#i like the different mangas for different reasons and i like finding those reasons)

[meimi-haneoka]

༻✦༺ Welcome! ༻✦༺

Last update Sept. 26th, 2024

Hello and welcome to my main blog, my little home where I share my love for Cardcaptor Sakura and CLAMP works to the world! ✨

I'm Cinzia, she/her, Italian. Aged in a barrel of hyperfixations and daydreams. You might wonder, why this blog url if this is mainly a CCS blog? Well, when I opened this blog more than 10 years ago I was heavily focused on Kaitou Saint Tail, but when I started posting more and more about CCS, at some point I realized it was too late to change url or all the links to the posts I had shared around would become broken.

Regardless! I have closely followed the serialization of Cardcaptor Sakura Clear Card ever since it began and my monthly commentary became something more when I realized the official English translation wasn't doing justice (to use an euphemism) to the original Japanese version. My friends and other fans in general were left confused and misguided by the countless translation mistakes (some to the point of changing the plot), so I started pointing them out in my monthly posts.

I also post other kind of stuff, like reports of CLAMP Spaces when they talk about CCS, or long time ago I posted summaries of interviews with the staff of the Clear Card anime. I plan to eventually translate those fully, considering my skills with Japanese language improved since then. But please remember that "English is not my first language" etc etc., so if some sentences sound weird, you already know why. Now that the manga is over, I post with irregular schedule some in-depth analysis and trivia about the story, examining one topic at a time. Despite being a CLAMP fan and loving other stories as well, I chose to focus on and dedicate myself to CCS in particular, due to time and limited mental resources. Thinking about following me? That's great, thank you! ✨ But if there's an idiom I love, it's "good fences make good neighbours", so please make sure to understand what kind of blog you're about to follow. I consider this my fandom home so additionally to those posts I mentioned above, I also unapologetically post about the ships I love. I love to analyze, I like to theorize. I don't disguise, I don't tiptoe.

I am a CCS fan born in SyaoSaku, and reborn with YunaAki, with currently a preference for the latter ones. If you're curious to know what my POV on this pairing is, you can get a very clear idea looking at my #yunaaki and #cosmos & crystals hashtags . If for any reason that's not ok with you, you're absolutely free to unfollow or even block me. In fact, I encourage you to do so. I'm here on this site to enjoy what I like, not to make anyone miserable. Unkind asks will be ignored; attempts to "lecture me" about what is acceptable and what not, what I can like and what not will probably be laughed at (I'm old for this stuff, it doesn't work with me). On the contrary, if you like YunaAki too, you'll be more than welcome here! Send me a message to share our headcanons! ✨

Now that we've cleared that up, here you can find the real reason why I wanted to make this new introductory pinned post: a convenient list with links to all my relevant posts, organized by category! I will update this list as I add new posts, so always check the date at the top for new additions! 👍

Cardcaptor Sakura Clear Card: commentary + translation differences

(started at chapter 41 because that's when I got access to ENG scans) Collected under the hashtag #translation differences . The first posts might be a bit overzealous, as I was getting the hang of it. TBA: I have a bigger project for this in the works, an easier way to browse through all the relevant translation differences, divided by chapters and volumes, starting by chapter 1 (even marked by severity).

41 || 42 || 43 || 44 || 45 || 46 || 47 || 48 || 49 || 50 || 51 || 52 || 53 || 54 || 55 || 56 || 57 || 58 || 59 || 60 || 61 || 62 || 63 || 64 || 65 || 66 || 67 || 68 || 69 || 70 || 71 || 72 || 73 || 74 || 75 || 76 || 77 || 78 || 79 || 80 || Epilogue || Short stories 01 || 02 || 03 || 04 || 05 ||

Cardcaptor Sakura Clear Card Trivia series

All about Clear Card, from the most mundane trivia to the deepest thematics presented in it. Collected under the hashtag #clear card trivia .

Clear Card Trivia 1 ~ Literary and musical references/mentions in Cardcaptor Sakura Clear Card

Clear Card Trivia 2 ~ Alice in Clockland and its meaning in Cardcaptor Sakura Clear Card

Clear Card Trivia 3 ~ Sakura's journey of growth and self-understanding throughout Cardcaptor Sakura Clear Card

Clear Card Trivia 4 ~ The most ancient Magicians of Europe, the Magic Association and their role in Clear Card

Clear Card Trivia 5 ~ Real life models of buildings featured in Cardcaptor Sakura Clear Card 🆕

Cardcaptor Sakura Clear Card Timeline

An easy-to-read timeline of the events and facts depicted in Clear Card, placed correctly in chronological order inside the bigger Cardcaptor Sakura story.

Cardcaptor Sakura Clear Card Timeline

English translations of short stories and Drama CDs

Cardcaptor Sakura Clear Card BD vol. 8 one shot

Card Captor Sakura Clear Card Arc - Drama CD part 1

Card Captor Sakura Clear Card Arc - Drama CD part 2

Clear Card manga volume 10 Special Edition bonus - Mini Book

Sakura & Syaoran parallels in CCS and TRC

Discontinued, even though I know there are more. Who knows, maybe one day I'll continue it! Collected under the hashtag #syaosaku parallels .

1 ~Hands~ || 2 ~Pinky Promises~ || 3 ~Hugs~ || 4 ~”Tell me”~ || 5 ~Desperate hug~ || 6 ~Scream and shout~

CLAMP Space reports

Reports and in some cases translation of entire chunks of conversation from CLAMP Spaces on Twitter.

July 30th, 2021 || September 5th, 2021 || March 27th, 2022 || April 4th, 2022 || August 7th, 2022 || October 24th, 2022 || November 8th, 2022 || December 28th, 2022 || January 4th, 2023 || May 5th, 2023 || January 8th, 2024 || April 1st, 2024 ||

Interviews with the Clear Card anime staff and cast

Highlights and recaps of the interviews released during the period of broadcasting of the Clear Card anime. If you want to know what kind of feelings and ideas Clear Card was made with, as well as the origin of the 25th anniversary project (which turned into Clear Card), check these out. I plan to translate these entirely, so this list is only temporary, waiting for the complete interviews.

Interview with CCS Clear Card producer Chiyo Kawazoe in Animage 12/2017

Morio Asaka x Sakura Tange interview in Newtype 05/2018

Highlights of Morio Asaka’s interview in the Starter Book

Interview with Yukana (Meiling’s VA) in Animage 06/2018

Interview with Sakura Tange and Motoko Kumai in Animage 07/2018

Interview with Sho Saito (Nakayoshi editor) and Nozomi Matsuura (CCS copyrights manager) in Animedia 07/2023 (full interview)

Other random stuff collected under hashtags:

My fanarts

My fics for YunaAki (to be moved soon)

Enjoy your stay! ✨

[littencloud9]

bsd fandom has always mischaracterised kunikida to hell and back but the fact that i am seeing SO MUCH hate for his character right after his 'death' is insane

[dazais-guardian-angel]

kinda wild to me that one of the most compelling aspects of both Chuuya and Kunikida's characters to me, that I never really see talked about, is how they're heavily set on a doomed crash course towards complete and utter destruction, and how I am so, so worried for them both.....

[maochira]

The Ubers match was the first time I read a match week by week (or started reading a manga weekly in general) but about two thirds in I got kinda... bored? of it. I'm gonna have to reread the entire match in one or two sittings when I find the time because I think it'll be better like that. But I still liked the match! Gonna miss Lorenzo and Barou a lot 💔

Also, in the last Ao Ashi chapter a new match started as well so I wonder how I'll feel about reading that weekly. I've been waiting for this match to start for weeks so I'm excited to see what'll happen :']

[dunmesh]

this panel from the world guide of falin being surrounded by other girls while laios is all alone kills me because. that's it. that's the key difference in their journeys.

as laios states himself, he left the village in order to create a home for him and falin elsewhere. a home that won't collapse due to others' hatred and fears like their old home did, a home where they are loved and accepted unconditionally. but as he soon found out, even before earning money, or having walls surrounding him and a roof above his head- what he so earnestly desired was to meet other people who will accept him for who he is as well. instead, he kept being tormented by those around him, shunned and sneered at. his loneliness quickly became all-consuming until he truly had nothing left except for the monsters in the pages of his book, but even that became a target of mockery and destroyed. that's why ever since the day he left the village, he never felt that he truly made the right choice. so he kept running away: unable to resist and unable to accpet.

and an ocean away from him there was his sister, who never managed to fully fit in herself. but unlike him, she met a person who became a home to her and learned what a true friendship was for the first time in her life. and laios clearly realizes that too when he finally sees falin and marcille together, he can tell his sister obtained the greatest treasure there is on her own- the exact thing he never managed to find anywhere himself, thus coming back empty-handed to the sister he left the village for.

but when you read this part of the manga, laios's focus is on falin's loneliness, not his own. he talks about how it hurts thinking about all those moments she had to spend alone because he wasn't there for her, so it almost sounds like he's the one who couldn't bear her suffering and therefore decided to not let her go again. but we do get a glimpse of their first meeting after that almost-decade long separation in the manga, and then we see more of that in the world guide and daydream hour- and it becomes abundantly clear that it was falin who was trying to protect and save him from this pit of loneliness and depression he was in.

so instead of just doing his best to atone for leaving her behind in the village and making sure she is never lonely again, it might also be that laios was desperately clinging to the one person in the world he felt that accepted and loved him unconditionally. those words he used to describe his motivation to stay by falin's side are the exact words she would've used as well; she couldn't bear leaving him behind in this state. in a sense, they were each other's shackles.

but then she did. she died for him and their friends, and ironically enough, it was by leaving him alone like this that he was finally able to stand on his own and put his full trust in others. to have the courage to reveal who he is and give others the opportunity to accept him after such a long time of hiding. it was a long journey, but his hiding finally came to an end when he faced the others after shedding his monster form. and i love that the person who was falin's "home" all those years away from laios, marcille, became just as meaningful to him during their time separated from falin- the first one to find him and show him that he isn't alone anymore. just as he did for her.

so at the end of the story when falin talks about all the places she would like to go, it's not just that she wants to pursue her own dreams- but that she actually feels free to do so and go anywhere she desires. and one of the main reasons for that is that her brother finally found new people he wants to be with; his own home.

