eyes, but still felt his intense gaze. “Not gonna let me see?” He asked. “U-Umm…” you glanced over and stared at his top. “I see, you don’t want to be alone in the spotlight…” he trailed off. You watched as he quickly pulled off his sweater, causing your mouth to dry. 

You stared at his chest, he’s quite lean, but built. “Never knew you had a staring problem,” he smirked. “I-I don’t!” You squeaked. He chuckled at your reaction, and again pulled on your arms. You slowly removed your arms, leaving your top exposed. A second later his hands moved towards your chest, fondling and kissing them. You bit your lip, not wanting to make too much noise.

He then moved upwards to your neck as he kept his hands busy. Nibbling and sucking at your skin as your hands reached up to his untamed hair. “Shota y-you’re teasing me t-too much,” you whined. “I’m sorry… I was hoping this would be enough… but it’s not,” he whispered into your ear. You felt his fingers glide along the hem of your bottoms, you lifted your hips slightly and helped him remove them. You blushed as you realized how wet you were. 

You let out a squeak as you felt his fingers brush against your folds. “I was afraid we’d need lube, but looks like you’re more than ready,” he smirked as he slowly removed his belt and dropped his pants. Your eyes widened as you saw the sight in front of you. You were definitely going to have to call out tomorrow… 

You moaned as you felt his tip rub up and down your folds. “Fuck…” he whispered. You bit your lip as he slowly thrusted into you. Your nails dug into his arms and arms and you wrapped your legs around him. “Good?” He asked. You took a few more deep breaths before nodding your head. 

You felt his cock slowly pull out before slamming back inside. You threw your head back, shaking from the sudden thrust. This pattern continued, before you knew it you couldn’t hold back your moans any more. “Ha~ Shota~” you let out. All you would hear in response were his rough grunts as he continued to mess up your insides. His arms were covered in scratches. 

His pace quickened, you felt your core heat up. “W-Wait! Wait!” You begged as you tried to push against his chest, but he wouldn’t budge. You soon felt a wave of pleasure rock through your body. “Already?” He grunted. “Slow down! I’m r-really sensitive!” You cried out. “I can tell, you won’t stop squeezing me,” he smirked. He continued to quicken his pace, you felt your body burning with ecstasy with each thrust.

“Fuck… I’m…” you heard him, causing you to wrap your legs tighter around him. “(Y/N),” his breath hitched as he did one final thrust deep inside you. You were then pulled into another passionate kiss, this time more gentle. 

Shota then slowly pulled himself out, leaving you empty. You laid on top of your desk, trying to catch your breath. “Can you walk?” He asked softly. “I-I think so, but give me a second. I’m j-just a bit lightheaded,” you replied. “Let me help you,” he said softly. “H-Huh?” you stuttered as you were lifted into his arms. “Where’s your bathroom?” He asked. You directed him to the restroom and was carried out of the room. 

Later

You both sat in the bath, luckily the tub was large enough for you two to fit. You sat nervously in front of Aizawa, too nervous to lean back into him. “I’m sorry,” you heard, bringing you out of your thoughts. “Huh?” you asked as you turned your head back to face him. “If I was more careful I wouldn't have been caught by that user’s quirk… and I wouldn’t have had to force you into that situation,” he said softly, avoiding your eyes. 

“Shota… did you really think you forced me into that situation?” You asked softly. “Well you said you wanted to help me… if I wasn’t in that position you wouldn’t have offered to do something so drastic,” he replied. You huffed as you flipped your head back around, “I-I wasn’t forced… I- well I mean… I’ve always liked you so… it wasn’t such a bad thing for either of us right?” you asked nervously, feeling your ears burn red. “What?” He asked. “I-I’ve always had… feelings for you… so I wasn’t forced into anything… In fact, it was like… a fantasy came true,” you blushed. “I see…” he trailed off. You flinched as you felt a pair of lips graze your neck, “So you were happy that you got to help me in that sort of way?” He asked.

You could feel his smirk against your skin, “I g-guess…” you replied. “Then in a way I guess my fantasies came true too,” he said softly as he gently kissed your nape. “R-Really?” You asked. “Mmm… maybe that villain’s quirk wasn’t the worst thing to happen,” she said. “I guess not,” you smiled softly as you leaned into him. “Please take care of me from now on,” he said softly as he placed a hand on your chin, causing you to look at him. “Mm-hmm, I will,” you smiled before being pulled into another kiss.

[kakitetan]

Phighting! Self Aware AU x Reader (Scythe's Route)

Description: Your friends won't stop talking about Phighting! and so you decide to check it out. With confusing mechanics, and most of all, and odd partner system. You soon learn that it's much more than you bargained for.

