Spirited Seasons: Playable Fey Eladrin Mod for Baldur's Gate 3
Eladrin are elves native to the Feywild, a realm of beauty, unpredictable emotion, and boundless magic. An eladrin is associated with one of the four seasons and has colouration reminiscent of that season, which can also affect the eladrin's mood."
— Mordenkainen's Tome of Foes
This mod adds eladrin as a playable race, with new, unique character creation elements.
MAIN MOD FEATURES:
Character Creation:
Custom heads, featuring eyes that “glimmer with fey magic” as described in Mordenkainen's Tome of Foes
Custom hairs
Custom spells, based on what is described in Mordenkainen's Tome of Foes:
Level 1 All: Fey Step - Teleport to an unoccupied space you can see (per short rest)
Level 3 Winter Eladrin: Winter Fey Step - Frighten and teleport to an enemy (per short rest)
Level 3 Spring Eladrin: Spring Fey Step - Teleport yourself in the place of another person you can see (per short rest)
Level 3 Summer Eladrin: Summer Fey Step - Deal fire damage and teleport to an enemy (per short rest)
Level 3 Autumn Eladrin: Autumn Fey Step - Charm and teleport to an enemy (per short rest)
OPTIONAL FILES:
Fey Fashion – Adds a set of season-themed casual clothes, a set of season-themed leather armour, and season-themed dyes so that you can colour any armour you want! All items included in the prologue chest, and sold by various merchants throughout the game.
Fey Ink – Replaces the default tattoos with custom new designs. Unfortunately, the caveat is that it will affect all tattoos, not just for your character.
[Available on NexusMods]
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my jean & neil qpr agenda (part 1?)
after Neil orders the hit and Greyson becomes another Former Raven statistic for the media to go wild with, Jean ends up texting Neil. It's definitely not a thank you, but both of them know it kinda is (prob something like "you're an insufferable disease" lol)
They don't have contact for a while, but one day Neil reaches out by sending Jean the most atrocious multilingual French meme with "Kevin doesn't appreciate me or my humor, this is a hate crime"
It's sporadic from there, and maybe at one point they meet up while Neil and Andrew are on their summer road trip. Neil and Andrew end up in Colorado, and Jeremy, Cat, and Laila practically drag Jean there to see them (he'll deny that he had a good time, but he really did)
Andrew and Jean have a bizarre and interesting dynamic where they don't speak to each other often, but they eventually grow a mutual respect and shoot each other Looks about their "I'm Fine" partners. They don't mind just sitting in the same room and sharing space while they do their separate things.
When Jean and Jeremy start their pottery class, Jean takes to it like a fish to water.
He ends up majoring in Ceramics & Multimedia Art. Something about using his hands to create, rather than destroy.
He makes Neil a little exy racket charm for his keychain.
At one point, Jeremy makes a gc with Jean, Neil, Kevin, and Andrew on impulse. Jean "hates" it but doesn't leave the group chat. Andrew only stays in it because he can mute it, and it's useful for when they plan to meet up sometimes. It also makes Neil happy and it's not something he really minds
Jean also takes LOTS of pictures. With his phone, his friends' phones, a polaroid camera he gets as a gift from Cat, anything he can get his hands on. He hangs them up on his half of the room with Jeremy.
Eventually Jeremy and Jean do get separate rooms. They usually still sleep in the same room, but it's an important milestone for Jean and his recovery. Being able to have his own space, and know he's allowed to control who comes in it.
He decorates that room so much it's chaotic and beautiful and there's probably little pencil doodles on the wall next to his bed from when he can't sleep. He tends to draw daffodils :]
It becomes a bit of a tradition to meet Neil and Andrew every summer.
When they go pro, Jean and Neil end up on teams only a few hours' drive from each other. Neil and Andrew start on the same team, but the whole Minyard-Josten Rivalry is still a Thing because they're always shooting heated Russian at each other while "glaring" and no one else seems to realize it's their equivalent of flirting.
Jean thinks it's hilarious. He harasses Neil about it constantly.
Him and Kevin eventually mend their friendship, and they care about each other a lot.
Neil probably made the three of them matching "I survived Castle Evermore" shirts just to be a menace, and then Jean and Kevin have to make him swear that he'll never wear it in public.