[sashi-ya]

𝑪𝑼𝑻𝑺 𝑶𝑭 𝑭𝑹𝑬𝑬𝑫𝑶𝑴 「 part 1 」 soshiro hoshina x f! officer! reader

a/n: yes! first Kaiju no. 8 fic ever! idk how many of you would like to read from Kaiju but I've been obsessed with it lately, and especially with Soshiro. it's pretty short and wrote it cause I needed to think of other things after studying. So yeah, enjoy! tw: there aren't "sex" scenes, however mdni as it has suggestive language, nudity and mature content. (thank god for this manga having almost every character above 25!). Pretty much inspired on Soshi's backstory from Kaiju no 8 side B, so expect fluff too. what happened on the following days? more Soshiro smut, here. masterlist

“I can’t take the suit off” you murmur, trying to lower the front zipper. The mission took much more than what you expected, and the kaiju stench is making you nauseous.

For the time being, most of your squad members have already jumped into the showers. But you, still trying to get out of the suit, haven’t.

“I… this shit… why is it not working?” you protest, forcing the zipper more and more, but it hasn’t been able to go down past the beginning of your chest.

You try to look for the intercom; pressing it to call the Operations leader Konomi, will surely help you out with the captive suit. But, you can’t find it. Did you lose the little intercom before coming back to the base? Or did it fell around there?

Everything seems to be flaunting tonight. It’s late, you are tired. You’ve been hit several times by different Kaiju, but none of them -luckily- was able to injure you.

However, you begin to feel an incredible -and uncontrollable- heat coming from the suit itself and reaching the inner layers of your skin and organs.

You don’t panic. At first.

You definitely panic two minutes later, when the heat is unbearable and the pain in such restrictive jail is almost deadly.

“Help…” you whine, not loud enough to be heard by anyone else. Or at least, definitely not enough to be listened over the lively chattering coming from the showers.

But it hurts, as much as the acid of those despicable monsters when their core explode. And it really begins to interfere with your breathing, and thus, with your consciousness.

“Help me… I’m burning…” you scream louder this time. But no one comes, and your knees hit the ground in pain.

Tears flood up your eyes, your nails aren’t enough to tear the thick skin of Izumo Techs’ innovative suit. No guns are enough, probably, even if you had the chance to go grab yours… it wouldn’t be useful.

You pray, you wish for someone to cut that trap into pieces.

“H- help… me…” “WHAT IS IT?!”

In between blurred eyes and painful frown, you device an angel of slanted eyes and deep purple hair.

“I… the suit… it’s boiling… it’s overheating… I can’t take it off” you grasp a little bit of air and try to communicate -effectively- the reason of your suffering.

“Stay quiet” he commands, and you comply. There is nothing you wouldn’t do to go against his orders.

An immediate relief comes with enough cuts that you couldn’t even see. Completely naked, completely soaked in sweat. There you lay, panting, with still stings of pain reverberating all over your skin.

“Come here” he says, ripping the remaining pieces off the suit still ferally attached to your burning skin. And as feral as the suit is, the feral his hands are when ripping its pieces away.

“Vice-captain Hoshina… th-thank you…” you cry, completely unaware of your impure show off.

His eyes open widely, and for the first time you see the beautiful bloody irises he usually keeps hidden away. But his expression is not jovial, nor even neutral. He is by far worried.

Probably for the first time in ages, the blades have fallen to the ground and with those same hands he saved your life he hurries to carry you to the men’s showers.

At the speed of light, cold water begins to gush from the showerheads. Your body feels instant relief; so much there is even some vapor coming from your skin.

As it bathes you, it also bathes him.  Completely dressed, Soshiro gets drenched in the same water as you. And, as his hair becomes wet, one of his hands moves it out of his face, revealing his façade completely.

Your arms hang from his shoulders into his back. Your knees, fight to keep you standing up even if the one actually holding you up is no other than him.

Soshiro is completely mute, and so do you. There is, maybe, no need to speak.

He lets his jacket slide through his shoulders to finally fall into the shower’s floor. The compressive shirt underneath gets also wet, becoming something like a second skin of him. Showing off the hours of training, and why he is the vice-captain of your division.

Immorally, you that were on the brink of death a couple of minutes ago, now feel in heaven because of your saviour. Because of your blades wielding hero.

Once again, he was able to save a life with those thinly cut masses of iron.

His hand, with soft but still steady pace, clean something off your back. And for that your breasts are pressed against his chest. You can see his neck from the side, as he tries to take a deeper look at your shoulder blades. You inhale the scent of his skin, a mix of sweat from the last battle and manly hints of fresh perfume.

“You got them almost engraved on your skin. What the fuck? The suits aren’t supposed to hurt you this way” he whispers, close to your ear. “We should go to the medical pavilion, now” he adds.

You nod, feeling how everything has started to spin around you and your stamina decreases more and more.

“Thank you, Soshi- Hoshina fuku Taichou…” you babble, realizing your faces are closer that what they should ever be and your arms and his are interlocked pretty strongly to the other’s body.

He takes a deep breath through his tiny nose, looking at you with lazy eyes. Just a tiny line of red is visible, as tiny as the opening of his lips that let prominent fangs barely flash.

Soshiro’s chest goes up and down, harder every time. His muscles tense more and more, especially the ones on his neck. His hug gets even tighter, pulling you so closer that ever before.

“It’s… ok…” he barely words; something is affecting that man… and it’s probably all your body, all your still warm skin being his for at least a couple of minutes, the way your lips have become red and pouty, your sloppy eyes and the warmth of your breath closer to his mouth.

“What happened!!??” “Vice-captain?!” “are you two allr-“ the girls scream in terror. Probably, once they were out of the showers they faced the dantesque scenery of blades lying on the ground and a anti kaiju suit completely destroyed and fuming scattered all over the floor.

Within seconds, not only the officers of squad 3 have reached the place but also the men. Some of them, thinking not the worst… but probably that Hoshina fuku Taichou and you have finally caved in for lust.

With a fast reaction, Soshiro grabs the coat of his own uniform to cover you up. And with a much more severe tone ever heard, he orders Kikoru to call Mina and Okomi and let them know he is taking a badly injured officer to the medical pavilion. As for the rest, a scary deadly look over his shoulder was enough to make them run away from the place allowing him to pass.

You, however, couldn’t quite experience such happenings, as your consciousness had fade away right before your comrades arrived.

A soft white light shines in between your shut eyes; the sound of unknown solitude reaches your ears as well as the synchronic beep of your heart reflected on a machine.

“What-“ you mumble, regaining consciousness. Your body feels cold, and you are thankful for that. Your limbs are heavy, but you can move them. Your lips and mouth are dry, but you smile as you remember vague flashes of Soshiro and you under the shower.

You finally open your eyes to discover you are indeed at some kind of medical facility, soon remembering this is the place you all come when you are severely injured after battle.

Everything on your body seems to be on its place, and for that you breathe alleviated. Thankful to your hero, you wonder how to thank him when you are out of here… or maybe, you just plan to leave the squad as he has seen you completely naked.

“I didn’t know you were awake already” a well-known voice scares you away. You try to stand up, but his hand stops you from doing so.  “I couldn’t sleep, I was worried for you” he says, with that sweet funny tone he often uses to communicate.

There is, as far as you could see, anyone around but you and him. Soshiro, who apparently couldn’t sleep, has come to see you.

Your cheeks burn, and it’s not because of a defective suit now. It is because, you are deeply embarrassed, and still, something inside you is jumping with genuine happiness to see him here.

“I’m ok, Sir. But.. you didn’t have to come! I’m deeply thankful for you saving my life, and I promise you I will replace the uniform you got all wet” you say, trying to look away from him who has came closer to your bed.

Soshiro bursts out laughing, the way he only knows how to. He grabs his stomach, and soon flashes of the way those abs looked with wet fabric sticked to them, makes you shiver.

“You- you should worry for your own suit! Not mine!” he continues laughing while, little by little, he ends up sitting right on the bed. “By the way, you know why your suit almost killed you?” he asks.

You swallow. What- why is he sitting next to you?

 You shake your head in denial, out of words, because you couldn’t think of a reason for such big flaw on that impressive technological miracle.

Soshiro, who is well known for being at least a little bit irreverent -and that’s exactly what you love the most about him-, gets himself comfortable next to you. He lies back, as you move to the side to make him some space.

Now, the scent of his skin is clean and delicious -even more than earlier-. And you can smell it, because there isn’t much room to be separated on a single bed.

“Well… you had a piece of Kaiju tooth stuck on your lower back. Therefore, the suit either processed it as a threat or… it reacted with the pieces of kaiju within it. In any case, you will be given a new one in a couple of days” he tells you, with his right arm stuck underneath the back of his head.

His bicep, perfectly moulded to be strong, but still lightweight to be as agile as possible, protrudes with the hem of the compression shirt around it. Does he really know how sexy he looks? Or he is absolutely unaware of the effects he has?

