#i saw this going a lot of different ways

[many-gay-magpies]

god what really gets me about dead boy detectives and what i think i love so much about the show and the relationships in it is that like. the romantic and sexual relationships aren't portrayed as being more unique or important than the platonic relationships. they're all just RELATIONSHIPS.

charles and crystal's attraction to each other and eventual hookup isn't this big end-all be-all relationship that shatter charles and edwin's friendship and draws charles' attention away from edwin; it's just a THING that happens. they're just two people that care about each other and happen to also be attracted to each other, and a hook-up happens, then they decide that neither of them are in the right place for it and it's nothing awful. crystal kisses charles, but it isn't some big spectacle of her declaring her love for him; it's just her saying goodbye and that she cares about him, like her hugs with niko and jenny and her handshake with edwin.

edwin realizes he loves charles romantically and tells him, and charles says he doesn't really love edwin romantically BACK, but it's okay, because they still love each other so much in so many other ways that this one tiny difference could never change them—and it doesn't!! they're still just as close, still care for each other just as much, still SHOW that care for each other just as much. their relationship didn't completely end because edwin loved charles in a way charles couldn't reciprocate, but at the same time it isn't "solved" by edwin getting over it, because there's nothing TO solve. it's just another type of love, added to everything that already exists between them. and they have LITERALLY FOREVER to figure out what it means.

the relationships between edwin & niko, crystal & niko, and crystal & edwin aren't given any less weight for being solely platonic, just as charles & crystal's relationship and edwin's feelings for charles aren't given (that much) MORE weight for being romantic. crystal and charles' conflict in the closet is about EDWIN, about how they're BOTH his friend and BOTH want to get him back; it has very little to do with the feelings between THEM, romantic or otherwise. similarly, the weight of charles' and edwin's relationship isn't diminished in the LEAST by charles not reciprocating the romantic side of his feelings (or SAYING he doesn't reciprocate, at least—we can all argue about the legitimacy of that in the notes).

i'm sure there are more examples than this, as well as probably some examples that CONTRADICT this, but like... by and large, it feels like dead boy detectives is a show where all the relationships are given equal weight regardless of platonic, sexual, romantic, or familial status, and as someone on both the asexual and aromantic spectrums who has struggled time and time again with shows casting out the importance of all other relationships in favor of prioritizing romance, that is INCREDIBLY refreshing to see.

[ratatatastic]

SASHA LUNDY CLUTCHING ONTO EACH OTHER FOR DEAR LIFE HELLO

THE INHERENT ROMANTICISM THAT IS IN BURYING YOUR FACE INTO EACH OTHER AND CRADLING ONE ANOTHER'S HEADS

CAN YOU HEAR MY WAILS?????? CAN YOU HEAR THEM AT HOW LUNDY IS SQUEEZING SASHAS WAIST??? HELLO?????

[disastergenius]

by far the worst take i've seen so far post-ep19 of Junior Year is that having a week-by-week live play would have allowed fans to essentially influence the direction of the story in the way they want it to go and that would have resulted in the cast being more sympathetic to the Ratgrinders (ie getting them a redemption arc)

why do you feel the need to try and control this story? YOU ARE NOT THE ONE TELLING IT. if you want to tell a story please go write your own, or go write fanfiction to cope or whatever but you don't get to say that the players are telling the story wrong when it's their story they are telling

[witchspeka]

I dont think Mob is naive as much as he's socially unaware, like the reason why he trusts Reigen so blindly is a bit more complex than just him being naive

Cause Mob reached out to Reigen because he was desperate to find someone like him, someone who understood his psychic specific issues, someone that could truly know what he's feeling and going through and give him guidance and support

Post incident Mob's thinking process was something along the lines of my powers hurt people -> my powers are bad -> my powers (my emotions, my instincts, myself) cannot be trusted

So he lost all confidence and trust in his own actions, resigning to being as passive as possible to avoid any further damage to anyone else, thus he started doubting his own perception of reality too

He's a kid already struggling with being ostracised for being socially inept, who just got traumatised and all of his insecurity increased by the tenfold, he doesn't know how to process what he's going through. He needs help.

And here comes Reigen, seemingly reliable, a responsible adult in a child's eyes, someone who claims he can understand him

Even tho Reigen doesnt. But it doesn't matter, because Mob finds comfort in his words and takes them to heart

Even if Reigen doesn't fully get it, even if he doesn't see the bigger picture, even if his advice isn't always the best

Eventually, Mob grows up, realises Reigen isn't as honest as he seemed through his 11 year old perspective, but like most things, he refuses to acknowledge it on a deeper level

Mob knows, but never tells Reigen, never thinks about what all those lies mean to him (ofc until he forces himself to face those doubts regarding Reigen, to properly acknowledge both of their flaws and accept them as they are, I should scream into the void about Confession Arc more God)

Due to his lack of trust in himself, Mob has relied on Reigen for years now to shape his moral compass, his thoughts, his decisions

Because well, Reigen lies, sure, but he isnt a bad person. When he hurts Mob, it isn't intentional or with ill intent, he still wants the best for him, what's the issue?

