Thank you Jorge-Rivera-Herrans
I spend the past three hours obsessing over EPIC (again)
The storytelling is the most beautiful thing in existence.
When I say I love multimedia cinematic storytelling.
This.
This is what I mean.
The music
The lyrics
The vocalists
The audio design
The storytelling
The production
The passion of the creator
The fandom
The themes and questions of morality
The complex and lovable and hate-able characters
The animators incredibly talented visualizations
The fact that this is retelling a story that has been told for more than two thousand years and still keeps getting retold, people from different millennia and all centuries have listened to and read this story
Everything about this is the peak perfection of art, storytelling and the phenomenon when humans join forces brought together by a vision and passion and pouring their heart and souls into a project to create something that will be forever unique
I am so grateful to live during a time where this exists.
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Aziraphale raising his wing for Crowley hits so different with the S2 context. I feel like we all looked at it as, here’s this sweet little principality, he’s kind and naive so he’ll shelter even a demon—but it wasn’t really that, was it? It wasn’t just some random act of kindness.
It was a message.
When Crowley slithered up that wall, Aziraphale was nervous. Because he gave his sword to the humans, sure—but also perhaps because he was seeing this angel again for the first time since he had fallen. He learns Crawly’s new name (Crowley never asks him for his name, he knows it already) and they have a brief exchange that was probably a lot like the ones they used to have.
Then when the thunder starts, it’s Crowley who’s first to move to him, to shuffle hopefully to his side.
I think when Aziraphale lifted his wing up, it was almost a way to say I remember who you are, I remember the kindness you gave me. I’m still here.
He wasn’t just playing umbrella. He was letting Crowley know he hadn’t been rejected by all of Heaven.
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watching the sdcc panel and i am just very :) about how sweet their answers to “what are some of the micro moments from the game that have stuck with you the most over the years?” are. taliesin saying what the fuck is up with that which was the first like The Party Gets To Know Each Other moments of c3. travis saying asking his wife if he could kiss her in campaign. marisha going way back to the cannonball competition in campaign one. ashley choosing the beauyasha date but also just the silly goat noise matt made. liam adding onto that to compliment matt roleplaying grass so well and then saying his favourite moment was writing a story for laura and reading it to her as caleb for jester. and then matt saying that was his answer, and that his favourite moments of the game are when they find ways to give gifts to each other whether tangible or not. and sam saying his favourite moments have less to do with the story and is more so when he can just. see his friends across the table from him. when marisha perches and when laura and ashley are (badly) drawing dicks and liam saying he loves when sam sneezes and ashley tells him to stop it and just. yeah. they Are an extremely popular online powerhouse, but i’m so happy that they’re also friends building a world together out of gifts to and love for one another.
like i Am so enamoured with the characters and the world of exandria but the moments when you can feel the love that those people have for each other reach out from behind the stained glass of their performances (to steal a metaphor from brennan lee mulligan) are so extremely special and i am endlessly grateful that they decided to share their silly little home game with the world.
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hitting some ocs with the pmd au beam
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idk i think they're equally annoying roommates
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Love Laudna wanting Orym to be the one to cut her down if need be because she feels he can make hard choices, and Travis like "uh hello? What about Chetney? You want to put Orym through that anguish? I am right here" like damn, he right tho
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THEY EVEN TOOK HIS QUEEN
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despite knowing what was going to happen, snotlout's redemption and eventual downfall was so so heartbreaking to me. we spend the past 10 books witnessing how much he's tormented and bullied hiccup that we all feel the same anger and frustration and resentment as fishlegs does in the beginning of 11. i was, maybe, even rooting for something a little bad to happen to him so that he can feel even a fraction of the humiliation that he put hiccup through. but time and time again hiccup, with his inherent goodness and wonderful capacity to always try and see the best in people, reminds us that people need and deserve second chances. even third, fourth and fifth chances. even when hiccup was faced with the certainty that snotlout was set on betraying him from the start.