You had no idea what Phighting! was. Your friends were talking about it, but you never paid too much attention, until there was one detail that caught your attention. They rely solely on you, as their partner. The game is a PvP game, where you fuse with your partner character. You have to take a quiz before playing, and the character you get will be your partner. You both have to work together to fight the other players. It sounded unreal, and it even made you a bit nervous. But it was a free game, so you decided to try it out.

Your eyes reflected the screen, processing the quiz questions that appeared…

Scythe's Route:

You stared at the screen, and a cowboy-looking figure appeared. A text popped up on your screen, "So yur my partner', ay?" She spoke, "Not too shabby, don't disappoint me now, Partner." She snickered before you logged into the game. You were greeted with a loading screen. It gave you time to process it, were these characters sentient? You knew that Roblox has some AI stuff, nah. It had to be programmed. There's no way. You leaned back in your chair. The game finished loading, and you clicked 'play' and saw other players in the lobby.

"So Partner, since yur' new, let me explain some things. I'm Scythe, I'm pretty famous round' these parts. Heh.. I use a Scythe, it can change into a rifle. Just press that button' in that corner of yours." She said.

"Pft.. Yea, no shit. I can see your Scythe." You remarked.

"Watch that mouth of yours, sweetie." Scythe glared at the camera.

You paused, staring at the screen. "Uhh." You mumbled.

"Uhh is right, now don't make me lose my temper now. Click the damn button!" Scythe demanded.

"Uhh! Yes ma'am!" You said, clicking the button to switch weapons.

"Yes ma'am is right, damn kids." Scythe tsked, "Let's go to a lobby now. Talk to that fine gentleman over there, his name is B. Zuka." She told.

You silently took control, heading over to B. Zuka.

"Hey, wanting to head out?" B. Zuka said.

"Yes sir.." You mumbled, you didn't want to test his temper either.

"Hop in." He sighed.

The loading screen appeared. You didn't realize how tense your body was until now, you tried to relax more. You appeared in an ongoing game, Scythe loaded in.

"Yur' in complete control, Partner. Let's show these folks who's boss." Scythe told you, and you nodded.

"Alright. I'll try my best!" You exclaimed.

Author's Note: Hey, it's been a while. I stopped posting for a while to focus more on my other hobbies, I didn't expect people to actually miss me. I felt unmotivated due to the death threats I've been receiving from the Pressure fanbase. But nonetheless, I decided to do something new again. I have Pressure fanfics in the making, but it will be slowing down. I have multiple hobbies, many outside of writing.

[noctilia]

The Sun and Moon lesbians

[mortalityplays]

This is a dangerous sentiment for me to express, as an editor who spends most of my working life telling writers to knock it off with the 45-word sentences and the adverbs and tortured metaphors, but I do think we're living through a period of weird pragmatic puritanism in mainstream literary taste.

e.g. I keep seeing people talk about 'purple prose' when they actually mean 'the writer uses vivid and/or metaphorical descriptive language'. I've seen people who present themselves as educators offer some of the best genre writing in western canon as examples of 'purple prose' because it engages strategically in prose-poetry to evoke mood and I guess that's sheer decadence when you could instead say "it was dark and scary outside". But that's not what purple prose means. Purple means the construction of the prose itself gets in the way of conveying meaning. mid-00s horse RPers know what I'm talking about. Cerulean orbs flash'd fire as they turn'd 'pon rollforth land, yonder horizonways. <= if I had to read this when I was 12, you don't get to call Ray Bradbury's prose 'purple'.

I griped on here recently about the prepossession with fictional characters in fictional narratives behaving 'rationally' and 'realistically' as if the sole purpose of a made-up story is to convince you it could have happened. No wonder the epistolary form is having a tumblr renaissance. One million billion arguments and thought experiments about The Ones Who Walk Away From Omelas that almost all evade the point of the story: that you can't wriggle out of it. The narrator is telling you how it was, is and will be, and you must confront the dissonances it evokes and digest your discomfort. 'Realistic' begins on the author's terms, that's what gives them the power to reach into your brain and fiddle about until sparks happen. You kind of have to trust the process a little bit.

This ultra-orthodox attitude to writing shares a lot of common ground with the tight, tight commodification of art in online spaces. And I mean commodification in the truest sense - the reconstruction of the thing to maximise its capacity to interface with markets. Form and function are overwhelmingly privileged over cloudy ideas like meaning, intent and possibility, because you can apply a sliding value scale to the material aspects of a work. But you can't charge extra for 'more challenging conceptual response to the milieu' in a commission drive. So that shit becomes vestigial. It isn't valued, it isn't taught, so eventually it isn't sought out. At best it's mystified as part of a given writer/artist's 'talent', but either way it grows incumbent on the individual to care enough about that kind of skill to cultivate it.

