#i meant characters people generally like

[pinkd3mon]

I was gonna make a couple of lgbt kirby pfp for pride month and then i realized all Kirby characters are queer

What if I just made one Kirby character per day for the entire month

What then

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[the-witch-of-woods-beyond]

“if you go, i’ll stay, you come back, i’ll be right here” but it’s clarke griffin giving her life so that bellamy blake and all her friends could make it to space, surviving through sheer will, and calling him on a radio every single day for six years until he could return to her and the home she built for them all.

[beanghostprincess]

How bad do you think Franky's abandonment issues are? Do you think he spent the first few months he was with Tom terrified that he was going to do something wrong and Tom was going to abandon him like his parents did?

What happened to hello 😭 This is so painful all of a sudden out of nowhere-- But I love angst so I kind of appreciate it, ngl.

I do think Franky has pretty bad abandonment issues and also pretty awful self-esteem and guilt inside him. But he is also a person who has been able to build a reputation and a family on his own surrounded by people who actually do care about him despite everything, and he is pretty damn independent in that field.

But now (especially after Sabaody) even if the strawhats are strong, there is always this fear of losing them. All of the crew shares this feeling but Franky is after all one of the most emotional (despite his rational thinking, these things can go hand in hand) and cherishes family bonds like nobody. So of course he fears they're going to leave at some point because he lived all of his childhood believing the same thing and blaming himself.

Franky has people to rely on now, more than ever. Robin understands what it feels like to be left out and seen as a monster and Franky teaches her that no matter what, her existence could never be wrong. His bond with Usopp is just-- Perfect and I still believe he feels guilty for what happened between them at first but now it's just them being genuinely close. I'd like to see more of him and Sanji, too, especially after the Wano thing. And in general, Franky has close bonds with everybody around him and it's noticeable because he is a family man and because I feel he does this to make everybody feel included and loved. He makes his fear of being abandoned a strength, because this way he understands others better and makes them all feel part of the family.

So to answer this, yes, I think his abandonment issues are pretty damn bad but he learns to be (and makes him feel better) the one supporting and helping others instead. Franky is a after all a very protective person when it comes to the people he loves and now I feel like his only fear is them being taken away from him rather than him being abandoned by them. But feelings are not rational so Franky wondering and asking Robin (because they're married. I swear. I saw it) if they're going to leave him in a vulnerable moment is pretty plausible. I think it'd take a while before he opens up like that, though, because I feel he doesn't want to be a burden and prefers to be the one comforting others. But !!!!!!! I agree.

[g0nta-g0kuhara]

I see a lot of discussion in the DR fandom on some characters that die early having "missed potential", and while I agree that definitely a few of them could have been written better or differently, part of me wonders if that missed potential is kind of the point? A character is shaping up to be something, so you get invested in their story, which then makes their early death all the more tragic. I mean, of course it's still a tough needle to thread to get it to land as tragic versus falling flat, and I'm not sure how closely some of these characters hit the mark. But I Do think some characters aren't actually "missed opportunities" and instead played their role in the plot how they were meant to, if maybe a little suboptimally.

[nebulouscoffee]

The thing about Kai Winn's storyline ultimately being a tragedy is, it's not only a tragedy because her fate (in the eyes of the non-linear Prophets) was already known and nothing she did or said was ever going to make them acknowledge her- not only because she wanted so badly to have a big role to play in the grand, historic story of the newly independent Bajor and just couldn't handle the fact that she was never meant to- not only because the Prophets spoke to Sisko and Bareil and Kira and literally even Quark but not her- not only because she was deceived and raped and killed in the end- but most of all because, it was partly her love of Bajor that killed her.

Think about it- her whole regression during that final arc with Dukat is so tragic precisely because she was THIS close to redemption! Throughout the show, we see that her brain processes information in very rigid, binary ways: if you are not my ally, then you are my enemy. If you disagree with even one of my opinions, you are my enemy. If you refuse to endorse and support me in this mission, you are my enemy. That's part of why she's so easily swayed by fascist rhetoric, I think- she's just unable to cope with nuance. (This is foreshadowed in 'Shakaar', where she puts the whole of Bajor under martial law just because Shakaar disagreed with her over how she was handling soil reclamators.) Her personal narrative is I am the one who will save Bajor -> anyone who gets in my way is my enemy and therefore an enemy of Bajor -> I must stop them using any force necessary for the good of Bajor because I am after all the one who will save Bajor.