“Oh…” you sigh. You take it as a personal failure; how were you not able to see it? “Don’t worry, this incident helped them to investigate further security measures… however, isn’t your back hurting?” he asks, this time turning to you.

You deny, again, without any words coming from your mouth. But there isn’t much you could do, when Soshiro turns you around so that your back faces him.

“You do, in fact, have a big bruise. I should report this, too” he comments, as his soft index travels down your spine, to the small of your back.

Your eyes, opened big enough to look like moons, have stopped seeing all around and all you can think of is the proximity of that man to you.

“You good?” he murmurs, ignorant of everything happening to your body. “Ye-yes, vice-captain. I wanna thank you for taking care of us the way you do; hadn’t been for you, I’d be dead by now…” you pull those words from who knows where, even if your muscles seem paralyzed from his touch. Your speech sounds like those you give when you follow commands during battle.

He laughs; this time softer and sweeter. You can feel his body coming closer, enough to feel the tip of his nose grazing your neck.

“We should have each other’s backs in here, or else… but most importantly, being told my blades will not be useful to fight and protect, you remind me once again that they indeed can” he whispers, making your skin shiver.

It’s clear that he wants you. And you want him, too.  And you always knew, and he always knew. And all of them, too.  Why, just now, on a place where you should be monitored, there were nobody around if not?

“Can I rest here for a minute?” he asks, as his forehead lands on your nape. “All the time you want, Vice-captain” you answer back, smiling softly.

You slowly relax, as his hand slides in the most delicate way towards your belly to hug you. Your hand, also delicate, fall on top of his, confirming how much you would love for him to touch you like this forever.

“Call me Soshiro when we are like this, ok?” he murmurs, planting the first kiss right on your shoulder.

You turn around, slowly. Even if you would love to stay the way you were, you can’t stop yourself from wanting to see his face.

“Soshiro…” you whisper, coming closer to his lips. “That’s better…” he smiles, kindly.

And one kiss, and then another came by… and thankfully, that night, there were no more Kaiju around.

[dullahandyke]

my god i am THINKING about revenge in blade of the immortal, specifically wrt shira...... manji cut off his arm so he swore revenge and to this end he fucking cut the meat off his severed arm and sharpened the bone and this cutting-away has made him unsteady and when he uses it as a weapon oh it hurts him it hurts so much it blinds him but he has already cut to the bone and it will all be a waste if he does not use this weapon to kill a man who cannot be killed, to gouge his eyes out and cut his limbs off and let them regenerate for the sake of causing him the same suffering that he caused shira (though manji only cut the arm off. shira was the one who shaved it down to the bone and blacked out screaming more times than he could count from the pain of it but he was the one who kept going)

[lurkingshan]

Japanese BL Starter Pack

It’s been awhile since I dropped a rec list, so I am here today to share one that is very near and dear to my heart—a Japanese bl primer for those who are new to the jbl game. I created this for @neuroticbookworm to help her on her journey when she decided she wanted to start getting into Japanese works. The fandom (on Tumblr and generally) tends to focus primarily on Thai shows because they are the easiest to access for international fans, since Thailand is working its way toward world domination via ql media and wants us all to be able to watch. But there is a lot of great stuff to watch beyond the easy access Thai channels, and Japan is the country where this genre originated, so its shows are important for anyone who considers themselves a bl fan. Japan doesn’t cater nearly as much to the international audience so tracking down the shows sometimes takes some ingenuity and can-do spirit, but that’s part of the fun!

And so, the list! Bookworm is about halfway through it and having a ball, so I figured it was time to stop hoarding it and share it with anyone else who would like to dip their toes into jbl and isn’t quite sure where to start. A few notes: 

I am not here to teach you about the deep roots of the jbl genre or give you a primer on yaoi manga. I am by no means an expert and there are other places to find that information. Start here with this great post by @nieves-de-sugui and then maybe wander over to @absolutebl to read up more on the evolution of the genre.

This list is by no means an exhaustive accounting of every important Japanese bl ever made; it is simply a nice sampler platter of the cream of the crop among various styles you will find in jbl. Watching through this whole list will not only expose you to some fantastic shows, but also give you a sense of what makes jbl unique and how the country’s style differs from others, and point you toward the types of jbl you’ll like most (they tend to put shows in pretty specific style and tone lanes and once you find the ones you like there are lots more where that came from). 

If you’re coming to this post as a jbl lover and you don’t see your favorite here, I promise it’s not because I don’t love it very much; I simply had to make some choices to get this down to a reasonable shortlist. Feel free to leave extra recs for others to find! 

I’m putting these in a loose suggested watch order that will take you through the various jbl lanes in a kind of popcorn style, because I always think it’s good to change it up so you don’t get too stuck in one mode, and it works its way up to most of the extremely Japanese stuff (you will know what that means by the time you finish). But do what’s in your heart and change up the order if you want, friends, I am not the boss of you! 

Cherry Magic (Crunchyroll or grey)

gif by @liyazaki

I believe everyone on Tumblr is pretty familiar with this one, which is not a coincidence—this is one of the most accessible jbls. Not in terms of actual access to watch it, mind you (we’ve all jumped through shady internet hoops to watch it) but in terms of its content and style. Cherry Magic is a classic workplace romcom with a magical twist, and it is charming af. It’s a great exemplar of Japan’s light and zippy comedy lane for bl—a lane in which, importantly, the romances stay chaste even when the actual plot is about sex, or lack thereof. My friend @waitmyturtles would kill me if I didn’t make sure you know that Cherry Magic also has a lovely follow up film. And bonus: there is now a Thai remake airing so if you watch the original you can get in on the discussion about the different adaptations between countries. This is pretty easy to find these days in all the usual places, but I strongly recommend watching it here.

Old Fashion Cupcake (Viki)

gif by @liyazaki

Moving on to a slightly more mature workplace romcom. Old Fashion Cupcake, another Tumblr favorite, is an age gap boss-subordinate romance, and it’s both very adult and somehow wholesome af at the same time. Sure, there is a lot of carnal desire going on here, but there is also a lot of wooing via fluffy pancakes. It’s a tight five episodes and a fantastic example of what Japan, with its extreme technical precision in writing, directing, editing, pacing, and acting firing on all cylinders, can do in two hours. There’s not an ounce of flab on this thing and you’ll want to watch it over and over again.

Utsukushii Kare (Viki)

gif by @wanderlust-in-my-soul

Time to get a little weird! Weird is a key feature of Japanese media, and lots of jbls explore unusual relationship dynamics rooted in complex psychology. This is the first show on the list that will likely feel very Japanese if you’re new around here—my advice is to lean into it and finish the show, even if you get uncomfortable along the way. In Japanese media, discomfort always serves a purpose. This is a high school story with a twisted relationship at its center, and I’m not saying any more than that. Don’t spoil yourself and go watch it! This one also comes with two sequels—one short second season and one movie—that continue from the original story. They are less essential but still excellent.

I Cannot Reach You (Netflix)

gif by @my-rose-tinted-glasses

Next up, another high school tale, but with a totally different vibe. This show is kind of a revelation in its willingness to tell a story about overwhelming desire—including sexual desire—with young protagonists. It’s rooted in a classic but often misunderstood trope, friends to lovers, and takes the angst of it seriously, giving us a low stakes story that feels extremely high stakes to our leads. It’s also gorgeous and uses a classic Japanese visual style (bokeh) that you’ll be dying to learn more about. 

His (Viki)

gif by @gabrielokun

Time for a break from high school, and we’ll sprinkle in a movie for some added flavor. His is a jbl film featuring a second chance romance between a stoic, introverted man who moves to a remote town to start over, and his ex-boyfriend who follows him there unexpectedly, adorable child in tow. Importantly, this movie does not take place in what we often refer to as the “bl bubble” where homophobia doesn’t exist; the leads’ experiences of being gay men in a homophobic society are hugely important to the plot and themes of the story. It’s a beautiful film and I’ve lost count of how many times I’ve watched it. @bengiyo would surely also like me to tell you that this film follows a brief prequel show called His: I Didn’t Mean to Fall in Love about the characters originally meeting in high school; I do not think it’s really necessary to watch it but completists can start there.

The Pornographer series (Gaga)

By now you should be ready to get into some classic Japanese fucked up psychosexual material, right? Right! The Pornographer series is told in five installments in this order:

The Novelist, a six episode miniseries

Mood Indigo, a six episode prequel series

Spring Life, a 15 minute short

Pornographer: Playback, a two hour film

Spring Life Continued, a 15 minute short

Confused by that distribution model? So say we all; sometimes Japan likes to make us work for it to make sure we really appreciate its many gifts to us. The story across these installments is about a very difficult to love protagonist, what makes him the way he is, and the also-unhinged-but-in-a-different-way man who finally gets through to him. It’s an extremely satisfying love story and one of the best character arcs I have ever seen, full stop. For this one, you’ll want to just pull the word problematic out of your pocket and store it in a drawer; nearly everything that happens in this story is problematic and that’s the point. Lean in! All of these installments except for the film are on Gaga, if you get that far hmu and I will supply you with the final puzzle piece.

Our Dining Table (Gaga)

You could probably use a break after those last two, so it’s time to shift over to a heart-tugging twofer: family trauma mixed with the cutest shit you’ve ever seen. ODT is an example of another classic type of Japanese show: the food drama (you will see the GOAT in this category at the end of this list). In Japanese culture, food is love, and the act of preparing food for your loved ones is a common path to romance. You’ll love this story about an isolated office worker who meets a pair of brothers, learns to cook as a way of connecting with them, and begins to heal from his own trauma as a result. The image above is a scan from the manga, which @troubled-mind curates to make extremely cool comparison sets like this one. Many jbls are faithful adaptations of yaoi manga source material, so it’s good to have a bit of familiarity with them.

