#i just liked the idea of aliens being real as it was an idea i never let myself explore before. i was more into demons initially sdhdhgs.

[fauvester]

If it’s not too much to ask…could we get a garashir grand babbe roll call

GARASHIR GRAND BABBEES!

NO GENETIC RELATION TO EITHER OF THEM. BUT THEY'RE GARAK-BASHIRS IN THEIR HEARTS!

Lim and his wife have like.. 5 or 6 kids...... on purpose........ there are many family running jokes about it with varying levels of crudeness. They just want a big family... If everyone was like them the planet would regain its prewar population in a few scant generations. Besides, Lim is a stay-at-home dad and house manager, so there's someone to wrangle them all full-time.

Jocasta eventually gets married at the spinsterish age of 30 and has a reasonable amount of children. There's such a dearth of young Cardassian men after the war that nobody thought it was too unusual that she took that long, but still, societal expectations and whatnot. Garak is heartbroken when she moves out (last one to leave the nest.) He visits a lot especially after he retires.

Idk if Idan has kids! Probably eventually. He's a student though, he's got too much to do right now.

But he is a favorite uncle!

Also idk if Iskra and Rulada have kids haha I don't know if they're the 2.5 WPF type... but very funny to imagine their Klingon/Cardassian hybrid. WHAT kind of chaotic mommy energy is Iskra going to bring to this endeavor

[miraclegemz]

july is over I can finally draw shadow again

Did my own take on some shatter shadows, I have some thoughts abt each of them, but please know that they all have Issues

Also these were very much inspired by @/son1c and their Sonic Prime AU so go check them out

[scarycranegame]

forgot to make this post 2 days ago but finally its here. because a Very Epic And Cool Guy™ mentioned it in the notes of one of my recent posts and i kinda wanted to talk about it anyways so uhh. uhmmm. here it are

warnings: racism (kinda? like. there's still prejudice but it isn't against races that exist in the real world)

so a lot of people have been talking about yellow face being racist after bfd.ia 7 and i wanted to talk about that because 1. i just really wanna share my headcanons, 2. i think it could serve as some kinda interesting worlbuilding, and 3. i see too many people equating this specific plot point to irl racism and tbh i think that's kind of fucked up

so to start, i think that yellow face being racist is not a personal thing for him; rather, i think there's a color-based caste system where he comes from, where red is at the top and purple is at the bottom (hence yellow being relatively higher up).. it would explain yellow face's arrogance in bfd.ia 9 and tpo.t 8 (if you squint) and also purple face's desire for respect/power in b.fb 24-30, as well as why yellow face just sort of. casually accepts commands from red/orange contestants (fries in bfd.ia 2, pin in bfd.ia 4, coiny in bfd.ia 5e, etc)

furthermore, i think that since yellow face references the color wheel in bfd.ia 9, races where he comes from aren't equivalent to irl races, nor would the linear hierarchy used here accurately represent skin color in the context of a 1:1 comparison to real life... specifically, i think that both red and purple would both be pasty white irl due to their closeness on the color wheel, and people would instead be judged by their natural hair color in this caste system (for example, if purple face were "human" he'd have naturally purple hair); meanwhile the closer you get to green/cyan (the middle of the "spectrum"), the darker your skin color is

tldr; yellow face's racism isn't like irl racism imo; the biology of his species is based on the color wheel but the sociology is based on a linear color spectrum, which translates to a human au as being judged by natural hair color as opposed to skin color

[audoodle]

something has been on my mind as I look through mp100 age swap content. there's a lot of really good concepts that I like a lot but a lot of these concepts feel kind of unlike how I picture a young reigen and especially an older mob?

the thing about mob psycho as it exists in canon is that we have no real picture of reigen's childhood. he has family but we don't know really anything about them, the history section of the wiki really only has the sports day to fall back on for him (it's a wikia so good chance they're missing something. I may be missing something too). but reigen lived a seemingly uneventful life before the events of the series. his story is about someone later on in life finding his people and his place and I think that's why serizawa and reigen and reigen and 7th division claw as a dynamic works so well because it's about how adults actually do have the freedom to reinvent themselves and find new paths.

I feel like older shigeo in an age swap is often written with this kind of dynamic (sometimes he is literally a serizawa style shut in) and I don't wish to say that is inherently bad a lot of that stuff I really enjoy reading and looking at! and I totally understand the value of it because you get to set a lot of your events in the current day which is what the audience is here for. but also it kind of feels like you've put mob into a time bubble? which feels like there's a lot of missed potential in that.

unlike reigen we know a lot about mob's childhood. obviously that's what the series is about. so if someone is making an age swap I think making a story that plays with that and plays with the expectations that while yes a lot of things were different in his life this still was a kid who went to salt middle and he must have met a lot of the same people right? I think working with that "baggage" could end up being really fun.

like I said I get why fic writers don't do that it means to fill out their story they need to not have characters like reigen and serizawa in the present of their work and fill things out through flashback or implications. you also worry about blowing your exciting stuff before your story technically "begins." (you're essentially doing a no reigen au and an age swap at once it's kind of weird) despite these clear issues I do have a lot of interest in making stories like this. reigen is introduced to a circle of people he does not know and has to piece together a history he was not there for. like I'm imagining him learning about a time shigeo went 100% as a kid and it being like learning your dad got arrested when they were 17. it feels like a concept with a lot of potential to focus on the history of shigeo's life and how it leads to where he is in current day ageswap.

[ferociouslycreativemystery]

Me: I'm fine about my autism now btw, like I've come to terms with my fixated interests, limited tolerances and social inabilities. The alienation it brings is not ideal but it's just a reality I've gotta deal with now that I know it's just a part of who I am. I mean, it's not like an awkward conversation is gonna ruin anyone's life, is it? We'll both move on from it eventually. This is fine!

Also me: physically unable to watch beyond the first word of the first question of The Assembly because oh my god what if someone says something awkward or controversial or someone can't make themselves understood people are gonna get mad and scream about it online and I will freeze up and be stuck in the backlash forever I don't know how to handle conflict AT ALL let's just hide in the corner behind the sofa instead wait what if I became a hermit actually yeah yeah yeah that sounds good let's do that

[yamikawaii]

i wanna go home i wanna be with yoomiee

[clanoffelidae]

Now that I’ve mentioned it I wanna infodump about my alien dragons bc I haven’t talked about them in a long time and mentioning them just activated the neurodivergency

Doing everything in brief bc I’m on mobile and also have to work on moving today which I. Haven’t done yet. But I WILL-

Anyway. The basic premise for them is I wanted to tell a story about aliens living on Earth for so long people didn’t realize they weren’t originally from Earth. The fact that their biology is similar enough to an Earth organism to be mistaken for one by people without genetic sequencing or looking through the evolutionary lens at things (not realizing they seem to have no common ancestors) is the whole point.

The fact that they can breathe Earth’s atmosphere, the fact that they can consume the food that grows on Earth to meet their dietary requirements, the fact that they have surface level similarities to Earth life is all intentional! Because their story is that a ship crash lands towards the end of the last Ice Age, enough survive that they manage to gain a foothold on Earth, but soon enough they themselves have forgotten their own history, and now both humans and dragons believe that they have always shared this planet. Dragons have their creation stories, they say they were born of a giant, metal egg that flew in the heavens and spewed fire; that’s why they’re scales are as tough as that metal egg’s shell, that’s why they fly just like the egg, and that’s why they can spew fire as that egg that bore them; but those stories are the only remnants of their history.

But I also wanted them to still be alien, to still be such that a reader would look at them and the assertion that they are from Earth and start to see that things aren’t what they seem, it’s just the characters who never question it, because that’s the way it’s always been. Dragons have been here as long as human history recalls. But the reader can start to see that things might not be what they seem. (But neither side is hiding the truth, because neither side knows.)

And so we have the dragons. No special name, no special words to refer to them, they’re just dragons. In this world the mythos of dragons isn’t mythos, they’re right next door and you can go talk to them. Stories of dragons aren’t of mythical beasts, they’re stories of heroes of legend, just like humans.

Of course, the reader would quickly notice that they don’t quite line up with our classical ideas of dragons.

For one, they’re human-sized. They typically walk on four legs, but will often stand up on two to work with objects or even just have conversations. Standing up on two legs has the same social connotations as standing up from sitting; you might hang out on four legs with your friends, but if someone you want to be respectful towards approaches you you will stand up on two and straighten up unless invited to return to four. Of course, there are exceptions. It is not unheard of for groups of solely dragons to walk on all fours even in formal settings, though it is not the norm. Not the majority, but not unusual either. With humans present, however, it is considered quite rude to remain on all fours in a formal setting (barring, of course, obvious physical maladies necessitating it).

Dragons have opposable digits like humans, although they possess six rather than five, having a thumb on either side. They have similar ranges of dexterity and so both species are fully capable of using one another’s tools and machinery. Dragons also have lips dexterous enough to allow human speech, and so can speak human languages with no issue. Their digestive systems can also process human foods, including dairy; dragons themselves nurse their young.*

Their eyes are often noted to be exceptional, one of the most blatant indicators of their non-Earth origins to those looking. Their eye structure doesn’t match that of any known species.

In a way they could almost be likened to proto-eyes, for the whole organ is dark and light receptive, functioning similar to a pupil. In order to adjust focus and reduce the amount of light let in dragons have thick, dark membranes around the outside of the eye, that constrict to a circular opening like a drawstring bag. This opening moves and changes sizes, the eye itself remaining fixed in the dragon’s skull. The ocular membrane is not distinct from the rest of the eye’s color, the best indicator of where a dragon is looking being where their eye has a reflection rather than matte, as the matte black indicates the presence of the ocular membrane rather than the eye underneath. Many common nicknames and pet names used by dragons for humans they love; be it platonic, familial, or romantic; often involve the eyes. ‘Jeweleyes’ is the most common, akin to ‘sweetheart’, for the first dragons who grew close enough to look into a human companion’s eyes long enough to truly observe them likened them to precious gems for their multitudes of colors, both across the species and within the individual.

Dragons have three sexes, not two, and quite differing familial structures as a result. Dragons have males and females, akin to many Earth species, with the males having similar ranges in overall size to human females and draconic females conversely matching human males in this way. This, along with their scaled hides, is why many believed they must be related to reptiles in some fashion when draconic origins were first being investigated.

However, dragons have a third sex, known as nesters.

Nesters are non-reproductive, bearing no genitalia. Their size ranges are double that of the average draconic male, and they are so heavy that few are able to sustain flight after puberty. They have a front facing horn from the center of their foreheads akin to a unicorn, although it is curved like a blade. This horn sheds from time to time much like claws shed their sheathes. Nesters also grow a mane of hair-like fibers around their shoulders and upper chests akin to a lion’s mane after reaching puberty.

Nesters are the primary caretakers of draconic young, with their evolutionary purpose in times long past being to guard the children while the males and females hunted. Males and females produce eggs, but once the eggs are laid, it is the nester who takes over and broods over them, later raising the hatchlings who come from them in time, nursing* them when they are newly hatched and caring for them until they are adults. As such, they are what would be considered a dragon’s parent, with many dragons sharing the same parent, but with many different biological ‘parents’. The term ‘guard’ is used akin to ‘mom/dad’.

Long ago, dragons had only males and females, but lines that produced nesters produced more successful offspring, although the nester did not directly contribute genetics. In time, nesters became a commonplace part of draconic biology, and dragons grew to have three sexes as opposed to two.

Nesters were archaically considered the leaders of their clans, being the strongest as they were. Nesters would fight for clans not unlike male lions might fight for prides, their front facing horn being used for combat against both predators and other nesters. Thankfully, unlike lion prides, nesters did not kill any offspring present upon defeating the previous guard, as they themselves are non-reproductive. The reason they had to fight for a clan is because they require a lot of resources, they need a lot of food to remain healthy. A clan could only afford to have so many nesters before the resource consumption outweighs the protection provided when every day is a fight for survival.

Thankfully, this was long ago, and there is more than enough food to go around in the modern day. Many dragons still live in clans composed largely of males and females with a few nesters, but many also choose to live their own way, and many also intermingle with humans and their families. Gender stereotypes have also diminished, with nesters no longer being upheld as natural leaders and the voices of males and females rising to prominence. (Dragons never had much stereotyping or equality differences between males and females, only between those two groups and nesters.)

Common nester stereotypes include a mixture of those attributed to male and female humans, with nesters being seen as both child-rearers while also being ferocious combatants. To be weak is seen as undesirable, and a nester who doesn’t want to raise hatchlings might often be told they will change their mind later, especially by older generations. They are expected to be strong and brave, the last line of defense but the most powerful one of all. Thankfully, time lessens the strains of these expectations, but they have still shaped draconic society and influence it to this day.

There’s so much else I could say but I mostly just wanted to pick up nesters and show them off. Non reproductive third sex twice the size of the others whose ‘role’ is to raise the children, lead the clan, and absolutely annihilate threats that get too close.

Dragon kid to human kid on the playground: my guard could beat up your dad >:(

Human kid who’s never actually seen a nester: nuh-uh >:(

Elementary school teacher who knows nesters are like 10 feet tall at the shoulder and can lift entire cars: I have no doubt about that sweetie how about you two talk about something else-

* = Dragons produce a milk-like substance from glands in their throat that is fed to hatchlings orally similar to birds. To make it easier for them to feed without spilling it is first curdled internally to create a cheese that is then deposited into the hungry mouthes of young hatchlings. Dragon mouth cheese is my favorite form of psychic damage :)

Instead of pre-filled baby bottles there’s mouth-cheese charcuterie boards

God bless the unknowing human who thought to snack on their nester friend’s weird cheese plate

[tpwrtrmnky]

By far the most effective psyop that the 4chan/adjacent websites' misery stew inflicts on its users is the idea that they're just hated for having problems, rather than the reality which is that they are having those problems exploited to radicalize them into insular hate communities that want them to alienate anyone not in the community, and that they are being manipulated into alienating everyone who could support them.

So much of the criticism I've gotten for the orangecel desaturatoid comic on twitter boils down to "you simply do not understand that my way of coping with dysphoria by going to the dysphoria worsening website and stewing in misery is necessary, because your dysphoria is simply lesser. Stop invalidating my dysphoria, which is more real than yours, and demands that I do this."

This illustrates a fundamental part of how these communities operate: Anyone who criticizes the way they operate must simply be the Other that they build up in their minds. It's all reflexive ways to dismiss outsiders. Chad/passoids/normies simply do not understand. Nobody in the out-group has any familiarity with how it feels, nobody has ever gotten out, nobody is telling you that this is bad for you from experience.

It's absolutely baffling watching these barely even adults say that I, someone who transitioned in my mid-20s, can't possibly understand what dysphoria is like. I was so uncomfortable being perceived at all as a teenager that I simply did not go outside. I lived in MMOs. Until I learned that voice training was possible I was so hopeless about even trying transition that I didn't dare to consider the option.

I would stay up hours past midnight in meaningless fucking arguments on 4chan that served no other purpose than to make me miserable. I fucking know how you feel because I was you, and I am telling you, get the fuck out of there.

[hagravenholm]

Sometimes I’m like, yes the lowest level of the hierarchy pyramid is fulfilled which is great you know to have shelter and stuff. But then I’m like you know … I could achieve so much more without like idk having to live with a cunt of a cat who not only terrorizes my own little cat but gives me anxiety attacks and idk some sense of personal boundaries or maybe less guilt or passive aggression who knows .

