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#i like drawing these sort of feelings and images even when I'm not actually feeling it at the moment
polito0 · 1 year
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Stop it
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zanathan-aisling · 2 months
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brain. please.
#its 'sleep debt' i'm like 90% sure but i'm in such an easily uh. reactible? triggerable???? my brain sees stimulus and starts slamming#buttons.#i'm fully composed just like - i saw some furries that looks similar to character featured in NOT BAD but emotionally challenging (to my#personal foibles the art itself was quite wholesome) art that lives rent free in this one out-of-the-way but easily-seen-in-passing part of#my brain and my heart just sank like a fucking ROCK lmao#followed by the actually rather excited (because i don't actually bear the particular art i was reminded by ill will) going to figure out i#it was The Same Artist - wasn't! made sense the masc one was much better put together#for the record the other art was characters wholesomely discovering their sexualities to be Different than they previously knew.#of course my gender/sexuality ocd self hears that and feels like she's being boiled alive ha-ha~!#significantly more offended that a sicko from the *other* side of the fence saw it though and thought#'oh this will go great in the same pool as a load'a dykebreaking crap!!!' ITS CUTE AND SWEET AND THEYRE TEXTUALLY BI ASSHOLE#like one of the images is poorly worded who cares jump off a cliff#(found the art looking up 'insert normie term for gnc masc x gnc fem' stuff i wasn't even trying to gaze at THAT abyss)#....lowkey hate it that aesthetically a solid chunk of my preferences are trapped in 'femboy x tomboy' art like...#bro those aren't the genders i want/need sdhgdsklsgdhlk i can close my brain and pretend its not what the lore says but how fucking hard is#it to find decent sapphic art with trans women in it where they AREN'T big boobie breasted transitioning-like#(i literally have ocs that are t4t lesbians who are virtually indistinguishable not-being-furries-aside from some of the art i've found its#god it fucking kills me i need to get more comfortable drawing for PLEASUREEEEE AAAAAAAAAAA)#but those sorts of 'noone quite makes what i wanna see. i wanna draw it.' moods ALWAYS JUST FUCKING GO AWAY ONCE I GET MORE ENERGY IN ME TO#DO THINGS!!!!! I'M ONLY CREATIVELY ENERGIZED WHEN IM FUCKING NAPPING WHEN I'M AWAKE ITS EITHER HYPERFIXATION OR BIDEO GAMES#AND LIKE. I HAVE LONG TERM ART PROJECTS IN THE HYPERFIXATION ZONE. BUT THAT ISN'T THE FUN SHIT I COULD BE DOING IN THE MEANTIME#-WHICH'D ACTUALLY HELP PRACTICE FOR THE BIG LEAGUES!!!!!!!!#god i'm getting a headache. wanted to get to bed early today. its still early for me despite being 1:00 but like STILL phooey
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ooctlt · 8 days
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I think the etiquette of ask blogs is a forgotten art. what I'm saying is (imo) it's not that people don't want to play, it is they don't know HOW, and more importantly they don't understand that the game exists to begin with. obviously you do not have to teach people the rules because your time and energy is finite but idk. it feels like from some of your OOC responses that you assume people know the rules and are playing badly, but I genuinely think people (me) just don't know what you are wanting them (us) to do. and also they (i) don't know how to tell if they (i) are playing the game correctly.
An example I am genuinely confused about is, is inciting a "shut up" answer a signal that the game is being played correctly, because we are inciting a reaction from the character? or is a "shut up" answer a signal that we are playing wrong and need to do something different? I'm sorry. I really love your art and seeing the story unfold but I'm confused and I want to play and I don't understand how.
yeah ive had a couple people tell me this has been the first active askblog in a while and the concept of askblog etiquette has been forgotten- @thatneoncrisis and i made a diagram:
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link to full-res image
a "shut up" reaction will hopefully show whether or not it's a closed path of exploration: if you have gideon sweating, going "pshhh its nothinggg" it means there is something worth exploring. if you have harrow slamming the door in your face, that is an advance that wont work on her
transcript under the readmore:
DEAD END QUESTION ANON: CAMILLA DO YOU THINK HARROW'S HOT?
"Please stop talking to me."
This question is BAD because it's BLUNT, INCREDIBLY PERSONAL and founded on INCOMPLETE KNOWLEDGE of their relationship.
NOTE that its not that shitty questions will NEVER be answered, its that 1) they have a LOWER chance of being answered and 2) they have a HIGHER chance of being made fun of in character
gideon: haha who thinks harrow is HOT
DECENT INCONSEQUENTIAL QUESTION ANON: CAMILLA DO YOU LIKE TO DO ANYTHING FUN WITH HARROW?
"Sure. We run a lot of errands together."
This kind of question may not advance the plot, as it is INCREDIBLY BROAD yet NONINVASIVE. They're good for quick 1-3 panel answers. May generally be met with a less EXCITING answer.
It might also be DIFFICULT TO ANSWER because a broad question could include MULTIPLE ANSWERS - asking "do you guys go out" could not be answered SUSTAINABLY, because i cannot draw all the places they visit
ANON: EVERYONE, WHAT IS YOUR FAVORITE CLOUD / WATER / MOLECULAR STRUCTURE / BONE / CAR / COFFEE BRAND/ BOOK CHARACTER?
me: "i have to do so much research"
NEAT QUESTION CAMILLA HAS HARROW EVER ASKED YOU TO DO SOMETHING WITH HER SHE WAS EXCITED ABOUT?
"Yes, actually. She once invited me to [REDACTED], I didn't know she liked that sort of thing."
This question is SICK AS FUCK because not only do you learn something SUBSTANTIAL about the characters, you have stumbled upon A NEW PLOT BRANCH, one that actively deepens character connections and their past within the world. It specifically remarks upon a MEMORY* rather than AN OPINION and will typically be LONGER.
Another good option is to PROMPT something following this:
ANON: CAMILLA, MAYBE YOU SHOULD TRY TAKING HARROW OUT TO DO [REDACTED] THAT SHE LIKES BEFORE XYZ?
and this can then spiral onward…
*DM, ONE TIME I ASKED ABOUT A MEMORY AND I GOT A RUDE ANSWER; WHAT DID I DO WRONG?
It's not that this topic can never be spoken about, it's about WHEN you asked it and HOW you said it, or even WHO you asked.
Some topics, like the nature of HARROW AND GIDEON'S UPBRINGING are too recent for them to talk about, it has only been TWO YEARS since they left and there are SPECIFICS about the situation that the AUDIENCE hasn't discovered yet. There are things like GIDEON'S PARENTS that she CANNOT answer because she DOESN'T KNOW and answering multiple asks with I DON'T KNOW becomes repetitive and dull for both the DM and PLAYER.
BUT! She can learn! Over time, when the time is appropriate and feels the most natural for STORY PROGESSION. Think of it like a BAD ENDING in a visual novel. You START OVER and ask a DIFFERENT QUESTION, or approach it from a DIFFERENT ANGLE. If Gideon reacts poorly to someone congratulating her leaving BAD CIRCUMSTANCES, consider talking to her about the FUTURE. Instead of trying to pry at Camilla to see if she had an INTIMATE RELATIONSHIP with Pyrrha, try to ask about other things in that period of her life, like how they met or what caused her to move out.
FINALLY, if you'd like an ask to be answered out of character, your best bet would be to goto @notedchampagne and send it there. If you'd like an ask to be answered SINCERELY or you don't want SNARK, you can specify this in the ask, but know this blog may not be your thing.
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nariism · 8 months
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come out and haunt me
pair. itoshi sae x ghost!reader
content: fluff, angst/comfort with a happy ending, reader is a ghost, platonic + romantic interactions, strangers to friends (to more?), slight pining
synopsis. sae is 13 years old when he moves to madrid. his temporary apartment is old and cheap, and worst of all it's haunted. but he finds your company better than nothing, even if you do tend to knock all of his belongings over.
wc. 5.7k
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You are dead.
As it comes to all mortal humans, you have died. You can't remember when, or how, or why— only that it is your duty to haunt this home, that you are abysmally cold, and that you are dead.
You don't know if you had any last words, what it was like to draw a breath, or how to stop feeling so cold. Cradling yourself somehow makes it worse. But you are dead, so what does it matter if you can't remember?
If you had aspirations and meaning in life, then you suppose you should try to find them in death, too. So you float around empty halls, deliberately bump into things just for the fun of it, and pretend that you aren't dead. It is purposeful enough.
There's a boy who lives with you.
You are dead, and he is alive, yet he seems completely unbothered by your loud, obnoxious presence.
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Sae feels more dead than alive.
He is 13 years old when he moves into his temporary home in Madrid. It's old and worn. It is all his parents could afford with Yen in a foreign country.
His new home is despairingly lonely. It makes the heart in his chest sink into the pit of his stomach. He misses Rin. His parents. Japan.
He should be thankful. He doesn't mean to be a brat. But the small apartment is cramped and cold and smells like mildew. He's allergic to something in the walls. His light buzzes horribly when it turns on.
And, well. The place is haunted.
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You are a ghost haunting an old, rickety apartment in Madrid.
You've never seen your reflection in the mirror, but you're pretty sure you look scary. There has been others before him— a young couple with a dog; a retired carpenter; a businessman complaining about how shitty work is over the phone. Each and every one of them have left you the same way: screaming, crying, colour drained from their faces and packing their suitcase before you could even say hello.
It's a little lonely, being a ghost. Sometimes you wish you came off a little friendlier. You have no ill intent, you're just bored. Bored and lonely and wishing to know why everyone thinks you're so terrifying.
The boy who lives with you is the first. He's the first to look you dead in the eyes and shrug you off. He's the first to fall asleep knowing your presence is watching. He's the first to leave out a bowl of warm, steaming rice for you even though he seems to know you can't physically eat it.
His company is silent, as is yours. It's better than nothing.
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Sae is 13 years and 5 months old when he tells Rin his apartment is haunted.
"A ghost? Seriously?" Rin sounds unimpressed even through the static of the phone call. Take it from the kid who watches horror movies in his spare time. Freak, Sae thinks.
"Seriously. I have a picture."
He can hear his brother pulling his phone away from his ear to look at the image he just sent. The call goes quiet for a moment, and then Rin is scoffing in the microphone again.
"Quit messing with me." The younger Itoshi sighs. "This isn't funny."
Rin is only 11. He lives at home with Mom and Dad. He's not alone right now, in a place where everyone speaks a jumbled language he can't decipher yet.
He doesn't understand that even if Sae isn't being haunted, he shouldn't crush his brother's hopes that someone, or something, is watching over him.
"I'm not," Sae deadpans.
"Yeah, okay, and what does this ghost do, then?" He still sounds skeptical.
"Mostly just knocks over my books and stuff."
From his couch, he watches you bristle in embarrassment and scurry away into the darkness of the hall.
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You are some sort of untethered soul, unsure of where your actual body rests. It could be 10 meters from this apartment. It could be in Antarctica, for all you know.
Okay, well, Antarctica is a bit of a reach, but you're certain that your body is somewhere. You wonder what kind of clothes you used to wear; what kind of music you used to listen to; what kind of hairstyle you used to prefer.
You wonder if these things are anything like Sae's.
He's all you have right now. It would be nice if you had some things in common. Maybe you could be friends, if he was ever going to acknowledge you to your face instead of gossiping to his brother.
You watch him quietly from the kitchen table, waiting for your bowl of rice. You must make some kind of face when he instead places a plate of eggs in front of you.
He almost laughs, you think. He hasn't shown any sort of emotion in response to you thus far, so it's hard to tell.
"Coaches told me I have to be stricter about my diet," he says out loud. It's the first words he has ever spoken to you. It's the first words anyone has ever spoken to you.
He eats his bland eggs silently after that remark, eyeing them disdainfully.
You have that in common, at least. You miss your warm bowl of rice.
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Sae thinks you are funny.
He's only ever known ghosts to be malicious, benevolent beings. Things stuck in purgatory with no way out, forced to wander the mortal plane and thus turning into baneful monsters. Watching spooky movies with Rin has ingrained this into him—  hardwired his brain into giving him goosebumps whenever you're around even though he knows you're harmless.
He has to wonder how anyone could ever find a ghost like you genuinely scary, with your avoidant eyes and that patience while you wait for breakfast.
He doesn't mind doing twice the amount of dishes. Not if it means he doesn't feel alone.
You do silly things, like shoving his belongings over when you want his attention, or sitting on the floor and blowing bone-chillingly cold air into his face when he's taking his midday nap.
He's discovered that your inconsistent corporeal interactions with the world are quite amusing.
"What's your name?" He asks one day over eggs that he's shoving around on his plate.
Silence. Of course.
"Don't have one?"
You shake your head, but really, you don't know. You can't remember.
Sae has never been the talkative type, but for some reason he just can't keep his mouth closed. Being a complete shut-in and not having anyone to talk to outside of his team would do that to him, he guesses. He's thankful that you at least don't seem to have a language barrier when he speaks Japanese.
"Should I name you?"
Your offended expression screams: What am I, a pet?
He just smiles, placing his fork down and observing you carefully. And the name he decides on dances at the tip of his tongue, sounds so sweet coming from his lips.
You can't help but think the name was meant for you, in life or in death.
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You like listening to Sae talk.
He has a voice smooth as silk, so charming and boyish. He's young, you think. He told you once that you also looked rather young, and asked you how old you were when you died.
Even if you had an answer for him, it's not like you could have told him.
Sae is famous for his age, you discover one night while watching television with him. You're sitting on the floor and he's on the couch. You cause the TV to frizzle and crack with static but he doesn't shoo you away. Maybe he finds your presence more valuable than the background noise of the screen.
He's in a recording, playing what he calls "football"— light blue uniform, eyes wide with adrenaline, sweat sticking to his forehead and a proud shine in his expression. He isn't smiling by any means (you've also discovered that he rarely does), but you can tell he's happy.
"I'm going to be the greatest striker," he says from the couch. He talks about his dreams a lot, which is apparently what he used to do with Rin, but you don't mind filling in that role temporarily. "I'm going to be the best in the entire world."
You don't know anything about football, but you believe him anyways.
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Sae is 14 years old when he gets his first contract payment.
This is his chance, he realizes, to move out of his shitty little apartment and into an actual livable home.
He has to consider if you'll feel lonely, if you even can feel lonely, and if you'll like hanging out with your next housemate, whoever it is that's unlucky enough to have a ghost befall them.
He's getting soft. If it were any other point in his life, Sae would have taken the chance to move out without hesitation. But you've been there for him since day one, kept him enough company — no matter how quiet — for him not to go literally insane.
You're the only thing he has in Madrid that he can come home to right now. You’re the only reason he even comes home at night instead of just sleeping in the locker rooms.
If not him, who else would feed you crappy bland eggs in the morning?
You, football, sleep. You, football, sleep. You, football, sleep. At some point, it became his routine.
"I was thinking of moving out."
Your head tilts to the side. You seem perplexed by his statement.
"Like, leaving. Leaving here."
You blink at him, head tilting the other way. There's a look in your eyes that tells him you understand. There's also a look that tells him it's not your first time being abandoned, left in this terribly lonely, smelly apartment.
"I can never tell what you're thinking," he huffs.
You're still for a moment, just staring at him as if you suddenly can't understand Japanese. But then you get up from the table, walk over to the container of dry rice that's been untouched for so long that it's gathering dust, and knock it over.
"Hey," he scolds sharply, chair screeching as he stands. "I have to clean that, you know?"
You start moving the spilled rice into place. He watches curiously as you sort dry rice into a pile. You don't know any Kanji, he isn't surprised. But you know enough to draw him a universally understood symbol.
