#i think the virtual lives will be like a vtuber thing?? rather than just a livestream of a normal live

[prettyallfriends]

dnp's dream collaboration festival's first project will be a collaboration between aikatsu and pretty series

exhibition for both series on the 11th of november in shibuya (which seems like it will include a virtual live element of some sort??)

collab virtual live shows viewable from a smartphone at home, 10th and 11th of december, two performances each day, price to be announced in the future

[welcometomy20s]

June 30, 2021

Coco (and Lulu’s) Legacy

Coco wrote the book on how to be a Hololive member, from front to back. She plotted out how one can amass an audience, how to interact and build a worldwide fandom, how to integrate ideas of the audience to the grand narrative of the company, how to deal with tee-tee and pairings, how to cope when YouTube strikes you down in its impunity, and how to cope when Cancel Brigade comes to destroy your work, along with how to bring a more cohesive workplace, how to protect yourself from the unmooring of identity that is inherent in VTube, and finally how to leave when you are in a rollercoaster that is only going up. Coco wrote the book and now we follow.

AsaCoco was brilliant from its outset. Having a place to know the ins and outs of various members of Hololive was a great way to connect the rabbit hole. But there is a deeper reason for the brilliance. I talked before about how the major tension in VTube is one between the corporate back-end tradition of Japan colliding with the audience front-end tradition of YouTube. AsaCoco is something directly in line with that second tradition. The visual language of YouTube is different from those of movies. A jump cut in a movie denotes a different idea than a jump cut on YouTube. Movie critic complaining about jump cuts in vlogs is like a Spanish reader complaining about a sentence in English being awkward. Of course it is, it’s in a different language. Unlike movies, which come from theatre and literature, vlogs’ lineage comes from news broadcasts. Many of the early web successes were styled in a news format (rocketboom, Ze Frank, What the Buck and so on…) One does not complain about the jump cut between different presenters in a newscast, and so one does not complain when a similar thing happens in vlogs. But the point is that AsaCoco harkens to the audience-based tradition.

One might write off the ARK arc as an aberration, but I think ARK did add something constructive to Hololive and VTubers as a whole. I like to think of ARK as a training wheel for Minecraft. Minecraft is relatively challenging compared to ARK. Minecraft speedruns are mildly impressive, ARK speedrun less so. ARK is actually like the middle ground between Monster Hunter and Minecraft. You can play ARK like Monster Hunter, gather a bunch of friends to hunt monsters, or like Minecraft, build your own zoo or house or so on… And in that flexibility, one can easily learn how to tell a compelling narrative in an open-world setting. Pekora’s war criminal tendencies developed there, Miko’s ‘pon’ nature was crystalized there, and so on…

Holohouse was an underrated achievement. At first, the idea feels like the natural extension of their idol nature. Idols live together, so why not virtual idols? But having virtual idols living together comes with additional benefits that Nijisanji should note.

Stalking is an awful thing, I know since I experienced and have done something similar in my past, but stalking is also a desperate thing. And desperation tends to abate when people are more open about themselves. One of the articles talking about Coco’s graduation infamously notes the mystery of Coco’s identity, which is chucklesome since Coco’s identity might be the most open secret in all of Hololive. This was in line with Hololive’s more open policy, several of Hololive members do their own personal work on the side, while in many early companies, this was forbidden. Nijisanji’s background is less open than Hololive, perhaps due to the number and less mass attention, and that leads to stalking being a more adventurous one. One that livers have to deal with more alone, while for Hololive, it’s likely people would catch and perhaps even tar the perpetrator. More attention means more risk with less excitement.

Holohouse also protects aggressive fan behavior by introducing VTuber solidarity. With more offline collabs, the people would know each other more personally and therefore have a ground of contacts in which to alert suspicious behavior. Safety in numbers.

Holohouse also brought us KanaCoco, which was a lesser known pairing until the couple ring story, and now it has become one of three big couples of Hololive, the other two being NoeFlare and OkaKoro. The big three all have a different style of their tee tee. KanaCoco is the type of a longtime buddy. Both Kanata and Coco struggled with familial and economic circumstances, and they are both struggling under the same roof. And within that struggle comes comity and friendship. It’s not love in your typical sense, but it is a type that would lead to marriage and childrens… but the current LBGTQ+ status in Japan is pretty bad, so tee tee and hush hush it is.

In a sense, KanaCoco provides for an excellent cover. It is one of the most inspiring portrayals of woman-woman friendships in media and it would be one of the more enduring aspect of Coco’s legacy as it passes down through the generations.

[Note: This somehow became an apologia of the past week. Well, I do like to show my thinking with my behavior, perhaps to my detriment, so… just be warned.]

For the past week, I was hyping about the fact that Gura passed Kizuna Ai to become the most-subscribed VTuber. And I made the point, not through immaturity, but because I realized this coincided with Coco’s graduation. Without Coco, there wouldn’t be Hololive English, or Gawr Gura, and therefore this event would not have happened. This, therefore, was one of the last great accomplishments of Coco. An indelible mark of her foresight and perseverance. A realization of her plans. So, in a sense, this was one of my ways of celebrating Coco’s career, albeit in an admittedly twisted way.