[gaystardykeco]

the problem with vacation is that now in three days i have to go back to working and being alone the rest of the time and idk if i can handle it

[ja3yun]

Push My Buttons | L.HS

bodyguard!heeseung x rich girl!reader warnings: enemies to ???, angst, smut (mdni), car sex, unprotected sex, cream pie, choking, mentions of spit, possessive!hee, some violence, not proofread, anything else lmk! wc: 7.5k synopsis: lee heeseung has been hired as your personal security by your father. you and him don't see eye to eye, so when tensions rise at your best friends party, you both know how to push each others buttons. a/n: hi! this is a thank you for 1k! i still don't believe it if i'm honest because i don't think i deserve it but regardless, thank you all so much if you follow me! this is a little idea i had sitting on my laptop that i've decided to complete for this occasion so enjoy!

_____

Browsing through the racks of the Prada store, you can't help but feel acutely aware of the imposing presence of your hired security, stationed just two feet away.

"Do you have to stick to me like glue all the time?" you mutter, not bothering to meet his gaze.

“It’s my job, Y/N. You’d know what that was if you weren’t such a spoiled brat,” he spits back, his eyes rolling in exasperation.

Lee Heeseung was appointed by your father to ensure your safety during his frequent business trips. Unfortunately, your father's demanding role as CFO of a tech company keeps him away for extended periods. He doesn't trust you to fend for yourself, fearing that others might exploit you to reach him. Given your father's controversial reputation stemming from questionable business dealings, Heeseung's imposing presence is a constant fixture in your life.

Your bodyguard would be more tolerable if he weren't so insistent on being by your side every second. It's tiresome, really, how he clings to you like a shadow, never granting you a moment of solitude. If you go to the bathroom, he is right outside the door and if you dare try and sneak out the window - which you have tried numerous times - he is chasing you down the street, sweeping you off your feet and taking you home.

You had hoped that being only a couple of years older, he might adopt a more relaxed approach, letting you live your life a little, but you were wrong. Since the first day he turned up, he’s been nothing but a hoover, sucking the fun and freedom from your life all to keep you safe.

Sure, he probably knows deep down that he's a tad overbearing, but hey, he's clinging to this gig like a lifeline. Compared to his last job of being a bouncer at some dingy club, knocking back people with fake IDs and kicking out drunk people, your dad's cushy paycheck is like hitting the jackpot.

To Heeseung, you’re just some rich kid who has more money than sense, squandering it on everything and anything you deem a necessity at the time, only to then throw them away or forget about them. Considering he struggled to pay his rent before this job, he hates your whimsy ways with money. 

It's like you live in your own little bubble, completely disconnected from the real world. There are people out there starving and you’re buying thousands of pounds worth of clothes that you could easily get from a bargain bin for a fiver. 

Finally, you spare him a glance, “Just stand over there, okay? You really don’t have to be here and mess up my whole vibe,” you flail your arms around hoping the gestures will add some exclamation to your statement.

With a resigned sigh, he acquiesces, nodding, "In my line of sight at all times, got it?" He scans the area once more, on high alert for anything out of place, before reluctantly giving you some breathing room.

Heeseung blends in, looking through the obscenely expensive trousers which he is convinced he has seen the exact same jeans in thrift stores, just without the brand label. It’s a reminder of the contrast between you both; your lavish ways are still an alien concept to him.

He’s been in this role for 3 months and he won’t get over it, how different you both are. Your beliefs and traits are so starkly dissimilar that not once have you ever seen eye to eye. He doesn’t hate you, but he’s close to it. You always treat him with little to no respect and considering he’s only looking out for you per your daddy’s request, he would like to think you would be a little more grateful. 

Suddenly, his thoughts are interrupted by a lone figure approaching you, a slick smile playing on his lips. Heeseung’s jaw tightens as he analyses the scene in front of him, trying to speculate what the guy wanted, although Heeseung already knows his intentions.

You’re too busy trying to decide whether beige or cream looks better on you as you hold out two vest tops to notice the incoming man.

“I think you should go with that one,” the sudden boom of a voice beside you makes you jump and turn to him, clutching the clothes to your chest as you try to still your thumping heart, “Sorry, didn’t mean to scare you, beautiful.”

Normally, you pay no mind to greasy men like him, but his cinched suit which was clearly tailor-made to fit and his sleek dyed brown hair was enough for you to give him a second glance. You can always spare some time for people who look good.

“Which one?” you ask, holding them back up at arm's length.

“The left one, I think you would look sexy in any of them, to be honest,” he smirks, thinking he’s being so smooth but you’re not really impressed by flattery. You know you look good, you see yourself in the mirror every day. Plus, he’s only trying to oil you up so he can either as you out or try and fuck you. The only one who genuinely gives you truthful advice or says you look good and mean it with no intention is Heeseung.

Your bodyguard is watching like a hawk, face steaming with anger as the guy puts his hand on your waist, holding one of the vest tops to your chest area. He’s already given the guy enough leeway by even letting him speak to you, but now he’s touching you, and Heeseung will be damned if he lets him get away with that.

With measured steps, Heeseung comes up behind you, licking his lips as hugs you from behind, “Baby girl, are you almost done?” he whispers loudly enough that the unwanted man in front of you can hear, “Who is this?” he asks, eyes now pointed forward.

The stranger's confidence falters under Heeseung's intense scrutiny, his eyes widening slightly as he realises the gravity of the situation. Heeseung's demeanour is unmistakably protective, his stance leaving no room for doubt about his intentions. His eyes are so dark that the boy knows that one wrong move will have Heeseung pouncing on him.

“I’m Woobin,” he says almost inaudibly. It’s amazing how quickly he resigned from his cocky attitude as soon as Heeseung made his presence known.

"Do you work here, Woobin?" Heeseung's voice is a low rumble against your ear, his lips trailing a path of kisses down your neck to your shoulder. His touch is electrifying, sending shivers down your spine as his hands caress your stomach, his thumbs tracing delicate patterns against the skin beneath your shirt

The butterflies in your tummy are fluttering around as if they’ve been disrupted from their nest by his touch. This is new, he hasn’t done this before, usually opting to just stand between you and potential danger. It's exhilarating and maddening all at once, the line between protection and possessiveness blurring in the heat of the moment.

Heeseung knows that if he simply said he was your security, it wouldn’t deter the man, he had to think on his feet. That and the way he touched you evoked something inside him, protectiveness laced with something else. 

“I don’t work here, I-”

“Then get your hands the fuck off my girl,” Heeseung interrupts Woobin, maintaining eye contact with him as he bites down a little on the nape of your neck, almost like he’s physically marking you as his own in front of a potential suitor.

Your head is in a frenzy, knowing that Heeseung is stepping far beyond his role of protection, yet, you don’t stop him. It would be lying to say that his lips didn’t feel good on your skin, the way his fingers lightly gripped the softness of your stomach gave you fanny flutters like nothing else; as he boldly stakes his claim, you can't help but feel a surge of desire mingling with frustration

But this is also the man that is currently cockblocking you right now, stopping you from getting Woobin’s number and potentially a good fuck that you’re clearly in desperate need of; why else would you be getting turned on by Heeseung right now? This is the man you cannot stand, he is the last person on earth you want to be with. 

Woobin awkwardly laughs and backs away, giving a slight wave to you as he walks out of the store, leaving you both in the thick silence.

As his form disappears into the distance, Heeseung stands by your side, his stare unflinching as he watches the threat go by, proud of himself for handling the situation quickly. Heeseung hasn’t let you go, his hands moving from your tummy to your waist, gripping it softly.

You don’t know what to do, still standing in a haze of shock and confusion, your eyes watching the back of Woobin with intensity. The man behind you didn’t even have to say much before Woobin was running with his tail between his legs.

Honestly, you know Heeseung can be intimidating, but this must have been a new level, even for him. You couldn’t see his eyes, yet, you know they held only room for intimidation.

Heeseung's attitude relaxes somewhat, but his protective stance remains firm. He slowly releases you from his grip, placing one last kiss on your neck for what reason he doesn’t know. 

You take a moment to compose yourself, internally dealing with the mixed feelings of the encounter before pure rage flushes over you, “What the fuck was that?” you seeth, twisting your body to face him.

“What was what?” he asks, unfazed by your angry demeanour. 

Slamming the vests back on the rack, you face him, your shorter stature suddenly being a hindrance as you try to act tough, “You know what! You just cockblocked me for no reason,” you ball your fists to the side of your hips, trying not to cause too much of a scene in the store. 

“Good. God knows what he had, he was a creep,” Heeseung’s face is stoic, not giving much of his emotions away which only serves to piss you off more. 

You wanted him to look a little bit sorry for overstepping, to say he was at least sympathetic towards your frustration. Instead, he just stands there, insulting the boy he didn’t even know.

Letting out a groan, you shut your eyes and unclench your hands, “I can’t ever have any fun with you around,” you try to calmly explain but as the words leave your lips, you begin to question why you’re trying to be civil in the first place. 

This man is the bain of your existence, the reason you haven’t had sex in months, he is utterly infuriating and here he stands in front of you with no remorse for ruining your life.

Heeseung nods, feigning understanding as he leans down to make eye contact with you, his nose almost touching yours, “I don’t know, baby girl, it seems like you were having a blast a second ago,” he says smugly, a half smirk creeping onto his face.

You beam red, embarrassment and anger mixing to create a shade of crimson you didn’t know you could make. He was frustrating, arrogant, irrational, rude, cocky, and overall just irritating. You hate Lee Heeseung.

Winking at you, he nudges his nose with yours before standing back up, his figure back to towering over you, “Pick the one on the right and let’s get a move on,” he says, tucking his hands into his pockets and taking one giant step back. 

It was like he was mocking you, giving you your space after infiltrating it as if he wasn’t leaving wet kisses on your neck five minutes ago. 

With a huff, you face the two vests once again, looking between both options, each one having its own backer. You bite your lip and contemplate over them, choosing the one on the right.

_____

As you apply your final coat of mascara, you take one long look in the mirror. You look great, everything about you falls into place perfectly, your hair and makeup only adding to your beauty while the dress you’re wearing hugs you nicely.

Obviously, you don’t tell Heeseung that you had a party tonight, knowing that he would lock you up like some Disney princess in your castle. If there was one thing Heeseung hated more than men coming into your zone, it was parties where tons of men could. 

The last party you went to was just before Heeseung arrived on the scene, the bodyguard now never letting you experience any joy or social gatherings that weren’t accompanied by him or a simple meet-up with friends. ‘There’s too much risk at a party’ he will always tell you.

A knock on your bedroom door almost makes you drop the mascara wand but you catch it before it causes disaster. 

“I’m coming in,” Heeseung’s voice travels through the door before he swings it open. His eyes trail over your body as he assesses the outfit, “A bit dressed up for a night in with me, no?” he tries to pass it off as a lighthearted joke but he knows he’s about to argue with you about your plans.

“Oh, y’know, just thought I would try and make an effort to sit in and watch Louder Milk for the nth time,” you roll your eyes, twisting the mascara shut and turning to face him.

Heeseung grumbles, “Let’s cut to the chase where you tell me where you plan on going and I obviously stop you,” he crosses his arms and tilts his head expectantly.

But you can’t let him win, not this time around. It’s your best friend’s birthday night out and if you miss it, you’ll never be invited to anything again; you can’t miss a 21st birthday party and expect there not to be consequences, especially not in your circle of friends.

You finish getting ready with a sense of purpose, carefully placing your lip oil and hairbrush into your YSL bag. "I've got plans," you announce, nonchalantly shrugging your shoulders.

His brows furrow slightly. "You never mentioned we had plans tonight," he remarks, a hint of curiosity in his voice.

"We don't have plans, Heeseung. I do. And you weren’t invited," you retort, your tone tinged with sarcasm as you shoot him a playful smirk.

He raises an eyebrow, trying to decipher your intentions. "A party? A date?" he ventures, scanning your attire and deducing that this isn't just a casual outing.

As you attempt to breeze past him, he swiftly moves to block the doorway with his arm, his muscles tensing as he grips the doorframe. You lock eyes with him, noticing the frustration brewing beneath the surface.

His jaw tightens as you stand your ground, a silent challenge passing between you, "Tell me where you're off to," he demands, his voice taking on a more authoritative tone.

You really need to get fucked because he’s suddenly turning you on, and his body starting to look like a jungle gym. Regardless of the fury and hatred for the boy in front of you, when he got angry, he was a new level of hot; it’s probably the reason you subconsciously push his buttons.

“I am going to Ryujin’s birthday party,” you confess, taking hold of his arm and trying to pry it from the wall, but he’s too strong and it doesn’t work. Even with all your efforts, it doesn’t budge.

Smiling at your feeble attempts to move him, Heeseung cockily leans on one foot, the other tucking behind his leg as he watches you struggle.

Undeterred, you try to slip under his arm, but he effortlessly scoops you up and returns you to your room, closing the door behind you with a practised ease. His years dealing with drunks at his previous job have endowed him with certain skills in handling runaways..

"Don't make this difficult, Y/N," he warns.

"You're the one being difficult! It's my best friend's birthday. Are you seriously telling me I can't go? I'm not in danger, you know," you retort angrily, frustration evident in your voice.

Heeseung understands that you're completely oblivious to the dangers lurking around your family, shielded by your innocent perspective. No one has bothered to inform you about your father's involvement in money laundering and his dealings with shady men. In your eyes, having a bodyguard feels like an unnecessary intrusion into your life rather than a protective measure.

"Listen, let's just imagine I let you go. Where is it?" he asks, a tinge of apprehension in his voice.

"Serenity," you reply, already sensing the tension building.

Heeseung's eyes widen in disbelief, "Serenity? The bar down by the loch? Are you serious?" he exclaims, his concern evident.

It was a losing battle the moment you opened your mouth. The bar isn’t known for its good reputation, it’s sleazy and grim, and despite its calm name, no one who occupies the bar could be considered peaceful.

Ryujin picked it simply because she likes to cosplay as a poor person sometimes, wondering what it would be like to live on the other side of wealth while obnoxiously spending a shit ton of money, completely rendering her ideas pointless.

You don’t agree with it but she is your best friend, the only person that gave you the time of day when you didn’t have a penny to your name all those years ago.

"I am not letting you step foot in that place," Heeseung asserts firmly, drawing a line in the sand.

“She hired out the whole bar, it’s not like anyone can just walk in,” you try to reason back but it doesn’t work as Heeseung’s resolve remains the same.

“You aren’t going, end of discussion. The whole neighbourhood is trouble and your friend is fucking stupid for this,” he scratches his jaw as the worst-case scenarios pop into his head. He might not like you but he really can’t stand some of the thoughts popping into his head, the urge to protect you growing stronger by the second.

The loch is a small part of town, mostly made up of deadbeats and criminals. Word spreads fast around there and there is a high chance the scums of the area know a bunch of snooty rich kids are going to be there for the picking.

You need to go, you can’t cancel any more plans so you need to think of something quick, “You can come with me,” you suggest, stepping closer to him. Would it be overbearing and annoying to have him there? Yes but at least you would be there. And it might actually be good if he was, after all, he is good at his job; you feel safe around him and the more he’s warning you away from Serenity and the loch, the more you’re starting to want his protection.

“I thought I wasn’t invited?” He raises his eyebrows sceptically.

Placing your hands on his chest, you trail them up to his shoulders, a pout forming on your lips. "Well, I'm inviting you now. Please, Heeseungie?" you implore, employing your best puppy-dog eyes and fluttering lashes in an attempt to sway him.

Typically, your pleading face doesn't work on him, but the combination of your hands massaging his tense shoulders and the endearing nickname starts to chip away at him.

"Fine. We can go for an hour or so, and then I'm taking you straight back home, understand?" he relents, already second-guessing his decision.

You squeal with joy, wrapping your arms around his neck and jumping up and down. "Thank you, thank you, thank you!" Finally, you've managed to reason with him.

Pushing you away gently, he clears his throat. "Be at the car in 10 minutes before I change my mind."

This is going to end disastrously.

_____

"Remember—"

"In your line of sight at all times," you finish, a hint of exasperation in your voice as you recite Heeseung's usual mantra.