And it's risky, because unmeasurables come with the possibility of rejection or failure. Drop in too many allegorical descriptions of the rose garden and someone will decide your prose is 'purple' and unserious. A lot of online audiences seem to be terrified of being considered pretentious in their tastes. That creates a real unwillingness to step out into discursive spaces where you 🫵 are expected to develop and explore a personal relationship with each element of a work. No guard rails, no right answers. Word of god is shit to us out here. But fear of getting that kind of analysis wrong makes people hove to work that slavishly explains itself on every page. And I'm left wondering, what's the point of art that leads every single participant to the same conclusion? See Spot run. Run, Spot, run. Down the rollforth land, yonder horizonways. I just want to read more weird stuff.

[elodieunderglass]

hi! i was just wondering if you’re getting a piece of this pie. https://www.kickstarter.com/projects/voidrealmminis/rise-of-the-eldertubbies?ref=profile_saved_projects_live

Oh my goodness! Haha thanks for showing me! And no, of course, this guy is still selling my dream while claiming it’s totally nothing to do with me. I hadn’t heard about it so thank you.

For those just joining us, here is the saga of the elder teletubbies:

1. in 2017 I posted a dream I had on Tumblr. In the dream I discovered that the childish teletubbies shown on BBC’s Teletubbies are merely the children of a species that grows up to be forest cryptids as adults. The post contained a detailed character description explaining how the children’s simple antennae become more complex antlers; their coats become thicker hair; their eldritch screens are unknowable; here, look:

The adult Teletubbies have more branching, complex antlers and shaggy coats. They are less brightly coloured. They are terrifyingly large. Their strangely human faces, emerging from the thick fur, are unquestionably adult; remote, serene, reproachful. Their television screens are glitchy, esoteric and unknowable. They are cryptids whose public exploitation has undermined their rarity and their strange, alien dignity.

That’s a pretty clear description.

2. The post quickly gained attention and many people drew art, made sculptures, designed in-depth character concepts, and even made DnD character sheets and entries with detailed notes. It was 2017. The post got over 90k notes. It had an extremely clear description of the cryptid in it. This wasn’t at all obscure.

3. The post and four pieces of the concept art, including the first piece by were screencapped and posted on r/tumblr. The post included this art by the now-deactivated @finoliatav which is, I think, the first piece of art. Most screencaps don’t show that it’s animated! Once you see it you can no longer pretend that any more work needs to be done in designing these characters, really - they’re all variations on a very clear theme.

4. A guy called Jars started drawing the BBC Teletubbies as adult Teletubbies. He noted on Reddit that his inspiration for the first one was the r/tumblr post but after that, he considered it entirely his own creative work. He drew each of the 4 BBC Teletubbies as adults using my character description and wrote a little story about how his character had stumbled upon them in the woods. He’s a good artist and his work went viral on Reddit and instagram. Those places being separate from Tumblr by the walls of the enclosure, they quickly believed the Jars was being highly original and praised him for it.

5. jars got carried away by his fame and started merchandising for all he’s worth. He’s selling elder teletubbies placemats. He got a collaborator to help him make and sell plushies.

6. Plushies of my character design applied to BBC characters. Jars sells them. To people. Who buy them. He sells these.

7. I think this is like… his job.

8. It has been years of this. I don’t think he has actually come up with anything else to sell by himself. But given that he now has millions upon millions of views on platforms I don’t use, let alone dominate (Instagram, YouTube, Reddit, TikTok) he seems to have fully subscribed to the idea that this is his THING.

9. After a while I wrote him a friendly email expressing that since my original dream was very much about discomfort with how the teletubbies were being exploited, I didn’t mind him selling his own art but that I wasn’t happy with him selling plushes based on my writing.

10. He wrote back along the lines of it all being his original intellectual property and absolutely nothing to do with me, etc, so jog on and don’t interfere.

11. I’m not entirely sure where the original intellectual property is when taking BBC characters and drawing them according to someone else’s detailed description of how to “evolve” them (branching antlers, shaggy coats, eldritch screens, serene adult human faces) especially having drawn them after seeing four separate detailed reference photos to base your own drawings on; especially when they’re the existing BBC characters from the show and not even your own. Like, Jars, you were given an entire detailed brief, several sets of references, an entire concept and a television show: the only artistic choices made here were to pick up your own personal pen and do the drawing. You have never deviated from my description, which you did not come up with yourself in any way. But okay Jars. You did some real intellectual heavy lifting here, this is Intellectual Property suddenly, and I guess this is your day job!

12. I myself actually have a day job, am capable of generating lots of other original material just for funsies, have never asked you guys for money, and I’m not generally huge jerk I don’t think. Also, I’m uncomfortable but have never been clear on how to stop him - I don’t think I can. So I don’t do much about this, apart from occasionally scream with hilarity with you guys about it.