But when Sisko discovers the city of B'hala in 'Rapture', she is for the first time forced to accept the truth that he really hasn't been faking this whole "talks to the Prophets" thing- he's the real deal. We learn later on (when she tells "Anjohl" about how she honestly felt nothing the first time she saw the wormhole open) that a small, small part of her actually always doubted the existence of the Prophets. Now, she is faced with definitive proof that they are not only very real, but they also really do have a bond with Sisko. And for a while, she even comes to terms with this! In fact, at the end of the episode, she and Kira have possibly their first completely honest exchange:

KIRA: Maybe we're the ones who need to trust the Prophets. For all we know, this is part of their plan. Maybe they've told Captain Sisko everything they want him to know.  WINN: Perhaps. I suppose you heard that Bajor will not join the Federation today. The Council of Ministers has voted to delay acceptance of Federation membership.  KIRA: You must be very pleased.  WINN: I wish I were. But things are not that simple. Not anymore. Before Captain Sisko found B'hala, my path was clear. I knew who my enemies were. But now? Now nothing is certain.  KIRA: Makes life interesting, doesn't it?

Like, YASS babygirl- you too can learn to handle nuance!! I believe in you!!💪💪

And later on, at the onset of the Dominion War, she comes to Sisko for advice herself. She doesn't want to see her planet colonised again, and she's even willing to put aside her desire to be the main character to ensure it doesn't happen. Driven by pride and the need for power as she is, she is also driven by the desire save Bajor (and preferably be the one saving Bajor, which is the subsection of this desire that ultimately ends up being her downfall) - and she does briefly decide that cooperating with the Emissary is the best way to do this! I think about this scene from 'In The Cards' so much:

WINN: ... I have asked the Prophets to guide me, but they have not answered my prayers. I even consulted the Orb of Wisdom before coming here and it has told me nothing. So I come to you, Emissary. You have heard the voice of the Prophets. You were sent here to guide us through troubled times. Tell me what to do and I will do it. How can I save Bajor?  SISKO: You want my advice? Then this is it. Stall. Tell Weyoun you have to consult with the Council of Ministers, or that you have to meditate on your response. Anything you want, but you have to stall for time.  WINN: Time for what?  SISKO: I don't know. But I do know the moment of crisis isn't here yet, and until that moment arrives we have to keep Bajor's options open. I'm aware that this is difficult for you, given our past, but this time you have to trust me.  (Winn holds Sisko's left ear.)  WINN: Very well, Emissary. We put ourselves in your hands. May we all walk with the Prophets.

In the earlier seasons, Winn would often casually make claims that the Prophets had "told her" something, or that she was just "doing what the Prophets asked"- and her political position as Kai always allowed her to just lie about being in contact with them all the time. Now, you can see the sheer humility- the embarrassment, even- on her face as she (for the first time) openly admits to Sisko that she has never actually heard them speak before; and that they clearly "prefer" him. Yes, there's some (understandable imo) bitterness here- but not at him, at THEM. And when she tries to read his pagh at the end- something she probably does to dozens of people every day, most of whom would unquestioningly believe anything she declares afterwards- she doesn't even try to pretend she felt anything there. It's one of her most genuine moments in the whole show, you can just SEE the redemption arc in reach and it's so heartbreaking!!

I think 'The Reckoning' is a huge episode for her too, for many reasons- but let's talk about how it sets up this fascinating parallel between her and Kira (who Odo describes in this episode as having "both faith and humility"). The Prophets choose Kira as their "vessel" because she was "willing"- meanwhile, Winn was right there just begging to be a part of this! Here she is, with a Prophet right in front of her face- and she prays and postures and begs and prays some more, all just to get ignored. Kira's brand of faith is very, "I am ultimately insignificant and I surrender my power and my body and pagh to the Prophets"- Winn's is more, "if I do all the right things, then I will be able to prove to the Prophets that I am worthy of their attention, worthier than everyone else, and maybe then they'll appoint me the saviour of Bajor! It's My Destiny, You See!! (Why Isn't This Happening For Me??)" And the events of this episode are kind of a big slap in the face to her honestly, because they sort of prove beyond a shadow of a doubt that the Prophets have no interest in her. Maybe stopping the battle was also an attempt at regaining some kind of agency with them- I DID THIS, I pulled a switch and it had a direct effect on the Prophets, so there!! (Whatever that effect entails). She does care about Bajor. Of course she does. But her ideal configuration of Bajor involves her being a major player in its salvation, which she was just never meant to be. And this is why she's so tragically susceptible to Dukat's manipulation- he was the first person ever to tell her everything she always wanted to hear.