Except that it stunts Mob's growth. He doesn't develop as a person, doesn't have goals or wishes or ambitions, can't make choices on his own, he doesn't even let himself acknowledge his own emotions, he refuses to let himself exist

But Mob realises in time that he wants more than that, he wants to become better and be independent and feel again

Still, he puts the acknowledgement of the lies on hold for as long as he can, unwilling to question the way things are

This can make him feel a little naive, he constantly relies on Reigen and trusts his decisions and raises questions rarely until separation arc when he finally puts his foot down

And I do think that moment is the most resounding proof we have that Mob knows and allows himself to be used by Reigen, not wanting to shake the status quo, until he gets fed up

I mentioned the social ineptitude at the beggining but idk if I should even elaborate on that, you've watched the show, you know what I mean

He's blunt and can't read social cues or tonality that well and can't speak in front of crowds and is overall pretty awkward and I do think some people conflate that with naivety

Mob is still a child, he doesnt fully understand how the world works at the ripe age of 14 years old, but some folks take that as him being inherently naive/innocent/whatever which I don't find true

[camels-pen]

the difference between zosopp and sanuso (romantic OR platonic) is that Usopp is Zoro's specialest little guy and Zoro is someone Usopp hangs out with and looks up to and hides behind when things get scary, but Sanji and Usopp are best friends. They horse around, they beat each other up, they confide their worst fears trying to one up each other. Usopp hides behind Sanji sometimes, sure, but idk, Sanji's weaknesses are more obvious (bugs, fighting women, etc) so there are times when Usopp has to stand in front of Sanji too, yknow?

Like, how do I say this, all the crewmates are equal- Usopp and Zoro are equals- but with Sanji it feels like more... comradery? Zoro's a rock in a terrible storm- even rocks tend to get weathered and chipped and worn down, but they overall stay strong and steady. He has trouble being vulnerable and there are times when the burden he's placed on himself to keep the crew safe is crushing his chest. Usopp would help with that and be very understanding, but the point I'm trying to get with that is that those moments are few and far between. So I feel like Usopp, especially after Water 7, would take Zoro's lead on something like that, and keep most of his worries to himself or only talk about them sparingly unless they're really bad and/or he can't hide them.

Sanji is like a tree in a storm; he can be strong, yes, but it feels like he bends and sways with the storm, and has more obvious breaking points. He can relate more to Usopp's struggles rather than resorting to blunt honesty that might border on callous like Zoro. And while, with Zosopp, I tend to think of scenarios with Zoro being blunt like that as a good thing- because sometimes when you're spiraling, it's nice to have someone say exactly what's great about you and shoot down all your worries with straight facts that you can't argue with- I can also see this as being a bad thing. Anxiety can really twist up your brain sometimes, you know? And despite the words, the tone could still mess someone up if they're already feeling like a burden on others in some way.

With Sanuso it's a lot more understanding and thoughtful words. It's distractions and comfort food and patience- the kind reserved for Usopp- until Usopp talks about whatever's troubling him. Compared to Zosopp, it doesn't take as long for Usopp to open up, since he's done the same thing to Sanji at times and it's more familiar to him to talk and commiserate with Sanji about his worries and doubts and such. However, there are times stuff like this has absolutely no effect and Sanji will end up at a loss, no idea what to do or how to help over the course of several days with Usopp being quiet and keeping his distance, and he'll end up working himself up about it which will only serve to make Usopp feel worse and. yeah. bit of a vicious cycle with them.

So it's like. Usopp can be weak with both of them, but since I see Sanji as the type of guy who'd be more open with his worries (at least compared to Zoro), there's less of a need to 'perform' and be his best self around him. He's comfortable around Zoro, yes, but he is constantly wanting to show that he won't be a problem to him. On the other hand, while he's more open with Sanji, and Sanji with him, they tend to relate a bit too much with each other and they both have issues with causing trouble for others and being 'deserving of love' so failed attempts at consoling one hurts the other and creates an unpleasant cycle of misery and avoidance before some other crewmate (Zoro) tells them to quit being stupid and just fucking talk to each other.

[onedramaatatime]

It's the Asian way. You're tied to someone or something one way or another,

The pros of this is you're responsible for being the best or doing as best as you can so as not to disappoint the people you're tied to and you'll always have motivation to appear as best as you can be for example for, like your family members. When you have to make big decisions, it's not just about you and your life, it's about how these people will also be affected by it so it's a fail safe way of making sure you wouldn't make rash decisions that you will regret

The cons of this tho is your life is not your own to make a decision for. You can't go, this is my life i can choose whatever path i want, because your decisions will affect these people who choose that you're tied to them lol one way or another

But in everything, you know what they say, moderation is key

Instead of pushing Seok Ryu from doing any serious jobs related to cooking because it's too much of a hard work for someone young and smart and educated, they shoulda let her experience that herself, the climb and the fall and the struggle, with their support, she'll make better choices than they did, and if not, it's not like she's out there cooking drugs lol. What's the worse that could happen? Their daughter turning into a great cook?