13. Like this is the opposite of Goncharov. This is a guy making his wage on a 2017 tumblr collaborative shitpost insisting that this is the beautiful fruit of his only brain. And millions of people believe him.

14. There are now YouTube documentaries with millions of views and TikTok lore about Jars, and his lore, the Elder Teletubbies, which apparently he invented. People are making their wage talking about the history of Jars and his teletubbies lore. These documentaries are, if you can’t tell, not especially well-researched, as it is not difficult to find the original elder teletubbies art on the internet, which is all timestamped. Occasionally hilarious people from Tumblr point this out in the comments (thank you, you guys are hilarious) but the juggernaut is unstoppable!

15. Jars is now, apparently, doing a kickstarter to raise money for some kind of DnD sheets using the grown up BBC teletubbies.

16. I will point out that tumblr made and played with DnD teletubbies in 2017 for free and nobody had to pay $3000, but again. The juggernaut is unstoppable.

I have never, ever known what to do about this guy.

I have always been open to advice but genuinely never been able to articulate how it “damages” me, apart from ethical discomfort about how much I hate my writing being monetised by other people, especially when it was about my discomfort with exploitation. The juggernaut is unstoppable though. He fully intends to get thousands of dollars from this. He almost certainly will!

[elumish]

I've been reading Iron Flame by Rebecca Yarros, and it's gotten me thinking about how worldbuilding is multilayered, and about how a failure of one layer of the worldbuilding can negatively impact the book, even if the other layers of the worldbuilding work.

I don't want to spoil the book for anyone, so I'm going to talk about it more broadly instead. In my day job, one of the things I do is planning/plan development, and we talk about plans broadly as strategic, operational, and tactical. I think, in many ways, worldbuilding functions the same way.

Strategic worldbuilding, as I think of it, is how the world as a whole works. It's that vampires exist and broadly how vampires exist and interact with the world, unrelated to the characters or (sometimes) to the organizations that the characters are part of. It's the ongoing war between Earth and Mars; it's the fact that every left-handed person woke up with magic 35 years ago; it's Victorian-era London except every twelfth day it rains frogs. It's the world, in the broadest sense.

Operational worldbuilding is the organizations--the stuff that people as a whole are doing/have made within the context of that strategic-level world. For The Hunger Games, I'd probably put the post-apocalyptic nature of the world and even the existence/structure of the districts as the strategic level and the construct of the Hunger Games as the operational level: the post-apocalyptic nature of the world and the districts are the overall world that they live in, and the Hunger Games are the construct that were created as a response.

Tactical worldbuilding is, in my mind, character building--and, specifically, how the characters (especially but not exclusively the main characters) exist within the context of the world. In The Hunger Games, Katniss has experience in hunting, foraging, wilderness survival, etc. because of the context of the world that she grew up in (post-apocalyptic, district structure, Hunger Games, etc.). This sort of worldbuilding, to me, isn't about the personality part of the characterization but about the context of the character.

Each one of these layers can fail independently, even if the other ones succeed. When I think of an operational worldbuilding failure, I think of Divergent, where they took a post-apocalyptic world and set up an orgnaizational structure that didn't make any sense, where people are prescribed to like 6 jobs that don't in any way cover what's required to run a modern civilization--or even to run the society that they're shown as running. The society that they present can't exist as written in the world that they're presented as existing in--or if they can, I never could figure out how when reading the book (or watching the film).

So operational worldbuilding failures can happen when the organizations or societies that are presented don't seem like they could function in the context that they are presented in or when they just don't make any sense for what they are trying to accomplish. If the story can't reasonably answer why is this organization built this way or why do they do what they do then I see it as an organizational worldbuilding failure.

For tactical worldbuilding failures, I think of stories where characters have skillsets that conveniently match up with what they need to solve the problems of the plot but don't actually match their background or experience. If Katniss had been from an urban area and never set foot in a forest, it wouldn't have worked to have her as she was.

In this way (as in planning), the tactical level should align with the operational level which should align with the strategic level--you should be able to trace from one to the next and understand how things exist in the context of each other.

For that reason, strategic worldbuilding failures are the vaguest to explain, but I think of them like this: if it either 1) is so internally inconsistent that it starts to fall apart or 2) leaves the reader going this doesn't make any sense at all then it's probably failed.

[wordstome]

how c.ai works and why it's unethical

Okay, since the AI discourse is happening again, I want to make this very clear, because a few weeks ago I had to explain to a (well meaning) person in the community how AI works. I'm going to be addressing people who are maybe younger or aren't familiar with the latest type of "AI", not people who purposely devalue the work of creatives and/or are shills.