Heeseung unbuckles his seatbelt with a grunt, his irritation clear as he mutters curses under his breath. He can't believe he's ended up in this mess, much less mocked by you. He is well aware that this is a recipe for disaster especially as he examines the area and notices gritty individuals prowling around the loch's borders, waiting for an opportunity to strike.

Heeseung is confident in his ability to handle himself; it's your safety that concerns him the most as he observes a suspicious figure crossing in front of your car.

You waste no time darting out of the car and hurrying to the club's entrance, leaving Heeseung trailing behind, a gust of wind in your wake.

"This fucking girl," he grumbles to himself as he parks the car and follows after you. He sees through your tactic—trying to get inside before him so he'll be left waiting outside while you venture off on your own. But he's not falling for it today.

He catches up to you just as you're about to give your name to the bouncer, his arm instinctively settling around your waist. The bouncer eyes Heeseung with a sceptical gaze, taking note of his attire and demeanour, which hardly scream 'rich kid bellend.'

As Heeseung squeezes your side, you shoot him a playful smirk over your shoulder. "Oh, this is my boyfriend. He's just trying to get into character for the place—dirty-chic and all that," you quip sarcastically, gesturing between him and the bouncer.

The bouncer chuckles at your comment, nodding in amusement. "You've done a good job. I almost mistook you for one of those creeps by the water," he jests, stepping aside to let you both in.

Heeseung doesn't react to your teasing or the bouncer's remarks. He's grown accustomed to such comments after spending the past few months with you and your friends. From being called shabby to poor, to filthy to crude, he's heard it all. Sometimes you apologise for your friend's words, but he knows the damage is already done.

It’s times like that that he has some faith in you, that you aren’t all diamonds and gold, that you do have a heart underneath it all.

Sticking close to you, you both end up at the bar ordering a gin and tonic for you and a water for himself. He knows everything about you by now, the constant watchful eye on you has got him to learn your favourite everything, so he finds himself ordering for you more times than not. That is, when you let him be actively seen with you.

"Can you vanish over there while I find Ryujin?" you ask, already scanning the room for the birthday girl.

Nodding, Heeseung points towards a nearby wall. "I'll be over there. If anything happens, remember to stay where I can see you. Don't run off; I will find you. And if you're going to the bathroom, come and get me," he advises, his tone firm as he leans down to emphasize the importance of his instructions.

"Yeah, sure," you reply casually, already making your way over to your friends at the other end of the bar, their excited screams and squeals guiding your path.

True to his word, Heeseung gives you space but remains vigilant, never taking his eyes off you. He's pleasantly surprised when three hours pass, and you're only on your second drink. Normally, he's had to carry you out of brunch with your university friends, and that's not even bottomless. Part of him thinks you’re remaining sober for your own vigilance, which makes him happy that you aren’t so reckless to get drunk in an unfamiliar setting around a lot of people you don’t know.

As the night progresses, Heeseung's gaze remains fixed on you from his position against the wall. He observes the way you interact with your friends, the genuine joy evident in your laughter and the twinkle in your eyes. Seeing you light up like this is a rarity, but it warms something inside him to witness you truly enjoying yourself.

Despite his reservations and occasional frustrations, Heeseung takes his role of keeping you safe very seriously. The thought of anything happening to you weighs heavily on his mind, not just because of the potential consequences from your father, but because he has come to genuinely care about your well-being. It's a realisation that surprises even him, how much he's come to feel responsible for you beyond just fulfilling his duties as a bodyguard.

Day by day, Heeseung finds himself spending more time in your presence. Even when he should be stationed at the front door, he often finds himself drawn to your side, whether it's watching TV shows together or cooking dinner. Sure, these moments are often punctuated by arguments over his choice of shows or the random spices he adds to your meals, but they keep things interesting, injecting a sense of spontaneity into his otherwise regimented routine.

And truth be told, he finds a strange satisfaction in winding you up, relishing the sight of the vein in your forehead protruding whenever you're exasperated with him. Despite the occasional clashes, there's an undeniable chemistry between the two of you, a dynamic that keeps him on his toes and reminds him that guarding you isn't just a job - it's become a massive part of his life.

Recently, he has become extra protective over you, the incident at the Prada store being a prime example. Men like Woobin are not the ones he should be protecting you from, but he can’t help it, you’re too precious to be led off by the likes of him.

Shaking his head, he disregards his last thought. You’re not precious, you’re a princess, a snooty diva with an attitude problem.

This is what he has to tell himself every day.

He watches you go up to the bar and sit on the stool as you order another drink, but his attention shifts to a familiar face in the crowd. Woobin - and he is walking straight for you. Like he hasn’t dealt with him enough today, it was almost as if thinking about him that manifested him straight into your lap.

As Woobin twists the stool you're sitting on to face him, Heeseung's grip on the empty cup tightens, his knuckles turning white with the effort to maintain his composure. He knows he can't just stride over there like he did at the store; he crossed a line then, kissing your neck was too far, and biting down on you to mark you was too far. But the possessive feeling that had simmered earlier resurfaces as he watches Woobin casually tuck a strand of your hair behind your ear.

His mind races with a mantra, a desperate attempt to keep his emotions in check. The real threat to you is outside, not in here. The real threat to you is outside, not in here. The real threat to you is outside, not in here.

But as he watches Woobin's hand graze your leg, Heeseung's resolve crumbles.

"Fuck this," he mutters under his breath, his anger boiling over as he pushes himself off the wall and throws his cup away. Without a second thought, he makes a beeline for you, determined to put an end to this unwanted intrusion.

You suddenly feel Heeseung's chest press against your back, his presence feels overpowering, his aura dark and intense. You glance at Woobin and notice the fear flicker back into his eyes, just like before, as Heeseung speaks with a menacing tone, "Have you got a death wish or something, mate?" His question hangs in the air, a clear warning.

Woobin takes a step back, but despite the quiver in his pupils, he refuses to back down. "She obviously isn't satisfied with you," he retorts, attempting to sound tough. "She hasn't even tried to bat me off."

You scrunch your face in disbelief at Woobin's audacity. His attempt to turn the situation on you is off-putting, and any attraction you may have felt towards him suddenly dissipates.

Heeseung's gaze shifts down to you, his eyes hooded as he leans in close. "Is that true, baby girl? Do I not satisfy you?" His words send a shiver down your spine, leaving you momentarily speechless. Before you can form a response, he leans even closer, his breath hot against your cheek as he whispers in your ear, "You better agree with me, or else I'll punch his lights out, right here, right now."

His threat hangs in the air, leaving you feeling torn between conflicting emotions. As you struggle to find the right words, Heeseung's lips graze the skin of your earlobe, sending a jolt of sensation through you. You're unsure whether he's doing this to turn your mind to mush so you can do nothing but agree with him or assert his dominance over Woobin, who watches with a flushed neck, clearly intimidated by Heeseung's display of possessiveness.

Nodding slowly, you side-eye Heeseung, “Y-you do,” you say quietly but as he bites down on your ear and you yelp, you speak up a bit more confidently, “You do satisfy me.”

“Good girl,” he whispers, placing one final kiss on your ear, “You heard her, so get the fuck away from her, or I will throw your body in the loch and no one will even care to look for you,” he challenges Woobin, threatening him like some gangster.

As Woobin backs up and mutters ‘This is not fucking worth it’, Heeseung smiles triumphantly, knowing he’s scared him off for good. Heeseung fixes your hair, gathering it all to sit nicely at the back, running his fingers through it as he silently warns any other men in the club that you’re no one but his.

You hate to admit it, but it turns you on a little.

But your responsible head twists back on and you understand what Heeseung has done again, “Heeseung,” you slap his chest and push him away, “Stop fucking babying me!” Standing up from the stool, you weave through the people at the club in search of the exit, Heeseung’s antics finally pushing you too far. 

"I am doing my job, Y/N," he shouts over the chatter and music, his voice barely audible amidst the din of the club.

"No, you aren't. That is not your job," you retort, your voice rising above the noise. "Pretending to be my boyfriend and scaring away potential fucks is not part of the remit!"

Your words hang in the air, heavy with frustration and disappointment. You push him away one more time, creating some distance between you before storming out of the club.

Fuming with anger and adrenaline, you make your way through the car park, your mind racing with conflicting emotions. Part of you resents Heeseung for his overbearing behaviour, but another part can't deny the thrill you felt with his protective display. It's infuriating to admit, but the feeling of his possessiveness is sending shivers straight down south, You hate that you're even thinking like this.

His touch on your ear and neck lingers in your mind, igniting a whirlwind of desire and confusion. You're not thinking straight anymore, and if Heeseung catches up to you, you're not sure how you'll react - whether it'll be pure anger or pure lust.

Either way, you need to get this steam out. 

“Y/N! Get back here right now!” he shouts, pushing past the men who are ogling your figure. 

As you hear his voice, something takes over you. You pull the first guy you see into a kiss, holding onto this jacket as your mouth moves against his.

Heeseung sees red, blood red as he watches you kiss the stranger. It’s reckless behaviour, your lips moving roughly against a guy probably twice your age but, of course, the guy doesn’t mind. He wraps his arms around you to bring you in closer. That gesture shakes Heeseung from his shock coma, his emotions fueling him.

But Heeseung can't stand idly by any longer. With a guttural growl, he yanks the man away from you, his anger propelling him into action. He delivers a punishing punch to the man's face, the force of it sending him crashing to the ground, sprawled across the gravel of the car park.

Heeseung doesn't stop there. He delivers a few more swift kicks to the man's prone form before turning his attention to you. Grabbing your arm with bruised hands, he hauls you towards the car, his grip tight and unforgiving.

"You're so fucking irresponsible," he seethes, his voice dripping with venom as he struggles to contain the storm of emotions raging inside him. The veins in his neck bulge with the intensity of his anger, his eyes flashing with a dangerous fire.

“Sorry if I want to have some fun,” you argue back, trying your hardest to release yourself from his firm hold.

As you both approach your car, he opens the door and shoves you in, “And kissing and fucking random guys is fun?” he slams the door behind you once he knows all your limbs are inside the vehicle.

Striding over to the driver's seat, he gets in quickly, locking the doors so you can’t make a quick escape. You don’t even attempt to try and flee, already knowing you’re only going to end up in a game of cat and mouse all night, and in this weather with your dress isn’t fun. 

“I’m 20 years old, nearly 21, I can fuck if I want to,” you shout back, slamming your hand on the backrest to hammer home your point. You are old enough and wise enough to make your own decisions, Heeseung is only there to make sure you don’t end up getting kidnapped or whatever it is your dad thinks will happen to you.

"It's not wanting to fuck that is my problem, it's who you want to fuck," he growls, his voice tinged with bitterness.

You want to slap him, angry that he doesn’t seem to get it, “I don’t get to fuck anyone thanks to you,” you retort back with venom laced in your voice.

His entire body turns to face you, his gaze piercing through you as he asks, "You want to get fucked?"

“Yes! Obviously!”

Heeseung lunges towards you, pressing his lips to yours in a matter of seconds to your answer. At first, you’re confused at what is happening, the unfamiliar feeling of his mouth melting into yours causes your head to thump.

But as he moves you to lay back, flicking the seat to recline all the way back, you find yourself chasing his body with yours, your lips like magnets as they draw themselves back to his. He tastes sweet, not like how you expected, you were presuming it’s the flavour of his vape he swears he doesn’t use.

Shuffling your way up the seat, you spread your legs so he can situate himself neatly in between you, knees resting against the edge of the seat for support, his hands roaming all over your body and his kisses never faltering. 

He was hungry for you, those tiny tastes of your neck served as appetisers before the main meal which was your mouth and tongue. Roughly, he brings one of his palms to cover your throat as squeezes, the consequential parting of your lips as you gasp gives him access to lick into your mouth. The grip on your throat is heavenly, just tight enough to make your brain go fuzzy but not to the point you think you’re in danger.

With a quick roll of his hips, you feel the outline of his cock being pushed onto your core, even through jeans he’s prominent, only building up your anticipation more. He does this a few times, each time the rough edges of his zipper rub your barely covered clit, eliciting a moan from you.

Heeseung's smirk widens at your response, his gaze flickering with desire as he watches the desperation in your eyes. Without hesitation, he leans in closer, his breath hot against your ear as he repeats his question, this time with less anger and more longing. "You want to get fucked?"

Your breath catches in your throat at his words, your desire for him burning hotter than ever before. "Yes, please, Heeseung," you whimper, using your hands to hold his hips against yours as you rut yourself desperately against him, humping his length through his jeans. 

Heeseung almost feels bad for you, clearly, he underestimated how much you needed to seek release. No wonder you were willing to entertain someone like Woobin. He had to make this worth the frustration he has been causing you.

The pressure of Heeseung's hand around your throat tightens, eliciting a gasp from your lips as you struggle to catch your breath, "You sure you want to fuck a guy like me?" he hisses, his voice tinged with both agitation and desire, the intensity of his gaze burning into yours.

Despite the lack of air, you manage to choke out your response, your voice laced with desperation, "Yes, Heeseung, I need you."

A smug smirk plays across Heeseung's lips at your admission, his grip on you tightening ever so slightly. "Oh, I know you need me, Sweetheart," he replies, his tone dripping with confidence. "You're staining my jeans as we speak." His words send a shiver down your spine, a potent mixture of arousal and frustration coursing through you.

But then his question cuts through the haze of desire, forcing you to confront the reality of the situation, "I'm asking if you want to go back to little Woobin now?" he taunts, knowing full well the answer already. He just wants to hear you say it.

With a shake of your head, you release your hold on his hips and begin to unbutton his jeans, determination blazing in your eyes. "No," you confess, your voice barely above a whisper. "No, I only want you."

“Thought so,” he kisses you again before releasing your throat, focusing his hand's attention on ridding you of your pants while you work to get his trousers out of the way. He tugs your underwear down, tossing them to his side of the car before lining himself up at your hole.

Wrapping your legs around his hips, you try to push him to slip into you, but he keeps his hips rigid, only making you look more desperate for him. He taps your clit with the head of his cock, each time it slaps down, he echoes it with a tut.

“You don’t even know if I’ll fit,” his voice whispering in your ear as he licks the shell of it, “All those preppy rich boy cocks aren’t anything like mine,” he takes your wrist in his hand and guides you to feel his length as it sits neatly in your folds, “See?”

Whining, you pout, knowing he’s just teasing you for badness, “I promise I can handle it,” you say lowly, pumping his cock between your cunt and hand. The motion makes Heeseung hiss in pleasure, the feeling of his cock trapped only adding to his anticipation of being inside you.

He moves in for a chaste kiss on your lips, his touch soft despite the intense need between you, "I'll go slow," he tells you, his words a balm in the midst of the intense moment. Even in the heat of passion, Heeseung is driven by his instinct to protect you.

With one swift movement, he slides into your heat slowly, letting you stretch around him. Surprisingly to both of you, your pussy is accommodating him perfectly, the stretch a little painful but not unbearable. He shallowly moves his hips back and forth, watching his cock disappear into you further and further each time until he’s bottoming out and tapping your cervix lightly.

Heeseung isn't wrong when he tells you that no other cock you've had can compare to his. Every curve and ridge of his dick seems perfectly designed to hit every sweet spot inside you, sending waves of pleasure coursing through your body. It's an otherworldly sensation, the way he gains traction with each movement, his confidence growing as he senses your comfort and willingness to take more.

"You're so tight, baby girl," he murmurs between kisses.

Lost in the throes of passion, you cling to Heeseung, your bodies moving in perfect synchronisation as you lose yourself in the sensation of him filling you completely. Each thrust sends shockwaves of pleasure coursing through you, igniting a fire that burns hotter with each passing moment.

