#i just limited myself to only rewatching while i was doing work to force myself into being productive

[accirax]

Soooooo... remember when I said I was rewatching DRDT?

Well, here's the result of that! As I did, I made a Danganronpa: Despair Time Episode Guide, full of links to specific, labeled parts of each episode to make it easier to rewatch and reference. The document should be available to all, so hopefully it'll come in handy for anyone who's interested in theory writing. Since it's taken me a bit review the story, I've already been using the guide to put together some of my theories over the past couple of months, and man has it saved me some time.

As I say in my opening blurb on the document itself, if you notice that anything is wrong or unclear, feel free to let me know! You can use the comments on this post to point stuff out as well.

I hope that you find this useful! (the cost of admission is putting up with my terrible scene title jokes)

[cina-full-moon-xanadium]

Shin Kamen Rider: Prologue. 

So! This is a pretty infamous black sheep among Kamen Rider’s many projects. It’s reviled for an edgy level of gore and violence that it almost felt like it needed to do due to the higher age rating; some kinda strange treatment of the female lead; just in general it’s a bit of a poster boy for edgy ‘adult’ takes on popular children’s franchises, and man I think I love it more every time I see it.

It’s with admittance that I’m the crazy one in the room here! The criticisms are at least somewhat warranted, and there’s certainly things I would have done differently. But I’ve seen this movie like 3 or 4 times now and I’ve read the (very closely followed) manga adaption and just every time I dive into this story I find myself focusing on more and more details and appreciating them all the more. 

To start, the core story is a very solid take on the original Kamen Rider story for an adult audience with more nuance and conceit added in. A secret organisation with aims of control and subjugation changes a man at his most fundamental human level, and he struggles with both that and a battle on all sides from that moment on. The shocker equivalent in this movie is painted as very mysterious and ambiguous as to what it truly is at its heart, and something I appreciate is that while agencies like the Police and the CIA are fighting them; that doesn’t make them Shin’s allies and they’re arguably just as shady and unworthy as trust as the people who changes him. The cyborg aspect is eschewed in favour of a biological transformation from a lunatic trying to play god, which leads to both a stunning realistic Kamen Rider design with beautiful effects and a very interesting concept of telepathy; of bonds that transcend words in line with what insects experience. There’s just a lot of good choices here, I think, in taking what’s great about Kamen Rider’s story and heightening it for an adult audience that asks interesting questions of what it means to be alive.

... still! It’s not something that entirely comes together. The Shin Baby is maybe the most infamous hilarious thing in the film, and while I’m usually a fan of the wild things Tokusatsu pulls; this one feels like it’s pushing things just a bit too much and in a way that just doesn’t tonally fit the film. As well, the contrast of a grasshopper’s telepathy and Shin’s familial connections works to demonstrate that kind of bond; but I’d argue also limits what’s done with it -- despite his maniacal nature I think it would have been interesting to dive deeper into the initial bond between Shin and Onizuka, or perhaps replace the baby subplot with someone else who’s been similarly changed. Said baby subplot... also arguably underpins the female lead’s role as one of simply motherhood and existing only for Shin and their baby. Which isn’t fantastic!

Still, for me the positives always end up shining through for this one; and in particular I’m just very glad we have an entry into the Kamen Rider series that gives a much more realistic, biological, grotesque take on Kamen Rider’s existence as a grasshopper man. It’s the kind of thing you never get to see in Tokusatsu in general, never mind Kamen Rider; and I’m happy it exists if only for that and the practical effects that come with it. A lot of it has arguably not aged fantastically, but a fair few are still shockingly effective and I’ll always be a glutton for hammy practical effects over forced CGI.

So that’s where I am on Shin Kamen Rider (not that one) (not that one either). A movie with a lot of clear, obvious failings which doesn’t truly come together; but with a lot of unique traits to offer that I find myself loving more on every rewatch. I absolutely understand where people are coming from on this one and couldn’t easily recommend it to anyone unless you’re already super into Kamen Rider (and at that have some tolerance for gore), but I can’t help but be engrossed in all the good things it had to offer or at least attempted every time I watch it.

[gillianthecat]

Man. Every time I'm like, I'm not going to analyze, I'm not even going to take notes when watching. And then, well that was just too adorable, I have to write that down... And then sixteen hundred words later we have this. Anyways, here's my best attempt at not analyzing episode eight of The Eclipse:

~ I'm rewatching episode 8 of the The Eclipse to refresh myself for ep 9 and... adggddhjsk I LOVE THEM SO MUCH. That kiss. Ayan is our consent king. That was so tender and lovely. Their faces. And this time watching I realized that at the breakfast table Ayan was flirting by saying "I like what your parents made" while staring into Akk's eyes, implying that he liked Akk. There may have been more layers to the joke that didn't make it through translation.

~ Kang's defensive immediate denial that anything happened that night - not just denial but blocking the possibility from even being raised. And Thua's hurt eyes but willingness to go along with it, so as not to rock the boat, so as to protect Kan from his fears 💔

~ And Kan's jealousy/protectiveness in the car. The first time around I read it as mostly jealousy but this viewing I think Kan was noticing how uncomfortable Thua was getting squished in the middle and was more acting out of protectiveness.

~ And of course Ayan's quick "Ok!" in agreeing to sit on Akk's lap was both hilarious and a perfect characterization of all of them. This show mixes humor and tenderness and angst and serious issues so well, in a way that really works for me. The humor usually feels perfectly timed, just when I (and the characters) need a break from some heaviness, and it's never done in a way that undermines the characters or the serious issues.

~ Does Thua suspect that "Bruce Wayne" is Kan? I kind of think he does, but I don't have a reason for it other than that Thua is pretty socially astute.

~ I am very intrigued by this complex-ifying of Thua's stepdad. I think it's a good thing for the story, and more interesting. And he seems like he'll be our glimpse into Suppalo's history, and the fact that this cult/oppression shit has a long legacy there. I like seeing that along with being an asshole to Thua he is also protective. I don't know enough to say more about their relationship, and the hurt that Thua experiences from him is real, but these added layers make for a more interesting story. I hope we get the end of his story at some point.

~ Also it makes an ominous transition to Akk patrolling the school at night.

~ He can't help but smile at a message from Ayan, even if he doesn't really want it. 😍

~ 🙈 this feels like a horror movie I don't watch horror movies. Chadok certainly knows how to stage himself for maximum intimidation. The way he puts his hand on in Akk's shoulder is so awkwardly unnatural which ramps up the feeling he's only doing it to be controlling. And the way Akk looks at the hand - it's the literal symbol of Chadok/Suppalo's control over him. He's literally under Chadok's thumb.

~ Akk 😟 Under pressure from all sides. His parents were so excited about him going to university and now Chadok is telling him the way to afford it is to do what Chadok says. My poor baby. (Larger political metaphors too of course but I don't feel like thinking about that now.)

~ What did Thua want to say? Is he just distracted by Kan sweaty and bare-armed, or was there something else on his mind?

~ So cute ☺️ (though when did Kan have time to send a message?) Is Thua intentionally checking if Kan's phone pings? My guess is yes. Their smiles!!!

~ I don't really have the brain capacity for political analysis right now. But "how are the prefects going to handle it?" Forcing the students into policing each other... And reputation=power.

~ Kan grabbing Thua's wrist! This time seemingly without having to work himself up to it!

~ Why don't we get any more Teacher Waree?! I want to see what color she wears next. Did she have a more limited shooting schedule? I can't imagine that she'll never appear again.

~ Wat is so oblivious to the undercurrents of his friends' relationships. It's kind of adorable. I don't know if he's just decided he doesn't want to get involved, or if he genuinely doesn't notice. But Kan is pleased about Ayan's interest in Akk. Whether for their sake (despite his anxiety around queerness) or because it means Ayan isn't interested in Thua, I can't tell. But he is starting to open himself up to allowing himself to be queer and in love 🥰

~ Tender oh so tender. Ayan's care! (For a school with an actual medical professional on staff, they seem to rely on students to do an awful lot of the medical care. Both here and with Kan's ambiguous injury later on. But I'll allow it for the romance and tenderness of it all. And I think the US tends to assign caretaking duties to professionals more than Thailand does, so it's probably also partly my cultural lens.)

~ I wish they'd kept the literal translations of "big body" and "little body." Bigfoot and Shortstop sound weird to me and to my US American ears have connotations that I don't think are intended.

~ I'm staring to really like the soundtrack. I love all the music they play for the tender scenes. So I think it was just the specific choice of Dramatic Music that felt like it was drilling into my brain. I don't know if they were able to commission a specific score - my guess is that with their budget they had to find relatively cheap existing works to license. But whoever choose and mixed them is overall doing a great job.

~ More judo sexiness and staring ☺️ Ayan taking advantage of the moment to talk to Akk. I like the evolution of the way Ayan looks at Akk as he's pinned beneath him.

~ Explicit homophobia from the judo teacher 😟

~ This wound tending doesn't really make sense (at least sit on the side of the injured arm, Thua) but it's very sweet and a great excuse for Kan to take off his shirt and have Thua touch him. (And my vote for sexiest liniment rubbing still goes to Guardian.)

~ Kan put on perfume because he didn't want to smell bad for Thua!!! ☺️🥰💀 And what's even more amazing is he's now willing to admit it to Thua. I love seeing him slowly overcoming his fears. These boys. This conversation. The way they look at each other.

~ Fuck off Chadok with your intimidation and threats. The pressure Akk is under right now! Torn into pieces inside. Namo the mystery man is here spying.

~ I'm curious if there's some in-world logic to days for uniforms vs. athletic wear, or if it's just the production team deciding how childish vs. sexy they want the cast to look for those scenes.

~ And mysterious Namo resorts to flattery when caught. It could be genuine hero worship, but it doesn't feel like it.

~ I'm curious if moms bringing trays of juice and food to their kids bedroom is a real thing in Thailand, or just a tv mom thing.

~ Ayan. Ayan my darling. You also have the world on your shoulders, though in your case it seems like it's mostly you putting it there. I'm glad that we get this outside perspective, the check from the mom that Ayan isn't responsible for his uncle, that this probably isn't a healthy obsession for him. That sometimes people are depressed and commit suicide and there's nothing the people who love them can to save them. Even though Ayan's right about Suppalo's evilness and brainwashing, he's not necessarily right about why his uncle Dika died. And what's good about this story is I think it could work either way.

~ Aye baby, you're in so much pain. I'm glad you'll let your mama hug you. It makes me nervous how long he took to answer her question "you're not leaving me too?" Are we all assuming Akk is the one person he's still worried about?

~ (But also, clues! Directly linked to Chadok!)

Hoodie!!☺️ Aye bought a second hoodie so Akk could keep that one!!☺️

~ Akk pressured from all sides and overwhelmed. I don't think Aye is doing the wrong thing in pushing him (on any of the fronts he's pushing him on) but I do feel for Akk.

~ Straightforward political manifesto from Ayan here. And he knows the pressure Akk is under, he knows it must be from the administration (as personified by Chadok) but he doesn't know how to free Akk from it. Both of their desperation here - Ayan is letting his be seen, Akk is trying to keep his hidden.

~ I'm still not sure how Akk is supposed to prove this to Ayan. Unless it's all an excuse to get into Chadok's office to search for the journal.

~ I'm so curious about this... painting? tape art? in Chadok's office. It seems so colorful and creative and out of character for him. Why is it there? Who made it? It's probably an irrelevant detail but then again it could be the key to everything. (Maybe Dika made it?)

~ (Ok. It doesn't really matter. But Aye is so bad at searching. But also Chadoks office is really empty for an school administrator. Where are the filing cabinets and piles and piles of papers? Why are your drawers basically empty? Why are you "hiding" a stolen journal alone under your very empty desk? Like, I'm sure he's not the person doing most of the work around there, but I can't believe he wouldn't be drowning in paperwork anyways.) I'm just going to get this out of my system and then embrace suspension of disbelief.

~ But also! Did Chadok steal it himself or did he have assistance?

~ Thua's trip looked fake, but I'm just assuming it was badly staged and not some sort of plot on Thua's part.

~ Cliffhanger!

Ok, that's it for last week's episode. On to today's. I may or may not write something about it, but I will probably keep the tag filtered because I'm still feeling like I need to mainly marinate in this show right now and not analyze it too much. There is so much brilliant analysis here on tumblr, but I was starting to find thinking too deeply about the show was detracting from experiencing it.

[detectivejuliuspepperwood]

Mighty Morphin Legacy Challenge

Base Rules:

This is a 5 generation legacy based on the core 5 members of the Mighty Morphin’ Power Rangers

No rules on how many children each generation should have, how they have them, or how you choose the next heir

This is not pack limited

Packs used in challenge:

Snowy Escape

Spa Day

Get Together

Island Living

High School Years

Get to Work

City Living

I recommend that every heir wears the color of their generation just as Jason, Trini, Zack, Kimberly, and Billy do throughout the series

Basically just made this challenge for myself while rewatching Mighty Morphin Power Rangers and wanted to share (might end up adding an extra gen for Tommy later)

Generations:

Red Ranger: You’re a natural-born leader - both in your professional and personal life. You’re often perceived as very responsible; however, you have a reckless side that you explore through rock climbing. 

Traits: self-assured, adventurous, insider

Occupation: athlete (professional athlete)

Skills: charisma, rock climbing

Aspiration: leader of the pack

Big Lifetime Accomplishment: reach the peak of Mt. Komorebi

Yellow Ranger: You’ve always been told that you’re sensitive. Although others see your sensitivity as a weakness, you utilize it by helping others and the environment. 

Traits: proper, loves outdoors, good

Occupation: conservationist (environmental manager)

Skills: wellness, gardening

Aspiration: freelance botanist

Big Lifetime Accomplishment: donate to charity at least once every week

Black Ranger: You’ve never had trouble making friends and creating a name for yourself. In fact, one could say that you’re the life of the party.

Traits: dance machine, party animal, outgoing

Occupation: actor

Skills: dance, acting

Aspiration: party animal

Big Lifetime Accomplishment: place a celebrity tile on Starlight Boulevard

Pink Ranger: People often underestimate you due to your interests and hopeless romantic nature, but you’re a force to be reckoned with. You don’t let others’ opinions affect you; your loyalty to your friends and your interests knows no bounds.

Traits: romantic, self-absorbed, loyal

Occupation: style influencer (stylist)

Skills: fitness, painting

Aspiration: soulmate

Big Lifetime Accomplishment: have a collection of 10 masterpieces in your home that you painted

Blue Ranger: You grew up being called a nerd, but you always took it as a compliment. Your love for science is common knowledge; however, you only let your real friends know about your love for jazz music and passion for piano. 