The name "Artificial Intelligence" is a bit misleading when it comes to things like AI chatbots. When you think of AI, you think of a robot, and you might think that by making a chatbot you're simply programming a robot to talk about something you want them to talk about, and it's similar to an rp partner. But with current technology, that's not how AI works. For a breakdown on how AI is programmed, CGP grey made a great video about this several years ago (he updated the title and thumbnail recently)

I HIGHLY HIGHLY recommend you watch this because CGP Grey is good at explaining, but the tl;dr for this post is this: bots are made with a metric shit-ton of data. In C.AI's case, the data is writing. Stolen writing, usually scraped fanfiction.

How do we know chatbots are stealing from fanfiction writers? It knows what omegaverse is [SOURCE] (it's a Wired article, put it in incognito mode if it won't let you read it), and when a Reddit user asked a chatbot to write a story about "Steve", it automatically wrote about characters named "Bucky" and "Tony" [SOURCE].

I also said this in the tags of a previous reblog, but when you're talking to C.AI bots, it's also taking your writing and using it in its algorithm: which seems fine until you realize 1. They're using your work uncredited 2. It's not staying private, they're using your work to make their service better, a service they're trying to make money off of.

"But Bucca," you might say. "Human writers work like that too. We read books and other fanfictions and that's how we come up with material for roleplay or fanfiction."

Well, what's the difference between plagiarism and original writing? The answer is that plagiarism is taking what someone else has made and simply editing it or mixing it up to look original. You didn't do any thinking yourself. C.AI doesn't "think" because it's not a brain, it takes all the fanfiction it was taught on, mixes it up with whatever topic you've given it, and generates a response like in old-timey mysteries where somebody cuts a bunch of letters out of magazines and pastes them together to write a letter.

(And might I remind you, people can't monetize their fanfiction the way C.AI is trying to monetize itself. Authors are very lax about fanfiction nowadays: we've come a long way since the Anne Rice days of terror. But this issue is cropping back up again with BookTok complaining that they can't pay someone else for bound copies of fanfiction. Don't do that either.)

Bottom line, here are the problems with using things like C.AI:

It is using material it doesn't have permission to use and doesn't credit anybody. Not only is it ethically wrong, but AI is already beginning to contend with copyright issues.

C.AI sucks at its job anyway. It's not good at basic story structure like building tension, and can't even remember things you've told it. I've also seen many instances of bots saying triggering or disgusting things that deeply upset the user. You don't get that with properly trigger tagged fanworks.

Your work and your time put into the app can be taken away from you at any moment and used to make money for someone else. I can't tell you how many times I've seen people who use AI panic about accidentally deleting a bot that they spent hours conversing with. Your time and effort is so much more stable and well-preserved if you wrote a fanfiction or roleplayed with someone and saved the chatlogs. The company that owns and runs C.AI can not only use whatever you've written as they see fit, they can take your shit away on a whim, either on purpose or by accident due to the nature of the Internet.

DON'T USE C.AI, OR AT THE VERY BARE MINIMUM DO NOT DO THE AI'S WORK FOR IT BY STEALING OTHER PEOPLES' WORK TO PUT INTO IT. Writing fanfiction is a communal labor of love. We share it with each other for free for the love of the original work and ideas we share. Not only can AI not replicate this, but it shouldn't.

(also, this goes without saying, but this entire post also applies to ai art)

[hxney-lemcn]

When You Nerd Out (Biology Edition) — Overblots x gn! reader

summery: the overblots find out you're more of a nerd than they realized...

tw: mentions of bugs (not really but I digress), mentions of arachnids (literally just the name of one lol), mentions of reptiles (idk maybe people are scared of them), mentions of snakes.

a/n: a reptile show is happening soon and I've been looking into so many reptiles/invertebrates/amphibians I had to get this out of my system somehow. What better way then to ramble to fictional characters? (Help me)

wc: 1.2k (~180 per character)

Master List

Riddle Roseheart

When Riddle first met you, you were downtrodden, having just been thrown into a new world filled with magic and flair that yours didn’t. Your grades weren’t the best (but far from the worst), and you always seemed tired no matter what. So when your eyes lit up when he showed you the flamingo and hedgehog cages/pens he was surprised at the amount of facts that spilled from your lips. From how flamingos get their color to how hedgehogs are carnivores. Or how you could even ramble on about flowers and plants, like how tea garden roses are the most short lived species. From then on, Riddle would come to you for even the smallest of things. Did you want to feed the animals with him? This rose bush is wilting, are there any tips to bring it back? Do you know the meaning behind the colors of roses? No particular reason for that last question…just don’t question the bouquet of white and red roses mixed with baby’s breath that show up on your doorstep the next day.

