#i think about this scene a lot when it comes to their dynamic

[werewolfsister]

PSA: COMIC DRAMA

I've been slowly receiving critical, entitled, and passive-aggressive messages about the way I've been writing my comic! I wanted to address this behavior.

That being said, the majority of my readers have been nothing but positive! And when they spot a problem, they're kind about it. I really appreciate this; thank you to those who choose to be civil.

I'm making this post to address some issues, complaints, and questions I've seen. Let's take a look & see what we can discuss!

READ MORE UNDER THE CUT!

🦈-> I want you to use my character in your comic, but you're not using them! Sometimes, a character doesn't quite fit my vision for the comic-- even when they're designs that I love! I really do try to use as many people's characters as possible. I think it adds to the world & makes the comic feel more full of life! But I can't accommodate everyone's desires.

🐟->You're using my character in your comic, but you're not giving them enough screen time! Similar to the above issue, sometimes I don't think focusing on a particular character for any longer will serve the story well. Ultimately, I have final say on what happens in the comic. My advice is, if you feel your character isn't appearing enough, make your own content! Draw, write, craft, etc like I mention farther down below!

🐠->You said you were going to use my diplomat/character(s), but you only drew them in 1-2 panels. Why aren't you using them more? Similar to the points above! I was never planning on going into a TON of depth with the diplomats-- the comic focus also drastically changed, as I mention below.

🐡->You're using characters in the story that I don't like! Ahh that is too bad, but! In that case, you can always take a break from the comic & come back later to check if the characters are no longer being used, or maybe stop reading the comic altogether. However! If you have concerns with how the character is portrayed because of legitimate sexual/violence/illicit/illegal issues, then that's another issue entirely and you should let me know.

🪼->I thought this story was about rescuing Kenne, but now she's not even in the comic! I don't like the way this story is going! This is a big issue some people are having and I completely understand. There's been a lot of things going on behind the scenes that I haven't explained, which must be generating a lot of confusion. Originally, @kenneduck and I were collaborating closely on this comic. Recently, the dynamic shifted, and we're now working on the comic separately. @kenneduck is now responsible for the part of the story that heavily features her characters, i.e. Princess Kenne's perspective of the rescue, her rescue effort, and what's happening in the Domain of the Luminous trench. I am now working on a different angle of the story-- the diplomatic efforts of Zora's Domain in their attempt to negotiate for Princess Kenne's return. So, the story is still the same... the focuses have just changed and split!

🦑->You reblogged my fan art and/or linked it in your comic directory-- does that make my content canon? Oooh, this is actually kind of a tough one! Normally, if something is in the comic directory, I consider it to be canon to the story. So, if you've drawn something, and I add it to my directory for a comic chapter, I'll consider it to have happened in real time. THERE'S AN EXCEPTION! And it may be confusing, so I'm genuinely sorry! If you have drawn something where you are heavily modifying someone else's character--this means cosmetic changes, giving the character children/spouses/family, killing the character, altering their personality-- WITHOUT THEIR PERMISSION, then I cannot accept that as canon. It's still fantastic that you drew/wrote/created something and I will probably put it in the MISCELLANEOUS section of the comic directory. I'VE MADE MISTAKES ON THIS! So, I've since updated the directory. And, sorry for all confusion on this issue! If you've made something & intended it to be canon, let's talk about it!

🐳->I want to collaborate with you on your comic, can I do that? That's awesome! Maybe in the future, but right now I'm not taking on any more partners. Maybe you can make your own separate additions, with your character(s) like I mention below!

🐙>I want to make fan art, can I do that? You absolutely can. Go for it. This was originally meant to be a very interactive comic, so draw/write/create away!!!

🦀->I want to draw my character(s) doing something in the world of your comic, can I do that? You absolutely can. Go for it! Like I mentioned above, however, I may or may not deem it canon to the events of the comic. But even if I don't, I'll add it to the MISCELLANEOUS section of my comic directory! ...as long as you don't alterate someone's character without permission! If you've made something & intended it to be canon, let's talk about it!

🐬->I want to make a character based on a Domain you created/idea you drew/etc., can I do that? Of course! Go for it. I love seeing what people make!

I know this is a lot of text, but it's better to be comprehensive! Please, keep in mind, I'm just one hobby artist making a comic for fun, with the spirit of interactivity and collaboration in mind. But it's impossible to keep that spirit going when people feel entitled and demand things of me that I am not obligated to give.

I queue out my pages several weeks in advance with the help of the people I'm working with, so what you see in the comic is the product of a lot of thought and work. You're getting something for free here, y'all. It ain't so serious!!!!

Anyways, thanks for reading this! And for reading the comic! Peace out ✌️

[sitp-recs]

Between the Power Lines by @tackytigerfic (M, 3k)

For Harry Potter, all roads eventually lead to Draco Malfoy. Or: this is not an AU! It's just Harry and Draco meeting by chance in an imported food shop in Connecticut and going on a road trip together. Featuring motels, cacti, Americana, and a hefty dose of pining.

In New Orleans, they got drunk on Bourbon Street, and Malfoy danced on his own (arms bare, laughing; Harry could have watched him all night) and later on, so late it was almost morning, they let themselves into the St Louis Cemetery—Malfoy unpicking the lock so sweetly—and walked around until the sky was pink-edged with the promise of another day’s heat. Then they sat on the steps of a crypt, watched over by sightless eyes of the statue of an angel. She looked exhausted rather than sad, Harry thought, and that made a lot of sense when he thought about his own longstanding, dull-edged grief.

It’s been ages (or 2 years) since I last wrote a rec for Tacky (I usually write for other readers, except when I’m reccing friends - then I write for them) and their birthday was the perfect excuse to put my reccing muscles back to work. I almost bailed out because I know this is one of T’s own faves and “what if I don’t do it justice?” but that tired angel banner has been sitting in my drafts for 3 long years and it deserves a proper rec!

Where to even begin? Anyone who knows Tacky is aware of their superb prose - rich and nuanced, compassionate, effortlessly funny, with a strong sense of place and a soft spot for suds scenes and filthy m-rated sex I mean devastating romance. Their writing breathes heart and personality, very much like Tacky themself. So knowing that this fic came out exactly as they intended it to should be enough to make you go read this right now, but in case you need further incentive, see below all the reasons why this oneshot is so special to me:

1. The *vibes*: if you thought that 3k is nowhere near enough to build the sexiest, most intriguing Americana atmosphere you’ve seen, think again. The aesthetics are impeccable here, decorating the beautiful and strange landscape - cacti and cheap motels included - into something peaceful and desolate, an overarching melancholy making it even more compelling. The dialogue is brilliant but the silences are just as loud and meaningful, with a quiet intimacy and a dreamlike quality that make you feel as if you're intruding a memory.

2. The romance: at this point everyone and their dog know that pining!Harry is Tacky's jam - they luxuriate in making us all suffer with him until the realization that Draco has been loving him back all along slaps us in the face. Harry is so stupid and desperate and wanton, I love it. And the way Tacky reinvents this delicious trope to make it work in new angsty ways blows my mind. Imo the slow burn is particularly effective here, a feat in any 3k story, because the narrative gives us so much character insight. We learn all the little things that make these two lonely boys tick as we watch their ever-changing perception of each other evolve from a tentative truce to reluctant confidants to a comfortable, easy love that comes naturally and earned. We often get those bits of information from imagery and emotions alone, no dialogue needed, and a road trip is the best way to explore those dynamics in a smooth, unhurried pace.

3. The journey: this is truly an immersive journey, not only physical as we keep jumping from one destination to the next, but also emotional, as we learn more about their vulnerabilities and desires the more they gravitate towards each other. This story shows that being far away from home can be both freeing and grounding, when you’re stuck with your hot enemy someone who knows about your darkest hour. It gives you the chance to heal and visualize a different future without forgetting your past or letting go of that which has shaped who you are. I love their chance encounter and how this poignant 30k love story is told in such impressive economy of words.

TL;DR: if you’re a short form fan and prone to melancholy like me believe me when I say it doesn’t get any better than this. The whole road trip shebang mixing grief, romance and nostalgia wrapped in Tacky’s lush writing is a gift to any reader and an elegant work of art. Enjoy!!!

[say-hwaet]

The Dynamic Between Arthur and the Marstons (long post )

I guess I should say there are spoilers, just in case…

After playing the story through several times, I have to say, that Arthur Morgan is one of the best characters ever written. Aside from his development, there is so much depth to him, and regardless of his honor, there is so much to unravel.

I’ve been thinking about the relationship that he has between the Marstons, meaning John, Abigail, and Jack, and it really makes sense as to how Arthur acts the way he does around them in the beginning and all the way to the end.

A lot of his behavior, I think, stems from the loss of Eliza and Isaac. It is my opinion that he himself was torn between living a full life with them and remaining loyal to his gang, and before or by the time he had made a choice, it was too late, as they were killed in a robbery. This had haunted him since and it made him extremely bitter. Later in the game, he tells Rains Fall that he realized that he didn’t get to live a bad life and have good things happen to him. I also think that he was with Eliza after Mary had broken their engagement. I can get into my support for this later, but that isn’t what this post is about.

I think that Arthur was angry with John out of jealousy. He is the “golden boy” and clearly was Dutch’s favorite at one point. Not only that but after Arthur loses his own son and lover, John and Abigail get pregnant and he takes off for a year. He abandons his family, which Arthur takes personally. Arthur had tried to do right by Eliza and Isaac and still failed. So when John has Jack and is within the circle of the gang to help and support him, he takes off. Arthur gives up a potential life with Eliza and Isaac for Loyalty to the gang and John throws it all away. When John comes back, Dutch welcomes him with open arms, and Arthur believes that he would have been held to a different standard if he had come back after being with Eliza and Isaac for a long time. And it doesn’t help that John treats Jack like crap in the beginning of RDR2.

Arthur, imo, was a good father to Isaac when he was present. We can see this in how he treats Jack. In Arthur’s journal, he writes how he should have married Abigail, but due to his feelings for Mary, he didn’t. I’m not sure why after years of not hearing from Mary he would say this, but meh. Perhaps, the hope of starting over, or that she did pop in again at some point (which is how Abigail might have met her?). Anyways. I think he says he should have married her so that she would have someone to rely on and that he could be the father Jack needed. He cares about Abigail, but I don’t think it is anything beyond that. Arthur seemed to me not to be one to be with a woman without some sort of relationship, based upon how he treats women and the prostitutes in Valentine, so I don’t think he was ever with Abigail. Even so, Abigail relies on Arthur, and while he puts up a front, he gives her money for clothing and spends time with Jack. Heck, he even tells John to step up and be a dad. In some of Arthur’s conversations with John, he tells him that he can’t be two people at once. He’s speaking from experience. I think he’s subtly telling John he needs to make a choice as to what life he’s going to live. Hosea and Arthur both tell Abigail and John to leave at parts of the game.

When Jack is kidnapped, and eventually rescued, I think it is one of the most heart-wrenching missions and scenes. I can see it in Arthur’s body language that he longs for the family that he once had. He’s alone in his pain and when everyone is celebrating, Arthur doesn’t sing with the gang; there isn’t even the option to do it like it does other times. Even in my first playthrough, it seemed so sad to me. Everyone was drinking and singing, but Arthur just looked so sad.