Traits: socially awkward, genius, cheerful

Occupation: scientist

Skills: logic, piano

Aspiration: nerd brain

Big Lifetime Accomplishment: attend geek con every time it’s available and win at least one competition

[shurisneakers]

shut in [7]

Summary: When your high profile mission goes terribly wrong, you’re forced to hide in a safehouse with a man you’ve never met before. With seemingly nowhere else to go, you’re forced to work together to figure out who is trying to have you assassinated before it’s too late. (Sam Wilson x Reader, Hitman AU)

Warnings: cursing, implied abuse, death, implied ptsd, injuries, broken bone, origami and paper planes

Word count: 3.7k

A/N: ONE MORE WEEK !!!!!!!!! ONE MORE WEEK !!!!!!!! also gif is somewhat related except steve isn’t there sorry to crush any hopes

i also appreciate feedback so if you would like to, please consider dropping me an ask or comment ly guys!! also if you want to be on the taglist, it’s mentioned at the bottom of the chapter.

here’s my ko-fi if you’d like to support my writing <333

Previous Part || Shut In Masterlist

“Is there a reason you’re back so early?”

Both of the men nervously glanced at each other, silently urging the other to talk. A quiet form of encouragement.

“We chec- we checked all the neighbouring towns. All your safehouses,” one of them finally sputtered up after his partner elbowed him in the ribs.

“And?”

“We coordinated with all our guys across the country to look for them-”

“All I’m hearing are a bunch of excuses,” they twirled the gun on its barrel like it was a plaything. “Get to the point.”

“No one knows where they’re hiding,” he finished, swallowing thickly. “We’re still looking though. We just thought-”

“What?” their voice was surprisingly calm. “That your little status update would impress me? That I’d feel sorry for you for working so hard?”

“N-no boss,” his partner finally pitched in, saving face for his companion who opened and shut his mouth wordlessly. “Just keeping you in the loop. We’re close, I can feel-”

“Do you remember what I told you the last time you were here?”

Both of them shut their mouths immediately. Knuckles white, nails digging into their skin as they clenched their fists shut.

“That you wanted them dead,” the first one said with faux confidence. A waver in his voice gave it away.

“Yes, but you’re forgetting the important part,” they tsk’ed, shaking their head, eyes downcast.

They didn’t give anyone a chance to react. They slammed the gun down, swiftly picking it up before taking aim at his partner’s face.

“I said I’d blow your brains out.” They pulled the trigger.

Bits of bone fragment and blood splattered across the first agent’s face. He inhaled sharply, chest rising and falling haphazardly. He had his eyes shut tightly, face away from the carcass slumped over next to him..

“I want every fucking part of this country searched,” they roared, throwing the gun to the side carelessly, leaving someone else to scurry after it. “And since it’s so fucking hard for you to finish two tasks, just get me their location.”

The agent barely nodded, looking like he was about to throw up. His partner’s blood trailed down the side of his face like sweat.

“I’ll kill them myself.”

Hugh Grant was starting to look less appealing on your 6th rewatch of Notting Hill. In fact, he was starting to blend together with the characters from Die Hard and it was becoming difficult to differentiate which part belonged to which movie.

Sam sat opposite to you at the dining table, a set of papers assigned in front of him. The TV was left on, serving as background noise and occasional fillers to substitute the lack of conversation.

“That movie is not making sense anymore,” he stated objectively.

“It stopped after the third time for me.” Your words were hushed, your focus remaining on the swan you were trying to create from scratch.

“If I hear her say ‘I’m just a girl, standing in front of a boy’ one more time, I actually think I’ll projectile vomit.” You could tell that his eyes didn’t shift from the screen though. “I can feel the bile. It’s going to happen.”

You only hummed in agreement, more interested in his lamenting than the actual movie.

Although origami wasn’t one of the skills you picked up in the fucking mafia, you still knew a few basic things. The rest you just folded with confidence and prayed it would work.

What other options did you have when you were stuck together in a house with no WiFi?

Sam had made a paper bowl to hold the car keys and the few dollars you picked up from Pierce’s place. It looked like it would fall apart at any given moment, its structural integrity questionable at best.

You had made a small flower that rested on the table in front of you. You were sure it would go missing the minute a draft entered the room.

He had given up after his contribution of the bowl. Apparently his creative expertise extended only towards that and paper airplanes, not that that stopped him. He was folding and manufacturing them with a vengeance.

“How is this supposed to help, Wilson?” you questioned, unable to contain the smile that grew on your face at the sheer number of planes he was making.

“Just because it’s not a decorative marvel-” he shot back in its defence, “-doesn’t mean it’s useless.”

“Oh, yeah? What else can it do other than not fly?” You watched as he launched one of them. It did a loop before falling miserably to the floor.

“Hey, you can put a message in it. Maybe one of those button trackers, a microphone. The possibilities are endless.” He laughed, folding another one out of the limited supply of paper he had left. “Besides, your thing won’t even lift off the ground.”

“Yeah, but this one can float.” You held up the swan that you had created. That about concluded your knowledge of origami.

“That’s actually… pretty cool,” he admitted. “Teach me how to make one.”

“A true master never reveals their secrets,” you eluded, placing it on the table.

“I dare you to make another.” Sneaky bastard. He knew you wouldn’t be able to replicate it. He saw you struggle the first time.

“Why, so you can just copy off of me?” you dodged, and Sam narrowed his eyes at you. You followed the same.

Neither of you blinked for a while.

“I’m out of paper,” he finally relented, gesturing to the fleet of planes that littered the table.

“I’m out of ideas.” You paused, looking down at how you’d spent the last hour. “Do you wanna go test these outside later?”

Sam looked up eagerly and you could just tell he was intending on getting competitive. “Hell yeah.”

“I’m going for a run in some time.” You got up to stretch your limbs, shrug off the fatigue that was setting in. Along the way you left the swan and one of the paper planes on top of the mini fridge alongside the car keys. It was cute. “We could do it then?”

“Sure,” he affirmed. “What time?”

“At around 6-” your eyes landed on the clock on the wall before widening, “-shit, shit, shit, I didn't realise it was five thirty. We have a call with Ransone.”

“Phone’s on the couch,” he mentioned to the living room, sitting up straight. “Why are you freaking out? We still got a few minutes to go.”

You pushed yourself away from the table, forcing yourself to shakie off the drowsiness that had begun to set in.

“You wouldn’t get it,” you mumbled, “He gets pissy if I don’t do things his way.”

You grabbed the phone, punching in the buttons and having it at the ready.

You noticed Sam focused on you with knitted eyebrows but not voicing whatever he had on his mind.

“Ready?” you questioned, but more as a formality. You had to do it regardless.

He simply nodded, looking on as you let the phone ring. If he had noticed your antsiness towards the call, he didn’t bring it up.

Ransone picked up on the last ring, not skipping a beat in answering, “Y/N.”

“Hey Ransone.” You switched the call to speakerphone.

“Are you alone?”

You glanced at Sam. He shook his head, arms crossed over his chest, edging you to continue with the arrangement you had planned the day prior.

Ransone trusted you more. He was more likely to communicate openly if Sam wasn’t around.

“Yeah, I am.”

“Where’s the other one?”

Sam silently scoffed.

“He’s taking a nap.”

“Ah,” Ransone’s tone was condescending. “How have things been?”

“It’s fine.” You press your lips into a straight line, not elucidating. “What’s the update out there?”

“Everything is a mess. We’re trying to figure out who attacked you but since there wasn’t anything left behind or any kind of trace, it’s proving to be... inconvenient.”

“Is it safe to travel?”

“What, with your face on national television?” he laughed. “Nah, I’d say it’s a little too early to be thinkin’ of a road trip. Just stay where you are, I’ll tell you when you can come out.”

Your fingers were thrumming at the table rhythmically, peeking at Sam every now and then for anything he found suspicious or wanted you to ask about.

“Listen, we’ve paid off every big guy to keep this under wraps as much as possible but Pierce was an important person. All the higher ups want this to be solved as quickly as possible. They don’t care about sacrificing a player here or there.”

Pinning the blame on you was easy enough. The faster you were put away, the faster they could stage an “accident” in prison so that none of their secrets were exposed. Wasn’t like they hadn’t done it before.

“Others in the business aren’t likin’ us accusing them of attacking one of our own. Our best bet right now is Serpentine but we haven’t gotten anything to prove it.”

You doubted they ever would. Even if they did do it, Serpentine was notorious for being cunning and stealthy in their operations. They made sure there would be no tracks leading back to them.

“So, we’re at a dead-end,” you verified. There was no telling when this would end, your exit looking further and further away. “We’re fucked.”

“No. We’ll just- Y/N, listen to me,” Ransone called out, drawing your attention back to the call.

“Yeah?”

“I’ve always protected you,” his voice was noticeably softer. “Don’t you trust me?”

You felt the temperature in the room drop.

“You said there would be no one there!”

“I have no idea what you’re talking about,” Ransone scoffed. “I never said that.”

“I walk in there and there’s four people, completely armed.” Forcing yourself to recall it was making your head spin. Maybe you could ask the nurse for a painkiller. “It was supposed to be empty.”

“I think the blood loss is making you delirious,” he chided, looking at the bag of drips hanging above your bed. “It wasn’t even that bad-”

“You’re lying.” The words slipped out before you had the chance to think it over.

“Excuse me?” he tilted his head, tone suddenly sifting to that of warning.

You knew he was. You had agreed to this mission because it was supposed to be easy. It was a break.

“Ivan was there when you briefed me.” You lifted your good arm to point at him shakily. “He knows you’re lying.”

“Does he now?” Ransone quirked an eyebrow, studying his aid who stood in the corner of the dingy hospital room.

A beat of silence passed where Ransone stared at Ivan, waiting for a reply of confirmation.

Ivan only lifted his shoulders in unawareness. “I don’t remember you sayin’ that.”

Your mouth fell agape but you quickly rushed to shut it. Fucking liars. You shouldn’t have expected anything better.

“Told you.” Ransone shrugged. “You’re a smart one, Y/N, so I’m going to let that slide this time. But next time you accuse me of something I didn’t say…”

He trailed off, resting a hand on your broken shoulder. You flinched, jaw clenched so tightly you thought your teeth might break. You tried to imagine yourself somewhere else, desperate to reduce the quivering of your body when he squeezed it lightly.

“You know I’ve always tried to protect you.” He put a finger under your chin, tilting your head to meet his eye. “Don’t you trust me?”

A beat passed before you responded.

“I do,” you said through gritted teeth, pulling your face away from him.

“I’ll ask them to up your dosage.” Ransone took a step away from you, dropping his hand. “I’m going to need my best player on the field as soon as possible.”

You didn’t acknowledge his statement. Every part of your body felt like it was going to combust.

Did he really say that no one was going to be there or was it just the injuries playing with you?

“Get well soon,” he offered, one step out the door. “Buttercup.”

“You trust me, don’t you Y/N?” he repeated when you didn’t respond.

“Yes.” You swallowed, gaze falling to the floor.

“And I trust you. You wouldn’t do anything to break that, would you?”

Sam raised his one hand questioningly as if to ask what the hell he was talking about. An intimidation tactic. He had been using it for several years to reinforce your loyalty.

“I wouldn’t.”

There were things you weren’t telling him, of course. Details about that day or where you and Sam were hiding right off the top of your head. More if you thought about it deeply.

“Good,” came his response. “So if there’s anything you need, let me know. I’m always a call away.”

“Thank you.”

“Talk to you soon.” He ended the call there.

You stood there blankly for a while before dropping the phone to the ground and crushing it. Usually you wouldn’t have to do that; removing the battery would be enough. This time you wanted to.

Your chest rose and fell heavily. You loathed him. Yet, you couldn’t fucking leave. 

“Hey.” Your eyes snapped back to Sam. “We still going on that run?”

__

The wind felt good.

Your muscles were burning and you could feel the constriction of your lungs but you liked it. The endorphins were working their charm.

Sam was right beside you, not questioning why there was so much aggression in your movement. You had lost track of how long you had been running. You couldn’t bring yourself to focus on that.

The path was paved with fallen branches and roots sticking out, forcing you to hop over some of them to avoid falling. It only annoyed you further.

You wanted to punch something. Or someone. The tension was rolling off your back in waves, and if someone saw you the’d probably believe you were going to commit an act of violence.

It was a while before you felt your steps begin to falter, the need for a proper breath taking precedence over the want to run more.

“Timeout?” you asked Sam breathlessly, slowing your pace to a jog.

“Sure about that, Usain Bolt?” he huffed, slowing his pace to match yours.

“Sorry.”

“Don’t worry about it,” he dismissed it. “T’was fun.”

Now that you had slowed down, it forced you to come to terms with how much energy you had just burnt out.

“You wanna talk about what’s on your mind or ignore it?”

“Rather not talk about it for now.” The more you thought about him, the angrier you got. And as of late, you had realised that your method of dealing with that anger wasn’t the best.

The air was getting colder. It was getting harder to see what was in front of you, relying on the few rays of sunlight that shone through the treetops. You took a roundabout at your self declared checkpoint, changing course back to the house.

Sam followed wordlessly, but his presence was strangely comforting. Warm.

“Thank you.”

“For...” he trailed off, prodding you on.

“I don’t know. This.” You gestured to the path ahead of you. “I didn’t think you’d agree to it.”

“Why wouldn’t I?” His eyebrows knit together in puzzlement.

You didn’t have an answer to that. Probably because you weren’t used to people just doing nice things for no apparent reason.

“How are you so calm all the time? I’ve never seen him get under your skin,” you asked quietly. “How do you do it?”

He didn’t answer straight away. He mulled over it as he dodged broken sticks and upended roots on the ground. You would be fine if he didn’t answer either; as long as he knew that you appreciated it.

“I just realised that everything he put into me was destructive. Actively worked on unlearning it,” he replied after a while. “It took me years to even begin.”

You expected to hear that but it didn’t make it easier.

“I don’t even know how to start,” you mumbled. It was so tiring, even thinking of where and how it began. It was all you knew. All you were taught.

“If I could add something?”

You looked at him questioningly.

“You had a different relationship with him than all of us, Y/N. A deeper one. It’s not easy to forget that,” he pointed out. “But… you’re not him. That takes strength.”

These weren’t new revelations. It was things you had told yourself earlier to rationalise all your actions. You knew it on a surface level but it was difficult to convince yourself sincerely.

You didn’t say anything, just continued jogging with an eye on the ground. 

It felt better to hear it from someone else. A starting point to maybe get to where he was, too.

“I just can’t believe anyone took him seriously enough for him to get this far,” Sam added, a tick of annoyance in his voice. “I don’t condone bullying but someone should have just punched him in the face as a child.”

It wasn’t even the funniest thing you had heard him say but for some reason it elicited a snort from you, soon giving way to a laugh.

His face snapped to yours at the sound of your laughter, a small smile growing on his face.

His brief moment of distraction was all it took for him to not notice the tree root sticking out in front of him. His ankle got caught in the wood, sending him stumbling to the ground face forward.

“Oh shit,” you cursed, halting in your place immediately, dropping to your knees to where he was.

“Fuckin’ hell,” he groaned, turning onto his back. “I think I broke my face.”

“That may be a bit excessive but your nose is definitely bleeding,” you knew this was serious but you were finding it difficult to control your laughter once you realised it wasn’t a life threatening injury.

“Just leave me here to die.” He covered his eyes with his elbow, refusing to look at you.