that's why it was so satisfying to get to the emotional catharsis of the swordfight. snotlout practically begging for hiccup to hate him and hiccup genuinely not having it in him to be able to. and even after that, even after he disarms hiccup and is seconds from killing him - he doesn't. and then hiccup comforts snotlout through it. he tells him words that snotlout didn't know he's been desperate to hear. he tells him he's being too hard on himself. he tells him he's a hero. he opens a door inside snotlout's life for the first time in a long time. despite everything, he offers him another choice to join the dragonmarkers. and snotlout accepts. he bows to hiccup, he calls him king, pledges his sword to his service forever, shakes his hand and chooses to bear the dragonmark.
and it's this moment we finally seeing the seeds of change planted in snotlout sprout - instigated by gobber teaching him a lesson in the amber slavelands and reminding him what the black star represents: pride, honour, bravery. all the times we see snotlout give in to vulnerability and ponder on his choices, he's always holding onto it. which makes it all the more symbolic when he hangs it around hiccup's neck during his last act of valour.
just like how the book tells us that the tides can change so fast, through hiccup, my heart was able to give snotlout another chance too. and it's because of hiccup's belief in snotlout's potential for more that makes you feel so strongly about his death. snotlout's excitement at finally being on hiccup's side, at doing what's right, at having the opportunity to actually be a hero - we can't help but feel that burst of pride, we can't help but root for him. and so we feel the loss, as hiccup did. and it's a point driven home when hiccup ends the epilogue with how he’s carried snotlout and his sacrifice with him all throughout his life. and how time has rubbed away at the black star.
that now the star doesn't look black at all. just gold.
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what is their problem tbh
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devastating to go into the tag for an obscure vampire movie I've been quietly obsessed with for years to find mostly gifsets of minor characters (played by big-name actors) and review blogs saying they didn't like it :(
@ everyone who made a post saying "I liked it :)" I am blowing you a kiss. everyone who made a lovely gifset or photoset of the cinematography I am tipping my hat. that one poster that said "bro did y'all just miss the Entire Message about class and race or???" I am shaking your hand with enthusiasm there was SUCH a message about class and race
anyway everybody should watch Night Teeth and revel in glitzy flashy modern vampires in LA with me
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Golden Burial Gown - The gown of one who courted a demon, and in their dance was the soil poisoned.
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“But you will never know another's heart,
unless you are prepared to give yours too.”
― Johann Wolfgang von Goethe, Faust
I wanted to give screenshot redraws a try since they look so cool when other people make them and I also figured they would be good practice on colour and lighting. Hilariously, I went straight for extreme photo realism that somehow got progressively more intense for each drawing I made. So yeah. Success?
And yes, I assure you — they’re drawings.
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okay, I’m going full red string over the last episode. mainly because if queen amangeaux (put some goddamn respect on her name) had a child with her husband, wouldn’t that have solved all her problems? Sure, it would make her a target but the bishop was already warning her to lay low at the festival, and at least this would’ve secured her place on the throne until her child came of age. Unless she knew she was pregnant and then she decided not to say anything in trying to follow the bishop’s advice? Or she didn’t know at the time and then everything popped off. But that makes the baby at least a year and 3/4 months (if we use human pregnancy as the timeline??) and the baby read more as a newborn to me? Also in the adventuring party when they discussed the bishop’s secret, Anjali pointed out that he could’ve been poisoning her or her husband with the tea leaves to stop her from producing an heir. which could be a red herring, or could mean that the baby belongs to someone other than her husband, hence why she’s hidden him away. which would make sense since the coloring is a little different. So either the baby isn’t hers biologically and is just in her care, she had an affair while her husband was still alive, the baby is the true heir, or she got pregnant in the two year time jump.
how the fuck am I losing my mind over a mango’s sex life how did I get here
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beloved patriarch (inspired by the lower mv)
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guys I’m so sorry I know this is anti simblr but I’m having so much fun playing the game without constantly taking pictures and posting…… 😭
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Arlecchino's whole deal is unbelievable
Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".
*Kills Clervie and "Mother"*
Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.
*Is in jail for a while and becomes a Harbinger*
Arlecchino: Huh I wonder why I am-
Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-
Arlecchino: Ok.
Pierro: ...You're just cool with that?
Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.
*Runs the orphanage/spy recruitment initiative*
Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????
Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.
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