So, it is at this point that John starts to step up, and Arthur starts to show symptoms of his illness. When he learns of his diagnosis, Arthur’s eyes open to the reality of the gang’s downfall, and he acknowledges the doubts/reservations he has about Dutch’s plans and schemes. He isn’t blindly loyal anymore. He tries to get John, Abigail, and Jack out, so that they can have the life that he had lost due to loyalty to the gang. He continually tells John to get out and that it would mean a lot to him. In his journal, after rescuing John from prison, he writes in his journal “…We’ve argued over the years, but I’ve grown to care a little for [John]. He’s less of a fool than he was, and maybe he can have the luck that has eluded me. Jack is an innocent little boy. In him, I see what I missed [meaning Isaac]. We did it.” This speaks volumes to me about how he feels about them in the end. He sacrifices himself to let John live. And though it isn’t forever, Arthur dies believing that he made it, and that matters. And hopefully, he could finally be at peace and see Eliza and Isaac again.

I could keep going, but I think I am too long-winded. I guess that helps when writing fleshed-out fanfiction stories, but not for posts. LOL

Would love to hear other thoughts or opinions, I’m always keen for a discussion.

[bronx-bomber87]

Hello lovely fandom and happy Wednesday. We are cruising along with 6x09. Can't believe we're already on the second to last ep. Not a ton of Chenford or Tim in this one but what we do get is GOOOD. It's an all around good episode though. Let us begin.

6x09 The Squeeze

Recap of 6x06-6x08 got me all in my feels before this one even starts. Poor Tim killing me right off that bat. Always be floored by Eric and his ability to convey so much with a look. How it just makes me wanna hug his hurt away. No wonder Lucy always pulls him in for hugs. How could she not? I’m sure he hasn’t even begun to process how he feels. It’s a lot what just happened to him. It all unfolded in the blink of an eye.

Someone who he used to work closely with killing himself in front of him. Doing so because he’s a dirty cop. Not only that but taking all his secrets with him. Only thing Tim got out of it was Dr. London being dirty too. Grey shows up to the scene and startles Tim out of his thoughts. He debriefs Wade letting him know Mad Dog confessed to being dirty. That he believes Blair to be apart of it as well. Now we all know he didn’t mention her by name.

BUT it was pretty damn implied. With the awkward interactions in the hospital and the rooftop scene. Wade asks if he used her name specifically? Tim tells him no….But it was clear she was who M.D. was speaking of. Grey reminding him to be careful of accusing without any evidence. As amazing as his cop gut is that’s not evidence unfortunately. Loving the hat on Wade btw. Very fitting.

It’s not too long before the accusatory Detective Pearson shows up. Not loving him from the jump. Couldn't stand him for couple reasons. One because douche bag just comes off him in waves. Two the way he comes at Tim makes me wanna knock him on his ass. This guy coming in way too hot for my liking. Far too eager to pin this on Tim.

Makes my protective Sicilian side emerge and she’s not happy. I do love Grey being quick to Tim’s defense. No one better to have his back in this moment. Lucy would be great of course. But Wade is the superior in this moment so his 'back off ' holds more water. Gotta love this man. Always protects his people.

Wade can tell Pearson wants to have a slam dunk case against Tim. It’ll further his career to get such a high-ranking officer tangled in a dirty mess. It's why Grey tells him as such. Ugh. What a schmuck. Kudos to the actor though. I instantly dislike him so well done sir LOL The way Tim watches the body get wheeled away breaks my heart. Damnit Eric you’re too good at your job. Expressing so much in that look I just want to hug him. But that’s Lucy’s job later…

We join Celina officially moving in. This will be an interesting dynamic for s7. Especially after they get back together. I’ll be intrigued how that is all handled... But I’m getting way too ahead of myself. It's hard not to when we don’t know anything. It’s easy to daydream and speculate about the unknown. Anyways John is there and sadly not as a friend but to check in on Celina. She says he’s just making sure she’s not late for her shift.

Nolan commenting would reflect poorly on him and his performance review is coming up. Not selfish at all John….His review should be ‘Needs work.’ But we all know how I feel about him as a teacher. He asks Lucy how she is? I don’t think he expects the epic rant he receives. I mean she has healed some but not nearly enough. Her words sounding like she’s trying to convince herself. Makes me sad. Doing her best to flip all this upheaval into a good thing.

Our girl feels really lost in her life right now. All the turmoil that I don’t know she’s really dealt with. I think part of her having Celina move in is she doesn’t have to deal with it as much. To not have to be alone and sit in her feelings. Because I am the the same way. If left alone too long with my thoughts they eat at me. This scene just being more proof she hasn’t dealt with much of it at all IMO. I know the prevailing theory of the season for Lucy was she was alone. Isolated. I mentioned this in my mini too.

I think a lot of the isolating is self inflicted. Her and Tim are very alike in how they handle emotional distress. At an arms length and solo. Other than Jackson, Tim is the only one she’s really allowed close to her. Tamara yes but that's always been more maternal and not like what she has with Tim. And even him she doesn’t tell everything to and vice versa. It’s very in character for her to do this. I know people thinks because she’s bubbly, optimistic and outgoing this isn’t the case. But it is. Just like how people who are depressed don’t come off that way. When there a signs of it despite their ‘happy or sunny’ demeanor.

She was isolating herself before the breakup even occurred. Rewatching this season she was doing so from the very jump of s6. Their fight in 6x01 being proof of that isolation. She felt herself overloading and shoved him away with her accusation. That was just the start. 6x04 and her rash decisions with Jeff Budny is a huge one as well. She didn’t include the one person she should’ve in that ep. It's how we ended up in that hospital room with her. I’ve said this many times before. But her and Tim are quite alike in how they handle their emotions.

Tim’s is showcased more especially this season. It's easier to detect. If you're really looking you can see her's. Lucy’s were screaming through out this entire season as well. She is a control freak just like Tim in the way she shuts people out. Even her person couldn’t get in and vice versa. They have the same fatal flaw. It’s why their lack of communication became their downfall. Our girl has as much growing to do as Tim does. I’m hoping all this is a setup for s7 for her. To me her explosion here is an example of her not dealing fully with what happened still. Shall see how s7 is handled for her. I'm hopeful.

Their convo is interrupted by Angela calling Lucy. First off I love her looking out for Lucy. Just like she does with Tim. There was a great parallel set for this and 2x12. Angela providing comfort to them both when the other is in distress. Our on-screen cheerleader for them both and I love it sfm. Even knowing what a weird place they’re in, she knew Lucy would wanna know from her than anyone else. We love you Angela Lopez. You’re a real one.

She also knows Lucy well to tell her right off the bat he’s ok. You know her heart stopped when she began that sentence. We watch Lucy instantly go into wifey mode. Both in her body language and tone of voice as Angela explains. How she turns her back to the others when it’s about her person. Needing a moment to herself as she absorbs this information.

Melissa crushing it in this scene with everything she does. From closing her eyes taking in the severity of this situation. To the concerned wifey tone she switched to quickly. We all know she has a million and one thoughts rushing through her brain right now. Mainly was he ok? Does he need her? The worry for him settling into her soul and growing rapidly by time the call ends. Once Angela hangs up she finally turns around and updates them. Concern flooding her tone.

The wifey vibes continue when John gets a call shortly after. Tim has called him to be his union rep. (Only reason he would ever call Nolan in a personal matter...) We watch as anxiety all but pours out of Lucy. Worried wifey mode has activated and it’s not going away. Despite everything they’ve been through. Everything he’s done. Her number one instinct is worry and concern for him. It's deeply rooted. It's who she is.

She loves him so much still. That is written all over this scene and her reaction. That instinct to be there for him coursing through her like a powerful current. I love her stopping Nolan before he goes. The worry seeping out of her tone. Asking how he sounded? Nolan just replying ‘Tight.’ Which is apropos for Tim in situations such as this tbh. The reason she asked this was that she could gather everything she needed to know about his state of mind from that information alone.

When she hears Nolan’s reply her worry increases tenfold. Melissa is killing me in the best way in this scene. Props to her and Eric once again for this season. I can't praise them enough honestly. It hurt so much but hot damn if they weren’t giving their A game and more every single episode. Holy hell. Not that they don’t always. Just with such limited episodes they did really good with the material. Writing was superb for them. They rose to the occasion and then some.

Tim is so anxious waiting for Nolan it’s making me anxious. He is wound so damn tight right now. Not that I blame him but we can feel the anxiety just seeping out of him. The tapping of his feet, hands, and whole body is tense before Nolan arrives. He pops right up the minute John enters the room. He doesn’t look at all prepared for what Tim is about to thrown down at him.

Nolan tries to ask him questions but Tim doesn’t have time for it. Immediately let's him know what’s going on. That they’re going to want to hang this on someone. Now that Mad Dog is dead their scape goat is gone. All that is left is Tim. He’s STRESSED they’re going to hang this around his neck. That he needs Nolan to take over the investigation. I said this in my mini and I'll say it now.

My first thought was I don’t trust Nolan with this….That I wouldn’t have chosen him to spearhead this whole thing. But Tim doesn’t have a ton of options atm. So he’s gotta go with what he’s got. And that happens to be John Nolan right now. He asks Tim who to investigate? Tim tells him to look into Blair London the rookie police department shrink.

That he’s been seeing her and so has Aaron. That he thinks she had leverage on M.D. and that’s why he jumped. I wanna pause here and say how proud I am of Tim in this moment. Look at him reaching out for help this time. Not trying to quarterback this alone. Handling this completely differently than how he handled Ray. Not isolating himself and trying to figure this out solo. He’s going through the proper channels this time. Not wanting to do a OP and segregate himself from everyone.

To say it sucks Dr. London is dirty is an understatement. Because my greatest fear would be what she does in this episode. BUT I am forever grateful to her in the same vein. Because despite her being dirty she truly helped Tim in short time he had her. Look at the growth in this moment right now. I’ve said this many times already but I truly hope we continue his therapy journey. The results are astounding and I need more of this growth. It’s just like Chenford ship crack to me. Tim growth is my other drug of choice haha Give it to me writers LOL

We see Pearson is under Dr. London thumb. (Monica’s really) It leads up to this next scene that makes my blood boil. I hated watching this scene the first time and I didn’t love it any better second time around. It makes me sick to my stomach to watch unfold. How Pearson comes after Tim like a dog with a bone. The way he uses Dr. London to solidly his reasoning makes me all kinds of angry. I'm seeing red.

I HATE them using his sessions and twisting them for their own gain. It was like I said earlier this was my biggest fear of her being dirty. This right here. Gotta commend Danielle Campbell though. She does a really good job in this scene. Even though this was her idea you can see the conflict raging in her. Because she is the one who convinced Tim to go to therapy. For pure reasons actually. To help him out. Which she did. We know that’s why she’s under Monica thumb.

She used her need to help people against her. That she is only doing this because she is being coerced. Doesn’t excuse a damn thing, but explains her hesitation and almost tortured look in this scene. Especially when Pearson comes at Grey. Accusing him of favoritism. Saying he cares more about that than this city. You can see the restraint on Wade's face not to knock this punk out. How very dare you come at him and Tim like this. Makes me wanna rage so much.