“C’mon, Wilson. Let’s get you fixed up.” You stood up, offering your hand. He grabbed onto it, hoisting himself up.  “Can you stand up straight? Do you think you have a concussion?”

“World class assassin,” he grumbled, shaking his head to imply he was fine other than a possible broken nose.

“Promise I won’t tell. Your reputation is safe,” you said it humorously but with conviction, hoping to make it less embarrassing for him. Not that you’d let him forget it any time soon.

It took longer to walk back considering how far you had ventured out, along with the fact that you had to guide him as he held his nose in the air to try and control the bleeding.

You pushed open the door to the house, holding it open as he walked in. Sam made his way to the dining room after you told him you’d get the first aid kit for the second time during your stay there.

By the time you returned from the bathroom, grabbing an old t-shirt along the way, he had a single ice cube pressed to the bridge of his nose.

“That’s not going to be enough.” You dropped the kit onto the table, opening the mini fridge. You emptied the ice cubes from the tray onto the t-shirt, twisting it into a small ice pack.

“These are my battle scars.” You could tell that he was trying not to use his nose. He sounded ridiculous. 

“Whatever makes you feel better, Sam,” you chortled. His mouth eased into a half smile and you didn’t get why until you realised it was the first time you had called him by his name. You didn’t acknowledge it, surprised by how easily it slipped out from your mouth when you weren’t actively stopping it.

You gave him a bit of cotton to wipe off the blood that had dried on his face.

“Look up,” you instructed, standing over him so you could assess the damage. He complied, letting you cradle his jaw softly, tilting his head to see if there were any signs of a fracture or anything worse.

It was a bad fall, but nothing he hadn’t been through before in terms of severeness. It wasn’t going to leave a mark.

“Definitely going to bruise but it’s not broken,” you concluded, going over it once more to make sure.

“Thanks, doc,” his voice came softly from below you. Only then did you realise how close you were standing to him. You could feel his breath on your wrist that was still caressing his face.

It felt like eternity, but he didn’t make an effort to move or shove you away. Your eyes flitted down to his lips for a second. If you just leaned dow-

“Right,” you cleared your throat, taking a step back. “Just hold this to your face for a while to reduce any swelling.”

You handed him the makeshift ice pack, feeling the heat creep up your neck.

“Your turn to use the bed tonight, right?” His voice was significantly lower than what it had been a few minutes ago, something you weren’t acclimated to hearing. It only made your face feel hotter.

“Yeah.” You avoided meeting his eyes, using the time to close the first aid kid. “Unless you want it.”

“No, go ahead.”

It was too early to retire for the evening but suddenly you weren’t all that hungry anymore. Apparently neither was he.

“See you tomorrow, then?” you inquired, turning away before he could see you cringe.

“See you tomorrow,” he confirmed, “Good night.”

You just gave him a short wave over your shoulder and physically restrained from walking to the room, shutting the door and never looking at him again. You hoped he didn’t notice or at least never bring it up if he did.

You couldn’t do this. Not again.

Not when you knew the consequences.

Next part

[cruelfeline]

Question im rewatching She Ra and ive got to the fall of Salineas and im wondering to myself: Why didn't the Horde do anything to their Runestone. As if the minimum that the Horde did was disabled/destroyed the runestone it would have affected the Alliance strength or the Horde could have tried to used it for any means. But nope they leave it alone allowing the Salineas Princess to continue to be poweful. So just wondering did they mention why they couldn't hack/destroy it?

They did not! They did not mention the runestone at all! And y’know, anon, this question has made me do some hard thinking on Hordak, and his abilities, and why he surrounded himself with the people he did, and so we’re in for a long, extrapolated answer that may or may not make sense. So strap in, and enjoy the knowledge that you have just made me talk way more about this than anyone wanted to hear!

I find Hordak to be an incredibly capable individual in terms of organization, enacting plans, utilizing established knowledge, and just... sheer determination. He decides upon a goal, and he is going to achieve that goal. It is going to happen. It may be a difficult road, and he may suffer horribly in his attempt, but he is going to defy the odds and strive doggedly forward and do everything in his power to make things work.

However, the actual methods and strategies he is capable of using appear limited. I’ve spoken about this before, specifically in terms of that time he used uninsulated cables in his experiments, and I’m going to talk about it again in broader terms. 

Essentially, the thing to consider is that Hordak, intelligent though he is, is not adept in the art of innovation. He is very capable of taking his own knowledge and utilizing it successfully, but he is not able to easily deviate from learned instructions. He has significant difficulty “thinking outside the box,” so to speak (likely due to being a clone who was never meant to think up new ideas and innovate and do anything meaningful on his own), and this comes into play in terms of how he wages his war, along with why his success in waging said war increases once Entrapta and Catra lend him their skills.

Technology-wise, Hordak spends decades on Etheria using and modifying his own technology without seeming to have any interest at all in the powerful First Ones’ tech waiting to be taken advantage of. And while I’ve wondered previously if maybe he thought it too old to be of any use, I now consider the notion that he is simply not adept at incorporating new ideas and techniques into his work. Again: as a clone, this would not be something he’d be expected or even encouraged to do. He would be expected and encouraged to follow orders, to enact instructions as he received them. Innovation would be a display of individual will, wouldn’t it? So, it follows that this is not a skill he would possess or even think to develop.

Enter Entrapta: all she does is innovate. Learning new things, incorporating them into her knowledge-base, trying new methods and building upon what she’s done before are very much a strong part of her character. She sees First Ones’ tech, and she immediately tries to figure out how to use it to improve upon existing technology. This is the advantage she brings to Hordak: whereas he finds it very difficult to deviate from his current methods and knowledge, she does not. And so, with her assistance, he is able to reach technological heights previously unattainable to him.

A more military version of this involves Catra.

Think about how the war has come to what is essentially a standstill by the time SPoP begins. It’s been... thirty years, or so? Since Hordak landed on Etheria. He has absurdly advanced tech, yet he cannot seem to successfully conquer more than the Fright Zone. Seems strange, doesn’t it? That he’s unable to utilize his superior resources to do more than harass some villages. Granted, the princesses have supernatural powers, but they’re unorganized at the series’ start. They’re not putting up a united front. So... what gives? Why is Hordak not more successful? And furthermore, why does this suddenly change when he allows Catra to take over the greater strategic planning of Horde activities?

Well, to my eyes, Hordak is with military strategy the way he is with tech: he is very capable of organizing things in a prescribed way, but he is unable to devise new plans outside of what he is used to. Think about where he came from: the Galactic Horde, yes? And what did the Galactic Horde have? Countless robots. Countless clones. All unfailingly obedient. A never-ending army ready to march in and conquer and occupy everything in its path.

Which is what Hordak tries to do, isn’t it? He appears set on systematically taking territory and holding it, very much balking at Catra’s strategy of consolidating forces in favor of a more grand attack on a single target. He is likely operating under a conquering strategy that depends upon having an entire Horde of clones and robots available to enact it (and, perhaps, a conquering strategy based on Prime’s refusal to appear imperfect via losing ground?). Without this sort of force, he struggles to make meaningful headway. And because of his lack of innovative ability, he finds it difficult to devise a new strategy to compensate for a situation that does not include a battle-ready Galactic Horde. 

Catra does not have this problem. Catra is very capable of thinking up new strategies as required, so she comes up with the idea to pull back from the northern perimeter and focus on Salineas, a plan that likely would have never occurred to Hordak. 

Now, back to anon’s question regarding the Salineas runestone (I didn’t forget!). The reason it doesn’t come up, via my logic, is that Catra does not know anything about runestones, and Hordak remains uncertain and unable to easily incorporate such things into his working tech. Entrapta innovated with First Ones’ tech, and he is only able to work with it by basing his methods upon her research (which is how he makes his arm cannon). He is still unable to innovate it entirely on his own, so between Catra’s complete lack of knowledge and his inability to freely experiment with new ideas on his own, the Salineas runestone remains unused. 

Had Entrapta still been with the Horde at this time, that runestone would have been properly assessed and handled, but she’s not. And it’s just not something Hordak can do on his own. 

So! The point of this post. The point of this post is to illustrate how Hordak managed to get as far as he did with limited resources and clone limitations on his abilities: he has a potentially supernatural level of determination and the ability to recognize when others can innovate in ways he cannot. It is his decision to utilize the skills of others to compensate for his lack of innovation, paired with his vicious tenacity, that makes him such a dangerous threat during his attempts to conquer Etheria.

And it is this combination of stubborn will and lack of innovative skill that causes the initial Etherian war to play out in the strange, drawn-out way it does, with a sudden rise in success when Hordak gains access to Entrapta and Catra’s skillsets.

Well! That was much longer than it needed to be. And might be entirely wrong, but it’s a logic that works for me; at the very least, it’s interesting to think about, isn’t it?

[lilydalexf]

Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.

Interview with Rae

Rae has 16 stories at Gossamer. If you like MSR, you should go check them out, including (but not limited to) the fun-titled, banter-filled The Cat, an Espresso and a Bag of Sunflower Seeds. Big thanks to Rae for doing this interview.

Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)?

It surprises me that anyone reads my fanfic at all, let alone they are reading it 20 years after I wrote it!

But in the same vein, I am still actively reading xfiles fanfic and I tend to read the older fics, or new fics by authors I recognize or remember from back in the day. I cannot explain this lack of rationale. 🤷

What do you think of when you think about your X-Files fandom experience? What did you take away from it?

I had a great experience with the X-Files fandom! I made some fantastic friends - many even attended my wedding! I didn't really get involved in the dramas that went on. I was aware of it, but really, I just wanted to discuss my show with people that loved it like I did and read the fic, so I ignored all the other static.

Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)?

Mainly message boards. AOL chat rooms, Yahoo groups, etc. We would all sign on after the episode aired and chat about it. Deconstruct it. And then we started traveling to meet each other and the real fun began!

What did you take away from your experience with X-Files fic or with the fandom in general?

It was definitely a growing experience. It forced me to step outside my comfort zone a little bit. Traveling to NYC, LA and Chicago to meet people just to fangirl with. Meeting Gillian and getting a picture with her - it was wild.

Different shared experiences that "real life" family and friends just didn't understand. It was fun and exciting.

What was it that got you hooked on the X-Files as a show?

So I came to the show late in the game. I was sick, lying in bed channel surfing and caught the last 5 minutes of Fight the Future and immediately wanted to know why this woman was sitting in the snow holding onto this man. I spent the summer recording episodes on FX during the week and watching them all weekend and was somehow able to pretty much catch up on the first 6 seasons in time for the 7th season premiere.

What got you involved with X-Files fanfic?

In my quest to know all the things that summer before the 7th season, I discovered AOL chat rooms that led me to different discussions on the show in general and at one point, a link was posted to whatever fanfic was hot that minute and I was instantly hooked.

What is your relationship like now to X-Files fandom?

I often feel like a wallflower at a party. I'm on the fringe, looking in to see what's going on. I don't bother anyone and most people don't even know I'm there. Every now and then I'll send feedback on a story, or I might even participate in a random discussion, but I feel it's a little more difficult these days without the chatrooms and discussion boards. Following people on tumblr or twitter and trying to engage in those platforms is more awkward since it feels so much more personal. It's like I'm intruding on someone's personal space.  Or having to scroll through non-fandom stuff to find the fic. The message boards were a more even playing field I guess? It's hard to explain.

When I'm hardcore searching for something...anything to read, I'll refer to "The Classics" list. There are still many on there I haven't read.

I miss ephemeral.

Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files?

No. No other characters have ever interested me beyond the story we're given within the confines of the show/movie/book like Mulder and Scully did. My friends would dive into Harry Potter or Marvel or (fill in the blank with anything) and I would try to get excited, but there's nothing.

Who are some of your favorite fictional characters? Why?

Well, Scully because she's so bad-ass. She's always so certain of her convictions. We don't see her second-guess herself often.

Anne of Green Gables because against all odds, she still sees the beauty in everything.

Jo in Little Women because she is just so tenacious. She knows what she wants.

Hermione in Harry Potter. She knows the most important thing she'll do is help Harry and there is value in that, so she gives it all she's got.

Do you ever still watch The X-Files or think about Mulder and Scully?

I do. A couple of years after the original run was over, I lost a dear friend (met because of XF) and then later I had my first baby and life just got busy in a very different way so I fell out of the fandom and just dropped all of it.

And then there was the revival. I waited until all episodes aired and then binge-watched them. And I did the same with season 11, but waited about 6 mos after it aired to watch it, rewatching the whole series from the beginning, first.

But now I turn it on a few times a week while I'm folding laundry or making dinner or some other chore. It's nice to have it on in the background because I don't have to pay close attention because I know what's going to happen. I've actually watched the whole series a few times this way.

Do you ever still read X-Files fic? Fic in another fandom?

I still read XF fic. It's still my favorite thing to read. I am always looking for the next great fic to lose myself in. Back in the day, I would read any pairing, any genre...I was game for anything, as long as it was XF fic. I'm a little more choosy, now, but only because my free-time is more limited. I only want to read MSR and I'm not at all interested in revival fics.

Do you have any favorite X-Files fanfic stories or authors?

I am partial to the novel-length AU and canon-divergent stories.  I love everything by Prufrock's Love and Bonetree. I have read Paracelsus, A Moment in the Sun and the Goshen/Secret World series countless times. Journal 1999 and Journal 2000 by MD1016, The Mastodon Diaries by akaJake, Blinded by White Light by Dashak, Deliverance From Evil by Char Chaffin and Tess.

I could go on all day.

My absolute favorite story is Arizona Highways by Fialka.

I am partial to Scully angst. And the Emily storyline just kills me, so when authors take those elements and write a kick-ass story, I am there for it.

What is your favorite of your own fics, X-Files and/or otherwise?

How awful is it that I had to look up my fics to answer this question? I don't know that I have a favorite. That's like asking a mother which child she favors. Maybe One of the Damned.

Do you think you'll ever write another X-Files story? Or dust off and post an oldie that for whatever reason never made it online?

I won't say never, but I don't think so. I've tried to start one or two with some ideas I've had, but I haven't gotten far with them.

Do you still write fic now? Or other creative work?

No. I don't even have time to read as often as I would like to.

Where do you get ideas for stories?

Usually what if scenarios - I try to work out different ways the story could go in my head. I would usually have the guts of the story written in my head before I typed the first word.

What's the story behind your pen name?

There was already a well-known Rachel posting fic when I got started, so I just decided to go with a nickname - Rae.

Do your friends and family know about your fic and, if so, what have been their reactions?

My husband is crazy supportive and tries to convince me to write again All. The. Time. I never hid my XF obsession from anyone, but I don't think I told many people about my writing.

Is there a place online (tumblr, twitter, AO3, etc.) where people can find you and/or your stories now?

I am on tumblr and twitter, but like I said above, I don't really post. All of my stories are at Gossamer.

