#i will be alright film

[beef-unknwn]

My Operetta redesign! I cooked here I think 💥

(some design notes under da cut☝️🤓)

The Dies Irae (at least the first four notes) is referenced in these four prominent blotches! (shitty visualisation) (and yes! I gave her five linear scars to reference music sheets)

And this schwoopy hair thing is supposed to look like a treble clef but i probably didn't make it obvious enough oopsies 😐

Anyways I love bitches with facial deformities that are LOUD and UGLY 💖

[nails4breakfast-tacks4snacks]

A clockwork Orange

Stanley kubrick-1971

[nicoscheer]

Serpico (1973)

like seriously fuck you Miles for doing this

The post

[teachyouhowtodothesponge]

A while ago I bought the phantom toll booth movie. Well, now I'm doing some goofy art of clips from it!! Please enjoy!

[mothalas]

death by a thousand cuts goes so hard for what reason

[loveaetingkids]

“An antagonist with daddy issues who later on alignes with heroes” trope my beloved(ver 2)

[squishosaur]

hey man. i'm just saying. why would we put inexperienced teenagers with over-inflated egos and obvious emotional issues into combat classes and make them claw their way to the top of their dorms and expect things to just run smoothly. who actually thought this

[sweetlullabyebye]

Moonjo just filming Jongwoo out of nowhere was so unhinged like dude you already stalk him spy on him in his bedroom have a printed picture of him you did NOT need to take a video of him too

[ladsofsorrow24]

reitoka-sōdanjo

[eightyfours]

YOU'RE ALRIGHT, LARUSSO! GOOD MATCH.

The Karate Kid, dir. John G. Avildsen (1984)

[oatbugs]

Jack Marsh (2005), Friendship Otherwise - Toward a Levinasian Description of Personal Friendship

[yellow-faerie]

Just trying to sleep but thinking about a Hiccstrid accidental marriage au instead <3

[scatterbrainedart]

🎵 As the shrike to your sharp and glorious thorn 🎶

It makes sense if you squint ok trust me

[writer-room]

I don’t think I’ve ever seen any type of media so clearly portray how my writing changed before and after I realized I was queer like Nimona. ND Stevenson’s work is just so familiar it pains me in an absolutely incredible way.

Plenty of people point out the differences made between the comic and the movie (and loving both regardless, of course). Most of them mention how the movie has a happier ending, its portrayal of its messages has shifted slightly, and its way more obviously a queer (especially trans) metaphor. I don’t know if any other writers had this happen, but if I had to describe how my writing changed from tiny little twelve-year-old me to the current day, I’d just point in the direction of how Nimona changed from the comics to the movie. It’s alarmingly similar.

Its all just...dripping with coming to terms with ones queerness. Not just from the plot, but from its very existence as a film. Its an evolution of growing up queer. The end goal, the base message, remains the same, even if the methods getting there are different. Because what someone made when they were twelve and had no idea what they were going to turn into and what they made as an adult with so much that changed, and so much left to change, are going to have so many different methods.

How Nimona was born the way she is, how the story changes from a corrupted core with no happy ending to being about ending that corruption and coming out okay, how Ballister’s grudges and issues with Ambrosius changed, all of it is just so indicative of changes made throughout ones life where these tiny little details are tweaked into something new, but still fundamentally the same story at its heart.

Even if this is just a me thing, I didn’t realize how excited I could be at seeing so much familiarity in a film. Good lord, I need to watch this movie again.

[rainymoodlet]

Kiss Me in Komorebi+ 🌸

[Ep. 16] The Beach Episode Spa Arc

[ Part 9 of 15 ] 🌹

@bionibots