This scene right here is why love Angela Lopez so much. That fiery passion she has for those she loves. How she is unwaveringly loyal to those she holds dear. Tim being that person in this moment. Not gonna lie that’s why I love this moment so much. Calling her husband. Love her of her life to chew him out to defend her brother. Her first instinct just like Lucy is to protect him.

To make sure if he’s charging Tim that she better know first. Hot damn Angela. Tell us how you really feel. haha This man is so lucky to have this fire ball in his corner phew lord. Telling Wes she stands by Tim a thousand percent. That he’s family. Ugh my heart. Gonna make me cry. I love their friendship so much. Give me more of them in s7. Their dynamic is fantastic and I need far more of it in my life.

We arrive at the best part of the episode. After nearly fifteen minutes filled with tension…We need this hug as much as these two do. My god. I adore her being so attuned to him. Lucy sees him and knows she needs to go to him. She can see how tense he looks. The clench in his jaw very evident. Her look damn near mirroring the worried look she had in 5x19. That same longing look to reach out to him surging through her. Worried Lucy is a fav of mine and we got to have that a lot in this episode.

This time she doesn't stop herself and we all love her for it. She worries about him, regardless of the state of their relationship. It’s what drives her to go after him before his elevator closes. That magnetic pull she can’t explain nor describe. All Lucy knows is she needs to be near him and comfort him. That even from afar she can tell he needs her. As I said earlier Lucy is so attuned to Tim and what he needs. It’s a beautiful thing to witness.

To say Tim is shocked when she keeps the elevator from closing is an understatement. Not only that but stopping it so they aren’t interrupted. Wanting to ensure they have a moment alone. Even when she says to be clear she’s still mad. That this doesn’t change anything. He’s still clueless as to what is going on here. You can see it all over his face above. He has zero idea why she is in here right now.

Because in his mind there is no way she’s thinking about him. Let alone wanting to be there for him in this moment. Which breaks my heart. The last thing he ever expected was for her to care for him. Or about him in any way shape or form. Also the 4x09 vibes coming off this hug had me losing my friggin mind. This hug is everything. It showcases their bond, the intimacy that still exists between them, the vulnerability has me reeling and how they are each other’s safe place still. *happy sigh*

The way she pulls him in reminiscent of the 4x09 hug. Tim standing there not expecting this moment of comfort and getting it. It’s the way she draws him into to hide in her arms. Just like she did in ‘Breakdown.’ I’m fine….Only difference in this hug from that one is the way he just melts into her arms. The face smoosh into her shoulder. Once again mirroring that infamous hug. We watch all that anxiety and stress just drain out of him. The tension he was carrying into the elevator leaving his body once he's in his happy place. Closing his eyes and surrendering to the comfort she brings him.

He immediately wraps his entire body around her. Melding into her. Easily falling into this hug and her arms. Like two puzzle pieces that are meant to be together. Fitting back together so effortlessly after time apart. Encasing her back in his hands and snuggling in for good measure. Clinging to her like she is his emotional life raft. Because. Well she is. Holding her as close as he physically can. Cherishing this moment. Because I’m sure he never thought he would experience this again. Holding her in his arms like this. Feel her comfort and love.

These two make me insane in the best way. Also let me once again point out Tim's growth. He didn’t even try to fight her like he’s done in the past. He sees this for the gift that it is and absorbs this moment. Savoring it really. The peace you can see on his face floors me. Eric at it again. You can tell this is first time in long time he’s felt whole. This hug is beautiful on some many levels. You can feel the raw emotion coming out of them both.

The concern that’s been building up in Lucy since this morning coming out in waves. She is tucked in TIGHT to him. Clinging to him as much as he is clinging to her. I'm not ok. You can hear the immense worry in her voice as she asks him if he’s ok? Despite everything she felt the draw to be there for him. The way she looks like she can finally breathe as she asks him that question is EVERYTHING.

We get some good hands hands hands in this hug. I can’t stop staring at her thumbs in that gif either. The soothing way she is running her thumbs up and down on his back and arm. Methodical in her soothing of him. Gah I cannot you guys. Her remarkable empathy shines through in this moment. This was a balm my soul needed so much. That all of us needed. We all know how much our boy longed for this.

Can't get over her face pressed so tightly into his neck. Doing this, as she asks him what she’s been dying to since she received that phone call. Like she couldn’t breathe until she knew the answer to this question. Look at the concern on her face when she does. I’m reeling and sobbing. Lucy looks on the verge of tears herself. Their hearts are just starting to mend in this glorious hug. You can feel it. Ours too.

No one does hugs like our ship does. They’re always top tier goodness. Holy hell. They’re just breathing each other in. Calming one another down. The anxiety that was raging in both of them cooling down to a simmer in this embrace. He has melted into her like butter at this point. Reveling in the comfort and empathy she's providing him. The way he says ‘I am now.’ Reminiscent of 5x21 and their phone call in the alley. How he wasn’t ok till he heard her voice.

Song remains the same in this moment. He wasn’t ok until now. Until she had her arms wrapped around him for this hug. Didn’t know he was holding his breath till she released it for him. It’s how he sways with her and sinks even further into her arms. Smooshing his face even farther into her shoulder. It’s so sincere his reply back that I am just a puddle of emotion. He’s so vulnerable in this moment with her.

Letting her know he wasn't ok until she was there. Imma scream at how much I love this growth in him. If there was any more doubt in Lucy’s mind of his feelings for her, this hug and his reaction to it should clear that right up. That is a man who is still so in love with her. Letting her know he wasn’t alright until she came and found him. I’m not crying you are…. Find you a person who knows what you need when you need it. Even when you’re not in the best place. That’s Lucy Chen for this man. Reigniting him falling in love with her all over again in this moment.

Lucy picking up on this growth reflects in her reaction back. Gah it’s the way she tightens her arms around him after she hears this. Closes her eyes and tries to bring him even closer. Trying to wrap him up in her arms even tighter. Absorb any stress he is carrying right now. The sheer relief written all her face. The way she shuts her eyes knowing he’s ok because she is there. *sobs*

Just melting into this man as she holds him as close as she can. Clinging to him as much as he is to her. I’m not ok in the best way. I remember thinking this hug would feed my soul into the hiatus. Just gonna scream into a pillow how much I love this moment. Their chemistry is insane and with a hug? Even more so my god. We are blessed to have a ship where our hugs are this amazing.

I love this faraway shot of their hug. They are in-sync as they part. How do they do that? We can see how deeply entangled they are. Nary an inch between them. You can see how they were just clinging onto each other for dear life. Look at Tim’s arms/hands. How gentle and intimate his are placed.

Having her as close as he can. It’s the hand gently wrapped around her lower back that has me losing it. It’s just so intimate I can’t get over it. Lucy is retuning the favor in kind. She too is just as intertwined as he is in this moment. Arms clinging to him and her face buried in his neck. Their chemistry on massive display here.

You’d think the hug alone would be enough to make me squee to death. Lucy follows it up with fixing his collar. I’m dead. The most wifey move of all moves. Reminded me of the lint picking from 5x12. Such an intimate coupley thing to do. I’m losing my damn mind over it. Wife energy coming off her in waves. Just seemed so automatic and natural when they part.

Also she touches her arm before reopening the door. She can’t keep her hands off him and I’m here for it. Tim looks like he’s going to cry in that elevator. I also love Tim putting his hands in his pockets right after. Because if he doesn’t he’ll never let her go. They’ll never get off this elevator. He could've stayed in that hug all day.

Basked in the comfort she had to give him. So he puts his hands immediately in his pockets after they part. Ugh my heart. They miss each other so much and this hug is screaming that. Also screaming how they didn’t miss a beat. How natural and wonderful it was. *happy sigh* This hug giving me true hope for the first time.

They re-open elevator to find Angela and Harper waiting for them. They look like they’ve been caught. Like they didn’t just have this deeply emotional embrace. The looks they share before Lucy leaves are LOADED. The expression on Angela’s face... She knows they interrupted something. I adore her saying she can get him extradited if he needs it. Love this woman so much. We know just like Lucy she is willing to do anything for this man.

Makes my heart so happy. All these women in his life want is to support and protect him. You can tell Angela wants to be tagged in so badly. Tim telling her won’t be necessary. He didn’t do anything wrong. That she had his back last time. He has different forces at play this time. Adore her saying 'Different isn’t me.’ Not it’s not ha Sadly last of Tim for this ep. *pouts*

Another telling scene for Lucy. Really really need s7 to clear these things up for her. Because despite being wonderfully empathetic human to Tim. She is still lost in life and not sure who she is. I NEED UC and some other things clarified for her next season. I really do. Just because she’s amazing at UC (and she is) doesn’t mean it’s her path. I do love this scene because it’s just Lucy being Lucy.

Having EIGHT covers ready to go. Our little nerd in action here. I adore it so much. It’s the most Lucy Chen thing she could do. Telling them it takes twelve off duty hours to grow. I love her so much. It’s not a mystery why Tim is so damn gone for her. Their faces as she explains cracks me up. Tim wouldn’t be shocked in the least. Hell I’m sure he was there while she was growing some of them.

The detective line is just another stab at our hearts though. Hoping for clarification and goodness for her career in s7. Manifesting it. As much as I need their reconciliation.(and I need it bad) I need her path resolved just as much tbh. For her to find her purpose and grow. Because once her and Tim do this. That reconciliation is gonna be even sweeter because of it.

I will say I was impressed with Nolan. Enjoy this it won’t last ha He handled investigating Blair really well. Rattling the cages of the potential dirty cops she was seeing just by showing up to her office. I forgot seasons 1-2 Nolan was a good cop. He just got really annoying after s3. LOL Also roping Smitty in was hilarious. He was already there for the food so might as well use him.

It’s the first time in what feels like a long time I enjoyed John. He enlists Nell too to help him with data from dispatch. Maybe it’s Bailey that makes him extra irritating to me. Lmao Sorry Jenna....lol Anyways quite the miracle Nolan pulled off in this ep getting me to like him. Not only that but commend him on the job he’s doing. Helping out Tim in a major way and I can’t deny that.

Nolan’s plan works out like gang busters. He went to her office to rattle a dirty cop into revealing himself. Pearson does it perfectly. Losing his mind about finding out they were in Mad Dog's apt. Like I said earlier I commend John on his work in this. Had Tim’s back and then some with his investigation. If they wrote him like this more wouldn’t dog on him so much lol

The other part that is so great is Grey. He is a papa bear ready to devour anyone messing with his work kids. This part was so cathartic to watch after earlier. Watching him dismantle Pearson like the schmuck he is. Was sick of him stomping around the station. Acting like he can just be top dog when he's really on a leash.

Rubbed me the wrong way being disrespectful to Tim and threatening Wade. Watching him attack Nolan/Celina is Grey's final straw. Puts that turd in his place. We watch him visibly shrink as Grey tears him a new asshole LOL All but telling him to stay in his own lane. Get em’ Wade! Nolan putting together the connection of Pearson and Blair due to this. Was fun to watch them piece this together.

Scenes like this give me agita like no other. My heart was beating in my chest for her. Lucy did a really good job despite the toy. Unfortunately it’s one of those loud musical ones. That not only gives away her position. But possibly her cover in the process. He find it’s on the floor. Looking menacing af. This man gives me the creeps on so many levels. I hated this mission for her on so many levels.

