#i'm so feral over these

[smoshidiot]

Anthony's Funeral Roast Prints

get them here!

[buckysteve]

art/patrick + old childhood best friends motif

[cactus-teeth-art]

WIP time

[foxstens]

andrew always being at kevin's side because kevin needs it and andrew driving kevin to night practice and andrew patting kevin down to check for injuries and andrew promising kevin it'll be fine and andrew looking awake, interested because of kevin and andrew conserving his energy for kevin's quiet meltdown and andrew smiling for the first time without the drugs because of kevin and andrew always picking up when kevin calls

[funkyplantguy]

guys. guys. listen. listen. cub and mumbo as a ship have the most perfect setup and you all are sleeping on it but never fear!! as i am here to spread the Good News of cumbo. number one. they're both fucking insane in the head. they both have the capacity to become completely and totally and exquisitely obsessed with each other in a really weird and probably really fucked up way. number two. they're the Best Friends (trademark pending) of scar and grian respectively. they're both victims witnesses of Whatever The Fuck those two have going on at all times. they can complain to each other about it. they can complain together about how scar and grian dance around each other all the fucking time and how insufferable they both are because of it. they can unknowingly start their own dance, orbiting each other at a distance until one of them goes fucking crazy and veers off course and they make out sloppy style. it's perfect. it's perfect.

[mozart-the-meerkitten]

*rolls up 15 years late with Avatar the Last Airbender thoughts*

So I've been rewatching clips from the show lately to refresh my memory while I'm writing my Zuko Alone fanfic. And last night I rewatched the clip where Iroh teaches Zuko how to redirect lightning and I have had thoughts about this scene for years so I might as well finally throw them into the void of tumblr.

So, this scene is insane to me, because at the end of learning how he could-hypothetically- redirect lightning, Zuko looks at Iroh and, completely seriously says "okay I'm ready to try it with the real thing now". Like, Zuko, the boy with a massive scar on his face from where his father burned him just looks at his uncle and says, "shoot me with lightning".

And yes, he's 16 and not thinking but that's part of the point because the amount of blind, complete trust Zuko has in Iroh to look at him and say "shoot lightning at me" after the insane trauma he had at the hands of his own father- that is WILD to me. Zuko literally trusts Iroh so much that he just assumes, without even having to think about it, that no matter how volatile and unpredictable the lightning is, Iroh won't hurt him because Zuko cannot fathom his uncle hurting him.

And of course, Iroh's appalled because Zuko's standing there with a massive scar on his face from when his father misused firebending against him and likewise, Iroh cannot fathom hurting Zuko. And since IROH knows how volatile and unpredictable lightning is and how it could literally kill his son nephew he is absolutely NOT going to use it just to let Zuko practice redirecting lightning, but he's so flabbergasted that Zuko would even ask him that that he just kind of splutters angrily that he will ABSOLUTELY NOT shoot lightning at Zuko. (it's also just another layer of how messed up Ozai is because he shot lightning at Zuko without a second thought later)

But I hope Iroh thought about it later and realized the amount of pure, unthinking trust Zuko has in him because ;-; the child didn't even THINK about it. "Okay uncle shoot lightning at me now. I know I'll be safe because it's you." I love them so much 😭😭

[tending-the-hearth]

thinking about how canonically the pevensie siblings are 13, 12, 10, and 8 in "the lion, the witch, and the wardrobe"

thinking about how lucy needed a stool to be able to get up onto her throne, how peter's sword is a little too large for him, how susan's bow is a little too difficult for her to pull back, how edmund's shield nearly covers his entire body.

thinking about the pevensie siblings and their first few months in narnia, getting to know their new people, and half the narnians sitting there horrified because WHAT have these literal babies been through to give them such traumatized, old eyes, and the other half of the narnians are preparing to adopt them, no it doesn't matter that they're the rules, they're children who are being put in charge of too many things, and if peter looks at the old man council long enough he's going to cry, so someone needs to give him paternal support while aslan is off doing Lion Jesus Stuff™️ and whoops oreius is being nice and encouraging and now he's adopted his kings and queens they're his kids now he doesn't make the rules.

