Just gotta say I’m absolutely delighted you don’t give ghost chiseled ass abs, that man needs all the strength he can get and the meat on his bones feels much more realistic/healthy than him having vanity esc muscles :)
Manifesting your days are well!! <3
Big. Big man. Mountain to climb :)
Hope your days are well, too! Thank you <3
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This comic has been on the back burner for so long
Happy Major Project Monday!
Edit: Problems with Pork: Part 1
1 — Next —??
Bonus comic under: Redson telling her parents what happened..
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“When toxic behavior is portrayed as romantic, it’s problematic. When problematic behavior is portrayed as a character flaw for a character to work through, it’s good storytelling.”
Katsuki Bakugou, my friends.
His behavior was problematic but never once portrayed as romantic at the same time. Katsuki said and did awful abusive things, and he also chose to be better when he was given the chance. If you’re still hung up on chapter 1 Katsuki now then I don’t think you’ve been reading the same story I have.
I can’t speak for everyone, but I’m not shipping Izuku with an irredeemable abuser. I’m shipping him with his most important person. His narrative foil. His childhood friend who made awful mistakes and then made it right when he saw he was wrong. The person Izuku looks up to and strives to emulate, despite their past struggles.
Bakudeku is so good because of how flawed these boys are, and how hard they’ve worked to get over it, and how much they matter to each other after it all
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Raph Is A Great Strategist
Numerous times in the show Raph has shown to have a preference for straightforwardly punching his problems away rather than think up a more complex solution. Like how his immediate fix to getting Mayhem out of the mirror in Mystic Library was to punch everything in the bathroom but the mirror. However, when Raph understands the situation requires more in depth strategy, he’s shown to be an incredibly capable tactician.
(long post ahead!)
In nearly all the plot heavy episodes like Shadow of Evil, Many Unhappy Returns, and the season finales, Raph gets moments where he’s highlighted for his strategic thinking. In Insane in the Mama Train, he’s the one who figures out which eyeball-button goes to the front car with the dark armor, because “‘it was the only button [the Foot Clan] didn’t want me to press!’” [21:05]. He’s also the one who came up with the scheme to defeat all the (known) combatants in the train, with Leo specifically attributing Raph as the deviser during their mind meld [19:46]. In Many Unhappy Returns, after spending a single night waylaying the Shredder, Raph formulated a plan using all the tricks the team learned, seamlessly transitioning the mystic collar Leo acquired into it [19:53], to defeating the Shredder. Additionally, he’s repeatedly called for a retreat during fights, like in Shadow of Evil, Shreddy or Not (Finale pt 2), and the movie, when he can tactically recognize that a battle couldn’t be won. Each time, the show/movie implied that that was the right call, for the family to lose the fight but win the war.
And it’s not just that Raph is good at strategy when he’s pushed to be more serious; the show characterizes him as passionate about creating plans, he enjoys doing it. Literally in the first episode, Mystic Mayhem, after the turtles’ initial plan failed of getting Splinter out of the living room to touch his Do-Not-Touch Cabinet, Raph immediately started devising a new plan that involved “ten chickens [and] a gallon of rubber cement” [9:35]. It was convoluted, sure, and they didn’t end up using it, but it was inventive and the opposite of reluctant. This is also shown in Bug Busters, where Raph planned out dousing Mikey in honey to attract the oozequitoes [2:52]; Snow Day, with the idea to freeze Ghost Bear like in Jupiter Jim Pluto Vacation 4; and Raph’s Ride-Along (and also Bad Hair Day), where Mind Raph created multiple schemes to get the criminals arrested. The show wouldn’t have made Raph be so creative with his plans if they were trying to characterize him as someone who didn’t like strategizing.
So does why Raph do stupid shit sometimes where he doesn’t think things through at all? Well, even though Raph is good at strategy and enjoys doing it, it’s clear his immediate impulse is still “punch the problem in the face”. In fact, all the turtle boys contain the fascinating dichotomy of being incredibly smart in some areas, and the dumbest teenagers alive in others. Just look at Donnie. It’s also how Raph is a loving protective older brother, and the guy who shoved Leo into a wall so hard he disappeared in one frame for shits and giggles (The Mutant Menace x). None of this means that Raph is bad at strategy though.
tldr: Yeah, Raph has a lot of dumb and, frankly, insane moments in the show, but he’s still an incredible tactician who’s plans consistently saved his family and sometimes the world. He's a great strategist.
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I can't stop thinking about just how emblematic everything in those conversations of Ashton being "a child" are of how, even at her most beaten down, triggered and traumatized, Laudna is not and will not be what Delilah wants her to be.
For Delilah, "they're still a child" is dismissive, a bit derisive, but doesn't even merit being truly hateful. She doesn't find Ashton worth the attention Laudna is giving them, not when there are such more interesting, important things to pull the attention of an adult. Children are only important when they are useful. She will indulge Laudna on the subject, because Laudna is useful, is her vehicle for action in the world, but she only cares about it in the context of getting Laudna to do what she wants. Calling someone a child is calling them unimportant. (Laudna is a child to her)
But for Laudna, who loves children and who understands intimately what it's like to have the helplessness of child, to be trapped under the authority of someone who will never treat you as a full person, even when they are being ostensibly kind, to be so confused and lost and powerless...a child deserves attention more than anyone else. Of course children lash out. Being a child IS in many ways quite awful because the world is so big around you and you don't know yet how to react to any of it, how to soothe yourself - and if you aren't given the attention, you never learn how. Ashton never learned how. Her instincts - instincts trained into her by manipulation and abuse from inside and the world around her - may say kill him, but she fights them the whole way because her heart is stronger and her heart says that the angriest, most volatile child needs care as much as any other. More, even.
Laudna hears Delilah call Ashton a child and agrees on the word, but they have diametrically opposed understandings of what that means, and diametrically opposed instincts on how to treat a child. Laudna doesn't want to hurt anyone, especially children. She loves children. She loves so much and so selflessly. And Delilah is so very very good at manipulating her but she has tried for 30 years to change the bedrock of Laudna's psyche, the truer thing that drives her beyond the base animal instincts of survival, and it hasn't worked.
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