The ending to BG3 is sloppy, rushed, and underwhelming. if burnout on this game hadn't already lead me to decide not to replay it again anytime soon, that nonsense ending would have been the nail in the coffin. instead, it just convinced me I have no interest in replaying this again ever
BG3 is a fun game to play, but not a fun game to finish. I like finishing games
thoughts on the nonsense ending (major spoilers):
I chose to free Orpheus because I was romancing Lae'zel, and even without that I really like the Githyanki and was pleased to participate in any action leading to Vlaakith finally dying (she's overdo). On the other hand, I didn't outright disobey The Emperor until that moment (I even did his sex scene, which is hindsight was such an obvious manipulation)
Consequently, The Emperor seemed like a suspicious and untrustworthy ally for the entire game right up until he decided to ditch me and... fight for the Netherbrain?? You know, the thing we were working together to fight this whole time??
there's no attempt to rationalize his actions. the game needed to punish me/pay off for me discovering this 'ally' is actually not one, but his actions in that moment don't make any sense. the most logical thing would have been to say 'since you're freeing Orpheus, who will want me killed, my only options now are to die, run away, or be subjugated by the hive mind again' but he doesn't say that!! he seems to be saying that he's joining the Netherbrain cause of his own volition, and during the fight (which also includes a subjugated red dragon... for some reason?) The Emperor does not indicate that he's subjugated or that he's joined the hive mind. he's just here to be petty!! i guess!!
Once free Orpheus says the netherstones can only be wielded by a mindflayer...........? for some reason? for plot railroading reasons. Not like Netheril or Karsus were mindflayers, or even abberations at all. not like the Dread Three weren't wielding the netherstones separately just fine (for a time)
so sure, I'll allow that it has more to do with the brain itself having 'evolved' (thats not what that means) and trying to wield all three stones against it at once. but why a mindflayer?? why specifically the one type of being most vulnerable to an Elder Brain's influence??? why can't Orpheus, the one being in the world that we know is naturally immune to mindflayer and Elder Brain manipulation, wield the stones as-is??
plot reasons. because.
because I need to be made to make a Difficult Choice here in the eleventh hour; either Orpheus dies or I do. because, sorry, being turned into a mindflayer is not a 'transformation' its a death. I love mindflayers I think they're a cool enemy, but The Emperor was not Baldur. he was a mindflayer whose first victim, whose first memories he obtained, was Baldur. maybe this is a fault in me being a GM and knowing too much about the mechanics of this world
except that Withers himself literally appears out of nowhere to make sure you know that mindflayers don't have souls! way back at the end of Act 2! there was no point to that other than to make sure the players knows how this bit of the world works: a mindflayer is like a robot made from a dead person's brains. it might act and think like the dead person, but the person is dead.
I actually saved, and had Orpheus transform, and saved that as one branch, then reloaded and took the transformation myself, and played through the rest of the ending on that branch. I transformed, we saved the city (mostly), my girlfriend told me she thought I was ugly but she loved me anyways and would overlook it, then I told her to go save her people and after she left I killed myself
I'm glad I at least got the chance to kill myself because otherwise there were almost no narrative consequences for letting my brain get eaten and my corpse transformed into a monster. allies were like 'its weird, but youre awesome! huzzah!' even Orpheus says 'you'll be remembered fondly as the mindflayer who withstood the hivemind' until I specifically told him not to remember me that way (I'm only a mindflayer because you told me I had to be one!)
there were like 7 options for that final choice on what to do about yourself. options 1-5 were variations of 'sure I'm a mindflayer now but that's not a big deal! not all mindflayers are evil!' option 6 was 'they probably shouldn't trust me, i should be in prison.' option 7 was 'the narrator is literally telling me I can already feel my sense of self slipping away. I know what Baldur turned into. I know what mindflayers do. I need to be dead, for everyones safety'
I wish someone else could have killed me. it would have been so heartwrenching to have Lae'zel kill me but I would have loved her for it!
then Karlach burned to death and I got no other scene for literally any other companion and roll credits
nothing. for anybody. poor Karlach is dead right now, we gotta rush and get this product out for shipment, we're spending more money on the overloaded graphical effects and textures than we are paying the line-writers and voice actors
like, you didn't play this game for the ending, dear customer, did you??
