#i wrote this in another posts tags but:

[fairy-ganj-mother]

finally created my own little world, goodbye

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[coddda]

Light's relationship with his father is such a heartbreaking multi-faceted tragedy to me I hate it so so so much.

Soichiro loves his son so much, and while he's certainly not a perfect father I know that he cares deeply about Light. He wants to prove Light's innocence so badly but he can't let go of the underlying doubt that he might really be Kira and it gnaws at him. He does not know that from the very beginning he was being used by Light, whether it was to obtain information about the investigation, or to get to L, or to strengthen the foundations of his own lie that he wasn't Kira, this entire time he was simply another resource. He'll hang onto this doubt for years, even after L is dead, even if he doesn't express it in the latter half of the series, until he himself is on his deathbed, with what he believes to be undeniable proof that Light isn't Kira. (It's a lie, of course.) He dies happy, but it's on the foundations of blissful ignorance. His own son brought him here, brought him to the point where he had to sacrifice half of his own remaining life span, to his own death march, and was still trying to use him even now to kill someone else, but he doesn't know that. Soichiro said that what was evil was the power to kill others, and that whoever used it was cursed. Light was that cursed man, of course, and he tried to bring that curse onto Soichiro too by making him kill in his last moments. Soichiro was happy regardless, because he didn't know. He'll never know. (In the manga/anime at least. More on that later).

Light loves his father but it's not enough to turn him away from the terrible decisions he's made, if anything it only fuels them. His idea of "justice" is a twisted model of what he parroted from Soichiro, and he uses his father as another pawn (and a powerful one at that) in his plans. If he can prove that Kira is justice then perhaps his father will no longer call Kira, and therefore Light, evil, so he just needs to ensure that Kira becomes justice, right? It's Light's own actions that land his own father in the hospital for a stress-induced heart attack and yet he says only a few minutes later that he's the happiest he's ever been in his entire life. Even after Soichiro denounces Kira by calling him evil, even after he calls the Death Note's power evil, even after he unknowingly tells Light that he is cursed. When Soichiro dies Light is too deep in his own plans to actually properly process the fact that his own father is dying past what it means for his goals, but at the same time he still cares enough that after the fact he'll genuinely cry, only to brush it all away later. (Personally, I don't have a single doubt in my mind that Light's crying in that scene was genuine and I Will die on this hill). Soichiro had unknowingly denounced Light one last time just before his death, openly relieved that he "wasn't Kira after all", which also reveals that he has had doubts about Light this entire time, even after L died. By the time he's caught at the Yellow Box Warehouse Light will have denounced his father too, seeing him as someone who was made to be a fool, someone who was naive, even, too earnest for his own good. He won't realize that part of this description of his father might have applied to Light himself, back when this all started. Light takes after his father so much in so many ways already, so why not in this way too?

Ough. And honestly the other adaptations never miss out on this tragedy either, and I love them for that. (spoilers for the musical and 2006 live action movies I guess?)

In the musical we see Soichiro express his doubts and conflicts about who to believe, Light or L, if the son he raised really is a murderer, if everything he knows about him is just a lie. Like, there's an entire song about this, and you can tell how torn he is about it all, how badly he wants Light to be innocent but about how he also needs to face the truth no matter what it is, but at the end of it all he doesn't even get the answers he wants. At the end of the musical the only thing he finds is two corpses, Light's and L's, with no answers. No last words, no closure, only dead ends and a dead son and a grieving daughter. It's so awful I hate it here.

And the live action movie is fucking Insane. Like, wow. Okay. (Spoiler for the ending of Death Note The Last Name I guess) In the 2006 movies/novels Light writes Soichiro's name in the Death Note himself, and it's such an inconcievable move that it leaves even Misa shocked; Light tries to make Soichiro give him the Death Note for the last part of his plans, seeing his death as a "necessary sacrifice" (insert tangent essay about why I think 2006 live action movie Light is actually the most "coldhearted" Light Yagami, despite how infamous anime Light is). It doesn't work, and Soichiro does end up finding out that Light is Kira this time, and they have a confrontation, but he doesn't even sound truly hateful towards Light for it. He Never seems to outright hate Light for it, even after Light calls the whole confrontation a waste of time and instead tries to continue killing with the piece of the notebook in his watch, even after he tries to get Ryuk to kill everyone. When Ryuk inevitably writes Light's name and he collapses, Soichiro still reaches out for him and holds onto him as he's dying. Light literally dies in Soichiro's arms, still looking for the validation that he was right, that this wasn't all for nothing, that he was doing the good thing, trying to make Soichiro understand that he was trying to enact justice based on what he learned from him in the first place. Soichiro not only learns but sees for himself what his son has become, and Light dies in his arms leaving no closure for either of them. Soichiro will announce Light's death in L Change the WorLd on the news without saying his name, saying instead that it is only Kira who is dead, even though he and Light are one in the same. Sachiko and Sayu will never get to know the full truth about what happened to Light, instead Soichiro will lie and instead tell them: "Light was killed by Kira."