When he peers over at the messy counter, he finds himself staring at a giant X. Stay, it means. Don't leave.
That night, when he knows you've retreated into the closet where you seemingly go to sleep, he crumples up the lease for his new place without signing and burns the paper.
It's because he needs to make you eggs tomorrow morning. Only he would know to do that.
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"Do ghosts ever have dreams?"
You raise your head from the edge of the bed. You've made it a new habit to protect him in his sleep, from what he can tell. Perching yourself on the floor beside the mattress and resting there, head in your arms, making his sheets cold.
You shake your head. Of course not, he internally smacks himself. What a ridiculous notion.
He rolls himself over onto his side, looking at you from under his duvet. "So when you sleep, you don't see anything?"
Another shake of the head. He isn't sure you're understanding him. There's another pause as he peers at you, and then he sighs, eyes sliding shut.
"Do ghosts ever have dreams?" He asks again, this time emphasizing his words in a different way and hoping you'll answer him the way he wants.
Your eyes shift away for a second, as if pondering. When you look back he's surprised to see that you look... bashful?
You point at him, then at yourself, then shy away again.
You. Me. Friends.
Sae feels silly that it makes his heart ache a little— the sadness carried in your face and a loneliness so powerful he feels it rattling in his own bones.
Well, the two of you have a lot more in common than he thought. How long had you been alone? Was that really all you ever dreamed of? Having a friend?
Suddenly, his doubts about his own dreams feel immeasurably small.
He reaches out to pat your head. His hand goes through you.
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Sae is 15 years old when he packs up his belongings for a flight to Japan.
"I'll be back," he promises with a small smile. You believe him. He doesn't lie to you.
You wait patiently at the door for him for two weeks, three days, and sixteen hours. When he comes home, he finds you sitting on the floor like you always do with your head in your knees and a sleepy expression on your face.
He seems colder. More withdrawn, for some reason.
"Miss me?" Sae asks, but he's not even looking at you. He makes his way over to the kitchen and dumps a cup of rice into the cooker, suitcase abandoned at the door unpacked.
You trail behind him curiously, watching him in confusion as he washes it in the sink. He pauses, finally glancing at you before reaching over and dumping a second cup of rice in.
"I stress eat. Don't tell my coach."
The words don't make much sense to you, but you nod anyways.
For the first time in months, he places a bowl of warm rice in front of you. You do as he does, say thanks for the food in your head even though you can't eat, and observe him. You both sit quietly in the dim light of the apartment, moonlight beaming through your single rickety window.
He only gets four bites in before he puts his head in his hands and sobs.
You've never seen someone cry so hard before. Usually, they only do it when they first catch a glimpse of you and flee in terror. You've never known it to be such a painful sound— like a bird singing for the sky but never finding it.
Sae sits there for a long time just crying to himself, not caring that your presence is still watching. It's not like you'd ever judge him or have the voice to speak this secret, anyways.
"Fuck—" he hiccups, wiping up his face. "—Sorry."
You look at him funny. He has no reason to apologize. He's just a kid. A 15 year old kid who needs to stress eat in the solitude of his lonely apartment right now. It makes your chest squeeze; an unfamiliar, horrible feeling that's completely new to you. You wonder if this is what all the anime he watches calls a heart.
By the time he finishes crying, his rice is cold. And when he looks up, his eyes widen. Your lips are trembling and you look like you want to shout at him, but you can't. You are dead. You're a ghost. You can't yell some sense into him, even if you tried.
In the pale moonlight shining into the room, he can see tears illuminated on your cheeks.
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Sae is 16 years old when he meets his first partner.
"They're nice," he reassures you as he slicks his bangs up with gel. You shake your head in disapproval and he rolls his eyes. You always liked his bangs down, thinks he looks better that way. "Well, I can't stay single forever."
You scowl at him and swivel on your heel to stubbornly deny his claims. He just laughs.
"You're seriously jealous?"
You shoot him a glare.
"If you really don't like them, you could always scare them away. You are a ghost, aren't you?" He reaches up to pat your head as he always does. And as always, his hand phases through you.
He turns around to fix his hair again, leaning into the mirror to see himself closer.
You're not sure if you even have human features. You can't see them in a reflection, anyways. Even if you did, you're sure they're pretty scary.
You glance at Sae in the reflection. He looks as good as ever, no longer a scrawny little 13 year old kid who eats rice for breakfast every morning. You wonder if his partner is pretty like he is.
He must notice the chill in the air grow ten times colder— a telling sign that your mood is dropping. He turns around to see what has happened, only to find you sulking.
"What?"
You pout, gesturing to the mirror. He looks to the vanity, then to you, and he shakes his head with an exasperated smile.
"I was wondering when you'd ask," he says as if this was a conversation he's been waiting for. And then he talks. Talks more than you've heard in a long time— since he came home from Japan, probably.
He's gotten meaner over the years. He was always a rude little kid, but being pushed around in football must have given him thicker skin and a sharper tongue. You've never known him to be a saint of a human, someone who speaks so eloquently in their descriptions. But here he is now, defying your every expectation like he always does.
He tells you what colour your hair is. Compares the shape of your head to a fruit you can't recall an image of. Gives you a detailed explanation of all your flaws and marks and why he thinks they're so perfect because it proves that you were indeed alive and human at some point.
"You're beautiful," he concludes casually, as if he's not turning the entire world on its head right now.
Silence fills the room as he waits for your response. You don't do anything but gawk at him, and he chuckles.
He doesn't show up to his date that night.
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"Your hair got longer," Sae points out one day while he's scrolling through his phone.
Your eyes flutter open from where your head rests on the coffee table. You hadn't even noticed. Can ghosts grow? 
"You know, I used to think you'd stay the same forever, but you've been growing up with me. It's cute."
Have you? Is it cute? Are you seriously so tethered to him that you've been unconsciously changing to match him?
Sae puts his phone down at your confusion. "Should I give you a birthday if you're going to grow up?"
You don't know what a birthday is. When he tries to explain it, you're even more perplexed. Ghosts don't have birthdays. They have... deathdays.
He puts a cake in front of you anyways and lets you blow out the candles.
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Sae is 17 years old when he gets the eviction notice.
Four years. Four long, hard, unbelievably painful years later, and he's finally being kicked out of his house.
13 year old Sae would have celebrated. All he feels now is despair.
He doesn't tell you. He can't. How can he explain that he won't wake up every morning at 6am sharp to make you eggs? That you won't have someone around who will tell you every little thing that's changed about you from the last day? That you won't be able to doodle him little incomprehensible blobs with dry rice anymore?
He shouldn't care so much. You're not chained to this Earth. You might just disappear once he leaves, inperceptable to anyone else. The thought makes him so sick that he throws up that night. He tells you he ate some bad food.
Sae doesn't want you to feel sad or lonely, but it's not like he can just become a squatter in this place. His dream is to play football, not be thrown into jail.
You wake up one morning, and he's gone.
There isn't a note. There isn't an explanation anywhere to be found. There isn't even a trace of evidence that Itoshi Sae ever lived here.
Well, except for the plate of eggs and bowl of rice sitting on the stove.
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You thought you would have been used to being alone by now. For some time, you were used to it. But that was many years ago.
You're not sure how long you've been haunting this apartment in Madrid, nor do you know how much time passes after Sae leaves. The world seems to come to a halt, actually. Without him, what fun is being a ghost?
Now you're just a lost soul like all the others. There isn't anything special about you. You're just the ghost that used to haunt Itoshi Sae and wake him up from his naps.
For the first time in years, you only know one thing. A singular fact that keeps you bound to this world: it's your duty to haunt this home. There is nothing else.
No one moves in after Sae leaves. No one new comes to be haunted. No one dares to set foot into this apartment. You remember that there were moments when life flickered inside of you, if even for just a fraction of your infinite time. The reason for that has abandoned you without explanation.
There's a knock on the door one day. You can't open it, and the person outside doesn't bother sticking around to see you phasing through the door to look around.
There's a birthday cake on the floor with candles that say '19' sticking out of it.
Only one human in the entire world would have deemed today to be your 19th birthday. He's nowhere to be seen.
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He moves back to Japan on his 21st birthday. Sae is having trouble remembering what you look like, despite seeing you in his dreams every night.
It's a terrible realization. So terrible that it makes him sob into his pillow at night when no one in the world is awake to hear his anguish.
Japan is lonelier than Madrid. He never thought it would happen, and he blames you entirely.
He doesn't have anyone waiting for him when he opens the door to his luxury penthouse apartment. He only washes one plate in the morning. He wakes up from his midday naps undisturbed and rested.
Sae misses you deeply. And he can't help but wonder if you feel the same.
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(You don't know what the yearning ache inside of you is. You don't know what to call it.
You miss him, too. You just can't put a name to the feeling.)
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He doesn't stop seeing you in wisps; little blurs in his peripheral that make his head turn fast as lightning. Wherever he looks, you're gone.
It's not fair that you're a ghost who both literally and figuratively haunts him. He'd like to move on in life and forget about those 4 miserable years he spent living in that damned apartment.
He can't. Sae is incapable of moving on from that place. The irony of it is that you actually can't move on from that place, for some reason.
He would give anything to have you haunting him again. It doesn't matter where in the world the two of you are, if you were together everything would be okay. He's impossibly lonely without you.
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You start to think that you're the selfish one.
The idea of leaving this terrible apartment in Madrid scares you to your very core— whatever soul is resting in your incorporeal body. It's not fair to place the blame entirely on Sae. Not when you're too wimpy to leave this place and find him.
Death is lonely without him.
One step forward, one day at a time. It's the advice Sae used to mutter to himself while getting ready in the morning.
One step forward, one day at a time. One step forward, one day at a time. And day by day, you're slowly inching closer to the door.
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Sae talks to Rin and all he can think about is your confused smiles and head tilts. He talks to his parents and all he can imagine is how cold the room would be if it were you. He talks to his fucking therapist and thinks that all of her shitty advice can't compare to your quiet understanding— that your tears of solidarity are the only thing that could make him feel better.
It's fucked up, really, that he can't move on. His body is in Japan going through the motions: playing football, being famous, being interviewed and going home to nothing. His heart is in Madrid. You took it with you and refuse to let go.
You're the closest thing to love he's ever felt, perhaps— his only friend in Spain. His only reason not to leave. A ghost from his childhood that protected him in his sleep and ate bland eggs for breakfast across the table from him every morning. A ghost that would sit on the floor and wait for him to come home every day. A ghost that kept him company when he had no one else.
He loves you. He doesn't. He needs you. He doesn't. He misses you. He doesn't. Whatever. What does it matter now?
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"So playing football has always been your dream?"
Sae stares blankly at the interviewer. He's reminded of a distant conversation: he is laying in bed looking at a ghost with a lump in his throat, and then he makes his first and only friend in Spain.
"Yes."
"And now that you're back in Japan, will you be playing for the national team?"
"I have no interest in playing on such a weak team." In other words, he has no reason to stay in Japan.
"So where will you go?"
Anywhere but here, he wants to say. In reality, he doesn't know where to go anymore if not to his old apartment in Spain. He just knows that he wants to come home to your sleepy face.
(That night, he makes two bowls of rice. He cries like he's 15 years old again and just ruined his relationship with his brother.)
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You've never been outside before.
You've heard about it, almost entirely from Sae but also from little snippets of anime he liked to watch. It's brighter than you imagined it to be, and warmer. You're not sure you've ever felt so warm before— it's hard to when you are a walking freezer.
There isn't anyone to tell you where to go. No one pays you any mind. You wonder if you even exist anymore outside of the small confines of that old apartment.
Something tells you that you do.
You don't know where to start looking. He could be all the way across the globe for all you know, though he did used to talk about his home country.
You have no map. You have no sense of direction. You have no one to ask for help. 
All you have is the soul caged within your ghostly body tugging in one direction, and wispy feet dragging your body along in response.
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Sae is 23 years old when he finally signs the contract to play for Japan, after months of being pestered by Rin about it.
His relationship with his brother is complicated. On one hand, he feels as though Rin will never truly forgive him for what he did when he was 15. On the other, he looks so ecstatic to be playing football together again that Sae wonders if their discourse was imaginary.
Japan is just a smidge less lonely with Rin in his life.
He wants to tell you all about it. That everything worked out and it's fine now. That you can stop weeping for him and to wipe up the tears that fall into nothing.
He counts the distance between you. Fourteen thousand kilometres separate him from telling you how he's living his new dream: playing football with his little brother again.
Fourteen thousand kilometers, ten years of needing you, and a reminder set on his phone to buy you a birthday cake again this year.
His heart aches.
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Japan is loud and busy and everyone is always in a hurry to get places.
You have to wonder if Sae really grew up in a city like this, and how he turned out so calm and unmovable. The street names are all in Kanji you can't read, but your soul tells you that you're going the right way, anyways.
There's a crowd gathering when your feet finally come to a halt. Lights flash and there are fancy looking people with microphones clamouring toward the center.
It's only a fraction of a second that your eyes meet, and then someone shoves him into the back of the car and they drive off.
He must be famous here, too.
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Sae is 24 years old tossing and turning in his bed, wondering if you were just a figment of his imagination or if you were truly standing there under a streetlamp watching him.
It wouldn't be the first time he dreamed you into existence; on some occasions you feel so real that he nearly reaches out to attempt to pat your head, like he always used to do when he was younger.
He goes back to that spot a couple hours later. The crowd is long gone and it's the dead of night— no one would be around to witness Itoshi Sae looking psychotic.
He doesn't find you in that spot. Instead, you're two blocks down and crouched in front of the window of a 24 hour shop. There's an ad for sparklers, and though you can't read the poster itself, the picture makes you stare with wide eyes.
He crouches down beside you as if 7 years of distance never existed between you.
"Do you want one?" He asks. You look at him in a strange way and his knees grow weak beneath him. You nod.
He comes out five minutes later with a few packs in his hand, walking away from you down the street to the park. You follow him quietly as if 7 years of distance never existed between you.
Sae holds one out, flicks the lighter in his pocket open and ignites the first sparkler. You watch it in fascination, ghostly form illuminated in warm orange and yellow light.
He smiles at you as if 7 years of distance never existed between you.
When the sparkler dies out, he lights another. And another. And another, until he's gone through all the packets he could afford with the Yen in his wallet right now.
As if 7 years of distance never existed between you, he reaches out to pat your head. His hand falls through you.
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You think Sae's new apartment is pretentious, but it's clean and open and doesn't smell like mildew.
It's hard to imagine what kind of purpose you had before him— all your memories are flooded with his hands and eyes and bangs and small smiles reserved for you. You think that the only reason you were ever materialized into the mortal plane was to haunt him, and only him. Itoshi Sae's permanent looming presence.
He doesn't seem to mind. In fact, you've noticed he's been smiling more lately since you started waiting for him to come home by the door.
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Sae is 25 years old when you fall asleep beside him in his bed.
You don't care that he's a kicker or a blanket hog in his sleep. It's not like either of those would affect you. He watches your sleeping face carefully, waiting to see if he would ever wake up from this blissful dream and be alone again.
But every time he wakes up, there you are.
You've grown since he left you in Madrid— you don't look like some lost little kid anymore, at least. He wonders if your souls are truly so intertwined that you would change alongside him, regardless of the distance.
Your eyes flutter open and his breath catches in his throat. You blink at him slowly in the pale moonlight, brows furrowed.
You point at him. Then yourself.
You. Me.
He nods in understanding.
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When he drops a plate of protein pancakes in front of you for breakfast, you look confused.
"Oh, sorry. Do you want rice?"
You shake your head. You don't care what's for breakfast, as long as you're sitting across from him while he eats it.
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"I'm going to be the world's best midfielder," he tells you one day. You're on the floor and he's on the couch, and it's like time had never even passed.
