#i truly had hope

[poorly-drawn-mdzs]

The indescribable tension between an overworked and underpaid smut writer, and his biggest fan hater.

(for @frummpets)

[mobius-m-mobius]

I can rewrite the story.

Loki 1x01 // 2x05

[seawing-vibes]

Happy [Incredibly late] Valentines Day !!! Decided to do a trio of illustrations as I’ve done in previous years of diff forms of love!! Its only 3 but heres the list:

Sundew & Willow -> Romantic Love [They’re a classic! First queer POV’s and impactful ones for me!! They’re sweet together <3]

Qibli & Ostrich -> Familial Love [they are Cousins to me!!! Adopted family who are very protective of each other]

Turtle & Peril -> Platonic Love [Their friendship is so nice to me!! I don’t ship them at all - the heart motif is just used to symbolize love!!!! Also Turtles scales are canonically “as strong as diamonds” so him & Peril can make physical contact without Turtle getting burnt lmao]

[itscherryterry-again]

yea

[themisterhip]

Is angst hours ✌️

[jasonsbruce]

[hoshiina]

pairing: hoshina soushirou x gn!reader (no prns)

request: a reader that keeps messing around w him and at some point they mention they like him but then hoshina thinks theyre just playing... ..but they r not and he doesnt quite get it at first because hes so used to them joking around and then he ends up overthinking the whole thing until reader actually goes up to him to kiss him (or hug him very tight!!!!!!!! or both maybe!!!!!!)

maybe he liked them too but that thought didnt sit right with him because he doesnt believe hes worthy of something like that

notes: mentions the reader's face "flushing", reader is rather lively/outgoing, reader is not a fan of horror and is more a fan of romance, reader is a hoshina stan, one part is inspired by a scene in wakaba no komorebi, omg why are there so many notes I'm so sorry TY FOR THE REQ!!

wc: 2800

A new day, a new chance for you to shoot your shot at none other than your vice-captain of the third division.

You were always messing with him. This ranged from embarrassing pranks a grade school boy would menace his crush with, all the way to borderline hitting on him. There wasn’t a single day you’d forget to remind him he was stunning, and you’d always be bragging about him to the officers in the first division, regardless of the fact that you had absolutely nothing to do with the things you were bragging about. Simply put, you were loud about Hoshina.

Yet, every day, he'd brush you off and tell you to get to work. You didn't let that mind you much though, because you could tell he wasn't actually upset. You liked him unconditionally, and as long as you weren't actually bothering him, you couldn't care less if your feelings weren't returned. Well, you did care, but that wasn't going to stop how you felt for him.

Now, you said all of that, but naturally, you were still scared to just put your feelings out there so you hadn’t actually told Hoshina you liked him. You assumed he knew, but if you said it out loud, you’d have to hear an answer. And that, you were not ready for.

However, you weren’t going to stop messing with him anytime soon. Hoping one day he’d actually fall for you and one day you’d have the courage to properly tell him how you felt.

You were in the cafeteria with the rest of the division, having your breakfast while mindlessly scrolling through your phone, when you saw a post about a new movie in theatres. Immediately your mind went to possibly inviting Hoshina and you scrolled right back up, trying to find out what it was about. Horror. You sighed and continued to scroll. Horror was absolutely not your favourite.

“Oh, is it finally out?” you heard a voice from behind you say— your favourite voice say.

“Would you like to go?” you asked, whipping your head back to see none other than Hoshina Soushirou. Just the sight of him and your heart would flutter. How you loved him. “Together? Us? Just us? You and me?”

“Oh, like we have time to go,” he said.

“Man,” you said, knowing he’d say that. The entire defence force in general had been a lot busier ever since the appearance of so many identified grade kaijus. However, it did make you wonder if that meant he would if he did have time. No, he’s just declining your invitation politely, you’d tell yourself, bringing you back to your senses.

