Watch them dance out the plays that we wrote from the heart
And we’d laugh at the ghosts of our fears
[id: Digital sketch of Natasha Rostova and Marya Bolkonskaya from Great Comet. They lay in the grass, both grinning. They're in an embrace, Mary's on top of Natasha. /end id]
Is there anything you want to do in your second life? Mr. Yu, is there something you want? For me... I want to be happy. On my own. With my own strength. I'm going to be happy.
yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
(tw for violence/death in this post; it’s about horror movies but g/t)
im in my Horror Movie era and like. i keep thinking how terrifying would a g/t horror movie be. a tiny protagonist in an oversized world could be so so scary. bugs, animals, unaware humans, even things just like struggling to get consistent meals or finding somewhere genuinely safe enough to rest. you could go psychological thriller about a recently shrunk person struggling to cope. you could have a slasher flick where the slasher is just an unaware giant.
i want Midsommar but it’s a borrower joining a fairy cult. i want Saw where it’s a borrower making traps for humans because they just hate giants. i want Hereditary with the added struggle of a mixed size family dynamic. i want whatever batshit original concepts A24 could do with a g/t dynamic
anyways i think there’s a huge potential for size horror and man. a movie like that would terrify me
thinking about just how likely it is that Batman was the only person Harley told about having suicidal thoughts whilst in Arkham in Detective Comics #831
"I was seriously considering hanging sheets from the light in my cell and doing the maximum checkout when I heard this voice..."
Detective Comics #831
and how he knew when she strapped that bomb to herself in Batman (2016) #100 that he had to go after her because she was going let herself die in an attempt to end Joker's rampage for good but that she refused to physically do it because he didn't want to her Kill him and he told her that so she's found a middle ground
"We don't need to end it this way. He needs to be locked back up."
that she'd rather die than keep living with his presence in the world haunting her, haunting Them.
That if he did choose Joker, she wasn't going to disarm the bomb herself.
"Honey. You're talking to the wrong girl if you think he's not dangerous locked up in Arkham. It's like I said. That's not good enough for me. Not anymore."
the way he yells for her as she leaves.
"You're only going to get to one of us in time, Bats. Who's it going to be?"
"Harley!"
the way the two men stare at each other in the way they have so many times before, in those moments when Joker stayed or prioritized their fight over her. the way he knew Joker loved the thrill of it all and thought it was funny, thought there was No way Batman would leave him and that this game had to end as according to the rules. And that Batman would do so, he would follow the rules and save him. The way he immediately assumed Batman would choose him, choose his life and choose to stay and disarm the bomb.
And how Batman didn't do that. How Batman walked away from him, leaving him to die or escape or whatever, because He was choosing Harley and her safety and prioritizing her life over him.
The way he stared him in the eyes before choosing the woman Joker had always left to die over him. The way that it was always Him, it was never a question if he would choose Batman over her, but when faced with that type of scenario, Joker is the one that gets left behind to die.
The way she literally woke up in the hospital instead of them having a scene just outside after he removed it. because she didn't intend to live in one of the two options. the way the bomb probably did go off to some capacity because you don't just end up in the hospital knocked out for a week.
Him saying that he's glad she's okay, after everything they've been through, this war and Everything else. and the way he didn't brush off her concern
"I'm glad you're okay."
"Are you?"
"I had to bury my father again today. I did it with my family."
hazy... his mind felt so hazy...
adam blinked awake, unfocused, and unco-ordinated. he felt around for his halo at his night table, thats where it tended to need to go unless he wanted to drop it accidentally during the night and get a searing headache during the day. he shifted to sit up, feeling his bed was... weirdly hard. blinking his eyes open a bit more, he did not see his room, nor his blanket, not even the foot of the bed. he looked where hed been feeling with his hand, seeing there was no halo.
in fact, there was no night table either. adam jumped to his feet, looking around with shock, his heart beat coming up loudly into his ears, as he looked down at his hands. while he saw what he expected to, he finally recognized the colour of the ground. the colour of everything
red
loud
loud
loud red
he looked down at himself, seeing scars he expected, and a new long one at his center
what the fuck. what the fuck what the fuck whaT THE FUCK
no
no
surely sera would do something of this. surely she had not abandoned him like how- no. he would not speak ill of his father, his creator. not now. not here. adam bit into his arms, wanting desperately to see that gold flow
loud. loud. red.
wrio, down absolutely cataclysmic, and also dense as fuck: no way he actually likes me. i mean yeah he brought me home despite the fact that he doesn't really Do personal relationships. but like it has to just be because i happened to be around not because im ME. right. like, no way he Likes Me For Real. that's just not possible
obsessed with the fact that in most rpgs, the "good" companion endings usually involve you helping them get what they want
whereas in bg3 the good ending for characters usually means steering them away from what they want, because it isn't actually good for them, even at the cost of them never feeling the warmth of the sun again