Minato’s Laundromat (Gaga)

gif by @liyazaki

Japanese media loves to explore taboo, and often manages to do it in a way that is surprisingly light and chaste. This is an age gap romance between a teenager and his adult neighbor that explores internalized homophobia, emotional repression, and falling in love across seemingly impossible social chasms. It’s also a great example of old school yaoi seme-uke dynamics that still show up across the bl genre. Also, take my advice: end your journey with this one with the first season and just pretend season 2 doesn’t exist.

Eternal Yesterday (Viki)

gif by @wanderlust-in-my-soul

Remember what I said about weird? Time to do that again, but with a heaping dose of grief and pain on top. It’s not a spoiler to tell you this show involves a major character death; a major character death is, in fact, the root of the entire story. This is a magic realist tale of first love turned tragic, and it will hurt and heal you. It is one of my favorite dramas of all time.

Restart After Come Back Home (Gaga)

And now for a break for your poor exhausted brain. This film is basically the jbl version of a Hallmark original movie, about a city boy who goes back home to the country and falls in love with a total sweetheart while working together on a farm. Enjoy it, bestie, you’ve earned it! 

Tokyo in April Is… (Gaga)

gif by @wanderlust-in-my-soul

You’ve probably noticed by now that emotional repression and failed communication are big themes in Japanese works. This second chance romance has plenty of both, and it’s a great example of a kind of muted emotional style that Japan does so well, where the surface of the story seems almost placid and calm even as deep emotion roils underneath. This one (and Eternal Yesterday above) are part of a special line up of jbls on Japanese channel MBS called Tonku (Drama) Shower. The shows air one after another in the same time slot on Fridays (in Japan, perhaps Thursdays for you depending on where you live) and you truly never know what you’re gonna get, but they’re all interesting. Warnings on this one for sexual assault and trauma. 

The End of the World With You (Viki)

Time for sexy and weird again, but even more so! This has to be one of the most unique bls ever made; it goes to some truly divine and strange places, and it feels incredibly queer while doing it. Made by the same screenwriter/director of the Pornographer series with a lot of the same sensibilities, but in a more heightened apocalyptic setting. This one has existential angst, a road trip, a redemption tale, and a variety of interesting side characters in the mix.

What Did You Eat Yesterday? (Gaga)

gif by @my-rose-tinted-glasses

Congratulations, you’ve reached the end of the list and your reward is watching one of the best bls of all time, and a perfect slice of life food drama to boot. WDYEY now has two seasons (along with a couple specials and a movie that fall in between) because the universe clearly loves us. You can now get it on Gaga for easy access but I’m partial to the versions over at @kinounaniresource for better subs. Wherever you watch, settle in to get cozy with Shiro and Kenji and make sure to always eat before you hit play.

[coldwind-shiningstars]

Dungeon Meshi is obviously primarily about food, eating, and crucially survival through eating, but it's also focused on other aspects of survival. Sleep, rest, social ties and social exclusion. There's even extensive commentary on things like personal grooming (Marcille’s hair, Toshiro becoming depressed and no longer shaving), clean bathrooms, and other things. When it comes to disability these things are referred to as instrumental activities of daily life (IADLs), which are more complex things like shopping, housework, and cooking, which people need to do to survive, and activities of daily life (ADLs) which are the basic bare bones needs: eating, toileting, etc. Dungeon Meshi is concerned with the logistics of living and finding joy in those logistics.

This is super related to disability! Yes, Laios is autistic, this has been apparent from the beginning. But what does being autistic mean for him and the story? Mostly, it means his desires, goals, and the ways he goes about achieving them are strange, foreign, or baffling. He has different priorities than other people and the way he expresses those priorities are strange. They affect how he socializes, how he eats…

So, it absolutely makes sense that there would be a minor sideplot about activities of daily living and what it's like to be out of sync with everyone else when it comes to prioritizing things. It's Mithrun Time (he's gonna mith all over the place) and I'm so SO interested in the interplay of disability, caregiving and the logistics thereof, and intersectionality & privilege. Who needs care? How do other people feel about them needing care? How do they receive that care? And who do we think is worthy of receiving care and how does that interact with all these other factors?

Bunch of manga and extras spoilers past the cut:

“So, what's wrong with you?”

I see a lot of people talking about Mithrun's non-eye disability as a depression allegory, which I think is true, but I think it's also metaphorically/symbolically both a traumatic brain injury and a trauma response to sexual assault. The sexual assault aspect is pretty clear if you look at any of the symbolism of the actual disabling event: just look at it.

Mithrun is lying in bed and the goat comes to him, lifts him up and puts its mouth on his abdomen and lower pelvis. The eating is sexually charged, as is the particular way he struggles and protests. It's intensely violating, and things that were once desirable are lost. And the dungeon lord group therapy session involves a lot of people talking about the demons like an abusive lover; Mithrun, even though he wanted to kill the demon so badly, still says that they're gentle.

As for the brain injury, chronic TBIs can cause a wide variety of symptoms. Some immediately relevant ones are anhedonia (lack of enjoyment), executive function issues, poor interoception (trouble understanding what's going on in your body), cognitive impairment affecting ability to reason/multitask/plan/solve problems, changes in behavior and personality, depression, agitation, and restlessness. We see… basically all of these, in Mithrun, as downstream effects of the loss of desires. He can't tell when he's hungry, tired, or out of mana; he can't perform ADLs consistently even if he knows he'll die without doing them and dying without doing them will interfere with his long-term goal, he had drastic personality changes, he oscillates between impatient and totally withdrawn.

Brain injuries can also affect more complex tasks and ability to sustain lengthy periods of complex cognitive work. A common example is losing the ability to read and process longer passages; maybe you can read the words but you can't read a paragraph, or maybe you can read paragraphs but now you get a migraine after 15 minutes. Mithrun's skill loss is not related to reading but the effect is similar – he is and was extremely skilled in a particular area of magic, but also disabled in ways that specifically hinder his skill in this area – to teleport things properly you need depth perception and a sense of direction, and he lacks both of these! And while he's still an incredibly effective fighter it seems like he pretty frequently makes those sorts of mistakes.

This is treated often as a gag and it is genuinely funny but it’s also very real, to no longer be as good at the thing you were good at before you became disabled. Kui takes several throwaway gags seriously later on, not just this one. Another ~gag that's not really elaborated on is the bathroom thing, but I appreciate its inclusion anyway, since even if it's presented humorously it doesn't feel meanspirited in a way a lot of “diaper jokes” do. I think people need to talk a lot more about bathroom issues in a wide variety of disabilities, and I think it's nice that a guy I can already picture the “poor little meow meow” posts about also has this issue, you know?

Preferences vs Desire

Even referencing PTSD and TBIs it's hard to really grasp what having no desires means, and the characters don't generally ask, while Mithrun explains it in vague terms. “Desires” is a very broad term and indeed he has lost access to a wide but related variety of things. Unfortunately this lead to him often being treated as nonagentic.

Mithrun does still have preferences, even if he doesn't express them and has no desire which would drive him to seek out pleasant things and avoid unpleasant ones. He'll comment on the taste and texture of foods, for example – sure seems like he has an opinion!

People treat it like his preferences don't matter since he doesn't usually bring them up unprompted, and he's often in situations where there aren't other options.

Kabru seems best at not doing this (and, noncoincidentally, also seems to be the best at actually caring for him; the Canaries have a lot more Resources theoretically than Kabru And Mithrun Eating Monsters And Kabru's A Bad Cook, but although they are loudly distressed by the two of them disappearing it seems to have positively affected Mithrun's general health)

But, uh, acknowledgement that someone has preferences at all is a really low bar to clear and Kabru also doesn't seem to fully understand how Mithrun's brain works. Mithrun’s caregivers want him to eat when they want him to eat. They want him to rest and drink when they want him to.

He lacks the desire for a number of mundane things but also seems to lack the ability to tell when he needs them. He can't explain why he faints; is “I am out of mana” considered a desire for more mana, one that can be eaten? He can't sleep on his own; it's not only that he lacks “the desire to go to bed” but he can't do anything with his own exhaustion, even if he notices it. He comments on the unpleasant taste and texture of several meals; he may be unable to want to not eat it, but he definitely can tell when he dislikes something. But he also seems to be unable to tell when he's hungry.

Kabru will acknowledge these preferences but there's not really other food options, and Everyone Must Eat. Kabru doesn't know the details of Mithrun's condition yet but you can see the immediate frustration here and the way he offers food to him like Mithrun's a child.

Sure, he won't directly communicate preferences, so that makes it extra hard, but you can always just ask, and if he tells you he tells you.

The pathway between opinion and taking actions about it may be lost in Mithrun but the dungeon forces other people into a similar position – it forces them to eat food they don't want to eat so that they can survive or accomplish other goals. We've seen this with Marcille from the beginning. It's difficult with Mithrun because it seems like there is always going to have to be some sort of someone else overriding his autonomy – yeah, he's not hungry but he still needs to eat or he'll faint. Yeah, he's lying about whether or not he's clean but he still needs to wash or he'll die. Yeah, he needs to take a rest instead of keeping moving or he'll faint. But he's not unique in being in a situation where he has to do nonpreferred things. The difference is more that he lacks the ability to independently do anything when it comes to ADLs, preferred or not, which makes it into someone else’s choice and responsibility.