And the intriguing thing about Dukat's deception is, it doesn't all fall apart at one go. It falls apart in layers. And this makes for some excellent, excellent Winn characterisation imo.

First, she thinks the pah wraiths are the Prophets- and they tell her, hey, The Sisko has faltered, Bajor needs you, and only you can fix this. Good lord, imagine finally getting to hear those words after a lifetime of silence! And it's very telling that her first reaction isn't to gloat like she would've in the earlier seasons, but instead to humbly- even anxiously- pray. Bajor needs her, the "Prophets" have asked her to do something, this is her moment! Then, this random lovely Bajoran farmer comes in and tells her even more things she has always wanted to hear- that her activism during the Occupation (ignored by Kira and Sisko alike) saved lives, that he always wondered why the Prophets would choose an alien as their Emissary, that surely Sisko and his followers were mistaken- and finally, "our world will be reborn- with YOU as its leader". Sounds good, right? But THEN she finds out she's been speaking to the pah wraiths and the lovely farmer is a devil worshipper actually. And she tries the "wash away my sins" approach- she wants some kind of quick fix ritual that will "purify" her, so she can continue to be Kai the right way. She even admits to Kira that she's always been power hungry and she wants to change- and I believe her! Unfortunately, Kira then tells her something she doesn't want to hear- that she has to step down as Kai. And surely that can't be, right? She's the saviour of Bajor! She's so complex... it's not simply her love of power that this scene reveals imo, but more significantly, her inability to see herself as not a vital part of Bajor's history; of this whole larger narrative. Like-

WINN: I'm a patient woman. But I have run out of patience. I will no longer serve gods who give me nothing in return. "GIVE ME"!! ADAMI MY BESTIE MY GIRL MY BUDDY THEREIN LIES THE PROBLEM!!!

So, okay, fine, now she's swayed over to the side that maybe the Prophets aren't that great, and maybe the pah wraiths are the true gods of Bajor (because they were willing to talk to her), and maybe she's okay working with the devil worshipper. But then it turns out he's DUKAT- and at this point, she's literally murdered someone, she's ready to stop this, to go back to Sisko and set things right- but then the book of the Kosst Amojan lights up because of the blood she spilled. She did that. It happened as a direct result of her actions. She's just so desperate to be acknowledged... to have a role to play in all this, no matter who offers it to her. So the pah wraiths actually giving her a reaction isn't something she can resist. And here's where things get even more tragic.

WINN: But the prophecies! They warn that the release of the Pah wraiths will mean the end of Bajor.  DUKAT: The old Bajor, perhaps. But from its ashes a new Bajor will arise and the Restoration will begin.  WINN: Who will be left to see it?  DUKAT: Those the gods find worthy. It will be the dawn of paradise. And you, Adami, are destined to rule it.  WINN: You're sure of that?  DUKAT: It is meant to be.

Again with the ease at which she's swayed by fascist rhetoric! Let's be clear, she was (and is) absolutely against the Cardassian Occupation. But her worldview is built on the pursuit of being "worthier" than everyone else, of being "closer to god" than everyone else- her expectation of faith is that it's some sort of determiner of who's doing it The Most Effectively, rather than it being a practice- and she just completely misses that any sort of plan that executes masses and spares whoever is deemed "worthy" is... literally exactly what people like Dukat did to her planet. Something something faith as competition, faith as determiner of inherent superiority, faith as a way to gain power via proximity to god… never faith as submission. And the worst part is she’s self-aware. It’s heartbreaking.