just the narnians and the pevensies being thrown into it together, and just as the pevensies will do anything to protect their new kingdom, the narnians will do anything to protect their rules, because let's be honest, these children have no sense of self-preservation, and are far too overprotective of each other and their people to take into account their own safety, so a lot of battles it's just one of the pevensie siblings running headfirst into danger with oreius running after them because his kids are feral and don't know proper royalty manners and won't threatening old kings from different countries because they're being assholes and the last time one of them tried undermining the queens susan called him a self-righteous asshole and lucy tried to stab him SOMEONE help him corral his children please

[icantdothistodaybruh]

LOOK WHAT @paarassha DREW FOR ME AAAAAAFHAJSHAJKA

[deoidesign]

47 episodes later

I am completely normal

(webcomic)

[speench]

ok so who's writing the fanfic where Doug Meat and an unwilling Kingskin co-parent this random teen girl who absolutely should be nowhere near a comically evil crime ring and end up fundamentally changed by the process and falling in love

[reallilystuff]

glorious leader what the fuck is that thing. what is that. get that cat out of the cult grounds I think it has rabies.

drawing the lambs wool is surprisingly fun ngl

[welcometogrouchland]

(ID in alt) I literally said I was gonna post this month's ago and then never had the wherewithal to describe it and so I didn't Lmao (said with pain). But since I'm thinking of opening my commissions I figured I should remind ppl that I. Yknow. Can draw.

Lots of Steph here (I had major art block making all of these and my brain worms for her kept me going) + some sprinkles of stephcass for Cass nation to enjoy!

[honestlydarkprincess]

9-1-1 as text posts but make it quantity over quality

[universal-verringbebe]

Can I just say that I'm in disbelief at how AFFECTIONATELY FERAL this imagery makes me?

LIKE THIS STOIC COLD MAN, HOLDING A GIANT PLUSHIE AND STRUGGLING TO EAT ICE CREAM, UGH, YES, GIVE ME MORE OF THIS GOOD SHIT

[andithil]

Our Flag Means Death s2 trailer October 5, 2023

[essektheylyss]

Sean is really the Candela character of all time because of how fundamentally entangled he is within not only the world but the literal mechanics of the game. He is entrenched in the cycle of violence and he has no capacity to see any escape.

And how could he? Why would he care in the end about monsters living among them, wearing human faces? There's nothing anymore monstrous about the shapeshifters than the men in that room—himself included. The only difference Sean sees between his doppelganger and those men is that the doppelganger is going to give him what he wants.

In fact, this is also the only difference he sees between himself and those men. He doesn't kill them because they did something monstrous. He kills them because in his estimation, with all of them as evidence of this belief, the only things you get in this world are the things you take for yourself. Their deaths won't bring back his brothers, or erase the things he himself did, or even really further his efforts to rescue his mother. He kills them because he wants to—if the world is inherently violent, and it is on a fundamental level, then he's going to take what he wants.

Because the violence of the world is baked into the fabric of reality, both narratively, through the Flare, which can never be defeated, only struggled against, and mechanically, through the significant odds of failure or complication. There is so little success in the world of not only Newfaire but Candela Obscura itself.

It has nothing to do with who is the biggest baddest monster. Sean's approach to violence and later betrayal is beyond the consideration of morality, because the struggles of Candela Obscura leave so little room to split hairs over morals. Survival is at stake. The organization of Candela Obscura is misguided and ineffectual not because of any inherent problems of the organization or corruption of its members, but because they are, in Sean's mind, always only making losing bets.

In Newfaire, the dice are loaded, the house is all-powerful, and humanity is the underdog. Was it any surprise that Sean Finnerty got tired of losing?