And then holy Shit the jdrama. If I write about it here this post is gonna literally double in length and also I don't really wanna spoil it but. Man. Man. If you watched it you know. Holy Shit dude I Cried.

It's the fact that, canonically, Soichiro will die oblivious to what Light has done, but even in the instances where he does find out, it doesn't make it any better, and it doesn't make him love Light any less, it just gives him more to grieve.

It's the fact that there isn't a single universe where Light doesn't use his father for his own gain, whether to gain information, or to try and control him with the Death Note, or make him write in the Death Note himself, and not a single time will he realize just how far he's strayed from Soichiro's ideals, and not a single time will he not forsake him for it by the end of the story.

It's the fact that, despite everything, Light will always refers to Soichiro as "dad/my dad" (informal) rather than "father/my father", even after he has been "denounced" (and this is true in every language that Death Note has been translated in, as far as I could find. Man, isn't that so cool! :) <- Through tears).

Anyways that's what I've been thinking of how's your guys' days going

[bonchobrick]

Duke and Danny bestie fic im co-authoring with some cool people for Patrol Partners! :D

A fic where Duke knows a lot about Gotham’s new problem, ghosts. The Waynes think the worst and assume he’s had some terrible experience with ghosts in the past (in reality is just very happy to talk about his best friends culture and doesnt realize how odd it is that he knows all this stuff)

Or

Duke is pretty much just vibing, the bats are having a meltdown, and Danny is having a blast!

—-

Then Duke pops the question

“So, what are you guys researching?” He asks raising a brow to the papers littered all over the room

Collectively the entire room groans as Duke absentmindedly picks up a paper on the table with the failed, static over-run image.

“We don't know!” Steph bemoans frustrated

Tim starts, “There are new entities–”

“Creatures.” Bruce corrects

Tim casts a piercing glance at his father, “I am pretty sure those are entities. Eye witness reports state that they look fairly human-like–”

Bruce challenges him right back, “Eye witness reports were also very likely to be unfactual, they seemed partially intoxicated. It’s more likely they are some kind of mutated animal.”

His son’s teeth grit, “Even so we still can’t rule out–”

“Oh right, the ghosts are back in town,” Duke's comments, gaze absorbed in the static image

Silence drowns the room as their weary eyes blink at Duke, processing what he had just said.

Then it clicks

“R-repeat that?” Tim stares intensely at Duke

“Um, the ghosts are back? That's what these are.” Duke nervously replies confused, “It’s been a bit since they visited Gotham

Tim opens and closes his mouth, immensely struggling to find any words to say. It seems like the rest of his family is fairing no better, some of them letting out noises of surprise and shock with others trying to hear if they heard that sentence right.

“There used to be ghosts in Gotham?” Bruce says incredulously

“Yeah?” Duke tilts his head, “I mean they don’t like living here with the corrupt ectoplasm but I’m friends with a few ghosts?”

Jason springs on him with wide eyes, “What are ghosts like, personality-wise?”

Duke thinks and responds with the first thought that comes to mind, “Fickle, they can be super friendly or super destructive. They do whatever they’re in the mood to.”

“Are they aggressive?”

“Sure? Sometimes?” Duke blinks at them bewildered before a petty smile crosses his lips, “They can be, hmm, commanding.”

Dicks eyes turn cold and protective, “What–”

“Listen guys,” Duke backs away from the discussion going with his internal task list in mind, “I gotta go wrap up putting together all my documents for my topic on my science fair project so uh, see-ya!”

The second youngest bounces out of the cave and the rest of the family stare dumbstruck at him.