Leona Kingscholar

It was hard not to notice when you seemed to be on the brink of exploding. How you’d stare at awe in Leona’s presence, as you should. But your eyes would always wander to his ears, teeth, tail, nails. It got to a point that he felt like you were mentally dissecting him. It was his downfall to growl out a short “what”, as you started to pile on questions to the beastman prince. “Are your nails sharper than a humans?”, “How much better can you hear?”, “Does your tail help you balance?” All Leona could do was stare at you with boredom. Who knew his herbivore was a nerd? He supposes he could humor you for a little bit. Press his sharp nails lightly into your skin, a teasing smile as he asks if you’d like a test. Perhaps a nibble to show you how well his canines work? It all goes awry when you start taking interest in other beastmen, who cares about the cheetah or leopard bestmen when you have a lion prince right here?

Azul Ashengrotto

Azul never thought twice about where he’s come from. He’s seen many kinds of merpeople, many kinds of fish or crustaceans or sharks. But he knew land dwellers didn’t have that, which is why he has the giant aquarium in his lounge. He got used to the awed expressions as well, more focused on swindling the poor souls. So when your jaw dropped and how you clearly restrained yourself from running up to the giant aquarium, Azul felt giddy. He could offer you something most couldn’t. He’d watch as you’d point out a fish or ray that you saw and explain how much you loved the color or how magnificent it looked. When you brought up how smart you thought octopi are, it was over. His heart couldn’t take it. You know he was an octopus merperson right? You were basically complimenting him without realizing it. He couldn’t get over how you stared in wonder at the blue ringed octopus that was waving back at you. And oh sevens you were giggling at it? He wasn’t getting jealous over another octopus, no way…

Jamil Viper

Jamil noticed the excited look in your eyes when you learned his last name was Viper, but nothing had happened at the time. It wasn’t until Kalim had you rambling about animals did Jamil realize just how much you seemed to love snakes. How you named your favorite in a heartbeat to how you scrutinized the ones you looked into as pets. It wasn’t until Kalim started to offer to buy you all those snakes and more did he have to step in. Yet Jamil felt flustered when your gaze landed on him, your eyes that had been filled with fondness while rambling about snakes had only seemed to get brighter when looking at him. Reluctantly, Jamil let you drag him to a reptile show, something Kalim had pushed him to do. For his own sanity, Jamil ignored the giant pouch of money Kalim tried to stealthily hand you, instead, focusing on your awed expression at the variety of animals. He couldn’t help but watch the snakes in awe with you, and when you asked him if he wanted to help you set up an enclosure for one…who was he to say no?

Vil Schoenheit

Vil is a busy man. With photo and movie shoots to interviews to taking care of himself, there isn’t much time to stop and smell the roses. But with you, he tries to make time, and it's like a breath of fresh air every time. It was nice to sit outside and bask in the sun (with sunscreen of course) and talk with you. Something had clearly caught your eye when you dropped from the bench to scoop something off the ground. Vil thought he knew you well enough…apparently not. He hadn’t expected to see you shove a rolly polly, pill bug, potato bug, whatever you want to call them into his face…okay maybe he’s exaggerating. You held the little thing far enough away that it wasn’t all too startling. He swore he never saw you so excited about something, or how you rambled that they weren’t bugs, but crustaceans that live on land. The way you gently held the critter to how fondly you looked at the curled up thing made Vil’s heart flutter. You always seemed to find beauty in things most would shudder at. How odd.

Idia Shroud

Idia had no idea how you managed, but you had convinced him to get a plant. You had called it a zz plant, and thought it would be perfect to liven his room up as it didn’t need direct sunlight. He watched the plant as it sat next to a grow light, it needed something since he didn’t have any windows. The dark purple leaves were pretty, you were right. As much as he tried to keep up with watering, he would forget, but Ortho seemed to have it covered. When little leaves started sprouting, Idia felt proud, a weird feeling he wasn’t used to. When you came over and saw how well it was doing you beamed. That stupid fluttery feeling filled him as you praised him, not to mention it mixing with feeling proud. Not a good combo, as now he was thinking of asking you if there’s any other plant you may recommend, just to get you rambling once more about different plants that could thrive in his little cave of a room.

Malleus Draconia

Although Malleus loves to hear your voice, you always seem content to hear him ramble. The way your eyes watched intently, trying to find what he was pointing out on a gargoyle, or how you’d ask questions about the differences of a gargoyle and grotesque. At first, he was concerned when you gasped, had you gotten hurt somehow? Yet he found you excitedly pointing out a house gecko that stood near the gargoyle he was talking about. He watched you in awe as your eyes glittered, and how you were basically jumping up and down. Then you started going on about geckos, reptiles, and all sorts of odd things people keep as pets. The way you basically swooned at the thought of owning a crested gecko or a crocodile skink, Malleus was ready to hand you all the money you needed. He is the best and worst, as he’ll never tell you no and fund your hobby till your heart’s content. Just make sure to pay attention to him too, yeah? Unlike skinks or tarantula’s, he likes your affection. Plus, he’s the best reptile of them all, no? He’d gladly show you his dragon form.