You don't know what that means, but it's his dream so it must be important. The most important thing in the world.
What you don't know is that it's not his entire dream. World's best midfielder doesn't mean a thing if he can't come home to tell you all about it.
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You are dead.
You're a ghost haunting Itoshi Sae— one that followed him from Madrid all the way to Japan. You don't remember how, or when, or why you died. You can't remember what your face looks like either, no matter how much Sae tries to describe it to you. 
You are dead. You're a ghost knocking over Sae's belongings to get his attention when you want it. You're the ghost curled up in bed with him even though he has to wear two layers to stay warm because of it. You're the ghost watching him rotate through different breakfasts that he says could never compare to a good old warm bowl of rice.
You are a ghost, and Itoshi Sae gave you a name. A birthday. A purpose greater than being a loud nuisance.
You are a ghost who likes to watch him light sparklers on his balcony. Who feels the things described only in the books he reads to you. Who learned to love somewhere along the way.
You are dead, and somehow alive at the same time.
(One day, Sae will be brave. One day, he will tell you he loves you. One day, he will thank you for waiting for him at the door when he comes home.)
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© ALABOADOA 2023 — please do not translate or post my works to other platforms.
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hadesnumber1daughter · 4 months
Text
Pretty like the sun
Pairing: Percy Jackson x Apollo daughter OC (she classes as an oc cause I gave her a name but you can just read it like your name or Y/N if you want, I just feel better when I'm writing and the characters have names :)
Summary: Percy has always felt something for you, something that you had felt aswell. These quests of life and death finally knocked some sense into you two.
Warnings: Blood, Pain, Agony, Violence, Weapons, Wounds, Wound treating, Curse words, Oblivious idiots, Fluff, Angsty??, Sexual tension, Mutual pining, Almost death, Non-Canon, Hugs, Kisses, Holding hands, Ooc Percy??? Cerberus as a violent dog (ik she isnt really but this is my imagine so idc), Not proof-read, GUT-WRENCHING LOVE, IDK how i wrote this considering I've never been in a relationship OR have ever had an actual crush in my 16 sad years of life
Words: 6.3k
Notes: This is my first imagine so I'm sorry if its bad😭😭. Also if anyone would be willing to give me a few pointers when it comes to working this app as a creator please do cause, yeah I've been using this app for years but I have no idea how to use it when it comes to posting things. I would be very grateful. ❤️❤️❤️. Also, if anyone wants to request something else for me to write I would love to write something for either Percy or Luke, I'll probably make a list of people who I'm willing to write for later today cause it is 10am rn and I haven't slept so I'll just go bed after this 😭😭😭
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As soon as percy got handed this quest, with Grover being part of the cloven council and Annabeth being gone to spend time with her family, Percy knew his immediate first choice would be Aurora, there was no doubt about it. The Apollo girl had a spark about her that has drawn him in the second he laid eyes on her.
He had deemed it because she was a daughter of Apollo so there would always be some sort of light that would draw him in, but he hasnt been very sure of that for a very long time. Every time he laid eyes on her, it felt as though time stood still and she was the only source of light and happiness in this dark, gloomy world. 
They had became extremely close when he first came to camp, she taught him the ropes in archery as to put it plainly, he was absolutely shit at it. He had no aim and his stance was awful, in her own words.
When she first said that to him, he wanted to throw her in a dumpster, but then he saw her, he properly saw her. He didnt know what Aphrodite looked like, but he was sure she would be a spitting image of the girl. He was even more sure that she was a daughter of Aphrodite but instead she was not, which made sense as to why she was hanging around the archery booth. From that day forward, she helped him freshen his archery skills, and he helped her with her sword skills.
He has never understood why she wouldnt ask Luke as he was the best swords-man and would probably be a better trainer. However, when he brough it up to her one time her cheeks flushed the tiniest bit and she stated how she was helping him, so he should do that same.
That's how they have ended up here. In the middle of nowhere, trying to find and 'kill' a beast that has been accidently lost and let out from the underworld and send it back. Although quests always have 3 people on them, the oracle specifically stated that this was only a 2 person job. Percy had never been so sure in picking Aurora at that moment in time. 
🌊
"Are you sure we are going the right way Perce, I swear I've seen this tree 3 times already" Aurora stated this time taking a dagger and marking said tree with an X so if they do cross it again, she would be right.
"You never trust my navigation skills sunshine, why is that, is it cause you always get lost in my eyes" he says turning to look at her with a smug smile on his face. The girl abruptly stopped at his turn and could feel the blood rush to her cheeks in that moment, her honey-brown eyes immediately locked with his water coloured eyes and she broke the gaze, not letting him have the satisfaction of being right.
"You wish seaweed brain" she muttered and walked past him knocking into his shoulder in the process which led to him letting out a dramatic gasp.
"That hurts sunshine. Where are you going, it's getting dark, we should stop, set up camp and get some rest so we can re-think and re-strategize." The girl slowly stops her steps and turns her back to the boy who is standing there leaning against a tree with his arms crossed giving her a cocky glance that makes her want to die and kill him at the same time. 
The two had a stand-off for a bit before one decided to speak up.
"As long as I don't have to scavenge this creepy forest for wood then its fine by me" the girl said walking back to him while his eyes following her every movement till she was a few steps away from him. The girl went to grab something from her pocket with her left hand and with her right, she grabbed the boys arms and dragged her hand down it, to his hand which automatically opened up. She placed something cold into it with her left hand.
He looked at her and she had a glint in her eyes he hadn't seen for the past 12 hours, looking to his palm, he was a coin. Not just any ordinary coin or ordinary drachma. It was a coin from sea life, the one coin they give to one another which can be used for many thing, they talked it over before the quest. The coin can only be used for 2 things during this quest, to make sure the other doesnt die, or the person who has been handed the coin has to do what the person giving the coin wants no matter what.
He looked up at her with a confused look but seeing the mischief in her eyes gave enough away. Sighing he pocketed the coin and stepped away from the tree which only left 3 steps in-between the two. 
"What do you want me to do" not even bothering arguing.
"I want to see you fail at making a fire" she said just giving him the brightest smile, basically oozing sunlight from her. The boy felt like a deer stuck in headlights in that moment, he almost forgot the reason for her heavenly smile. He wanted to tell her he loved her right there and then, that he could never get enough of her, that he searched for her in every room he ever walked into, that she was the one and only constant source of light in his life, that she was the sun and he would orbit her in every universe no matter how close he got, no matter how much it destroyed him. He was utterly inconsolable without her. He loved her.
"Aurora" the boy started to say, in a serious tone which immediately made the girl's smile falter as she looked into his eyes, he didnt need to say anything. His eyes spoke more words than he would have liked, enough for the girl to get the message and understand him. All of the glances, the subtle touches, the comfort of each other like no other. She felt and understood it all. 
He was about of continue when a roar sounded, echoing in all directions and rustling the trees. The two could hear the howl of Cerberus all around them. Percy immediately uncapped riptide while Aurora unclasped her bracelet which turned into a bow and an unlimited supply of arrows. 
The both circled back to back, covering each others blind spot like muscle memory. They could feel the ground shake with each step the otherworldly creature took. 
"How are we going to do this?" the girl asked while keeping an eye on all of her surroundings. 
"You distract with your arrows as they are long-range and while she's focused on you, I'll go for the kill shot"
"She can't die" she could feel him rolling her eyes as the words left her mouth.
"You know what I mean" 
They could hear the low growl from the side of them. The three-headed beast emerged in all its glory with its 6 menacing eyes ready to rip these two teens to shreds and send the wrong beings in this equation to the underworld. Percy turned to stand next to Aurora and the girl grabbed his hand and squeezed to which he immediately responded. There were many unspoken words that had been said in the past 10 minutes and this was another addition 'dont die, be safe, come back to me'.
Slipping through her fingers, his hand left hers and quietly stalked away before the beast could get any idea there were 2 of them. Wishing the best for the boy, she instantly got the dogs attention by shooting an arrow at the middle head's nose. 
It did not like that.
They all barked at once and got ready to run at the girl. She didn't like to admit it but she was fucking terrified. Cerberus ran at her and she leapt to the side and ran as fast as she could not looking back until she could feel he's a little away from her. She got another arrow ready in her bow and blindly shot it behind her. 
She heard a small whimper which brought a smirk to her face but that was immediately wiped away as she heard the barking intensify. Hiding behind a tree the girl caught her breaths and looked for the hound and she couldnt spot it or Percy. She got another arrow ready and looked behind the tree once again but was faced with the thing she was hunting. 
Fear spread to every part of her body and she had no time to brace the impact as the dog clawed the tree which in return clawed her. She let out a bloodcurdling scream as she was flung into another tree. The bark from the destroyed tree splintered her, her head hit against a tree on impact and the large gash on her side felt like a fire that was melting her skin off. The girl felt her breath stick in her throat, she felt as though she was dying as immense pain filled her and black spots invaded her vision. Only one other thing was on her mind.
Percy.
The ocean eyed boy lost sight of Cerberus immediately as it began to chase Aurora, his Aurora. He followed as fast as he could not wanting anything bad to happen to the girl he loved before he got any chance to be with her, to confess and to just live a life content with his feelings. 
As he heard, the whoosh of Aurora's arrows increase, he could feel himself being uncapable of keeping up with the beast from the underworld and he cursed himself for it. He lost sight of Cerberus and it scared him, it was too quiet. He couldn't hear the creature or the girl he loved. 
His heartbeat quickened as he looked all around him trying to see a glimpse of either of them. 
Then all blood drain out of his face when he heard the one sound he wished he did not have to hear, ever. Aurora's scream made his heart almost leap out of his chest. He didnt know what to do, he didnt know where she was, he couldnt see the hound, its his fault, she going to die because of him. 
She most certainly is going to die if you dont get a fucking move on, that one voice in his head said. And he pushed all the doubts to the back of his head and focused on 2 things. Defeating Cerberus and finding Aurora. 
He could hear the three-headed dogs footsteps and instantly ran to it. It didnt see him coming and it's tail was on the ground so he didnt the best thing he could think of. He ran up the tail onto the body of the beast.
This elicited loud barking from the beast and Percy could only do one thing. Repeatedly stab the dog until it dissolved. 
Now... admittedly, this was not a good strategy. It was fucking awful. There was no thought to his stabs, they all just angered the beast and considering she was quite resistance to stabs, it wasnt helping. He was just tiring himself out. 
He then has the genius idea of stabbing the beast in the eye, or eyes. He started with the left head. The beast let out a large whimper, and stumbled which cause the boy to almost loose his grip on it. He wasnt going to stop now, he needed to send Cerberus back and get to Aurora.
Aurora. Her scream was echoing in his mind. Bouncing around his skull like he has no brain inside, only her gut-wrenching scream.
He subtly shook his head. As much as he was dreading where she was and if she was okay. He needed to secure Cerberus and he needed all attention to so it as fast a possible to get back to his sunshine.
He then stabbed riptide into both the right heads eyes. Percy knew what to expect this time so he braced himself and held on as tight as he could. He could not fail now. He was too close.
The dog slumped onto the floor which made percy's last task much more easier. With agility and caution the boy leapt onto the middle head and punctured the eyes out which evoked a whimper which made the boy feel bad for the animal and it slowly turned to dust. 
In an instant the boy caught his breath and his mind raced with only one thing. 
Aurora.
"Aurora! Sunshine! Where are you?" The boy felt as though he could not breathe. His head was spinning trying to find her in the mountains of trees and in the darkness of this forest, he has never needed to see her more now than any other time. 
"Aurora! Please if you can hear me make a sound! Anything so I know you're alive" He would never leave her. He would die before he left her to rot in these woods. He would never be able to face the guilt and loss.
"Please! Say SOMETHING" he could feel himself getting frustrated. "HELP! SOMEONE, ANYONE" tears welded in his eyes trying to find her. 
There was a rustle of leaves from the left side behind him. He was running to the sound before it even registered in the back of his mind. He kept hearing the rustling and a small whimper. 
He saw a faint glow of light behind a tree and he held his breath for the sight that was to come. He skidded to a stop and fell on his knees infront of her.
His heart dropped to his stomach when he saw her. Her face was significantly paler than when he left her and she had a wood splinter sticking out of her thigh and worst of all, the 4 claw marks across her abdomen with blood everywhere, it seemed to have stopped pouring, but it was a nauseating sight to see. He didnt know what to do. 
"Aurora, darling, open your eyes" his hands reached her cheeks and his thumb rubbed circled on her cheek and his two fingers made their way to her neck to check her pulse. He let out a sigh of relief when he felt a pulse. It was faint but not too faint to the point it would slip too far out of his grasp. 
He reached for his bag on his back to get some first aid supplies, ambrosia and nectar for the girl, when she let out a pained gasp.
The girl had barely an recollection of anything, the only thing on her mind at the moment was the immense pain shooting through her whole body, It felt like she was on fire and couldnt breathe. She wanted to die.
Then her vision cleared and she saw the golden haired boy looked at her like she was the only thing in the whole world, he held so much worry in his eyes that she thought for a second if she was already dead and it was her spirit seeing his reaction to her death.
"Gods, Aurora, you're okay. You had be so worried, I was terrified, I cannot lose you. If I lost you I would lose myself" The boy held one hand to her cheek while speaking so intently to her.
In that one moment she could feel his stare, like clockwork, bubble something inside of her. It almost made her forget why she was on the ground, why she could taste something metallic in the back of her mouth, why she couldnt move her right leg. It almost took it away. Almost.
That fire spread throughout her body again and she couldnt stop the wail that left her mouth. The pain was nauseating. A flood of curses left Percy's mouth as he grabbed the bottle of nectar and opened it.
"Okay, sunshine, I know you're in a lot of pain but I'm going to give you some nectar, you need to drink it but you need to sit up a little straighter." The girl immediately shook her head as a no in response to the boy. 
"I know. The amount of times we've both had to do it but you know deep down that its the only thing that will fix it." The girl tried to harden her stare at the boy but she was too weak to even look at him properly.
"O-okay, but... I can't" she inhaled sharply as she tried to move the slightest bit. She didn't have to finish her sentence for the boy to understand what she was trying to say. He took one his flannel button ups from his bag, scrunched it up and gave it to her. She could only give him a confused look.
"Put it in your mouth, bite down hard cause I'm gonna move you into the right position and its gonna be a pain. I'm sorry sunshine but I have to." She took it with her shaking hands and was about to put it in her mouth when she smelt it, sea salt and musk, then the girl really looked at what the item of clothing was. 
"this is yours" she said in a hoarse voice, looking up at him, confusion plastered all over her features.
"Well I dont exactly know where your bag is so next best thing." he gave her a weak smile and moved closer to her but she weakly grabbed his hand.
"I'm scared" she whispered so pathetically but the boy understood, he knew her. He knew that he needed to keep talking to her, to make sure he is doing something close enough to her for her to know that she's still alive. 
He only interlaced their fingers and pressed a kiss to the back of her hand. 
"I won't let go, I promise. You aren't leaving me, not after everything we have been through together" the girl's eyes welled with tears but she nodded and stuffed her mouth with Percy's flannel. 
He wrapped his arms around her from the side, where he was sitting and placed a kiss in the hair before counting down.
"3...2..." the boy didnt get to 1 before he pulled her up so she was sitting not laying down and with the movement came muffled screams and tears that flowed down the girls face. He was whispering sweet nothings in her ear as she lent into him and he repeatedly kissed her hair or forehead. 
"I'm sorry sunshine, I really am. When you're all better I promise you can hit me" he tried to uplift her but she could barely hear him. Her body shook and agony filled her every sense. He couldn't even express the guilt and regret he felt for the girl, immediately grabbing the nectar, and slowly taking his flannel out of her mouth. 