(Posted by Lilydale on February 9, 2021)

[lestvt]

not sure how many people here still care, but i wanted to post a quick update about where i'm at with the finale of NIS just in case:

i know it's been a long time since the last update, but the truth is i've gotten nowhere because i'm having 2 major issues when it comes to writing currently.

first of all, college is a hellhole that has zapped me dry of the will to write. think of it like this: i have a limited amount of energy i can commit to writing each week, and currently i'm at the point in my education where ALL of that energy goes into assignments for classes and i have none left over for my personal projects. this goes for everything too, fanfic or original work. i havent had a single idea for something to write in like 6 months and its actually making me super depressed....

the other problem im having with NIS specifically is that i've lost the character's voices. in other words, i feel no connection to lestat or louis anymore, so everything i write sounds wrong to me... usually i have a way of dealing with this, but when it comes to VC my normal methods dont work, because i dont read VC fics and there's only so many times i can rewatch IWTV (1994) before it stops helping...

not to mention, the drama around the TV show has made me wanna avoid the fandom entirely (again, i dont have a problem w/ POC louis, but i never wanted a show to begin with, and now that its turned into a debate of perceived moral superiority among fans, i REALLY dont want it). basically, my only hope is to reread the books again, but i dont really have the free time to do that either so... ill probably start reading IWTV again and then just pray to the god i dont believe in that it helps lol

oh, and there's also the fact that i wrote like half of chapter 11, then realized i hated it... so, now i have to rewrite the entire thing from scratch. whoops.

so, what does this mean for NIS? nothing really, except that it's probably still going to be a while before i finish it. i started editing again today, but the truth is i can't and WON'T force myself to write something i feel no inspiration for.

am i going to complete it? yes, 100%.

will it be soon? absolutely fucking not.

and for the record, i'm not posting this update for pity or w/e (srsly, dont. pity in any form fucking enrages me.) this is just so anyone waiting knows why its taking so long and to not hold their breath

l8r.

[drops-of-moonlights]

What are your issues with S3 of Winx Club?

Okay, so. I am going to get long and ranty and annoyed overall on this post. I shouldn’t even have to preface this, half of the people that follow me have critical thinking skills I hope, but you can have whatever opinion on S3 and all the things I’m gonna touch on this post, I do not care and you should not either, live your life however the fuck you want yadda yadda yadda. Now:

The first thing that comes to mind is the pacing, and just how fucking terrible it is. Every single event takes so long and its so slow for the first 18-or-so episodes (a lot of situations really did not require two episodes), only to be suddenly kicked into high gear and have 7 different “final” battles one after another. It felt like it was just happening to end the season already and so they could keep working on SOTLK, and like I get you’re working on both and all but you COULD have afforded to at least PRETEND you gave a shit, Rainbow.

Next topic is Valtor, who is my absolute least favorite villain in the series, and yes, I am including the S5-S7 villains on this. This is where it’s not much a fault of the character itself (well. not ENTIRELY a fault of the character), but a fault of both the narrative and (and for this I am petty) the fanbase. Valtor, to me, is the most generic villain in the franchise, a different flavor than Darkar but by no means less bland - Valtor is your standard “hot” prettyboy villain who tries to charm the protagonist to his side with the empty promise of answers, and THAT COULD HAVE BEEN INTERESTING... if the show ever bothered to do anything with it other than Valtor creeping on a senior highschool student for 26 episodes. Because it’s all a farce, there’s not an actual connection between them outside of Valtor feeding her lies about her retconned parent’s backstory (we’ll talk about this more later) and both of them having God’s power inside them. My second point on Valtor is that he singlehandedly ruined the Trix’s characterization to simply be your standard evil henchwomen that thirst after Valtor’s dick because truly they all have terrible taste in men, and nothing else, and it’s annoying as all fuck, ESPECIALLY when you compare the Trix as Darkar’s lackeys a season earlier, where they stayed mostly the same personality-wise and only allied with the Phoenix out of necessity and survival. And the worst part? Valtor doesn’t do shit in the season! Like, at all! He only ever gets Chimera, Cassandra and Diaspro on his side, blinds Aisha and that’s literally it as far as confrontations with the Winx go - outside of fighting them when they get the Water Stars and the three last battles, he spends most of the show’s time fucking around random planets getting weird magic and sitting broodily on a chair, and apparently this makes him a good villain???? Okay, sure.

And since I mentioned them, let’s get on the Water Stars for a bit, and while yes, this is the one part everyone agrees on that was weak as fuck, it still brings attention because WHAT THE FUCK WAS THAT. All this time there was this antithetical force to the Dragon’s Flame, super-mega-ultra powerful little thingies that could douse the Flame’s power almost permanently, AND YOU ONLY BRING THEM TO ATTENTION NOW AGAINST VAMPIRE AESTHETIC. Do you have any idea how fucking useful they could have been against the Trix in S1???? If they had gotten the little squishy motherfuckers two seasons earlier the War of Magix would have been over quicker. And it’s not like Bloom would have been in much risk, she barely had any Flame left in her.

In a similar situation, we have Enchantix, which is my second most-hated form after Tynix for similar reasons. One, where in the fuck were all the Enchantix fairies during S1? Fairy Dust is supposed to be this OP magic, and could have also been very useful against the Army of Decay. Two, the way to earn Enchantix, for what is retroactively just the final base fairy form, is far too obtuse and complicated for the average fairy, not to mention incredibly limiting - you just have to hope someone from your realm is in a dangerous situation so you can fling yourself into danger and probably die, and all you get for it are some opera gloves and a pair of barefoot sandals. Like sure a super powerful magic upgrade also happens but still, it’s such a specific situation to find yourself in that it’s no wonder no one ever graduates Alfea, it’s literally borderline impossible unless you like traveling. My last point on the transformation, and this one is a bit YMMV, 3 of the 6 Winx did not actually earn Enchantix. Bloom counts for this, but it’s an actual plot point (though it was terribly handled) so I let it slide most of the time, but Musa and Tecna? Musa didn’t even get to sacrifice anything, she just suddenly got the form and that’s it, GALATEA was doing more of a sacrifice to let everyone leave the burning library without her than Musa was. Tecna also got Enchantix without saving anyone from Zenith, and before you even type it out, no, it was never said Tecna saved the entire universe by closing the Omega Portal. None of the three English dubs nor the original Italian ever say this. That’s entirely just fanon. I have headcanonned it away as “some of the prisoners were Zenithian” to justify it for myself, but overall it was very obviously just shoehorned in because as always, the writers don’t know what to do with Tecna.

“But Drops! What about Nabu???” I can already hear you type, and no, I do not like Nabu. I don’t hate him either, outside of the fact I reject the idea of Aisha being into men in any way, shape or form, but he is very much worshipped as the Golden Child in the fandom and I’m tired of it. You can see a better description on my feelings about Nabu (as well as how the fandom loves to demonize Sky for the shit he pulled in S1 but hold nothing against either Brandon or Nabu, who pulled the same shit) here.

There *is* a part of S3 I like, that being the Solaria Usurpation arc, but it’s the one sole thing that I legitimately enjoy in the season and I’m not gonna stick around the fuckton of episodes that interrupt the arc just for that.

But what I hate the most about S3, above all this, is how goddamn irrelevant it is. Outside of getting the Winx Enchantix, NOTHING about the season is remotely relevant lore-wise or plot-wise, and the show itself acknowledges this! Even SOTLK pretends S3 never happened and the girls just got Enchantix somehow! Because of the drive Rainbow had to end the franchise’s original arc with fancy shitty CGI, they ended up making the original last season of the show, what was supposed to be the best thing before the movie, into the biggest waste of time instead. You can really just watch the episodes each girl gets Enchantix and then the final episode and you wouldn’t miss anything at all.

So the TL;DR for all this is “I hate S3 because Valtor sucks, Enchantix sucks, the pacing is garbage and there’s really nothing nice in it outside of like 3 episodes”, and I refuse to rewatch it ever again.

[ordinaryschmuck]

What I Thought About “Enchanted Grom Fright”

Salutations random people of the internet who probably won't read this. I am an Ordinary Shmuck. I write stories and reviews and draw comics and cartoons.

When I started doing reviews, I told myself to stay limited to specials, movies, seasons, and even entire T.V. shows. I didn't want to do reviews for regular episodes of a show, mostly because there wouldn't be enough to talk about in a single post. For me, an episode has to either be astounding enough or important enough to warrant a review. And low and behold, The Owl House did just that with the episode "Enchanting Grom Fright." Keep in mind that I am going to be spoiling everything that happens in this episode. So if you somehow haven't seen it yet, I highly recommend that you do so. And if you haven't seen The Owl House yet...what the hell is wrong with you?

With that out of the way, let's get started with-

WHAT I LIKE

Luz independently looking for new glyphs: This scene is excellent for two reasons. Reason number one: It shows how dedicated Luz is to learning magic. So far, we have yet to see Hexide teach Luz anything regarding her unique way of doing magic. This is why it's great to see Luz try to find glyphs on her own so she can at least attempt to catch up with everyone else. There's also the implication that it's not an easy task for her, given the multiple crumpled up pieces of paper, which must have been failed attempts to make the plant glyph. This scene adds continuity from "Adventures of the Elements" as well, proving that Luz had learned her lesson in said episode. As for reason number two for why this scene is excellent: It sets up how Luz and Amity defeat Grom. Luz could have used her other two glyphs to destroy Grom, but doing so would take away some neat symbolism with the tree that was grown (more on that later). Therefore, Luz finding the plant glyph was a great set up with a proper pay off. Which is what I love about The Owl House. It takes things you wouldn't think twice about and actually makes something beautiful. Case in point: A 'Grom Night' poster was shown in a previous episode, hinting to the glory that is this episode.

Luz barely texting her mom back: I like this because it finally addresses Luz's conflictions for lying to her mom (Something I may or may not have toyed around with https://archiveofourown.org/works/23321692/chapters/55864000). These scenes present moments of how Luz isn't always the happy go lucky teen that she is. And I like that because it adds layers to a character who is already engaging enough.

That Gromposal: I made a post of all the things Disney has approved of before approving Lumity. I guess you can add to the list a character presenting an anatomically correctly drawn heart with the word 'Grom' written in what I can only assume is blood!

(Jokes aside, I legitimately like the dark humor in this scene, as well as Skara saying yes to the poor boy. It was adorable, damn it!)

Amity’s hostility swapped with being friendly: Here's a nice bit of character development for ya! It's just a few seconds, but those seconds show how far Amity has come since episode FIVE! Which is why Amity is one of the best characters in the show. Her development is so impressive that it's legitimately jarring to compare the Amity who was angry to see Luz, to the Amity who immediately apologizes, to Luz. But she still has years of conditioning from her parents to deal with, so of course, Amity's first instinct is to bare her fangs. And I'm more than positive that that instinct is going to leave her pretty soon.

Eda: While we're on the topic of great characters, let's take a moment to talk about Eda in this episode, shall we? Eda, throughout "Enchanted Grom Fright," has fully embraced her role as a maternal figure for Luz. The way Eda attempts to warn Luz about the dangers of Grom is a testament to how much Eda truly cares about 'her human.' And it's not like Eda doesn't acknowledge Luz's efforts at survival. She knows Luz can take care of herself, but that won't stop Eda from drawing the line when she knows Luz is in over her head. The best part is that when Luz admits that she was wrong, Eda doesn't respond with anger or even with a smug "I told you so." Instead, Eda's reaction is calm and nurturing. A response that Luz needed at that moment. It's sweet and genuinely heartwarming to see.

(And I love how Eda constantly admires her own beauty throughout the episode. Which is something I'm sure most fans can relate to.)

Luz and Amity’s talk in the forest: There is a lot to love about this exchange, due to how adorable it is. So here's a quick list: The clearly romantic music playing in the background. The way Amity slipped in the mud and was inches away from accidentally kissing Luz when getting pulled up. The fact that Luz sits down into the mud so as not to make Amity feel self-conscious about being filthy. Luz's sweet, sincere, and instant "I would" when responding to Amity wondering who would take her place as Grom Queen. The fact that Amity was surprised that someone would be willing to take her place in the first place. The payoff to Luz learning that she really did have a spider on the back of her head (Alright, that one wasn’t adorable, but it was definitely hilarious!).

Amity “destroying” Hooty: While I do enjoy seeing Amity act all sweet and gushy, I will admit that feisty Amity is still best Amity. Plus, this scene was remarkably funny.

Training Luz for Grom: This scene was a fantastic showcase for each of the Blight siblings. Now, because I've talked a lot about Amity (and will continue to do so), I want to start talking about Edric and Emira first. When first introduced to Ed and Em, my initial reaction was that they were meanspirited versions of the Weasley Twins from Harry Potter. Sure, Fred and George are known to cause mischief, but they do realize that there's a line you don't cross when it comes to family. That is something that Ed and Em ignored during their debut episode, where they tried to reveal Amity's diary to the world. Luckily, the writers picked up on this quick and made a subtle detour in terms of Ed and Em's personalities. They're actually decent supporting characters, and it's legitimately sweet with how they willingly help Luz. As for Amity, it's great to see that she still takes things seriously despite crushing on Luz. Most shows fall into the trap of making characters a nervous wreck when around their crushes. And while Amity does have those moments, there are still scenes like this that prove she isn't just some smitten kitten-and I hate myself for saying that. Amity is the voice of reason to her and Luz's relationship. And I'm glad that the writers mostly focus on that aspect of her personality rather than write her off as a flustered girl with a crush.

Those boys dancing together: While it's nice to see Luz and Amity's relationship blossom, that doesn't mean we should sleep on great representation such as this. While it's great to see so many romantic pairings between females in the last few years, it's rare to see two boys liking each other, especially in animation. Sure, male pairings exist, but I haven't seen them as celebrated as often as female ones. This is why it's nice to see that The Owl House crew sprinkled in these two boys dancing with each other. Representation matters for everyone, and this little acknowledgment is something worth mentioning, even if it isn't the main ship.

The hallway scene: But let's face it, this is what we came to see. Now when you think about it, there's nothing all that special with this scene. It's a typical romantic moment with a heart to heart discussion followed with witty banter, all while a romantic melody is playing in the background. You see this in multiple types of media, especially in Disney cartoons. The only difference is that this scene features a same-sex pairing and that what makes it amazing. It's essentially normalizing something that has been seen as inappropriate for years. And the fact that Disney of all companies is the one that greenlit a scene like this? That just makes this moment all the more impressive. Plus, I mean, c'mon. You have to have a will of iron not to think these dorks are adorable with this little exchange.

Splash zone: There's not much to talk about or analyze here. I just think the dark humor of a kid waiting in the 'splash zone' is funny. Because what does the splash zone get used for? Grom? The fighter? I don't know, but the fact that a splash zone exists for either of those reasons is what gets a chuckle out of me.

Skara and her date getting hyped for Grom fight: That's it. Skara is officially the best background character. I'm sorry, but a character earns that title when they immediately switch from wanting to kiss their date to "WHOO! BRING ON THE GORE!" 

I don't make the rules. I just abide by them.