Neil has a habit of just. Showing up at Jean's house and crashing sometimes.
Jeremy at one point jokes that he'll have to fight Neil for Jean's time in the future, but he's not really worried. They're happier when they spend time together. Jeremy and Andrew are chill with it.
When they meet up for the first time after a game between their pro teams, none of their teammates have any clue what's going on. Jean and Neil insult each other ferociously, but also can't seem to resist hip-checks and shoulder bumps and almost affectionate shoves.
Neil constantly sidles up to Jean and pretends like he doesn't know what he's doing. Jean usually responds by absently grabbing his hand so he knows where he is.
They are literally a cat and dog. Neil will deny that he's being caring or affectionate towards Jean all day long while actively attempting to be in Jean's space, and Jean practically perks up when Neil enters a room.
When their teams play against each other, they talk in French sometimes. Their checks are always a bit brutal (they know very well how far the other can be pushed before they break) but they help each other up at the end of quarters.
Jean is constantly antagonizing Neil by smiling and complimenting his striker skills while blocking him, and Neil is constantly taunting him with words that are plenty sharp, but never actually aimed for vital spots
Jean gets a service dog and Jeremy decides to name her Mr. Barkbark Flufferpants, following Andrew & Neil's naming scheme for their cats. They usually just call her "Mr."
When they make Court, the two of them practically live in each other's pockets.
Jeremy and Andrew watch both exasperatedly and amusedly (though Andrew just calls it annoyance when asked) as the two of them dance around their Big Queer Platonic Feelings
When they finally manage to actually communicate about it, it goes something like "Idk what's happening, I'm kinda obsessed with you but it is Not Romantic and I don't know what to do with that." And then "Oh thank hell, me too, I thought I was even weirder than I already am. Wanna go harrass the fbi together?" "No."
They become even more attached at the hip after that, can practically finish each other's sentences. It's like they freaking mind melded tbh.
At first Kevin gets worried that they're slipping into old habits from the Nest, especially Jean, but when he brings it up to Andrew and Jeremy, Andrew just goes "No, they're idiots." and Jeremy nods and says "I think they're in a honeymoon phase. If we see them slipping, we'll pull them out."
Kevin decides to wait and watch, and thankfully their relationship ends up being as healthy as Neil and Jean can be. There might be a little codependence going on, but they have other people and other grounding forces to help intervene if it seems to be unbalancing.
They both put each other on their emergency contacts list.
It's a common sight to find the two of them twisted into impossible positions together just doing their own things, Jean drawing, Neil watching reruns of Exy matches, whatever.
Their dynamic just becomes Jean, who genuinely grows up to be a pretty chill dude, and Neil, who's an absolute gremlin. Except they kinda absorb each other's personalities, so they're both little shits together. They fit.
There is definitely all sorts of weird conversations that they have at 2AM in little sleepovers they do together (sometimes with Kevin, Jeremy, or Andrew) because they never got that as kids.
I bet Neil mercilessly teases Jean for being allosexual, especially when he gets flustered (all in good fun, of course)
Jean just snarks back with a "shut up, I literally saw you look at Andrew like a besotted elderly man with his partner of fifty years like five minutes ago." Neil sticks out his tongue at him.
Jean actually can sometimes read the ways that Neil and Andrew show affection for each other because of how much time he spends around them, which leads to him occasionally getting confused when other people don't automatically Get It
Neil takes a while to warm up to Jeremy because he seems Too Nice, but once he does he helps Jeremy plan to absolutely torment Jean with silly little romantic gestures that make him flush all the way down to his neck
At one point Neil tries to get Jean to explain what it feels like to be sexually attracted to someone without knowing them really closely, and it leads to a really surprisingly deep conversation about attraction before it turns into neil making dick jokes.
Cat and Laila still keep in close contact with Jean, as well as Renee. They make sure to meet up as often as they can. Cat and Jean always go for a bike ride together and they all cook dinner as a group.
They're both cuddle monsters when in the right mood. They also have the convenient ability to fall asleep Anywhere when they feel safe. So finding them curled up together in weird places at home is pretty commonplace.
They're forever partners, not in the way that the world and the Nest tried to make them be, but in a way that they created themselves.