[horse-girl-anthy]

Revolutionary Girl Utena: Gender in Context

beneath the cut, I discuss the RGU's portrayal of gender in the context of 1990s Japan.

in Ikuhara's interview with Mari Kotani, he stated that in traditional Japanese society, "prince" meant "patriarch." the same is true in Western societies--there was a time when a prince would be an heir to a royal line. by 1997, this meaning had died out of large parts of the world. even the association between princes and traditional masculinity was fading. Saionji, the weakest, most pathetic man in the show, is a parody of historical Japanese masculinity, with his kendo and his blatantly regressive beliefs about women.

in RGU, prince may still mean patriarch, but in a far more subtle fashion. Ikuhara and Kotani discussed the changing expectations for men in the latter half of the 20th century--it became gauche to fight over a woman with one's brawn, so instead, power struggles were played out in the arena of looks and sex appeal. one can see this reflected in the character Akio, whose power as a prince arises from his ability to turn "easy sensual pleasure based on dependency" "into a selling point with which to control people."

Akio has his moments of showboating masculinity, but when preying on Utena, he operates by making himself seem non-threatening and soft.

not only that, but he purports to want to allow students to express their individuality and thus approves of Utena's masculine form of dress. this is a front--by the end of the show, he's telling Utena that girls shouldn't wield swords. thus, through Akio's character, the show argues that traditionalist patriarchy in Japan isn't gone, but instead has only been papered over with false progressivism.

with all that said, there seems to be more to the character. he's taken the family name of his fiance, Kanae, and whatever material power he has in the school is dependent upon her family. in Japanese society, this is considered a humiliating position to be in, something that only a shameless man would do. the show never gives the audience any insight into how Akio feels about this--is he unbothered entirely, or are his actions against the Ohtori family an expression of his repressed anger? does he harm the children under his care to compensate for his humiliation?

this aspect of Akio's character may seem irrelevant in light of the larger, immaterial social forces at work in the show. however, I would argue that it was included for a reason. Akio, despite his status as ultimate patriarch of Ohtori, is in fact a highly emasculated character, to the point where lead writer Enokido even said that he is driven by an infantile mother complex.

to explain why Akio was portrayed this way, we have to discuss Japanese history. the nation suffered a major defeat in WWII and was forced to accept whatever terms the United States laid out for it. for an examination of how the Japanese have never truly processed those events and have plunged into modernity with reckless abandon, I recommend Satoshi Kon's Paranoia Agent. to sum it up briefly, in a very short period, the nation regained its economic footing, and by the 1980s had the largest gross national product in the world. this economic boom may have allowed Japan to maintain a sense of sovereignty, dignity, and power, but it was inherently fragile.

the infamous "bubble economy" lasted from 1986 to 1991. during this time, anything seemed possible; financial struggles appeared to be a thing of the past, and capitalist excess reached new heights. the ghosts of this period can be felt across Japanese media; for instance, think of the final shot of Grave of the Fireflies (1998), where the two dead children look down on Kobe, glowing an eerie green to imply its impermanence. the abandoned theme park from Spirited Away (2001) is explicitly referred to as a leftover from the previous century, when many attractions were built and then tossed aside in a few short years.

the bubble popped in 1992, leaving an entire generation feeling cheated. the bright futures they'd been promised, which had actually materialized for their parents and older siblings, had been lost to them overnight. economic crises are often accompanied by gender panics. to quote from Masculinities in Japan, "The recession brought with itself worsening employment conditions, undermining the system of lifelong employment and men’s status of breadwinners in general. The unemployment rate was rising, and although it never reached crisis levels, men could no longer feel safe in their salaryman status. Their situation was further complicated by the rising number of (married) women entering the workforce."

with this in mind, Akio's character can be taken as a representation of masculinity in crisis in 90s Japan. he's forced to rely on women for his position in life and has failed to save his only relative, Anthy. he tries to escape his misery through hedonism, perhaps an allegorical representation of how men tried to maintain their old standard of living after the economic bubble burst.

but of course, Akio is not the main character of RGU--the story is about girls. mangaka Yamada Reiji discussed the series in the context of the 90s, stating the following:

while I opened this essay by discussing the prince, the same points could be made about the princess. despite the increasing irrelevance of royalty, princess is still an important concept. how does it relate to the socioeconomic landscape of the 90s?

in Yamada's view, RGU is full of relics of the 80s; for instance, the figure of the ojou-sama, an entitled young woman who never lifts a finger for herself. during the economic bubble, it was increasingly common for women to be entirely taken care of by the men in their lives. Yamada names Nanami as a clear ojou-sama type character: she weaponizes her femininity, demanding to be rescued, doted on, and served.

however, by 1997, the ojou-sama could no longer expect to get what she wanted. from the 80s to the 90s, the percentage of women in the workforce increased around 15%; it was no longer viable for most women to be "kept" by their families. as the men experienced the humiliation of not being able to provide for their wives and children, women were undergoing a disillusionment of their own.