"You're doing great sweetheart" he says while slowly pouring the nectar into her mouth. Her head is resting against his shoulder as she swallows the drink down in small sips. After she drank it, Percy put it away and the girl began to close her eyes.
"Hey, hey, sunshine you can't be doing that right now. Come on I need to patch you up and then we need to get back to camp, I'll call blackjack. I know how much you like riding on him" he lifts her head off his shoulder and places her on the tree, but this time sitting up so he has easy access to her abdomen. 
She opened one eye and slightly smiled at the boy.
"You're gonna call blackjack?" the girl asked a bit delirious but seemingly in less pain. This brought a instant smile to him as he let out a chuckle, nodding his head while grabbing gauze and 2 bandage rolls.
"I promise I will, but you have to make sure to keep fighting okay. Once this is over, I have something special to tell you" He came loser to the girl and her breath slowed for a moment. 
He looked at her abdomen and a thought crossed his head that made blood rush to his cheeks, he was thankful the girl was delirious and it was dark or else he would simply wallow away. He cleared his throat and looked back up to the girl.
"I'm going to have to cut your shirt off so I can access the cuts and clean them properly" he looked into her eyes once but couldnt face her after that.
"okay" she whispered in return, locking her eyes onto his every move. 
The boy went back into his bag and grabbed a pair of scissors then faced the girl again. He could feel her watchful eyes on him the entire time and he hated to say it but that small voice in the back of his head was wishing she was a bit more delirious right now so he wasnt under her scrutiny while undressing her. Clearing his throat again, he begins to speak.
"Just tell me when to slow down or when to stop, if it gets too painful for you and I'll stop and slow down, okay" he looked to her for reassurance and an okay, to which she nodded.
He didn't know how to position himself so he just opted for kneeling next to her, facing her. He then grabbed the scissors and started to cut her top. Starting from the bottom to the top. As he reached the first claw mark the girl hissed as the shirt was stuck to the wound due to all the dried blood. Percy automatically stopped what he was doing. 
"No, no, keep going, don't stop now otherwise we will never get this done and I can't go back to camp cause I'll be dead" her honey-brown eyes were glossed with tears and the boy just wanted to hold her in his arms until the end of time in a place where they aren't fighting monsters all the damn time and in a place where they can settle down, have fun and just enjoy their life like regular teenagers.
"Don't say that so casually, you are not going to die. Not when you have me. Not when I'll always be here for you, patching you up, nursing you back to health forever. I will never in a million years let you die. I swear on the river Styx." 
She couldn't say anything to him, he will always render her speechless. She just nodded her head as tears cascaded down her cheeks to which he wiped away and placed a kiss on her forehead. Feeling the warmth off eachother brought a sense of peace to them that no one else could ever fill. 
He finished wiping her tears away and then continued cutting her shirt away from the wound. Every time she hissed, winced or flinched, the boy had the overwhelming urge to stop everything he was doing as long as it stopped bring her more pain. Whenever this would happen, the girl would softly squeeze his knee, as her hand was resting there to make sure he was still close to her and was still okay and breathing. 
This reassured him immensely but it did not stop him from the guilt that was drowning him. This would not have happened if it wasn't for him. She would not be in this position right now if he just chose someone else to go on the quest with. She had almost died due to his decision making. He chose her, he told her the plan, the plan that put her straight into danger, he didnt even second guess his choice, he put her into the battlefield without even asking her properly. Whatever he said went. 
The boy had not realised that during his intense self-loathing session, he zoned out and stopped the task at hand.
"Perce?" the girl asked while bringing her hand from his knee to his bicep. "Are you okay? whats going on in your kelp filled brain?" she said with a half smile as the boy looked up at her.
"Nothing, its okay. Just zoned out for a sec" he replied in an instant, looked away from her and continued to cut her shirt away. He was almost at her breasts and he could feel himself getting a bit hot. Obviously, there was no reason to in this situation but just being so close and intimate to her in a non sexual way made him flustered, he couldn't even imagine of it was in a sex- STOP. He shouted at his brain.
She let out a whimper of pain and a few laboured breaths as Percy carefully peeled her shirt of off the biggest wound she had. Her hand squeezed his knee harder than he would have liked her to but it didnt matter, not anymore, not when he caused this, not when he was the reason for her pain. 
He finally got it off the biggest cut and last cut and now he just had to cut the rest of the shirt off. No big deal right?
WRONG. 
The boy was telling himself to suck it up and just cut the rest of her shirt off but he was flustered. It was times like this that made him remember he was just a boy. He was just a boy with a silly crush. Except it isnt a 'silly crush' he was utterly in love with the girl. He tried to clear his head and at the same time, cleared his throat while he cut higher. 
He could feel her eyes watching him, he could feel how fast her heart was racing and he could feel how fast his own was racing. It was as though their hearts were in sync. Every beat was the same. 
Yes the girl felt flustered in this situation, she also couldn't help but want to tease the boy she loved. The girl had always grown up with a life where she never 'loved' anyone, not truly. To her love was always a very strong word in her dictionary but whatever she felt for Percy Jackson it was so powerful she felt as though she needed a word more meaningful than love. 
A word that expressed how everytime she thought of him, that specific memory of him will be branded in her brain forever to the point where even Hera could never make her forget him or forget the way he makes her feel.
He makes her feel alive, the most alive shes every felt in her 16 years of life.
"Are you blushing water boy?" the girl asked him with a half smile on her face and eyes half opened as she felt a sharp pain run through her, while also trying to control her own breathing at the same time. Percy didn't respond, he only kept cutting her shirt off, fingers lightly brushing over the material of her bra. 
She held her breath when he did that, whether it was on purpose of not, the feeling it sent through her body made her want to repeatedly bash her head against a solid wall while ripping her eyes out... in a good way of course. 
Percy finally cut her shirt fully off and it just slid down her arms and bunched at the bottom, near the tree. She felt exposed and could feel the goosebumps on her exposed skin. Percy didn't waste any time and grabbed a clean towel and his water bottle.
Before he could drenched it in water, she stopped him by kicking him with her uncompromised leg to indicate he needed to stop. This instantly stopped him and caused him to look at her. 
"Give me the water bottle before you soak the towel, if the water is warm it will work better and not hurt as much so i'll just heat it up" Percy thought about it for a second before he retaliated.
"You already aren't well enough to get off the ground, how on earth are you going to make it back to camp if you drain yourself of more energy. I know its going to hurt but it will either way, but getting you back to camp is the priority at the moment" Percy didnt want to say those words to the girl, he felt so bad for her and he couldn't help but blame himself. And when he looked into her eyes, like really looked into her eyes after he said that, he wished he could take it back.
Just looking at her made him want to give into her. 
"I can take it, I promise, I'll be okay enough to get back to camp, but I'm telling you now Percy, if I feel anymore extreme pain, I will just end up passing out. Please just let me do this." she tried to move closer to the boy but forgot about the fact that she literally could not move a single inch without his help. 
This just lead the boy to wrap his arm around her back and lent her against the tree again. He looked at her with a stern look.
"Okay, you win. But you have to promise on the river Styx that you will preserve every other bit of your energy for the ride back home." 
"I swear on the River Styx that I will preserve every other bit of my energy for the ride back to camp" He gave her one last look before giving her the water bottle. She focused some most of her energy to her hands and they started to glow. She took the bottle from percy's hand and he could feel the warmth radiate off of her. 
He looked at her in awe but if anyone else was there they would have told you that the boy was love struck. She opened her eyes and made sure to not boil the water. As it was simmering, she gave the bottle back to the boy and he instantly uncapped it and poured the, now warm, water onto the towel. 
"This is going to hurt... a lot, and by a lot i mean a lot, you might want to brace yourself" the boy said as he gave his flannel back to her and some ambrosia for her to eat before they start the painful part of fixing her up.
Aurora took both and muttered a small thanks under her breath before eating the ambrosia which was very pleasant to chew and then stuffed percy's flannel in her mouth again. She felt so weird but if she didnt and someone heard her scream bloody murder, they would get caught and the police would want them... again.
His ocean blue eyes met her honey eyes and he shared a look of regret and guilt before he wiped the dried blood away, starting from the bottom of her abdomen. She instantly clenched her jaw and recoiled as agony ran through her and her hand immediately shot out to grab Percy's wrist in a painfully tight hold to stop him from further cleaning the wounds that caused her pain.
"Sunshine, I know its painful, but I have to do this, I'm going to do this as fast and gently as I can but I will have to be rough at times" he gently takes his freehand to clasp over hers and took it of him and intertwined them while speaking to her. 
In his favour, it seemed that the energy it took the girl to warm the water up finally caught up with her as her hand lost most of its grip and her eyes closed slightly. He chuckled slightly and placed her hand back down next to her before continuing what he was doing.
He carefully but efficiently cleaned the areas surrounding her wounds while she was rejuvenating. He would hear muffled noises from time to time but other than that she was essentially knocked out. As he finished she seemed to feel less tired and her eyes opened wider than they did before.
"I'm almost finished sunshine, did you like your nap?" the boy questioned with a smirk but deep down he was glad that she kept her promise and she would have enough energy to go back to camp.
The girl nodded and looked at her abdomen. It was really clean and the wounds were barely bleeding anymore but she was fucking freezing. She shivered a little bit and percy could tell instantly.
"I've just got to bandage you up then you can put a jumper on. Okay?" he reassured her while taking the sterile dressing, he placed it over the 4 slashes and began to unwrap the dressing to bandage her up.
They both soon found the position to be quite awkward. 
Percy needed to bandage her whole abdomen which needed him to wrap the dressing over her back but she was lent up against the tree without a shirt on and unable to move to do it herself. He stopped to think of a good way to do this.
"Okay, I've got it. I'll lean you up against me and bandage your abdomen from behind." The girl thought for a bit before she agreed and the boy got up so he was only seen in her peripheral vision. He hooked his arms under hers and moved her along the ground to sit inbetween his legs. The position felt very compromising for both of them but it needed to be done.
She could feel his warm breath on her cold neck and she felt the urge to pass away because if thats how she passed, she would not mind. She held her breath as Percy begun wrapping her abdomen, she could barely feel the pain cause all she could think about and feel was him.
His breath on her neck, his fingers brushing her skin, how carefully he was handling her, like she would break at the wrong touch. He was everything she wanted, everything she needed. Everything they both deserved.
He quickly finished wrapping her up and he mentally called Blackjack from where ever he was right now. Before he could move or start to get things sorted he just looked at Aurora. She was peaceful. She looked ethereal under the moonlight, though she did look better under direct sunlight.
He decided to just stay still for a bit and wrapped an arms around the girl loosely as to not injure or hurt her more. They just needed some rest, no matter how long or short it was.
Both Aurora and Percy could hear the flap of Blackjacks wings so he quickly moved the girl back to lean against the tree while he packed everything away. Not before making sure to torniquet the girls leg where the wood piece was still protruding out of it. He made the decision before to not take it out as they both did not know how severe the injury underneath it was.
Percy grabbed a warm, woolly jumper from his bag and a blanket and gave both items to the girl before zipping it up.
"I'm going to find your bag and your bracelet before we leave, and before you say anything. I'm going to call Blackjack here to be with you before I look for them" he stated as he got up.
"Thanks a lot Perce, but before you look, how am I meant to put this jumper on without raising my arms and disrupting my bandages" Percy felt like an idiot. He dropped his bag back on the ground and knelt next to her carefully putting the jumper through one arms hole, then the next, then her head through.
Percy would never admit it there and then but he always loved when the girl would wear his clothes. It sent a warm fuzzy feeling through him knowing she was wearing his clothes, especially when she was willingly wearing his clothes. 
Similarly, Aurora would never admit it there but having Percy help her get changed into his clothes and help clean her up made her fall even more in love with him if that was even possible. She felt as though she was just falling into deep pit everytime he did anything for her or even just looked her way. 
He finished by wrapping her up in the blanket and chuckled when he saw how she looked... Exactly like a burrito. 
Blackjack came down and the girls eyes instantly widened at the sight of the creature. To which the boy just smiled at. Before he left to retrieve her bag and bracelet which were very easy to find. He quickly arrived back to the girl and Pegasus and was met with an adorable sight.
The Pegasus was on the floor next to the girl and was almost hugging her with its wing. Percy didnt think he could fall in love with the girl again but she has gone and proved him wrong, like always. 
"I've got your things sunshine, and I know its going to hurt but I'm going to have to pick you up to put you on Blackjack. Is that okay?" He knelt next to her and she nodded.
He wrapped an arm around her back and one under her knees, making sure not to hit the piece of wood and picked the girl up, quite easily, bridal style. It make them both feel fuzzy and warm inside. Even blackjack could feel the warmth.
He placed her sitting on the Pegasus so she would be infront of him when he got on. He then grabbed both of their bags and got onto blackjack himself. 
"You'd normally need to hold on tight to blackjack but I'll hold you okay? Just rest" The boy whispered in her ear as he gave her a peck on her cheek while she slowly drifted off and leaned her head back onto the boy's shoulder.
"Blackjack, No crazy flying today. We aren't at war today, its a rest day. Just take us back to camp, quick but not to the point we normally fly." Blackjacks reply left Percy with pink staining his cheeks and they made their way back to camp.
______________________________________________________________
OH MY FUCKING DAYS, I AM NEVER WRITING ANYTHING THIS LONG AGAIN
(such a fucking lie)
But I have to honest, apart from the small mental breakdowns. This was really fun to write. I love these two soo much.
When I went into this, I wanted to actually get them back to camp and I wanted them to confess but it was getting tooooooo long for that so if anyone wants a part 2, I'll gladly make it. Please dont critique me too much, this is still my first imagine 😭😭😭
I LOVE YOU ALL ❤️❤️❤️
unless you piss me off
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yourheart-inmyhands · 7 months
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I Hope that you don't mind me requesting.
How do you think Archons would react if their lover was a crybaby? Like cries a lot over every little thing and overall is a realy sensitive person (totaly not me.)
I'm sorry if you don't feel comfortable writing for this, and you have the right to ignore this.
ah this was such an interesting idea tysm! and no, my writing does not depict my actual feelings. but thank you for your request, i hope you enjoy!
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Warning: this post contains yandere-themes, including delusional behaviors, verbal abuse, mentions of manipulation tactics, archons being bad partners, and other potential topics. Please read at your own risk!
Yandere!Venti would think it’s cute and a little silly. He will never make fun of you for it, comforting you whenever you do cry, but he will certainly use it against you. You can’t go out by yourself, what happens if something startles you and you start crying? Who will be there to comfort you?
“Now now my little Brise, let’s not get ahead of ourselves. You know how things turn out when you try to go out by yourself, just wait a few minutes and I’ll go with you.” Venti’s smile is a hard one to fight, the way his skin pulls perfectly away from his flawless teeth to create the most charming and heartwarming look. It would make you cry how perfect he is if he wasn’t designed to be that way. Everything about Venti was enough to bring up that urge to cry, how he never seemed to leave you alone, how he always seemed to talk too loudly indoors, how he seemed to draw everyone’s eye in public. It was frustrating trying to hold it all in around him, but any time he saw you in tears you’d be swept tightly into his embrace, one you had grown to hate.
Yandere!Zhongli would pity you, wanting you to toughen up emotionally for your own sake. While he’ll certainly outlive you, he can’t be by your side forever and always. To help keep you calm while he’s gone, as he still has duties outside of his previously abandoned Archon role, he has gifted you a small dragon like creature. A housepet of sorts to keep you company.
