There's a lot of validity in the idea that older Bakugo is a traumatized pro-hero with major PTSD... but you know what's kinda fucked up to think about? The fact that Bakugo is also a 22-year-old pro-hero with major PTSD even before that, too.
It's almost easy to imagine that things are actually better when he's older (the therapy finally a routine, the trauma long set and on the path to being healed)... and that it's his whole 20s that are spent as a pool of disaster trying to recover from the war(s).
He looks back and barely even remembers being twenty, much less twenty-five or twenty-seven. Barely remembers how little he slept, not at the hands of trying to balance hero work and getting a degree at the same time, but just out of the pure insomnia that came from trying to move on and every nightmare attached.
Hardly ever showering, never shaving (not that he ever grew much of a beard, but the facial hair was definitely there. There's pictures of him on the news with an awkward, grown out haircut and patches on facial hair that make him look positively... immature), barely even eating more than a few protein bars or an energy jelly drink-a day. It's a blur, and his friends are hardly there to pick him up out of it because they're all going through it, too. Somewhat.
It's definitely weird if you meet him during this period. He's not all there, at least, not all of the time. He doesn't really register your interactions, the friendship you extend to him (a younger, or ever older, version of him would've shown you that deep seeded ferocity in response, tried to bite the hand that fed him, even if it were love... but 20s Bakugo... doesn't seem to notice). Even though only one of his eyes is clouded over, the good one never seems to brighten up.
There's definitely moments when the old him shines through: when he's with Deku, when he's in the midst of battle, when he finds out that Todoroki still does a shitty job at chopping scallions. But it's a long time before he's even close to the same, able to step out from underneath the fog of simply surviving and into the sunshine of recovering.
But I think sticking through it with him is worth it.
(It's a weird moment, a happy moment, the first time you realize that Bakugo has changed. That the pouring rain outside hasn't bothered him since he showed up at your apartment. He forgot his umbrella, he's been quite careless ever since the war—wet and shaggy hair frizzed up, cheeks red from cold—but he doesn't seem to mind, with his bare feet up on your coffee table, his eyes gazing out the window. You hand his tea, and instead of gulping it down in one go, letting it burn in his throat, he winces at the heat.
"Tastes like shit," he says, and you laugh because it always does. Just this time, he noticed.)
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Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡
So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.
At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.
Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.
I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.
So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.
If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.
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So like, mini disclaimer before the post. I was not and am not a believer in the "Sonic is going to be forced to choose between his original friends and the shatterspace variants" theory, nor the companion to it "all the variants are just gonna essentially live with their memories inside the og friends' hearts"
However, I do have brainrot over the idea of Nine meeting Tails in his dreams, and some of these ideas require a prerequisite of "in which Nine exists within Tails' heart but does not currently have a body.
ㅤ
Imagine, if you will, a setting post canon in which the variants exist within the hearts of the original and (kingdom hearts style) they would just need a body/vessel of their own to exist again. Tails is sleeping, and after dreams upon dreams of meeting the variants, experiencing their fleeting memories and their hurt (their feelings about everything), he comes across Nine.
Nine... Tails has had a hard time remembering much of his dreams while awake, but when he's dreaming, he remembers that Nine has been perhaps the angriest and most conflicted of all the variants. All of them want to be alive, of course. Tails wouldn't be surprised if *all* of them have been parsing through his own memories in exchange for sharing theirs.
But none have been so volatile as Nine, harder to reason with. The others at least face him more often than not, but Nine has directly done so few times.
But...Tails can't blame him for that, especially not after what he knows. He understands how Nine likely feels (abandoned, lonely, forgotten). Perhaps he wouldn't be so agreeable either if he fought tooth and nail for a better future, and the universe denied him that (nay, punished him to watch but to never have).
But tonight...
Nine is standing under a palm tree, facing the vast ocean past the beaches of Green Hill. Tails takes a few steps down the hill he's on, and soon enough he's standing off to the side (dream logic, he understands)—where he can see Nine from the front, but isn't standing directly in front of him or obstructing his view.
It's at this moment that Tails realizes he's never seen Nine so clearly before. The tips of his ears, to his permafrown, to his 7 mechanical tails, and down to his shoes. He's fought the fox before in his dreams, seen glimpses of him, but this is the first time he's had a chance to really see him.
