Hey, I read your analysis on yuuji sukuna and i loved it and i was craving for more so do you have anything more to add into. Like why sukuna is being this handsy to yuji Or keeps talking to yuji although yuuji mostly ignores him.. It reminded me how gojo was trying to do the same thing to sukuna but didn't get much response yorozu too But in yuuji's case their positions have been reversed to the point I am feeling embarrassed on his behalf. 😭😭
I think being embarrassed on his behalf makes sense. He’s really showing his emotions like that.
Sukuna didn’t respond to people who didn’t challenge his convictions.
He was used to being challenged by other sorcerers in the Heian era, they even ganged up on him then to defeat him and it seems like they failed then. And it seems that back then, like in the modern times the cult of strength was what governed the sorcery world.
Sukuna was surprised that Gojou wasn’t the boss of the modern jujutsu world but Gojou actually misled him about that in a sense. Because Gojou kinda was the boss of the jujutsu world, not the official one but he could do whatever he wanted. Maybe what happened to Riko and Getou made him think that he shouldn’t take over by force. Maybe it was paired up with the thought that if he kills the elders he’d actually need to do some administrative work and take some responsibility for his actions which he avoids at all costs all the time.
So maybe his plan to train devoted child soldiers to take over the jujutsu world stems from his laziness. Maybe getting Megumi as his first child soldier made him think he hit the jackpot because Megumi has the personality ripe to be turned into a professional bureaucrat.
Sorry for the tangent, back to Sukuna.
Sukuna was also revered in the past, like Gojou in the present. He also existed kinda on the side of the official power structure. Crowned the strongest and feared and worshipped, but not exactly in charge. Probably also because he didn’t care about ruling, he preferred to look down on everyone, like Gojou.
Unlike Gojou he wasn’t worshipped from the day he was born. His mother was likely poor, she possibly was scared of him when he was born and abandoned him. Or the people around her forced her to abandon him.
And he still ended up on top. He still became worshipped. He’s very much “what’s your excuse” towards the weak. But he also has no illusions about those who are strongish from his point of view. Those people suck up to him, want to add him to their power, want his attention and acknowledgement. He doesn’t respect that. He has no interest in their selfish goals.
Yuuji doesn’t care about him, so he feels like he needs to get to the bottom of that. Also Yuuji is now becoming a serious threat to him in ways that none of those selfish people ever were.
Yuuji is of his bloodline but so different from him. He is something Sukuna surely has potential of being.
I think Sukuna has always seen himself as the peak form of being Sukuna. That after absorbing his twin and possibly locking his soul inside himself, he has then perfected himself. He’s got exceptional knowledge of jujutsu rivalled and possibly surpassed only by Kenjaku’s and Tengen’s. His body is very strong. He’s an amazing strategist.
But Yuuji has the potential of being more than him. And the difference is in personality. Kusakabe may dis Yuuji all he wants and pretend Yuuji has nothing special to him. But the fact that Yuuji is still sane after so many body swaps, or how quickly he’d learned everything before they figured out that he can be swapped into. Sukuna wasn’t fucking training him. Sukuna was doing everything to break Yuuji’s spirit.
And he failed. The whole jujutsu world threw everything it could to destroy Yuuji and they failed.
That’s why he’s so focused on Yuuji. That’s why Higuruma briefly caught his interest, because Higuruma also had convictions that weren’t in line with the jujutsu world’s norm. That’s why Maki also interests him, because she a) is curious for his jujutsu nerd side, b) she has also persevered and achieved incredible strength despite being rejected by the jujutsu world. The world that elevated and worshiped him, that bolstered his philosophy is crumbling in front of him and the people who are challenging him truly are the antithesis of that world. And Sukuna is nothing but curious. Especially of this kinda version of him that’s the first person that’s actually hurting him badly and is actually close to killing him.
As to being handsy.
What I think the canon reason to be: Sukuna is drawn to Yuuji and wants to see how he hurts Yuuji, wants to see his suffering but also wants to study him, understand him.
What my shipper heart says: he’s missing how close they used to be and he subconsciously wants to be close again.
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Mountain likes to bake cookies and one day he made his weed cookies too strong. Dew ate like 5 and was so high he asked cumulus and cirri to catch the clouds for him and put them in a jar
Oh my god but WHAT IF THEY COULD THOUGH?
Like Dew laying on his back in the grass on a warm spring day with Cirrus and Cumulus, watching clouds. They're all stoned. Mountain's cookies are legendary. And Dew's pointing at clouds, mumbling about what he sees in them when he suddenly turns to Cirrus, eyes wide and stupid.
"Can you catch them?"
And I mean--maybe they can't really pull clouds of the sky--but they can recreate them. Cirrus is off to find a jar (she just ducks into Mountain's garden shed--he deserves a little theft after what he's done to them) and comes back with a big mason jar. Meanwhile Cumulus is sculpting a cloud between her hands, pushing and pulling at it to get the shape right.
Dew tries to help--it looks like cotton candy so it should be tangible, but his fingers just go right through it. Earning a laugh from Lus--air magic--she reminds him.
She lets the cloud float into the jar once it's done. And the three of them spend the rest of the afternoon making a little sky of their own inside this jar. Dew supervising their cloud creation to make sure they get it just right.
After, that jar lives on his shelf of things in his room, cloud eternally floating around in their makeshift sky.