But ig a part of it is also (I'm projecting here lol) they don't want their educated child to cook for a living which they deem a lower class occupation, thus wasting away all her years of education and experiences in her previously unrelated job.

It's the good ole 'you went and studied so much farther, and look where you are now'.

[rookflower]

sorry to beat a dead horse but aye i truly do not get what people are on about when they act like it's sexist to question the motives or do a more sympathetic reading of female antagonists (so, really just curlfeather and mapleshade) instead of "just letting them be pure evil like the male characters are".

like "we have shallow flat evil male characters who are evil for the sake of being evil, but not the equivalent for female characters, so surely we need to balance it out" well, uh. we don't have compelling, consistent, sympathetic female antagonists either! we are lacking in the morally grey female characters department too! what is being robbed!! and have you seen how the fandom used to talk about thistleclaw? people are going to be looking into sympathetic reasoning behind the male characters anyways! hell, canon does it sometimes! and this is completely ignoring the context of every sexist writing decision that exists in canon that is inevitably going into the writing of these characters and the people around them. you can't fix warrior cats fandom sexism by embracing the books at face value or hell, even stripping away even MORE nuance from them somehow, because the books themselves are also sexist LMFAO

yes, warrior cats needs more female villains. i don't think it's sexist that we don't need to read every vaguely antagonistic woman as cackling irredeemable monsters who drink kitten blood and were simply born into this world to kill people though, i think that take is honestly baffling.

(also, a lot of discussions about wc character morality in general tend to forget that fictional characters are not real people they are making callout posts about and are instead the authors trying to say or do something within a story they're telling. someone suggesting that curlfeather loved her daughter or that mapleshade is a victim of the warrior code is not enabling them to do more bad things to other people it is engaging with the story being told)

[alluralater]

hey everyone, i won’t be as active for a while. got home last night super late after being on the road for 20 some odd hours. dealing with some family things and as an older sister, my priority of taking care of my siblings comes first before anything else. being on here is amazing for me but i don’t think i’ll have much time for it. reminder to please treat those in your life who are battling addiction with patience and care. i lost my older brother (sweetest person i’ve ever known and he remained that way up until his last night) to suicide and alcoholism, trauma and ptsd, depression and his feelings of hopelessness. talk with the people you care about. another of my siblings is dealing with the same and i refuse to let it escalate to such a terrifying end twice in less than a fucking year. remind the people you care about that there are beautiful things to live for. show them kindness and love. there is all kinds of misinformation out there but know this, you can make a difference for someone. don’t let them suffer in silence.

[lizziemothman]

made a lil church + mcr zine last week [image descriptions in alt text]

[moghedien]

i swear if you people start uwuifying OCD like you did with ADHD and autism I'm going to start attacking

[skrunksthatwunk]

[variousqueerthings]

very funny when people on letterboxd describe a movie as "didn't reinvent the wheel" and it's like. lisa frankenstein. cocaine bear. i just don't think that was their intent as movies youknow. i think it was to have a fun time.

[seventh-district]

not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go

(aaa quick edit: CW for mention/discussion of Boothill leaks)

[theygender]

I've got too many games I want to play and not enough free time 😭 I still need to finish my BG3 playthrough but since Endless Ocean: Luminous came out I've been playing a lot of that instead. Also just got back into Wizard101 last night. Started playing House Flipper again last weekend. Still need to finish BOTW so I can start a TOTK playthrough and finish Pokemon Shield so I can start on Pokemon Violet. I've been fighting off the urge to start up a new Skyrim playthrough for weeks. My brother just told me that Paper Mario: The Thousand Year Door is getting ported to the Switch. And now I'm suddenly feeling inspired to replay DAI... And throughout all of this I'm also playing the hell out of DragonVale on my phone. Someone just pay me to play video games all day please

[flutterbyfairy]

btw sexuality labels do not have to be super specific with strict boundaries of what "qualifies" as being that sexuality. you do not have to base how you define your sexuality on the first description that comes up on google; history, culture, the nuances of personal experience, and what you feel connected to are just as important a part of how you choose to identify!

[dent-de-leon]

It’s probably just that I might be ace, but I do wish there was an option to start Astarion’s romance without sleeping with him that first time…? Or maybe when he expresses how he really feels, a chance to tell him you’re not all that comfortable with physical intimacy either and that you kind of understand.

I did like that if you agree to meet him in the woods, but then tell him you’re not sure if this is really what you want—he just says, “Then why are you here?” and walks away. I do wish there was a way to still initiate his romance after that though—