Heeseung's hands roam over your body, exploring every curve and contour with a hunger that matches your own. His touch is both gentle and possessive, his fingers leaving a trail of fire in their wake as they trace the contours of your skin. The pads of his fingers roughly grab your tit that’s managed to escape your dress, twisting your nipple between his finger and thumb.

Your hands are in a similar position, running along his toned stomach under his shirt, trying to commit it to memory, just in case you never get to do this again. You wish this was happening with zero clothes in the way but the desperation between you both got in the way. 

As the intensity of your desire builds, Heeseung's movements become more urgent, his thrusts growing deeper and more powerful with each passing moment. You can feel the tension coiling within you, the promise of release looming on the horizon like a distant storm.

“You’re squeezing me so tight, Y/N. I won’t last much longer,” he admits, knowing that he’s close to the edge himself.

“Need it, I need you to cum,” you moan loudly, your hand leaving his skin to find your clit, rubbing it vigorously as you try and speed along your orgasm.

Your words drive Heeseung to pound into you faster, willing both of you to come undone together. The car shakes as you both speed up your movements, your hips trying to match his rhythm to create a deeper impact with each buck of his hips.

With a final, desperate thrust, Heeseung drives you both over the edge, sending you spiralling into ecstasy. Wave after wave of pleasure crashes over you, leaving you breathless and trembling under him, the ropes of his cum coating your heat. 

“Oh, fuck,” he groans, eyes rolling to the back of his head as he feels his cock swell and throb inside of you, “Cum with me, Y/N. Please.”

Circling your arms around his shoulders, you hug him close to you as his body shivers, still reeling from the aftermath of his climax. You lay like that for a few minutes, processing everything that just transpired between you both.

“Are you okay?” he asks, holding himself up to face you, one hand wiping your sweaty bangs from your forehead.

Nodding, you shut your eyes, massaging his shoulders lightly as you let bliss take over you, “I feel great,” you smile.

Heeseung grabs your pants from the driver seat and bundles them up, using them as a makeshift cloth to clean you up, spitting on them before running them along your swollen cunt, “We can’t do this ever again,” he says quietly, his breathing starting to regulate again.

“What do you mean?” you lean on your elbows, looking up at him with confusion, “Was it not okay?”

Of course, it was okay, Heeseung thinks your pussy might be the best he’s ever had, but it’s not logical to try and keep this fantasy alive. You were too different, this encounter was fueled by anger and rage between you both, hardly the start of a picture-perfect relationship.

He discards your underwear and pulls his own bottoms up, tucking his softening cock into his boxers and jeans, “It was great, but I’m supposed to protect you, not fuck you,” he says, shuffling back into his seat, starting the car.

“We’ll use protection next time,” you shrug, fixing your seat to sit upright, “It’s no big deal.”

Heeseung sighs, his frustration evident as he starts the car and pulls out onto the road. "You know that's not what I mean, Y/N," he replies, his voice tinged with resignation.

The rest of the drive home is filled with silence, the weight of unspoken words hanging heavy in the air. Heeseung's thoughts swirl with the fear of losing his job, the guilt of failing to protect you, and the sudden need to be inside you all the time.

“We forget about this, okay?” he asks, eyes flickering to you.

You nod in agreement, but a smirk tugs at the corners of your lips, betraying your true thoughts. Deep down, you know that you won’t forget about it, and this will certainly not be the last time you find yourself fucking Lee Heeseung - You'll make sure of it.

[decompoets]

watching the tmmn fandom lose their shit over the alien but i was always and will die a masaya aoyama fan

[too-much-tma-stuff]

This idea sort of burst out of me like Alien so it's unedited. There will probably be more.

In short, Cas picks up on the fact that Danny is pregnant at a Wayne Gala and have the right idea but the wrong context.

Masterpost

------

Danny was barely holding it together and really he had been for a long time. It had sort of been fun and games at first when he became a hero. Sure his accident had hurt like hell but he'd sort of repressed that and for real? Lunch Lady? Box Ghost? Even Skulker was sort of a joke and he hasn't actually felt threatened. Sneaking around behind his parents backs and sneaking out with his friends had been fun. It had all felt like a game at first, and then somewhere in there things had gotten very real.

He'd known he couldn't count on his family to protect him but they couldn't even see Vlad was a threat. And he felt like he had lost the last of his innocence when he saw the clone Vlad had made of him melt. He hasn't been in time, he had panicked and he had only managed to save a couple by taking them into his own body to shield their still forming cores. Ellie and... should Danny name the other one or would he name himself when he was ready?

He kept touching his stomach over where he could feel the little balls of his mirror children hovering just below his own core. He was so tired all the time as they relied on his energy, he was eating more then ever and he knew his family was worried. He didn't think he could hide this and he couldn't predict when they would emerge. What if they did in front of his parents? They definitely wouldn't react well. And Vlad kept trying to use this against Danny. Promising to look after him and the babies if he was really insisting on carrying them, as if Danny could rip those tiny 'lives' out of himself now.

And no matter how many times he tried to tell his parents that Vlad was bad news, that he creeped Danny out and made him feel unsafe they wouldn't listen! Dad didn't even hear him and mom made sympathetic noises and then told him to bear with it for Jack's sake because he didn't have many friends.

So of course when Vlad had asked if 'Daniel' could accompany him to a gala in Gotham his father had agreed! Even his mother had agreed when Vlad promised it would be educational and safe! And here Danny was, hanging on by a fucking thread in a suit that felt uncomfortably tight around his middle, having just escaped being paraded around as Vlad heir like a particularly expensive watch. He was behind the snack table having piled a plate as high as he could and scarfing it down before Vlad could find him again and scold him for being rude. He hadn't noticed yet that a family of dark haired socialites kept giving him worried looks. A young woman with dark eyes signing frantically to a man with blue eyes and a dimpled frown.

It was the man who slid up carefully next to Danny trying not to startle since he seemed to have genuine food aggression.

"Yeesh kid you seem like you're starving! All those fancy Hors d'oeuvres are fun but not very cooling and I feel like I'd be a poor host if I didn't offer you something more filling! If you'll come me to the kitchen I'm sure our family butler would be happy to whip something up for you?" The man said with an inviting some that did nothing to sooth the way Danny's hackles raised instinctively.

He was about to say no on reflex when he spotted Vlad heading towards them with an expression like a thunder cloud. Danny's back went ridged and the other man followed his gaze with a frown. "You know what ya that sounds great let's go now!" Danny said dropping his half full plate on a nearby tray and dragged the stranger away with him as Vlad shouted after him.

"Daniel come back this instant! Unhand mister Wayne! Daniel this is unacceptable!"

'Mr. Wayne' took over leading them and spirited Danny through a back door as a bubbly blonde intercepted Vlad and a small woman slid in behind them like a shadow.

"So, Danial I assume?" The man asked, amusement crinkling around his eyes as Danny grimaced.

"Mr. Wayne I assume?" Danny returned, unaware of the way one arm was protectively wrapped around his stomach, but the girl noticed. It was Dicks turn to grimace.

"Okay ya, I go by Dick. What about you?"

"Danny," he said not reacting to the name, he'd heard far stranger. "And what about you?" He asked Cas, startling Dick a little because she was doing her 'shadow thing' and not many people would have noticed her.

"That's Cas, she has a hard time talking sometimes," Dick explained as Cas materialized and gave Danny a reassuring smile and wave.

The teen harrumphed but he did follow them down to the kitchen where Alfred was drinking a cup of tea, staying well clear of the foolishness upstairs. "Ah, hello young masters," Alfred he said, glancing between the three with a raised brow. Though the two who knew him could see the way his expression softened when Danny shrunk in on himself. "What can I do for you?"

"Hey Alfred do we have any leftovers from dinner or something filling we can whip up fast? Danny here is too hungry for just the fancy font for upstairs." Dick asked cheerfully.

Alfred raised his eyebrows again and looked at Cas who was standing behind Danny. Glancing at Danny to make sure he wasn't looking she grimaced then touched her stomach and mimed holding an infant.

Alfred's expression turned stormy for just a moment then smoothed. "Of course we do, Why don't you make our guest comfortable and I'll see what I can do. Do you have any allergies young man?" Alfred asked and Danny shook his head mutely.

"You're the best Alfie!" Dick said, hovering a hand over Danny's shoulder rather then actually touching him as he leas him towards the comfortable breakfast nook.

The boy seemed tight lipped and gaunt, his eyes flicking around them as if he expected a threat to pop up at any time. Dick slipped into the booth across from him. Trying to think of the best way to ask this kid how... why, and who hurt him.

Cas has stayed in the kitchen, but not for long. She came to them with a tray of mugs moments later and slipped into the booth next to Danny. Gently she took his hands and pressed the warm mug unto them. He blinked and focused of it, as if on autopilot he lifted it to his lips, Cas keeping a hand on his elbow to steady him as he drank.

The warm comforting drink, and hand on his arm, presence by his side as Cas slid imperceptibly closet and closer till she was pressed against Danny's shoulder, felt like they were taking him apart from the inside. Thawing out the cold numbness he shielded himself behind. Half way through his tea he glanced up, at the worried blue eyes so like Jazz, so worried and warm.

He put down the mug suddenly as a sob shook his body. Cas wrapped her arms around him and pulled him close, cooing comforting wordless little sounds as she let him bury his face into her chest and just sob heaving, exhausting outbursts of repressed emotion.

"Are the babies okay?" She asked and he froze, his breath catching in his throat. She clicked her tongue and rocked him gently. "Okay, okay, not in trouble," she promised.

"They- I don't know, they were so weak, I’m trying, but I don't know if I can keep them alive." Danny sobbed lifting his hands to cover his face.

"The stress can't be helping," Dick pointed out, climbing across the table like it was nothing to sit next to them and rub Danny's back. Danny gave a little hiccupping hysterical laugh. "Do you have support, or like, do you know your options?" He asked awkwardly.

"I'm not getting rid of my babies! I don't care if the man who made them is an obsessive creep who drugged me! I love them they're MINE!" The feral protectiveness seemed to startle Dick even as Cas continued to make soothing sounds.

"Your choice, only yours," she promised. "Have help?"

Danny sniffled and shook his head. "Safe?" Another shake of the head.

"The man who... did this?" Dick asked as delicately as he could. Another hysterical laugh.

"I've tried! I've tried to tell my parents he's a creep, he's dangerous but they don't listen! My dad thinks he hung the fucking stars, mom says he's harmless. They don't believe me! I-I can't tell them about the babies. They'd make me get rid of them or worse! I can't." Danny sobbed and Cas soothed.

"Okay, okay, you don't have to." She promised. "You stay with us, you and babies safe, never have to see him again."

"Ya right. Wait, your serious? What" Danny asked, pulling back and looking at her with wide bloodshot eyes.

"She's very serious young master," Alfred said as he approached making Danny jump. there was a hard set to the old man's jaw and steal in his eyes that left no room for questions as he set a plate of eggs, sausage, and fruit in front of Danny. "Master Bruce has a foster license and is a mandatory reporter. I'm sure once he hears even a fraction of this he will insist you stay. I will prepare a room for you. Am I to assume the man who's shouting demanding your return upstairs is the source of this distress?"

Danny swallowed and nodded, Alfred nodded back and paused to rest a gloved hand gently on Danny's hair before walking away briskly.

"Eat," Cas said, nudging him gently to let go of her. "As much as you want. Still hungry? We raid Tim's secret cereal stash."

"Gasp! You know where it is? You've been holding out on me?!" Dick demanded with exaggerated betrayal and as the two started to banter Danny ate. He was glad of the distraction, of not having the attention on him as he devoured the healthy, and nutritious meal the butler had made for him. It had been a while since he'd had a good home cooked meal, it made his core feel warm and he could feel the two little echoes as his hummed.

The babies were happy too, he didn't believe these people could keep him safe from Vlad really, but this was nice. Maybe he would let them try, get a few more good meals, a respite, and maybe... maybe his parents would finally notice that something was wrong and actually stand up for him?

That was probably wishful thinking but he could hope right? there was no harm in that.

Part 2

[n0t-y0ur-piece-0f-cake]

The study of human social behaviour

Summary: you get kidnapped by Yautja, as well as some other people. You try to escape but in a twisted turn of events, you end up being an aliens mate for life.

Fem reader x male yautja

Warnings: NSFW, kidnapping, non-con/rape, violence, death, swearing, metion of forced pregnancy

MDNI / MINORS DO NOT INTERACT

For everyone else: read at own risk

Not proof read, English is not my first language

---------- <3 ----------

"I remembered how I was sitting at my dining table, eating.

Just minding my business and trying to calm down from my stressful day at work. But everything changed with a sudden white light illuminating my surroundings completely." I said, looking into everyone's faces. We sat in a circle. On the cold white ground. What seemed to be LED lights shone so bright, it hurt my eyes at the beginning. Now my eyes didn't mind anymore. The walls were empty and cold.

I turned to look behind me. Looked at the big glass where these aliens are probably observing us. "And that's how I ended up here, in this room. That's all I know." My glance shifted right back at the group. We were three women and three men. Some acknowledged my story by nodding, others by just looking at me wide eyed. I was last to tell. Their stories weren't any diffrent. All of them experienced that white illuminating light. And then they were waking up in here.

I have no idea how long we've already been here. But probably not even a day. Neither do I have any idea what these aliens want from us. Or if they would be happy to tell us, if they even know our tongue.

For now we just sat around. Trying to wrap our mind around what we should do. What THEY would do. One guy threw in a idiotic plan on how he would try to escape, which was quickly shut down and discouraged by us. Why? Because we already saw these aliens. We saw how they were built and could easily lift a out of hand human, to throw them out. The guy they threw out was here again, but he was now quiet. I don't know what they did to him. He doesn't tell either.

After a while our conversations got more quiet, less frequent. I personally was frustrated there was nothing to pass time here. Frustrated I still don't know what the fuck they want. I was laying on the ground for a while now. Others laying too, or sitting against the wall. Suddenly the lights dimmed. I jump up and look around. See if I can spot any differences. Nothing. After a few seconds a big plate from underneath the viewing window was brought into the room. On it were various kind of fruits and vegetables from earth. We all looked at each other. Confused. Should we eat it? Is it poisoned? A woman took the first step. "I'm hungry!", she exclaimed. She took a Mango and bit right in it, peeling the skin then, when she punctured the Mango.

Everyone else followed. I did so too, grabbing an apple, inspecting it. I stood close to the viewing window. Out of curiosity I pressed my forehead against it, I could see the shape of these aliens. They stared at me. Noting something in their, what seemed to be, computers. I sat down on the ground. Just like everyone else. We were now gathered around the plate containing food.

After what seemed to be another hour, the light turned even more dim. Enough to see, but significantly more darker. "I have to use the toilet. Real bad", one of the guys said. "Use the corner?" The other guy said. One girl got mad and made a gagging sound "Are you crazy?" "Well where else is he supposed to go? There's nothing here!"

I look up at the window, and point at it. "Maybe we can ask them?" "Oh sure. Please mister or misses alien, give us a toilet." The guy who had to pee said mockingly. The girl that was still quiet since the beginning sighed and said we should give it a try. She stood up. She looked at all of us, unsure if she should really do it. I nodded. The pee guy nodded too. "Toilet! We need a toilet!" She screamed at the window. Nothing happened. I look through the window again making sure someone is even on the other side. Which yes they are. I look at the girl. "Do it again", I said. She screamed again. This time I joined in and banged my fist against the window. The guy who had to pee chuckled and mocked us again.

Suddenly the big plate was taken back. The sound of a motor made us all go quiet. We looked at where the sound came from. We all starred in awe as a new small room in a corner was build. The new walls including a door came out of the big walls. The motor kept whirring until it seemed to lock in. The guy who had to pee stood up and bolted for that room. As he opened the door he screamed out in ecstasy. "It's an actual fucking bathroom!" He slammed the door, locking it and doing his thing. We could hear muffled yelling. "It has a shower and everything, holy shit!"