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You'd ALSO add confirmed rya alive and happy if the player decided to not kill her, right? Right????
in my head Rya left the lands between and went on like a backpacking trip across Tanith’s home country to try to understand her mom better. maybe she sends us a postcard
tangent but I just noticed that the description of Rya’s letter says she has bad handwriting. lol
“Farewell letter written in an inexpert hand.
"I wish to set out on a journey. So that one day, I can carry on Mother's work. Be the proud daughter of Tanith of Volcano Manor. Farewell. You've always been so kind. So uncompromising. My champion."”
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idk if this question has already been answered or not but idrc, would your ice have considered it "talking about it" to admit his physical attraction towards mav? like calling him beautiful or genuinely complementing him. this goes for mav too
i do feel post debriefing ice would call mav beautiful openly or some sappy bs like that
love your writing 💌
anon i need you to know this ask was so cute it made me physically nauseous. i was sick all week thinking about how cute this ask was. thank you for sending it.
i actually had a couple drabbles where yes ice both pre- and post-TGM mission is like yeah im physically attracted to you, but it’s less like “oh my god you’re so hot 😍” and more like “i mean, yeah, you objectively look like tom cruise so it’s not like i really have a choice.”
but “beautiful” specifically i had not thought of, and it has knocked me off my feet and made me go feral/rabid/undomesticated for a few days straight, so i will be writing something about this. thanks.
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how were you introduced to the musical theatre world? what was the first musical you remember watching/listening to? what was the musical that made you obsessed? (feel free to elaborate)
wow, edith. i'm sorry. you probably forgot you sent me this and i don't know what's wrong with me (i have seemed to run out of excuses of why i am this way...). anyway.
so this is probably going to be like the most basic answer, but i feel like you all already know that hamilton is the one that made me obsessed. been meaning to watch it for such a long time, then i finally did and BOOM!, just like that, i realized that i have finally found the missing puzzle piece in my life...
i, of course, have seen other musicals before (mamma mia and la la land being the ones i've always loved), but those were just movies, and i definitely prefer musical theatre now - it's much better in my opinion.
now, after having such a long break, i must say that the ones that will probably stay with me forever are in the heights, the great comet (and probably other dave malloy's musicals), hadestown and tick tick boom. don't get me wrong, i love fun musicals, but i feel like maybe i expect something more from musical theatre world - i need it to absolutely destroy my brain, leave me heartbroken, make me think about the message for the rest of my fucking days... i don't know. i don't want to have fun, i want to fucking cry and die and relate to at least one character (nina rosario and pierre bezukhov i am looking at you). i'm insane. i'm sorry.
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Hello hello! I have little time (and energy, i'm a little sick atm haha) to draw, but I've got bbpau on the brain so I'm thinking of introducing each character's role in the story. Which brings me to ask-
These are very arbitrary groups, but those who are grouped together have interconnected stories and I think it's easiest to introduce them together.
I'll also obviously giving a bit more info on how each of them know Etho and/or Joel as i introduce them.
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thought on the significance of colors in kotlc?
This is rather broad; there's many approaches here. We could talk about the obvious world ruled by light, both groups of rebels associate w/ black situation--and the intrigue in having two opposing rebel groups both being black (ignore the technicalities of it being a shade). There's also the few characters with very strong color ties--Sophie and red, Fitz and teal, Oralie and pink, Tam and black.
Red's blood, anger, war, violence, and more, all tied to the role Sophie has found herself part of; she is the center of this war, more accustomed to violence than her peers--and its the color her aura glowed in the seat of eminence. It's also associated with love and strength, more positive connotations that embody what she brings and what she fights for. Sophie wears a lot of white on the covers, making it also the color of children's hospitals, a place where Sophie spends a lot of time
A quick search associates teal with clarity and open communication, which is fitting for Fitz; his whole thing is trust and being honest with each other--and the fact he was the one who opened Sophie to this other world, helped her see with clarity, is notable. Apparently, Egyptians saw it "as representation of faith and truth," which is a reaffirmation of the first point. It's also interesting that teal and red aren't opposites, but are rather...opposite adjacent? Close but not quite.
There's also the very obvious Oralie/Pink, Tam/black associations. Pink is feminine, loving, compassionate--all traits Oralie embodies. Of note though is that pink is opposite of green, the color of life for elves. Her life does not appear to be in danger, but it does seem entwined with tragedy and loss, to an extent. Perhaps fitting that green is opposite red as well, and pink is simply a subtler shade of red; she does not suffer full opposite association, but is still touched by it. Tam's seems too obvious to need much explaining; he's a shade, works with shadows, associated with secrecy, distrust, etc.--though not death. Black doesn't mean death for elves.
We don't have many characters this obviously tied to colors, however. Instead we can circle back to the one other color in the lost cities that stands out: green. The color of life, worn in mourning. Which we could also compare to the typical black (in Shannon's background), a color we've already associated with rebels. The rebels then, in a sense, both do and don't represent death/change; to those of us aware of black's association with death, we see the comparison, but within the universe they're instead associated with secrecy and fear and shadows (like Tam), the antithesis of their light society. Returning to the green specifically, we could also pull in Sophie's red; as a complimentary color, she could be said to compliment life. It is her war, her violence, her passion, her strength that will aid and proliferate life in the lost cities.
I'll stop here for now, but I'm sure there are several other ways to look at color--if you (or anyone else) had a more specific idea in mind, please do tell me, I'm kinda take a stab in the dark here about what kind of color significance you're commenting on :)
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