And it's about to get even more heartbreaking, because she truly believes she has arrived at her girlboss moment in the finale (I think the tragedy of her being a rape victim and knowing this and having to hide the body of the one (1) person who was looking out for her while being stuck with her rapist speaks for itself.) After kicking Dukat out on the street (lol), she studies the eeevil texts and realises that to set the pah wraiths free, you need to make a sacrifice. So now she gets to deceive him in return. And she does! The look of shock on his face when he discovers she poisoned him is priceless imo, and her triumph as she taunts his dead body, the sheer joy on her face as she casts off her Kai robes, when she recites those incantations and something actually happens- and that too such a large pyrotechnic spectacle- is so sad knowing what's coming. Because ultimately, the pah wraiths want to destroy Bajor, right? And Winn just doesn't. Of course they don't choose her. Of course they choose Dukat over her! She really thought that by tricking and murdering him, she'd made him the unimportant piece of the puzzle, that she was stealing back his thunder- but tragically, it turns out even the pah wraiths see her as disposable. Of course they resurrect Dukat (a man who's proved time and time again that he wants to see Bajor & Bajorans destroyed) and turn her into the sacrifice. The way she screams "NO!" here breaks my heart- she's betrayed her planet, and it was all for nothing. (Dukat's "are you still here?" is particularly devastating.) I think it's very significant that her final words are "Emissary, the book!"- it shows that in her last moments, she's owning her mistakes- she's stepping away from power and putting Bajor first, and leaving her own fate in the hands of the Prophets. Who, of course, once again ignore her, and choose to save Sisko instead. God.

The utter tragedy that even in the pah wraiths' plan, she was just a pawn. That she died at the hands of the gods she thought chose her, but used her, all while the gods she'd coveted her whole life stood by and did nothing. The Prophets chose Sisko because they believed he would put Bajor's interests over even his own- and now they ensure he will be back one day to see the new Bajor. She never will.

Yes, it was her pride that got her here. Her mean streak. Her inability to cope with nuance. Her inability to see herself as ultimately insignificant. Her inability to surrender to a higher power in any way that didn't involve becoming more powerful herself; more relevant, more "close to god". But it was also her love of Bajor. Because if she'd cared about Bajor less, then maybe the pah wraiths might have chosen her- or at least spared her, or taken her to their realm after she burned, the way they did with Dukat. Now, she ends up being the one thing she never wanted to be: insignificant.

Honestly if I had to summarise the tragedy of her arc in one sentence, it would probably be Kai Winn: Too Evil For The Prophets, Not Evil Enough For The Pah Wraiths. She and Dukat are not the same! She is a perfectly pathetic, sad and wet blorbo and I am holding her gently in my hands while apologising for her crimes <3

[saym0-0]

hi. im an ambulatory wheelchair user fwhip truther. if you even care.

this drawing was originally for a teen/human au, hence the lack of a beard hes like 15, but tbh it could also be regular fwhip so read it as you like

[scammydoesstuff]

Been a minute since I've been able to draw or even post anything. And that's cuz I've been busy af with a job that's been slowly killing me for the last 8 months. But it's all good; I'm actually leaving that shithole at the end of the week. Yay! Maybe that means I can open up commissions again since I'll actually have time for them? Who's to say...

Anyway! Had a rough weekend at Fan Expo Chicago last week, and I've kinda had this in mind to draw ever since my disappointing interaction with Neil Newbon. He was very nice, but it felt pretty clear that he only really cared about Astarion. And, like, to a degree I get it? Astarion seems like a cool character that means a lot to a lot of people, but to act like no one cares anymore about Resident Evil Village cuz it's an "older game" (his words, not mine), kinda killed my mood for the weekend. Not to mention coming back with COVID. That was also a bummer...

*I* still love Heisenberg, at least. And if I'm the only one, then so be it. ❤️‍🩹

[doodlejoltik]

my favourite writing device is having an un-Rei-liable narrator

[laugtherhyena]

Man i love Olivia because she's pretty much implied to be jealous by nature yet she isn't potrayed as someone who is secretly evil and was actually tricking everyone all along, no! She is genuinely a nice person

Like yes!!! give me characters with real flaws who are not boiled down to just these aspects and potrayed as monsters!!!