The girl who was screaming at the window to get a toilet sat down again. We were all still in our spot. And the rest of the room was still empty. We were all in that corner as if the rest of the room is bad. The guy came back from his bathroom break. Sat down with us as well. I didn't know anyone. Not even their names. Would it be awkward to ask now? Whatever. I'll do it. "I'm Y/N."

They looked up at me. Silence.

"I'm Dave", said the pee guy. "Rachel." The girl that screamed but was always silent.

"Maria", she smiled as she said her name. The girl that was disgusted by the 'pee in the corner suggestion'. "Alexander. But Alex is cool too" said the guy who had lost his temper at the start and was taken by these aliens to god knows where but brought back.

The guy who suggested Dave to pee in the corner sighed. "Nick."

"Is that short for anything?" Maria asked. "Nicklas." Silence again. So now we know each others names. I was tired. I layed down. Some others followed soon after. Motor whirring came up again. We jumped up to look. Out of the wall came beds. For everyone one. They were lined up next to each other on one wall, next to the bathroom. We looked at each other again. We slowly stood up and went over. A fight soon came to ensue. No one wanted to sleep right next to the window. "One of the men have to go on that bed!" Rachel stood her ground. "Nuh uh", said Nick, "I won't let them grab me first!"

"There's not even a door there! To be frank the door is over there!", Dave pointed at the other wall, the door was disguised. The wall plate was over it, covering the door. We all know. Because Alex was taken through it. "Nick, they're always gonna be watching us, everyone of us. It doesn't matter." I said. Nick turned to me. "Then go ahead and sleep on this bed. It's all yours."

I rolled my eyes. I looked at it. At all of them. None of them had blankets. Only pillows and a matress. I nodded. "Fine." Since this discussing was over we all just laid down. Alex still sat on the foot end of his bed. Starring at the opposite wall and where the door is. I was too tired to hold more conversation today. And I don't want to push him. So I just fell asleep.

The next day was more of the same. Our day was started by being woken up by motor whirring sound. Another plate with the same food being brought in. But instead of grabbing something everyone groaned and made a run for the bathroom. Some were faster some slower. I stood up slowly. I didn't have to pee that badly. I passed Alex bed. He was still laying in it. Eyes closed. Snoring. He's a deep sleeper. The line became smaller and smaller. And at last we were all gathered around the table and eating. Except for Alex.

"What did he see?" Maria asked. Everyone shrugged their shoulders. Silence. Maybe no one wanted to keep talking about it because maybe these aliens will get mad. Understandable. We left some food for Alex on the plate. As we stood up and went back to our respective beds to sit down on soft ground the motor starter whirring again. The plate with Alex's food was taken back. Since I was closest to the window and the plate I jumped up and grabbed the left overs before it was fully gone.

I placed it at the foot end of my bed. Waiting on my bed for anything to happen. Dave stood up and banged his fist at the window. "We're bored!" Maria rolled her eyes. There was no reaction even after a while. "Ask for something specific." Rachel said. I nod. "Oh! Like a PC or something." We all looked at Maria's comment. "A PC? What would you want with that? I doubt they have earth Internet access or would allow us to use theirs. If they even have that." Dave said.

"Well they do have PCs so I think they might have Internet? But... yeah. Ask for something else maybe?" I said. Dave resumed banging on the window. "Give us paper and pen! Paper! Pen!" Alex was awoken by the comotion. He grunted. "Shut the fuck up!" Motor started whirring again. A table with a chair like thing appeared. Right in the middle. On it, was nothing. Dave turned to the window again. "For gods sake, Pen! Paper!" Another whirring. This time the plate where usually the food was, came with several pencils and a stack of paper.

Dave grabbed a pen and paper. "If you're up for it, let's play some paper games." Not even a minute later we all gathered on the ground playing 'Town, Country, River'.

It's been days now. Painted and written paper was scattered underneath our beds. We requested a few more things. Like music, but it was a Walkman or whatever you called them from the 80s. We tried requesting a movie, all we got was a Disc, but no TV or anything. It doesn't even say what kind of movie or other media it contains. We requested a flashlight because Maria started to freak out when the lights dimmed for the night, which they granted. We requested actual cooked meals. But all that came was questionable looking things. They tried their best but... didn't look to edible. We did taste it. Either it was bland or not cooked through. So we kept eating fruits and vegetables. Yes. We did try to request raw foods, even going as far as to write and draw the ingredients and what tools we'd need, but they didn't do anything. None of them ever came in since Alex little incident. Not until this day.

We weren't sure if they had cameras in this room or not. Or where their blindspots are. So we came up with something. Nick, who had suggested before that we should try and escape, 'invented' the human pile. We would throw ourselves on a pile, laying on the ground with our stomach, basically. So our heads would be looking down at the same spot in the middle and our heads would be so close together we'd maybe have the chance of a camera not catching what we write on a piece of paper. We'd also be stacked upon each other, and someone would have to hold Maria's flashlight so we could see what was written on the paper. Because that's how close our heads had to be. Of course these aliens must wonder and get suspicious what we'd do. So we started out with drawing really weird things like memes. Of course we'd laugh about it. We all hoped the aliens would think we were just doing some stupid human bonding stuff drawing these pictures.

And only in-between we wrote the plans and discussions for escaping. We'd black them out or overdraw them with memes. Just to make sure. Our plan so far? The strongest must pretend that he has a heart attack or something. Everyone else needs to back up against the empty wall and pretend to be scared, where the door is. So when they open it the second strongest and strongest can distract them aliens. But why try to escape? We were here since days. Pretty sure we're on a planet. Not ours but a planet. We can hear no big motor sound that made us think that we were still in space or something. Also the fruits and vegetables changed in shape, size and color that it made us think that these ones are not from earth anymore. They looked more alien yet earthly. Like they've ran out of earth veggies and fruits and now only have their similar stuff left.

Maybe we'd have a chance of surviving out there. But we won't stay here forever. We asked them on how long they plan on keeping us here. What they want. But no answer ever came. They just starred back at us through the window. We're not gonna die here.

The day of the plan finally came. We all kept acting as always. Wake up. Eat. Do something. Nick and Dave worked out, push ups, squats, whatever, trying go get more pumped up for later. Alex was still in bed, not yet getting up, but due to the circumstances fully awake. Maria, me and Rachel on the ground playing or drawing. Rachel then got up. She took some tomatoes from under her bed that she kept there from this morning and started screaming and acting weirdly. The plan has started.

Maria and I got up. Looking at her. The men turned to look at her. We all pretend to be in shock. She started throwing the tomatoes on the window. Taking the table and throwing it against the window. Dave shoved the table to the wall, where he ordered us to go and stay safe away from Rachel. Still the plan.

I felt my heart pumping hard. I am so nervous. This could go so wrong. Suddenly the plates were moved and the door was opened. An alien came in and headed towards Rachel. Dave immediately grabbed the table and smashed it down on the alien. They got into a fight, the table broke so Dave took a piece and hit it over and over again. The alien groaned. We ran towards the door. It was closed. There were buttons tho. Alex pressed the one he remembered the most from the day he was taken. It opened. Just as wanted to slip through the door closed on me and Dave. Dave got stuck between the door. It didn't do much. But the wall plates started moving to shut close. We heard the others scream from the other side. Nick and Rachel quickly taking over and running away with the other two.

The wall plates didn't stop. Dave screamed for help. I grabbed his arm and started to pull him, but his other arm was stuck in the door. He flexed it, twisted and turned it, but it was stuck. The wall finally came to a close. I screamed and looked away as a crunching noise emitted the room. I shut my eyes and held my ears with my hands that quickly let go of Dave. I looked at the ground. My back was turned to Dave. A puddle of blood came close to my shoes. I took away my hands from my ears. Listening if I could hear Dave speak or breath. Nothing. Silence.

I felt nauseous. I felt like I was about to drop dead myself. I couldn't bear looking back at him now. I dont want to see his crushed body. The alien that has been hit layed in front of me. Seemingly unconscious as he was still breathing. Defeated I sat down next to it. I couldn't even bear to sit on the bed now. I heard commotion behind me. The wall plates and door moving to open. Daves body hit the ground, before he was dragged out. When I was sure he was gone, I turned as well. Ther was no alien standing guard. So I jumped up and ran- but the unconscious alien grabbed my arm and jerked me right back down with one motion. He wasn't unconscious. He was pretending like we were. "Please let me go." I said, still trying to pull away but the alien was just too strong.

It got up. Its large frame hovering over me. It was wider than me too. His muscles seemed so large and its grip... two things that showed me that it could crush my skull easily if it wanted to. I was as well lifted up to stand. Another alien, unlike the one holding me, wore white instead of silver armor. The one now standing in the doorframe also seemed to wear more fabric. Was more covered. The one holding me seemed to wear the more basic armor or clothes. So I thought. They communicated in a tongue I couldn't understand. When they were done, the one holding me looked down to me, looking deeply into my eyes. I looked at it back. It's eyes shone yellow, against his dark, almost black and brown shades of reptile like skin.

I couldn't read its emotions. Out of no where it yanked me with it, dragging me god knows where. Are they going to put me down, out of my misery like the experiment animals that we maybe were? I was dragged out of the room, I jumped over the puddle of Daves blood. Feeling disgusted and being reminded about these sounds his body made. I'd never forget that. Hallways and hallways without end. We seemed to get into another testing facility. As it still dragged me, we passed embryos of various types of unrecognisable creatures kept in large tubes.

I didn't fully understand, couldn't grasp on it that quickly. Until we reached a empty room. It wasn't large. Maybe 10 feet in every direction. "Are you going to kill me?" I asked. The alien looked at me. It shook its head no. It could understand me. "What will you do then?" It tilted its head to the side. A deep voice, growling animalistic, started to speak. "Experiment." "Experiment?", I looked at it shocked. It could speak. But what does it mean? "What were you planning with my group?" It took a while until it could form another sentence, like as if it was trying to make sure it was using the right words. "Ooman social Experiment. But now they dead." It said in broken English.

I looked at it wide eyed. "You just wanted to observe our behaviour?" It nodded. "When ooman is entrapped, yes." "And then?"

"Let ooman free again, but oomans tried escape, now dead." My eyes widened even more. "You would have let us go??" A tear ran down my face, knowing we would have made it out alive anyways. "They're dead? I saw them run out!" "We killed." It said almost confident. I looked at it now with confusion. "So why not kill me, huh!?"

"Other experiment. I decide." I tilted my head now too. "Other experiment?" "Yes, but ooman will not get out of this." It said stepping closer to me. I took a step back, trying to create distance, it tried to grab my arms but I quickly turned and tried to get to the door. It did reach it, but I didn't know which button to press, neither did pressing all of them help. Or all of them at the same time, before it grabbed me by the waist, to slam me onto his frontal body. "No escape, ooman", it growled above my head. Not long after it placed its hands on my pants colar. I placed my hands on its arms, trying to get these arms away from there, knowing where this will go. My pants buttons were ripped right off, didn't matter how much I tried to get it away. It then pulled down all of that I wore underneath my waist. Now my bare ass and vagina were exposed to the cold air. One hand was placed right between my legs, cupping my vagina, while it's middle finger started working on my clit. It send out signals to my brain I didn't want. I yelped like a puppy. I saw how it threw a cloth to the side of us. I remember it, it was the cloth between its legs. That was seemingly worn as a type of pants.

I grabbed its arms, that was still cupping and working on my vagina, still trying to push it away, I clenched my legs together, making the feeling and every movement even more intense unwillingly. My yelps have turned into small gasps of air. I leaned back on its chest, looking up on it. "Please stop" I begged. It leaned down, so much so that I was made to bend over in the process. Its hand stopped cupping me. And the other was on my neck, its pressure on my neck and now waist made me arch my back. "Stay." It demanded. I whimpered, but I obeyed. Pleased that I stood still, I felt it part my fold with its fingers. If I wasn't sure if this alien was male before I was sure enough now.

Before I knew he placed the tip of his cock into my vagina, before grabbing my hips and slamming his length into me. A scream left my mouth. A pained one. It was something I never felt before. A girth what felt like almost 4 fingers wide and a length that hit my cervix on the first slam. And from what I could feel, he still had more, that just couldn't fit in. He leaned down back to me, so my back and his chest weren't ever to part. "Mate." He said. He started with a slow pace, i could feel more of his cocks texture. It seemed to have some kind of small knobs on it, on its shaft. My face felt hot. Almost burning. I didn't know where to place my hands, so i placed them on top of his. Almost grabbing him. "My mate." He growled even more as his breath seemed to picked up with his pace. Him hitting my cervix now harder made me squirm in pain, but at the same time it felt good. His pace got even more faster. My right hand traveled to his right side of his hip, trying to push him away, or at least to make him slow down. It was too much for me, as I let my head drop, my eyes roll back and soft moans now escaping my mouth, his pace dropped but his thrusts became more violent, as well as his grunts. Not long after he buried his cock as deep as he could, standing up straight and letting me feel his warm cum fill me, as he still held me in place with his hands on my hips.

I saw it drip down along my thighs, it was a glowing greenish substance. "My mate." It repeatedly muttered. My heart pace calmed down after a while. As well as my body seemed to as well. So he pulled out. "Ah'kun", he said, pointing to himself, before he put back on his cloth covering his dick. He left the room without a word.

I stood there trembling, unsure what to do now. How to even process what just happened or throughout the whole day to be exact. Ah'kun did come back after a while. Bringing another cloth, almost looking like fancy panties, with sumo like cloth in the front and back. He held it infrong of my feet. He wanted me to step in so he could make me wear it? I guess so. So i did. He pulled it up. It was almost a bit too tight. But it should do for now. In the same motion as he pulled up my new panties or pants, he undid my shirt and bra. Of course I tried to go against it, but he just didn't bother. He was still stronger. He disposed all of my clothes with a trashcan that came out by pressing something on an empty wall. Right after he dragged me out. I was now wearing nothing but these weird panties. "Forgot..." He said. Taking a necklace of his neck and binding it around mine. "What is that?" I asked, looking at the necklace seemingly made out of bones. "Shows everyone your mate. My mate."

I look at him. At this point, I wasn't a experiment to him anymore, wasn't I? He took my silence for an answer, that was good enough for him. As we stepped outside into the daylight, we were right. We were on a planet. A tropical one. With what almost looked like aztec pyramids. And it seemed to be normal that these aliens wore only these panties. Even the female ones. Only few wore armor. "Why don't they all have armor?" I looked at him, as he held my hand. "No hunters or warrior" he pointed at the majority that didn't wear armor. "And you?" I said, I looked back and forth at them and him. "I, elite hunter. You have luck, my mate." He started to get confident again.

"Why luck?" "Elite hunter, high status." He said even more confident. His ego definitely stroked. He dragged me down the stairs of the pyramid we were in. The lab pyramid I'm taking. As we stepped out of the shadow, it was even a smart idea of him to remove my warm clothing. Because the sun here was brutally hot.

We were walking for a bit, the other aliens looked at us, specifically me. Some talked with Ah'kun, in their native tongue of course. Giving him proud pats on the back. Was a human mate an achievement? A trophy? Who knows. I don't. We finally reached another pyramid, one of those many. "My home, you live now too, here."

He closed the door behind me. In here, the air was cool again. The decorations and furniture style felt similar to several antique human civilisations, but yet held their advanced alien touch. I looked everywhere. There was even an armor room. Where his helmets and other armor were displayed. A trophy room with several heads of all kinds of creatures.