Nine turns his head away from the sea, and suddenly Tails is beside him, mere feet away.
Tails opens his mouth, a dozen questions and sentence starters flying through his head. What eventually comes out is just a simple, "Nine?"
Nine smiles at that, and yet...Tails can tell almost instantly that it's not because he's happy or excited to see him. No, the smile is almost...accepting, if not a little bit sad.
Then, Nine sighs. "This could have been the other way around, but...it has to be you."
Tails hesitates for a moment before pointing at himself. "...Me? Why?"
"There are so many people connected to you—all of you, if my hypothesis is correct. It often is. You're me, so...you can feel what I felt. You could...feel how I feel."
And maybe it's true that Tails can feel what Mangey, Sails, and Nine are feeling, but all that proves is that one is affected by the presence of others residing within their own consciousness.
Tails shakes his head. "No. You're you, not me."
There's a moment of silence before Nine chuckles, and Tails continues, "I want you to know that you deserve to live as your own person, just as much as I do."
"Every time we've fought—here—I've asked you the same question. Do you remember it?"
Well, of course, Tails finds multiple questions as he tries to think back, but by keeping the terms of Nine's question in mind and employing process of elimination–
Nine turns back to the sea, squeezing both gloved hands into fists at his sides. "I was angry—among other things. I just couldn't understand why I was here. After everything I'd fought for, everything we'd been through together, I couldn't understand why he chose you. And every time I asked, you never gave me an answer."
Nine's right. Tails has never given him an answer to that question.
But to Tails...that question was never his to answer, at least in his opinion. Unless Sonic told him, Tails would never know why he put in for him, Amy, Knuckles, and Rouge over worlds of new friends. All he does know (straight from Sonic's own testimony) is that Sonic would have never made the choice he did had he known it would lead to all this. Sonic had wanted home, Tails, and all his friends back, but he never meant to erase the other worlds. Even as he tries to pretend otherwise, Tails knows Sonic has been beating himself up for the choice he made ever since.
Shouldn't Nine know that—that Sonic didn't mean to hurt him, that Sonic feels regret, that Sonic wasn't intending to choose between one or the other?
"Nine–"
"Save it," Nine says, cutting him off. "It doesn't matter anymore. Sonic made his choice, but you still have that chance."
Nine turns back to Tails and holds out a hand.
Tails looks down, then back up at Nine. He hesitates for a second, but ultimately takes Nine's hand.
Tails is an observer, a spectator without form, as memories begin to play out before him in quick succession. Despite the lack of form, somehow his head begins to ache in pain that only grows over the moments.
And then, he begins to notice a pattern in the memories shown to him. Despite the pain, he recognizes the clear shift since a certain blue hedgehog—Sonic, of course—saves Nine from being hit by a train.
Each and every memory, if Sonic wasn't centered or mentioned in it, then his palpable absense was the focal point. Nine fought him, he worked with him, he almost lost him, he thought he lost him, and then he fought him again.
Nine had spent most of his life lonely, though he hadn't realized that until his life was almost over.
A waterfall of emotions hit him then, just before the highlight reel crackles into black.
And then, Tails is standing beside Nine again, head pulsing and heart pounding. He can hardly remember what he's just seen, and that waterfall of emotions seeps through his fingers as he tries to catch them, to study them.
All he knows is that he understands. Somehow, he understands why Nine feels the way he does. Now, more than before, he understands why Nine is hung up on Sonic the way he is.
Perhaps, Tails thinks, he understands how it feels for Nine to be with Sonic (and without him) far more than anyone else.
Tails musters up a look of determination as he stares into Nine's eyes, and he squeezes his hand. "I'll figure it out. No matter how long it takes, I'll make sure you—you, and Sails, and Mangey, and the rest—can walk along the beach. You don't deserve to sit here and watch like this. None of you deserved to have your lives taken."
And Nine... Nine smiles, like he just can't help it. "Don't you see? That's why it has to be you."
There's a feeling, an almost indescribable feeling, that strikes Tails' heart at that.
"I promise," Tails says.
And then, he’s sitting up in his bed, breathing deeply.
As he makes himself get up, get ready, and rush into his lab, there's little he remembers from his dream as always.
But he knows what he has to do.
I'll make sure of it, Nine.
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