New entities (ghosts?) pop up in Gotham + Duke describes them as fickle and commanding =

Duke is being made to do things for Ghosts who can be kind and cruel which =

= Duke is being bullied by Ghosts?!

Not on their Bat-watch!

Damian is already sharpening his ‘not murder tools’, Tim has sprung into research on the bat computer and the rest of the family have already dipped into Gotham ready to search for these perps!

Paranoid Family #1 will help Duke’s ghost problem starting now!

( pssst heres the fic :)

[sokkagatekeeper]

sokka & katara are soo funny bc katara is always like sokka is SO fucking boring and lame and lazy he doesn't understand the value of waterbending and he is HEARTLESS he must be plotting his next move to sabotage my rebellion against industrialization and colonialism & the search for my destiny of becoming a master waterbender at this very moment . meanwhile sokka's like soo i have the avatar to take care of now so i guess i need to prepare for an invasion to the fn at some point? i should start thinking of building an army, make a list of allies, look for food and save as much money as i can, go after whoever ran away from the group this week, is that weird ponytail guy not giving up yet? sharpen my boomerang, stopping katara's weekly revolution from getting all of us killed, what else.... i wonder if i can train with my sword today. i'll put it in my schedule right between taking lice out of momo's hair at 2pm and evading another capture/assasination attempt at 5pm. are you proud of me, father? [girlfriend dying flashbacks playing in the background] god i wish to read a book

[sweetvillainjude]

It’s so interesting to me in tfota that the characters with 'bad' reputations, Jude and Cardan, who are known for being antagonistic/defiant/hostile and cruel/wicked respectively, are the ones who have morals for the things that matter – i.e. their loyalty, the way they freed the human slaves, how angry they got seeing taryn/nicasia cry and how ready they were to fight because of it. Whereas the characters with outwardly 'better' reputations, Taryn and Locke, who are known for being sweet/nonaggressive/compliant and charming/the 'nicer one' respectively, are ironically the ones who prove to have poor morals when it matters, i.e. by betraying those who trust them, and showing little regard for things like loyalty and honour.

It's so interesting and for me at least seriously riled me up to read, because for taryn/locke it's like, you act like you're good but you're actually awful, whereas for jude/cardan it's, you act like you're awful but you're actually good.

WILD.

[bbyboybucket]

So I wrote up all this stuff weeks ago and drafted it and forgot about it until I seen these tags from @kahuna-burger

And they are absolutely right. And I’m so glad someone agrees with me on this analogy, because this is EXACTLY how I see him, and exactly what I get into below. This is the whole thing I was writing up previously:

“The winter soldier was treated like a living weapon.”

Mmm, yes. The whole living weapon thing is not a wrong metaphor. But I’d argue that there’s something else far more accurate (aka what the now added tags say).

He wasn’t their weapon. He was their dog. In such an uncanny way, almost literal sense. I wouldn’t even say a guard dog, I’d actually say he was Hydra’s hunting dog.

I mean think about it. Really. They actually treated him like a dog.

He wears a harness. He wears a fucking muzzle for gods sake.

But that’s just the bare minimum of similarities.

What do they do when he gets out of line? To punish him, to put make him obey and learn to fall back into good behavior? They shock him. Just like how people have always used shock collars and electric fences for dogs. When he’s been “bad”, when he does something he’s not supposed to, he gets shocked to correct that behavior.

They also smack him and get physical. People don’t do that with weapons. There’s no point in that. And you wouldn’t wanna damage or harm a weapon. But people do smack dogs. They hit their dogs when they don’t behave or do something wrong because harm, pain, and damage will teach it. Just like it teaches him. And they’ll heal so it’s not a concern.

He was trained to obey commands. Just like dogs. He does any little thing he’s told because he’s conditioned with a rewards system. He even has specific command words that trigger compliance. Just like you teach a dog to sit or roll over with trigger words, he has em too. I mean literally, he has a Pavlovian response to said words. And what was the original Pavlov experiment done on? A dog. The only difference is he doesn’t get physical treats. His treat is praise, which they manipulated him into being desperate for. They even go as far to incentivize him with this praise (think about the bank scene, where Pierce praises him), just like you would present a dog with a treat when you want it to do a trick. Hell, actually praise is a way you reward dogs too, because they listen and learn when you tell them they’re a “good boy, good dog”.