I kept looking. I found everything you'd expect from an house. Bathroom, bedroom, kitchen, living room. And empty or barely filled rooms. "What's all the empty rooms for?" "Storage. And little ones." I tilted my head. "Little ones?" He nodded. Did he mean kids? Was I even able to give that to him? What was I thinking. When did I start to be okay with this? This isn't my planet. In that moment it dawned on me. Was this my life now? I started crying. Not just because of the fact that I was here, but because of all of this.

Ah'kun patted me caringly on the back. "You will be good mom, no worry."

[misscammiedawn]

Time Loops and Dissociation

CW: suicidal ideation, glitchy unreality, overt depictions of self-harm, parental abandonment

This essay contains full game spoilers for In Stars and Time.

You wake up to your alarm at the same time every day. The same view greets you from your window. Same sheets. Same outfits in your closet to get dressed in. Same choice of drinks in your kitchen to put in the same choice of cups. Same 24 hours but a different day. What better way to capture the existential horror of disconnecting from the world than to simply take away the words "but a different day" and make it the same 24 hours.

Time Loop fiction likes to capture the monotony of being caught in a rut. For some stories, like Groundhog Day, the rut could be that of not working on one’s self and accepting the eternal trappings of a never ending moment and not seeking change. For others, like Palm Springs, it is the conflict within a romantic relationship between one partner wishing to grow and find new experience while another wishes to remain in the safety of the known. Others still, like All You Need Is Kill, the conflict is a matter of maintaining one's optimism and drive in a hopeless fight against an antagonistic force that will crush their spirit upon the weight of eternity.

The constants in this genre are the forces of change and stagnation. Exit can be accomplished via self-improvement, it can be accomplished by having the bravery to risk leaving safety, it can be accomplished by killing every last time looping alien until you’re the only one left. But the allegories are always there. Tomorrow can only be attained by growing beyond Today. Change doesn’t happen in a day and as those stuck in a time loop know… a day can be an impossibly long time. And what does a person do during that impossibly long time? Repeating the same acts over and over again, where people become predictable and all the complexity of life has been stripped down until there’s nothing but cold empty and predictable monotony? You dissociate.

Dissociating is the experience of detaching from reality. Dissociation encompasses the feeling of daydreaming or being intensely focused, as well as the distressing experience of being disconnected from reality. In this state, consciousness, identity, memory, and perception are no longer naturally integrated. Dissociation often occurs as a result of stress or trauma, and it may be indicative of a dissociative disorder or other mental health condition.(*)

Every time loop story inevitably includes a segment where the pain of going around and around becomes simply too much to handle and the audience must witness the protagonist's mental health decline in real time. It is the moment in the story when they no longer feel able to connect with other humans, when they disconnect and just succumb to the weight of the eternity that they are trapped within. For most the idea of being stuck in a rut is a horrific thing. People are a social species. We seek connection and we seek change. We actively want to grow. But this is not true for everyone. Some are so scared and scarred by the world that they dare not ruin the safety that they have managed to find. Narrowing one's world down to avoid conflict and danger is a common feature in Complex Post Traumatic Stress Disorder, particularly in those with a tendency to freeze in the face of their emotional triggers.

The flight-freeze type avoids potential relationship-retraumatization with an obsessivecompulsive/dissociative “two-step.” Step one is working to complete exhaustion. Step two is collapsing into extreme “veging out”, and waiting until [their] energy reaccumulates enough to relaunch into step one. The price for this type of no-longer-necessary safety is a severely narrowed existence. - (Complex PTSD: From Surviving to Thriving - Pete Walker)

And that is the heart of any time loop. Safety at the price of a narrow existence.

-

For this essay I want to talk about a piece of media that masterfully manages the time loop dilemma while managing to depict a remarkably strong representation of Complex Post Traumatic Stress Disorder. Today I want to talk about In Stars and Time. Because if I'm gonna highlight a time loop story for my essays on dissociative disorders then I'm going to do the one which has a "Press X to dissociate" mechanic.

In Stars and Time is an RPG Maker game in the stylings of Earthbound and Final Fantasy. The star of the play game is Siffrin (he/they), a silly little one who tells light-hearted puns and has their tongue stuck out in a :3 cat face smile.

As the thief type of the party he leads the group through dungeons to deactivate traps and find keys he can sometimes be bad at his job. They have managed to help the team get to the final dungeon and take on The King who has managed to freeze most of the nation of Vaugarde in time. Their adventuring friends are Mirabelle (she/her), the housemaiden; Isabeau (he/him), the fighter; Odile (she/her), the researcher; and Bonnie (they/them), the kid. Siffrin finds themselves trapped within a time loop. Reliving the same 2 day period as the party make their approach to The King and must defeat him to release Vaugarde from being eternally frozen in time. The game speaks frankly and kindly on many topics beyond mental health and trauma. Among the many rare and beautiful things it organically depicts it has an asexual and an aromantic discussing society's pressure to enter relationships and perform intimate acts, a trans masc discussing the destructive and yet necessary process of transitioning and two expats discussing how difficult it is to integrate their cultural roots (or lack thereof) with the values and expectations of the dominant culture of their new environment. Keep that last one in your back pocket for now. It'll be important for later. This is the last chance to check the game out unspoiled and so if anything I have said intrigues enough then please buy the game (Steam - Switch - Playstation 4 - Playstation 5 - GOG - Itch.io) and enjoy it. The game is about 20 hours at a casual pace (WR speedrun is 2.5 hours) and it has much in the way of hidden conversations and content that can help a person stick around and dig deep to find all the content in the game (but watch out). Go with my blessing and check DoesTheDogDie for content warnings if needed. For those who have played or want to read on into spoiler territory, then please forgive my long-windedness. I've too much time on my hands and have not cultivated the skills or talent to present this as a video for passive enjoyment. Let's begin. The game is split into 6 acts so in the interests of not bombarding with information. Shall we follow suit?

Act 1 - The Stage

The curtain rises and the play begins. Act 1 makes up the first loop from Siffrin's perspective. If not for the time loops then this would be a very short adventure. Siffrin wakes up from a nap in a field as they will every single loop from now on. They are in the final town before the enemy stronghold, one final day to rest and gather their strength and resolve to save the country. The group's leader, Mirabelle, has decided to have a sleepover. One final day, one final dungeon, one final fight... and then it's all over. The world will finally be saved. It'll all be over... Siffrin spends the day speaking to their friends, making a wish on the local Favor Tree to spend time with an ally after the adventure and then it's on to the adventure. Isabeau has something he wants to tell Siffrin but decides it can wait until they have saved the world. Entering the house and moving through the first few rooms all seems to be going well. The party of friends beat their first few enemies and Siffrin is sent to check for traps in a corridor leading into the main areas of the house. He checks and checks and checks and doesn't find anything so...

The trap is activated by feeling safe.

For clarity I wish to say much of the analysis and discussion is our personal read of the plot. Before writing this essay we reached out to insertdisc5 to ask about how they approached depicting mental illness in the game and they responded that it was not a matter of research as she was worried about checking off boxes rather than depicting authentic experience. Which makes it all the more impressive that the game was able to depict so many aspects of Complex PTSD so seamlessly. From Walker's book the primary symptoms of CPTSD are:

Emotional Flashbacks Tyrannical Inner &/or Outer Critic Toxic Shame Self-Abandonment Social anxiety Abject feelings of loneliness and abandonment Fragile Self-esteem Attachment disorder Developmental Arrests Relationship difficulties Radical mood vacillations Dissociation via distracting activities or mental processes Hair-triggered fight/flight response Oversensitivity to stressful situations Suicidal Ideation

Over the course of the game Siffrin displays many, if not all of these. One of the core conflicts of the game is Siffrin's feelings of loneliness and abandonment as well as their inner critic and toxic shame.

Another common trait of those with C-PTSD not referenced in the above list is a sensitive startle reflex. It is mentioned in the same book at a later point, however:

A startle response is the sudden full body-flinching that survivors experience at loud noises or unanticipated physical contact. This is usually a somatic flashback to previous abuses.

I bring this all up now because Siffrin's first death. The cause of the first loop. HIS FIRST FAILURE. Was because he let his guard down. He felt safe for even a moment. This is not a reading or something which can be brought up for debate. On floor two of the house there is a book that explains the traps and speaks of the boulder that landed on Siffrin's head earlier:

Throughout the entire adventure Siffrin will have the toxic and universe validated belief that if they ever drop their guard, even for a single moment they may die. This belief will only get worse as they progress, unfortunately. For those with Complex PTSD they walk through life in a state of hyper-vigilance. Never quite feeling safe. Siffrin died the moment he let his guard down. [Dawn here. This is turning out to be the longest Media, Myself and I article by a wide margin. For the sake of not destroying everyone's timelines I'll put the rest of the game under a readmore. I would so very much love it if you did click on, though.]

Act 2 - The Performance

The curtain rises and the play begins. Again. Much of Act 2 is spent trying to get to The King and defeat him. Mistakes such as forgetting a key on an earlier floor or taking a wrong path will cause Siffrin to need to loop back. All the while inwardly berating themselves for their carelessness, knowing that in a world without the time loops they would have been trapped and unable to challenge The King at all. We are also introduced to Loop, a star who watches over Siffrin during his journey. Loop is in the time loop with Siffrin and can follow his progress, offer advice and comment on everything. Loop is a little disaffected and likes to play things silly and coy and can be a little mean at times. But they say they're here to help Siffrin. As the adventuring friends climb to the final boss we get to see Siffrin's rapport with the party. Siffrin likes to stay on the sidelines and listen in to other people having animated conversation. Everyone is nervous to touch him having universally come to an understanding that Siffrin does not like to be touched. They make fun of Siffrin's poor memory (another common trait of those with dissociative disorders that we will talk about more in time) and they treat one another warmly. However during a bit of banter in a snack break...

(source: ISAT Script Project) Note that Siffrin internalizes the comment "we're not friends." instantly. From this point of the game until a latter moment all times that Siffrin's monologue refers to his party the word "friends" is replaced with "allies". They are so sensitive to abandonment and rejection that the they simply accept Odile's words, not even aimed at Siffrin themselves and internalizes them deep enough that the HUD of the game itself changes to accommodate this belief. It was mentioned at the start that Siffrin is a silly traveler who enjoys puns and makes light of most situations. In battles the game uses a Rock, Paper, Scissors weapon triangle and all of Siffrin's attack names are puns. In the profile menu he sticks his tongue out. His battle image is a playfully confident smirk.

During the game we always have access to Siffrin's inner monologue and can tell how they interpret the world around them but they seldom ever voice their opinions. This allows us to see how often they are convincingly laughing on the outside while hurting on the inside. Siffrin, unable and unwilling to approach their shame and self-loathing and terrified of becoming a burden to their friends allies will deflect whenever he sense that they are hurting.

A person (or dissociative part) may avoid being aware of inner experiences such as feelings or thoughts that might evoke shame. Thus, he or she is not aware of the experience of shame, typically does not acknowledge the negative experience of self, engages in denial, and attempts to distract self and others away from the painful feeling. For example, a person who felt ashamed in therapy might start making jokes or flippantly comment that the session is boring or useless, or he or she might try to change the subject entirely or even switch to another part that has a different agenda. The experience becomes neutral or positive; shame may be disowned or denied, or overridden with joy or excitement in distracting activities (joking around, talking about something else). There is little to no awareness of shame or one’s shameful actions, faults, or characteristics. The motivation is to minimize the conscious experience of shame or to prove that one does not feel shame. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

The other key thing we have come to learn about how others perceive Siffrin is their memory issues. Memory issues are a constant part of dissociative disorders with a lack of childhood memories being a key feature in Complex Dissociative Disorders such as Depersonalization/Derealization Disorder and Dissociative Identity Disorder. If I am being honest about my motivations for writing this essay, while playing it I keyed in on the lack of memories early and assumed it to be an allegory for such trauma. Even made a Tumblr post stating this. On the top floor of the house of change in a secret room and only during Act 2 there is a bit of dialogue where Siffrin speaks about their childhood.

This was the moment we knew we needed to write about this game. What is missing from the text above is that when Siffrin stammers on their words there is a time loop effect. The first one in the game that is activated by something other than a death or the natural end of the loop. Siffrin edits out this conversation so that not even he can remember it.

Amnesia goes far beyond normal forgetfulness. It involves serious memory problems that are not caused by illness or extreme fatigue, by alcohol or other mind-altering substances, or normal forgetting. Amnesia falls on a continuum. People with a dissociative disorder may recall some aspects of an event but not other essential parts of it. In some cases all memory for certain events is unavailable for conscious recall. Some people with a dissociative disorder describe their memory as being like “Swiss cheese holes,” “foggy,” or “full of black holes.” They may suspect that something happened, or may have even been told by others that something happened to them, but have no personal recollection of events and often feel afraid to think about them. People may have amnesia for longer periods of time during which normal life events took place, for example, a person may report being unable to remember anything from the fifth grade, or from ages 9–12. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

Instinctive use of time travel to edit out parts of a conversation that a perspective character does not wish to accept or confront is a fantastic allegory for how dissociative symptoms manifest. When a person or dissociative part stumbles too close to a severe trauma trigger. To speak from personal experience it is a moment where in a conversation a question comes up and the answer feels wrong in your mouth. Like you just lied. But you know you didn't intend to lie... so of course you interrogate the piece of information and the wall of confusion that hits can make a person feel truly powerless. Like you're not even certain of what you are saying anymore and a mixture of shame and fear flood in and tell you to stop talking, stop lying, stop exaggerating, stop speaking, stop, stop, STOP. Poor Siffrin shouldn't have their memory made fun of. But... his friends allies don't know. Do they? How could they? Siffrin doesn't speak up and when he does it tends to be a showy performance of being light hearted and silly so no one can see how hurt he is. Because if he does try to be honest... well. You saw what happened when they tried to open up. Through hard work and persistence the allies loop enough times to gain the knowledge and strength to win against The King. The King's first attack will force the allies to see a vision of the future and without a special magic shield will kill them in a single strike. Siffrin stays determined and prepares his allies. Helps them become stronger. Helps them win. The world is saved. Everyone in Vaugarde is released from the time freezing spell... But something's wrong... Siffrin is given a chance to talk to everyone as they all happily speak about what they'll do now that the country is saved but no matter what happens. Isabeau attempts to confess the thing that he wished to tell Siffrin if they won but is interrupted before he can get the words out, much to Siffrin's annoyance. The world is safe. All is well. It shall return to normal soon enough... only thing to do is speak with the head housemaiden and accept the praise and thanks for all the hard effort in saving Vaugarde... Then world starts to fall apart and... The second act comes to an abrupt close.

Act 3 - Family and Culture

The curtain rises and the play begins continues. The loop begins with Siffrin back at the start, even though the day was saved. Simply killing The King must not be enough. There must be a reason that the loops are continuing, even after Vaugarde is saved. The only way to understand is to find out more about why The King is able to freeze the country in time and if it has anything to do with why Siffrin can loop back. Speaking with Loop, Siffrin recognizes that as long as there are ideas and leads to explore then giving up is not going to happen. Loop seems reluctant to encourage Siffrin to continue, in fact Loop seems doesn't appear surprised by the time loop continuing at all. Loop is an interesting character and deserves an article unto themselves. We should focus on Siffrin right now.