But beyond Hololive English, there was the famous Meme Review, which has a weak lineage with the early meme review series from PewDiePie. Now for the digression, whoever ends up at the top gives us a flavor for that specific era, since one naturally assumes success means finesse and would try to emulate the style. Vlogbrother’s visual style and mannerism was largely lifted from Ze Frank. PBS Idea Channel famously emulated Ray William Johnson’s background to his own ends. And Kizuna Ai was famously inspired by PewDiePie at several points in her career. Which is why PewDiePie’s Congratulations felt right as a tribute. One of the big shared characteristics of the two was the lonely years at the top. PewDiePie is probably going to be longest reigning ‘King’ of YouTube for a while (of course, depends on if Cocomelon catches T-Series in due time) and at the time his reign was abnormally long. Most people hold onto the top spot for a year or two, so it felt odd that PewDiePie was untouchable for so long. Similar things must have been raised for Kizuna Ai as well. Many people must have felt that Kizuna Ai just did not represent VTubers at the current time.

So, when competition showed up, of course people were excited. It felt like it was time. I believe PewDiePie’s Congratulations was not a simple diss track, although it’s formatted like one, just due to the culture at the time. So the hypothetical Kizuna Ai version would be extremely light-hearted. The ‘diss’ would be your typical “she’s short”, “she’s hydrodynamic” and so on… it would be clear there is no actual bad blood, and the song would be welcoming of the new era. Era, as I said before, brought on by Coco.

Back to the Meme Review, meme review was great as it centered reddit as the base for the fandom, rather than twitter, which is a horrible platform to bring a sense of communal welcomeness. Reddit is probably the best functional place for stuff like this, even though we all know it has its host of problems that needs to be resolved.

What is the most important stream in Hololive? Well, some people would point to Aqua and Coco’s The Raft stream, which is a poignant encapsulation of a stream. The dramatic counterweight to the other greatest stream in Hololive, Korone’s all-english Mario stream. Aqua and Coco are always the odd pairing, but it could have worked, and it might have been beneficial. Aqua is one of the most shy people in Hololive, and Mio is already busy with Ayame and Subaru, so the best person might have been Coco.

But China. There were two big beneficiaries from China in Hololive, one was Fubuki and the other was Aqua. While Fubuki, in Coco’s last months, famously went out of her way to intertwine herself with Coco to directly redirect her audience, like the mensch she is, Aqua always struggled with her audience retention, therefore played shy with Coco.

Edit: Well, my initial final impression was… what a wonderful finish. The interview portion was well-meant, but honestly a little formal. When the 4th Gen went together, is when the stream turned into something special for me, and the final performance was actually really well-done. Coco went out like an idol, which makes sense. For whatever provocation Coco perpetuated, Coco only did them out of love. And ultimately Cover knew that. Coco’s final month was a warning and a reminder.

Can I talk about all the different tributes lately? In some sense, Usaken Summer Festival is part of this… for an organization that is immensely popular, I just adore how Cover and their talent always has this drive to throw everything and see if it works. I noticed this during Golden Week. Golden Week in Hololive was jam packed. There were great events, Mio’s morning stream was astounding, leading to one of biggest growth spurt for Mio. Miko’s drawing collab was absolutely hilarious, for such a simple and seemingly hastily put idea. One of the people in a forum commented on this and affixed something that left my mind… what did Nijisanji during the same week? Even I was surprised by how little Nijisanji did that Golden week. They barely did anything!

The innovative spirit does give them trouble, more than it is worth, but Cover never really stopped its momentum, even when most other companies would have stopped a long time ago! This is the greatest thing about Hololive and Cover, the most redeeming feature. One that would serve them well. Coco wrote the playing book, let us pray that Cover sticks to them, because the fall of Cover comes the moment they stray.

The Pre-Coco era was about a company struggling to get their idea through. The Coco era was about writing the playing book. So the Post-Coco era will be about remembrance, it’ll be a struggle to keep the memory of what the playing book is. It’ll be about them being Hololive as they become part of the global zeitgeist.

[itsclydebitches]

Any thoughts on the VTuber craze that's only getting more popular? I see it overtaking slowly as it allows more introverted people to do that and become a persona to hide the shyness. I want to do it someday, but would want a female avatar since I like presenting myself as feminine. My voice is very male sounding though so I'm not sure how well that would go.

I’m far from an expert on the trend, though from what little I’ve seen I like the general anonymity of it. YouTube has done a lot to undermine the old school Internet ways of presenting with just an avatar and username, allowing people to more easily separate their personal/professional lives with their online/fandom lives (if that’s what they want). This feels like a nice return to that. The person you’re watching is a VR model and (potentially) a simulated voice, rather than the real person with their real, potentially easily recognized voice and all the real life expectations attached to that. Social media nowadays is all about showing off the “real” you - what’s the point of likes if it’s not attached to a selfie? - but I’m personally a fan of preserving and re-normalizing the trend of people just existing online as virtual images. It’s good for safety, self expression, and, as you say, anyone who just doesn’t want to show their face for whatever other reason. 

So I think that’s great that you plan to get into it! I want to encourage you not to worry about your voice - how you present is not undermined by the voice you were born with and if people can’t accept that, that’s on them - but I obviously realize things are never that simple. Again, I’m no expert, but as mentioned above I’ve heard that there are simple voice changing software that people are taking advantage of. You may want to look into that, see how well they perform, what the prices are like, etc. If it’s something that feels like a roadblock that might be an easy way to circumvent that worry. 

It’s funny you sent in this ask though because I was just watching a vid about VTubers, basically summarizing all the cool avatars you can become for free or commission others to create for you. It popped up on my feed while I was going down a 1:00am YouTube rabbit hole. So I’m looking at all these cute, anime models and my brain goes, “If I ever did something like that I’d still want to be a turtle. Not like... a furry-esque turtle, just a normal turtle bringing you shoddy YouTube content.”

“Hello, we've gathered here today to talk about RWBY Volume 8...”