Unfortunately they’ll need her going back into the house. Now that Monica is in play it’s crucial she is there. Especially with Batista investigating who tried to kill her. Lucy is worried they’re going to blow her cover faster with her involved…But it’s a risk they have to take. If Tim knew about this he would be feral. Oh Feral Tim how I miss you. I need more 2x11 feral Tim in my life. That's a wishlist for s7 I suppose.

The ep ends with Nolan making a deal I’m not sure he can make lol But he was good in this episode so I’ll give him a pass. You can see how panicked she is. I am impressed John got her on this bench I will say. Getting her to almost spill her guts to him. Saying she didn’t think anyone would get hurt. That's what they all say....

I will say I missed Tim a lot in this ep after he was gone. That's my man. But it was a good episode. Reminded me of what a good ensemble cast we have as a whole. That's all she wrote for this one.

As always thank you to everyone for reading, liking, commenting and reblogging these means more than you’ll ever know. Shall see you all in the finale with 6x10 :)

~~~

Side notes-non Chenford

We get more insight in how Dr. London is being leveraged. Of course it’s a Monica connection because she is the absolute worst….

It’s great to see Pearson get nailed to the wall at the end of the ep. Prick.

[bi-hanslefttittie]

KHAOS REIGNS

Okay so I just finished playing the whole thing and finished the three towers for Sektor, Cyrax and Bi-Han (justice 4 him).

Spoilers Below:

My Thoughts (And prayers).

I'll confess that I cannot completely process what happened in the gameplay, my mind is still processing the fact that they killed Bi-Han and the fade to black. Uhhh so this will be mostly scattered points. I didnt feel like replaying for more screenshots but i will do my best with i could screencap.

OKAY FIRST I WAS JUMPSCARED BY HAVIK AS SOON AS I OPENED THE GAME AND THE INTRO PLAYED, WHICH IS PRETTY COOL ACTUALLY. I liked the change of pace we had and the overview is beutiful. The menu is pretty and the incorporation of the towers of Time was great. The new roster obviously is something I like. Also I really liked getting so many skins when I finished playing and the fact that there's new brutalities makes me very happy.

Kharacters.

Cyrax:

Apart from her design being gorgeous, I have a mostly positive opinion on her jugability. Her character was easy to pick up and play with, which made her very enjoyable. She is a noble person with determination and a personality. She is reluctant to follow orders she doesn't agree with and apologizes when she makes a mistake. I think her ending was nice. Her selflessness makes her very endearing and while I felt a bit awkward seeing her scenes with Kuai Liang, the rest was fine.

I came to realize that my issue with her scenes with Kuai Liang weren't so much about her, but the way Kuai Liang was behaving towards her and his brother. Weirdly unforgiving Kuai Liang made me cringe slightly when the scenes became corny and elongated. I think Cyrax as a character has a lot more potential and strength. Not only is she extremely talented and she was deemed honorable of an armor, but she's a confident woman that can throw shade when neccesary. I like that she never bites down an answer and speaks her mind. She has a kind nature but I PLEASE HOPE PEOPLE DON'T UWUfy her.

Another thing I would like to Pin point is how Cyrax prevented Harumi's death. Which I think is curious because Bi-Han was ALMOST responsible for her death. ALMOST.

the fact that she is so willing to die because of what happened is crazy. She's truly remarkable.

I just remembered the I am a human scene and it kinda tugged at my heartstrings considering the history of the character and I really hope she lives a long happy live as a human being... pretty please?

Also can I say how pretty she is????? Like she's gorgeous.

Her tower ending was nice, I like to see her accomodating to the Shirai Ryu and that it wasn't easy for her but Cyrax earned their respect in the end. Good for her!

im afraid of bugs so I can't say much of her Animality...

HER FATALITY IS KINDA CUTE NGL

SEKTOR:

Man, I said it once and I'll say it again. I really don't care if she's good, bad, neutral, i would die for this woman. The sentiment hasnt really changed for me, and I actually grew more endeared to this cocky confident warrior. She is very proud of her heritage and what her family has built. I'm sad we didn't see Madame Bo in this one though, I feel bringing up that Bo is her mom and then not making it important is a bit of a waste? But, yeah, the story wasn't really about her so...

For the most part I really liked her personality, the way her convictions don't waver although she is willing to relent if it is for the greater good (according to her). Sektor comes to me as a bit hypocritical but then again I realize that she saw more to the story than we as an audience do and we don't really know the nature of her relationship with Kuai Liang was before this whole ordeal. Like we know Cyrax and Kuai Liang liked each other once (platonically or romantically I don't really care. But I would love to see a bit of the dynamic before all of this happened).

She is a mentor and is dedicated to keep her promises. I feel that the fact that she wants Cyrax to be the best version of herself (according to Sektor's vision) has a lot to say about her as a character. Specially considering her mom is a mentor too, although in a different way and in a different manner. Bo's training of Raiden and Kung Lao might differ from Sektor's training of Cyrax, but I think she is as dedicated to her craft and her students as Madame Bo. Which is why it pisses her off so much that Cyrax can't fulfill her objectives.

... Yeah I'm living for her making Bi-Han smile. CALLED IT. He is happy around her and she knows it.

I wish I could see more of Khameleon and her though,

Her moments with Empress Tanya were nice, I liked their little banter I wish I could have seen more but then again these characters were sorta... IDK. I mean ignoring the main roster and reintroducing variants from the other universe is kinda awkward.

She is slightly less easy to play than Cyrax on my perspective, but she's fun to use and you can build pretty good kombos with her. Khameleon as a kameo really helped me with her actually.

Her design is really pretty. (im sad that my hc design doesnt match her completely though 😭😭) As for her tower ending I should probably make it a separate posed tied to Bi-Han's ending.

It is a big missed opportunity on making her take charge and not depending on Bi-Han (sure, I love them together, but like, girl) Like it was the perfect chance to get her to advance with the cyber innitiative and take route to what makes her character. She truly has a lot of vision and MK writers have sinned by only telling us about it and not showing us. I WANT TO SEE A SEKTOR WITH GREASE ON HER FACE, MOTOR OIL ON HER CLOTHES, EYEBAGS AND MELTING METAL, WORKING WIRES AND GETTING EXCITED WHEN SOMETHING WORKS.

NOOB SAIBOT:

Man, i want to say a lot about him and at the same time i don't want to say anything at all. I'm conflicted on this dude. Should I separate him from Sub Zero to analyze him or should I simply treat it as a unit?

Well, let's start on the fact that this dude was built, both metaphorically and literally on character assasination. That's it. That's my take on him. Baby I love you and everything but they really said "We have to bring Noob Saibot back somehow -cuz money- so let's make Sub-Zero cartoonishly villanous and let's make him LOSE TO CYRAX, then he will jump into a closing portal where a Titan and his crew are thriving". I literally cackled when he faced Havik and his goons because is like that latino meme "yo contra todos ustedes" (Translation: me vs all of you. Derived from the situation in which a small child decides to have a soccer match agaisnt all the big kids on his own) Yeah, im not amused by a Grandmaster being beat by his subordinate, nothing against Cyrax but this has happened literally more than once. Your character is either a powerful warrior or he isn't. And I'm saddened to say that Bi-Han, both in history mode and playability hasn't been up to the task. (Look at me critique a character I'm so attached to)

As a positive thing. I like that he smiles more in the DLC. I dont think we ever saw him smiling on the base game outside his tower ending which BTW was when Sektor was mentioned which makes me happy. I like that at least we don't have him completely dettached of humanity and see friendship, allyship and a shared vision. (I CAN WORK WITH THIS, ACTUALLY. people often wondered how supportive Bi-Han is of their s/o on fanfics. Y'all got ur answers)

ughhhhhh. Alright I know this is the "Die like my father" dude, but the way Kuai Liang and him speak about the late Grandmaster is weird. AND I WISHED THAT TOMAS WAS MORE INVOLVED IN THIS. LIKE, IT WAS HIS FATHER TOO. We may not share blood but we're still brothers left... where???? Like, at least bring him into the mission instead of introducing comic-relief Johnny Cage (I love him, he is adorable. I smiled every time he appeared onscreen. I don't find him useful at all)

Again im so weirded out by Kuai's attitude but at the same time I get it. Like, on the end pf the story you could really tell these are brothers fighting and part of it is their weakness. which is cute.

Props to the voice actor, he delivers his lines excellenty, and his screams really made me stop laughing and wince. Like, man. What a terrible way to go.

UHHHHHHH onto Noob. I really thought he wouldnt get uncorrupted, like, I saw the way he spoke to Scorpion and said, ah well, this is how it's gonna play out from now on. I'm kinda glad it isn't. I'm not a fan of Noob being Havik's creation... also again. Tomas is needed here. PLEASE PLEASE PLEASE A NOOB SMOKE DUO.

Again he lost and uhhh... idk. the whole Liu Kang restoring his mind thing and expecting that the man that was presumably violently tortured to death would act cool headed was kinda stupid to me, but whatever. That's Liu Kang for you.

As for him Killing every person he crosses (good for him!!!) and making it about his ego is funny to me because we are side to side with someone who's rightfully angry because his brother let his dad pass away (And we are supposed to sympathize. Which I do, to some extent), and someone who, again, just got killed in a horrible way and his BODY was used to craft a henchman of chaos and is pissed off because of it (and we are supposed to deem this as wrong because... he is making it about himself?)

Thats the thing for me, actually. The fact that Kuai Liang essentially made it about him throughout the journey (while obeying orders, he still refused to collaborate when it came to Bi-Han, and mentioned A LOT of times about what Bi-Han did, which, fair but it takes from the argument that Bi-Han is wrong for being angry for personal motives)

This IS his fight. Because they did him wrong and for once he wants to escape all expectations and do things on his own terms. Specially considering the level of helplessness he could have felt when yet again someone used him for their cause. This time more literally.

Liu Kang is becoming kinda insufferable to me, tbh but thats only on me I don't have objective grounds for this (Still i find the Invasion's season kinda ironic considering his emphasis on control and the power he holds over individuals to the point of ethem, keeping them dormant)

WHICH BRINGS ME TOOOO

His tower ending. Fuck. Uhhh

Good for him I guess??? I'm glad you found your life's purpose boo, but like it kinda contradicts some of the points i've been making and my argument is now crumbling. Like, if it was so horrible...

also this truly makes me wonder how much does Bi-Han values his own body and if it isnt over the Lin Kuei, if he would perharps considering replacing his body with something more resourceful...

like Machinery.

I kinda like this concept, maybe seeing him mix up ice powers and shadows soon??? As long as they don't fuck it up (They will)

His design is ok. Not a fan but it isn't terrible. It will take me a few more rounds to get accostumed to him as a character.

Havik:

UHHHHHHHHHHHH. I liked the theatrics. He's very dramatic and I love that. His design is gorgeous I really loved the color palettes

He kinda looks like Drahmin ngl. He's a funny character, made me laugh a lot. Which prompted to me making a cock joke in the middle of his monologue to Bi-Han before killing him.

I thought for a moment we was getting Meat back. But one can only dream about things.

I'm sad we didn't get a chapter to play him. I would have gotten more attached.

Yeah, that's it about him. He started imposing but my mind sorta went elsewhere midway through and I think that might be a pacing issue??

OVERALL:

Uh. Yeah, it was a DLC alright. It had a smaller cast of characters, more emotionally charged although clumsier. Didn't have test your mights on it which I kinda missed, I was hoping for something more dynamic like a survive challenge on it or something.

I think it was awkwardly placed and some jokes didn't land correctly, or they did land on the wrong time making the scene lose their intended tension and adding nothing to the story (Looking at you, JC Red Wedding joke)