Their first order of business is to attempt the Golden End exit route. It worked for Bill Murray, why not in this situation? Simply work out a way to make everyone have a perfect loop. Saving the world isn't enough. Siffrin can solve everyone's problems. Here we learn that Bonnie, the kid, harbors a deep well of shame for allowing Siffrin to be blinded in an eye while protecting them earlier in the adventure, before the loops. Siffrin, true to their dissociative nature, did not even remember the event. Siffrin also spends quality time with the adults in the party. Always hoping Isabeau would be brave enough to confess this loop. On this journey up the house of change the team are closer and more caring. No one makes fun of Siffrin for bumping into the counter. Siffrin discovers that the other party members have noticed his breathing exercises. Very helpful for those with dissociative disorders, by the way. They ground the body and allow one to ease somatic symptoms by soothing the nervous system and preventing activated sensations worsening symptoms. As they get closer to The King the warm and familial banter continues with Odile using the word 'friend' out loud. A guarded Siffrin allows themselves to confront Odile on saying that they were not friends (something she did not even say this "Golden" loop) and through an awkward but kind conversation she confesses she, a Too Old For This lady cannot feel comfortable calling a group of people with a pre-teen "friends" but she can perhaps call them "Family" The menu updates. Siffrin's Allies are now Sif's Family Members. This remains true in all the menus no matter what happens in any loop. But in this moment, there is a golden ending. There is joy. Though Isabeau is unwilling to discuss his confession when Sif is feeling vulnerable. They need to have a Feely-Feels talk. Sif hates the idea of a Feely-Feels talk. Yet, even still... In this moment Sif is loved.

Many people with Complex PTSD have attachment wounds from their family of origin. The concept of a found family is common among survivors, particularly in those who choose to go Non-Contact with the family of origin. Others, like Sif, have lost their family to tragedy and simply have no roots to return to. The role of a chosen family is vital in the healing journey. Survivors can become aggressively attached to those who they view as chosen family and are often activated by the concept of another loss. The wounds of losing one family enough to have massive impact on how the survivor handles relationships going forward. It is why unstable relationships is listed as a symptom of CPTSD and why there is such a big overlap of CPTSD and BPD diagnosis.

There’s no way around the fact that on the journey to finding your chosen family, you will get hurt. People you thought would be there for you will abandon you, people will decide they no longer have the emotional capacity to hold space for you, and… people who made promises to be by your side will betray those promises. That’s not anyone’s fault. It’s just life. Not everyone belongs on our journeys, but… when you find the right people, don’t let go of them. Nurture the relationships, reciprocate the support, and above all, respect the myriad of ways that people can and will show up for you. - (The Role of ‘Chosen Family' in Trauma Recovery - Monika Sudakov)

Sif is desperately attached to the Family Members that they travel with. In many ways the only reason they can endure the time loops is to protect them. Any time there is a prompt which threatens these relationships Sif's monologue insists that they will not abandon the script that ensures their safety and happiness. Yet despite all this power of love and Family, the loops continue. Which is fine. Golden Ending was a long shot anyway. Clearly it has to be related to The King and it's power to stop time. It seems to know the mysterious art of Time Craft. Talking to The King will help. The answers are still attainable and now Sif has a Family. To get the information required to learn about Time Craft and The King one must interact with as many books and items in the house of change as possible. In doing so we learn more about Sif and their history. By this point in the story the concept of croissants has come up a number of times for the party. In the opening town Sif has the option of buying one from a bakery and gives an uncharacteristic scowl. When they are spotted in the house Sif tends to duck out of conversations, not caring to listen to people talk about the pastry he loathes so desperately. He jokes about it and obfuscates but Sif hates croissants. With a burning passion. There is literally a food that can kill him in the game (he is allergic to pineapple and can die on a banana plantain peel) but his ire always turns towards croissants. Croissants are an emotional trigger for Sif. They harbored such a deep hatred of croissants that when, in Act 4, he is pressured to tell everyone what he wished for at the start of the game he says that they wished for croissants to disappear forever. Sif's reactivated trauma is related to croissants. Up until now he had been living his life blissfully unaware of his dissociated experiences and yet a croissant cracked the amnesia barriers that kept him safe and now each time he sees them they cannot help but be reminded of "The Incident". By examining the Silver coin in their inventory a number of times one can see "The Incident", a moment that happened days before the plot began which informs Sif's entire emotional state throughout the game...

(source: ISAT Script Project) Note the time skip at the tail end of that sequence. Sif was thinking too heavily about the trauma again and skipped time to avoid thinking about it. Dissociative barriers. He literally cannot think about it. The universe won't let him. Sif's home isn't there anymore. In the canon of the game where reality can be rewritten on the whim of a wish, the country that Sif comes from was wiped off of the map and all knowledge and memory of it has been erased, even from those who lived there. Sif's trauma is that he lost his home. His family. Everything and everyone that he ever knew. Through traveling with his family members he has gained a slither of the emotion, comfort, connection and safety that he lost and in being reminded of all that he lost so close to the end of their journey he was reminded he can and will lose it all again and the thought is too terrifying to process. This is the core conflict in Sif's heart for the entire game. The more they interact with memories of the destruction of his homeland the more keenly aware he becomes of the fact that the quest will end and his family will go their separate ways and abandon him. They have no home to return to when this is all done. CPTSD is not currently recognized by the DSM-5. An official diagnostic description can only be found within the ICD-11. On the ICD-11 page for Complex-PTSD there is a specific segment for "Culture Related Features" that reads:

Cultural variation exists in the expression of symptoms of Complex Post-Traumatic Stress Disorder. For example, somatic or dissociative symptoms may be more prominent in certain groups attributable to cultural interpretations of the psychological, physiological, and spiritual etiology of these symptoms and of high levels of arousal.

Given the severe, prolonged, or recurrent nature of the traumatic events that precipitate Complex Post-Traumatic Stress Disorder, collective suffering and the destruction of social bonds, networks and communities may present as a focal concern or as important related features of the disorder.

For migrant communities, especially refugees or asylum seekers, Complex Post-Traumatic Stress Disorder may be exacerbated by acculturative stressors and the social environment in the host country. - (ICD-11 for Mortality and Morbidity Statistics)

We do not learn much of Sif's culture of origin but we know that they were in tune with The Universe, that they had spiritual aspects that allowed them to use Wish Craft and follow when fate leads. Act 3 is an info gathering quest on The King's motivations and we discover that King and Sif both hail from the same country and have lost all their social bonds, networks and communities and cannot even recreate the specifics of their culture. It has literally been erased. No culprit is ever named for this atrocity but from Act 3 onwards Sif mourns this lack of roots and via the power of the magic that prevents anyone from remembering the country they cannot mention this tragedy to anyone. Though Odile is able to infer it. Odile is also an immigrant to Vaugarde, her mother was from Vaugarde and her father from Ka Bue. Her mother abandoned her and Odile's quest in Vaugarde is to find parts of her history within the foreign land and fill in the parts of her soul that she feels are incomplete from the lack of her mother's presence and history in her life. In Act 3 the two bond over it as part of Odile's "friendquest", in Act 4 and beyond Sif's inner monologue seethes with bitterness and envy for Odile having connections. The initial connection of them both being foreigners in an accepting land caves to the pain of loss that consumes Siffrin whole.

(source: ISAT Script Project) What's worse is that some of the things that the family members joke at Sif about for being too forgetful to know the words "Kiln" "Pottery Wheel" or "Stuffed Animal" (though they do remember on some loops) become less about silly forgetful Sif letting incidental information slide out of their dissociative mind. It becomes making fun of a person speaking a second language and not having complete mastery over it. By Act 5 Sif has no patience for the playful jabs because they happen every single loop and they hurt. Minimizing is a lot harder in a time loop. Every small moment of tiny pain repeats again and again. Every time Sif bumps their hip on a counter the party laugh at him. Well... except for the time he screamed at them for it... or the time he collapsed into a defeated pile on the floor on the verge of tears. Heaven help me if bumping into a counter hasn't been the last straw to break my facade when the weight is too much to carry. Poor Sif... As Sif learns more about Time Craft and the country that both he and The King come from, Sif starts to gain an understanding of The King's motivations. After losing one country he couldn't bear to risk losing another home. Vaugarde was so kind to him and took him in and he wants it to remain perfect and safe forever. Frozen in time like a photograph. Now that Sif has come to recognize how important his Family Members are to him, they understand. To have people you love and consider Family is so important and the idea of losing that is simply unspeakable. It is a fate worse than the time loops. By now Sif has done the Golden Ending a time or two...

He understands why The King would do this. The final loop of Act 3 allows Sif to attempt to convince The King not to fight. The pair have attempted to bond over their roots, they have tried to force The Universe to allow them to speak the name of their nation (but it refused to be said) and now Sif wants to try and use understanding. The King agrees. He stops the fight. Asks Sif to come to his side and... Then he freezes the Family Members in time. He understands now that Sif is using Wish Craft to fight him and he cannot win on traditional terms so he decides to carve it into Sif's memory, a reminder of what happens if he continues defying The King's will. He picks up poor little pre-teen BonBon... and FORCES SIFFRIN TO WATCH AS HE CRU-

Act 4 - Shame Spiral

The curtain rises. The play begins continues. And Sif is not okay. They witnessed the game break the well established rule that the kid was not able to be hurt. Even in runs where you lose to The King Bonnie always gets away. The Family will always go out of their way to ensure The Kid survives. It's happened so many times by now one doesn't even think to question it... And the player had to watch. There is no avoiding that event. Sif will lower their guard to speak with The King and offer compassion and trust to someone they thought of as a kindred spirit and no sooner had they laid down their arms for a moment they were punished for it. Brutally. It's the rock again. Feel safe, even for a moment, and it comes crashing down to crush with full weight... only this time it's not the Sif taking the hit. Sif can take all the hits in the world. It was BONNIE. Someone else was crushed because Sif trusted. From this moment on Sif's intrusive thoughts become louder and meaner. Look above at the conversation with Odile about her roots and notice the changes between Act 3's inner monologue and Act 4's. By this point in the story Sif is losing track of how many loops they have gone through. Unless you keep your Memory of Self equipped you will find that any time you loop forwards or backwards the loop counter will jump up by leaps. Sif is so numb to the cycle by now that they're just dissociating through iterations of the time loop. Other times he 'blacks out' bits of time include sleeping at the clocktower. We learn that he never ever sleeps at the tower. He just blacks out and comes to at the house ready for the next run. All Sif can remember is what the player sees. But stuff does happen besides that which we see. It's not just the amount of time that Sif has been in the loops that is causing this degradation of mental health, though. It's the continuous activation taking a toll. When a person is continiously hyperaroused they become disaffected, chronically dissociated and begin experiencing somatic symptoms. Headache, stomach ache, exhaustion with no ability to sleep, hunger without ability to eat. At this point of the story Sif is constantly hungry and is not sleeping at all. The primary cause for this is the attachment trauma being continuously triggered. Where in early acts it was a matter of worry over losing his new family while being reminded constantly of losing his old one, now he is reminded of allowing his family to die because of his actions. The shame spiral claims him and his emotions become wild, even if he is not able to express them outwardly. This level of emotional sensitivity is a primary symptom of Borderline Personality Disorder. The similarities between CPTSD and BPD are enough that much of the discussion around the potential for including CPTSD in the next revision of the DSM centers around whether it should replace or be combined with BPD. The Foundation for CPTSD writes on the topic:

At one-time, complex post-traumatic stress disorder was proposed as an alternate form of borderline personality disorder because of the shared link to severe childhood trauma. The jury is still out to recognize CPTSD as a diagnosis in the DSM, but it is believed that the symptoms and causes of BPD and CPTSD overlap substantially, but it is not warranted to replace one diagnosis with the other or conceptualize CPTSD as a subtype of BPD. Borderline personality disorder and complex post-traumatic stress disorder are commonly found together, with between 25% and 60% of people living with BPD also having CPTSD. Complex post-traumatic stress disorder is listed in the 11th edition of the International Classification of Diseases (ICD-11), and this has spurred research differentiating the two disorders. Evidence suggests that CPTSD and BPD may represent a continuum of the stress response, and both seem to have a component of dissociation involved. The most significant difference between the two diagnoses is when they form. CPTSD typically forms in early childhood, while BPD forms during early adolescence. Having both CPTSD and BPD makes life difficult, to say the least. - (CPTSD Foundation)

BPD is a personality disorder categorized by attachment wounds. Part of the diagnostic criteria includes "Frantic efforts to avoid abandonment, whether it is accurate or not, by family and friends" It is safe to say Sif feels this way about their family. They lost their entire home, their history, their family of origin. They cannot conceive of losing the family that they have gained. The concept is simply too painful for them to consider and so emotional and dissociative barriers force away anything which could potentially bring the topic of losing them to mind. Heaven knows we can understand the impulse... But since being directly responsible for failing the promise they made to protect Bonnie this is no longer a matter of fear of the unknown, it is shame in having failed to keep a promise to protect. This shame grows and cripples Sif's emotional regulation, leaving them prone to volatile outbursts of their repressed rage. Either forcing it inwards on the self or outwards on others.

When you feel chronic shame, you believe that no amount of punishment or corrective actions would be sufficient, and you are unable to forgive yourself or have any empathy for the terrible suffering shame brings to you. It is as though chronically ashamed people have received a life sentence of shame with no hope of parole, even when they are unsure of exactly why they are bad. In fact, some people will say there is no particular reason they are bad and unworthy: The mere fact that they exist and take up space on the earth is shameful enough. They believe they are not worthy of living and do not deserve anything good. In such cases, shame is an emotion of hiding: The last thing an ashamed person wants is to be open, vulnerable, and seen by others. Thus, it is an emotion that often is not addressed sufficiently in therapy, even though it is a major impediment to healing. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

Act 4 is about learning the origins of the Wish Craft that rewrites the universe and allows for Sif to use Time Craft. We learn that any time they are upset they will instinctively rewrite history to prevent the things that they fear from coming to pass. This includes moments when their anger gets away from them and they lash out at their family. Some optional scenes include forcing Isabeau into a kiss or screaming at Odile when she knows too much and tries to help Siffrin. Any time these outbursts happen time rewinds and only Siffrin is left with the knowledge that they happen, deepening the growing well of shame. All the while Sif feels more hollow in the interactions he has with his Family. In forcing them to be their best selves via the "Friendquest" events every loop he starts feeling like he is manipulating them. Where he felt loved the first few times he now accuses himself of forcing them to love him.

To the degree that our caretakers attack or abandon us for showing vulnerability, to that degree do we later avoid the authentic self-expression that is fundamental to intimacy. The outer critic forms to remind us that everyone else is surely as dangerous as our original caretakers. Subliminal memories of being scorned for seeking our parents’ support then short-circuit our inclinations to share our troubles and ask for help. Even worse, retaliation fantasies can plague us for hours and days on the occasions when we do show our vulnerabilities. I once experienced this after being very honest and vulnerable in a job interview with a committee of eight. Over the next three insomnia-plagued nights, my outer critic ran non-stop films featuring my interviewers’ contempt about everything I had said, and disgust about all that I had left out. Even after they subsequently and enthusiastically hired me, the outer critic plagued me with “imposter syndrome” fantasies of eventually being exposed as incompetent in the new job. - (Complex PTSD: From Surviving to Thriving - Pete Walker)

It doesn't matter. Sif tries everything. Learns all the things that they can learn. Explores all the hidden areas of the house of change. Nothing matters. It's hopeless.

And with each loop The King's attack shows Sif a vision of the future. What do they see? Endless looping or... does Sif see the future beyond the loops? After the party return to their various homes? Act 4 ends with The Head Housemaiden, the only one who could have potentially held answers telling Sif outright that there was no escape... Before the loop begins anew.

Act 5 - Curtains

[Hello there. It's me, Dawn. I'm pausing the essay and dropping the cute little play structure to reiterate the Content Warnings from the start of the post. During Act 5 there are options to commit self-harm that a player may stumble across unintentionally. During previous acts one has to work exceptionally hard and against the game and characters within it to unlock a means of self-harm and it is unambiguously seen as a bad thing. In Act 5 there are no external forces to comment on Siffrin's actions.] The curtain rises. No point in wasting time. Get the actors. Make them strong. Beat the king. Do it right this time. Unfortunately our star has lost all of the mental fortitude they had. They were so strong for so long but there is only so much a person can take before they let the anger win. It is all too common for people with significant trauma to harbor resentment and anger in their soul. It sometimes remains repressed under layers of emotion numbing dissociation, it sometimes turns inwards into self-destructive acts and viewpoints and it sometimes turns outwards into explosive acts of physical or emotional violence. But it's there... lurking within the injustice of all the pain a person has felt.