There's also a theme in Dungeon Meshi that comes up a bit of people being pushy about ADLs but from a slightly different perspective, and they're usually right. You see this in Senshi most commonly; he pushes the residents of the Golden City to actually eat even if they don't need to and can't taste it, and while he's correct in that Yaad does get enjoyment from the food even without taste he's still not quite listening to Yaad. Similarly, Kabru is correct in that he can get Mithrun to sleep without a sleeping spell, but he also ignores the way Mithrun says several times that he doesn't expect massage to work. There's a few aspects to this – wild but expected that the elves would choose the “just knock him out with a spell” route, the “easy way” Senshi always talks about when it comes to magic, instead of actually paying attention to other solutions. But also, generally, people know their bodies best, and sometimes even if you're really sure you have the trick to help them you have to listen to what they tell you.

tvtropes dot org frontslash DisabilityTropes

This is going to be a harder section just because it's so subjective; it's nearly impossible to think about the ways in which disabled people are viewed by the people around them/wider society with any degree of objectivity just because there are so many factors that go into it. But I do think Mithrun is consistently treated as relatively nonagentic and there are several ways this can manifest: being treated as a doll/pet/child, being treated as a weapon, and being a surface for people to project onto.

He's framed or treated as childlike intermittently through the manga; scattered about, just a little vibe in the way he's drawn, like the "say aah" above and Pattadol and Cithis through the teleportation scroll :

That's a middle aged man! And he's framed like a toddler getting picked up or misbehaving.

Which doesn't mean they care about him any less; his squad is really fond of him for someone who's technically like their parole officer. How dare you do this to our captain! They love him dearly; this is obvious and he comments on it! They respect him, too, as the leader and as a strong fighter. But loving someone and thinking they're a skilled fighter doesn't mean you respect their autonomy fully.

There's also an element of everyone projecting their own issues onto him; Kabru with their shared Dungeon Trauma. The canaries all suggesting wacky, midlife-crisis desires. He doesn't ever express that he minds any of this, except when they try to stop him from making particular decisions. They also don't often understand why he'd be motivated to do a particular thing, and in fact some of these projections may actually be correct! But while noodles and pottery may be good later-on goals for him, I think it's striking that a) Kabru was the closest to correctly guessing what desire Mithrun might acquire now and he was still guessing the exact opposite (suggesting a desire to not eat Falin but to help Laios, vs Mithrun's actual desire, which was to eat Falin with no thought given to the promise he made at all) and b) it's a desire that actually makes perfect sense with what we know about him, not something totally new.

And, finally, he's a weapon: people are willing to caretake him because he's good at killing things dead. If his only desire is to kill demons dead, it's easy to start seeing that as who he is. I don't think he'd argue that “trying to kill demons” takes up the majority of his life (it's his only goal and he's obsessed with it) but even if there's only one thing that matters to him he has autonomy (in the sense that he can make his own choices about what to prioritize and formulate his own plans) and personhood.

Politics and privilege – who gets to access care?

One of the things we're first presented with when it comes to Mithrun is that he is intensely capable at handling dungeons. Yeah, there's the immediately visible prosthetic eye and the navigation issues, but the Canaries are built up as being incredibly dangerous and skilled, and he's their captain; they all immediately defer to him. He's intense, he curbstomps an entire room of guards, he's efficient, he's brutal, he's strong physically and magically.

In short: yeah, he's very disabled. He's also still very useful.

At the risk of oversimplification, even within his particular disability, he's much more disabled than Marcille is (she lost something relatively simple and easy to miss, she has no catatonia-moment) but less disabled than Thistle, who seems to still have at least one desire related to the king but is still primarily catatonic. It seems like Thistle is not unusual among ex-dungeon lords, even if there's enough noncatatonic dungeon lords to form a support group later. When Milsiril finds Mithrun, she immediately intends to mercy-kill him – this seems to be a condition the elves are familiar with but consider terminal, at least to the degree Mithrun is affected, and people seem unfamiliar what it means to keep living in this state because Mithrun is unusual in that he survives at all. And he's “allowed” to survive initially because he's not as disabled as he could have been (still has a desire) and that desire is useful. They aim him at the dungeons and off he goes. It takes twenty years for him to recover enough to do it, sure, but they're elves. They can wait. He can still be useful.

Relatedly, when he loses the ability to pursue his desire he's immediately much worse off than he was previously.

The no-desire catatonia is something that can recur and the elves continue to not know how to handle it. If Kabru wasn't there to problemsolve I think he'd have just… stayed there with his increasingly distressed squad.

Speaking of his squad, there's also a fascinating power dynamic going on with just the inherent structure of the Canaries; criminals are assigned as his caregivers. There's the inherent unfairness to the criminal Canaries about them being given extra duties, this strange rich noble guy who's now their Responsibility. There's so much possibility for resentment in normal caregiving relationships, much less being forced by your jailor into caregiving someone. But there's also an element of the power the prisoner Canaries now have over him and his most basic ADLs and needs. Assigning Cithis to his care is such a can of worms! The dynamics of the situation are frankly awful for both of them; of course she resents him initially. It would be strange for her not to. When Pattadol catches her making Mithrun do embarrassing things, she instantly reminds Cithis of her lower-status – she's forced to care for this nobleman and then forcibly reminded that she's beneath him.

She's responding to having menial, low-status tasks forced on her by trying to humiliate him, and although he doesn't have the ability to care enough to stop her it's still a deliberate removal of dignity. He's the instrument with which she is punished and she punishes him in return (until it's not fun anymore and she understands him a bit more.)

Mithrun is a long-lived race, who has structural power over the shorter lived races simply because of how long they live. The dwarves and elves try to actively keep certain knowledge from other races, restricting their access to technology, and other expressions of distance. Senshi spends nearly the whole first season not listening to Chilchuck trying to explain that he's an adult and treating him like a child, and Kabru repeatedly says that the elves do the same thing (and tbh we see them doing it). There's even the fact that it took him twenty years to recover enough to join the Canaries again; a shorter-lived race might have died from old age in this time, or become too old to work in this capacity, and then wasted away without the drive to return to the dungeons. But they're elves; the other elves can afford to wait, and he's not going to age out of dungeoneering any time soon. Being an elf probably contributes to his wealth in the same way skin color contributes to wealth inequality in the real world.

Dungeon Meshi doesn't really go into race in the sense of skin color much, and Kui is writing from a different cultural standpoint than I am. While tallmen are quite accurate when it comes to skin/hair color (yes, even Kabru and his blue eyes; it's rare but possible) and cultural references, the elves, uh, absolutely are not, both in the sense of “dark skin & pale hair and eyes trope” and sense of the royals having jet black skin.

Still, I feel like race is so connected to care and caregiving in the real-world west that I would be profoundly remiss not to mention it. Skin color might not matter to elves in the racism sense, but it matters to humans and humans are the ones writing and analyzing this story. (And I fully expect as the fandom grows with anime-onlies people will like Mithrun more because he's white (has white features) than they would if he had darker skin, because fandom is also baseline racist.)

I don't think we can just not mention that Mithrun is pale-skinned and both Cithis and Kabru, his primary caregivers over the story, both have dark skin.

Racism means white people are more likely to get good medical care, the type you need to get diagnosed and prescribed caregiving. Racism means wealth distribution is uneven, favoring white people. Race affects immigrants taking on undesirable jobs like caregiving for low pay. Racism is a profound stressor which means it contributes to who becomes disabled in the first place in that it can worsen health outcomes.

Similarly to race, gender may not be very obvious when it comes to this subplot within the story but the gendered dynamics of caregiving in the real world are something I do want to touch on. There's an oft-cited statistic about how men are much more likely than women to divorce their partners when their partners are diagnosed with a serious condition; I don't like relying too much on those sorts of statistics because they can be so misleading but it does gesture at something very real, culturally. Even if men aren't supposed to be caretaken, women are supposed to be the caretakers. Certainly, it's not Mithrun's fault that he can't cook and can't do laundry and probably can't do most housework, but I do also think about all the posts passed around about “my boyfriend who won't do housework.”

Again, none of these privileges make him less disabled and less in need of and deserving of care, they're just worth talking about when we talk about caregiving in general.

It's Rotten Work, Even If It's You

People expect disabled people receiving care to be grateful, to accept anything, and to try and make it easier for the caregiver if they're able. Requiring care is an incredibly disadvantaged position, even as actually receiving it can be so tangled up in privilege. Caregiving is tremendously difficult work, it's true, but there's a particular vibe people want from disabled people – all those movies about not wanting to be seen as a burden. Never complaining. Being grateful.

And, uh, well…

Mithrun basically accepts anything his caregivers do, but he's not grateful at all! I appreciate that in a disability portrayal. He'll also lie to and ignore his caregivers, which is Annoying but is definitely an expression of autonomy even if he's probably not doing it specifically to express his autonomy. He's not going to thank you. He's not going to make it easy. He'll accept a lot of things considered “undignified,” and he's not mean or unpleasant in the sense that he's taking advantage or anything, but he's certainly not a model patient.

He's running off back into the dungeons just when you think you've finally gotten him somewhere safe.

There's always a strange tension in caregiving, I've found. It is incredibly intimate but a lot of it is done by total strangers. A number of caregiving tasks are viewed by the wider world as entitled but placing those tasks in the hands of strangers is a remarkably tough place to be in. As a disabled person, I've had to accept my bowel movements being discussed with my parents’ friends, all sorts of being physically moved places not against my will but without my permission, even my pubic hair being shaved off by a stranger (nurse) while I was unable to speak or move. When people are feeding you, making sure you use the toilet, rubbing your feet to make you sleep, helping you with hygiene – people are working so hard to help you. Are you supposed to just accept them doing whatever they want to you?