Hydra asserts their dominance over him just in case he turns on them, just to remind of who’s the “alpha”. Because they know (just like big dog owners) that he can tear them up, he can attack and shred them to pieces, but if he thinks he’s not the “alpha” then he’ll back down.

And yeah, he’s protective and reliant on his “owners” like most dogs would be. But like I said, not just a guard dog. A hunting dog. Because just like people teach their dogs to track down and go after bears, squirrels, dear, etc. he was also taught how to track down stuff to kill. Stuff that his owner wanted dead. That’s his whole purpose, to hunt for them.

Also, think about how Hydra obtained him. It’s like if a person saw an injured dog in a ditch, brought it to a vet to heal up, then took it home to have as their own pet. Because that’s exactly what they did with him. It’s just the owner was an abusive one.

He wasn’t treated like some expensive tank or powerful arsenal of guns. He was treated like well trained hunting dog.

[nshtn]

i see a lot of wesker content is about domestic fluff like making meals for one another!

but post-arklay... just imagine... he has the prototype t-virus now. wesker's caloric needs are vastly different. the man could run a mukbang channel without any unhealthy eating tactics with the amount he must now consume to maintain his weight and appearance and prevent the virus from turning him grey and sullen.

something that has changed about him, most intriguingly, is his taste. his desire for exceedingly fresh cuts of meat prepared blue, an uptick in umami and savory taste receptor activity. he's even had to wipe his face before a meal once, salivating gratuitously to the point of drooling and falling deathly silent in equal parts exasperation and embarrassment, so different from the composed, gentle menthol of a quiet man you'd come to know.

you buy a lot of fruits now, purposefully picking out the granny smiths, plantains and pineberries, anything a little less on the sweet side for his shifting palate. you even begin to grow cucumbers to pickle for him. your kitchen, once full of small, lively rack-pot plants like oregano and sweet basil now sports fast-growing savories like chives, fennel and dill.

cooking with a crock pot becomes ideal. a batch to you is a meal to him, so you can set it up in the morning for the evening.

you make a tray of cookies and he eats them all! he'll be hungry again in thirty minutes. he would prefer a bit more salt next time. maybe you could experiment with higher protein concentration? he does not elaborate, but he is polite.

wesker, of course, affords you the same small details when he cooks for you. he doesn't push to encroach on your own dietary choices, even if they're far different from his newfound primary carnivory. he consciously portions things (though sometimes he heaves a bit too much for you), leaves the salt until the end so that he can salt just his own half, and ensures every raw item reaches a satisfactory internal temperature for the time you need.

[cerise-on-top]

Hank with an Eldritch Horror Reader

Here's another thing I wrote two years back! It was an interesting concept which I really liked, so I actually really enjoyed writing this request!

Hank J Wimbleton was a grunt of many things, but not one to be scared unless he had a good reason to be. There were many things in this world he did not understand, you were one of them. Upon meeting you, his first instinct would have been to either fight or run away - who could blame him, it was all he knew. No matter how many times you reassured him that the very last thing you wanted to do was to harm him, he’d draw his weapon, uncertain of whether or not he should believe your words.

Once you show no resistance towards him whatsoever and simply restrain him using your powers or other methods, that’s when, thrashing around as much as he could, he would start listening. You may or may not have seen a grunt up close, but this was your chance to finally examine one. As you scrutinise him from every possible angle Hank realises that you were simply curious about his being and finally lowers weapon.

Your voice would likely hurt his head and freeze the blood in his veins, so you might have to resort to telepathy or speak through a marionette, if you can find one. Though, once Hank’s interest in you has been piqued, he’d be more than happy to find you one. A lot of people in Nevada seem to be redundant in the first place. Regarding telepathy: You will be able to have a two-way conversation with Hank like that, but, for the most part, he doesn’t think in words. Still, he can do so, if needed.

If you’re on the rather small side, he will make an effort to pick you up, or hold you, and bring you back to base. Depending on whether you can float or not, this might be rather difficult, but he’ll try. If you’re large, however, then he will simply “tell” you to follow him. As an eldritch being you could likely either change your form or scare away anyone in your path in the first place, so he doesn’t particularly worry about anyone being stupid enough to attack you.