When you have experienced a trauma, anger often becomes the central emotion that you feel. Angry thoughts about revenge may consume you. According to Enright and Fitzgibbons (2000), your anger is more destructive if you focus it on another person or people; it is intense, even in the short term; it leads to a learned pattern of annoyance, irritation, or frustration with others who are not the source of your anger; it is extremely passive; it is extremely hostile; or it is developmentally appropriate for someone much younger than your actual age (e.g., you act like a two-year-old and have a temper tantrum). - (The PTSD Workbook Mary Beth Williams)

and so... with the 5th act of our play about to begin, the star wakes in a familiar meadow for what may be the hundredth time... and they simply cannot take it anymore.

The actor on stage has reached Rock Bottom and likely unlocked the skill Rock Bottom to go with it, though they are beyond the silly puns now. Rock, Paper, Scissors, Breathe or Heal. Just get to The King. Just kill it. One. Last. Time. The GIF above starts with the line "YOU WANT YOUR FAMILY BACK!!! NOT THE FICTIONAL CHARACTERS THAT HAVE TAKEN THEIR PLACE!!!" Up until now we have only spoken about dissociation in terms of zoning out or blocking out memory. I now want to talk about Derealization and Depersonalization. DPDR has been a subject of other Media, Myself and I essays, most notably our discussion on Night in the Woods. To be brief about it for this essay Depersonalization is a detatchment from one's sense of self and Derealization is a detatchment from reality. Our star has become so disillusioned with the endless looping that they no longer view their surroundings as real. The people in their life are just actors in a play that they are directing. Everyone says their lines. Even the star must say their lines. But there's still some stage direction. Some purpose that our hero must fulfill. They know that there is a chance if they can just kill the king without Mirabelle landing the final shot. Then. Maybe... In their disaffected state and unable to convincingly perform their lines in the play, our star manages to upset everyone else on stage causing them to doubt if it would be safe and productive to continue traveling with such a horrible disgusting unreliable stupid person. This causes the final act to be a solo performance. One final walk through the house without friends allies family actors to help. At the clocktower the other actors talk about our star and are uncertain if they can trust them any longer. Our star reacts by rejecting them entirely and going it alone. There is a concept in BPD called Splitting in which a person devalues or exaggerates the value of an individual in their compromised emotional state. It can cost a person relationships if they act out of these temporary emotions. At the start of Act 5 the actor manages to scream at the kid for getting in danger, calls the fighter a coward and mocks the researcher for her mother abandoning her. The individual, so desperate to shield their wounded heart, pushes the people they love away because their proximity is too close to their open wounds and they push away to maintain space. This is particularly true in those who struggle to create healthy emotional boundaries. This game is such a god damned call out at times. As the actor climbs the house everything is broken. The universe itself is trying to maintain the reality of two wishes that it needs to make a reality. "Save Vaugarde" and the one the main character wished for in Act 1. Do you remember what it was? The Universe cannot allow Siffrin to remain with their Family Members if they run off alone and reject them. The Universe simply cannot accomodate such a reality. Everything is falling apart. What proceeds is the ISAT equivalent of a Genocide Run in Undertale. Everything is broken and wrong. Rooms are breaking the collision boundaries of a video game, textures are cut wrong, doors lead to the wrong location, time is looping without rhyme or reason. And the menu is blunt. You cannot change your equipment, now stuck with Memory of Emptiness with the description (Nothing comes to mind, hahahahaha!) Some rooms contain hallucinations that make our star feel more abandoned and empty and mournful of their situation. In rooms where they would normally receive a modicum of physical comfort brushing against the other actors there is nothing now.

(Aaaaaaah…) (You rub your arms once, twice, thrice.) (Your throat tightens) (You feel like you're floating in your own body.) (If only someone would touch you to make sure you're real! Someone, anyone!)

This is an example of extreme depersonalization. Also the garden has a table with 4 healthy plants and 1 dying plant to the side. Our star notices it and it acts as a visual indicator of the barriers between the director and their actors. Some of the other rooms on the Act 5 climb depict overt self-harm...

It can be understood as a substitute action for more adaptive coping that attempts to deal with a variety of overwhelming problems, many involving too much feeling (for example, loneliness, abandonment, panic, inner conflicts, traumatic memories) or too little feeling (numbness, depersonalization, emptiness, feeling dead). Self-harm is thus often related to the need for regulation skills, that is, finding ways to modulate and tolerate unbearable inner experiences, such as painful emotions, or traumatic memories (Gratz & Walsh, 2009; Miller, 1994). Some people harm themselves in secret and carefully hide the inflicted wounds from others. Other people harm their bodies in places that are visible to people around them. (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

The shame only increases upon doing these optional (but distressingly unprovoked) actions. Honestly, if I had one criticism of the game and its depiction of mental health it is that there is no way to know that looking at the cupboard with the eye patch conversation would cause a self-destructive action. As someone with extreme sensitivity to depictions of suicide and self-harm I felt that having no agency or warning over that (I had no reason to assume this would happen. Any other form of self-harm requires selecting a menu option. This one jumps out at a player unexpected) was... unfair. It is noted in monologue that breathing exercises no longer work by this point of the narrative and due to not being at the clocktower our star is proceeding with no food and no sleep. Their already bottomed out mental and emotional state is in sore need of external intervention. Something the actor both desires and rejects in equal measure. Upon finding and fighting The King our hero is frozen in time and locked in a dream. Placed face to face with their worst fears and worries of how their actors Family would perceive them.

(source: ISAT Script Project)

After the screen stops being blurry and the player wipes the wet spots off of their Nintendo Switch. The fear of being perceived. The fear of being seen as manipulative. Being seen as insincere. Being seen as lazy or too afraid to change. Callous. Aimless. Manipulative. So many survivors have these negative scripts and inner critics. Caught in their cycles. Their own little loops. But there's still hope. Family. The chance to be vulnerable. The game concludes with Sif's Family saving him from The King. But even though The King's spell is broken and the people of Vaugarde are unfrozen the sky has a giant red crack in it. Sif's wish is still tearing the world apart. Realizing that when the quest is over everyone will go home Sif has their temper tantrum, becoming the final boss in which every move is a choice to either lash out at the party or lash out at themselves. A boss mechanic version of the final embers of a violent extinction burst. That is to say a person who does not have control over their ability to maintain a sustained behavior will lash out and attempt to assert control in order to prevent losing the conditioned routine.

An extinction burst is characterized by a temporary increase in the frequency, intensity, or duration of behavior being extinguished through operant conditioning. This phenomenon occurs when the reinforcement for a previously learned behavior is removed, leading to an initial escalation of the behavior before it decreases and eventually ceases. While not all instances of extinction involve such bursts, they are observed in some cases, particularly during the treatment of problematic behaviors. Extinction bursts can complicate the treatment of behavioral disorders, as they may temporarily increase undesired behaviors like aggression or self-injury, making it challenging to assess the effectiveness of interventions. (*)

In this case Sif is lashing out because he has no way of preventing his Family from going back to their lives. It's a destructive and unhealthy mechanism. The fight ends with everyone refusing to let Sif run away or hide anymore. He is forced to admit that his wish was to stay with everyone. That he didn't want the family to go away. He opens himself up to the vulnerability of being seen of being understood and yes, even potentially rejected. The Family agree to travel together at least long enough to get Bonnie back to their sister. But there are no guarantees what happens beyond there. There is love. There is acceptance. There is honesty. There are no more time loops. Maybe now, finally... there can be change. Growth. Tomorrow.

In time loop fiction everything eventually loses meaning. There are no permanent consequences, no external pressures, nothing inherent to strive for, no meaning but what the protagonist(s) give themselves. The option to just accept things and remain is always there as Andy Samberg's character in Palm Springs does. The option to never stop trying to escape is there for those like Keiji in All You Need Is Kill.

The brilliance of In Stars and Time is that there are two wishes that are influencing the universe. The wish of the people to save Vaugarde from being frozen in time and Siffrin's wish to remain with his family. Change and Stagnation. That's what it always comes down to in these time loop stories and the conflict in this game is that those two forces are playing against one another. The only outcome was to give up on one or the other. As we'll learn in Act 6 there is no reality where Siffrin gets to stay with all 4 party members. They will have to separate at some point. Accepting change is accepting that things can and will and do end and life will go on and you have to be okay with it. Many of our essays have focused on representation that includes a healing journey from Ange Ushiromiya accepting the circumstances of her tragic past to Elliot Alderson's 4 season long representation of trauma therapy for dissociative clients. I think the thing I love about In Stars and Time is that it's the long and arduous process of a chronically traumatized individual asking for help. It's the first step on the healing journey. Acceptance. Siffrin spent the entire game in denial and rejection, making jokes and pushing things aside. Our long and hard journey was just getting to the point where they were able to recognize and admit it. And I really hope that Sif and their family members will be okay. I wished on my leaf for Sif to see Ka Bue with Odile. I hope they get to go. But as insertdisc5 says when asking any questions about what happens next "it's your turn" -

Stars that was a long one. Thank you for sticking with me if you read the whole thing. We like to write these essays as a matter of helping our study on dissociation (we, ourselves, are a DID patient and reading and comprehending this material is essential to our recovery and treatment) and providing a little insight to bits of media that are positive examples of what we go through. If you enjoyed always feel free to leave an ask or leave some silly tags. I never care if I get a flop post as writing is its own reward but the encouragement is good for my ego <3

Special thanks to @insertdisc5 for answering when I reached out for comment on the writing of this essay. The reply was helpful and encouraged us to take our time and write this with extra care. (In Stars and Time can be found on Steam, Itch, GOG, Nintendo Store and Playstation Store. The Prologue Game can be found on Steam and the Start Again comic on insertdisc5’s website) Media, Myself and I is a series of Tumblr Essays for positive depictions of dissociative disorders. Other essays include: A History of Murder Alters Discworld and Plurality Incidental, intentional and accidental representation Gender, Dissociation and Clinical Stigma in The Third Person Recontextualized Memories in Umineko Derealization in Night in the Woods and Metal Gear Solid The Dangers of Hypnotic Personality Play in Penlight System Origins in The Incredible Hulk Relationships with Systems in The Incredible Hulk The Healing Journey in Mr. Robot

...wait... what happened to Act 6?

I did say Loop deserved their own essay, didn't I?

[emmafrostyyy]

y'all sleeping on Astarion/Lae'zel bc this moment is so...the way the flippant demeanor drops and he doesn't hesitate to call her out for sticking with her version of Cazador like their relationship is so underrated fr...

sitting down writing this bullshit like let me peel it like an onion a bit and elaborate why this pairing is fascinating to me

It's really interesting how during the most cathartic, life-altering moment in Astarion's questline, the reactions of the other companions are more about the moral wrongness/guilt of sacrificing innocent lives. Lae'zel doesn't do that and instead relates to his hurt.

She knows what's he's feeling, the lack of control, the unfairness of being powerless for too long. This is a woman who just found out her entire life purpose was built on lies, discarded and hunted by her own people after outliving her usefulness, and groomed to basically die for an insane power-hungry lich queen. She knows all too well that power isn't always real freedom. Her first instinct is to empathize with Astarion to steer him away from his hate and resentment.

Astarion/Lae'zel is so interesting to me because they're such a classic "can we make each other worse or make a better person out of the other?".

They both have genuine appreciation for violence and respect each other's ruthlessness. Astarion was used as a weapon of seduction while Lae'zel was of warfare. Sex with people is meaningless and not real intimacy for them, and while both have little understanding/experience of interpersonal relationships beyond the physical, they still feel and love very deeply. They have no frame of reference for things like friendship and warmth, but they badly want all of that and more, even if they don't know it yet.

In-game they can sleep with each other, which is basically the foundation of the normal Tav/Astarion romance. Lae'zel saw him during combat and got horny, who knows. Astarion who's used to luring people with his charms, takes up Lae'zel's blunt offer because she's a strong hardened warrior that can provide protection and be a worthy ally, and he doesn't know how to say no. Navigating the complications between one who wants to be seen beyond as a sex object, and one who comes from a totally alien culture with no concept of love/family/connections and only sex is honestly really compelling to me. It's a transactional, mutually beneficial thing with no emotional expectations. Once you get past the skeevy rockiness of their early relationship, I really like the idea of them slowly seeing something past the exterior and realizing they may have harshly misjudged the other, an unspoken friendship blooms, and in comes the realization that they are essentially loners longing for kindness and a comforting touch in the most desperate of situations.

Lae'zel is prideful, direct, has no sense of courtship talk, and doesn't hold back her thoughts the slightest--she's not sweet/agreeable and what you see is really what you get, which I imagine would be disarming for Astarion who's used to vacuous flattery and has difficulty trusting others. But she's also insanely protective, passionate, loyal, and an initiator-- every romance scene is triggered by her first and she's always showing effort towards her relationships, which would mesh well with Astarion who does need someone to nudge him.

She doesn't purposely suppress her feelings, she's just simply at loss at how to express them sometimes due to her wildly different upbringing. She stops the sparring match you agree to and an easy vulnerability slips instantly out of her: "I don't want to hurt you. I want to protect you, and for you to protect me." and "Thus far I've taunted you, devoured you, battled you. Now I want more than anything to soothe you." are romantic as fuck and Astarion of all people really needs to hear that tbh.

Astarion is also someone who struggles with reinforcing his boundaries, and a key theme in Lae'zel's romance is that she encourages and wants you to challenge her and learn to stand your ground. It's not gentlest method, but hey, relationships are about having to make an effort to learn each other's language.

I think he also would take pleasure "educating her on the matters of Fay-run" (I believe there's a whole banter with him teasing her and teaching her pet names) and would get a kick out of coaxing Lae'zel out of her shell with her shyness at showing public affection, and making her blush. Also it simply would be fucking funny to see Astarion who's used to easy seduction, trying to pass a persuasion check just to get a smooch and generally having to work to earn regular kisses from Lae'zel lmfaooo

Lae'zel also initially struggles to see her chains as chains. When she learns about Vlaakith's betrayal, she copes instantly through denial and shuts it down. Astarion is NOT having it and calls her out, he knows her well enough to recognize that she would value blunt honesty above all.

I imagine he also despises her lack of self-preservation, the way her entire identity is tied to duty and being in service of others, and doesn't understand her desire to still help/liberate the people that want her dead and are hunting her down. He wants to make this duty-bound soldier realize that looking out for herself, and putting herself first may not be the worst thing in the world.

They're so similar to each other but are also polar opposites in some ways that make a more equal, balanced romance I think. It's not a simple, one-sided, feel-good "she/he can fix her/him" fantasy because both of them have to earn each other's love, actually cut through the other's flaws, and actively motivate each other to be better versions of themselves.

They're not at all the other's ideal guiding hand. It's rough, jagged, and imperfect, but that's how healing goes. It's so far from being the healthiest relationship -- but even if their belief systems differ, their moral compass does often align. I imagine it's a slight relief for them to have a partner where there would be less shame and judgment when they expectedly, occasionally slip up and fall into their bad habits.

Also, man, the "You showed me the betweens and beyonds. Beyond war and peace, beyond passion and obsession, most importantly, you showed me freedom.", "First you were my wound, now you were my cure.", "But you saw something else in me - someone else I could be. Someone who could break the cycle of power and terror that started centuries ago.." lines really hit hard when applied to them.

Of course, they can also make each other worse, feed into the other's negative traits that will bring out the worst part of themselves. It's this duality of their pairing that is very interesting to explore, the way it can steer in either direction because it's an intense, fraught relationship at its core.