“Fret not my Bǎoshí, you know I must go as needed. Yánshí will keep you company whilst I attend to some issues within the city.” Zhongli coos gently, soft yet calloused hands gently wiping away your tears as they fall. He feels his heart break a bit every time you cry, wishing that he could do something more to ease the ache. He got you a domesticated geovishap hatchling to keep you company, something fierce and protective in case you should have any issues whilst alone. 
Yandere!Raiden would simply scoff at your behavior, calling you childish and weak. She believes that you should be stronger, leaving you to calm yourself any time you have a crying fit. She simply doesn’t believe that someone so weak should even have made it this far in the first place, leaving you to your qualms.
“Do not disgrace my image with your incessant whining, it is lowly and pathetic. No partner of mine should ever act in such a distasteful manner, especially in public eye.” Raiden’s tone was not only harsh, but somehow she made it feel heavy. Every word, every letter seemed to add to the growing weight in your chest, leaving you choking on tears as you sit crumpled on the floor. It truly was a pathetic display, and if it had not been for Raiden picking you up and dragging you back to Tenshukaku, you’d still be crying in the middle of a bustling Inazuma street. Someone had bumped into you and made you spill your food, it really wasn’t anything to cry about. 
Yandere!Furina, while she isn’t a crybaby, she is incredibly open about her emotions. Of all currently recognized Archons, she’s the most physically and verbally expressive, even if most of it is childish tantrums. It’s because of this though that she almost relates to your feelings 
“Alright, hush now my Pluvieux, it’s alright, it’s going to be ok.” Furina holds you close to her as you cry, her presence alone being enough to keep any curious onlookers from stepping too close to the two of you. Gently, she guides you away from the watchful crowd, wanting to get you somewhere private to calm both of you down. Seeing you cry made her wrath beat strongly beneath her skin, the underlying urge to ruin everything that had made you so sad running rampant beneath her worries. You were her first concern though and she wanted to protect you above all else.
Brise - Breeze
Bǎoshí - Gem/Gemstone
Yánshí - Rock
Pluvieux - Rainy
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cordeliawhohung · 3 months
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hey! i love all ur fics sm (esp the bodyguard gaz ones omg i ate those up like candy 😩)
u don’t have to write this if u don’t want, but tf141 (and lv, if u write for them) and body worship?(separately, not poly) like fem reader’s had a tough day or wtv, n she’s feeling insecure so they js like show her how beautiful she rlly is
could be sfw or nsfw it’s ur choice
if that’s too many characters then feel free to leave some out!
have a good day/night ‼️
babygirl gaz my beloved <3 i need to write more on that. that unofficial series is a train wreck honestly but i love them so much. and oo i do love some good body worship. i don't really write for our sweet cowboys because i'm not all too comfortable with characterizing them yet, but i'll give you some hc's of our 141 boys!
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Simon
he is honestly really surprised when he first learns that you're insecure about yourself. you're the most beautiful thing in the world to him, and really he's dumbfounded you don't see yourself that way.
i feel like he's one to stand behind you in the mirror with his hands on your hips and whisper sweet affirmations to you. how he loves the curve of your nose, how your teeth peek through your lips when you smile, how your eyes always shine when you look at something you love.
he whispers this all while you're looking in the mirror because he has to make you see what he sees. he's spent his fair share of time looking at his reflection, the scars on his face, his crooked nose, and hating every moment of it. he refuses to let you do the same, and so he plans to rewrite all of those emotions.
or he can just fuck you like he does in this drabble i wrote a while ago lmao.
Kyle
he always calls you pet names that are along the lines of "pretty girl" "my girl" things like that, so when you mention something about disliking your appearance, his brain literally restarts. his pretty girl? feeling insecure about herself? that simply won't do.
i feel like his immediate reaction would be to just kiss the pain away. sort of like how parents will kiss their child's injury if they scrape their knee or bruise themself, he does that but like all over.
he's kissing your nose, your forehead, your lips (of course) but more than that. he's trailing kisses down your arms, along your stomach, your legs, all the parts of you that only the sun had ever kissed before.
and of course he's whispering praises to you the entire time. doesn't even have to be in a sexual way either. you're the love of his life, and it saddens him that you feel down about yourself. so he'll just kiss away the bad thoughts until there's nothing left but his love.
Johnny
when he hears you say something degrading about yourself, Johnny is a little too enthusiastic and excited about correcting you. you're the most beautiful thing he's ever laid eyes on, and he's going to make sure you see yourself that way too.
he's definitely the most handsy out of all of the boys. he's rubbing his hands up your arms, over your stomach, tracing your spine with his fingers. but then it escalates. he's groping your tits, pawing at your thighs and ass.
really, you can't blame the man when he eventually ends up between your thighs. you're just too pretty to resist, after all. look at what you do to him! bewitching him with your beauty, turning him into a pussy drunk man that can't get enough of you.
also, this might be his way of pavloving you. conditioning you into loving yourself as he draws orgasm after orgasm out of you. no, you'll stop shying away and disagreeing when people call you pretty or compliment you, you'll just get insanely horny lmao
Price
i actually just wrote a little thing about him and body image issues last night! and really, i think he would totally do this.
the whole getting on his knees in front of you as if you were royalty, holding your hands in his, just looking up at you with so much love and adoration. he'll caress you softly while he speaks because honestly he can't get enough of you.
he'd meet your insecurities with mostly rational ideas. how your body is normal, your appearance is perfect, you're beautiful inside and out type thing. i feel like out of all the boys he might have the hardest time appealing to you emotionally with that stuff.
doesn't mean he won't try, though! he'll constantly affirm you, treat you like royalty and all that good stuff. he'll cook you a nice meal, and maybe the two of you will cuddle on the couch. really, he'll just try and fill you with so much love until you forget about what had upset you in the first place.
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snek-panini · 1 month
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Today I've got binderary book #3 to share! It's a lighthouse (burning) by books-and-omens. This is a really excellent canonverse (sort of) historical setting liminal ghost story-esque fic that I read practically in one sitting sometime last summer. It's fantastic, well-characterized, angsty and fluffy and fairly plotty and with some really unique worldbuilding. I honestly can't sing its praises enough; it's one of the only times since taking up this hobby that I've known I wanted to bind something before I actually finished reading it.
Have a look at the rest of the photos under the cut; this one came out really well and I'm in love with it.
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For this cover we have lineco book cloth on the spine, a strip of chiyogami paper that I got in one one ChibiJay's random paper packs, and blue-gray sketch paper for the primary gray space. It's a little hard to tell in the photos but the HTV for the titles is in two different colors, silver for "a lighthouse" and pewter for "(burning)". The effect is more pronounced in person and I love it. The pewter came in a multi-pack of cricut foil HTV and I can't seem to find it on its own anywhere, which is a shame because it's beautiful. The sort of streaky effect on the cover was unintentional but I'm kinda liking it? It's a more porous paper for drawing or painting or something, and I tried to wax it for waterproofing, but when I used the heat press to get the title on the wax darkened in the spots where the glue was applied to the cover board. At first I was disappointed, but the fic features a really massive unnatural storm, and it sort of looks like water running down a windowpane, so I'm leaning into that and calling it an aesthetic. The back didn't get this heat treatment, so it doesn't have the pattern.
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Top view, showing the bookmark and handmade end bands. The bookmark is a navy blue ribbon cut from the inside of a shirt, and I chose red and white because there are so many picturesque lighthouses that have red and white stripes. It's the only color in the book that's not blue or gray. The endpapers are a navy blue silk moire, and I had better luck with them than I did with the platinum ones on my Persuasion bind even though they are the same brand. Maybe it's practice or maybe navy just hides more sins than platinum.
For the title page I went fairly simple (for me anyway) with just a frame I pulled from rawpixel. It suits the story, though, being set sometime around or before the early 20th century. I also played with text colors on the title page, with some words being grayed out to mimic the effect on the cover. The section break is me getting clever with a feature of my printer. I often use a gray line to denote section breaks, but for whatever reason my printer doesn't like them and often makes them blurry. It is only these lines that come out blurry; larger images don't do this even if they are complex. So for this one, where a major feature of the story is trying to figure out what's real and what's a supernatural occurrence, I made one that was deliberately heavier in the center so it would come out sort of smoky or fuzzy, like it wasn't quite real and couldn't be clearly seen. It doesn't look this fuzzy in the unprinted file but I love the effect and I feel very clever for manipulating the printer like this.
I'm going to show off some interior shots but this bit contains spoilers for the story, so if you don't want to see that then maybe skip the rest of the post.
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I wanted to get creative with my title placement since a lot of my binds look very similar inside, and this concept really let me try that out. The plot of the story is that the reason there are so many supernatural phenomena at this lighthouse is that someone in the future ran an experiment to harvest energy and accidentally cracked spacetime with it, and bits of the future and the past and the might-have-been are seeping through the cracks, and the longer the cracks exist the more seeps through them and the worse the ghostly stuff gets. At first it's not clear whether there's anything weird happening at all, and it becomes clearer that something is wrong the further in you get because the cracks are worse. So I had this idea for a vintage lighthouse illustration with an overlay of cracks in glass, that become more defined as the story progresses until something is done and they're sealed up in the end. I am not a visual artist and even this straightforward concept was too much for my skills, so I chose the lighthouse and the crack overlay and my amazing husband did the actual image manipulation. There are five different images, with the cracks invisible in the first and final chapter and most visible in chapter 10 and 11, when the characters are trying hardest to fix the problem. I'm really really proud of how well this turned out.
And that's it! I have several more binderary books to post but they are all still waiting for titles before I do the photos, so I don't know when I'll have them up.
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j4gm · 7 months
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SPOILERS!!! REFERENCES AND EASTER EGGS IN F&C ep. 9: CASPER & NOVA (1 of 2)
I hit the image limit so this post will be in two parts.
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These last two episodes feature traditional Adventure Time title cards with intro credits, which is something the others haven't had.
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There is a butterfly floating above Fionna when she enters the "Land of Ooo". The same thing happened to Cake when she entered Ooo, and to Simon later on, but this butterfly doesn't have a face on it like those. This is our first hint that something is wrong.
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The Betty statue in the background of this shot is on top of a four-faceted object that sort of resembles Glob's helmet; an item that she used to gain her magic powers in You Forgot Your Floaties. Also in this shot are several gnome fairies from The Enchiridion and Billy's Bucket List, and of course Mrs Cupcake and genderswapped Chocoberry. Mrs Cupcake has appeared before but I think Chocoberry is a new design for this episode.
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This is our first and only look at what Hunter Wizard would look like. Mostly the same as his main universe counterpart.
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This species of dragon first appeared in Memories of Boom Boom Mountain and has been in several subsequent episodes. I'm not sure who the giant cyclops is. It could be a genderswap of the cyclops from Another Way, or perhaps the rock giant from Five More Short Graybles.
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Lots of the text in this scene is hostile. There is this sign behind the counter, of course, but lots of the books on the shelf also have violent names.
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This series loves giving us extremely fucked up Simons.
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This background character looks like Phlannel Boxingday. It would be hilarious if that was the case, considering he is widely assumed to have been a disguise of Princess Bubblegum rather than his own character.
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This might be genderswapped Tiffany. She's wearing Tiffany's pink shirt under her jacket. Maybe she has a masculine name in this universe.
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We get a better look at the newspaper from the first episode, featuring Betty. It also features the fake butterfly from the dream which feels like a bad omen.
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Marshall Lee's t-shirt features the cake pop from Princess Bubblegum's rock shirt, first seen in What Was Missing.
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The Lich first mentioned being a Scholar of GOLB in the episode Whispers. In this episode it is confirmed that he has been working towards his goals in GOLB's name. But it doesn't seem like he's actually had any line of communication with GOLB this whole time. GOLB doesn't seem to appreciate The Lich's efforts to wipe out all life; and now that GOLB is fused with Betty, they certainly don't.
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The Lich rips off Billy's skin to reveal his skeletal form, which is the same as it was in Escape from the Citadel, complete with the metal plate on his ribcage.
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GOLBetty turns the Lich into a tetronimo, implying that all of the tetronimoes surrounding them were once powerful beings who defied GOLB; perhaps they are even all alternate versions of The Lich.
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Shermy and Beth! This episode incorporates a lot of the extra lore that writer Steve Wolfhard published shortly after the release of Come Along With Me. It canonises the fact that Shermy and Beth are rebels who oppose the tyrannical rule of Gibbon, who is Charlie's future son from Daddy-Daughter Card Wars. This place is the Pup Kingdom, which is featured in the Come Along With Me title sequence and is a central part of Wolfhard's 1000+ lore.
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These are the same kinds of soldiers as seen in Graybles 1000+ when Cuber interrupted the space wedding. In that episode, you only got a very brief glimpse of their jowls. This episode makes it more obvious that they are pups.
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All of these pups in the windows are designs from Steve Wolfhard's "Every Pup Has a Power" series of drawings. They once had superpowers, but their powers were extinguished by Gibbon.
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This is Jake's favourite mug from the episode Puhoy, and the house in the snowglobe is Tree Trunks' house.
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There is a Shermy plush in this pile of junk. There might be some other recognisable stuff in that pile too. I think the popcorn machine is from something but I can't remember what, and the pool toy might be a reference to the Lub Glubs from Beautopia.
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This is our best shot of the Pup Kingdom, with its space elevator.
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Beth is a revolutionary communist confirmed.
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Shermy Simon shouts breadballs, an expletive that he previously used in the episode Simon & Marcy.
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The clouds in Fionnaworld are shaped like GOLB blocks while Simon is in the presence of GOLB. We also get a better look at all the glitched out buildings, like that door that leads nowhere.
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I think the creature next to Gunter in this advert is a yeti from the show Summer Camp Island, which a bunch of Adventure Time alumni went to work on after the original show ended.
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There is a poster for Super Porp, a fizzy grape juice introduced in the episode Dark Purple, along with their mascot Cheryl.
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Jake is on these packages in one of the shops.
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The Library looks incredible now. In the original show, only the top part with the dome could be seen sticking out of the ground. Either the ground has eroded away to reveal the rest of the structure, or the library has been greatly expanded over time.
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Turtle Princess is dead and apparently a robot took over her empty shell and continues to work as a librarian. These are the first gun-books we've seen that also function as actual guns.
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These are the pagelings from the episode Paper Pete. They're much larger than they used to be. They don't have many books left to protect these days.
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Casper & Nova mention lodging in the seaside town of Scandia on their quest to find the crown. This is a reference to the fact that Simon and Betty found the crown in Scandinavia, as mentioned way back in Holly Jolly Secrets.
I hit the image limit! Link to the second part.