It doesn't have to be romantic to be special, and if anyone ever suggested that they should be in a romantic relationship, they would both look at that person with absolute judgement and disgust. This person interrupted their conversation. They were talking shit about someone. Neil is lounging in Jean's lap. Andrew is saying he hates them both, and Jeremy is cackling at it all while taking a low-res picture for Cat and Laila.
idk i have a Lot of thoughts and could keep going. (i might write a fic if anyone wants to read it, and I'll definitely write little snippets for myself if I get the time. )
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hello, i'm finales georg...
i don't want to further clutter up the notes on this post while responding to the tags below but the persistence of the "finale is short/scenes are missing/extra ad break” conspiracies drives me absolutely bananas when i've watched the finale ten times and have posted about this A LOT trying to clear things up. (disclaimer that yes, i'm a goddamn destiel shipper but i care about Facts above all.)
ok but this is weird because i'd swear the episode was shorter (11 missing scenes!) but okay. maybe we all mandela effected ourselves into #beleving that. because it felt shorter. but i will die on the hill that it had another ad break. i understand this person has the thing #recorded with ads so i am thinking maybe different ad breaks in different idk time zones??? #because the finale did air an hour earlier in canada so maybe idk i am reaching here but maybe different states or whatever had different #ad breaks??? as for the last minute changes - wasn't the cover band asked for permission to use their version of carry on like a week before #the thing aired??? so even if the episode was 42 minutes and had no additional ad break - which i am side eying but lets say all was normal #i will always say they were changing thing until the absolute last minute (carry on my wayward son X 2 #the crew on the bridge which is not only giant 4th wall breaking but also wow they really got all those people in one place in times of #covid???) #anyway. tinfoil hat stays on sorry guys :/ (via @officialmisha)
short and snarky: there are plenty of real and sourced examples of network homophobia and scripted/directed destiel scenes being cut to point to. we don’t need to make this stuff up just bc the finale wasn’t what we wanted. so it’s not the mandela effect — it’s ppl repeating a conspiracy/rumor bc it supports their narrative and it’s easier and more fun to repeat something that supports a narrative they already believe (misha or something destiel was cut) vs the boring act of fact checking.
longer circumspect answer with links bc like many ppl i am in my debunking era and i rewatched "roblox_oof" last night.
like i said. i've watched the finale ten times. i’ve gone over the episode with a fine toothed comb and posted a detailed breakdown of timing marks on my blog. it’s actually extremely obvious where the ad breaks are once you know roughly where to look for them (they have a longer fade to black instead of a quick cut scene change). there’s no room for extra ad breaks and i think this conspiracy/rumor persists in part bc the episode feels so sparse in terms of cast and the fact that the episode’s momentum hits a barn post (and rebar) less than 20min into an hour-long programming block.
also i’m begging ppl to actually look at that timing mark post. it’s very straightforward and i spent a lot of time on it. i don’t care if ppl plagiarize it at this point if it means this conspiracy stops. i've got almost every second accounted for.
the "eleven missing scenes" that you're thinking of are probably from the finale script of questionable authenticity that @spnscripthunt acquired back in 2021 which can be found here. it's dated as the “final draft” from 11 sep 2020 and filming on 15x20 wrapped on 10 sep 2020. as noted at the bottom of this superwiki page "[the] script came from someone claiming to have been the person who did the closed captions for the show in Russia. There are some indications that it possibly may not be authentic, but this has not been confirmed."
if we go with the possibility that this was a transcript meant for subtitles, the "omitted" scenes were probably written but never filmed since it's the "final draft" and not a color revision (blue, green, yellow, etc). unfortunately, i’ve lost track of where i read it and a preliminary duckduckgo search isn’t bringing it up bc there's a program for script writing called final draft, but iirc the “final draft” version of a script is a transcript of what was filmed (e.g. there are parts of that 15x20 script that ended up being deleted scenes on the DVD). spnscripthunt also has an example of a confirmed final draft for 09x02 (funnily enough, also a dabb-penned ep). if anyone can confirm with a source that i have the purpose of the “final draft” version designation wrong, please let me know! i love being proven wrong with Facts.