You’ve done this since always, and you do this every time without fail. Whenever a new shop had opened, or a new movie to watch had come to theatres, you'd always shoot your shot— hoping he'd say yes one day. Yes to a date.

Although you were used to getting turned down, it still wasn’t the best feeling. Recently, you've been letting it get to you far more than you used to. Maybe after all these times, the rejection did start to have an affect on you. Maybe you were falling for him even harder recently, or maybe you were starting to hope for your feelings to be returned.

Perhaps a relaxing day at the movies was exactly what you needed. Maybe you’d ask for a day off next week— just to go watch a movie you liked.

So you did exactly that, you filed a form to Captain Ashiro, requesting a day off anytime the next week. Preferably on a Tuesday, because movie tickets were cheaper on Tuesdays.

A few days later, you were called over to her office. You assumed it was just to let you know if you could have your day off and if so, when it was. To your surprise, when you walked in, it wasn't Ashiro but rather Hoshina there, working away.

“Hoshina?” you asked, pleasantly surprised. “I didn't expect to see you today.”

“You didn't?” he asked, genuinely perplexed. “But this is my office?”

“Your office? I thought it was Captain Ashiro’s?” you said.

“It used to be, but I took it over a little while back,” he said. “It's just a lot faster for me to do the paperwork.”

“Oh… I see,” you said, rather surprised you weren't already aware. There was a moment of silence.

“It was rather recently that I had officially started working here,” he said, somehow noticing that you were dejected. Oh, how did he always know exactly what to say? You were never going to get over him at this rate. “Anyways, you requested a day off next week?”

“Um… yes,” you said. Now you felt a little awkward about going to a movie alone, and you really hoped he wouldn't realize where you were going.

“On a Tuesday… are you going to see that movie after all?” he asked and he noticed you stiffened a little, so he immediately followed with, “Sorry, you don't have to answer that. You're absolutely free to take that day off.”

“I am,” you said. Half a lie, because there was no way you were watching a horror movie, let alone by yourself. But you were going to the movies. That was true. “It's been a while since I watched a movie in theatres, I realized.”

“I've never gone alone actually,” he said, imagining you were planning to go alone. “Or are you going with someone?”

“No, I'll be by myself,” you said, but instinctively you asked him out again. It was practically in your subconsciousness to do so. “Unless you'd like to tag along?”

There was a long pause before he said anything, and his unreadable expression only made the silence feel longer. You were expecting a quick rejection again, so the silence was absolutely killing you— you hadn't expected it one bit.

“Actually, I'd like to,” he said. “If that's okay with you, of course.”

You couldn't believe your ears. What did he say? You couldn't have possibly heard that right. What had he said?

On the other hand, he had no idea why he said yes. Why after turning you down all these times? Why now? He had turned down every offer of yours because he knew you were just messing around. You didn’t feel about him the way he felt about you. He knew this because you had done this since the moment you joined, and you couldn’t have liked him back then— you hadn't even know him yet.

But still, he hoped you were serious.

“You're joking,” you said.

“Were you?” he asked. This must be why he said yes. He wanted to know so badly— he was rather exhausted of playing the guessing game with you.

“Not at all,” you said. You thought he had known, but perhaps not. “I've never been. Not for a moment.”

“Then, let's go,” he said with his poker face on, but he was a little shaken. He didn't think you were at all serious, let alone that serious.

“Hoshina, is this a date?” you asked, and you could tell your cheeks were flushed. However, there wasn't much to be embarrassed about at this point, so you might as well have asked before you drove yourself insane.

“Okay…” you said, but you were spaced out. You had no idea what had prompted this all of a sudden, but this was the moment you had been waiting for, for your whole life. Yes to a date.

A date? Was it a date?

“Would you like it to be?” he asked. You had no idea what he was thinking.

“Yes,” you said. “Of course…”

“Then, let's go on a date,” he said. “On Tuesday, at 2pm. I'll pick you up from your unit and we'll go and watch a movie.”