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polarisjisung · 6 months
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cherry flavoured
07—WORD ON THE STREET
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SYNOPSIS | y/n, the campuses notorious heartbreaker, had never been one to settle down, running from the word commitment since the concept had first been introduced to her, but one smile and a little cherry coke seems to do just the trick when she runs into captain of the dance team, park jisung
PAIRING | dancer!jisung x fem!reader
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you're on your way to the library to grab a seat while you wait for jisung when you walk past the dance studio, your favourite song blaring from the speakers, a tall figure moving to the beat with a large zip up black hoodie thrown over his body— you haven't seen much of him but you'd recognise him anywhere, jisung repeating the same series of moves over and over again, each time with increased fluidity
he's in a trance, too focused on critiquing himself to notice your presence on the other side of the glass door, which is why he doesn't seem to hear the loud knock you give before entering
his moves seem to falter when he notices your cherry red hair in the mirror and the male finds himself biting at his cheeks to suppress the smile threatening to spread across his lips
"I hope you don't mind me coming here, I tried to knock but I don't think you heard me" you offer him a smile, still not realising just how difficult you'd find it to talk to him in person, beautiful brown eyes staring down at you, without any alcohol in your system
"not at all, I was just finishing up anyways" his voice reverberates through the studio, you swear you can feel it in your bones, but you can tell jisung was still working on his routine
"go ahead and do your thing, I think it'd actually help me get an idea of my drawing style if I saw you dance, if you don't mind that is"
you stop yourself from rambling some sort of artistic jargon his way, looking up at him as you take a few steps closer with those eager eyes again, the ones jisung can't seem to say no to
"it's okay if you're not comfortable, I can go until you're done" you mistake his silence as discomfort but the blue haired dancer is quick to stop you
"no, I'm just not used to it is all"
"don't you preform though" you ask, a genuine tone creeping through your voice and jisung can't help but notice the way you show so much interest in what he has to say
"sorta, when I'm practising it's not really the same, it's part of the process instead of the final product" you nod understandingly, "I've never had anyone see that before"
"I'd love to see it, if you'd let me" you take a seat, watching as he loses himself in the music again, body swaying in ways you didn't even know were possible, his cheeks puffing every time he made a mistake, some you didn't even take notice of and all you could see was sheer passion radiating through his every movement
your hands seen to start to itch, and you can't help yourself from reaching for your sketchbook, soft strokes of your pencil laid onto the paper as your eyes flicker between jisung and the white of the page.
it doesn't take long for a rough sketch to form, small details creeping their way into the paper as you watch him move, concentrated on doing his best
it's when he spins that you can't keep your awe contained, a soft gasp escaping your lips as he twirls so effortlessly, you find yourself flipping the page, taking on a more challenging sketch of what you just saw, eyes glued to the page with the image of his grace clear in your mind
this time it's you who doesn't realise the pair of eyes on you, jisung's movements halted as he watches you rush to swipe different toned pencils across the page, afraid that the mental image would be cleared from your brain before you could get it down
its only when he takes a seat beside you, sipping on an open bottle of water with his messy hair falling over his eyes that you realise he'd stopped dancing
"you're good, like really good" you say, hoping your words don't betray you like they usually did when talking to him, coming out in a completely different order than you'd hope, a problem you'd never known until you ran into jisung
"as in you're crazy good, professional level good" you specify again and jisung let's his head drop, a small smile coming over his features, muttering out a small thank you
his eyes seem to land on the book in your lap next, widening at the precision of the two sketches you'd perfected in a matter of minutes
he wants to say something, anything to let you know just how talented he thinks you are, but he can't find the words to express what he thinks, the now decreased proximity between the two of you causing him to freeze entirely
after that, you only work on a few more sketches, from pre recorded dance practises that jisung had loaded up on his laptop, pointing out signature moves he wanted to incorporate into his project, but each time he did you found yourself lighting up at the passionate glint in his eye
"when did you start dancing"
jisung doesn't expect the question, halfway through one of the dance practise videos, pressing the pause button on his laptop
"1st grade I think" if he's honest jisung doesn't remember a time where he wasn't a dancer, it had been that long, "my teacher suggested it as a way to break out of my shell and it just became my thing"
you nod, it was something anyone with any sort of passion could resonate with, the same way you did with basketball— the start of finding your passions was special, you always thought it was the best way to get to know someone
"what about you, when did you start playing basketball?"
"I think I was about 5, I had this silly little crush on one of my brothers friends, he was on the school basketball team and so I practically begged my parents to let me join a basketball club," you smile fondly at the memory, bringing your knees forwards into your chest as you shuffle to face jisung, "I guess it grew from there"
jisung nods, tired eyes staring blankly your way, making the best attempt to actually process your words, although not too successfully
"I'm starving, lets grab dinner?" you rise to your feet, and jisung follows, the buzzing of the ac fading as you exit the dance studio
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prev | masterlist | next
NOTES: ignoring the fact that the message on jisungs twitter is in fact a yn pov 💀 + I wanna post a Halloween chapter but that's not gonna be until a little later into the week so...
TAGLIST (open): @jenobubbles @justalildumpling @jising-jisang-jisung @nanawrlds @222brainrot @chichiuu @dinonuguaegi @ishireads @yyy90210 @hibernatinghamster @stqrrian @makiswrld @everywonuu @marizhua @luumiinaa @asteriaskingdom @jeongintwt @90s-belladonna @000rpheus @jammingjaem @yayloona @neozon3nha
(bold cannot be tagged)
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starstruckshine · 1 year
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Dog Walker - A collection of "pets" in the fog (and Dwight) comic.
(if the images are too small, you can click the image and click open in new tab to read it easier)
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Hi guys! I hope everyone is well! <3 This comic was inspired by Dwight's "Dog Walker" outfit. When they released his cosmetic I always wondered "What pets are there even to walk in the fog" and then I realized what the "pets" were lol...
Also, I'm using my sketchy style to help break up a sort of art block. I might actually clean this up for twitter eventually because I liked it lol BUT FOR NOW this style is going to be a thing till I feel caught up with drawings and ideas for comics. (SORRY!) Anyways, enjoy the comic! I'll see you next time!
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thethirdromana · 3 months
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Some Beetle covers, assessed
This book is about a beetle
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A good two-thirds of Beetle covers take this approach, including the first edition on the left. And you know what, I can't fault it. This book sure does have a beetle in it. Bonus points for the middle one that draws on the hypnosis theme by making the beetle look like a brain.
Maybe an Egyptian beetle?
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This is essentially the same approach, but more Egyptian, which I think looks very stylish. Given late Victorian Egyptomania, I'm surprised there aren't more like this. I could imagine a luxury edition with lots of gold really making this concept work.
Specifically involving a woman with a beetle on her forehead
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This is an arresting image that's also sort-of justified by events in the book. It took me forever to realise what it reminded me of, and it's of course the poster for the Silence of the Lambs, which postdates both of these covers by about half a century. These are two quite sulky-looking Marjories, but perhaps that's the effect of hypnosis.
The cover illustrator read the book!
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Given these covers minus the title, I think I would still have a solid chance of guessing which book they were for. The blue cover is the fully illustrated version. But actually, I think my favourite on this theme is redhaired Marjorie being menaced by the Beetle while Sydney tiptoes over in evening dress, both looking they could be in the opening credits of a Bond movie.
The cover illustrator didn't read the book
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A very small part of the novel takes place in a railway station. None of it takes place in a cemetery, nor does it involve a hermit studying anatomy. With the whole world of royalty-free images of beetles to choose from, how does anyone land on any of these?
The cover illustrator really, really didn't read the book
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Here we have the Beetle as represented by some Taiwanese houses, as True Blood, and as a picture that I vaguely recognise but where the image is so fried I can't even google it to check. At least the previous three had semi-appropriate spooky London vibes; these appear to be entirely random.
How about a bonus subtitle?
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The first one here is clearly the weakest of the three, since it just features a picture of Richard Marsh's face, but is redeemed by choosing possibly the most metal line in the novel as its subtitle. I love both of the latter two, with a special mention to the illustrator of the middle one for actually depicting the Beetle's human form as described in the Beetle while also minimising the elements of racist caricature. No mean feat.
The cover illustrator understood the assignment
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When I wrote something similar to this about Dracula covers, I was quite critical of the illustrators who decided to depict it as pulp horror. But it is so much more fitting for The Beetle. If you're drawn to buy Scantily Clad Woman Is Menaced By Giant Beetle, or Weirdly Green Man is Terrified of Mural, or even Rasputin And His Giant Beetle Spell, I feel like you genuinely might be the right audience for this terrible, terrible book.
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demo-bats · 2 years
Note
Yay I'm so happy you like my drawing! I do have a request if you don't mind writing it. I'd like a cute story about Eddie and a shy girl who works at an electronic shop. I imagine Eddie has to go to the shop sometime when he needs something for his electric guitar.
a/n: thanks for the request! i really enjoyed writing this. i tweaked it a little, hope you don’t mind! looking forward to any more art/requests :D
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& ,, STALKER IN AISLE FIVE
eddie munson x gn!reader
warnings: mentions of sexual themes, eds calling himself a pervert lol, lots of awkward convo and fluff.
you notice a certain curly-haired nerd frequently visiting your workplace. finally, you decide to acknowledge his stalking. 1.9k
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WORKING at Hawkins’ electronic store was not on your bucket list. Sure, you were fascinated by the up-and-coming technology that was slowly progressing as the years went on. But that didn’t stop your distaste for having to actually go in for your shifts.
Although the summer job had slowly spread into the rest of the year and your mind was ready to explode, you’d be lying if you said working there was all bad.
There was at least one thing you enjoyed. A certain curly-haired ‘freak’ who had a habit of stopping by multiple times a week.
You’d noticed him around three months ago. He had pranced in, mop of curls bouncing with every step he took. He was pretty to look at, although extremely eccentric, and you gathered that’s most likely the reason why your eyes had drifted to him in the first place.
But what held your gaze was how it was extremely obvious that he was coming there to see you.
You had only joined Hawkins High for your senior year, trying your best to avoid as many people as possible. You weren’t exactly the most friendly — Curse your awkwardness in social situations — But despite your quiet demeanour and sarcastic humour as a defence mechanism for your nerves, you had caught his eye years ago.
He’d thought he’d lost his chance to speak to you when you had graduated, but seeing you working here had felt like some sort of sign. He didn’t believe in God, but somebody had taken pity on him, and he would forever be doing penance for that.
The small, rusted bell above the door chimes as the hinges squeak, announcing a customer has arrived. You don’t bother looking up from your magazine, knowing already who’d be stupid enough to come in at 8:02am. 
You can feel a set of eyes on you as he wanders across the various aisles of cables and antennas, watching your chest press against the wooden counter. The only sound that fills the store is his heavy footsteps and the occasional turn of your page.
He feels like a pervert. The shame creeps up on him continuously when he finds himself staring, observing every small move you make. It’s the only thing that gratifies him, even though it’s just a reminder that he can’t find the courage to actually have a conversation longer than three sentences.
You sigh upon hearing him halt, never tearing your eyes away from the bold images in front of you. If he isn’t going to make a move, then maybe you can find some confidence from somewhere. “Can I help you, Eddie?”
Crash.
“Uh…” he lets out slowly, rubbing the back of his neck. He takes a quick peek at the mess of display tapes he’s knocked over, cursing internally at his body’s reaction to hearing you speak his name. “Clean up on aisle five?”
You try not to smile, tilting your head down further to hide your amusement. “Better put those hands to good use then.”
Eddie tries to ignore the sexual meaning he takes away from your words, burning red as he drops to his knees dramatically to quickly to stack the shelf again. He tries to organise them, but the current state of his bedroom proves that he’s already no good at that. You can hear him curse from your position behind the desk, despite him uttering it under his breath.
“Just leave it,” you announce quickly, worried you’d put far too much pressure on him. You’d only meant it as a joke, not expecting the boy to actually fold in half and bend to your commands. It’s a little too much power to hold, something you’d never experienced before. “I get paid to do that, so…”
“Right,” he lets out, trying to smoothly saunter up to the counter. He ends up whacking his knee into another cabinet on the way there, earning an actual physical laugh from you this time. He feels proud, despite knowing deep down that you’re really just laughing at his pain. If a fool is his part to play, then he’ll play it with an award-winning performance. “Anyways, uh, I’m here to…” He scans the shop, desperately looking for an excuse. “Guitar strings. Want ‘em. Need ‘em, actually. Pesky thing...”
He trails off with an awkward laugh, watching your eyebrows raise in amusement. You let him ramble on about the importance of his music and how sacred it is, unable to find your voice after initially greeting him. It’s something you’ve always struggled with. The sole reason you had graduated with decent grades but not a single person to celebrate that achievement with. You wanted interaction, but with the students of Hawkins High already making assumptions about your quietness, it was hard to do so.
Eddie notices your silence after a minute or two, cheeks reddening from his mouth’s persistence. He tilts his head, a grin widening on his face when you match his smile. “Yeah… and you definitely don’t get paid enough to deal with idiots like me.”
“You’re not an idiot,” you state almost immediately, words coming out a little raspy. You weren’t even sure what you wanted to say in response to so much attention from one person, but luckily your brain makes that decision for you for once. “Kind of chatty, but that's okay.”
“Usually my voice can lull a thousand people. I’m like a siren, truly.” He gets another laugh from you, one that’s snorted and entirely unattractive. To him? It’s the most beautifully raw sound he’s ever heard. He decides then and there that he’s already in love with it. “Guitar strings? Yes?”
You falter, suddenly coming back down to reality from the cloud he’d ascended you to. Of course, the essential thing he’d ‘come in’ for. Even though you know it’s just a rouse, you can’t help but feel bad when you break the news to him.
“You… know this is an electronics store, right? We don’t sell anything, like, remotely close to guitars.” You watch his smile evidently drop, although he manages to somehow keep the corners of his lips upturned. There’s a flash of rejection that passes over his eyes, a look that has your heart squeezed impossibly tight. Eddie is the only person who’s remotely considered approaching you, other than the band of jocks that occasionally took a dig at your shy nature. In light, he was the only person who’d been kind. You didn’t want to let that go. 
You can see the tops of his thighs twitch, the only part of his legs visible from where you’re standing. It’s enough to alert you that he’s going to leave, and although this is your first time conversing something other than ‘Enjoy your purchase’ or ‘Have a nice day’, you found yourself oddly connected to him.
So much so, that you offer the only thing that comes to your mind.
“W-We do sell amps though!”
Eddie Munson finds himself the new owner of a glossed amplifier a few moments later, covering the empty hole in his wallet where his cash should be with a forced smile. He’ll have to explain the lack of groceries to his uncle later. Something a lot better than wanting to impress a person he finds attractive.
“Aaaand here’s your receipt. You can return it within ten days if there’s any issues. Company policy, and all that fine print stuff…” You don’t finish the rest of your trained response, deciding he’s probably bought enough things in here over the last few months to know what you’re going to say. He simply nods, patting the large speaker awkwardly on the desk.
“Forgot how big these things are,” he begins, smoothing his palm over the dials and buttons as you draw your bottom lip between your teeth to suppress another laugh. He lets out a low whistle, and you ignore how your neck begins to flush with heat at the sound. “Like, wayyyy too big. Huge. Enormous, even-”
“You already have an amp, don’t you?” You finally put him out of his misery, watching his nose scrunch in embarrassment before he pats the speaker again, this time a little more forcefully.
“...Yeah.”
You open the till. “Okay, give it back. I’ll refund you-”
“W-What? No- No no no, I can take it. I don’t wanna get you in trouble, or anything- I’m a bad influence but not this bad.” He rushes out, hands waving in front of his face in frantic motions. You reach forward bravely, taking a hold of them to still his movements.
His breath hitches.
You strain your neck to look behind him, gazing over the empty parking spots out front on the street. They’ve been barren since last night. “I don’t see your van outside. There’s no way I’m going to actually let you carry that.” You chuckle along with your words, watching Eddie blink rapidly at you.
“You know my van?” He asks out of disbelief, but there’s a hint of a teasing tone to his words. He doesn’t mean to. However, there’s a natural charm and cockiness to him that never seems to cease. You kind of like it.
The sound of the register opening distracts him from his shocked stare, coins jingling within the metal. You count out the bills he’d handed over, sliding them across the counter with another timid grin.
“Being off the radar means I do a lot of observing,” Eddie gingerly reaches up to swipe the money, short-circuiting when his fingers envelop yours, unmoved from where you had originally laid them down. “Like what car you drive, and the new patch on your jacket, and the fact that you’ve been in here five times this week already.”
This time, Eddie blushes. A full-on rosy tint that spreads across his cheeks like the first brush stroke to an empty canvas. It paints him beautifully, mentally applauding yourself for finding comfortability in talking to him. It’s a personal success you can celebrate later.