i do want to acknowledge that the two “final drafts” do look different from each other and the 15x20 one doesn't look like a “real” final draft script since it lacks the revision/versioning dates that a script would normally have on the cover page. it could be that it was intended for subtitles; there's the chance it's been re-typed to anonymize it if there was anything indicating who the "owner" was, tho that seems a wee bit cloak and dagger to me. and again: it's considered of questionable authenticity. there are some things that don't quite line up but oh dear god i don't want to get even further out into the weeds than i already am.
i won't disagree that it's weird as hell that neoni only got asked about using their cover seven days prior to the episode airing (tiktok here). my personal theory is that they were hoping to get a more expensive song (maybe a zepp song, idk) and didn't manage to secure the rights in the end. again: this is pure conjecture on my part! but i could absolutely see someone working on the show hearing neoni’s cover and liking it and then maybe they were using it as a placeholder until it got down to the wire and they had to make a call/send the ep to networks. because yes, it is baffling they played a song and then a cover of it with only a 40 second break between. (i do actually really like the neoni cover! the placement is just weird and i think it could have worked if they had the kansas version at the beginning and closed with neoni's full cover.)
as to the 4th wall break COVID stuff: robert singer talked with variety magazine about filming the last two episodes and the logistics of filming during a pandemic. whether they should have been filming during a pandemic is a separate discussion but their use of office vs set pods, strict quarantining and daily testing meant that they had zero positive tests in the month they were filming (18 aug to 10 sep). so given all that, i personally don’t think it’s totally out of pocket to have everyone standing outdoors on a bridge for maybe an hour to get a drone shot of them together. (i won’t get into incubation periods and viral load, but if everyone tested negative that day and every day for a month prior, it was a fairly low risk scene to film outdoors and for all we know everyone was masked until the last possible second. there were plenty of outdoor masked protests in 2020 that weren't superspreader events.)
and before anyone brings up “but misha was in vancouver!” i know someone who looked into it and they said no dice, nothing matched up between the backgrounds in those pics and places in vancouver. his statements about “us” going back to set over the summer were pretty generic in hindsight and “we”/"us" could be him or the spn crew generally. unfortunately i’m not able to find those tweets but the use of “we” was likely so as not to give away he wouldn’t be returning to set. (bc we were absolutely casbaited!) and bc it comes up a lot: the "onion field pic" was from when they were filming 15x17 and was not taken while filming 15x19 and 15x20.
besides, it would be ridiculous to go through the financial and logistical headaches of bringing someone into the country to film during a pandemic, only to cut their scenes in the end! honestly, the script is pretty tight when the scenes are given so much breathing room! the only thing i could see being further cut down is The Monologue and even then, i don’t think there was any intent to cut it down given it was filmed in fairly long takes.
i’ve said it many times before, but i believe the finale was fucked long before they returned to set. walker got the green light in sep 2019 and it was being marketed heavily as a “follow on” show to spn given jared’s involvement. the demo they were courting for walker has little to no overlap with the demo for destiel fans — why would they want a finale that catered to a demo they weren't interested in courting? we just went through a historic double strike that exposed so much of the rot of business interests overriding creative vision. this isn't completely unfounded conjecture.
i will not apologize for the length of this bc i wanted to be thorough, but i do want to give context that i think the reason these conspiracies and rumors grind my gears so much is because anyone can fact check all of this. the truth is out there and absolutely none of it is that hard to find. the most time consuming/difficult part of this was finding someone who had a DVR’d copy of the finale from when it aired live and they actually found me themselves after i’d been low key asking around for a year!
and like. i get it. conspiracies are fun. but there are so many sourced instances of network homophobia and destiel being cut that it's like. why is this something folks are hanging onto? the cw is notorious for having upper level meddling with finales bc there's a follow-on show they want to shuffle fans along to and spn is no exception.
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Grief
Buckle down, this is a heavy one. I enjoy causing myself emotional pain, and this hurt/comfort fic is definitely it.
Featuring pre-relationship! Sylus and my OC Kit, regarding her past relationship with Caleb, her ex. Kit is NOT the MC (although Kiri, mentioned in this fic, is), but she is an assassin and Sylus's second in command. Ironically, this was established for me before I knew there were "assassin second in command" fics around.
Trigger warnings for this one: Grief, workplace abuse (not Onychinus, briefly mentioned in non-explicit detail), unintentional physical altercations, lack of eating due to grief. This is addressed and resolved in fic.