Luz’s greatest fear: This is something fans could have seen coming due to rewatching and reanalyzing the promo that dropped a little over a month ago. But for fans who ignored the promo, the episode did a great job of setting up this reveal. From the two times that Luz practically ignored her mother's texts, it can be pretty clear that Luz's fear would be something involving Camilia. However, before the episode premiered, everyone jumped on the idea that Luz's greatest fear would be Camilia forcing Luz to come back home. Instead, the scene portrays Luz's greatest fear as her mother's negative response to Luz lying for weeks. That idea is much more interesting to me because it reveals how much Luz cares so much about what her mother thinks of Luz. And unlike Amity with her parents, Luz's fears are much more justified due to Camilia actually being a good mother. A mother who planned to send her daughter away to summer camp, sure, but still a mother who would do that type of thing out of love rather than to protect an image. Which makes me hope to see more of Camilia in the future, just to witness the mother/daughter relationship she has with Luz. Because honestly, it feels like I've been working triple time with portraying that relationship myself.

Amity’s greatest fear: Ah yes, the one thing none of us could have predicted...ok, that's not true. Some of us did predict this, but most of us didn't take those predictions seriously. And BOY, were we wrong to do so. Because the idea that Amity's greatest fear is being rejected by Luz is both sad, yet kind of adorable. It proves just how much Amity has come to care for the same human she nearly got dissected, in episode THREE. It's a nice bit of character growth that I just can't help but gush over how sweet it is. But again, it's also depressing knowing that Amity is afraid by being rejected by Luz of all people. Luz! The girl who's sweeter than honey and would absolutely let Amity down gently if Luz didn't feel the same way (Which she does. She just doesn't realize it yet.). What's even more interesting is that it makes so much sense as to why Amity is more afraid of showing her fear to the school. Not only would Grom reveal that Amity has feelings for Luz, but it also has the problem of outing Amity as a lesbian, presumably long before she's ready. And seeing how her parents reacted to Amity's friendship with Willow, imagine what would happen if word got out that Amity had a crush on a human girl. Yeah, let's just say that Amity must be really grateful that Grom morphed into a vague, shadowy figure.

(Speaking of, can we PLEASE calling Luz oblivious for not knowing that Grom morphed into her? Yes, to us, it's painfully apparent who Grom was supposed to be. But it also looks vague enough to the point where it isn't unbelievable for Luz to not know it was her. Because from where Luz is standing, the only similarity is the height and body shape. If the crew stuck to using Luz's more apparent traits, then I'd say it's fine to say Luz is oblivious. But as is, it's not too far of a stretch for Luz not to know it was her.)

That dance scene!: Remember how some fans have been hoping for a slow dance between Luz and Amity? This is better.

From the choreography to the smooth animation, to their expressions, to even pure epicness of this scene. Everything about this dance is just so astonishing that I am convinced that several fans have watched it over and over and over again since the episode's release. And you want to know the best part? This scene has so many problems that I don't care about due to how great it is. Why does Eda just stand there and do nothing? I don't know, and I don't care. Why does Grom stand there and do nothing? I don't know, and I don't care. How did Luz and Amity come up with this perfect plan without communicating? I don't know, and I don't care. How did Luz catch Amity, even though it looked like they jumped off of the abomination at the same height, and would've landed at the same time? I don't-Ok, you get the point by now.

Don't get me wrong, these are all valid criticisms. But that's the testament of good writing to me. Because if a scene can make me forget/ignore the problems within it, then it's ok in my book!

The cherry blossom: And now we get to that symbolism that I've mentioned before. Because according to a five-second Google search: The Chinese describe the cherry blossom as a symbol for feminine dominance and, of course, a symbol for love. Now the feminine dominance part is clear, but I'm confident that The Owl House staff concentrated more on the whole "symbol of love" thing. Because how else are they supposed to hint that Amity and Luz are meant to be the endgame relationship? Reveal that Amity's gromposal was meant for Luz? C'mon. That would be-

It’s revealed that Amity’s gromposal was meant for Luz: ...You know those moments that are so awesome, iconic, and downright perfect that you just can't help but give a grand old cheer to it? That's this moment right here. Speaking of which: WAH-HOO-HOO-HOO-HOO!

Seriously, some of you have no idea how big this scene is. It would have been so easy to cut the scene short at Amity throwing her half of the note, and leaving it up to interpretation for who the whole thing was for. But the fact that we get to see that it was meant for Luz, thus confirming that Amity has a crush on her, is absolute perfection. Not only is it because this is a big step for Disney in terms of representation, but to me, it seems like a normalization of gay culture. This type of reveal is something that would be done for several heterosexual relationships. So to confirm that Amity has a crush on Luz as if it was nothing...that's...that's just awesome. It's awesome, and I am so happy that Disney even greenlit this decision. And I'm not even gay! So I can not comprehend how some of you are feeling about this moment!

(Also, this does not mean that Lumity is canon. But it does at least mean that Lumity is going to be canon. Only now it's a question of when rather than if.)

Luz’s Text to Home: This was just a sweet moment. You get a better understanding of the love Luz has for her mother within these few seconds, then you did throughout the entire series so far. I also like that this implies that Luz is going to try being more honest with her mom about being in a whole new dimension. Which is again, is something I've been playing with.

Speaking of my aforementioned fanfic, during this entire scene, I was thinking to myself: "Man. Maybe I don't have to write a chapter based on this episode, after all. It pretty much did the job for me. I'm just glad that show didn't do anything that would make what I wrote completely worthless. Because that would just-"

Camilia is getting LETTERS?!: “...Well shit.”

Ok, gags and goofs aside, I honestly love this reveal. Because this presents a whole lot of questions. Like, how is Camilia getting these letters? When did she start getting them? And more importantly: Who the hell is sending them?! This is another thing that I enjoy about The Owl House. Just when you think you're satisfied with the episode you're given, the writers throw in something you could have never expected in a million years. This is why lately, it's a toss-up between The Owl House and Kipo and the Age of Wonderbeasts for the best show of 2020 for me.

(BTW, WATCH KIPO AND THE AGE OF WONDERBEASTS! It's SO GOOD!)

Those Grom pictures: These were just cute. Especially the last one.

WHAT I DIDN’T LIKE

...Uh...Oh! I know!

King’s B-plot: A small complaint that I have for The Owl House is that most of the b-plots in several episodes just feel unnecessary. Episodes like "The First Day," and "Adventures in the Elements" had b-plots that were pointless and not as engaging as the a-plot. What's worse is that they seem like padding for time, when most of that time could be used for significant moments in the main plot. And honestly, King's story in this episode is the worst one yet. It's filler that is poorly paced and wasn't really all that funny (aside from the other b-plots which at least offered a few good jokes in them). I don't know. Maybe it's because I have Lumity brain rot and wanted more moments between those two, but I just could not get engaged in King's story.

And...yeah, that’s about it.

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This episode deserves a well earned A+! Sure it has its fair share of problems, but the many, MANY, things it does right outweighs what it does wrong. On top of that, its one of the few episodes of any show I've seen that kept me up at night. Why? Because I couldn't stop thinking about how amazing it was. "Enchanted Grom Fright" is a worthy contender for the best episode of the season, and probably the entire series. It was heartwarming, engaging, and quite possibly the most important thing Disney has made in years. What else could you call it other than Enchanting.

(And no, this doesn’t mean I’m reviewing episodes of The Owl House from now on. Just the ones that are worth talking about.)

[travllingbunny]

The 100 rewatch: 5x02 Red Queen

Note: I’m afraid that I’ll have to delay my review of 7x12 The Stranger a bit longer - maybe till Friday (because I’m busy with work, and I think that one may take a bit more time to finish), but in the meantime, here’s - finally - a continuation of my season 5 rewatch reviews. It happens to be the only seasons I haven’t covered yet - except for 5x01 Eden, which I rewatched a few months ago after 7x02 The Garden, because I wanted to compare the two. I was planned to do Red Queen right afterwards - it’s interesting to compare and contrast Octavia’s character transformations in season 5 and season 7 - but it didn’t pan out that way. But now, @jeanie205 and me have started another joint rewatch during the hiatus, this one of season 5. (She only saw it live, week to week, and hasn’t rewatched it yet, I binged it and this is my second rewatch.)

...............................

I’ve always thought of season 5 as a season with a really strong beginning - the first 3 or 4 episodes are fantastic - which drags a bit in the middle before ending a very strong two-part finale.. The 6-year jump, in terms of storytelling, had both good and bad results. These two opening episodes, Eden and Red Queen, really make the best out of the time jump, with flashbacks about Clarke surviving on her own on a desolated Earth and meeting Madi, and flashbacks of what happened to Wonkru in the bunker. It says a lot that we got half an episode of Clarke surviving on Earth, a full episode plus a bunch of flashbacks in 5x11 about the bunker... and nothing about the Ring (till that one flashback in season 7). It’s because the life on the Ring was so boring and uneventful that the show didn't care to show anything of those 6 years. Clarke’s peaceful life with Madi in Eden also happened off-screen - we only saw their first meeting and their later relationship in the present - but Clarke’s two months of terrible hardship got covered in amazing 20 minutes. But the bunker is where things were the most intense. 

If the Ring seems to be just boring everyday life of 7 people who can’t go anywhere for 6 years, and if Clarke got to live in Eden (paradise) with Madi after the purgatory of 40 50+ days in the desert, the bunker is clearly Hell. It is a claustrophobic underground world full of anger, conflict and violence that certainly looks like Hell by the end of the episode.

The last scene, with its horror imagery, reminded me of the current Sanctum storyline in season 7 (both Blodreina and Sheidheda like using skulls as decoration), and the comparison shows exactly why the bunker/Blodreina story worked so well, and why the S7 Sanctum story does not. It’s all about moral ambiguity and keeping the audience on its toes, pulling the rug from under us by making us unsure how to feel about characters and their actions, which Red Queen does so well (and which S7 Sanctum storyline completely fails to do, being very predictable and black and white). Red Queen is so well done and intense that I don’t even mind that Clarke and Bellamy and some of my other favorites aren’t in it.

Timeline: The episode starts 42 days after Praimfaya and ends 46 days after Praimfaya.

The opening scenes take place at the same time when Clarke arrived in Polis and tried to open the door. Clarke's only listed as appearing in this episode because of this repeated scene from Eden. (It’s weird that apparently not just the Temple, but the Tower also apparently fell on the entrance. The Tower is next to the Temple, but I’m not sure if that would really happen?) I’m not sure what exactly caused the rubble to fall down, but this is the moment where everyone loses hope, since they know they probably can’t get out, even though they have 5 years to try to think of the solution.

Niylah has found a bunch of books and some other stuff in the bunker, and one of the books was Ovid’s Metamorphoses, which we now know was Callie Cadogan’s book. (That was a nice Easter Egg in 7x08.) Niylah knows Bellamy used to read to Octavia about Ancient Rome - she must have heard it from her or from Clarke or someone else in Arkadia over the last month or so that she spent with them. It is still surprising she knows about Ovid, specifically. What she doesn’t know when she gives Octavia the book is how symbolic it is of what happens to Octavia throughout this episode - her metamorphosis into Blodreina. (We even see the opening line on screen: “ I intend to speak of forms changed into new entities..”).

Octavia Blake is a character who has undergone more dramatic transformations than any other character on The 100. I wasn’t a big fan of her in some of the early seasons, but now I think that, after what the show has done with her since season 4, she has probably had the best character arc of any character on the show. (Some would say it’s Murphy, but that’s because people like to think of character development as going from bad to good, a positive progression - which is a lot more predictable and done quite often. What the show did with Octavia is much more complex and unexpected.) Her turn to the dark side and subsequent redemption were really well done, and Marie Avgeropoulos is one of the best actors on the show (I’ve always thought so regardless of how I felt about her character at any given time) and pulled off her changes in season 5 so well.

What the episode does really well is maintain ambiguity about Octavia’s development as a leader. The first time you watch it, it’s not clear what is she developing into. Is this a story about a well-meaning but still inexperienced teenage girl becoming a great leader? Well, the cliffhanger of 5x01 showed the fighting pits and the new scary Blodreina look, so it’s already hinted it’s not quite like that. But the episode still makes you root for Octavia, who’s up against not just the difficult circumstances - trapped in the bunker, limited resources - but also tribalism of Skaikru and 11 Grounder clans and a lot short-sighted people who hate and keep fighting each other. You just can’t not root for her when she starts forcing them to obey, near the end of the episode (and it’ certainly comes off as a very badass scene - if a bit unrealistic, since Octavia has only been training in Grounder-style combat for about 7-8 months at that point) - but then things may start getting a little ominous as she repeats the mantra “You are Wonkru, or you are the enemy of Wonkru. Choose!” (“You’re either with us, or against us” statements by political leaders are always worrying), even before the ending, where both Octavia and the bunker look like something out of a horror movie. This entire storyline made the point that unity can’t be forced on people, especially not by a single all-powerful leader, without turning into tyranny and oppression.

What’s also morally ambiguous is advice from the mortally wounded Jaha, which ends up influencing Octavia’s decisions and development as a leader. Jaha was always one of the most morally grey characters - he’s not evil, always had good intentions, but his ruthlessness and willingness to disregard individual lives in the name of the Big Picture of saving “his (collective) people” and his complete confidence that this is the right leadership style, were always very disturbing, and made him the villain in the eyes of - and the lives of - all the young protagonists of the show. In season 4, some of them started seeing his perspective. faced with the similar difficult choices. After Clarke in season 4, Octavia also starts seeing his perspective - which is particularly disturbing because it is the same man who executed her mother for just having a child, and locked her up for a year as a criminal just for being born. But Jaha’s actions in Red Queen are some of his most heroic ever in the show, and he gets a heroic death and a moving death scene... while still being kind of a real d1ck, someone who justifies Aurora’s execution to Octavia by saying her mother made herself “the enemy” and bringing them “closer to death”. In the context, Jaha as an unexpected mentor to Octavia can be seen as something good or at least a necessary for her to develop into a capable leader... Or is it? The line between hero and villain can be very thin. Sure, it helps Octavia resolve the situation, save hundreds of people in the bunker, and apparently unite everyone into Wonkru - but as we see by the end of the episode and the rest of the season, it also ends up making her a tyrant who ends up getting hundreds of her people killed in the name of saving “her people” and delivering them to paradise as a messiah. She becomes the same thing she hated, an oppressor like those who forced her to hide under the floor and killed her mother.  

(This dialogue from season 4 is pretty relevant here:  

Clarke: You know, he used to be everything that I hated. Maybe he was keeping us together.

Jasper: When Jaha's looking reasonable, it's time to reassess.)

I have to say, however, in spite of all the moral greyness... I can’t stand Kara Cooper. She’s one of the few characters on the show that just piss me off to no end and I can’t find any sympathy for her. I know that it’s different for others, I’ve seen people say they see her perspective, and yes, the show  gives her a tragic backstory (losing her father in the Culling on the Ark and her husband in the Second Culling in 4x12)... but this time I can’t bring myself to care, because: 

She wants to leave some 1100+ people to die, even though she should be well aware that, even if there is a problem of overpopulation in the bunker*, she really doesn’t have to kill that many people, 

She’s a scientist and gives a speech about how the lack of diversity would lead to a massive die-off for plants... Surely she should know that the same would happen to the humans, and that a human race can’t survive with just around 80 people?! which leads me to

She doesn’t care about the survival of the human race and is ready to condemn it to extinction, just so she and a few others would live more comfortably and wouldn’t be in danger of immediate death, 

She says she wants to save “her people” - but it’s all about tribalism (Skaikru or not Skaikru?) and not love, and she is a hypocrite, because she is ready to leave a bunch of Skaikru outside the door to die, too, 

She is a hypocrite when she acts like Abby did something terrible by opening the bunker door to save Kane (which also saved hundreds of people more than would have otherwise been saved) - basically, she’s like “ Abby, how dare you not prioritize my husband, a guy you didn't even know, over your boyfriend? You're so terrible!" Sure. That makes sense. 

