i’m still thinking about the defunctland disney channel documentary and kevin talking about his legacy being “youtuber” rather than “documentarian/filmmaker/artist” and
that one clip of him writing emails to various people? where he starts off “hello, my name is kevin perjurer and i am a documentarian,” pauses, and changes it to “youtuber” ???
i. i just. yeah.
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To Comfort The Moon
A lil doodly comfort crumb from this AU. I swear it's more lighthearted than this! ....Mostly, anyway.
Usually, comments like that slide right over Moon, it doesn't really bother him, that day was just a bad one, and the kids weren't feeling as nice as they usually do. It happens. And they know they have each other to just be there! They're not alone.
Most of the Daycare space is canon compliant, with a few extras just because; in this case, Moon's Nap Corner! While most kids prefer being outside of the little nook, some feel safer inside, which is why it exists :)
I was debating whether to add the other important guys in this comic, but decided that this moment happened prior to their intro, or there are plot related reasons they're not here! It doesn't really matter... ^^'
Under the cut is the comic without dialogue! I feel like it's still understandable without it, and I kinda prefer it anyway, so I decided to post! Anyways, see you when I actually introduce the others correctly! (Aka post their refs) :>
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Return date for my webcomic, Time and Time Again!
It's been set for a while but sometimes they change the date without warning, so I'll keep you updated if anything changes!
I'm extremely proud of the work I've been doing on it, I can't wait to share everything!
See you then!
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No but you don’t understand . I need Jonsa to be a tangled mess of depravity and tenderness. Grief haunting them - the ghosts of their past connecting them in some irrevocable way, because perhaps that’s the only way they know how to bond - initially, at the very least. Estranged but bursting with love but not knowing how to show it because ‘we were never close.’ But Sansa used to teach me courtesy, and Jon used to sneak me lemon cakes when no one was watching. I love you so much but I feel as if you’re a stranger to me and I don’t know how to change that. Do you wish it was arya who walked through those gates or I should have been a better brother to you, I should have ridden north for you. Please just let me hold you in my arms until our hardened hearts soften again. Until something ineffable develops. And to their horror, they realise this raw and fresh and beautiful (damaged) bond that they have created. And then comes the angst. The yearning. The unspoken words. Religious disillusionment. Inadequacy. Shame shame shame. Understanding slowly burning brighter, until they realise how similar they actually are and oh my god , you were there the whole time and I never even realised. But she was radiant and glowed brighter than any star in the sky, how could I not ??? Now give me your hands and I’ll kiss your fingers one by one, I’ll gentle each tip the way you’ve deserved. And I’m here, I see you. I’m not leaving, but gods am I a vile being. Look at how this world has corrupted me.
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One thing I really love about Marcille is that despite her deep fear of outliving her loved ones, she never, never let's it get in the way of her making bonds and getting close to people. She loves deeply and strongly and she doesn't try to supress that! She embraces it wholeheartedly! Her friends are so important to her and she's not ashamed or scared of it!
Actually, out of all the characters, I'd say Marcille is one of the ones who care the most about bonds of friendship. She's angry at Namari for leaving after Falin got eaten and holds that grudge up until Namari helps defeat the Undine (and therefore having 'proven' herself). She's shocked and upset when Chilchuck explains his policy of payment and that he's not really here bc of friendship. She puts a lot of focus on the party being a Group Of Friends rather than a team of hired hands dedicated to the specific role(s) they are paid for. Which of course makes sense since she joined the party to begin with because of her friend! To her, the party has always been 'Falin and her brothers' friend group' rather than a hired party. (A little reminder: Marcille was the most recent member when the story starts. She never met the previous members who left so the team of Laios, Falin, Chilchuck, Namari and 'Shuro' is what she's always known it as.)
When she becomes dungeon lord, the thing that manages to snap her out of the Winged Lions grasp is the earnest care and love her party is showing her. Literally 'power of friendship'ed their way through the Lions hold and gave her her clarity of mind back.
And!!!! At the end of the feast right before they're about to attempt to revive Falin again, she says!!! this!!!!
She's ready to accept that Falin might not come back, even after everything. The entire story she's been running away from death, from having to outlive her loved ones (in this case: Falin). But here she is, ready to let her stay dead if this last attempt doesn't work.
And it's not giving up. It's realizing that she did all she could, and that it's okay. Because she still got to meet and be friends with Falin. That time with her might be just a speck in the length of life Marcille will have to live still, but it still happened and that's what matters.
It's not about escaping death; it's about cherising the moments before it.
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I know most people want gentleman Husk to Angel
But I would like to argue back that gentleman Angel?? Kissing Husks knuckle after he gives him a drink? Making him a fully homemade (Italian) dinner with drinks? So many ideas I have
(the superior answer is that it's both of them in different ways at different times and everyone around them is honestly jealous) ((and wants them to finally kiss god dammit))
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see the thing about Astarion to me is I don't actually think he has a clue who he actually is beneath all of the everything he's got going on. he's got impulses, he's got drive, a will to live, he's got desires and amusements and cravings, but an actual selfhood?? no. there's a blue error screen where the person of him should be, the person -- whoever that was, I'm personally of the mind he likely wasn't good then either, but we'll see where the story takes us -- before Cazador. the man in front of us today is this mishmash of interior delight at freedom and sunlight but also capable of true unapologetic cruelty and willingness to be ugly in a multitude of ways. so he follows the impulse. he follows what intrigues and amuses, and nothing will take that freedom from him again. and he reflects back onto others the violence that was done unto him. a lack of power kept him down? now he wants to accumulate power, so it can never be turned on him again. but he also misses the sun while he's underground. he's mean and desperate and ruthless and it's interesting because he's unapologetic about it, he's unflinching about it. he's vindictive and mean and desperately floundering around throwing stuff at a wall to see what sticks in terms of personhood because who is he now. 200 years of horrific servitude and now he's just out and about and he's in the mud.
and he can be horrible. and yet when you take the routes of prying open the faaairly shallow veneer he has of smug and snark and snappiness, he'll give you pieces of the raw and the desperate -- "I want to know what the world sees when it looks at me. what you see." is a line you only get if you're earnest with him. any other path in the dialogue will have him continue the shallow persona you've come to know. and in all of that I think nothing is "this is real, this is an act," set in stone because I just don't think he even knows, I don't think he has a CLUE what's his and what's the protective measures and what's the real delight and what's the cruel mockery of his surroundings and what he's willing to give vs what he needs to hide vs what he lets slip out on accident. the inconsistencies in his own ideas and what he says and what he does. I think most everything about him is in a weird place of deeply uncertain. is it a lie? is it a glimmer of truth? for me, I like to interpret him in this weird menagerie of half-truths and shallow lies and omissions, because we've only known him a short while and maybe also he doesn't even know the answer yet. who is he? fuck if HE knows. anyways. smash.
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