#i have so few complaints really

[bcbdrums]

FINISHED.

All 113 chapters. Finished.

I loved it.

[aroaessidhe]

2024 reads / storygraph

The Jinn-Bot of Shantiport

set in a cyberpunk Calcutta-inspired city, loosely inspired by Aladdin

chaotic monkey bot who wants to fight in underground mecha/bot tournaments and leave to become a space hero

his human sister, the daughter of failed revolutionaries who has been working her whole life to free their city from oppression and inequality, especially with the recent rumors that their planet is scheduled for destruction

and an old unearthed bot whose function is to observe & record the story of a client who meets the siblings and quickly becomes involved in their lives

and a treasure hunt to find an old and powerful piece of alien tech that has the power to radically change their city

[forcebookish]

i don't think i wanna read any more only friends meta for the rest of my life

[infestedslime]

At this point it's been like. A month since the dlc came out so I'm probably not gonna write a long thing about my thoughts on shadow of the erdtree but I do wanna say. I think midra might be my favorite boss in the entire game. His design, the animations, the buildup from the abyssal woods/midras manse are all top notch. Those were probably my favorite areas as well, and honestly the only other thing I wish had been there was some kind of aging untouchable helmet like we get for the albinaurics/land octopi.

[callixton]

can i say as a self confessed enjoyer of ‘dark academia’ books i think it is fucking stupid to refer to it as a genre rather than like. a trait

[problemcore]

hiiii halfway? thru the story. hard as hell to avoid spoilers online i need to stay away 😭 rant in tags, spoilers for 2.2 . i already reached 30 tags wow 💀

[akkivee]

KR!!!!!!!!!!!!! NELKE!!!!!!!!!!! WHOMST TF EVER!!!!!!!!!!!!!!!!!!!!!

LET ME IN!!!!!!!!!!!!!!!!!!!!! LET ME IIIIIIIIIIIIIIIIIIIIIINNN!!!!!!!!!!!!!!

[whoviandoodler]

you ever go into a tag for a show or whatever and find several painstakingly created gif sets from interviews with the actors where they're just like. fully mocking fans? talking about them like they're the most despicable thing on this earth kind of bitter mocking. and on the one hand you're like, okay, i get it, fans can really be shit and get overly parasocial and think you owe them something beyond the work you created but on the other it's like. bro this makes me not want to engage with anything you do at all. ever. you don't have to sing your fans praises but you can do them the basic courtesy of professionalism and not ridiculing the entirety of everyone who both engages with your creative work and whose interest ultimately results in your paycheck.

[skibasyndrome]

I'm about to throw all my academic values overboard to get this fucking article done

[claitea]

i wont do the post game right now bc my mom is a little annoyed i've been on the switch for the whole day. but Man. good stuff i love this game and its dlc so so much

[variousqueerthings]

me, getting back into writing fanfic: gotta make sure i write a rarepair in a way that nobody would want to read anyway, because it's kinky and asexual and funky about aromanticism and gender ✌

[moe-broey]

Idk how committed I am to this comic tbh but I really like how this sketch came out... might be a bit clunky/cramped but you know what. I specialize in funny little guys and funny little guys ONLY‼️‼️‼️

[rmorde]

What's happening with MAPPA ?

Their scheduling is simply terrible and its killing animators on the inside. Many big name animators are posting online how little of a time they are being given to work on the episode. I have seen one artist post how they only have 5 days (!) to draw a sequence. The Choso vs Yuji episode only finished post-production BARELY A DAY before it aired. It's insane.

Shibuya Arc is action-heavy and the expectations for the animation is high. Artists HAVE to deliver high quality work on the project because their reputation is on the line.

Some of the artists have been posting how hellish it is to work on MAPPA. The director of the last episode felt so bad about how "terrible" it is and apologized. Some have barely enough time to submit their sketches, in-between art, key frames, corrections, etc.