Her arguments about why the bunker “belongs” to Skaikru are rubbish: “ "Jaha found it. It belonged to us" - even if we accept the finders-keepers idea, actually, multiple people helped find the bunker. Yes, Jaha was the driving force, but Bellamy found the coin, and Kane, Monty and Gaia all massively contributed to finding it - without Gaia's info they wouldn't have ever found it - as did Indra, and the fighters from Trikru and their allies who guarded the temple so they could do it. She just ignored all these facts. If they had kept the bunker in 4x11, they would have left most of these people out (including Kane and Monty). Oh, and she is now trying to take the bunker back... and she’s ready to leave Jaha himself outside! 

And after all of that, she saves her own skin by being the most ruthless one of everyone Octavia sent to the fighting pit and killing them all - and then becomes Octavia’s right hand and sycophant. What integrity! 

While many people seem to think that Octavia’s downfall started with the cannibalism during the Dark Year, I think it’s the decision at the end of Red Queen to open the fighting pits and start punishing every crime by throwing people in them. This is her first really bad decision. In practice, this form of “justice” means that you can commit any crime you want if you're good at killing people once you’re in the pit. it fosters a culture of violence - even more so when death matches are entertainment. So, in the end, the guy from Delphi clan who just stole blankets (the Sangedakru delegate Brell demanded death for that - their laws are pretty draconian, makes me wonder in retrospect if Sheidheda was the one who first imposed them) died, while Kara effing Cooper got to live because she was the most ruthless person there. What I think Octavia should have done is - she should have executed the murderers and the leaders of the rebellion and given minor punishments to people who did things like steal blankets. (it's been argued they needed Cooper for the farm - but that was not the reasoning, Octavia left her with everyone else to fight.) 

This was Octavia, sadly, combining not the best, but the worst of the Ark system (death as the punishment for every crime or minor misdemeanor), Grounder tradition (death matches as the solution to everything) and her childhood stories of the Ancient Rome. If you're using Ancient Rome gladiator fights as your role model...you've probably stopped being a good guy.

The last scene, fighting pits 6 years later, is similar to the cliffhanger end of the previous episode, only now we get the cliffhanger of Kane being one of the fighters. Octavia is in her full Blodreina mode now. Not just her outward look has changed, but her facial expressions, too - this is the first time we see that cold, sinister Blodreina smile. Indra doesn’t look too happy, Gaia and Ethan are there. Miller- even after that much time - doesn’t look too happy with Cooper being there, by Octavia's side.

This is straight up horror imagery. There is even some sort of structure made of skulls next to where she's sitting!  Not exactly a throne of skulls like Sheidheda has in season 7 but something similar.

But here’s why this works so differently than Sheidheda and his throne of skulls in season 7 and why people are bored by the latter. There is no ambiguity in the S7 Sanctum story. Sheiheda is completely, cartoonishly evil, there is nothing complex about it, Murphy is now definitely a good guy, as are Emori and Indra, and none of them are in conflict about how to deal with him (except for a short moment in 7x09, which was OOC for Indra). The only characters that we may still wonder 'what are they gonna do? which side will they take?" are minor, underdeveloped characters like Nikki, or Knight (you're in trouble when your main question is "will Knight change sides?"). It's a very simple black and white story, the kind t100 normally doesn't do and Shady’s throne of . But when Octavia has her face painted in blood, has skulls next to her, and a creepy smile while she’s deciding the fate of the winner, that is genuinely disturbing because it's Octavia. You’ve followed her for seasons, and you’ve spent the whole episode rooting for her to solve the problems and deal with those really awful and annoying people... and then she does, and oh my god, suddenly she turns into a villain, and that’s chilling. 

Other observations:

I love the Kabby scene where they're talking while chained up in the farm, while a guy is playing guitar in the background. I think Abby was pretty unfair to Kane when she said he took away her choice to kill herself - because she didn’t try to kill herself, she tried to make Kane kill her, and then she expected him to be able to do it, even though she never could: not only did she open the bunker door to save Kane, she destroyed the radiation chamber (possibly dooming thousands of people) because she couldn’t allow Clarke to risk her life (in 4x08). Kane may be more of a “Head” than “Heart” of the two of them, but Abby should have realized he wouldn’t be able to carry her unconscious body (or even let someone else do it) and let her die of radiation. He loves her and he doesn’t really have anyone else. Abby really seemed to be taking out her own self-loathing out on him. It was still a sweet moment when he finally dropped the pretense that he saved her for being a doctor and admitted it was a Heart decision, and she finally admitted she would do the same and never regretted opening the bunker door to save him. 

But we get a hint about that Abby has already developed a pill addiction, which will strain and almost destroy their relationship. Kabby was a really well written relationship - we saw them falling in love over 4 seasons (which rarely happens with romantic relationships on this show) - but then we also saw that being together and loving each other is not enough to be “happy ever after”, not when you live in f*cked up circumstances and when you both have to deal with all sorts of problems. Love can’t conquer everything, which is more realistic way to depict romance.

Mackson actually have some screentime in this episode. This is actually the first time we see that they are together (after a brief flirting scene in season 4). I had forgotten that Miller says the L word in this episode: "You're a healer, nor a fighter. That's why I love you.” I thought “This was pretty fast” - but when you take into account they’ve been together for a couple of months, it’s actually not that fast compared to most of the romances on the show... It’ just that most of their relationships happens off-screen.

So Level C (which Cooper and her people took over) was where Cadogan planned to be with his family if the rest of the bunker goes to hell. Makes sense he’d do something like that.

Indra was already not a fan of the Commanders at this point, telling Gaia: "Your real Commanders would have left you to burn", "the spirits of the Commanders have abandoned us"

We got two Wells mentions in this episode! One when Jaha was reading a children’s book (apparently The Giving Tree - thanks @jeanie205​) to Ethan, and says it was his son's favorite bedtime story, and another one when Jaha is dying and says “Take me to my wife. Take me to Wells”.

ALIE would be proud of these people: they all keep repeating “There are too many people in this bunker” throughout the episode. Thanos would be proud of them, too. Why not instead say: “There aren’t enough resources in this bunker”? No worries then, they will manage to get 1/3 of those people killed - 814 will remain instead of 1200 by the time they get out of the bunker... What few characters in the show ever seem to realize are too few people for the human race to survive. That is, if they weren't lucky to always be running into more humans, and then everyone blows it away by killing each other, again.

A few lines in this episode feel like dark foreshadowing:

Abby makes the first mention of cannibalism, a dark period in Ark’s history called the “Blight"

"It won't be that easy", says Octavia to Cooper when Cooper wanted to kill herself. One could say the same when Octavia tried to sacrifice herself and die in 5x12

"I'll take care of the boy” - Octavia promises to Jaha to take care of little Ethan, just as Jaha promised to Ethan’s father. That didn't turn out so well in the end...

Rating: 9/10

[oradevilredeemed]

Gossip Girl Rewatch

I decided to rewatch GG for the first time in 8(?) years. I haven’t touched the show since it ended and it’s interesting the views that have and haven’t changed. For my own amusement, the big things I liked/hated I will discuss as well as any other significant changes.

Chuck and Blair

You know what, yeah they were toxic but honestly I still ship them as much as I did before. Not only that but from season 1 to 4 we saw how they could be good and right for each other but also how they could be so wrong and destructive. From the end of season 2 we knew clearly they loved each other in an all consuming way but they were both broken and Chuck so much more so (honestly talk about the worst family and childhood ever) that they didn’t know how to handle or put limits on that amount of love. By having both let go at the end of season 4 we had season 5 to see Chuck become a man worthy of love through his relationships to others (Monkey is cute as) and through therapy which I wish we had seen and heard more of - he never went to Blair with a hidden agenda to bring her into his orbit for romance, he only did that once when Dan set it up because it was clear that in that moment Blair’s happiness included Chuck and then the next episode to try and understand what had changed and then because her own mother asked him. During that season we even got the clear juxtaposition of his former self by having Bart there to see just how much better he was at handling emotions and life changes.

While Blair got to explore the other types of love to determine which she wanted for herself in season 5, as Blair said herself it was her season to “run away and try to kill” that intense love that had her losing her way. She had always had a fairytale in mind and she got it and it nearly destroyed her and everything that made Blair herself. She then got her simple love, that was easy and she was content but ultimately that wasn’t for Blair who has always been passionate about something. The difference was this time she wanted the passionate but knew who she was as a sole person, she finally saw herself and had validation from the one person more influential then Chuck - her mother. In season 6 I appreciated the second time around how they had this understanding and communication over them wanting to set up a future for themselves separate from their relationship before fully committing and building their lives together. This help Blair complete her powerful women arc and also helped end Chuck’s history of unhealthiness in dealing with business and Blair - he kept her separate until he needed to scheme and them scheming together, using powers for good was never framed as a bad thing but as part of there skill as a lower couple. I also loved how naturally they both could fit in and help the other achieve what they wanted in a true partnership, demonstrating the way they knew each other, could bring out the best in each other and work as a team. Funnily enough watching it again I have a new head canon of Chuck and Blair in the 5 year time jump and beyond with them actually having one of the most settled and “normal” relationships and lives because they got their not boring out during the show and the circumstances of their wedding - normal would probably be a relief lol.

Season 5

I didn’t actually watch a lot of season 5 when it aired because I couldn’t but I read reviews and such and I hated majority of what I read. But forcing myself to watch it I...still hated it. Louis stayed way to long and Blair was just a bad character. I appreciated her friendship with Dan, but the relationship just wasn’t one I could get onboard with; something always felt off. I also loved Chuck working on himself, his friendship with Dan, and Monkey was pointless but cute so I enjoyed that and Chuck just really given things and his happiness up for Blair’s until it became obvious that Blair’s happiness lead back to him. I liked seeing the darker side of Serena but wish she had joined forces with Nate and Chuck more. The 100th episode was not “a love letter” and I stick by that. I used to hate but now love that Bart came back and was everything Chuck had imagined him to be. The first half of season 5 tonally felt like a completely different show so even though I didn’t like the Dair relationship it was easier and more enjoyable to watch than Louis.

Dan and Blair

I used to hate everything about them together, but now I enjoy their friendship and wish they had kept that between them. I didn’t like how Blair went back to judging his status in season 6. That brings me to the one thing I really dislike and that is how they ended. It was obviously done to cause some drama in season 6 but I feel there could have been a great moment of conversation between the two where they talked out her choosing Chuck and they could have maintained a friendship. Romantically I didn’t buy it, to me I found it one sided or just off somehow but I understand why others could ship them but it’s not for me and I was happy for it to be a relationship that led them (more so Blair) to an understanding of what they want. For Blair it was that while she could have safe and easy love and be content she would rather the passionate love that could bring her to the happiest she has ever been. For Dan I would say he wanted that role of ultimate insider.

Dan and Serena

I always liked season one and to a lesser extent season 2 versions of them. But afterwards initially no, I hated that they ended the show together and thought both (Serena) could do better. However, rewatching knowing what I know now (Dan is GG) is slightly different. I still love season 1 and to a lesser extent season 2 them but I found myself actually rooting for season 6 them, I felt the shock again when it was revealed that Dan had set things up but I also understood him a lot more that the feelings were genuine. I also could see why Serena could be so forgiving especially after her GG stint in season 5. The one thing I still disagree with though is the line that Dan being GG was him writing a love letter to them all, just no girl. I will say though that may head canon for them is that in between that 5 year time jump their relationship was still a little back and forth and not as settled as Chuck and Blair which I use Lily’s line of “I never thought we would get here” as my proof.

Bart’s Return

Oh I did not like that when it aired. I found it so soapy but on rewatch yes it was soapy but I also loved to see not only that Bart was exactly as Chuck imagined (and that we had actually seen - remember he was the one who swayed Chuck as the end of season one) but we also saw how Chuck was different to him and how he had grown. Chuck was fairly open about his feelings to Bart, even initially instigating a hug until it was clear that Bart and his feelings equal weakness self was there. In season 6 I found the decision to take down Bart extreme and a soapy device but they had set Bart up as this ultimate powerful bad guy that would have destroyed everyone’s lives so the only way for it to end was by him dying again.

Vanessa

I hated her on the first watch but on the second one I didn’t but I also can almost pin point the second that they had no clue what to do with her. On rewatch I actually liked her character but also feel like she was treated badly by other characters and ultimately the writers. I wish we had gotten a small glimpse of what she was up to after the time jump (she was the only character we didn’t see then) but I will stick with my initial thought that her season 3 faux dreadlock look was not it.

Rufus and Lily

On initial viewing I was really disappointed that they didn’t end up together and that she ended up with William but on rewatch. I think it made an odd amount of sense. Lily and Rufus had a lot of love but ultimately were different in fundamental ways that just couldn’t transpire to long term happiness. William blackmailing his way into her life was (funny I laughed when Ivy was going off) not great but out of everything in Lily’s life that was the least of issues. I do still love the call back to the end of season 1 though by having Lisa Loeb end up with Rufus.

Blair and Serena

Not much changed with my opinions but I will say I could see the systematic way they slowly broke Blair and Serena’s bond in season 5. Every time they called each other their best friend it started to feel insincere to the point where Blair even dating Dan a guy Serena had been and was so clearly I n love with didn’t even feel like something she should consider as wrong because that was something a best friend did. I don’t know if I feel they built them up enough after the events of season 5 but I also believe they wanted there friendship instead of being “stuck with each other” as Blair so elegant put in the season 6 premiere.

I’m sure there are a lot of other thoughts I have forgotten and some I have communicated terribly but ultimately I was surprised to find myself actually enjoying the rewatch. Watching in binge form was definitely an appeal but it also gave me some understanding and enjoyment to storylines I had previously disliked.