the animation was gorgeous and some Scenes were beutifully composed like Empress Tanya facing a dragon which, was simply stunning.

Speaking of Tanya. Marrying her to Rain was a choice. Not that I didn't appreciate their dynamic but, you know... Mileena. And stuff.

ALSO TEASING US WITH EMPRESS MILEENA AND GIVING US LIKE TWO SCENES IS A ROBBERY. We need to see said changes in Edenia, like, okay so Shao and Reiko are up to some busines and there's revolts. That sounds interesting, why am I not watching this instead? Idk the continuity on the tower endings concerns me because of it. I hope all those endings finally get a continuation on MK2. PLEASE. There's so much interesting shit there. Including ONAGA.

It was a cute ending. Although I wasn't very satisfied with the resolution of it all. It was fine I guess.

[circusbythesea]

shiraishi's nightmare

[greensaplinggrace]

does anybody else think about how all of the darkling’s survival techniques were taught to him by a woman experienced at surviving in a man’s world?

[covertblizzard]

jaykyle au where they're theatre kids in the same school but they're not the actors jason's the scriptwriter/director and kyle is the prop manager (i don't know the official terms sorry) and they'd probably do an amazing job on the backstage setting if they could stop arguing for 5 whole seconds about their artistic visions and ideas and how "this would obviously work better this way"

[thatneoncrisis]

i think id like arcane like way more if it was a novelization

[djsangos]

//who are THESE fresh squids?? (made here)

okay these guys might not get a mention on this blog for a while- if ever- so i'm gonna talk about them now bc i've been rotating them in my mind for a while

these are captain's siblings! the ones they left behind when they were 14 to run away to inkopolis. captain certainly isn't proud of leaving them behind at ALL, in fact the one thing they wish they'd done differently is taking them with them, even if it would've been damn near impossible to take care of 2 younger siblings all on their own away from home when they were already struggling to take care of themself. they have no idea how their siblings fared with their neglectful ass father after they left, but pierce (right) was only a year or 2 younger than them, so they hoped he'd be able to leave soon too- taking harper (left) with him

so yeah harper (left) i think is probably around 16 or 17 now, having been 7 or 8 when captain left. since she was pretty young she didn't really know exactly why they left, and they didn't tell her either, so i'd say she probably resents them for it. she's a hotheaded edgy teen, classic rebel, you know the deal.

and then there's pierce (right), who's around 21 or 22 now, so he would've been 12 or 13 when they left. even if they didn't say a word to him before packing their bags and hopping a train at the asscrack of dawn, he knows exactly why they did. because being a kid and not only growing up, but having to parent your 2 younger siblings in your father's place, is hard. he basically had to take on their role as caretaker of harper when they left, being the second oldest, and that's how he realized. he doesn't resent them exactly, but he does wish they'd at least said goodbye. he's an outwardly chipper guy, and puts on a brave face even at the worst of times.

and they both did eventually get out of that house- pierce didn't leave as soon as he turned 14 like captain did (though cod, he wanted to) but when harper was old enough to be left home alone he got a job and saved up what he could to get himself and his younger sister out of there. and then when harper was 12 and he was 17, he got them both out of there. they might have gone somewhere else first, but i wanna say they probably ended up in splatsville, living in an apartment together with pierce doing what he can to support harper through school, and she does some turfing herself to help with rent and save up her own money so she can get her own place eventually.

i feel like the reason they probably haven't run into captain is that captain lives in inkopolis and only really goes to splatsville to visit rookie, and the last time they saw their siblings, neither of them were fully transformed yet, and they aren't so easy to recognize anymore themself. so if they've happened to pass each other on the street, it'd take more than just a cursory glance to realize just who they're passing. so it could definitely, and likely will, happen eventually. who's to say.

[wellhalesbells]

the thing that fucks me up about rereading instructions for dancing is trying to pinpoint when it is that derek becomes obsessed with stiles and realizing the answer seems to be always. from the beginning. the moment they met. that poor bastard. he probably should have tried to be a little nicer about it, though, saved them both some hardship.

I think it slides so quickly from fear and annoyance that Stiles will steal Scott away to 'Oh no, oh fuck,' I'm not even sure Derek knows himself. Poor guy hamstrung himself by starting out with the 'I'm going to scare him away' mentality then wondering where the hell that went and trying to find it again through almost every subsequent interaction (while something so much bigger and so much worse - Derek's Thoughts™ - completely eclipsed it). Meanwhile Stiles also helps cultivate Derek's dickish-ness by assuming that original motivation to be his only interest in him at all, essentially until the moment Derek tells him he's in love with him.

Which is hopefully why it seemingly comes out of left field for Stiles and the reader, because that's what I wanted.

[longagoitwastuesday]

I'm three interactions away from spreading my Ijichi/Gojo agenda

[sparklingcubes]

When I first saw the Marichat kiss scene in Elation, I was very shocked. Like, not in a "omg finally they're in love with each other and kissed 😍" kind of way but more like, "holy shit I can't believe the writers just make Marichat, the Platonic side of the LS with capital P, where it consist of Marinette, who are obviously known to be down for Adrien, and Chat Noir, the biggest Ladybug simp ever, kissed lovingly and tenderly as if they have been wanting to do this since forever" kind of way.

[physalian]

How to make your writing sound less stiff

Just a few suggestions. You shouldn’t have to compromise your writing style and voice with any of these, and some situations and scenes might demand some stiff or jerky writing to better convey emotion and immersion. I am not the first to come up with these, just circulating them again.

1. Vary sentence structure.

This is an example paragraph. You might see this generated from AI. I can’t help but read this in a robotic voice. It’s very flat and undynamic. No matter what the words are, it will be boring. It’s boring because you don’t think in stiff sentences. Comedians don’t tell jokes in stiff sentences. We don’t tell campfire stories in stiff sentences. These often lack flow between points, too.

So funnily enough, I had to sit through 87k words of a “romance” written just like this. It was stiff, janky, and very unpoetic. Which is fine, the author didn’t tell me it was erotica. It just felt like an old lady narrator, like Old Rose from Titanic telling the audience decades after the fact instead of living it right in the moment. It was in first person pov, too, which just made it worse. To be able to write something so explicit and yet so un-titillating was a talent. Like, beginner fanfic smut writers at least do it with enthusiasm.

2. Vary dialogue tag placement

You got three options, pre-, mid-, and post-tags.

Leader said, “this is a pre-dialogue tag.”

“This,” Lancer said, “is a mid-dialogue tag.”

“This is a post-dialogue tag,” Heart said.

Pre and Post have about the same effect but mid-tags do a lot of heavy lifting.

They help break up long paragraphs of dialogue that are jank to look at

They give you pauses for ~dramatic effect~

They prompt you to provide some other action, introspection, or scene descriptor with the tag. *don't forget that if you're continuing the sentence as if the tag wasn't there, not to capitalize the first word after the tag. Capitalize if the tag breaks up two complete sentences, not if it interrupts a single sentence.

It also looks better along the lefthand margin when you don’t start every paragraph with either the same character name, the same pronouns, or the same “ as it reads more natural and organic.

3. When the scene demands, get dynamic

General rule of thumb is that action scenes demand quick exchanges, short paragraphs, and very lean descriptors. Action scenes are where you put your juicy verbs to use and cut as many adverbs as you can. But regardless of if you’re in first person, second person, or third person limited, you can let the mood of the narrator bleed out into their narration.

Like, in horror, you can use a lot of onomatopoeia.

Drip Drip Drip

Or let the narration become jerky and unfocused and less strict in punctuation and maybe even a couple run-on sentences as your character struggles to think or catch their breath and is getting very overwhelmed.

You can toss out some grammar rules, too and get more poetic.

Warm breath tickles the back of her neck. It rattles, a quiet, soggy, rasp. She shivers. If she doesn’t look, it’s not there. If she doesn’t look, it’s not there. Sweat beads at her temple. Her heart thunders in her chest. Ba-bump-ba-bump-ba-bump-ba- It moves on, leaving a void of cold behind. She uncurls her fists, fingers achy and palms stinging from her nails. It’s gone.

4. Remember to balance dialogue, monologue, introspection, action, and descriptors.

The amount of times I have been faced with giant blocks of dialogue with zero tags, zero emotions, just speech on a page like they’re notecards to be read on a stage is higher than I expected. Don’t forget that though you may know exactly how your dialogue sounds in your head, your readers don’t. They need dialogue tags to pick up on things like tone, specifically for sarcasm and sincerity, whether a character is joking or hurt or happy.

If you’ve written a block of text (usually exposition or backstory stuff) that’s longer than 50 words, figure out a way to trim it. No matter what, break it up into multiple sections and fill in those breaks with important narrative that reflects the narrator’s feelings on what they’re saying and whoever they’re speaking to’s reaction to the words being said. Otherwise it’s meaningless.

—

Hope this helps anyone struggling! Now get writing.

[star--anon]

I am very normal about traditionally romantic things being viewed through a platonic lens

[soaps-mohawk]

Cherry Red, Crimson Blood

Chapter 36: To The Sea

Summary: It's time to move on. You're not sure where you're going exactly, but anywhere is better than Texas

Pairing: Poly 141 x reader

Word Count: 7,816 words

Warnings: ANGST, injuries, medical stuff, descriptions of pain and injuries, brief discussion about strangulation, mentions of PTSD and nightmares, so much crying, Alpha/Beta/Omega dynamics, Alternate Universe, angst, a very little sprinkle of comfort, language, mentions of medications, still very heavy emotionally

A/N: Not actually a lot of warnings for this one. It's a lot of dialogue and inner monologues. Not a lot happens, just mostly setting the scene for the next chunk of the story. Bring tissues though, the last part of the chapter emotionally wrecked me but also might be the best thing I've ever written.

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It’s warm outside. 

Not even the shade from the building can completely shield you from the dome of heat that seems to surround the base. It seeps into the concrete and asphalt that lock it into place, trapping everyone in a bubble that may as well be an oven. It’s always hot in Texas, though. You hate it. You’ve been spoiled by the cold, rainy seasons in England. You’d gladly take that over Texas. 

You’d take anything over Texas. 

The heat prickles at your skin, your arm starting to get sweaty in the sling. It had been Dr. Keller’s idea to keep your shoulder as still as possible so you don’t continue to cause yourself pain when you move. It still hurts, but at least you won’t instinctively try to use your left arm now.

Despite the warmth, there’s still a chill deep in your bones. The warmth of the pain medicine has worn off and you’ve been left with the perpetual ice that has seemed to coat your insides. Dr. Keller says it's the stress giving you a fever. Every nightmare, every flashback sends your body temperature spiking, your heart beating right out of your chest. You’re not out of the woods yet. It can take a long time to recover from that level of distress and the omega taking over. You almost regret it, but there was no guarantee you would have lived either way at that time. You did what you had to do, and it did work out in the end. 

But at what cost? 

Dr. Keller’s phone buzzes in her pocket and she pulls it out, staring down at the screen for a moment. “Kyle wants to come by.” 

You don’t want to see him. You don’t want to see any of them. 

“I think you should see him. Even if it’s just for a moment.” She squeezes your hand. “I’ll be right here.” 

It’s a predicament. Dr. Keller supports your decision to keep them away, putting some distance between all of you for the time being. Yet, she also says being close to your pack will help your healing. Having your pack around will help your omega settle once again. She needs that safety, that security before she finally lets go completely. 