It was yes to a date. A date with none other than the love of your life. You were going on a date with Hoshina Soushirou.

You left the office soon after, thanking him as you left, and you were lost in thought. You truly felt like the world around you had stopped, but at the same time, the time passing was a blur. You thought it’d be forever before your long awaited day, and you’d have plenty of time to calm yourself down and prepare, but it had rolled around before you knew it.

You put on what you personally thought was your best date outfit, but you had no idea if he’d like it. You really hoped he would. Now, you were sitting around, waiting for him to come pick you up. It was still 10 till 2, but he was always ahead of schedule— he hated making people wait, so he was always early. A few minutes later, you heard a few footsteps and some rustling outside your door, and you were pretty sure it was him. You waited for a knock, but it wouldn’t come.

Quickly, you opened the door and it was him, waiting by your door with his phone in his hand, opened to your messages with him.

“Oh,” he said. “Sorry, were you waiting?”

“No,” you said, immediately. “I just finished getting ready. Why didn’t you knock?”

“Well, I’m early,” he said. “Didn’t want to rush you.”

Gosh, you were on a date. With him. You had actually never seen him in anything other than what he wears at the defense force, and as much as you liked that training shirt he had on, he looked so incredibly gorgeous today. And this was just for you. He wore a black corduroy turtleneck, and a simple long coat to go over it. You were still so lost, how had you gotten to this point in the first place?

“You’re stunning today,” he said to you as he smiled a little and you swear you felt your heartrate spike. Did he even know what he was doing?

“Not to mean you aren’t usually…” he said immediately. “Sorry, I never say the right things when they count, do I?”

“No, I thought my heart was going to stop,” you said, frankly. This was the way you always were, there was no point in getting flustered all of a sudden. “You’re gorgeous everyday, but even more so today.”

“Well, I’d have to be glad our date is today then,” he said.

While the two of you walked to the theatre, it was rather quiet. Far more quiet than you usually were. Suddenly, you were so nervous, and there was nothing to say to him. So many questions filled your head but none of them felt appropriate to ask. You felt like the spell would break if you took one wrong breath. You wanted to know why he was here with you today. Why he said yes all of a sudden, why he took a precious day off to go on a date with you, and what he was thinking when he said yes. You wanted to know how he felt about you, or at least how he felt about this date.

“I’ll go get us tickets,” you said, as soon as you got to the theatre. “Please pick a snack and a drink in the meantime, I’ll get the tickets quick.”

“Oh, don’t be silly, I’m getting the tickets, and the drinks and snacks, for that matter,” he said. “Besides, we haven’t even decided on a movie yet.”

“We haven’t?” you asked. “I thought we were watching the movie that came out the other day?”

“What? Why would we?” he asked, genuinely confused. “You don’t even like horror." He pointed at another poster on the wall. "Why don’t we watch that one? Romance is more your type of thing, isn’t it?”

You thought you’d cry. If there was one thing that was worrying you about this date, it was the movie. Horror really wasn’t for you, and you weren’t sure if you could watch the movie without showing it.

“How did you know?” you asked.

“It’s obvious,” he said. “You’ve never asked me out to a horror movie, have you?”

Just how did he notice? “But didn’t you want to watch that one?” you asked.

“Please, I can watch that whenever, on my own,” he said. “I’m here with you today. I’d be a horrible date to make you watch it with me.”

“Thank you,” you said, starstruck. “At least, let me pay for it then?”

“No way,” he said. “I’m taking you out today.”

“No, I asked you out,” you said.

“Don’t care!” he said and went off to get the tickets and snacks.

You were in love with him, and you were going to tell him. You were sure he knew, but you had to tell him properly. It wasn’t even that you were hoping for him to return your feelings, you just wanted to tell him.

You thought you wouldn’t be able to focus on the movie at all, but you were, strangely enough. You were watching a cliche romance movie that couldn’t possibly be about you and Hoshina, no matter how much you tried to stretch the narrative, but you loved it. It was a sweet movie, a type that you've always loved, and you were watching it with the one you always loved. You couldn’t be happier.