[semi-imaginary-place]

rewatching decadence

ep1: so... indoctrinating kids that they life their life in service to an upper class. also like, the way deca dence takes care of giant gadoll is to punch it like no giant sword or laser canon or anything just the power of a giant mountain sized fist. this show actually has some good foreshadowing from seeing Natsume from the perspective of Kaburagi’s hud, to Natsume’s dad (Muno) finding the Solid Quake logo at the beginning of the episode and the logo again being shown in the last shot at the announcement signs off with have a profitable day which is a weird public safety announcement but makes sense as a company slogan. I’m still not sure what the “TIME 1:00  POINT SE,07,G” means. I didn’t write it down last time because I was unsure of myself, but my first thought when the cyborgs showed up was VR chatroom for the upper class.

ep2: yeahs that’s totally an advertisement that plays right after natsume realizes the human costs of war as the tankers pay respects to the fallen. I realized what it was with the cartoony designs, the bright colors and patterns, the funky shapes of all the structures aboard the space ship, it looks like a tv show for toddlers. inoffensive and deliberately cheerful to distract from the horrors of a corporation owning your person. the eng subtitles are confusing here it should be “real death(simulation) awaits” in that the company is advertising being able to experience death but not have any of its permanent consequences as a feature of the game. The cyborgs are corporate wage slaves being compensated for their labor in company credits and the only other things we seen them do outside of work is play the company’s mmo, or recreational drugs. “I should be proud of my function and to be scrapped” as property of the company. aaaa that’s terrible. aaa. what are cyborg cores??? and why are they valuable. Solid Quake has no control over the core, only the cyborg’s housing. Is it that they cannot produce more? Considering the others on the team got executed for sentenced to an eternal forced labor camp with appalling conditions, Minato really did pull some strings for Kaburagi. ooh so “time until scrapping” and “operational limit near are two different warnings. the first is a general reminder of lifespan and the second is because oxyone levels are low. now its “TIME 20:00  POINT SE,05,I”. all those new gadoll events probably wreck havoc on the tanker economy. its 400c now and i think it was 500 for 2 earlier. First time through I wasn’t paying attention and totally thought kaburagi was an assassin, but no he’s just clean up crew. ahh yes, come spend you wages at the company run stores. micro transactions... wait so where were people getting the number 13 from?

ep3: ah yes Solid Quake charges to use the media center, truly a micro transaction hell. Natsume’s character arc is about whether to push herself or not. Here Fei acts as part of a continuing dialectic saying that Tankers have no place outside of Deca-Dence, that sooner of later Natsume will die from it, and once again highlighting Natsume’s right arm. In the other level of this though, tankers shouldn’t go outside because that’s not their role in the solid quake mmo, and those who would disrupt the mmo are killed. I like how you can see Kaburagi switch from videogame logic (oh she’s low level so let’s just stick her in the tutorial zone) to real life (what skills and experiences would help in fighting). So several corporations took advantage of desperate people to sell them a service that would augment them with mechanical parts. I get that pipe in a little outfit is funny, but does no one really realize its a gadoll, i meant natsume recognizes it instantly. like the scene where Natsume talks about her right arm, the anime does a good job of showing how her feeling about it are complicated. She’s lived with that arm for years, but it also hinders her sometimes, and people will comment about it. there’s this specific type of humor that pops up in this show and given how its the same joke, my guess is that its the same person behind it. The “joke” being that Natsume is put in a position that references sexual assault. The first is with fennel where she makes up an excuse of having to go see kaburagi to get away from him. And then there’s this episode. There’s also a few stray lines here and there that alarm me in that they imply Natsume has dealt with the threat of assault before. Since they didn’t do anything meaningful with this, I’d rather it just not be there. Minato is in on the secret of Pipe’s existence and by the way the two talk, they’ve called each other before in the last 7 years. Its good to know that Kaburagi wasn’t JUST brooding for 7 years and that the two of them stayed in contact.

ep4: Natsume after having gained confidence in herself takes down several gadoll and earns her place in The Power. Its a fulfilling payoff after seeing her train for several episodes. Natsume is where she always wanted to be, fighting gadoll in the Power. gahh It really is a patch release trailer. Ohh so I assumed that the other structures on the cartoon earth were other corporations, but in this episode we see one of them (the white and red striped cone thing opposite the deca-dence dome) and the cyborgs there are talking about the game (MMO LARPing lol), so either Solid Quake owns multiple of those structures, or these cyborgs are customers not owned by Solid Quake and playing of their own volition. that would makes the cone cyborgs where solid quake is deriving its profit from since its not like it pays its workers. reading comments online, a lot of people missed that because a ranker was found to be cheating (mikey), the rankings were abolished. In the present time, gears/players are not ranked. Ah so Kaburagi was transferred to the maintenance department from the warrior department. Wow reassignment is so much better than the poop jail. I remember it being said, armor repair, doctor, and weapon shop could be employee(cyborg) run so I wonder if the medics and that one armor shop guy are tankers or not. So this anime already snuck in a sex joke with the when the poop gang swapped kaburagi’s avatar with a sex toy, so i wonder if the safetyprivatemode was made so that the mods wouldn’t have to listen to robot sex. I really wish this show could have had 24 episodes. The trend for the past 20 years has been shorter and shorter shows so I know it would have been likely impossible to get the clearance and funding for 24 eps but oooh in som alternate universe maybe... i brought up fleshing out minor characters and character relationships before but there also stuff like Natsume’s right hand almost clamping on ... Mindy? Which usually would be a narrative flag but is completely dropped because of the episode limit. And the confidence Natsume gained last episode come to work against Kaburagi trying to keep her from the suicide mission. Its only from this point on that Kaburagi starts to really change, as of this point he is still a loyal cog to a machine that does not care about him. Kaburagi and Natsume in the 2nd half of the episode continue the same dialectic that runs through the whole of the show, about giving up and learning to try again, about pushing your limit, about why someone bothers trying. On the collectivist versus individualist spectrum, Deca-Dence is on the individualist side with assertions of the importance for deciding for yourself what you will do with your life. Its an interesting counterpoint to The Twilight Mirage (Friends at the Table) which I am currently listening to in that The Twilight Mirage is a western production and strongly collectivist with one of the antagonist being sort of kind of an embodiment of independence/individualism while japanese works as a whole tend to be more about the whole over the individual than western ones. Kurenai talking about why she fights is very good and very important for 2 reasons, first it help flesh out not only her but offer a very needed other opinion on what its like to live as a Tanker, second it segues nicely into Natsume’s memories of her dad telling her about the outside world and him being the only one to believe she can do it (fight in The Power) as contrasted with flashbacks of all the other characters telling her she can’t. This culminates in Natsume gathering her resolve to fight not because of something grand like changing the world or the fate of humanity, but something very personal scale: changing herself and proving to herself that she can do it. The is also the climax of her character arc, the point of no return.

ep5: If last episode was natsume’s point of no return, then either this episode or episode 7 is Kaburagi’s. Rationally speaking, the optimal scenario would have been for Kaburagi to stall long enough for the Tankers to escape before pulling back himself, but emotionally and narratively, there’s no way he couldn’t. After all the build up of deciding for yourself how to live and pushing your limits. Its appropriate that here in defense of the girl that inspired him to live and choose for himself rather than just continue existing in the default of what Solid Quake demands of him, that Kaburagi chooses to release his operational limiter (literally pushing him limit) and derail the company’s plans. How did no one realize purple dude was breaking imprisonment to play on a hacked avatar. Like he’s still as purple and bloodthirsty as ever. He acts and speaks the same. Someone would have totally seen him and gone “eyyyyy [i forgot this guy’s name] is back” and talked to people about it and someone should have heard. So I remember reading comments from various idiots who were mad because they mistakenly thought the anime took place in a virtual space and that Natsume was made of lines of code. And first off even if that was true there’s a difference between objective reality and the lived experiences of a person and what’s to say her experiences and emotions would be any less real than yours. And second, did everyone forget The Hunger Games? Like its just another game that plays with real lives and doesn’t care who gets killed. Solid Quake is just using humans as a stage prop. Man this episode is jam packed. Its like getting punched in the face 4 times. The pacing of the last 4 minutes was really good. The quiet scene as dawn breaks acts in direct contrast to the high energy of the Stargate takedown that preceded it. After time and against not listening to him, Minato still calls Kabu to check in with him. There’s also his certainly that it was Kaburagi that saved the Deca-Dence mech (i need to be clearer when I’m talking about the physical fortress city mech, the mmorpg game, or the deca-dence system itself). And then when the world state gets reset is just so good because it make it clear that the gadoll were never the true enemy. The tankers could kill as many gadoll as they want and nothing would change. Kaburagi’s at an interesting point here, in that he’s no longer in a state of having given up like he was in episode 1 just waiting to die and following along with Solid Quake’s orders, as of this episode he has deliberately gone against the company’s rules, and yet he’s still believes that nothing will actually change. He’s broken a rule and resigned himself to punishment instead of say for example getting rid of the punishment all together. He’s still a good little employee that hasn’t rebelled against the system. And then the “Take care of Pipe” and Natsume turns around and he’s already gone, is sooo good. The final shot too of his avatar face down in the snow! The “This world needs bugs” is in direct contrast to Hugin/Fugin(?) repeating that this world must be rid of bugs, and the same phrase Kaburagi repeated 7 years ago when he was transferred to the Maintenance Department instead of being killed. I wonder how much the cyborgs feel in their original bodies  vs. how much they feel in their Gear avatars. Kaburagi doesn’t seem to care about food and no food stalls were shown in the Gear area so maybe they doesn’t have much sense of taste? The avatars also have a lessened sense of pain. And then the limit release sequence shows connections increasing between the two bodies so does it make the cyborgs more attuned with the avatar’s senses?

ep6: eh so this is another example of what I mean when I say some of the humor in this show is in bad taste. They probably put the oxyone port where the ass would be just to make this joke. But this is better then doing to it Natsume. The animators even had a gleam censor for the over where the capsule was inserted as if it wasn’t obvious enough what it was suppose to look like. Spurned on by the the promise that one day if they work hard and behave (”rehabilitated”), the cyborgs will get let out when in actuality its a forced labor camp so that Solid Quake can squeeze just a little more labor our of the cyborgs for even less compensation. The cartoony style here helps offset just how horrific there working conditions are. And Kaburagi still the good little employee (iiko) tries his hardest to play by the rules and win. Except in this game, there is no “win’ written into the rules. So finally he is forced to move outside of the system Solid Quake has made. I still can’t believe they let Donatello keep the gun... Maybe cyborg cores are brains. In 5.5 Kaburagi’s core is in the top half of his metal case, and Donatello’s is also in his head. I’m still not sure what that sequence where Kaburagi takes the head fin and an image of a cyborg core is overlayed, means.

[nonbinaryhatboxghost]

Okay, today has been a quiet Saturday morning so far, I have some time, and I like lists. So here is my random (personal) ranking of Star Trek series and movies, out of what I’ve seen, which is everything but seasons 5-7 of Voyager, all of Enterprise, and all of Picard. I’m only counting shows with three or more seasons because it’s easier. But let the record show that I love Lower Decks so far and The Animated Series is actually a blast.

SPOILERS THROUGHOUT

Series Ranking

The Original Series - As influential of a show as it is, I constantly forget how much damn fun the original Trek is. There is an almost Community-like variance in tone and genre throughout the show. And I’m a sucker for a future that embraces primary colors. It is the Trek show I revisit the most so far, and it remains my favorite.

Deep Space Nine - This one comes close, though. It starts out as a solid spinoff with very well-defined characters, and then becomes a big, sprawling epic that had my eyes welling up by the end. It feels more like a sequel to The Original Series than The Next Generation did to me. It dealt with subject matter both different and darker than was expected for the time. It had characters at odds with each other. Religion was explored in a way that balanced brutal honesty with genuine respect. War and the various traumas it induces were acknowledged. And it had “Take Me Out to the Holosuite”. I only finished this one recently but I look forward to watching it again.

Discovery - I was rooting for this show to be good even as it went through so much behind-the-scenes drama during its first two seasons. Even with all of that going on, the show became a fascinating watch as you saw it change from its arguably-too-dark beginnings as a prequel, to the almost Doctor Who-like second season with its joyful embracing of classic Trek, and finally to its current iteration that at long last gives us a Trek show that’s not bound by prequel limitations. Michael Burnham is such a great character and getting to see her arc alone makes this one of my favorite Trek stories. The queer/nonbinary representation also warms my heart.

Voyager - I’m just starting the fifth season, but the show has settled into an interesting groove with its characters. And Voyager’s characters are so damn good that they counterbalance a lot of the show’s early problems. It takes a while for Voyager to realize that the Kazon do not work very well as villains. But once the show realizes that, it begins an upward trajectory in quality that reminds me of Deep Space Nine after it began doing Dominion plots. And Seven of Nine’s effect on the crew dynamic lives up to the hype. Any scene between her and Janeway demonstrates such a unique relationship between captain and crewmate that an episode plot can be meh and still worth it for a scene with those two. Also, Janeway is the best captain character. No other Trek show (that I’ve seen so far) comes close to showing us the weight of leadership like Voyager, and Mulgrew constantly brings it.

The Next Generation - This is my first Trek show. It’s the one that my dad watched. There are several standout episodes to me, but I find myself less drawn to revisiting TNG than the other Trek shows because ultimately it took me too long to understand and care about its cast of characters. If you were to ask me to describe any character from any other Trek show, I would be able to. Ask me to describe a TNG character and I would likely fail to give any good adjectives for any character besides Data and Worf. As iconic as the show is, and as great as it became, it doesn’t have the same pull on me as other Trek shows. But it was the template for the spinoffs that followed, and the portrayal of Picard’s trauma post-Borg assimilation earns its reputation as an all-timer for me.

Movie Ranking

VI: The Undiscovered Country - I’m surprised this one isn’t talked about as much as other Trek movies. It’s a very frank depiction of prejudices and learning to deal with them. It has one of the best Kirk/Spock scenes ever. Christopher Plummer as a Klingon. The ORIGINAL cast credits sign-off (yes, Avengers: Endgame borrowed from this). A score that carefully balances menace with eventual hope. A fun whodunit structure. I could go on and on. It’s just so damn great, and so far the only successful send-off to a Trek crew in any of the movies.

II: The Wrath of Khan - It’s a classic for a reason. I’ve probably rewatched this more than any other Trek movie. You got your great villain, your classic crew beginning to deal with their mortality, an all-timer death scene, a kickass early James Horner score. What more could you want?

The Motion Picture - This is an interesting one. When I first watched it as a teen, I hated it. I agreed with every critique of it being thinly plotted and having an excessive runtime. When I revisited it in my 20s, it became a favorite. It’s Star Trek’s exploration of existential dread, and the struggle to find agency and identity within that dread. It has possibly Jerry Goldsmith’s greatest score. It is the best that the Enterprise has ever looked. This movie envelopes you with eerie and epic imagery, culminating in a finale with interesting philosophical ramifications and a well-earned return to optimism from its crew. This one is criminally underrated.

First Contact - This one is just rock solid all around. The best-ever TNG villains, further exploration of Picard’s trauma from Borg assimilation, Alfre Woodard, Alice Krige, fun action, the genesis of the Federation. It has the best balance of darkness and fun out of all of the Trek movies. It also has a character actually say the words “star trek” in a way that never ceases to make me smile. I don’t know if it’s a good line, but it’s funny regardless.

Beyond - Like The Motion Picture, I initially disliked this upon first viewing. I was still in the middle of watching The Original Series and was in the wrong mindset for this mashup of TOS and Fast & Furious. But it’s one of the most underrated Treks because it’s a perfect balance of the more kinetic action found in the 2010s with a very well-done breakdown of the inherent point and value of Star Trek: learning to be better and move beyond fighting the same battles among ourselves.