If you enjoyed this fic, please consider giving it a like or a reblog! It lets me know people like what I'm doing and encourages me to continue writing!
🐦⬛🐦⬛🐦⬛
The phone hits the floor, its screen shattering.
Kit is soon to follow, her knees giving out beneath her. She can hear Luke and Kieran speaking urgently to her, a voice on the other end of the call crackling out from the speaker, but it's all underwater. Muffled sound that should be words is nothing compared to the heart-rending cry that rips from her throat.
“No. No! Caleb!”
Kit doesn't leave her room for three days.
Later, she'll learn that no one thought to call her. The one who finally asked is River, part of the high school/university friend group who had witnessed the beginning and inevitable end of her relationship.
He's the one who broke the news.
Kit doesn't remember much from those three days. She doesn't eat, barely sleeps, and spends most of her time curled up in her lofted space in Onychinus's attic.
She's there when Sylus finally intervenes.
A hot cup of cocoa is put into her hands, its heat startling her enough to make her look up. Sylus's expression is inscrutable, and if she wasn't in shock, she'd have laughed at the way he's bent forward to avoid the low ceiling.
“Drink,” he says firmly. It's an order, not a request.
Kit’s lips touch the edge of the mug, the sweet aroma curling around her. Her mouth trembles, and her stomach twists. As if accepting bodily functions is a cruel smack against her grief.
A reminder that she is alive, and Caleb is not.
Sylus crouches in front of her. His gaze is steady as he waits. A single pale eyebrow raises in disapproval.
“Are you going to disobey?”
She tilts the mug, sweet chocolate coating her tongue, sugar forcing her back to reality.
Tears sting her eyes, and Kit begins to shake.
Sylus takes the mug. He sets it on a side table as she begins to lurch forward, drawing her into his arms.
He holds her tightly as she sobs, shattering apart once more.
At some point, her tears dry up, whether she wants them to or not. Sylus holds out a tissue, although she's not sure where he got the box.
“I got snot all over you,” are the first words out of her mouth.
Sylus snorts. “I know. That's what happens when you bottle things up, kitten.”
Kit closes her eyes tightly. “Not now,” she whispers. He hums a query, and she shakes her head. “I can't- not that one, Sylus.” She chokes up, unaware of the way his eyes widen at the first willing use of his name. “Cay- Caleb is the one who nicknamed me. When we were young. I told him I hated being called Camilla, and he told me that I reminded him more of a cat than a flower. He's the reason I started going by Kitty, and later…” she blew her nose, trying to fight off another wave of sobs. “And later, Kit. He called me Kitty-cat.”
A gentle hand grazes her cheekbone, brushing at the corner of her eye. She opens them to see Sylus’s expression. It's softer than she's ever seen it.
“Okay, sweetie,” he replies soothingly. “I won't use it.”
Kit leans into his touch, into the warmth of his palm, until he's cupping the side of her face. “Not forever,” she whispers. “I like it when you call me that. Just not right now.”
“He meant a lot to you,” Sylus says. It's a question as much as it is a statement, his hand staying in place where she needs it most. The point of contact feels grounding.
Kit nods. “My best friend, the Hunter who's recovering from the explosion, grew up with him like I did. The three of us were thick as thieves.” She laughs bitterly, staring out the attic window into the dark night.
“Everyone had their expectations, I suppose. They all expected Caleb and I would get together. Our feelings never really mattered, our families pushed us into it. His grandma and my father always seemed to have their heads together, as if they were planning our wedding.”
There's an odd flash of something on Sylus's face, something she can't quite discern. Still, he continues to listen. “Did you…have feelings, then?” He asks carefully.
She reaches over and takes the mug. It's lukewarm now, but she doesn't care. It gives her something to hold onto besides him.
“As I said,” Kit continues. “It never really mattered. Caleb and I were pushed together, like dolls in a dollhouse. We started dating in our first year of high school. It continued until…you know. When I was forced into this life.
I think Caleb knew that something was wrong, but by then we'd graduated, and our relationship began to crumble. My dad retired and fucked off on a trip round the globe, and without that constant parental pressure…” Kit sighs. “It was only right before he left for the academy that I realized I'd fallen in love with him somewhere along the way. I…never did learn if he felt the same way.”