So as soon as the movie was over, you went for it.

“Hoshina, I love you so much,” you said, and kissed him. On the lips.

His eyes were wide and his cheeks were faintly flushed. You weren’t expecting that, not even for a moment.

“You’re serious?” he asked.

You were confused, did he think you were playing around all this time? “Yes, of course,” you said. “I’ve loved you for forever.”

“Since… when?” he asked.

“Since the day you saved me, 3 years ago,” you said, immediately. It was like you had waited all your life to answer this. “You definitely don’t remember, but I remember like yesterday.”

He wouldn’t reply, but he was still looking at you surprised, so you continued on.

“I thought I had told you this actually. Not the part that I liked you, but the part that you saved me. I joined because of you, Hoshina,” you said. “Yes, you’re my vice-captain and the love of my life, and I’m one of your officers, but you were my hero and I was your biggest fan for all this time.”

Something in him shifted. It felt like someone had woken him up from a weird haze, and showed him how much colour there is to the world. You joined for him. Not for Mina, not for Gen, but him. To you, he was a hero. To the one he treasured most, he was irreplaceable.

“I love you too,” he said, with the softest smile you had ever seen from him. He was serious, you could tell.

“No way,” you said.

“I do,” he said, but he could tell that you were a little skeptical, or at least puzzled. “I love the way you work hard, the way you joke around, but actually care so much. I love the way you give everything your all. I love the way you always smile when you see me— it makes me feel so special. You make my day, absolutely every single day.”

It took everything in you to stop yourself from sobbing, but that made Hoshina laugh. He kissed you this time, and tears rolled down your cheeks anyway.

Wiping your cheeks with the pad of his thumb, he kissed you on the forehead.

“I absolutely adore you.”

BONUS:

Later that day, you were going to open up the one cardboard box you still hadn’t unpacked. The one filled with your posters and merch of Hoshina you had collected through these years. You were hiding them, because you thought it’d be a little too weird if you had those just hanging around, but finally, they’d see the sunlight. You would never have even imagined this day when you had those in your room, dreaming of him. If only you could tell your past self— just how thrilled you would’ve been. Well, not that you were any less thrilled now.

The next time Hoshina came to visit you in your room, he was utterly flustered, it was absolutely adorable. He couldn’t believe people actually bought the merch they sold of him, let alone put them up— and in the room of his loved one nonetheless. But he’d be lying if he said he didn’t like it, because it made him so incredibly happy.

He was thrilled that you did, in fact, love him the way he loved you.

[moeblob]

We don't talk about how long ago I started this haha (there was supposed to be more parts but let's worry about that later).

You should roast Sampo all the time as a Belobog citizen duty.

[xxplastic-cubexx]

chat if i may speak

[weaver-z]

Okay. So a lot of Catholics seem to think that gay sex is a sin because it is performed without the intent of procreation. Thus I give you the worst theological conversation starter of all time: is gay sex still a sin in the omegaverse equivalent of the Catholic church?

[myrquez]

rewatched today’s press conference at least 3 times to analyze and scrutinize the every tiniest bit of movement in their eyeballs and the funniest shit to me was the immediate, silent stare marc and pecco shared as soon as the journalist asked the question ( “who would you chose between marc and jorge as a teammmate” ) while also totally forgetting about jorge’s existence

pretty boy was like the fuck should I say now?

and marc’s chaotic ass was just.. ENJOYING. thriving, even. psychological warfares and such, lemme see if you know how to play this silly game bag-naia

and then there was jorge. standing in the middle of the asylum just having the most silent, discreet hysterical breakdown ever, side-eyeing pecco at every given opportunity with some of the cuntiest headtilts ever known to mankind which in my eyes screamed im fucked bc nobody was actually paying attention to him

[alicenpai]

i love...wanpee...........🍊🍶🧡💚

[hauntingofhouses]

We all already know Mizu and Akemi are narrative foils. But you know what? Lemme just say it, here's what I think:

Taigen and Mikio are foils.