IV: The Voyage Home - This one is such a satisfying culmination of the crew’s arc starting in The Wrath of Khan that the joy of the 1980s material is almost just a bonus to me. Nimoy does a good job of keeping things light without disregarding stakes. He gets the best portrayal of the crew’s camaraderie in this and The Search for Spock. And Spock’s reaction to the concept of “exact change” always makes me laugh.

III: The Search for Spock - I revisited this one recently and it held up better than I expected. Seeing the weight of Spock’s death on Kirk in the beginning hits hard. Christopher Lloyd as the Klingon villain is casually one of the best Trek movie villains. And seeing the crew uniting over trying to bring back Spock gives us some of the best on-screen moments of this cast.

Star Trek - One of the reasons I love Beyond so much is that it retroactively makes this one better. I was crazy for this movie when it came out. I was in high school, Star Trek in general was something I was only really aware of because of my dad. But this is the thing that got me into Trek. And as mixed of a bag as it now plays to me, ‘09 Star Trek being a gateway for me to general Trek, combined with the perfect casting of the crew, the excellent Giacchino score, and the emotion of the opening sequence, thankfully makes this one still a blast to revisit.

Nemesis - I have only seen this twice, and both of those times without having seen TNG in its entirety. This was also the very first Trek movie I ever saw. Nostalgia is a factor for why this is higher than the others on the list. Curiosity is another, as I was unaware of Tom Hardy when I watched this, and have no idea what my opinion will be on rewatch. But what I always remembered of this movie was its ending, which even to a novice like myself when I first saw it had an impact.

Generations - There are quite a few great scenes that Stewart gets in this movie. Malcolm McDowell is also great in it. But the whole plot feels too forced for me to get actually swept up in it. And as fun as it is to see Shatner and Stewart share the screen... it ultimately has no impact and leads to a strangely lame death for Kirk.

Insurrection - The idea of Enterprise going rogue against the Federation for forcibly relocating a population for a natural resource is such a good concept... which makes the goofiness and half-baked writing of this entry all the more confusing. All the elements are there, but it feels like the tone was forced to be lighter than the material warranted. It’s frustrating because Frakes’ directing chops that he showed off on First Contact are still visible here. But for whatever reason, this one just falls apart.

Into Darkness - This one is low on the list mainly because it represents almost all the negative traits of the modern blockbuster to me. Darkness without depth, franchise callbacks without substance, and no character development/change by the end. Another reason why Beyond works better as a sequel to ‘09 Star Trek than this one is that Into Darkness feels more like it’s trying to make Star Trek a bigger movie franchise rather than develop this iteration of the Enterprise crew. Nothing and no one is changed by the end of this story.

V: The Final Frontier - It is the most difficult Trek movie to sit through, and yet I can’t call it a disaster. For all of its misfirings on the comedy front (dancing Uhura, for instance), the camping material with Kirk, Spock and McCoy is genuinely great. The premise of its villain being on a quest to find God is ultimately a misfire, but it leads to a very engagingly ridiculous climax centered around the question “What does God need with a starship?” There are far too many undeveloped ideas in this one, but that scene is worth seeing this movie for. At least, now that we know it didn’t kill the franchise, as so many apparently feared when this came out.

[fragilefears]

Cheers to 5 years of Critical Role!

I want to say something about what this game, this show, these people mean to me - but I don’t really know what, or how, to say it. So I’m tempted not to. But I don’t want to bail on this because I feel some very strong things and I need to get better at expressing that.

It hasn’t even been a year since I began listening to the first episode of Vox Machina, downloading it on my phone while I waited for my very delayed flight to take me to see my family for Easter.

A friend of mine at work was (is)a huge fan and had been playing D&D for about a year before this - I was interested but also very busy and unable to take on any new commitments. But in the new year I joined a weekly D&D game with them and some other friends, a few who watched CR. It was a lot to get used to, but so much fun. I intended to try to watch CR, but sometimes I’m weird about trying to consume new content if it’s unfamiliar... It was a few months later - sitting in the plane, realising that my flight was delayed hours later than scheduled, further prolonging the long 10 months I’d been away from my family, and quietly sobbing with homesickness for my sister - that I thought what the heck, I’ll give it a go. And it was so much fun! It was slow going at first... but within weeks it all but consumed me. (Oh also i eventually got to spent Easter with my family and it was very good)

When I got home, it wasn’t long before every waking hour that I wasn’t required to speak to someone, I was listening to Critical Role podcasts on my headphones (I only really watched the live shows, and watched more of C2 as I caught up - these days I watch the new episodes each week.) It was crazy, and fun, and dramatic, and interesting, and my ADHD hyperfocus had never found something so engaging and utterly expansive to latch onto before. Everything else is so limited - movies run for a few hours and then you’re rewatching the same thing again... books can be re-read (but also you can’t read when you’re grocery shopping or crafting or paying bills....) tv shows are ok but not many are long enough to keep you going before you have to make another decision of What To Watch Next, then I’m left with a space where that world, those characters, are absent.

Not so with Critical Role! The sheer wealth of content is breathtaking and it’s wonderful.

However the volume of content is such a small aspect of my love for this show. There’s also:

THE STORIES

THE CHARACTERS

THE IMPROV

THE BEAUTY

THE COMMITMENT

THE FANTASY

THE DANGER

THE COMEDY

THE EVER-EVOLVING DYNAMICS

THE REAL LIFE FAMILY OF FRIENDS who demonstrate love and acceptance and community and joy and pain and commitment to each other and to empathy... that’s where I became hooked.

I’m not one to have or keep very close friends. And for a long time I thought that was a Horrible Thing about me as a person, but the harder I tried to force myself to Be A Better Friend the more neurotic I became, I let down others, I felt fake and pushed myself to be something I’m not.

At the time I started listening to Vox Machina I was about... 2 years after a mental breakdown, 2 years into understanding and managing my adult adhd diagnosis and monthly therapy to learn how to not hate my entire being. Which had improved over the 2 years, but just months before Easter last year, things were Very Bad and all the work I’d been trying to do to manage my shitty brain felt all for nought, and so I had just begun anti-depressants - which I swear, changed my life.

But I also attribute that life-altering shift to becoming someone who actually wanted to live; who discovered who she was at the age of 31; who stopped hating herself and stopped trying to be everything to everyone... I attribute who I am today to the influence and inspiration of the love and creativity demonstrated by a bunch of nerdy voice actors playing dungeons and dragons.

I now understand that you can say dumb things and not be rejected by the people who love you. I realise that making mistakes actually IS the best way to learn. I discovered that it’s absolutely ok to not do everything, and if you need to become obsessed with a podcast about dungeons and dragons to actually start saying no to things, that’s ok too.

Thanks to these guys - Matt, Marisha, Liam, Sam, Taliesin, Laura, Travis, Ashley, Brian and the whole team - for the first time in my life, in this past year since I began watching Critical Role... I learned that I kinda like who I am and that as long as I stay true to that, and love others in whatever ways I can, that I can actually relax and there’s a lot of fun to be had (and in a shocking turn of events, I no longer believe that I would be better off not existing! So that’s good!)

The stories they have created, the community they have grown, the love and affection they have for each other and the absolutely joy they have for their game and all the crazy risks they’ve taken and meaningful statements they’ve made - Critical Role is... I just don’t think I’ll ever have the right words to express what I’m trying to say. They just speak to my heart and soul - not just the two campaigns, but so much extra content - namely Talks Machina & Between The Sheets & All Work No Play - that have branched out from the original game (to be fair, Critical Role technically spun off from All Work No Play...) seeing and hearing and being inspired by the Actual Human Beings is such a beautiful thing.

So. Anyway. This got out of hand, but it was either this or giving up and not saying anything at all. And i think maybe they’d prefer we shared things we are grateful for, the things that inspire and change us.

There’s still so much I could say, but instead I’ll just say this: my very first memory of Critical Role is @assuredgrave turning to me at work, in fits of laughter, telling me about how a certain gnome bard ran alone into a house full of enemies, transformed into a triceratops up against a household of crossbow-armed guards and a Goliath, gets stuck in a door turns back into a gnome, slides across a table, dimension doors onto the roof, turns invisible, drinks a fire-breathing potion, and spewed fire from off the roof, before using a giant magic hand to swat the bad guy away, then falling into it to carry himself away from the burning house. What utter chaos and hilarity and adventure to be discovered.

Thank you Critical Role.

[neist]

TUA Season 2 rambling

This turned out really long, but I had to get this out.

So, rant or at least mental splurge required, I think, to try and get my head straight. About a fucking telly show that somehow matters more to me than real life right now. Because I don’t actually have a LIFE and instead live through the characters I vibe with. Which means it truly fucks me up, to the point of fighting back tears for days, even weeks, and being unable to function as anything remotely comparable to an actual human adult when THEY get fucked up.

Case in point, Ben and Klaus Hargreeves. I was LOVING season 2 for the first 6 eps. I was laughing with it, and engrossed in it, and having warm fuzzies about the sibling interactions, and Vanya and Sissy, and loving Vanya being so caring of Harlan and actually getting to have feelings other than anger and misery for once. Mr Chestnut? Yes, please- wonderful man and an absolute joy to watch him and Allison (the perfect woman). Civil rights movement? Awe inspiring and terrifying and horrific to think of what these people went through. Lila? Honestly, I really liked her, and enjoyed her scenes with Diego- I even continued to enjoy her character right through the whole Mother Gethel arc- after all, if we can see past the Hargreeves’ faults, directly resulting from them being raised by an emotionless, abusive, manipulative monster, surely Lila deserves the same consideration? She’s fucked up, and selfish, and doesn’t know how to relate to people except on a frivolous or murderous basis, but she was taking baby steps towards being better because she honestly loves Diego. Yes, it’s a selfish love, but he opened her eyes to actually thinking about someone else for the first time in her life, and you could see her actually starting to think about that.

Luther and Diego bonding and treating each other like human beings- yes. Luther and Five showing respect and concern for each other- I’ll have even more of that, please. Allison and Klaus hugging and laughing and drinking and dancing and just being tender and thoughtful towards each other- hell yes, especially when Vanya gets invited in like she always should have been.

Ben and Klaus snarking at each other and having a slap fight in the middle of a dusty road? Totally on brand and in character and funny as hell. That’s what siblings do (I know, I’m a middle child with NOTHING in common with my older sister)- we snark, and snipe and delight in watching them lose face. We give them that good old slap they’re sooo asking for, and have a good laugh about it when they realise, OK, yes, they really WERE being a dick. But as infuriating as they may be we still love them. We might trip them on their face out of spite, but there are limits to how much we can hurt them before the glee wears off and we rush to reassure and comfort them. And that’s where this season really let me down. It’s like Klaus and Ben are out to actually rip each other’s guts out. It’s not just brotherly ribbing, or even spiteful jibes, it’s not even just “done with your shit” apathy. Klaus telling their siblings that Ben isn’t there could be an amusing payback for Ben’s earlier shit with the poker game and with Dave, if it was just a temporary thing. But to cut off Ben’s only hope of interacting with his family, who only recently realised he was even still around, smirking all the while and with no intention of relenting, is a really nasty abuse of power. It’s purposefully hurtful and completely out of proportion. Yes, I know Klaus is a selfish ass, but he’s always been compassionate, and that seems to have completely gone, at least in relation to Ben.

And then there’s the possession. We knew it was coming, thankfully- that coming out of the blue would have just floored me. Yep, Klaus is still being an asshole, no doubt about it- here’s a perfect opportunity to relent and do the right thing and he’s still ignoring Ben and making out that he doesn’t exist despite his clear desperation to just talk to his family, to be acknowledged. Ben has every right to be thoroughly pissed and even spiteful, and I actually have some sympathy with him impulsively taking Klaus over- we can all make stupid decisions in the heat of the moment. But afterwards there’s not a shred of remorse for LITERALLY forcing himself on his brother, taking over his body and denying him his own bodily autonomy. Ben’s positively gleeful at tormenting Klaus with the knowledge that he fully intends to do it again as soon as Klaus is unable to stop him. It’s like the creep at the club who’s been touching your ass all night trapping you alone in the bathroom and gloating about what he’s going to do to you as soon as the club inevitably closes. And it’s played off as COMEDY. I can’t actually articulate just how vile I found that scene of Klaus’s head drooping, and every time he, panicked, jerked awake Ben, all smug and predatory, was a step closer, ready to pounce. What the hell? That was even worse than Ben’s refusal to let Klaus go later on- it showed Ben’s utter disregard for the fact that Klaus REALLY DIDN’T WANT THIS, was in fact fucking terrified of it, and not only did Ben not care about that, he was ENJOYING taunting Klaus with the inevitability of the violation.

I’ve read a few discussions of how Ben, even in season 1, was shown to feel some entitlement to Klaus’s body and life, and though I didn’t see it myself first time through I can see hints of that on rewatching. I guess it shouldn’t be a shock that Ben followed through on that. I just can’t get my head around the same person who understood, and empathised with, Klaus going back to the mausoleum in his head when he was being held and tortured, being so utterly callous towards him in season 2. Even with the provocation of Klaus being a dick, presumably for three whole years, how does the same person who was, just hours later, so caring and warm and self sacrificing towards Vanya, maliciously taunt their brother with the promise of mentally violating him?

I don’t get it, I really don’t. Like I said, I have nothing in common with my sister, and in years gone by we each would have delighted in each other’s pain, and yes, frequently would have caused it. But she’s still my SISTER and I would kill for her if necessary, and I know I can turn to her for anything. If I’m completely honest with myself she’s hurt me more in my life, caused more long term damage during our childhoods than I think even my parents did, but as an adult I’ve still been able to turn to her when I’ve needed her- when I’ve been overwhelmed by depression and unable to trust myself with so much as a butter knife she was the person I called and ended up staying with for days. Maybe that’s what’s bothering me so much about this- after years of making each other’s lives hell as kids we still love each other and will be there, but this is making me feel like I’ve called her for help in a crisis, and she’s just handed me a carving knife and told me “OK, get on with it then.”

And then, as if that wasn’t all enough, while I’m trying to come to terms with these asshole brothers cutting each other to the bone with apparent glee, Ben takes one fleeting glance back at Klaus before sinking into Vanya, showing her so much kindness, understanding and just plain LOVE, being the warmest, more caring brother and making me bubble at the tenderness and love between the two. Right then, when I’m at my most emotionally connected and vulnerable, and wishing he and Klaus could show each other an ounce of that empathy and consideration, right then is when he starts to fragment, and I KNOW the makers intended for us all to fragment right along with him, but it’s been three fucking days and I can’t stop crying. I mean that literally. I can’t work, I can’t clean or cook, I don’t even want to eat, I can’t concentrate on anything without that damn scene playing out again and I just want to scream, especially thinking about damn Sparrow Ben and his snarky emo face, ‘cos that’s not Ben and I feel like one of my best friends has just died, only I’m not allowed to mourn ‘cos it’s a fucking TV character and how stupid and pathetic can a person be to get this upset about a character dying on a TV show, but I’m sorry I don’t have a fucking life and this feels real to me, and I hate it.