Spend time with him, he’ll get used to you more and more and, eventually, grow a bond with you. Proud, he’ll show you to Doc so he can figure out what you are, but do not be fooled. Hank wants to know what you are to some degree too. Once comfortable with you and certain you won’t harm him, he’ll start observing you, touching you to some degree. See how you react, how you feel, how you are.

Despite your conversations being, for the most part, one-sided, Hank will ask you directly what you are and if you’re some form of eldritch deity. Since you’re an amicable creature he can’t exactly wrap his head around, it’s worth a try.

Although he would like to do so to some degree, he won’t take you with him on missions. It’s his way of saying “I care a great deal about you, I don’t want you to die or worse even if you are capable of defending yourself.” If you really insist on aiding him, he will let you, begrudgingly. But beware that he will have your back. In fact, having you around will give him a greater reason to fight and improve his overall performance. Though, it will also be a major stress factor to him if something were to happen to you, so choose wisely.

[darklight-owl]

Best thing a game can do is give an NPC the same abilities the player has btw. Because like when you're playing a single person game you subconsciously know that everything in the game is tailored to shape your experience and that the in-game world revolves around you...

But that's why having someone ELSE with your same abilities come out of nowhere and go "oh you thought you were SPECIAL? Lmao NO." can be super impactful and thrilling. It feels like you're not alone, there's others who have just as much agency as you and not all of them are going to be on your side. It takes away the power high you're on and forces you back to reality.

[melverie]

Okay, but you guys do realize that the reason Mephisto behaves the way he does is because he has been raised with the intent of only being beneficial to the future demon king and nothing else, right?

(Buckle up because this is going to be a loooonnngggg post)

Mephisto comes from a family that has been serving the royal family for ages. He mentions multiple times that his family has always acted as their knights, their advisors and their protectors to them, and it won't be any different with him. It shouldn't be any different with him. Being beneficial to Diavolo has literally been decided to be the very meaning of his life even before he was born. He's been forced into the role and he's following it to a T because he's never known anything else, and because he can't afford to lose that. Without it, what else is left of him? What worth does he hold other than being essentially a tool for Diavolo?

And then the brothers fall and suddenly his position is at risk. Lucifer and Diavolo have already gotten along fairly well back when Lucifer was still an angel. Both Diavolo and Lucifer (as well as several others) mention that they go way back in their Nightbringer homescreen dialogues, and we see them having mutual respect by the end of the 'The Glory Days' Devilgram in the original game. Mephisto and Diavolo meanwhile might be childhood friends, but here's the thing

Diavolo wants a friend. A real friend. Someone that genuinely appreciates him for who he is as a person instead of focusing on his status as the future demon king. And that's something Lucifer can give him. They often hang out for the sake of it (apparently even eating dinner at Ristorante Six together regularly), they regularly engage in lighthearted banter, and Lucifer isn't afraid to give Diavolo his honest opinion

But that's not really the case with Mephisto...? He was never meant to be on equal footing with Diavolo; Diavolo even calls him "mini-Barbatos" at one point. He is literally still calling him 'Lord Diavolo' all the time, requests to speak his honest opinion first and waits for Diavolo to allow him to do so before actually giving it. That's why Mephisto keeps pushing down his own feelings and keeps showering Diavolo in praise any opportunity he gets while he adjusts every aspect of life to be beneficial to Diavolo in a way. Sure, he might be popular, but as long as Diavolo doesn't want him to get married he doesn't even waste a thought about relationships. He might have no real interest in journalism, but of course he'll take over RAD's Newspaper Club. After all, Diavolo asked him to! He's part of the House of Lords because as the future king's right-hand man that just makes sense. He was always just meant to be a tool for the crown prince to use, so he doesn't know how to treat Diavolo as anything but. He was literally groomed to be dispensable, so he's obviously going to act like it

And that's also where Mephisto's dislike for Lucifer stems from—he can only watch as Lucifer slowly grows closer and closer to Diavolo, and threatens to take the role that was always made up to be his. And so Mephisto keeps challenging Lucifer over and over again, trying to sabotage their friendship any way he can in hopes of winning back his position as the crown prince's right-hand man