Not necessarily to each other as individuals in the way that Mizu and Akemi juxtapose each other, but mostly in the contrast between their relationships with Mizu.

I've covered specific parallels between Taigen and Mikio in other posts I wrote; but as the number of parallels I'm noticing between them keeps piling up, I'm compelled to just compile them all in one post. So! This is, thus, the post in question.

First of all, let's look at their similarities.

1. Their status in society is the same. They are both samurai who lost their honour and have dreams of reclaiming it.

2. They are also both diligent as they strive to achieve this goal, they both care deeply about their work, but here as they begin to contrast, as the work in question and way they go about their goals is different:

For Mikio, his work is in taming and rearing horses; in order to prove himself, he must tame Kai—a willful and strong horse—and present it to his lord. For Taigen, his work is in sword fighting and martial arts; in order to prove himself, he must kill Mizu—a willful and strong swordsman—and present her dead body to his lord.

In the parallel above, not only are Taigen and Mikio contrasting each other, but Mizu and Kai are placed in comparison as well. And of course, Kai is Mizu's horse, and represents her. Which is why, when later, Mikio sells Kai off, it represents the way he is tossing Mizu (and their relationship) aside.

From there, the rest of the details of their character begin to contrast and juxtapose each other more clearly. So let's look at those differences, shall we?

Their backstory:

Mikio was a great samurai who was banished. A somebody to a nobody. Taigen was a fisherman’s son who rose to the top. A nobody to a somebody.

2. The first time we meet them on-screen:

Mikio is an adult. An older man. Mizu's superior in age. He is Mizu's to-be husband. A love interest. Taigen is a child. A young boy. Mizu's peer in age. He is Mizu's bully. An antagonist.

3. Their maturity and growth:

Mikio is mature, but stuck in his ways. Taigen is immature, but capable of changing and learning.

4. Their overall attitude:

Mikio is generally relaxed, easy-going and unfussy. Taigen is uptight, irritable and severe.

5. How they talk to and conduct themselves around Mizu:

Mikio is aloof, soft-spoken, and serious. Taigen is obnoxious, brash, and sarcastic. Mikio is quiet, speaking only when spoken to, even when Mizu turns to smile at him and shows openness to be near him. Taigen is loud, talking while others are silent, even when Mizu turns from him and shows no interest in conversing with him.

Mikio doesn't show much of who he is to Mizu throughout their marriage, despite their growing affection. Taigen openly shares his traumas and life story to Mizu during their brief alliance, despite their mutual antagonism.

6. Their external vs internal selves:

Mikio is calm, gentle, and considerate on the outside. Taigen is hot-headed, rude, and selfish on the outside. Mikio is cowardly and deceitful on the inside. Taigen is brave and loyal to a fault on the inside. Mikio tells Mizu that he wants to know and see all of her. But he scorns and betrays her, the woman he loves. Taigen tells Mizu that he wants to duel and kill him. But he endures torture to not betray him, the man he hates.

9. Their hair, a symbol of their honour:

Mikio's topknot is untied by Mizu during their spar. This humiliation occurs in private, the two of them alone in a rural location where no one can see them. Taigen's topknot is cut off by Mizu during their duel. This humiliation occurs in public, the two of them being watched by many others in the Shindo Dojo.

10. Their power dynamic with Mizu:

Mikio believes he is Mizu's mentor. He teaches her to throw knives, how to ride and care for horses, and about the tactical benefits of using a naginata. Taigen believes he is Mizu's equal. He views Mizu as a samurai like himself who received all the same teachings he did, and who possesses the same values.

11. Their perceptions of Mizu:

Mikio sees Mizu's feminine side first. He sees her as sweet and gentle, but also clumsy and incompetent. Taigen sees Mizu's masculine side first. He sees her as terrifying and deadly, but also strong and skilled.