Yamada blames Disney for creating the ideological structure which led women astray. obviously, the company is known for its films about princes rescuing princesses. in Yamada's recounting, during the 80s, the company was infiltrating Japan through its theme parks as well; across the country, Disneylands were opening up, and people were buying into the escapism the corporation offered. Japan, as America, became a country of eternal children. its people were waiting for a prince to appear and save them.

but fairy tales can't stave off reality forever. Yamada claims that RGU embodies the rage of young women who woke up one day and realized that they had been raised on a lie. this anger pervades the work from beginning to end.

though RGU was created in a particular social context, its lessons can be extrapolated to any time and place. as the first ending tells us:

I hope this essay helped provide more context for the series. thanks for reading!

[gemsalive]

re: that HEFTY siffrin sweep on id5’s isat favourite blorbos poll — this might sound silly but i do actually think it’s kinda fascinating that isat, as a game so inseparably steeped in (for lack of a better way to describe it) queer fandom culture, managed to so completely sidestep the common Fandom Phenomenon that i suspect was behind the poll in the first place by creating a main character that is also overwhelmingly the fan favourite character for once.

obviously there are any number of factors we could point at to explain the extent to which siffrin nomiddlenames nolastnames manages to grab people and absolutely not let go, but personally i think one of the most interesting ones to consider is the one specific to the medium — that is, how siffrin subverts the “silent blank slate video game protagonist” archetype in such a way that happens to be primo brainrot breeding grounds.

like, when a video game dev makes a silent protagonist it’s usually a bid to maximize immersion by closing the aesthetic distance between player and character as much as possible, right? which is especially true of rpg video games — players find connection in the generic, as that is what gives you the freedom of motion to insert yourself into the story in whatever unique shape suits you best. you are your character and your character is you.

(as ever, post ran long. yall know the drill. tossin in a quick header pic before thoughts on blank slates & blorboification continue under the cut)

and then you’ve got siffrin, who is expressly pointed out to be the taciturn type; who when initially giving the player exposition about their journey so far doesn’t seem to hint at a life or history or even really any motivations outside the journey; whose every thought and action is narrated in second person so as to keep tracing and re-tracing the connection between him and you.

even their design — all darkless and shapeless, bundled up in that big cloak, as if an invitation for you to fill it in with whatever lets you relate to them most! at this point they are their own character for sure, but they also have enough very clear parallels going on with the silent protagonist archetype to feel more than accidental.

of course, as you keep playing you start to recognize that his blankness is much, much more than just a grab at immersion; his apparent lack of backstory, itself a fundamental piece of backstory. this is where he flips dramatically in the player’s perception from “generic vessel for story delivery” to “thoroughly multidimensional character trapped within endless torment nexus custom-built to target and exacerbate all his very specific worst traits rooted in very specific traumas”.

yknow, the good stuff !

but by then you have also been playing enough to be feeling the effects of the thing isat’s design does best of all. i’m talkin bout that ludonarrative lockstep baby. every piece of isat’s gameplay is designed to make you feel what siffrin is feeling — you understand by now that he is not a stand-in for you, but all the same you share in his frustration, his grief, his rare moments of joy and the subsequent heart-in-your-shoes devastation when that joy is inevitably poisoned — and through it all, the desperate grasping for anything new — all as if they were every bit your own.

so in this way the connection is maintained, even if you were someone for whom siffrin’s particular traits & struggles might not otherwise cause you relate to them at all if you had encountered them elsewhere, in a setting where you weren’t actively controlling them as a player. siffrin still gets to carry all the “just like me fr” impact of the blank slate protagonist in the tropes he embodies and in the game mechanics’ design, while totally free to evolve completely into his own character and keep you relating to closely them all the same. now toss back in the fact that said traits & struggles very much ARE of a flavour that a great many people Would Tend To Relate To and just like that you’ve got a perfect storm cookin.

too individual and compellingly written to be an empty vessel for plot delivery. too closely connected with the player’s emotional state to be a story observed impassively from the outside. he has 92 mental illnesses and for the low low price of free u can give him yours to carry too. nobody is doin it like him. congratulations on your well-deserved nose sniffrin nomiddlenames nolastnames <3