“I… didn’t realise you could see me.” He admits honestly, rubbing at the back of his neck as he takes a quick glance around the store. His body physically turns to spy his multitude of hiding spaces, ones that he’s thought were somewhat decent. He hides his dismay well.
“You’re kind of hard not to look at,” Eddie nearly contracts whiplash at your response, eyes wide and mouth agape at your somewhat confession. Him? Lanky, scrawny, non-showered, freaky nerd Eddie Munson? You giggle at his obvious starstruck expression, deciding to take another leap of faith. You lean forward over the counter with the cash in hand, fingertips tracing the waist of his jeans as you stuff the bills into his front pocket. “See you same time tomorrow for those guitar strings?”
Eddie nods, body numb and on auto-pilot as he backs out of the store. His parted lips soon pull together to produce a grin when he reaches the door, green notes protruding from his pocket like some sort of ‘mark’ you’d left on him. He tries not to let his mind wander too far at that idea, for his own sanity.
“It’s a date.” He mutters eagerly, despite knowing that a ten minute conversation at your workplace is the worst romantic idea he’s ever come up with.
Still, you eat up every ounce of his dorky charm with a wide grin and a flutter in your stomach. “Yeah... It's a date, stalker in aisle five.”
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maniculum · 5 months
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Bestiaryposting Results: Ilyecham
Presenting the results for the Ilyecham -- a name which continues to look wrong in Tumblr's sans-serif font. That's:
Ilyecham
There we go. As usual, if you're not sure what this is about, you may find an explanation at https://maniculum.tumblr.com/bestiaryposting . The text from which the artists are working is here:
I saw one post saying something along the lines of "if these things are going to keep being birds, I'm going to have to learn more about bird-drawing." I regret to tell you that the Aberdeen Bestiary has a whole section on birds, so they are indeed going to keep coming up. They make up, like, a third of the entries I have queued. Sorry. Or, if you wanted motivation to practice your avian drawing skills, you're welcome.
Also, sorry this post is a couple hours later than usual -- I had Other Obligations this evening.
Anyway, here's the art, in roughly chronological order as per usual.
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@embervoices (link to post here) has drawn both a colorful adult and a less-colorful juvenile, and moreover provides us with a quick vocabulary lesson, which I always enjoy because I'm a language nerd. (They also wrote their own image description -- thank you for that, saves me some time.) I absolutely love that the Ilyecham "greedily seizing larger birds" is here represented by a hatchling aggressively going after a "bewildered goose". The linked post includes some notes on design decisions also.
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@miapcain (link to post here) has done another beautifully stylized picture, showing multiple Ilyechams and their aggressive behavior. I love the style of course, and I also like that these have an almost sandpiper-like body plan with long beaks, which they apparently use to stab other birds -- or at least I think that's what the one in the bottom right is doing, which I think is pretty cool. The blue heads are a nice visual touch also, I think. The kind of tiled geometric background feels very period-appropriate, exactly the sort of thing you'd see in a particularly richly-illuminated manuscript.
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@sweetlyfez (link to post here) notes that there aren't many visual details in the description, so she decided to draw a regular bird of prey and then add a wizard hat to indicate that it is armed with spirit, which I love. I actually laughed out loud when I saw her explanation of why the hat. Excellent choices, no notes. Also I think this is a pretty good bird drawing on its own merits, hat aside.
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I continue to enjoy @rautavaara's drawing style (link to post here). I really like the way the rays of the sun are drawn here, specifically. Their Ilyecham is molting in an extremely dramatic fashion, missing whole clumps of feathers, which I think looks quite cool and communicates the idea well. (I worry a little bit about how long it's going to be able to stay in the sky with so many wing feathers missing, but they're apparently quite unpleasant birds, so maybe a rough landing is well deserved.)
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@coolest-capybara (link to post here) has drawn us a whole family of Ilyechams. Also in excellent medieval style, as usual -- the stylized drawing are kind of all in a cluster in this post. I like the plants; coolest-capybara is quite good at drawing plants in a way that looks just like the Unidentifiable Medieval Foliage you'd expect in a manuscript. We can see one parent exhibiting its molting behavior, another fighting a much larger bird, and three poor little juveniles walking off looking a bit dejected. Hits all the highlights of the description very well, I think. The linked post includes a brief description and a few close-up details of the image.
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@silverhart-makes-art (link to post here) would like to acknowledge that this is "kind of a mess" and "the wings are just gonna look like that", which I think is an example of artists holding themselves to very high standards because this looks very realistically rendered to me and I have no idea what might be wrong with it. That's a damn fine bird drawing right there. The linked post includes a pretty thoughtful explanation of which behaviors in the provided description are reminiscent of which birds, and how silverhart has combined elements of a few different birds to make this one.
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@karthara (link to post here) has drawn us what is unmistakably a bird of prey, and briefly explains in the linked post what birds this is inspired by. I think the feather pattern is very interesting, particularly the blue on the head. Something about the way the shape of the pattern interacts with the bird's eye looks very cool. A certain je ne sais quoi, if you will.
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@hairycarrot (link to post here) has done a pretty cool-looking sun in the corner of the page. One of the unexpected things I'm enjoying about these is that multiple artists decided to have fun with how to draw the sunshine in which the Ilyecham spreads its wings. Poor little guy falling out of the nest there... buddy I don't think that one is quite ready to fly.
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@treesurface (link to post here) shows us an Ilyecham creating a breeze by beating their wings, as described in the entry, which I like. Their Ilyecham is equipped with a dangerous-looking pointed beak for the purpose of fighting larger birds, and the look in its eyes definitely helps with that impression. The linked post provides an explanation of design decisions.
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@strixcattus (link to post here) notes that the description provided reminds them of a number of small raptors, but that all of those raptors look kind of alike, so they've given their Ilyecham a striking feather pattern to stand out from the crowd. I really like it, the pattern is excellent. I also like that we're seeing the return of an animal from a previous entry: that thing it's grabbing in its claws is a Holghras chick from a couple weeks ago. (Though I'm slightly torn because I like those little muppets, and the Holghras has enough problems without being attacked by an Ilyecham.) Strixcattus has again provided us with a modernized description of the creature in question, which is amazing as always. If any of y'all enjoy worldbuilding half as much as I do, you owe it to yourself to read these.
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@moustawott (link to post here) has drawn us a very small-looking bird here, performing stationary flight to aid in its molting behavior. The feather pattern is very good, in my opinion, and I like how the molted feathers are kind of blowing away behind it. Also an excellently-rendered bird in general.
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@pomrania (link to post here) envisions the Ilyecham as looking old and grumpy to fit the vibe of its described behavior -- an early draft of this drawing includes a speech bubble reading "get a job you freeloaders", which I think hits the mark pretty well. (For early drafts and additional commentary on the design, see the linked post) I like the eyebrows, I like the severe color scheme over most of the body paired with the colorful wings, and I like that this is the closest to what I pictured when I read about the Ilyecham, namely this:
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(Not that it's an eagle, but you know. Vibes.)
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@mobileleprechaun (link to post here) has very clearly depicted a small bird attacking a larger one. They note "heavy Season’s Greason’s inspo" and you know what? I totally see it. I also enjoy the decision to make the larger bird a dodo.
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Another cool pen drawing from @cheapsweets (link to post here), who also has some thoughts about how this particular nib works for drawing. Pretty well done birds, I think. I enjoy the one on the right just shoving the juvenile out of the nest, and the stylized sun is also pretty cool. The linked post includes a detailed explanation of the design decisions, and also has some questions about the entry that are probably rhetorical, but I figure I can try and shed some light on a couple of them anyway.
Again, we have a lot of behaviours, but nothing in terms of a physical description… Did the author just thing ‘everyone knows what birds look like’, was this just a bird that the reader was expected to be familiar with, or were they all like 'I’m not describing yet another bird… :p’?
I think it's a little of all of those, and also that the author tends to be more concerned with the symbolism of the animal than naturalistic description. So if, say, the color of its feathers doesn't have a symbolic meaning attached to it, the author won't bother to tell you. Related to that...
Hang on, this is going to be some kind of inspirational virtuous animal thing, isn’t is… :p I can imagine some medieval scribe writing 'and so, the ilyecham represents the cardinal virtue of fortitude’ or something…
Interestingly, this bird's parenting style is basically the only part of its description that doesn't have any symbolic explication attached. The molting in the south wind gets, like, pages of material though, including the fantastic assertion that it's the south wind because God comes from the south but the Devil comes from the north. Literally, that's what it says:
God, it is said, will come from the south. The Devil from the north; God from the south.
Moving on, let's take a look at the Aberdeen Bestiary illustration.
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Honestly, that also kind of looks like Sam the Eagle.
However, this is the entry for the Hawk. Yep. Turns out hawks are inherently opposed to the welfare state, which... actually lines up more than it should with present-day politics.
I don't have much more to add here, because most of my thoughts on hawks boil down to "Tobias was a pretty good character in the Animorphs series".
Pretty sure that's not how wings work, anatomically. But nevertheless. End of post.
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sakurayumekun · 8 days
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PRO-ANA GUIDE HANDBOOK 
An anorexic mind
First of all, let's work on the psychology first. Be sure to fuck up your relationship with food from the start. You want to make yourself as neurotic as possible about food, eating, kitchens, cutlery, refrigerators, restaurants, and hey, why not stretch this out even further and start hating the actual source of foods, in other words the actual animals and plants. I myself am utterly opposed to factories. Any kind of factory. Even pillow factories, hell they're all the same. But you! Spread those bad thoughts! Hate that chicken!!! Unless of course, you're going for the sympathetic, oh the poor animals, vegan slant. That's a good one too. Firstly, reaffirm your mission. Immortalise it. Buy a fat, blank notebook, this will become your own personal anorexic sanctuary of sorts. Write down WHY you want to lose weight. Be sure to include things like how you will feel when you're 10lbs lighter, the glorious clothes you will fit into, an occasion that you would like to be thinner for like your sixteenth birthday, etc. Give yourself a final goal, and break it up into several, smaller, goalpoints. For example, if you weigh 140lbs and would like to eventually be 90lbs, list points along the way which signify a victory for you. For example, 130lbs, and then 115lbs, then 110lbs, then 100lbs, and so on. Re-read this again and again for inspiration. You will be using this notebook later to create tackytown anorexia-inspired collages and other paraphernalia.
Visualisation. Following the same strain as NLP, or Neuro Linguistic Programming, we must use the principles of association to retrain your consciousness, and sub-consciousness, to turn food into one of the greater evils of the world. (Read: the greatest evil!!) Start by associating food with disgusting things. For your first ever fast, it may be helpful to draw pictures of juicy red apples, somehow morphing into giant dead rotting pigs. Plaster these all around your house, preferably on the food itself. Never underestimate the power of images. Put pictures of fat girls on your fridge, or better yet, pictures of yourself; you're pretty fat. Conversely, stick pictures of rakish models everywhere you can see them, for inspiration, and a bit of productive self-loathing. Also, practise writing things like "I'm fat" over and over. You want to drill this into your brain. "I will be thin" is a good one, as well as other "I will" affirmations. These are positive statements and very conducive to big time weight loss. Now create a list of suitable punishments either for thinking of food, or for caving in and eating food itself. A good one to try is to keep a rubber band on your hand and flick your skin whenever you think of eating. Eventually you will have a swollen hand, and a shrunken body; you will have ceased thinking of food so much. Other punishments include ridiculous amounts of exercise, purging, self-mutilation, isolation, basic denial of necessary comforts such as blankets on a cold night, or shelter when it is raining... Or simply menial, disgusting tasks such as cleaning the bathroom. Remember, you need discipline. Invent pain and hassles for yourself. Trick yourself into believing your life sucks. Be mean to people so that they instigate fights, just to make you constantly on edge, or nervous, so you cant eat. After all, you'll be light-headed and dizzy, and irritable from not eating, so you have an excuse. I used to love when dad got mad at me because it meant I was so upset I could not eat. Become an angst ridden teenager. You'll be making yourself nauseous from worry and self hatred in no time. Find another anorexic to consort with. Whether this be in real life, or on the internet. You can swap tips and indulge in your little sordid anorexia world together, force each other to exercise, pat each other on the back when you reach goals, etc. You want to completely surround yourself with all thoughts of anorexia. Find pro-anorexia websites, or create your own. Sign up for one of the dozens of pro-anorexic mailing lists at Yahoo! and you'll be bombarded daily with like minded individuals. Now, immerse yourself further in anorexia propaganda, read anorexia or otherwise 'thin' inspired literature, listen to anorexic music, watch as many triggering films as you can get your delicate little mitts on, look up to very thin hollywood stars and supermodels. Also, visit as many of the aforementioned pro-anorexia sites as you can to get a bunch of quotes and mantras to write in your anorexia notebook, and repeat inside your head daily. I have compiled a list of such sources of thinspiration.
Thinspiration
Triggering music
This is essential. You must familiarise yourself with the very teenage and angstyartists and be sure to play the music over and over to thoroughly depress yourself. Ones to keep in mind are:
Fiona Apple - "Paper Bag" ... Hunger hurts but starving works...
Silverchair - "Ana's Song (Open Fire)" ... And I need you now somehow, and I need you now somehow ... On my knees for you... In my head the flesh seems thicker...
 Juliana Hatfield - "Feed Me"... Oh baby if only you knew, I'm down to 102...
Tori Amos - "Jackie's Strength" ... You're only popular with anorexia, so I turn myself inside out, in hopes someone will see...
Anorexic mantras
 You must collect as many of these as possible. Write them in your anorexia notebook, memorise them, let them comfort you. Some examples are:
"An imperfect body reflects an imperfect person." 
 "You will be tempted quite frequently, and you will have to choose whether you will enjoy yourself hugely in the 20 minutes or so that you will be consuming the excess calories, or whether you will dislike youself cordially for 2 or 3 days for your lack of willpower." 
 "I'm not starving myself...I'm perfecting my emptiness." 
 "I can get thinner. I can cut it all off. I can wear low slung Levi's and crop tops and long straight dresses like willowy models, and I gasp with the breathlessness of being airborne. I can fly and be free. Jesus! I never realised how easy it was!" 
 "Nothing tastes as good as thin feels." 
 "The greasy fry, it cannot lie, its truth is written on your thigh," 
 Devour literature, not food
Words and text are very very triggering when it comes to not eating. For one thing, it gives you a world to inhabit, your very own private, magnificent anorexia world which nobody else around you can touch, and you shall have characters to understand you. You will be so riveted that you will not need to eat. Books to check out include:
The best little girl in the world by Steven Levenkron
Wasted by Marya Hornbacher
The fountainhead by Ayn Rand - not about anorexia per se, but Dominique
Francon is the fucking epitome of ethereal, insubstantial, bony grace.