That obviously doesn't make the way he treats Lucifer (and the rest of the brothers!) right. Lucifer isn't responsible for any of this, and blaming him for it is misguided. But it still doesn't change the fact that Mephisto has the right to be hurt at the situation at hand. His entire purpose of existence is just being ripped away from him right before his eyes and all he can do is watch. That must hurt. Especially when your entire familiy's purpose has been to serve the royal family, and you are the first one to lose that

Also, I feel like something else we need to talk about is how his fight only ever really seems to be with the brothers, especially Lucifer? Again, part of the reason is the entire Diavolo situation, sure, but I feel like it also has to do with the situation in the Devildom at large? I already vaguely talked about this in a different context a few months back, but ever since the brothers have been cast out of the Celestial Realm and arrived in the Devildom, the entire situation has just been super unstable. We as a player have a unique perspective on the events because we only have a limited outsider view to on the actual politics going on the the Devildom, while also being aware how things will play out in the future. We know that ultimately letting the brothers stay is the right choice, but that's not the way a regular denizen who has to live through all this sees it. I mean, just the way Mephisto describes the brothers really puts things into perspective:

The entire realm is super destabilized, they just semi-lost their current king, and there have been multiple very real threats of war—first when the Devildom took the brothers in in the first place, then when "Raphael" showed up and told the brothers to return, and Lucifer rightfully points out to (a comatose) MC that they are bound to go to war should the Celestial Realm ever find out that Diavolo turned Lilith into a human. There's just a lot of tension in the air, and the brothers—extremly powerful as both angels and demons—seem to be at the root of most of it in one way or another. From a the House of Lords' perspective, it makes sense to want the brothers gone, same goes for a denizens perspective. And while it is a delicate situation all around that can't just be blamed on the brothers, it makes sense for Mephisto to also see them at the center of it all. Again, that doesn't make the brothers' treatment right, but it's at least understandable given the circumstances

On a side note, when discussing his beliefs, I think it's also important to remember that he to this day is incredibly sheltered. He just accepts all this as normal because to him it is normal, but as we've seen in lesson 31 hard mode Thirteen was so shocked by his views that she immediately decided to drop everything and play therapist for him (absolute Queen for not just blaming it on him btw 💖). I know this was just a throw-away line, but this paired with him basically excisting to serve Diavolo already says so much about his character:

And with everyone else he seems to be generally pleasent? I mean, he says he doesn't want anything to do with angels or humans, and yet he risks getting injured in order to save Luke from falling. Yet he actively seeks out MC to solve one of the 666 Mysteries of RAD together with them, and saves them from tumbling on the floor because "anyone else would have done the same" (they wouldn't have. The season 1 brothers would have laughed straight in MC's face). He literally complained to Thirteen about how he was just about to go home and how he doesn't have time for her, yet diligently carries all her things for her as rain is pouring down on him. His actions always end up betraying his words

Also he has a massive sweet tooth which alings perfectly with one of the headcanons I had for months and is RAD's local horse girl so we stan! <3

-> more character & relationship analyses -> masterlist

[fabdante]

The Party Animal and the Goth

Duncan tried to tell her before they showed up that this would be different. She should give it a try. It’d been years since the last party she went to with him (she’d been dating Trent at the time to, something Duncan further blamed for her bad time). Maybe she’d like it now. And Duncan wouldn’t leave her alone, he swore. No awkward hanging out by herself and the dog should they have one. And if Trent was there, Duncan would punch him just for her. Blah blah. All sorts of promises. Well. She wasn’t into it. Like she said she wouldn’t be. Duncan fucked off somewhere else. Like she thought he would. And she saw her ex Trent floating around and she was doing everything in her power to avoid any awkward small talk that would ensue the second he saw her again. Like she feared.  Of course the party was going to be that predictable. She should have put money on it. And there wasn't even a dog. Around midnight she’d gotten sick of the whole thing. But Duncan was off doing something (hopefully not someone) and Geoff found her. They talked. She mentioned maybe looking for DJ and leaving. But Geoff lit up like she’d just told him he won a prize and her night got a little weird. Instead of just saying bye or helping her find DJ or literally anything else, Geoff was instantly offering to talk her back to her dorm. So that got her where she was now, walking with Geoff away from his party.  What the fuck.

Summery: A classic 'Geoff walks Gwen home' story set in the year of 2013/2014, in which Gwen has decided to leave a party early and Geoff has decided he'll walk her home. (College AU, no camp.)