12. The way they approach sparring with Mizu:

Mikio only spars with Mizu once. As the fight progresses and she is beating him, he tries to put a stop to it. When she teases/provokes him, he starts taking the fight personally and seriously, finding no enjoyment in it. Taigen spars and brawls with Mizu all the time. No matter how many times Mizu beats him, he doesn't back down. When Mizu challenges him with a chopstick, he is eager to compete with her and gladly rises up to the challenge.

Mikio and Mizu's one and only spar is a friendly match; Mizu is smiling and having fun while he grows increasingly frustrated. Taigen and Mizu's last-seen spar is a playful wrestling match; both him and Mizu are having fun and laughing.

Mikio cannot deal with Mizu being better than him, so he scorns her and walks off, avoiding her thereafter. When Taigen cannot deal with Mizu being better than him, he follows her to observe her moves and continues training in hopes to eventually beat her. After being bested by Mizu once, Mikio leaves her and sells the horse he'd previously gifted to her. After many times losing to Mizu and fighting alongside her, Taigen commends her and admits she is better than him.

13. When Mizu pins them down in a friendly spar:

Mikio sees Mizu's whole face objectively. Taigen stares at Mizu's mouth and eyes.

Mikio gets angry when she kisses him, throwing her off of him and snapping at her, calling her a monster. Taigen gets aroused, apologising, so she pulls herself off of him.

14. Mizu's blue meteorite sword is a reflection of her soul. She believes most are undeserving to face it, let alone hold it. And on that note:

Mikio is the first person (chronologically) that Mizu fights against using her sword. Taigen is the first person (we see on-screen) that Mizu fights against with her sword. Mikio is the first person (chronologically) to ever hold her sword, as she passes it to him, letting him wield it. Taigen is the first person (we see on-screen) to ever hold her sword, as she passes out, and he picks it up and carries it for her.

15. Then, last but not least, in Fowler's fortress, when she is drugged and in pain, she hears Ringo's voice in the dungeon. She then follows it to an open cell:

Mizu first sees Mikio as a hallucination, the sight of him haunting her and causing her to lose her grip on reality. Her eyes glow a surreal blue to represent this. Her Mama appears then and says Mizu's name accusingly.

Mizu then sees Taigen, but he is real, the sight of him a relief and grounding her back to reality. Her eyes return to their normal blue colour to represent this. Taigen looks at Mizu weakly and says her name softly.

Then, later, when facing Fowler, her revenge awaiting her, she instead chooses to follow her conscience (represented by Ringo's voice in her mind), putting aside her vengeance for a time, in order to save Taigen.

So that's basically all the ones I've noticed so far, but even then, I feel there's already so much that forms a contrast between these two.

What makes it especially incredible about these juxtapositions is that Mikio was Mizu's husband, the man she had fallen in love with, the one person she had ever been intimate with, the man who made her begin to accept herself, to put down her desire for vengeance and instead live a life of peace and happiness.

So for Taigen to have so many parallels with him... Do you see what I'm saying here!

Not to mention that Mizu clearly already has some burgeoning attraction to him, as indicated by how she thinks of him when asked about her desires. And Taigen clearly has shown interest as well (see: him getting a boner after their spar, him holding her hand and telling her, "We're not done yet.").

And on the topic of speculating future possibilities of this relationship, this post by @stromblessed has pointed out yet another parallel between Taigen and Mikio:

Mizu promises Taigen to meet him for their duel in autumn. Mizu fell in love with Mikio and duelled him during autumn.

With all that said, I do believe Mizu and Taigen's relationship is definitely hurtling towards something. But whether they will actually end up together in a sustainable relationship and have a happily ever after? Well, that is a whole other story; we'll just have to wait and see.

[chrliekclly]

‘i used to put... uh-- pebbles in there and i could fire them, like, right at charlie��s eye”

[poorly-drawn-mdzs]

Call that a Cave Story.

[First] Prev <–-> Next

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)