I truly think Larian did an amazing job for what they were asked to do, and I'm very curious about their other work. but it feels sometimes like game devs spend so much time making satisfying middle-game experience that they really drop the ball on end-game experience. I dont know if they fell into this trap because they were working with a major IP with not enough creative control, or time, or resources, or if even with better circumstances they still wouldn't have put much effort into trying to stick the landing
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God installing mods was both the best and worst decision ever because now I am sitting on 7 fucking playthroughs
Here's the list:
Nimue (Durge; High Elf; White Draconic Bloodline Sorcerer) - Romancing Astarion
Raven (Lolth-Sworn Drow; Swords College Bard) - Probably romancing Minthara
Ez'ria (Githyanki; Great Old Ones Warlock) - Romancing Lae'zel
Bea (Half-Drow; Necromancy Wizard) - Romancing Gale
Lusine (Mephistopheles Tiefling; Paladin of Selune) - Romancing Shadowheart
Fortuna (Fairy {Modded Race}; Lore College Bard) - Undecided, maybe Astarion
Elrayne (Seldarine Drow; Light Cleric of Eilistraee) - Romancing Karlach
My preference for white-haired women strikes again woops (also my preference for Elves/Elf adjacent specially Drow. 5/7 (I count Fortuna cause...Fey) of these ladies are Elven just different flavors kjfgbjkgb)
I won't make them all into OCs no matter how much I kinda wanna because handling this many would be insanity.
Besides Raven and Nimue some have a bit more defined backstory than others though.
Bea is just a goofy necromancer lady who is maybe a little bit of bimbo and also trying so hard to ignore the way everyone stares at her with suspicion all the time. Also her friends are skeletons. She has no actual friends. She's an orphan and she just went ":D here's my skeleton undead friends-" cue some woman screaming in horror and she's just confused because she just wanted to show her friends :(
Fortuna left the Feywild many years ago to become a Tymora-worshipping (because Fortuna went 'You're Lady Luck? Obv Imma worship you! I vibe with you so hard!') bard in Baldur's Gate who is living her best life and is uh. EXTREMELY pissed about being implanted with a Mind Flayer tadpole. You know how Dolly Thrice throws a fit when you don't free her? Yeah. Yeah Fortuna is basically like that.
Elrayne was born on the surface and highly sheltered in a Eilistraean enclave so she didn't really understand the reality of how Drow are viewed and what other Drow have done until she hit maybe like 50 years old and she was kidnapped and tortured for being a Drow before being rescued, which is where she got the scars she has currnely (mind you she is at least 200, I hear that its only in the last century treatment towards Drow has gotten a LITTLE better, but apparently during BG2 Viconia was literally gonna be burnt at the stake for being a Drow so UH). And later on when she went on her first undercover mission in the Underdark when she was 100 and got found out and its where her eyes were damaged and the mask she wears is basically a magic artifact that lets her see better. She's not totally blind but its really hard to see without the mask. She hasn't gone on any undercover missions since but she HAS still traversed the Underdark many times to help Drow who do want to be better. She's basically in a really bad position where she tries really hard to show others Drow aren't evil and is just trying to do good but when so many of her race give a horrible rep to them and she faces all sorts of discrimination she's having doubts in Eilistraee's goal and wondering if its really worth all the suffering as even whilst she redeems one or two Drow every so often there are thousands of other Drow. And just a few bad apples can spoil the bunch you know? And changing the surface's mind isn't easy.
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After seeing it everywhere on Tumblr, I gave in and gave the Phantom of the Opera movie a watch and like....what I knew about this before going in basically blind was that it was the love story between a woman (didn't know much more than this) and a disfigured man in a mask that lived under an opera house who may or may not be a real ghost. Every AU, every rendition, every person talking about this story hammered it in my head that the main love interest was the titular character.
So imagine my surprise when I watch the movie and he isn't. Let me be clear on one thing, I'm not an "anti". I don't necessarily think toxic ships are bad. But quite honestly I don't see the romance with the phantom at all. He's an antagonist more than a love interest. She's pretty consistently infatuated with - and later engaged to - Raoul. She cares about the Phantom because she believes he's some sort of supernatural apparition, either an angel or, in some form, the spirit of her dad coming back to guide her. I never see her having any fondness for the phantom past the fact that she's projecting parts of her dad onto him.
That said, I haven't read the book or watched the stage musical (but I think it should be pretty similar to the musical movie? The songwriter was the same person if I understood correctly).
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