There's also a dynamic where people will say they don't mind caring for you, they're happy to do it, and then as the years go by and you continue to need care the resentment just builds up. Caregiving is hard work. It's often thankless. The goodness of people’s hearts can run dry, when it's been twenty years and you still can't bathe yourself.

Aaand I need to continue in reblogs, because I'm out of space for images. Please hold. edit: you can find part 2 here

[popopretty]

[Translation] Asagiri Kafka's afterwords for The Day I Picked up Dazai novel

Normally, afterwords would be the last thing I read in a novel, but as there are not many changes to the published novel this time compared to the movie bonus version, I was able to skim through the text quickly and get to this. And to be honest, despite not being a writer myself, I was so moved by Asagiri's views about writing and his characters that he shared in the afterwords, that I had to sit down and translate it right away.

This is just my crappy translation, as usual, but I hope it gave you a short, interesting look into the author and the characters. And please do not forget to buy the novel if you have the chance.

The translation is under the cut, thank you!

It has been a while. This is Asagiri Kafka.

Have you been enjoying Bungou Stray Dogs?

This novel, “The Day I Picked up Dazai”, is a compilation of the first week’s bonus novel “The Day I Picked up Dazai – Side A” and the second week’s bonus novel “The Day I Picked up Dazai – Side B” for the screening of “Bungou Stray Dogs BEAST” movie (hereinafter referred to as “BEAST”).

Normally, it is difficult to publish a bonus like this, but since "BEAST” and “Fifteen” that were published earlier by BEANS Bunko were originally bonus novels too, "The Day I Picked up Dazai” was also published in the same way, thanks to the efforts of all parties involved in the Bungou Stray Dogs series.

It is the story of Dazai and Odasaku’s first meeting, where Dazai who wants to die, collapsed in front of Odasaku’s place, who is neither a mafioso nor a hit man.

Why are there two different stores, Side A and Sode B? Regarding this question, please read the novel and see for yourself. If you keep in mind that this is the bonus for the BEAST movie, I think you will be able to understand it better.

Let me reminisce a little bit here.

This story was actually suggested to me by Igarashi Takuya, Director of the Bungou Stray Dogs anime.

Shortly before BEAST movie premiered, I was struggling. It was because I was asked to write a bonus novel for movie-goers again. I said “again” because, as I mentioned earlier, BEAST itself was a bonus novel for the Bungou Stray Dogs DEAD APPLE movie. I remembered having a hard time writing it, because I let myself run wild and wrote a total of 190 pages instead of 50 pages as requested.

But I had learnt my lesson after the last rampage. I can’t just write whatever I want anymore. I have to wrap the story in a reasonable length, like a pro should do.

A proper, professional story.

Huh?

My pen stopped right there. I stopped, looked around, feeling lost.

What is a proper story?

The act of writing novel is quite different in character compared to other types of media such as writing manga, anime scripts, or game scenarios. You can say it is almost a different thing. Writing novels, rather than narrating an event, is more like putting the flow of emotions into specific sentences. You use the sequence of letters to create rhythms, create flows, and create emotions. If anything, it might be closer to composing a song than writing a story.

Therefore, you have to decide “what kind of emotion will be put in this novel” from the very beginning, or you can’t start writing. That is the only and absolute rule.

Now, however, that is where the condition of a “proper story” hung over me.

A proper novel, of a proper volume, with a proper content for a bonus.

In other words, a proper emotion.

I searched through the drawers inside my head. For a proper emotion that is waiting to be brought out.

There was nothing but emptiness there.

A professional story teller is one with the skill to move the readers’ emotions. When people find the chance to move their own emotions, they will happily be paying for it. Human-being is that kind of creature.

And writers are ones who create and sell those kinds of emotions: the fear, the excitement, the heart throb etc., those that make you think. It is that kind of job.

It is supposed to be that kind of job.

Yet I became unable to move forward.

A good story is a story that moves people. I know that. Then what kind of emotion I should put in the story to make it "proper"?

How do I find that emotion?

I mean, how did I even write novels until now?

I stood still. My legs stiffened, my knees froze, unable to take even a step forward.

I then tried to at least pretend that I was moving forward, by listening to music, by taking a walk around the neighborhood at night. But as good as the night breeze felt, I didn’t manage to reach a single story that I needed to write.

What if I stayed like this forever, what would I do?

I felt a chill plunging into my back.

Then I realized, that stories, or probably emotions too, are not things you can search for or come up with. You have no choice but to patiently wait for it to come your way. You have no choice but to humbly and earnestly sit and wait for the story’s visit.

I got that, but the "proper 50-page story” still refused to come.

It was not long before one week passed. Then two weeks.

I was doing other work, while keeping my heart’s door open, waiting for the story to come to me.

At that time, I had an online meeting with the anime staff. I casually asked Director Igarashi, “Do you have any story you want to see?”

The Director gave it a little thought then told me, "I want to see the story of Dazai and Oda’s encounter”.

At that very moment, the story rushed in through my door, like a bang. I could hear that sound very clearly.

Two stories. Odasaku, and the two Dazais. A story where they met, and a story where they couldn’t meet. A story of gain and a story of loss. If I can portray the gain and loss side by side, the amplitude of the heart will be doubled and rise up in front of us.

That was a momentary event. Rather than pushing my way forward, I felt as if something was pulling my hand. Before I noticed, I have already finished the stories.

I came to realize.

It is not the writer who searches for the story. It is the story that chooses its writer, and at some point it will come our way. A professional writer is no more than someone with the ability to catch that call.

Also, this is the most important thing: there is no such thing as a “proper emotion”. Because after all, the feelings of other people belong to them only. That is why there is no guarantee that a novel can move others “properly”. However, you can move your own emotions. You know what kind of novel can and how it will move you. If you do, you can write just that. That’s the only way. That is the truly professional attitude. That’s what I thought.

Well then.

It is a little bit off topic, but as we are talking about “stories that come our way”, let’s talk about Odasaku’s first-person narrative.

Odasaku is a special character. For me, he is exclusively a novel character, and I have never portrayed him in the manga.

He first appeared as the narrator in “Dazai Osamu and The Dark Era”, then “BEAST” and now this “The Day I Picked up Dazai”. All are novels. That’s why for me, Odasaku doesn’t live inside the pictures, he lives inside the first-person narrative passages.

He is an eccentric guy. Even if you prepare the place and tell him to speak, he won’t speak to you that easily. His way of thinking is rather unique, that if I write his narrative after writing other characters’ first-person narrative, I would stumble for sure. Odasaku doesn’t speak. He just sits there in silence, while I can do nothing but sitting in front of my blank manuscript paper, trying to talk to him, like “What’s up?”, “Here, here”. However, he is a guy who won’t speak when it is not necessary. Sometimes it goes days or even weeks without him saying a word. Why did such a character come to me...?

During such time, there is only one thing I can do. That is, of course, to stay with him, sit patiently, and simply wait.

Finally he will start speaking. In his unique rhythm, word by word. His words have the power to cut through the world from a certain angle. That special cross-section is full of things I have never seen before and it never fails to surprise me.

And then when he finishes telling his story, he will swiftly disappear. To a dark and quiet place somewhere – probably, I can only imagine, somewhere like a bar. He will sit there calmly and keep his own time to himself. After that, it will be hard to call him again. It is a backbreaking task to me, but in the end, that is the type of guy Odasaku is, and if I am allowed to sound self-conscious, that is Odasaku's charm.

This story was written in such a way. There is a chance that he will come back again. And when he does, I will patiently listen to his voice again.

This story was completed and published thanks to the help of many people: in the Bungou Stray Dogs BEAST movie’s Production Committee, the anime staff, Young Ace’s Editorial Department, BEANS Bunko’s Editorial Department, and the many people who were involved in the publication of the book. Thank you very much. It is all thanks to you that the book was published without any problem this time as well.

Well then, see you in the next story.

Asagiri Kafka.

[maoam]

Naruto most likely sees how the world around him works, and it affects his behaviour, especially since he craves for acceptance.

Notice the difference in his reaction when another guy says he likes him in part 1 vs part 2.

(Sorry for a bit poor quality, it was difficult to find an accurate translation, most were viz translations which didn't convey this convo very well). In part 1 he's just annoyed, because he doesn't like Kankurou as a person. He didn't even think about that "I like you" could have certain other implications. But in part 2 he's straight up creeped out by Kakashi saying the same thing, eventhough the meaning and intention is the same in both.

Naruto's reaction to Kurama mentioning his kiss with Sasuke was also way too over the top. Like really comical. Naruto was putting on a show in front of everyone. But whenever he's with Sasuke, he forgets all about this, he is fine with waxing poetry to Sasuke, or Sasuke being close to him...

My guess is since he went through puberty he also learned things about himself and thus started to become more sensitive to such things. Thus internalized homophobia.

Take this scene for example. He seems a bit uncomfortable being there. Sai was probably made to be like this (inappropriate, talking about p*nis all the time, being compared to Sasuke, challenging Naruto about his fixation on Sasuke) so Kishi could introduce more such themes into the manga. He's rather clever about this.

Another guess (it could be both combined) would be that since Jiraiya is so aggressively straight man (to the point he has to introduce himself by saying he's not into men lol) living with him for those years during the timeskip could have affected Naruto's mindset even more. But it's funny how Kishi keeps stressing over and over how Naruto finds Jiraiya's er*tic books boring. Also unlike Jiraiya who peeps on women for p*rverted reasons, Naruto does it as a prank, and in order to practice his oiroke no jutsu. Kishi is trying to show how they are different. I remember on one discussion forum one guy actually brought up he noticed Naruto's changed behaviour after he came back with Jiraiya! Like that he was even more gay and more sensitive to gay things. See, other people notice too.