 I am an artichoke by Lucy Frank
Starving for attention by Cherry Boone O'Neill
 Hunger scream by Ivy Ruckman
 Diary of an eating disorder by Chelsea Smith and Beverly Runyon
My sister's Bones by Cathi Hanauer
Stick figure by Lori Gottlieb
Eve's apple by Jonathan Rosen
Thinspiring films and TV shows
These might be about anorexia itself, or it might simply be glamorous and include very thin beautiful people. Movies and television programmes I know others find thinspiring are:
Girl, Interrupted
For The Love Of Nancy
 Ally McBeal
Role models
 You need somebody to idolise. You must research him or her to the bones and become as close to her as possible. Become obsessed. Some suitable examples include those in the following list, who are either very skinny, or have, or have had anorexia:
Kate Moss - 90's waif
 Angelina Jolie - skinny sexy actress, e.g. Girl, Interrupted and Gia
Christina Ricci - actress, had anorexia
Calista Flockhart - Ally McBeal
Lara Flynn Boyle - glamorous and snobby, never eats
Tracey Gold - actress who suffered from anorexia
Karen Carpenter - musician and classic anorexic
Portia de Rossi - actress on Ally McBeal who went through a stage of dangerous dieting
Geri Halliwell - formerly Ginger Spice, engaged in a 'thin war' with:
 Victoria Beckham - formerly Posh Spice
Courtney Cox - actress on Friends, bony and gaunt
Twiggy - iconoclastic model
Mary Kate - had anorexia... perfection
Jodie Kidd - impossibly thin model
Nicole Richie - Thin thin thin
 Audrey Hepburn - quintessential class, very petite
This should be enough to sufficiently fuck up and cloud your perceptions. Above all, convince yourself you are above others, a hero, owing to your spectacular powers of restraint. Feel elitist. Feel as though you are somehow super-human for resisting the urge to eat. Feel better than the other mere mortals who dig in to their cereal and their donuts. Believe in the power of starving as though it were a religion.
Extreme dieting
Now we can move on to the actual act of excessive dieting itself. First off we should establish clear limits. Make up rules you cannot deviate from. Only eat yellow foods on Monday, and brown foods on Tuesday. Or only eat every other day. Or only eat at night. Or only eat on days with the letter "u" in them. Or become a vegan. Or a fruitarian. Or follow your own version of a well known diet, such as the ever popular low carb diets, e.g., the Zone Diet, Atkin's Diet. Use your imagination. I knew a model who swore her secret was living on sushi, candy, oranges, cigarettes, and water. Another tip to try is to only allow yourself one food a day. You will get sick of the taste and therefore eat less due to boredom.
 Now, compile a list of safe foods. Here is a fairly comprehensive list:
Low Cal Jelly (or Jello, for you Americans)
Celery - it is composed highly of water, it is crunchy, which is said to cause you to eat less, owing to the amount you have to chew it, it is considered acatabolic food
Carrots are also another safe vegetable (although most vegetables can be on your safe list, these are merely the safest of the safe)
Salsa and mustard - dieting staples. You can dip vegetables in them, they are fat free and low cal, and salsa brings cravings to an abrupt halt.
Spicy foodsare also thought to fire up your metabolism
 Vinegar - thought to thoroughly reduce your appetite. It is suggested you drink a tablespoon or two before each meal.
Lemons dipped in a sugar substitute such as Splenda or Nutrasweet. (note: In some anorexia circles, even fruit is no good, besides oranges, which are a 50cal food)
Broth (only 5 calories per cube!!)
Egg white - much needed protein
Pickles
Lettuce - an absolute 'nothing' food
Cucumbers - very very low cal
Soup
Safe foods are merely foods that are safe to eat if you are craving foods outside your set meals. They are extremely low cal, or no cal. As for your actual daily intake of food, most wannabe anorexics tend to stick within the 500 - 1000 calorie range depending on how much exercise they do. Never be shy when it comes to considering taking certain drugs to reduce or diminish appetite. Some antidepressant medication such as Wellbutrin have this effect, as well as Topamax, which is originally an anti-convulsive but has been and can be prescribed for things such as ADD and bipolar disorder. Steal your little brother's ADD medication. Dexedrine is gold when it comes to killing appetite. Just ignore the paranoia and nervousness that comes with it. Think about diet pills and supplements such as Metabolife and Ephedra.
Day to day
Now we move on to the ever important area of ritual and habits, tips & tricks, to get down to a science.
Graze constantly throughout the day so that your metabolism never gets the chance to rest and become sluggish. Eating 100 calories five times a day is better than eating one meal consisting of 500 calories.
Fool your metabolism by constantly changing the number of calories you consume daily. This will prevent your body going into starvation mode, meaning that lesser amounts of calories will make you gain weight. For instance, eat 500 calories on Monday, 100 on Tuesday, 800 on Wednesday, no calories on Thursday, and 400 calories on Friday.
Get a full night's sleep, at least eight hours. Although staying up late does make you burn more calories, don't become sleep-deprived or your metabolism will become sleepy. Your appetite will even increase by 15%.
Record everything you eat in your anorexia notebook. This serves to motivate you, as well as to be aware of all the extra calories you may not be aware you are consuming. It may also let you identify emotional or environmental triggers, such as boredom or sadness.
Take vitamin pills frequently so your body doesn't crave nutrients, causing binges.
Diet coke and other diet sodas cause that bubbly, full feeling in your stomach, for about 1 calorie per glass.
Brush your teeth and tongue all the time. The feeling in your mouth will ease cravings and additionally, food will taste yukky with toothpaste, so whats the point of eating it?
Drink water like a fish. Drink a glass of water, or a diet soda, every hour on the hour. Drink water every time you have the urge to snack. Ice water is better because your body will burn more calories to heat it up. Drink water with meals to prevent overeating. Bear in mind that often we mistake thirst for hunger.
Caffeine will speed up your metabolism. Have two or three servings a day, in the form of black sugarless coffee, or caffeine pills, or guarana. If stacked with ephedra and aspirin, a synergistic effect will occur that imitates the effects of speed or other amphetamines. Do be aware that this practice can be rather dangerous.
Exercise. Not only will you burn off the calories you consume when you do eat, but it will increase your metabolism for some time afterwards. As well, the consequential muscle mass will increase the calories you burn at rest. It also suppresses appetite. Try running, or buy yourself a skipping rope.
Stand up and move about constantly. Compulsively fidget. It does add up to an estimated extra 500 calories burned a day. Twitch your leg while studying, for example. Also, sit up straight - you'll burn more calories.
Have a very busy and active schedule. It will burn more calories than sitting in your room thinking about not eating, and make sure you don't have enough time to binge.
Find a something other than food to satisfy your oral fixation. Choices include things like smoking, chewing gum, water, iced tea, sugarless mints, and diet coke.
Put a small coin in a jar every time you resist a craving, or exercise when majorly exhausted, etc. This will motivate you, build up confidence in your starving abilities, and keep track of your successes. As well as give you extra cash to splurge on some fantastical treat when you reach your first major weight loss goal.
The type of music you listen to while you eat affects how much and how quickly you consume. The faster the music, the more you eat. Try to listen to nice slow music when you eat.
Eat sweets and the foods you crave early on in the day. This will give you more time to burn them off and it will eliminate cravings later.
Eat while in the front of the mirror naked. You will be completely repulsed, and repelled from the food. This is a good thing.
Feel your hunger..don't try to suppress it. If you're hungry that means you're losing weight; you WANT to be hungry. If you're not then you're not doing it right. In time you will get a wonderful high off of being hungry and thoroughly enjoy the sensation. Hunger is not your enemy! The sooner this is understood, the sooner you will reach your goals.
Did you know that there are 2 pounds of dead skin on you right now!!?! Thats right! 2 POUNDS! ...if you're underweight or in starvation mode your body does not "shed" its skin the way it should. It holds on to it. Use an exfoliator for your face, and a loofah brush or scrub for your body. Make a stack of magazines that weighs the amount you want to lose. As you lose, take off the appropriate amount of magazines. Seeing the weight like that may help you realise what a difference it will make when it is all off. When you're feeling weak Here are some things which will help when your willpower is very feeble, to ward off the urge to eat, or worse, binge!
Pinch your thigh and see how you don't need food, because you should be eating your own flesh all away from the inside first, before you are deserving of actual legitimate sustenance.
Go to the library. You can research dieting or whatever, or you can read the classics, or some of the aforementioned listerature. Or you can do homework, or write letters, but the beauty of it is, since no food or drink is allowed, you'll have no choice but to abstain from a meal.
Buy some baby teething gel and rub it on your tongue, to numb your tastebuds.
If you're even considering eating, just hold your breath and count to 100. Chances are that you'll convince youself not to eat whatever it is you're craving in that time.
The scent of coffee has been proven to lessen ones appetite.
Chew the food but don't swallow it. Spit it in the bin.
If you're feeling dangerous, plan out the next few hours so that you're occupied for every single minute. Write a list of things to do for every 15 minutes. eg. exercise, surf the internet, email your friends, clean a room, read a book.
If you're feeling brave enough to face the kitchen, go there and throw out any potential binge foods. If you must, pour bleach/disinfectant/dishwashing detergent on the food, and then throw it away! (Anorexics are known for retrieving food from bins, or stealing food from strange places).
Pinch your ear! Apply pressure to the front of the ear, one at a time. The front of the ear is apparently a pressure point, in the area that controls hunger.
Let perfume replace chocolate. Every time you have a craving, or pass a bakery, sniff some Chanel no. 5. Apply it to a tissue and carry it with you.
Smell has a powerful effect on appetite.
Clean something. Cleaning something dirty can make you lose your appetite. The toilet, the litter box, under the kitchen sink, scrubbing out the garbage bin, anything grimy or smelly. The mess, along with the smell of the cleaner, can put you off food for a while.
Become a teenage artist. Write anorexic poetry, tragic little verses about bones and stomachs and evil evil capsicums. Anorexics are ever so creative.
Collect pictures of skinny girls. Stick them all in your notebook. Draw pictures of painful bony girls with tear stained faces and their head in their hands (their spines sticking out). This will take up most of your time.
Hiding it
 Anorexia is supposed to be a private and tortured place, dontcha know. Deny it at all costs. Pretend you have not noticed the pounds dropping off you. Don't be suspicious. Here are some relevant tips:
Spend time making yourself look healthy.
Drink lots of water and apply a fake tan.
Wear makeup so that you have some colour, and keep your hair looking nice and shiny, take vitamins.
Smile. 
Whenever you do decide to eat, do it in the company of others.
That way they can't say they never see you touch food.
On your way out, heat up a slice of pizza or prepare a snack to 'eat on the run'.
Of course, you will dispose of the food at your first convenience.
Leave a dirty plate lying around every so often for your parents to yell at you about.
Drink out of opaque cups, and spit your food into it whilst preteding to drink. They'll never know.
Eat really slowly because if everybody else is on their third slice of pizza, they'll assume you are too, even if you're still finishing your first.
Sign out of Hotmail and clear the history before you get off of the Internet. This will eliminate autofill being ever so helpful while your mum is researching aardvarks, and coming up with www.anorexicsanonymous.com for her. In short, don't leave traces lying around for others to find.
I trust that this guide to becoming a better anorexic will serve you well on your quest to being emaciated and ahem, gorgeous.
Remember, think thin, and try not to faint too often or die.
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butchsophiewalten · 9 months
Text
Findjackwalten 07/15/23 Update #1 and #2 Walkthrough
Findjackwalten updated TWICE yesterday! There's no new pages but a LOT of already existing pages have changed, several of them more than once.
UPDATE #1:
Findjackwalten.com
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Lots of these images of Bon have appeared on top of the whole page. The page in this screenshot is SUPPOSED to be grey except for the new bons, but The Wayback Machine doesn't archive that color overlay in the page capture.
If you use something like Ublock Origin to remove the Bon assets you can see the bit of white-on-black text reads "Say something..."
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This image also seems to be the same as the backdrop to this teaser
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Seeing it now it's more obvious what the drawing is actually of. Bon is wearing a hard hat, with little screws and bolts of electricity around him. It seems engineering-related, like somewhere Susan would work.
Findjackwalten.com/martinguaridasecretanoentrar
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This page has been outfitted with three new Funny Walten Facts
"Goodfaith Caring"
This one's enigmatic. Exact google search results are nonexistent (IE, searching the name in quotation marks), so it probably refers to something in universe? It's capitalized, so it's a proper noun. Maybe the name of a company? Maybe even the name of an episode of something? An episode of The Walten Files? and episode of Little Bon's Neighborhood? An episode of The Showstoppers Comedy Extravaganza?????? It's so vague I really don't even know what to say here.
"Sha was originally named "Belle" or "Belly" so that all the names would start with a B and be named the "THE 4 B's" or "THE B PACK" instead of "THE SHOWSTOPPERS", but Sha sounded more adequate. She was actually the last showstopper to be made and a final addition because back when TWF was a fangame i needed a character to balance the group more and a more adequate stage companion to Bon than Banny (too similar to Candy and Cindy from good ol FNaC) so Sha was made, so yeah, my fav showstopper right there."
Something I mostly knew already but was pretty obscure! I always really love getting a look into the creation of The Walten Files, and this bit about Sha only existing as to make Welcome to Bon's Burgers less similar to Five Nights at Candy's is a really fun fact.
"No she wasn't homeless, it was just cheaper than paying for an actual apartment"
An elaboration on the Sophie fact from before. This just makes this previously devastating Sophie information really funny. He lived in a meat shop for three years because the rent was cheap. His whole life is so bizarre.
Findjackwalten.com/poker
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Nearly the same as always, except the top text has changed to read "It was not quick."
Findjackwalten.com/890247895yuiowarsehiofhkjy890wte
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There is LOADS of text on this page now. It reads like more Anthony website posting, which definitely confirms this being a sort of bizarro 'missing link' from the nonfunctional "Object Possession" link on /brightonghosts.
This "Jazmin Doll" story is completely fictional and exclusive to the universe of The Walten Files. There is some (completely unsubstantiated) speculation that Child's Play could be based on the real-world haunted artifact of Robert the doll, but that's obviously not what's being referred to here.
The important information here is this:
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"dOnce [sic] the soul chooses it's vessel, it becomes it's body. However, the longer it spends inside of it. The more it becomes it's ACTUAL body. (Jazmin's body was the doll, the wood was her skin, the wooden arm was her real arm.) it can cause it pain and it can feel everything it touches. this has been named amongst us ghostfans as "Post-Extensive Object Possesion"'
This is like. a CRAZY bomb of information to be given about the ghosts in this universe. I don't want to theorize about it too much since I try to keep crazy theories away from these walkthrough posts, but holy shit.
Another little thing here is that there's some odd letters on this page that i'm not totally willing to write off as just typos. There's a missing "e" and "g" in this bit here:
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And an extra letter "d" here:
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No clue what this means, or if it spells something, or anything.
Last thing I wanna point out with this one page is the little stipulation at the beginning where Anthony mentions that if the story he talks about is proven fake, he might delete the page. This might be what happened, and why the main /brightonghosts page doesn't link off to it?
Findjackwalten.com/ghosttalk
This page is the same except for this little addition just at the bottom:
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This update seems to corroborate the new information on the Object Possession page, that ghosts within haunted objects eventually 'become' the object and experience a sort of 'life' within it.
Findjackwalten.com/brightonghosts
A new update from Anthony!
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He's found some new stuff to show us! And apparently the K-9 facility is now demolished? That sounds familiar enough that it might've been something we knew before but I can't exactly remember. The Jane Walten mystery continues.
Findjackwalten.com/btscene
Just a small update, one new image at the very bottom:
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UPDATE #2
Findjackwalten.com
The same as the last main page update, but with new white-on-black text:
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This is a quote from How The Grinch Stole Christmas, which is... interesting? It's making me think back on notable presents in The Walten Files. We see a lot of present boxes in Bunnyfarm that usually involve a ghost/animatronic giving one to Sophie which kickstarts a Scary segment.
There's also the fact that Rocket was a Christmas present
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Findjackwalten.com/poker
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A really weird update here. We have that exact same quote from How The Grinch Stole Christmas, and the normal /poker image has been replaced with one with this ominous white face peering out from behind the grandfather clock.
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Findjackwalten.com/brightonghosts
Just a little funny edit of Anthony trying to fix his slipup
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Findjackwalten.com/poker ....again?
This update to /poker happened maybe an hour or less after the previous one.
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the Grinch quote has been changed to read "oops!", and the painting has been replaced with this darkened, almost pitch-black version. If you use some photo editing software to brighten the image, you get:
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Oops indeed.
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