You don’t want to be close to them, but you may not have any other choice. 

You sit there in silence, picking at the fabric of your sweatpants as you wait for Kyle’s arrival. Sweat has started to bead on your back, the day only getting warmer and warmer as the sun moves higher in the sky. You want to go back inside, back into the cool air conditioned building. You want to crawl back onto the hospital bed and lay there for the next few hours. 

You can’t. 

Footsteps approach, but you don’t look up. You know who it is. You don’t want to see him. 

“Kyle.” Dr. Keller greets. 

“Christine.” He says back. It still throws you off, hearing Dr. Keller's first name. She'll always be Dr. Keller to you. Kyle turns his attention to you, still standing a few steps from the bench you're perched on. “Hi, love.” He says. The affectionate nickname almost makes you wince. You don't look up at him. You don’t want to see his face. “I wanted to stop by and see how you’re doing.” 

You don't move, don't give an answer. You don't have an answer to give anyway. You shouldn't have to give an answer. 

He lowers himself onto the bench, sitting as far away from you as he can. “It’s hot today.” He says, adjusting his hat. Always wearing a hat. Maybe that's why he and Price work so well together. 

He stares at you for a long moment but you don't bother moving, your gaze still on your sweatpants. They're starting to get a bit warm, even with your perpetual chill. 

“I’m not here to apologize.” He says, breaking the silence. “You’ve probably heard enough apologies to last you a lifetime.” He shakes his head. “Words can’t fix what we did. Nothing can fix what we did, how we left you there. All we can do is give you what you need, try and make you as comfortable as possible.” 

Tears burn your eyes as you listen to him. He's not wrong, an apology won't fix what happened. No words will ever be able to fix what they put you through. You're not sure there's anything they could do that would make up for it. An apology still would have been nice, despite the fact you know how guilty he is. Their avoidance of you, their willingness to give you such space in an unknown place just proves how guilty they all are. 

That doesn't make things hurt any less. 

You slowly turn away from Kyle, angling yourself towards Dr. Keller. 

He doesn't say anything further in that regard, taking your movement as an answer to his non-apology. He leans forward instead, resting his elbows on his knees. “I just wanted to let you know that we’re getting ready to leave soon. We’ll be heading somewhere safe, somewhere quiet and secluded. I think you’ll like it.” 

Dr. Keller had informed you of that earlier after she went to speak to them. They've decided what to do, what's best for the pack again. You might have protested, except for the fact it meant you were getting to leave Texas. Where exactly they're taking you, you're not sure. You just know it's not Texas. 

“I want you to know that we’re here if you need us.” He stares at you for a moment longer before pushing himself up to stand. 

If, not when. 

Maybe they're finally getting the message. 

Dr. Keller stands, touching your right shoulder gently before she steps away with Kyle, speaking quietly with him, but you can still hear every word in the nearly silent space around you. 

“In an attempt to remain a neutral, professional party in this situation, I feel it would be appropriate for me to tell you not to beat yourself up too much about this.” Dr. Keller says. “The unprofessional side of me has many words I’d like to say to all of you.” She clears her throat. “That being said, on a positive note I can say you’re all doing the right thing for once, prioritizing your omega and fulfilling her needs, even if her needs require you to leave her alone for now. I know it’s hard, I know every instinct is screaming at you to help her, but just take comfort in knowing you are helping her. You’re doing the best thing you can do for her at this time.” Dr. Keller puts a hand on his arm, squeezing it gently. “Even if it is tearing you up inside.” 

“Thanks, Doc.” He says. 

“I’ll see you soon.” She says, patting his arm before she heads back towards your bench. 

You turn your head just slightly, not missing the way Gaz lingers for a brief moment before he turns his back on you, walking back down the sidewalk. 

It hurts. 

You want to cry with every swallow. No matter how much you chew, it doesn’t ease the pain of trying to swallow solid food. Even the worst sore throat you’ve ever had pales in comparison to this pain. Tears burn in your eyes as you eat, unable to refuse this time in favor of choking down some liquid nutrients. Even liquids make your throat ache, but they are easy to chug to get it over with at once. 

This feels like torture. 

Dr. Keller looks guilty as she spoon-feeds you the soup. Chicken noodle, something simple and easy but still something with some substance. It makes you think back to when you were sick as a child, your mother dutifully feeding you homemade chicken noodle soup until you reached the age you could feed yourself. 

You do feel like a child again, unable to even hold the spoon. Well, you could hold it, but it would have come at the expense of some burns from how badly your hand was shaking. 

So instead you sit here, being spoon-fed soup you can barely stand eating. 

“I know.” She says as a tear finally falls, your inhale shaky from the ache in your throat. “You need something in your system for the sedative. It’s a long flight and you’ll be sick when you wake up if you don’t have anything in your stomach. That’s going to hurt a lot worse than eating now.” 

Yeah. You’ve already figured that out. 

“Strangulation is a tough thing to survive.” She says, dragging the bottom of the spoon against the edge of the bowl to wipe off any soup that might drip on you. “Then again, so is getting shot, and distressing to the point of your omega taking over.” She holds the spoon up to your lips, and you’re tempted to refuse. “You’ve survived a lot, more than most could. And to look this good after...” 

You blink up at her, teary eyed and sickly looking, exhausted and bruised. Your left eye is still almost swollen shut, and your hair is tangled perhaps beyond saving, tied up in a bun at the top of your head. All just reminders of what you survived, all reminders of what happened to you. Of what was allowed to happen to you. 

You’re not quite sure when the last time you had a real shower was either. 

“I know.” She says, spooning more soup into your mouth. “You might not feel like it, right now.” 

“I want a shower.” You say, your voice still hoarse and cracking through your throat. A real shower might solve a lot of problems for you right now. It won’t fix much, but being truly clean would make a lot of things feel better. 

“I wholeheartedly agree.” Dr. Keller says. 

You give her a look. You don't smell that bad. She should know, she’s the one that cleaned the blood off of you and the one who gave you the sponge bath this morning. 

She gives you a look back. “I meant it would be nice to take a real shower. Once we get where we’re going, we can work on the logistics of a shower.” 

Right. You can’t exactly stand for a long time on your own, not to mention the problem of only being able to use one arm without bringing blinding pain upon yourself. That’s where the pack would come in handy. 

The thought of one of them seeing you vulnerable like that, putting their hands on you right now makes your skin crawl. 

A shiver runs down your spine, your body shuddering uncontrollably. You grunt as your shoulder screams in pain, another electric jolt burning straight through your nerves and down through your feet. Fuck. You mouth the word, squeezing your eyes shut. It makes your stomach churn, the soup starting to burn a path back up through your esophagus.

“Breathe for me.” Dr. Keller says, putting a gentle hand on your right shoulder. 

In and out. You focus on your breath, the only thing you can do without feeling like you’re going to go insane from the pain. It’s all you can do in this situation. It’s the only thing you can do at all. Breathe. Just keep breathing. 

Sometimes you don’t want to. 

The pain passes as it always does, leaving behind a subtle ache that will linger until the next flare of pain. It’s a constant, never-ending cycle that you can’t escape from. Weeks, Dr. Keller had said. It can take weeks to heal. You’ll be stuck in this cycle for weeks and weeks. What if it never heals? That is a possibility. It’s always a risk with any injury. 

What if the rest of your life is like this? 

You’re crying again, hot tears blazing a path down your cheeks. They won’t stop, they never stop. There’s a constant stream down your face, even in your sleep. You’ve woken to find your face and neck damp from the never ceasing flood of tears. 

How you can’t wait for the time to come when you have none left.

You’d welcome the numbness at this point, greet it like an old friend and invite it in for tea. Anything over the pain and tears that won’t stop. The depression-fueled numbness that had filled you when Price and Gaz left, then Soap and Ghost would be a welcome relief at this point. Anything would be better than the pain. 

You almost wish you were in a coma right now. Then you wouldn’t feel anything at all. 

Dr. Keller puts the spoon back into the soup bowl before rolling the table to the side. She puts a hand on your head, gently stroking your hair as you cry. The room is silent aside from your sniffles, Dr. Keller not having to say a single word. The silence is almost a blessing. You’re tired of hearing words, of hearing people speak. There’s nothing anyone can say that will do anything to help you, to comfort you, to make it better. 

There’s nothing anyone can do to make it better. 

You’re so tired of being like this. 

The sedative is kicking in before you even reach the airfield. She can see the way your head is drooping further and further forward in the car, your body jostling without any complaint. It had started kicking in before you even got into the car, as you offered very little resistance when Kyle helped her mauver you into the front seat. She chose Kyle out of everyone to help her in hopes it would be easiest on you. Your claimed alpha’s beta is a good place to start in rebuilding the bonds within the pack, and his calm demeanor certainly helps. He is a caretaker through and through, that beta trait prominent above the others in him. He would have made a good medic, had he gone that route. 

Your chin drops to your chest as the car comes to a stop in front of the plane, your body slumping to the side against the door. 

“She’s out.” Christine says, unbuckling her seatbelt. 

“Makes this easier.” Kyle says, getting out of the car. 

They maneuver you into the wheelchair, Christine easing your head onto your right shoulder to avoid aggravating the left. The less pain you’re in when you come out of it, the better, though pain will be unavoidable. Kyle pushes the wheelchair up the ramp of the plane, Christine following close behind. She’s glad she gave you the sedative before you left the med center to avoid as much pain as possible. She almost wishes she had given it to you earlier, as getting you into a sweatshirt had been a battle of its own. Though, the longer it stays in your system, the longer you’ll sleep through the flight. The longer you sleep through the flight, the longer they can delay the inevitable emotional storm of being enclosed in a tight space with your pack. 

If you’re lucky, you’ll be out of it long enough for them to reach the cottage without incident. 

John is waiting near the front of the aircraft, his eyes watching carefully as Kyle helps maneuver you into a seat. Even with the turmoil in the pack bonds, an alpha will always feel protective over their omega. There’s some things that can’t be undone, even in such a fragile state. Some instincts can’t be unlearned, no matter what. 

“I gave her a sedative.” Christine explains as she gets you as comfortable as possible in the seat. “It won’t last the whole flight, but it’ll take a while to wear off regardless.” 

“Is that more for her or for us?” John asks. 

“Both.” Christine says. “Mostly for her. It helps with the pain of moving around, but it will also keep her calm in close quarters like this.” 

“Here.” John says, handing her something. It’s a blanket, brand new by the feel of it. “Johnny made a store run this morning. It’s going to get cold in here, so he got the warmest one he could find.” 

Christine takes the blanket, the fabric thick and soft in her hands. It’s a touching gesture, speaking volumes of their desire to still care for you despite everything, their willingness to do what they have to, to keep the pack together. “Perfect.” She says, carefully draping it over you and tucking it around you before John gets you secured in the seat. 

“It’s going to be a long flight.” John says, taking a step back. 

“It is.” Christine says, pulling out her thermometer. She takes your temperature, letting out a hum at the number that pops up on screen. “I need to monitor her temperature.” She explains as John gives her a look. “It’s been spiking when she gets stressed.” 

“She's not quite out of it yet, is she?” John asks.