“You can't be serious,” she'd said. Caleb sighs, slinging his bag over his shoulder.
“I am. Sorry, Kitty-cat. I'll be staying at Grandma's until I leave for the academy. Her health’s declining, and Kiri has finals. Someone's got to watch over her.”
“But you don't want me there,” Kit says. She watches the line of his shoulders tense, his hand flexing against the leather handle.
Caleb doesn't look back. “No. I don't. I'll make up some excuse, tell her you're off doing important things.”
“Why?” She goes to move closer, wincing as her stitches pull. Her last job ended poorly, and she'd suffered quite the punishment as a result.
Thankfully, Caleb doesn't see her pain.
He sighs. “Because…she thinks that we're happy. It's her wish, you know. That you and I end up together.”
That hurts more than the cut on her side. “But you don't want us together. Is that it? Are you…” she hesitates, and pushes through. “Are you happy, Cay? With us?”
He reaches out for the door handle. “We'll talk about it when I get back.”
This time, she lunges forward, grabbing the back of his jacket. “When? When you get back from the Academy? Caleb!”
Finally, that gets a reaction out of him. He yanks away, and it sends her to the floor. Kit gasps sharply, black spots dancing across her vision.
Instantly, he whirls, crouching. Caleb’s expression is full of concern, torn between staying and going. “Shit, are you alright? I didn't mean- Camilla, I'm-” He reaches out, and she flinches. It's instinctual.
It's the first time she's ever seen him heartbroken.
“I'm sorry,” he whispers. “I'll leave.” Caleb rises to his feet.
“Caleb, wait-!” She reaches out, but the door’s already clicked shut behind him, and she hears his footsteps pounding down the outside stairs out of their apartment.
For a long time, she sits there. Her question rings over and over again in her head.
'“Are you happy, Caleb?”'
As the sun sets, the last beams of sunlight struggling through the blinds into the living room, Kit makes up her mind.
By the time night comes, all that remains in the apartment are memories left behind and a letter on his pillow, weighed down by a watch she'd intended to gift him for their anniversary, three days away.
Sylus's hands settle over hers on the mug, drawing her out of memories. “We all have regrets,” he says gently. “What's important is that you live on despite them.”
Kit frowns at that. “How cruel to say that to someone who's grieving.”
He squeezes her hands. “I'd rather be cruel than watch you waste away.” Sylus's tone is firm and reprimanding. “I know it hurts. Believe me, I know. But you have to eat. You have to drink. You have to take care of yourself, ki- sweetie. There are living people who care about you.” Sylus cups her face, making her look up at him. Their eyes meet.
Not for the first time, she feels her heart stutter at the intensity of his gaze, and a sharp pang of guilt accompanies it.
“If you can't find a reason to live without him,” he says, an odd bitterness to his voice, “then live because I forced you to. Make me the bad guy. Scream and fight against me, and hate me for it, as long as it gets you to keep going.”
“I could never hate you,” Kit whispers. Her lips tremble as she tries to hold back her tears. His expression is too open, too raw, as if he's showing her something she's not ready to see. She closes her eyes against it, pressing her face into his palms once more. “I just feel so guilty. Like the story of me and him has finished but someone ripped out pages, so I only got to read the very end.”
“Then write a new one with us,” Sylus replies. “That story’s ended, but it doesn't mean you have to. Don't let grief rot you. If he was anything good for you, he wouldn't have wanted that. And neither do I.”
“And neither do we!” The sound of the twins’ voices startles them both, and Kit looks over her shoulder over the edge of the loft. Luke and Kieran stand below, holding a tray of food. Steam rises up, and the accompanying smell makes her stomach growl loudly.
She blushes.
Sylus sighs exasperatedly. “This was supposed to be a private conversation,” he drawls.
“You were taking too long,” Luke throws back at him. “The food was going to get cold.” Kieran nods in agreement.
Kit and Sylus exchange glances, and he squeezes her cheeks until she squawks offendedly, batting his hands away. His eyes are warm, like melted cherry candy. “Come on, sweetie,” he says softly. “Let's eat.”
Kit looks at them all. Her Mischief and Mayhem, down below.
Sylus, her boss, who seems to always cut through her armor to reveal her tender heart.
She sighs in defeat.
“Alright. Let's eat.”
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