Then he calls Konohamaru's boy-on-boy jutsu "nasty". Naturally, it's a shonen, Naruto can't have a comically interested reaction like Sakura to something like that, it wouldn't fly. Thus the internalized homophobia. But I also think he didn't want to see Sasuke who he's possessive over being with Sai like that lol. And Naruto really isn't one to talk considering what he came up with later.

Look how proud he looks. Little hypocrite. He's been working on those twink bods more than rasengan lol. Kishi wasn't very subtle with that comment. Also Kishi fought for this moment with his editors for YEARS because he just really needed to write this down. It was just that important to him...

Of course Naruto's repression comes up when it comes to Sasuke as well. Here he admits Sasuke is attractive, but then immediately backpedals on it. His real feelings just slipped.

Later, he was thinking about Sasuke, his mind consumed by Sasuke, but when Sakura and Sai appear his whole body language changes and he immediately claims he was thinking about a date with Sakura. He didn't want to be vulnerable nor let anyone know about his real feelings at the moment. He is hiding behind a heterosexual facade.

But sometimes Naruto doesn't even think of backpedaling on it. He is with his supposed "crush" yet unlike anyone else who would try to get closer or maybe flirt, he is just thinking about Sasuke. This is actually a moment that made many people raise their eyebrows. Including people who didn't like narusasu, or people who didn't ship anything. Specifically because it's written like a clickbait, as in Naruto says "he is happy" and Sakura going "huh?" and because she's his supposed crush who is taking care of him as I said most readers would expect next page have Naruto say something that would emphasize his crush on Sakura. But no, he goes on about Sasuke. No matter how much ss/nh insist we see gay everywhere, many other people picked up on Kishi's writing at many points during the story. But anyway, even with the internalized homophobia, Naruto's love for Sasuke is so strong he can say crazy things about Sasuke to other people and to Sasuke himself that things like "I'm starting to like you" (a completely average thing to say to another person) can't compare to, and still be unbothered by it.

Finally there is the interaction with Minato. Naruto wants to look good in front of his dad so he hesitantly agrees Sakura is his girlfriend, despite how in the previous arc we were shown that Naruto knew Sakura still likes Sasuke, and was angry at her when she tried to confess to him. So he is obviously not serious about Sakura being his girlfriend, but he is saying it to Minato hesitantly. Yet when his dad is leaving he doesn't want to lie anymore.... but he's also hesitant about admitting he hasn't found a girl like his mom wanted.

About the last part, I think it's referring to the armadillo scene? I think it was Kishi's typical humour, like how Naruto saw Haku in makeup and feminine clothing, and assumed Haku was a girl, but then was told Haku is a boy and went "oh okay, I didn't know that kind of thing existed". Here there was instead an armadillo that somehow looked like it was wearing makeup (??? idek or at least looked feminine) and since Naruto needed to write down whether the animals were boys or girls (a ridiculous cover up mission they made up to hide the war was going on from Naruto lol) but then it was flipped over with everyone else and Naruto saw its p*nis and went "even if heaven and earth switched places, a male is still a male". I guess Kishi likes this kind of thing lol... his d*ck jokes...

I know it says "the world might flip over" here but I know it's actually that proverb "even if heaven and earth switched places" that's often used in Japanese.

EDIT: this got flagggged by tumblr so I had to edit sus words.

[itsnothingofinterest]

This is probably a weird note to end my time with MHA's run on; but I find it so strange how I still see people calling Tomura out on just being a destruction-hungry villain with supposedly no plan or follow up...as though he is unique for that simplicity. Especially after the ending we got. Like, Deku and All Might never really had a plan when they were reshaping society by beating up the enemy and everything worked out fine for them, but does anyone call them out for just using violence to mindlessly solve everything with no further plan? (Well, yes. Me. Right now.)

Because like, really thinking about it; how different was All Might's plan from the start of his career to take down AFO and become a symbol, and Deku's plan to end the villains and bring everything back, from Shigaraki's plan to end hero society and bring about a world accommodating to the League? It all seemed to boil down to the same basic premise of Step 1) Beat everyone & everything making things worse, Step 2) ...it all just kind of works out from there. (I guess All Might planned on being inspiring and uplifting, but then we could also count Tomura's plan to be imposing and...uplifting but for different people. Deku was winging it every step of the way though.) Everyone's getting on Tomura's case for doing nothing but destroying; but all evidence from when the heroes do it suggests violence & destruction works. And it just never fails to bug me when people call Tomura out for stuff that's fine when heroes do it.

Which, yeah, let's touch on how it did just work out for Deku that way for no logical reason, least of all anything he planned. He punched out the big bad just like All Might and now things are like a hundred times better than they were under All Might with no more Tenkos abandoned in the street. If stuff like that just happens if you punch out your enemies hard enough, then why couldn't that happen for Tomura? Maybe if he had destroyed the government & hero society it would've, idk, been so fear/awe-inspiring that all the villains would've been nice and cooperative under the PLF and everything would've been fine. Or something. No more contrived than what we saw with the old lady plot line, MHA is just a series where that stuff works out. Heck, one time it actually did just work out that way for Tomura:

Again, violence and destruction works in MHA. I mean; duh, it's a shonen manga.

Plus all this is ignoring the fact that, unlike those two, Tomura did have a follow up to the violence. He did have a step two, or at least one & a half, after "beat down all the bad guys in the country." Rather than just going "and everything will work out from there," he had his guys plan for the future so he could say "and Spinner, Toga, and RD et. all will make sure everything works out from there." (Admittedly, not much; but also, not hopes and dreams.) He did have a plan, it was just the plan from the Overahul arc, where he was last asked to have a plan: leave it to his allies.

And hey, that means it's actually better than what we saw from genius All Might and brainiac Deku. So why are we still, even after everything was over, acting like there's some expectation as a villain he didn't meet? I guess it's just in the nature of a 'tantrum-having man-child who wants nothing but destruction' to put more forethought into the future he wants to build than the society-uplifting greatest heroes.

That or maybe everyone had really detailed follow-ups for when they won that Hori never went much into, but that'd render this post a bit pointless so shhh.

[runabout-river]

Yuji's accumulated Trauma

After Choso's death, I've been thinking about Yuji's reaction to it. At first glance, it looks mature and composed and obviously Yuji doesn't have the time and privilege to grieve. More importantly, Gege didn't give Yuji any panel time to be distraught; his aniki's death scene was over pretty fast. The 3000 Shibuya deaths in conjunction with Nanami's and Nobara's deaths on the other hand had been given more time and more impact afterwards.

The difference in reaction between those two times makes sense in context but, in my opinion, not with Yuji being mature and composed about it.

Because Yuji never got over Nanami's and Nobara's death, he didn't heal from that, instead, he had a negative character arc where the trauma of their deaths affected his world view and mentality in significantly bad ways.

He started to think of himself as a cog in a machine and he also identified with Mahito, the curse who killed both his friend and his mentor figure, a villain and his personal antagonist. Yuji did not overcome Mahito in Shibuya, the story makes us forget that often times. He was marked and changed by Mahito and even though that curse ended up with an extremely pathetic death that didn't mean that he hadn't broken something inside Yuji.

The only time where Yuji constructively dealt with that trauma was in his fight against Higuruma but that was only about his guilt over letting Sukuna kill 3000 people with his body. And it didn't get resolved completely, at least not in a way that would've helped with dealing with Nobara's and Nanaimi's death too.

Yuji is taking that trauma from Shibuya, his feelings of weakness and guilt, and he puts them into believing himself to be a machine that has to follow a predetermined path. Before Sukuna took over Megumi, that meant being suicidal when the situation called for it. Yuji wanted his life to make sense again and dying so Angel would've her wish of seeing Sukuna dead to save Gojo perfectly fit into that.

After Sukuna possessed Megumi, his path and role stayed the same except killing himself directly was off the table but that tendency still exists inside of him. If he were to be presented a way to defeat Sukuna while saving Megumi at the same time where he would die as a result he would take that path immedietaly without hesitation.

Back to Choso's death. In my view, this unresolved trauma and his lack of will to live lead to an unhealthy coping mechanism: thinking of his friends and allies as already dead. We can see that when he asked Megumi if Nobara had survived Shibuya.

He knew that there was a slim chance she survived but it was so low that she was basically dead. When Megumi confirmed her fate, Yuji was prepared for it. Prepared to receive the bad news so instead of crying again he could function like the cog he was supposed to be.

And this Mahito-infused cog mentality still follows him until now. He has to function so his role can be fullfilled and when that means he has to think of his friends as having already been killed so he would never break again then that's what he's going to do.

He did not despair over Choso's death, he despaired because it looked like he was alone and on the verge of defeat against Sukuna. His role was breaking just like his reason to live and I think that this mentality, his negative character arc, will find it's conclusion at the end of the Sukuna fight.

This fight is not the end of the manga, we still have the merger to deal with, there is still a big arc with smaller ones in between coming at us. But for Yuji something big has to happen, probably something pretty bad that has him crushed... at first.

At the end of it, he will finally deal with all his loss and his trauma in a good and healthy way and leave his life as a cog and being a human Mahito behind. Then he might finally shed the tears that were missing in chapter 259.