“Not quite.” She says, putting the thermometer back in her bag. “I’ve only seen two omegas successfully come back from that point, and I know the number across the board isn’t very high. It takes a long time for the body and the brain to get back to normal.” 

“And on top of everything that happened...” 

She stares up at him for a long moment. “She’s very strong. I knew she was a fighter, but to come out the other side even where she is now...” Christine shakes her head. “I didn’t want to say this at the time, but I was expecting the worst. When that call came in about what state she was in...” She bites her lip, holding the emotions back. “Her resilience and fortitude is what kept her alive. That and Simon’s courage to do what needed to be done.” 

“I know.” John says, looking past her. “We all owe a lot to him.” 

Christine puts a gentle hand on his arm. “You’re doing what’s best for her. No matter how much it hurts, no matter how much it goes against every instinct you have, it’s what she needs.” 

“That’s all that matters to us right now.” John says, staring down at her hand for a moment. “There’s nothing else we can do, so it’s time we start putting our priorities where they should have been the whole time.” 

Christine gives him a small smile. “I’m proud of you for that. It takes a lot to unlearn the things you’ve been told since the beginning.” 

The corner of John’s lips twitch before his face falls into the emotionless mask he’s been wearing for the last few days. “It’s about time we get our heads out of our arses.” 

“I can’t blame you totally.” She shrugs. “We were all just doing what the initiative was telling us to do. We couldn’t have known. There wasn’t any room to question it.” 

“I wish we would have figured it out sooner.” He sighs. 

“Things might have been worse if the truth did come out sooner. If you started digging into the initiative too soon, Shepherd might have gotten antsy and taken more drastic measures to stop the truth from coming out entirely.” She glances down at you. “I think this was all inevitable.” She turns her gaze back to John. “What happened, happened. None of us can change that. All we can do is keep moving forward with what we have right now.” 

He stares at her for a long moment. “The more time passes, the more I’ve come to realize why Kate chose you for this position.” 

The corner of her lips turns up in a smile. “Well, I am rather good at my job, which, among other things, involves advocating on behalf of omegas.” 

John huffs. “Wish we would have listened sooner.” 

“You can’t change the past.” She repeats, looking down at you again. “But you can change the future.” 

You woke from your sedation about four hours from Helston. 

Well, ’woke’ might have been too strong of a word for it. Your eyes opened, but you were still hazy, movements sluggish and entirely unaware of the world around you. You floated between sleep and awareness for an hour before finally gaining consciousness completely. Awareness took quite a while to return, though. Not until they were moving you to the car from the plane. 

Even still you’re groggy, slumped against the door in the back seat of the car. You blink slowly, eyes unfocused as you stare out the window at the blur of green passing by. 

“How is she?” John asks from the driver's seat, glancing up at the rearview mirror. 

“Cow.” You say, blinking slowly as the car passes a field of cows. 

“Still out of it.” Christine answers from the back seat where she's sitting next to you. Your response might have been enough to answer that. “Better than being in pain, though.” 

“How long will it take for her to get out of it?” Kyle asks. 

“Hopefully she’ll be more lucid by the time we get there, but it could take a few hours for it to completely wear off.” Christine says, wiping a bit of drool from your chin. “Probably not a bad thing. This is a big change, and with everything that’s happened, it’s going to take some time to settle in.” 

“Things are going to be rough.” Kyle says. 

“Yes.” She agrees. “Being enclosed in a small space with the people you want to see the least in the world isn’t an ideal situation. It’ll be an adjustment for everyone. I trust all of your abilities to adapt, though. Just don't go in expecting things to be the way they were.”

John's hands tighten around the steering wheel, his knuckles going white. Kyle cracks his window open, prepared for the thickening of John's scent in the air. Christine knows she hit a nerve, but it needed to be said. Even if you were open to forgiveness right now, even if they had chosen to go after you right away, things still wouldn't be the same. Things won't ever be the same. It is their fault deep at the root of it. Those cameras were put up because of them, you were taken because of them. You were chosen for the “initiative” because of them, because Kate thought you'd fit in well with them. Their decisions shaped your life, and will continue to shape your life. 

Can you ever come to forgive them? Christine likes to think so. She has the hope that they can put in the work and regain your trust and earn eventual forgiveness. She knows you'll allow them to try once the initial hurt and emotions begin to fade, once the two of you put in enough work to start processing the trauma around the events that happened. It will take time. Probably a long time. 

She'll be there every step of the way. 

“Ashley did some shopping for us, picked up some stuff to get us until we can get into town.” Kyle says, looking at his phone. 

“Good.” John says, his shoulders starting to relax. “Should wait a couple days before going. Get settled in.”

“She's still working on cleaning up. Probably still be there when we get there.” Kyle says, putting his phone back in his pocket. 

“That's fine. We’ll probably have to utilize her a bit.” 

“Doubt she'll complain.” Kyle says, looking out the window. “Be thrilled to have something to do besides work.” 

You let out a quiet groan, shifting against the door. “Hurts.” 

“I know, honey.” Christine says, carefully adjusting your left arm. “I’ll give you more pain meds once we get to the cottage.” 

“We’ll be there in half an hour.” John says, glancing up at the rearview mirror again before turning his eyes back to the road. 

The half hour seems to take the longest as you continue to become more and more lucid and aware. The pain sets in first, your brain picking up on those signals before anything else. John’s knuckles are white around the steering wheel as you begin to whine and whimper around every bend in the road and turn he has to make, every jostle of the car. Every instinct in his body tells him to pull over and comfort you, but he can’t. It’s more important to get to the cottage, and there’s no guarantee you’d even let him. It might make things worse. 

The last thing you need right now is for things to get worse. 

Christine breathes a sigh of relief as they pull up to the cottage, glad she can finally get you somewhere more comfortable. You’ve been in far too many uncomfortable positions today, moved around too much. She would have liked to keep you in Texas a couple more days, but she knew as soon as you were able to travel, the better. The sooner they could get off the grid, the better. 

The sooner they could get out of Texas, the better. 

Kyle is getting the wheelchair out of the trunk when Johnny and Simon pull up, not having been far behind. They likely took a turn around the back roads to ensure no one was following and to keep things from looking too suspicious. 

Christine keeps you from slumping out of the car as she carefully opens the door on your side. You’re more awake than you were, blinking up at her with almost startlingly aware eyes.

“Crutch.” You pout when she pulls the wheelchair closer. 

She gives you a look. “Honey I'm not sure you could even stand right now.” You may be more aware, but that doesn’t mean your body is working as it should.

You let out a defiant noise as you attempt to get your legs out of the car, trying to hide your grunts of pain and discomfort. 

She's tempted to stand there and let you try, but she knows all hell will break loose if she lets you fall. She's not willing to take that risk, not to mention it will cause you more pain to get you up off the ground. 

“Come on,” She says, stopping you before you can get your feet under you. “Nice and slow.” 

You let out a quiet growl of indignation but you allow her to help you, your legs trembling as she eases you up. Kyle is there with the wheelchair, getting it as close to you as possible so she can sit you down quickly. 

“Ow.” You breathe, eyes pinched closed as you breathe through the pain. 

“I know.” She says, patting your good shoulder lightly. She's glad she put you in the sweatshirt before you left Texas. It's chilly outside, chillier than it was further inland a few days ago. 

It's hard to believe it's only been a few days since you were taken. Barely even a week. So much happened in such a short period of time. It feels like it’s been weeks since everything started, but then again, it had been weeks since John and Kyle first left. It had been weeks since you had been around your whole pack together by the time you were taken. The deep depression you sunk into before the events of the last week had been draining you slowly for weeks before this. It had started before John and Kyle were deployed, back to that day when you revealed the cameras and the secret you had been hiding from them. 

How long you’ve gone in such turmoil. 

How far you still have to go. 

The path up to the door is rocky and uneven, the wheelchair jostling as she pushes it up towards the door. She can picture your face, the way it has to be screwed up in pain. You're silent though, holding it all in. She almost wishes you weren't being silent about it. 

The door is already open, light shining from inside as she approaches. Kyle is in the house already, having gone ahead to greet his sister. John is right behind the two of you as Christine turns to wheel you up the steps into the house. His eyes are on you, focused and ready should you fall.  

Christine would never let you fall, and from the way your hand is gripping the arm of the chair for dear life, you probably couldn't anyway. 

She wheels you through the entryway, the inside warmer thanks to a fire that's burning. It's a nice cottage, far nicer than she had been expecting judging from the outside. 

Johnny lets out a low whistle as he enters behind John, looking around. “Yer parents own this?” 

“It was given to our mum by our grandparents. They did some...renovations before they passed it on.” Kyle says. 

“Yer tellin’ me.” Johnny says. 

It looks new inside. New wood floors, freshly painted walls. The furniture looks like she would expect to find in an English seaside cottage, though. Kyle’s parents went to France for summer vacation instead of utilizing the cottage, and none of his siblings had wanted to use it, he told them. It looks almost perfect, like it came right out of a home renovation show. Kyle’s sister must have worked some sort of magic to get it this clean. 

It is a very nice cottage. It’s small, the door opening right to the main area. There’s two couches and a chair in the middle of the room around a coffee table. To the left of the couches is a fireplace, the fire already lit and crackling. It looks original, likely having been untouched in the renovations. There’s a door to the left of the fireplace closer to the main entryway. A bedroom maybe? To the right of the front door are two doors, one on the far wall and one facing the front door. 

The stairs are in the middle of the house, leading up to the second floor where there’s likely more bedrooms. On the far side of the main area is the dining area and beyond that is a sliding glass door. Around the corner on the far side of the stairs is likely the kitchen. She can see the fridge from where she’s standing. It’s new. Very new. Makes her wonder just how long ago it had been renovated. 

“Everyone, this is my sister Ashley.” Kyle says, introducing the other woman in the room. 

“Hello,” she says, giving everyone a wave and a dazzling smile. 

She’s dressed simply in jeans and a t-shirt, her medium box braids pulled up into a bun on top of her head. They look a lot alike, her and Kyle. Tall and slender and stunning. They have the same smile and the same soft brown eyes. She's wearing scent blockers, but Christine can imagine her having a soft scent like lavender or something fresh like mint. 

“There's two rooms down here, and two upstairs.” Kyle says. “The main bedroom is through there.” He points towards a door to their left. “I figure we'll give that to our omega. The bathroom in there has a walk-in shower.” 

“Perfect.” Christine says. That will make getting you in and out of the shower easier at least, and you won’t have to go far to use the bathroom.

“You should take the other room down here.” John says, looking at Christine. “So you can be close in case of an emergency.”

And so you don't have to be too close to them, so you won’t feel like they’re hovering.

He doesn't have to say that part out loud. 

“I put new sheets on all the beds.” Ashley says. “I also picked up everything Kyle sent on the list. Food, some clothes, some other necessities.”