[nearestend]

sorry but i'm going to need everyone to stop writing autistic / "gifted" (in quotes because i hate that term) characters who were little baby geniuses that skipped grades and graduated as valedictorian and were every teacher's pet because it's the most unrealistic shit ever and kind of just perpetuates this ableist misconception when in reality most autistic / gifted kids are more likely to be abused and exploited and bullied (both by peers and teachers), especially if they are not rich and especially if they are not white

[shiraishi--kanade]

Can you explain your thought process about liking An?? Or is that like an opposites attract thing for you? /gen /not neg

This is such an interesting question but thank god for the tone indicators because for a moment there I thought I was genuinely being attacked for liking An Shiraishi. Sorry I'm going to An Shiraishi jail /j

On a more serious note... I guess I kind of just do like her. I think her writing is decently good if massively underappreciated - she's not a masterpiece of a character as I'd consider some other PJSK guys to be (namely Ena, Mafuyu, Emu and Rui) and the writers tripped over their own leg more than once with her with some arcs still being... In a kind of limbo with her now, but she has decent depth to her. An tackles the topics of insecurity in her own skills and also berates herself for feeling a certain way, very consistently, she is often self-deprecating and has her self-esteem knocked down more and more as the plot goes on - it's fun to watch her show all of this while also being by every outsider's admission one of the most lively, determined, easy-going, friendly and competent characters.

What goes on inside An's head and what she actually shows outwardly are often completely different things, and she is reserved and and secretive in some circumstances while also being open and communicative in others - it's just... Fascinating, combined with all the issues above. And we know that in most cases it's not even about necessarily being secretively by nature, An is just absolutely the kind of person to put off resolving the problem until she literally can't anymore. Which isn't a unique thing in pjsk, and there are many more characters that like just putting the whole thing aside for the moment because they don't want to deal with Feelings and Vulnerability (from the top of my head: Rui, Mizuki, Touya, partially Saki?) or are just so convicted they can't change anything by opening up to people anyway so they don't (Emu, early Honami ig?), but it takes an An Shiraishi to know her only way forward lied into confronting her feelings & the reason behind them & openly acknowledge that and then actively avoid doing so, for months, because she was scared, while also hating on herself for being scared. And I think that's like. Really cool because of the Anhane role reversal. Like you would never expect to see An in that position when you read main story of early vbs events. How interesting is that?

There's also themes community & family & trust & rivalry & loneliness and isolation with her; just like... A lot. Most of it isn't shown directly, but she is a lot.

An is a character best seen in the contrast with other and she really shines with VBS to be honest. I don't think you can tear An away from her backstory and relationships with people in her life and still have a solid character because she is defined by her life circumstances, which is right up my alley of "oooh I'm gonna blorbo this guy badly".

Tl;dr:

I just like her writing tbh. She's fun to toss around, but it's also definitely contributed by Jiena's voice acting and her generally nice design. I wouldn't like her as much if not both of these factors.

As for the opposites attract: I do generally tend to like extremely skilled characters that struggle with finding someone at their level regardless of if they share that genki girl personality, so I don't think it's that. I really like shounen guys. Can you tell.

That said if An Shiraishi was real I'd Not want to be near her lol. I'm an extreme introvert that generally doesn't like interacting with people and I feel like her presence alone would be overwhelming.

[deoidesign]

Hii! I have been recently getting more and more obsessed with your art and webcomic and was wondering if I could use your art as like a profile picture? (With credit!!) If not that's perfectly fine! :)

yeah you can use my art for whatever as long as you're not stealing it or selling it

I don't mind if people print my art out for themselves either. I do sell prints, but it doesn't bother me either way

In general I don't post anything that I haven't made my peace with all that comes with sharing my art publicly! So feel free to use it as you please pretty much.

Giving me credit for the things I've made is respectful and helps me in my career, and I would hope that most people intend to respect my work... And the people who don't respect my work were never going to whether I asked or not.

I make my work for other people to enjoy it, I want you to enjoy it!

[camzverse]

"gregory parallels mike" "gregory parallels cc" Ermmm. i have something to say

[fourx]

osctwt will never ever respect writers. even if something is mediocre I truly don't think it warrants harassment at people.