Words: 4,274

Rating: Teen (swearing)

Read Here!

[yume-fanfare]

good old-fashioned lover boy

[sockdooe]

WHY ARE PEOPLE PUTTING KEITH IN THE SHIRO TAGS I DONT UNDERSTAND

IF IT DOESNT HAVE SHIRO PHYSICALLY PRESENT WITHIN THE WRITING/ART THEN DONT TAG IT AS TAKASHİ SHIROGANE

[ourfag]

i think part of the resistance i’ve seen in response to the view of ed as an abuse victim—not just the view of izzy as someone who abused ed, but of ed as someone who was abused by him, as opposed to interpretations that pursue an image of Nuance and Complexity (unnecessarily, because their dynamic has heaps of both, but there seems to be a popular impulse to conflate complexity with shared culpability) by characterizing their relationship as being toxic/unhealthy in equal reciprocity, or as “mutually abusive” (oxymoron)—i definitely see the influence of racism there, but i think the racism is also working to amplify an adjacent issue where we tend to receive very specific cultural messaging about What An Abuse Victim Looks Like, and ed is excluded from a lot of that criteria.

he’s outspoken. he’s boisterous. he’s Very Cool and he Wears Leather. he’s physically bigger and browner than the person mistreating him. he spends the first season with a big grey beard, he’s covered in tattoos, he projects the image of A Man’s Man, to say nothing of his being a man in the first place. we see him get aggressive and we see him get angry (and sometimes we even see both at the same time). we see moments where he’s surly, prickly, insensitive, arrogant. his survival techniques and trauma responses incur collateral damage to other people, and in the second season this extends into affecting people we actually sympathize with. he’s extremely private about expressing fear. without examination, his professional relationship to izzy seems to position him as the one with the power slanted in his favor.

most damningly, we see him react multiple times to izzy’s abuse with physical violence. this is behavior that gets referenced all the time in the construction of narratives condemning subjects of physical abuse, let alone emotional abuse. which is why writing that intends for its audience to interpret a character as being unambiguously A Victim Of Abuse will often, for simplicity’s sake, avoid showing the character regularly engaging in anything of the kind.

and again, all of these departures from the image of The Model Victim are compounded by his being a man of color.

without any of the shorthand designed to point a big flashing arrow at his mistreatment, all we have left to work with are the words and actions we see from ed and izzy onscreen. who instigates conflict, and how does the other respond? how are they able or allowed to respond? how do we see them speak about each other to outside parties? does one go out of their way to control or isolate the other? what consequences does either party stand to face in saying “no” to the other? in acting against the other’s wishes? in trying to leave the relationship? when either of them attempts these things, how do we see the other respond?

i realize and appreciate what people are driving at when they garnish their analysis with disclaimers that they’re not saying ed’s just a poor innocent abuse victim, they’re not saying he’s a perfect angel who’s never done anything wrong, and that’s true, but these are points already contained implicitly in statements like “this show’s protagonists act like human people” and “ed’s emotional struggles are portrayed in a realistic and believable way.” my assumption is that these disclaimers are anticipatory responses to worst-faith interpretations of any discussion that attributes any victim status to ed whatsoever, so i definitely sympathize with their inclusion, but a (very small) part of me still worries about them potentially reflecting or reinforcing a belief that there is any way for someone to behave towards their abuser that imparts a responsibility for them to make right whatever damage the abuser receives, or for that matter any degree of ambiguity over their status as an abuse victim in the first place.

part of what i find so gratifying about ed as a character is that i don’t feel like the show’s writing is pressuring me to consider that ambiguity at all. which was a really nice thing for me to discover!

and tbh—did using ed to deconstruct The Model Victim even factor into the writers’ agenda?? ive got no clue. im guessing no? ??maybe?? probably not?? but if you create a main character whose central premise is that he feels trapped in a performance of exaggerated masculinity that he’s desperate to escape, and then you set him up with a character premised on embodying a tangible obstacle against that escape, then i guess that’s the natural shape your story’s gonna be inclined to take

[trash-bin-ary]

What’s gonna happen on the qsmp on November 4th? Wrong answers only

I think they’re gonna invite Elon musk to the qsmp only for them to kill him off immediately and it’ll spark the biggest discourse in the world