You let out a quiet groan, Christine patting your head gently. You have to be exhausted and sore after the day. She should give you another dose of pain medicine like she said she would. You’re going to need it tonight. 

“Let's get you laying down for a bit.” She says, wheeling you towards the door. 

Kyle opens it for her, revealing a spacious room with a big window looking out towards the sea. You're going to spend a lot of time in front of that window, she thinks. The bed is in the middle of the room, and there’s two chairs facing the window. She’s almost tempted to sit you in one of the chairs, but laying down will be more comfortable for you right now. 

You're still too out of it now to care much as she wheels you to the double bed. With Kyle's help they get you horizontal, Christine draping the blanket at the end of the bed over you. It’s not very soft, but it will do for now. She’ll have to get the guys to pick up some soft blankets for you when they go to town. She has a whole list of things starting in her head she needs them to pick up.

She leans your crutch against the end of the bed just in case you might need it for an emergency. She hopes you’ll yell first, but you always have been stubborn. Being mostly bed-bound has only made that worse. 

“I’m going to go look through the things Ashley picked up.” She says, patting your leg gently. “Get some rest.” 

Christine leaves the door open a crack as she exits, wanting to give you a little privacy as you nap, or at least she hopes you’ll nap. It’s going to be a rough adjustment, and you’re going to need as much rest as you can get. 

“I’m assuming you’re Christine.” Ashley says, walking up to her. 

“I am.” She says, giving Ashley a smile. 

She can’t help but get lost in Ashley’s soft gaze for a moment. The Garrick siblings seem to share the same magnetic energy. There’s something almost ethereal about them. She could easily imagine them with glowing halos and angel wings. It’s almost like she’s being blessed with the opportunity to look upon her. She could spend an hour staring at Ashley’s face and not grow tired of looking at her.

“I picked up the items Kyle said you needed.” She says, motioning to the bags on the coffee table, pulling Christine out of her daze. “I couldn’t find the exact nutrient powder you asked for, so I got one that was as close as I could find.” 

Christine glances through the bags. She was thorough, getting at least two of everything. 

“I got warmer clothes for her too, since it can get chilly out here this time of year. Just some simple things for now until you guys get into town.” Ashley says. “I did some research too and I read that omegas like comforting things so I picked up some extra blankets and pillows” Ashley says, motioning to a couple bags sitting on the couch. “I also picked up this,” She pulls a stuffed dog from one of the bags, holding it up. “It was the softest one I could find. I thought it might help.” 

A small smile forms on Christine’s face, her heart fluttering in her chest from the sweet, thoughtful gesture. Ashley doesn’t even know you, nor did she know exactly what happened to you, and yet she went so far as to pick up some comfort items for you. You have nothing right now, only the borrowed clothes on your back. All of your belongings are still on base, all of the things that you had built to make your perfect nest. Would you want any of them still? Or have they been tainted by the events of the last few weeks? 

That Ashley thought to do this has warmth flooding Christine’s body. You can have some comfort now without having to wait for their trip to town. She almost feels the urge to cry. She wants to hug Ashley, thank her over and over for her kindness. Ashley has no idea how much her small act of kindness means, how much it's going to mean. 

A smile forms on Christine’s face as she stares at the stuffed dog. “It’s perfect.” 

You can hear it. 

In the distance, the quiet roar reaches your ears as you’re dragged from the sweet arms of sleep. It must be a dream, or perhaps the sedative is still clinging to your mind, making you imagine things. 

No. 

You’d know that sound anywhere. 

The effort to push yourself up to sit is a momentous one, every cell in your body protesting after a day of being moved and jostled. The last thing you want is to move right now, but you have to. 

The pain meds have done little to help.

The crutch at the end of your bed must be a thousand miles away as you sit there and stare at it. The ache in your body only increases as you become more and more aware of the pain, almost as if it can tell what it is your mind is planning. 

The door is cracked open, letting in a slit of light from outside. It’s dark in the room, the curtains pulled over the window. It’s a blessing compared to the bright yellow light outside the door. You welcome the darkness as your head begins to throb. You could call for assistance. You’d get more help than you needed. More help than you want. 

No. 

You need to do this. 

The effort it takes to get standing nearly sends you back onto the bed. The pain nearly blinds you as your feet touch the floor, your body leaning against the side of the mattress out of desperation. If you fall, you’ll never be alone again. You can’t afford that. You don’t want that. 

If you fall, you’ll never get up again. 

The breaths out of your nose are short and sharp as you reach for the crutch, fingers trembling in the effort to fight the pain threatening to blind you. You’re trembling like a leaf in a storm as your fingers finally wrap around the cool metal. The rubber bottom drags across the floor as you tug it over to you, holding it against your chest for a moment. 

Breathe. That’s what you need to do. Breathe. 

In and out. 

Nice and slow. 

The pain is only a memory. The pain is nothing. The memories forming at the edges of your mind will take over and wipe out the pain and the misery. You just have to be sure. You just have to be certain.

You push yourself upright using the crutch, tucking it under your arm. You should go back to bed. You should rest. 

No. 

You need to know. 

You need to be certain.

The first step you take nearly makes you sick. 

It’s like watching a baby deer walk for the first time, knees wobbling, feet shaking. You lean heavily on the crutch, your determination the only thing keeping you from tumbling to the floor in a heap. That might almost hurt worse than forcing yourself to stand upright. 

If you fall, you’ll never get up again. 

Inch by inch you move across the floor, silently grateful for the socks on your feet. They allow you to slide across the hardwood, but they also pose a threat. Slide too far and you’ll lose your feet. 

If you fall, you’ll never get up again. 

The determination and your desire for certainty is what keeps you sliding inch by inch across the floor towards that strip of blinding light in front of you. It’s hovering before you, threatening you. How do you know there’s not one of them standing guard, waiting for you to try and leave? You can’t know. You don’t have a clue what’s waiting on the other side of that door. It could be nothing. It could be your entire pack. 

Breathe. 

In and out. 

You take a moment at the door, resting your aching feet. Your body is throbbing from the effort to keep yourself upright, the sedative still numbing your brain and your movements. It’s like treading through honey, everything twice as hard as it should be. You can walk. You’ve done it before. You did it in the medical center. 

You can do it here. 

You use the crutch to push the door open more, your free arm still tucked in a sling to keep you from moving it. Reaching for it with that arm would have put you on the floor, would have caused more pain than you needed, would have made you fall. 

If you fall, you’ll never get up again. 

Breathe. 

The light burns. Explosions of yellows and whites erupt behind your eyelids as you screw them tight against the sudden onslaught. The sun is in the room, shining its rays directly into your sensitive eyes. Your stomach churns, your fingers tightening around the crutch so tight your knuckles begin to ache. The oppressive light makes you want to recede back into the darkness of the room behind you like a vampire shying away from the light of day. 

No. 

You won’t be defeated by the harsh artificial lighting. You need to know. 

You need to be certain.

The others are moving around. You can hear voices around the corner, voices upstairs with thudding footsteps. The air is thick with a mesh of scents, cleaning chemicals, and the burn of scent blocker. Your nose wrinkles at the sudden onslaught against your senses, your sedated brain making it all seem so much worse. 

You need to know. 

The hardwood floors continue and you use them to your advantage as you shuffle your way across the main area. The fire crackles as you pass, the popping of a log making you startle. Your feet slide again, your body pushing up against the crutch to hold yourself steady. 

If you fall, you’ll never get up again. 

Your target is dead ahead, a mile away but so close you can almost taste it. Just past the dining table and straight on till morning. 

Despite your snail’s pace, no one seems to notice you shuffling your way across the house. It should make you upset, the fact that none of them notice you moving around, but instead it makes you glad. They’d try to stop you if they noticed you, turn you around and shuffle you back to bed. Or worse, they’d carry you. 

How easily you could slip away, though. 

Well...in theory. 

Perhaps that’s why they ‘re not paying you any mind. How far could you really go in your current state? 

Why would you want to stray from the only safe space you have? 

The world outside is more dangerous with the state you’re in. Not just because of your injuries and your status, but also because you know Shepherd is still out there, and for all you know Graves is as well. 

He could be waiting right outside the door. 

No. 

They’d know. 

They’d protect you. 

They failed. 

You push past the fear in favor of certainty as you push forward, passing the dining table in your slow crawl towards the sliding glass door. 

It poses an entirely new threat as you stand before it, staring out the darkened glass. You have to get it open. Getting it open takes strength and you’re down to one hand that’s trying to keep you upright. 

You have to know. 

You have to be certain. 

You lean your weight on the crutch, ignoring the way it digs into your armpit as you reach for the handle. You click the lock, wrapping your fingers around the plastic before pulling. Your body screams with pain as you tug, the door sliding in the track as slowly as you had moved across the small living area. It’s almost as if it's mocking you. 

It’s open only as wide as you need to crutch your way through, doing your best not to knock your left shoulder against the frame. 

If you fall, you’ll never get up again. 

Breathe. 

You can smell it. 

The salty sea air invades your senses, slipping up through your nose and straight into your brain. Memories come flooding back of childhood vacations back when things were simpler. Back when nothing mattered but the sand and the water and avoiding getting chased by your brothers carrying the piece of seaweed they found. 

Polkadot bathing suits, bright red to be seen easily. Toes in the water, sand everywhere. The nap in the silent car home. 

How simple life was back then. How easy life was. 

Your heart aches for those days again. The days when you could exist without a care in the world, trusting your pack would keep you safe, trusting your family would care for you. Your mind yearns for that sense of safety and security again. 

The world is grey as you hobble across the porch, the grey seeming to go on forever. You missed it, the chill in the air, the gloomy grey overhead. How you yearned for the gloom of England while stuck in the heat of Texas. 

Anything is better than Texas. 

Your forward shuffle pauses at the edge of the deck, your eyes looking out into the grey. Your breath catches in your throat as you stare out into the distance, the ache in your chest intensifying. It blocks out the pain in your body, numbing you to everything else as you stand there, legs trembling from the effort of going the short distance from your room to the end of the porch. 

You can see it. 

Emotions swirl inside of you like a hurricane as you stare out where the grey water meets the grey sky in the line of the horizon. Those emotions threaten to choke you as you stand there trembling at the edge of the porch. There’s a breeze, a cold one that bites through the fabric of your sweatshirt and into the skin below, but you don’t care. 

You can’t care. 

Your legs shake from the exertion, the neverending exhaustion that’s settled deep into your bones. It’s not just a physical exhaustion, but a mental one as well. It’s been a long week. 

Only a week. 

So much has happened in a week. 

You want to sit. You want to sink down onto the porch and rest. 

If you fall, you’ll never get up again. 

There’s a pain in your chest as your breath catches in your throat. The emotions are whirling, tightening around your chest, squeezing your lungs until they feel like they might pop. 

Breathe. 

In and out. 

You needed certainty. You needed to know. 

You can hear it. You can smell it. You can see it. 

A single tear rolls down your cheek as you stare out at the sea. 

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