Now, for us, the episode is great. However, "sakuga" fans are more discerning and would see how its faltering in some parts. They can tell how the staff is struggling and are being forced to produce "subpar" results because of the 7 day production schedule.

*Sakuga = High quality Animation = 24 frames (drawings) per second

The staff takes great pride in their work. So, having to deliver subpar "sakuga" to audiences is horrible for their mentality and confidence. They do not want that to be their legacy - which is a big deal for them.

Think these episodes look great already? Had the animators have more time, they would have looked even better!

The fact that the staff can still make episodes look so good by sheer will and god-like drawing skills despite their schedule should be given a lot of respect and admiration.

Now, why haven't the staff been given more time?

It's because MAPPA is greedy. Not only is the studio producing JJK. They have other big projects going on alongside it: AOT, Vinland Saga, CSM. All of them had to look good. The staff have barely any time to breathe as they are treated like machines to deliver high quality animation season after season.

While CSM is being produced, the staff are already working on JJK 0 and then JJK S2 Hidden Inventory. It resulted with CSM's last few episodes being janky. JJK 0 was great and Hidden Inventory, obviously, was really polished (at the cost of Hell's Paradise being average imo tho).

Then we have Shibuya Arc. In all honesty, I wished they have delayed this a bit later. Maybe turned it into a winter season anime because again Shibuya Arc is:

Very very hyped. It HAS to look good and polished.

Lots of Action. Action is like the crowning jewel of any shonen anime and JJK has the reputation of being the best at delivering it. They CANNOT mess this up. *Cue PTSD to the insane complaints of the Toji vs Gojo Round 2 + Yuji vs Locust Curse episodes*

The solution should have been: Delay the anime so the animators can breathe and deliver their best which would make Shibuya Arc as polished, if not better, than Hidden Inventory.

Sadly, with MAPPA's insanity, it is impossible:

The staff are juggling so many high-tier projects. They have no room to "take their time" so to speak. They have to "GO! GO! GO!"

The "airtime" has already been reserved. Any delays would cost them losing a slot of airtime which meant the series MAY NOT completely be televised (which I think was the fate of ZOM100). Lost airtime means lost profit and MAPPA can't have that.

Fan anticipation. I wish I could lie about it but I just know some entitled assholes would harass the studio and the staff about animating Shibuya Arc ASAP. Fans can really put a lot of hype and pressure for JJK at the same time.

Now here are just my own opinion. But other factors may be:

4. MAPPA wants to capitalize Halloween. Just look at all the merch and collab events! All profits from those would go to the studio and not Gege. Gege's profit are JUST from the manga. Anime-related merch/products would be for the benefit of its manufacturers, studio, and shops only.

5. Timing things with the manga. Prime example: Gojo. (I am not too sure about this tho).

One reason I am excluding is the staff not working on the project because they may be busy with something else. JJK is a huge! New animators would love to have that as part of their portfolio. Big names in the industry would have wanted to work on it too because of the challenge it poses and their love for the manga series or animation in general as well.

TL;DR: It's all MAPPA's fault and not the staff. The studio wanted everything out of greediness while the animators just want to bring out their very best at their own pace.

[zincbot]

the hits stop coming and they don't stop coming

[britneyshakespeare]

this barbie saw the barbie movie

[lord-squiggletits]

The funny thing about my love-hate relationship with Barber is that conceptually, I do understand and agree with the concepts he established/strengthened about IDW Optimus, and I do think that if you want to write a good IDW Optimus you should read some of his stuff and ponder the themes that are trying to be conveyed therein.

It's just that holy shit the actual stories that IDW OP is in, like the plotlines and the reasons things happens and the style they're written in. Dark and depressing but not in a fun way, more focused on plot than character development, fast-paced and has a lot of things happen without much breathing or contemplation room, incredibly horrible plot holes and forcing certain things to happen for the sake of the plot. Like good god in THEORY his stories contain everything I wanted out of phase 2, it's just that the way it was EXECUTED fills me with so much disappointment and anger.