[mianexil]

◇ Your first meeting ◇

(pt.1)

◇ ㅡ ㅡ ㅡ ㅡ ㅡ ◇ ㅡ ㅡ ㅡ ㅡ ㅡ ◇

💫 [ Ah, that most exciting meeting with a young man, before which you did not yet know that this boy would take that very place in your heart ]

◇ ㅡ ㅡ ㅡ ㅡ ㅡ ◇ ㅡ ㅡ ㅡ ㅡ ㅡ ◇

ㅡ Umemiya, Suo, Nirei

Umemiya

Your family's flower shop

During the holidays, your parents sent you to your grandmother in Makochi, who had a small but pretty flower shop. Spending a few weeks surrounded by flowers and calmness, away from the hectic and noisy city, seemed like a very good solution.

Today, your grandmother left for a meeting of shopkeepers from this street, so you stayed to replace her in the store.

The sound of the doorbell distracted you from the not too thoughtful scrolling social media feed on your phone.

ㅡ Wel..come

A tall white-haired young man in a funny T-shirt appeared before your eyes. He seemed big, but you instantly felt his comfort aura as soon as your eyes met.

His loud voice brought you out of a momentary trance while you were looking at him.

ㅡ Good morning! How are you feeling?

The guy beamed with a smile.

ㅡ Oh? Not bad, thanks. Are you looking for something?

ㅡ Yeah, I want to buy "Bull's Heart" tomato seeds.

You got up from behind the counter and started search shelves for the right seeds. You definitely remembered that you saw a package with such an unusual name the other day. After finding the right seeds on the farthest shelf, you returned to the counter.

ㅡ I didn't think gardening was popular among students.

ㅡ Oh? But it's a wonderful activity! I have recently ripened a sweet pepper, it cannot be described in words!

You stood and listened attentively as the young man in front of you enthusiastically talks about his gardening exploits.

Something about him got you hooked. He didn't look like the sullen boys from your town at all.

ㅡ I've been wanting to grow cherry tomatoes for a long time. I think I should also look for seeds today.

ㅡ Are you serious?

Umemia's eyes sparkled.

He told you that if you want to grow something for the first time, it's better to start not with seeds but with sprouts. And he just has a few on the roof of the school where he grows his vegetables.

He kindly invited you to come and choose one of them if you want.

And how could you refuse when those blue, almost puppy dog eyes were looking at you.

But, girl, don't think he's just giving away his precious plants to just anyone.

He was definitely interested in you at first sight conversation about tomatoes.

Suo

The tea house (Of course, it's a tea house, how could it be anything else?)

You stood and chose between Bi Lo Chun and Tie Guan Yin. It is a rather difficult choice. Both varieties reveal a floral-fruity taste and a sweet aftertaste. And of course, carried away by your reasoning over the choice, you did not notice how an elegant stranger has been watching you from another corner for 5 minutes.

Suo immediately noticed your good taste. It was not often that he managed to meet the same tea connoisseur of his age in Makochi.

When you were already starting to get nervous from the fact that you couldn't make a choice, a young man in a silk tangzhuang silently glided towards you.

ㅡ Bi Lo Chun harvest this year was particularly successful, and its fragrance is felt more deeply.

You turned at the melodious voice and saw in front of you a mysterious high school student with an eye patch and unusual earrings.

There was something fascinating about him..

The corners of Suo's lips lifted in a friendly smile, while you were slightly confused.

ㅡ Oh? Well, thank you..

ㅡ Can I ask, are you also interested in different types of tea?

Nirei

Anime Store

You were standing at the shelf and looking for a Funko POP with your favorite character from a childish but incredibly cute anime.

Having found the right one, you decided to go to the manga section. You were attracted by the bright cover of one of the manga, and you picked it up.

Then you felt someone's eyes on you. It didn't seem to you. Theree was an excited young man in a bright shirt and round glasses standing to your right. He looked like if he had a tail, he would be actively wagging it.

Damn, he really looked like a cute puppy with that expression and the sparkle in his eyes.

ㅡ Excuse me?

ㅡ Oh! I'm sorry for staring, I didn't mean to scare you, it's just... Do you like this manga too? I have not yet met the same fans of this work, but it is really interesting. And the characters here are very unusual and so well written!

You watched in surprise as Nirei quickly took his notebook out of his pocket and began enthusiastically talking about the small details of the main characters from the cover of the manga that you were holding in your hands.

Such information can usually be found only in special publications or artbooks. God, this guy seems obsessed with this case. Is he really okay?

And yet, despite this oddity, he looked so cute and enthusiastic, telling you about everything that you silently listened to, looking at his freckles.

ㅡ So, who is your favorite character?

ㅡ Oh, uh..I'm not a fan of this manga, actually..

The expression on the boy's face changed so quickly to confused and a little sad that it made your heart ache.

He blushed slightly from embarrassment.

ㅡ Oh..sor-

ㅡ But I'll read it, you've interested me with your words.

It's strange, but when this sunshine smiled again, for some reason, it felt better for you.

◇ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ◇ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ◇

💫 [ Okay, I've already accelerated now ]

[shigarakisslutbag]

Also I don't trust anyone that thinks shigaraki is an entirely hateful character. Like yes, he's obviously hateful towards a lot of things LOL. But he's shown he cares for those that support him multiple times

He just doesn't show it in the way I think people *expect* him to. But he cares quite a lot. I find it even more endearing that it's clear that he cares for the members of the league without having to say it. We LOVE a king who knows actions speak better than words.

I also really don't think he's incapable of having a partner? A lot of people would say it's out of character (which would be true for earlier seasons maybe?), but I think the reason he doesn't have any feelings like that for people is

1.) he had no idea of what a good relationship looked like growing up. he was 5 when everything happened. And even if he didn't accidentally kill his family?? His dad was abusive and emotionally unavailable. If he had led a "normal" life, it would've been incredibly hard to unlearn what he was taught love was. I think his mom would've been the only reason, if she were alive, that he would know what love and connection felt like, had they not died.

2.) no one (to my knowledge. I haven't read the manga), has really complimented him. Told him he was pretty. Said they were proud. Even if someone did compliment him looks wise, no one has pointed out good qualities he has (at least up until the league regarding positive traits he has (personality, leadership qualities, intelligence). And even then, one of the first things he heard from dabi was an insult to his face. I love dabi but that still makes my eye twitch 🙃)

I'm not saying praise, validation, or compliments would fix everything. But ohmygod. If someone would just be genuine and tell him that they believe and support his successes, or listen and talk to him like a human, it'd probably send him into a different, slightly healthier mindset.

One reason I absolutely love the friendship/relationship between spinner and shigaraki. He just needs some verbal support and someone who listens (me too LOL). He deserves so much idc. No just spinner either.

I'm a shigaraki supporter first, and a human second🙂‍↕️. Also I do apologize if some of my I formation doesn't seem very correct, it's been a while since I've watched it, and I do not read the manga 🥲. Even if some of my facts don't stand though, I am a very firm believer that with more attention or someone completely loyal, would make him happy. I mean it was pretty much proved he loved attention and wanted supporters more than anything in season 2(?) I think. Anyways, I love my boy. If shigaraki has no supporters, I'm deceased LMAO

[blind-sheep]

As someone who spend so much time on more lgbtq+ settings on the internet, I tend to forget how much the average joe is, by norm, very heteronormative, as is society.

Like, there was this short video on youtube showing the Falin's resurrection scene and all, and some peoples did some comments about it.

As someone who do ship falin × marcille, and compared to what we see around here, that's pretty mild stuff right?

But as I keep forgetting, some people get quite mad at the simplest suggestion that gay people may exist in their little show.

Tbf, the first comment may just not be into the ship and is finding reasonings to why it doesn't work on their eyes, but they're very defensive still.

The second comment however is at quite a point of hetero delusion. Falin was about to marry Toshiro? What? It was mentioned he proposed to her, not that she had accepted and was about to marry him! But, to some people, a man liking a woman is enough for them to be already together, no matter how she feels about it, bc it's "the norm" for the boy to get with the girl. Like, he likes her, and that's all that matters so they will totally get together at the end?

Sadly, that's one of the reasons I see Laios × Marcille as a boring ship sometimes. By all means, I see why some people ship it, there is some real reasoning behind it, but I just know the biggest reasoning for most people that ship them is just "he was a boy, she was a girl, do I need to say more?" Type of mindset.

This next one just makes me laugh, it HAS to be bait:

Like, Marcille NEVERS blush around Falin AND just blushes around Laios? Fella, I don't think we watched the same anime or read the same manga, even people that don't ship them can see that they are a little gay. Or can they? (Vsauce theme starts playing~)

About their age difference and how race works in Dungeon Meshi, that's quite the big topic, not sure I want to stray too much here (there's too much text here as it is).

And about that part that says "makes me think they're all very straight": if this comment is a joke or not, this bit says a lot. Most people see the whole world like that, everyone is straight till proven other wise, and you gotta prove a LOT in media for characters to be gay, or it doesn't count. To most people, being hetero is the norm, and seeing lgbtq+ ships is very hard for most bc of this.

No one is forcing anyone to ship anything here, but lots of people really do forget being gay is even possible sometimes, and get mad at us for shipping what reflect our realities (at least in our eyes). Especially in the anime community, where the simple threat that their "waifu" may not like dudes send some fellas into a fit of rage and homophobia.

And I know, the focus of Dungeon Meshi is not romance and never was, and we can't see the story only through these lenses, I agree with that. But people will ship anything in any show, and I just used it as an example to talk about this topic. It's something that comes often to my mind and I never had the chance to talk about it till now.

Here's a little Farcille gif as a treat for those that read all this rant of mine:

( so cuute~ )